Archive for Culture Vulture

Culture Vulture 14th to the 20th of September 2024

3,177 words, 17 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

The Outfit (2022) BBC1 10:45 PM: A thriller about a tailor who becomes entangled in the dangerous world of organized crime, exploring survival and the hidden costs of neutrality in conflict.

Socrates: Genius of the Ancient World BBC4 11:00 PM: A documentary examining the life and philosophy of Socrates, highlighting his method of questioning and the lasting impact of his ideas on modern thought.

and,

Kes (1969) Film4 1:05 PM: A poignant film about a working-class boy who finds solace and purpose in his bond with a kestrel, set against a backdrop of economic hardship and limited opportunities.

Saturday, September 14th, 2024

True Grit (1969) Action 9:00 PM

“True Grit” (1969), directed by Henry Hathaway, is a classic Western that explores themes of justice, revenge, and personal redemption. The film is cantered around the quest of a young girl, Mattie Ross. She wants to avenge her father’s murder by hiring a U.S. Marshal, Rooster Cogburn, to track down the perpetrator. Socially, the film challenges gender norms of its time through Mattie’s character. She is portrayed as determined and resourceful. She defies the traditional expectations of women in the Old West. Her strength and independence are central to the film’s narrative. They serve as a critique of the limitations imposed on women in a patriarchal society.

“True Grit” provides a nuanced view of the legal and justice systems in the frontier context. The film reflects on the limitations of formal legal institutions in remote and lawless areas. In these regions, personal vendettas often take precedence over due process. The character of Rooster Cogburn embodies a form of frontier justice that operates outside conventional legal boundaries. This raises questions about the effectiveness and morality of such an approach. The film portrays the tension between personal retribution and legal justice, challenging viewers to consider the implications of each.

“True Grit” prompts reflection on the nature of justice and the morality of revenge. The film’s portrayal of Mattie’s relentless pursuit of vengeance raises questions. These questions concern the ethical implications of taking the law into one’s own hands. It challenges viewers to consider whether justice is served through personal retribution or through established legal channels. The characters’ actions and decisions invite debate about the nature of justice and the ethical boundaries of seeking revenge.

From a social perspective, the film also delves into the broader societal issues of the time. This includes the harsh realities of life on the frontier. It also examines the impact of violence on communities. It portrays the rugged and often brutal nature of frontier life. It highlights the moral complexities faced by individuals living in such a harsh environment. The film’s setting and character dynamics offer a lens to explore the social challenges. They also reveal the ethical dilemmas of the Old West.

“True Grit” stands out not only as an engaging Western. It also raises significant questions about justice, morality, and social norms. Its exploration of these themes makes it a thought-provoking piece that continues to resonate with audiences beyond its genre.

Classic Albums: The Making of Nirvana’s Nevermind Sky Arts 10:00 PM

This documentary offers a deep dive into the creation of Nirvana’s ground-breaking album “Nevermind.” It highlights the album’s impact on music and culture. Socially, the film explores the rise of grunge as a reflection of generational angst and disillusionment in the early 1990s. Politically, it touches on the countercultural movement’s challenge to mainstream norms and commercialism. Ethically, the documentary also addresses the struggles of Kurt Cobain. It includes his battles with fame and personal demons. The film raises questions about the costs of artistic success and mental health.

Grunge: A Story of Music and Rage Sky Arts 11:00 PM,

This documentary examines the grunge movement. It emerged as a powerful reaction to the excesses of the 1980s and the rise of alternative rock. Socially, it highlights the disillusionment of youth and their desire for authenticity in music and culture. Politically, grunge can be seen as a critique of the consumerist culture and societal norms of the time. Ethically, the genre’s raw and often dark subject matter prompts reflection. It makes one consider the struggles of individuals within a system that often marginalizes them.

Sunday, September 15th, 2024

Hobson’s Choice (1954) Talking Pictures 6:25 PM

“Hobson’s Choice,” directed by David Lean, is a British comedy-drama. It explores themes of social class, gender roles, and personal agency. Socially, the film is a satire of class structures and the rigid expectations of Victorian society. It focuses on a strong-willed woman who challenges these norms. Politically, it critiques the hierarchical class system and the limited opportunities available to women. Ethically, it raises questions about personal autonomy and the right to self-determination within restrictive societal frameworks.

Peter Kosminsky Remembers: The Project BBC4 10:20 PM

This documentary by Peter Kosminsky reflects on “The Project,” a significant piece of journalism or media production. Socially, it examines the impact of media on public perception and understanding. Politically, the film may address the role of media in shaping political discourse and public opinion. Ethically, it raises questions about the responsibilities of journalists and media producers in ensuring accuracy, integrity, and fairness.

Israel & Gaza: Into The Abyss ITV1 10:20 PM,

This documentary provides an in-depth look at the ongoing conflict between Israel and Gaza. Socially, it highlights the human cost of the conflict, including displacement and suffering. Politically, it explores the complex and contentious issues that fuel the conflict, including territorial disputes and national identity. Ethically, the film raises profound questions about the morality of military intervention. It also raises questions about human rights and the search for peace in a deeply divided region.

Peterloo (2018) C4 11:55 PM

“Peterloo,” directed by Mike Leigh, is a powerful historical drama. It dramatizes the events of the Peterloo Massacre of 1819. This was a pivotal moment in British history. The film provides a detailed depiction of the socio-political climate leading up to the massacre. A peaceful demonstration advocating for electoral reform was violently suppressed by the authorities. Socially, the film highlights the harsh conditions faced by the working class in early 19th-century England. They were rallying for greater representation and better living conditions. Through its portrayal of the diverse range of participants—from laborers to reformists—it captures the broad-based desire for change. It also highlights the widespread disillusionment with a system that largely ignored their grievances.

Politically, “Peterloo” critiques the oppressive measures taken by the government to keep control and suppress dissent. The film portrays the government’s response to the protest as an overreach of power. It reflects a broader critique of the entrenched political structures of the time. The brutality of the cavalry against unarmed civilians is shocking. It shows the lengths to which authorities would go to quell demands for reform. The film serves as a historical commentary on the resistance to democratic changes. It also highlights the often violent tactics employed to stifle such movements.

Ethically, the film raises profound questions about the legitimacy and morality of state violence against its own citizens. The graphic depiction of the massacre forces viewers to confront the human cost of political repression. It also forces viewers to confront the ethics of using force to suppress peaceful protest. The film invites reflection on the moral responsibilities of those in power. It questions the extent to which they should go to maintain order. It also prompts viewers to consider the rights of individuals to peacefully assemble. It asks viewers to consider how they can voice their demands without fear of violent retaliation.

From a social perspective, “Peterloo” also examines the role of women and marginalized groups in the reform movement. The film portrays women as key participants in the protest. It challenges traditional gender roles. It highlights their contributions to the struggle for political change. This aspect of the film underscores the intersectionality of social movements and the importance of inclusive representation in historical narratives.

“Peterloo” is both a historical recount and a poignant commentary on the enduring struggle for democratic rights and social justice. The film revisits this significant event. It underscores the ongoing relevance of the issues raised. It serves as a reminder of the sacrifices made by those who fought for a fairer and more representative society.

Monday 16th of September 2024

Kes (1969) Film4 1:05 PM,

“Kes” is a poignant film directed by Ken Loach. It explores the life of a young boy, Billy Casper. He is growing up in a working-class community in Northern England. The film paints a stark picture of Billy’s harsh reality. It highlights the struggles of youth in an environment marked by economic hardship and limited opportunities. Billy’s relationship with his kestrel, Kes, symbolizes his longing for freedom. It also shows his search for personal fulfilment in the face of a bleak and confining existence. The depiction of Billy’s life reflects broader themes of class struggle and the impact of socio-economic factors on individual potential.

The film also provides a critical look at the educational system and its role in shaping young lives. Billy’s experiences with his teachers highlight a system that fails to recognize the unique abilities of students from disadvantaged backgrounds. This system does not nurture these abilities. They often dismiss or belittle him. This portrayal critiques the rigidity and insensitivity of institutional structures. It emphasizes how they can perpetuate a cycle of disenfranchisement rather than fostering personal growth.

On a deeper level, “Kes” prompts viewers to consider the ethical responsibilities of society towards its younger members. Billy’s connection with Kes shows a rare source of joy and purpose amidst his struggles. It draws attention to the need for compassion and understanding in addressing the needs of vulnerable individuals. The film advocates for a more empathetic and supportive approach to education and social welfare. It illustrates the profound impact of kindness and recognition on a young person’s development and sense of self-worth.

Mozart: Rise of a Genius (One of Three) BBC2 9:00 PM

“Mozart: Rise of a Genius” delves into the early life of Wolfgang Amadeus Mozart. It explores the factors that shaped his extraordinary musical talent. The documentary highlights how Mozart’s prodigious abilities were nurtured from a young age. It contrasts his privileged upbringing with the broader socio-political context of his time. It offers insight into the environment that allowed his talent to flourish. It provides a window into the cultural and intellectual climate of 18th-century Europe.

The documentary also examines the role of Mozart’s family, particularly his father Leopold, in his development. Leopold’s intense focus on Mozart’s career raises questions about the balance between encouragement and exploitation in fostering exceptional talent. The film portrays the complex dynamics between parental ambition and the child’s personal agency. It sheds light on the ethical considerations of guiding and supporting prodigious talents.

By showcasing Mozart’s rise to prominence, the documentary invites reflection on the broader implications of talent recognition and support. It underscores the importance of creating conditions that allow individuals to reach their full potential. It also considers the potential pressures and sacrifices involved. Through Mozart’s story, the film illustrates the delicate interplay between personal ambition, familial expectations, and societal recognition.

Joy of Mozart BBC4 10:00 PM

“Joy of Mozart” is a celebration of the enduring appeal of Mozart’s music. It explores how his compositions continue to resonate with audiences around the world. The program highlights the emotional and intellectual richness of Mozart’s work. It illustrates how his music transcends time and cultural boundaries. This provides profound experiences. The documentary emphasizes the timeless nature of Mozart’s genius. It does this by showcasing various performances and interpretations. His music brings universal joy.

The program also reflects on the cultural significance of Mozart’s work within different contexts. These range from classical concert halls to contemporary settings. It delves into how his compositions have been adapted and appreciated across diverse genres and formats. This demonstrates the adaptability and enduring relevance of his music. This exploration underscores the impact of artistic expression on cultural heritage. It continues to influence and inspire new generations.

Through its focus on the pleasure derived from Mozart’s music, the documentary invites viewers to appreciate the beauty. It also highlights the complexity of his compositions. It serves as a reminder of the power of art to evoke emotion. Art can also create connections and enrich human experience. Finally, it celebrates the lasting legacy of one of history’s greatest composers.

Socrates: Genius of the Ancient World BBC4 11:00 PM

“Socrates: Genius of the Ancient World” offers a compelling exploration of the life and philosophy of Socrates. He is one of the most influential thinkers in Western history. The documentary provides an in-depth look at Socrates’ contributions to philosophy. It focuses particularly on his method of questioning and dialogue. This method has shaped the way we approach critical thinking and ethics. The film examines Socrates’ ideas and their impact on subsequent philosophical thought. It sheds light on the intellectual legacy of his teachings.

The program also explores the socio-political context in which Socrates lived. It includes the challenges he faced as a critic of Athenian democracy. His trial and execution are portrayed as a clash between individual conscience and state authority. This portrayal highlights the tension between personal beliefs and societal norms. This aspect of the film prompts reflection on the risks and sacrifices. These risks arise when one stands up for one’s principles in the face of opposition.

Through its portrayal of Socrates’ life and work, the documentary encourages viewers to consider the broader implications of philosophical inquiry. It also highlights moral integrity. It illustrates the enduring relevance of Socratic thought in addressing fundamental questions about human nature. It examines ethics and governance. It reaffirms the importance of critical reflection and intellectual courage in shaping a just society.

Tuesday 17th of September 2024

Nadiya’s Cook Once, Eat Twice BBC2, 7:30 PM

Nadiya Hussain delivers another episode of practical and inventive cooking. She shows how to make meals that can be repurposed into multiple dishes. Her warmth and easy-going style make the show feel inviting, while her clever recipes offer time-saving solutions without sacrificing flavour. Perfect for busy households, this episode highlights her creativity in the kitchen, making meal prep both fun and efficient.

On the Basis of Sex (2018) BBC2, 11:05 PM

This inspiring biopic follows the early career of Ruth Bader Ginsburg. It showcases her struggle to overcome gender discrimination. It also highlights her efforts to reshape the American legal landscape. Felicity Jones delivers a compelling performance as Ginsburg, portraying her determination with grace and intelligence. The film is a stirring tribute to a legal pioneer. It blends emotional depth with a powerful message about justice and equality.

Wednesday 18th of September 2024

The Football Factory (2004) Legend 11pm

This gritty film delves into the lives of disillusioned working-class men drawn to a subculture of violence and tribal loyalty. It portrays their quest for identity and belonging in a society. This society offers them little in terms of opportunity or purpose. The film raises questions about cycles of aggression. It also questions masculinity and the allure of camaraderie in an environment where societal systems seem to have failed. It’s raw, uncomfortable, and thought-provoking. It leaves you wondering whether these men are victims of their circumstances. Or are they architects of their own downfall?

Thursday 19th of September 2024

El Cid (1961) BBC4 11:25 PM

This sweeping historical epic tells the story of a legendary warrior navigating the complexities of loyalty and power. As he balances personal honour with political obligations, the film explores the fine line between heroism and ambition. The society is fractured by faith, authority, and conflicting interests. It highlights the struggle to reconcile individual beliefs. Individuals also face the pressures of collective responsibility. With its majestic setting and moral dilemmas, the film reflects on how individuals can be shaped. It also shows how they can be trapped by the roles they are expected to play in a broader narrative.

Friday 20th of September 2024

The Penguin Sky Atlantic 9PM

The series is a spin-off from the 2022 film “The Batman” and follows the character Oswald Cobblepot, also known as the Penguin. Set in a crime-riddled city, this series portrays a complex figure rising to power through cunning, manipulation, and exploitation of chaos. It examines the lengths individuals will go to seize control. It also looks at the darker side of ambition in a world where morality is flexible. The series explores the consequences of unchecked power. It shows the vulnerability of those who inhabit a system where corruption thrives. In this system, justice feels elusive.

The Outfit (2022) BBC1 10:45 PM

Set in a tightly controlled environment, this film revolves around a skilled tailor. He finds himself entangled in the dangerous world of organized crime. It skilfully weaves themes of survival, identity, and the hidden costs of staying neutral in a conflict. The film reflects on how even those who appear disconnected from the violence around them. They may eventually be forced to confront their own complicity. They may have to acknowledge their role. They have been maintaining the systems they navigate.

and finally, Brightburn (2019) Film4 1:25 AM

This film subverts the idea of the hero. It shows a powerful being who, instead of protecting humanity, chooses a path of destruction. It explores the unsettling question. What happens when someone gifted with immense power feels no obligation to use it for good? The film asks what happens when a person with immense power feels no obligation to use it for good. The film raises the issue of control and accountability. It also shows the potential for evil to emerge from unexpected places. The story is seen through the eyes of a community grappling with this dangerous force.

Picture credits

Films:

Programmes:

Nadiya’s Cook Once, Eat Twice
[By nigelcohen – IMG_5633_b, Public Domain, https://commons.wikimedia.org/w/index.php?curid=130896873]

Classic Albums: The Making of Nirvana’s Nevermind
[By Derived from a digital scan of the DVD cover, and the website from which provides the derivative scan is irrelevant., Fair use, https://en.wikipedia.org/w/index.php?curid=4311417]

Mozart: Rise of a Genius and Joy of Mozart
[By Johann Nepomuk della Croce – http://stafford-choral.org.uk/newsandevents/mozarts-portrait-from-mozart-family-portrait-painted-by-johann-nepomuk-della-croce-salzburg-1790-1791/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=133635036]

Socrates: Genius of the Ancient World
[By Sting, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=96296061%5D

Leave a Comment

Culture Vulture 7th to the 13th of September 2024

6,958 words, 37 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

The Lavender Hill Mob (1951) – A British comedy. It is about a timid bank clerk who devises a plan to rob the Bank of England. It’s a classic heist film with a humorous twist.

Source Code (2011) – A sci-fi thriller. A soldier wakes up in another man’s body as part of a government experiment to prevent a bombing. He relives the same eight minutes repeatedly to find the perpetrator.

and,

Respect (2021) – A biographical musical drama that follows the life of legendary singer Aretha Franklin. It focuses on her journey from childhood to becoming the Queen of Soul.

Saturday 7th of September 2024

Little Women (2019) 1.50pm Film4

Greta Gerwig’s adaptation of Little Women breathes new life into Louisa May Alcott’s classic. It provides a layered exploration of the lives of four sisters growing up in post-Civil War America. The film grapples with the constraints placed on women. These constraints particularly affect their personal ambitions. These ambitions are often overshadowed by familial duty and societal expectations. Jo March, the independent writer, symbolizes the struggle of women trying to forge their own paths. These women face a world that pushes them towards traditional roles of wife and mother. Her fierce wish to keep her independence contrasts with her sister’s different approaches to life. It highlights the complexities of choice for women at the time.

The film also delves into the concept of wealth and class. This is particularly evident through the character of Amy. She is painfully aware of the economic limitations placed on her family. Marriage becomes a way for her to secure financial stability. The financial pressures they face are a driving force in many of their decisions. This is particularly evident as they interact with the wealthy Laurence family. Meg’s decision to marry for love despite financial hardship reflects a rebellion against the notion that prosperity equals happiness.

Furthermore, the film questions the notion of sacrifice. Beth’s illness and quiet endurance reflect the silent burdens borne by many in the shadows of larger social movements. She becomes a symbol of those who, without protest or recognition, quietly uphold and nurture others. Her death forces the family to reckon with the weight of these unspoken sacrifices.

One of the film’s most profound elements is how it examines the idea of success. Jo’s journey as a writer is filled with moments of frustration and elation. These moments mirror the trials of any artist or individual striving for creative fulfillment. Many face the battle of pursuing personal fulfillment against a backdrop of expectation. Little Women poignantly captures this inner conflict.

Gerwig’s film is ultimately a meditation on individual desires versus communal obligations, and the tension between aspiration and reality. The complex interplay of the sister’s personalities is complex. Each has their distinct hopes. This interplay reveals the many ways in which people navigate their identities in a society. This society seeks to define them by specific roles.

Inside Man (2006) 9pm GREAT!movies

Inside Man, directed by Spike Lee, is a thrilling bank heist film. It transcends its genre by exploring power dynamics and moral ambiguity. The heist itself is led by the calm and calculating Dalton Russell. It reveals more than just a clever plot to rob a bank. It raises questions about the ways people in positions of privilege and power often manipulate situations for personal gain. The bank’s owner, Arthur Case, embodies the hidden secrets of the wealthy. He is willing to compromise moral integrity to safeguard his legacy. This willingness presents a stark contrast to the ostensibly criminal but highly principled Russell.

The interaction between Detective Frazier and the bank robbers emphasizes the complexity of justice. It is often more complicated than the simple division between law-abiders and lawbreakers. Frazier’s character grapples with his own career struggles. He finds himself caught between upholding the law and sympathizing with the nuanced ethical standpoints of the robbers. The film blurs the lines between hero and villain, challenging viewers to rethink their assumptions about morality and legality.

A key theme that permeates the film is the idea of deception. Not only are the robbers hiding their true intentions, but so too are the people meant to protect the system. The bank heist becomes a microcosm for broader institutional corruption. The film subtly points out how those at the top often evade accountability. Those below face the harsh consequences.

Additionally, the film shines a light on the unseen disparities in society. Russell’s heist is not merely for monetary gain, but to expose the hidden atrocities of powerful figures like Case. The bank is a symbol of economic power. It holds documents that represent human suffering. This brings attention to how often financial institutions are intertwined with darker historical narratives.

Inside Man is a film that cleverly masks deeper commentary within the framework of a conventional heist movie. Through its layered storytelling, it critiques the unchecked power of the elite. It forces viewers to confront uncomfortable truths about justice and culpability.

Sting and The Police night on BBC2

From 10.15pm Sting and Police fans are in for a treat. Here’s the lineup of Sting-related programmes on BBC2:

Sting: Radio 2 in the Park at 20:30
Live from Moor Park, Preston. Sting will play a mix of his solo hits. The set will include surprise rarities. He will also play classics from The Police. This performance is part of his “Sting 3.0” tour, featuring guitarist Dominic Miller and drummer Chris Maas.
Sting and The Police at the BBC. The show airs at 23:30.
This programme will showcase a collection of performances and interviews with Sting and The Police from the BBC archives3.
Sting: Reel Stories at 00:58
This episode will feature Sting reflecting on his career. He will share stories behind some of his most iconic songs and moments.
The Police in the East: Old Grey Whistle Test at 01:58
A classic episode of the Old Grey Whistle Test. It will feature The Police. The show highlights their early performances and interviews.

Sunday 8th September 2024

The Lavender Hill Mob (1951) 12.40pm BBC2

Ealing Studios’ The Lavender Hill Mob, directed by Charles Crichton, is a delightful British comedy. Nonetheless, it offers biting commentary on post-war social dynamics. At its core, the film centres on Henry Holland. He is a seemingly unremarkable bank clerk who yearns for excitement and the chance to escape his mundane life. His eventual decision to orchestrate a gold heist reflects the desires of many people in a time of economic recovery. During this period, class distinctions remained rigid. Aspirations for upward mobility were met with systemic resistance.

Holland’s transformation from a humble, unnoticed man into a criminal mastermind is significant. It highlights how feelings of insignificance and frustration can lead ordinary individuals to drastic actions. His partner in crime, Pendlebury, an eccentric artist, adds another layer to this theme. Together, they represent the middle class’s desire to break free from the societal constraints. These constraints limit their ability to achieve the wealth and prestige that are often reserved for the upper echelons.

The film also humorously critiques the concept of law and order. It shows how easily the system can be fooled when people think outside the box. Holland’s knowledge of the bank’s inner workings allows him to exploit the institution. This is the very institution that once held him captive in a monotonous existence. Yet, in the end, the system prevails. The bleak message is that even the cleverest schemes can’t entirely escape the structures that govern society. The house always wins.

While it is lighthearted and comedic, The Lavender Hill Mob also touches on deeper issues of loyalty and trust. The group’s camaraderie, built on their shared desire for wealth, eventually unravels as greed and mistrust take over. The heist is not only a test of their ingenuity. It is also a test of their morality. Each member faces the consequences of their actions.

The film satirically portrays the working man’s dream of wealth and success. It offers a subtle critique of societal structures. The film subtly critiques societal structures. These structures keep people in their places. This happens even when they manage to briefly break free. It’s a comedy. Its undertones speak to the frustration and futility felt by those seeking to escape their predetermined roles in life.

Source Code (2011) 5.05pm GREAT!movies

In Source Code, directed by Duncan Jones, a man relives the same eight minutes before a deadly train explosion. This premise sets up a gripping narrative. It goes beyond its sci-fi thriller elements. The film delves into the philosophical question of identity and agency. Colter Stevens, the protagonist, is in a situation. He repeatedly experiences a moment of someone else’s life. This raises questions about the nature of consciousness and self-awareness. His journey to regain control of his own life speaks to the broader human need for autonomy.

Stevens discovers the true nature of his situation. The film introduces a dialogue about the ethics of using individuals for purposes they did not consent to. Stevens is a soldier. He believes he is fulfilling a mission. He learns that he is being used in ways that challenge notions of free will and personal autonomy. This plotline forces viewers to consider the cost of progress. It shows how individuals can become mere tools in the hands of larger entities.

In the backdrop of this personal story, Source Code addresses the human desire to prevent tragedy and save lives. It also reflects the cold, calculated decisions that those in charge of such technology might make. The film critiques the impersonal nature of those who hold power. It contrasts it with Stevens’ deeply personal connection to his mission. He learns more about the people involved in the disaster.

The film also subtly touches on class divisions. The people on the train are going about their daily lives. They are unaware of the larger forces at play. Similarly, ordinary people in society often remain oblivious to the machinations of those in power. Stevens’ growing attachment to the passengers he repeatedly encounters is a symbol. It shows the empathy that develops when people are forced to confront others’ realities.

Source Code becomes a narrative about the fragility of life and the unpredictable forces that shape it. Through its fast-paced plot, it makes a powerful statement on personal sacrifice. It highlights the need for control. It reveals the unforeseen consequences of actions taken by individuals in positions of power.

Joan Rivers at the BBC 10pm BBC4.

This documentary, presented by Katherine Ryan, celebrates the legendary comedian Joan Rivers. The programme showcases some of Joan’s most memorable appearances on BBC shows, highlighting her groundbreaking and often controversial humor.

Katherine Ryan will guide viewers through a collection of Joan’s performances and interviews. She will demonstrate how Joan captivated audiences with her sharp wit. Joan’s fearless comedy also charmed many. The documentary also delves into the personal struggles Joan faced, adding depth to her comedic legacy.

Pet Shop Boys evening on BBC2 10pm

Tonight, BBC Two will feature a special programme titled “Pet Shop Boys: Radio 2 in the Park”. The programme is part of the Radio 2 in the Park event. The Pet Shop Boys will be headlining. Following “Pet Shop Boys: Radio 2 in the Park”, BBC Two will air “Pet Shop Boys at the BBC” at 11.25pm. This programme will last for 1 hour. It features a compilation of the Pet Shop Boys’ performances and appearances on various BBC shows over the years. It includes some of their most iconic live performances. The programme also includes interviews and behind-the-scenes footage. All this showcases their enduring influence and popularity in the music industry..

The Queen (2006) 9pm ITV3

The Queen by Stephen Frears provides a striking portrayal of Britain’s monarchy. The film captures one of its most tumultuous times—the death of Princess Diana. The film centers on Queen Elizabeth II’s struggle to balance her personal feelings with her public duties. This reveals the tension between tradition and modernity. The monarchy, portrayed as stoic and unwavering, faces a public that demands a more emotionally responsive and empathetic leadership.

Helen Mirren’s portrayal of the late Queen embodies the struggle of those in power. They aim to maintain dignity and tradition. This is challenging in the face of a rapidly changing society. The Queen’s reluctance to immediately address Diana’s death publicly contrasts sharply with the outpouring of grief from the British people. This highlights the divide between the monarchy’s insular world and the public’s expectations.

The film also explores the shifting role of the media, which plays a significant part in shaping public perception. Tony Blair, played by Michael Sheen, represents the new era of politics. In this era, public image and media relations are as important as policy decisions. His efforts to advise the Queen on how to respond to the public’s grief are evident. This shows the growing influence of public opinion. Media now plays a key role in political and royal affairs.

At its heart, The Queen is about the conflict between personal responsibility and public expectation. The Queen’s initial refusal to bend to public pressure reflects a deep-rooted belief. She believes in the monarchy’s role as a stabilizing, unchanging institution. As she eventually makes concessions, it becomes clear that even the most established traditions must evolve. They must survive in a world that is becoming increasingly interconnected and emotional.

The film ends with a quiet, contemplative tone, as the Queen reflects on her role.

LA Confidential (1997) 9pm Legend

Curtis Hanson’s LA Confidential is a complex, gritty depiction of 1950s Los Angeles. Corruption and ambition intertwine to create a world driven by moral ambiguity. The film follows three very different police officers. Each has their own personal code. They navigate a web of crime, deceit, and power. The backdrop of glitzy Hollywood, with its promise of fame and fortune, contrasts with the seedy underbelly of the city. Manipulation and violence dictate the lives of both the elite and the underclass. The power struggles within the police department highlight how loyalty and morality are often compromised for personal gain.

Central to the film is the theme of identity. Detective Bud White is a brute with a soft spot for justice. He struggles with his violent tendencies while seeking redemption. Officer Jack Vincennes is more concerned with fame than integrity. Their motivations are rooted in their pasts. These motivations suggest how individuals can be shaped by the world around them. People are often driven to act in ways that conflict with their values. This tension reflects the larger social fabric, where success is often measured by one’s ability to play the system.

The investigation at the heart of the film involves corrupt cops and organized crime. It sheds light on how institutions built to uphold justice can be co-opted by those looking to exploit them. The intertwining of police work with Hollywood tabloids reveals how media can both glamorize and obscure the truth. This leaves individuals at the mercy of perception rather than reality. The manipulation of public opinion plays a crucial role in shaping the outcomes for both criminals and law enforcers.

LA Confidential also presents a deeply cynical view of relationships. This is particularly shown through Lynn Bracken. She is a woman whose value is measured by how she conforms to society’s superficial standards of beauty and desirability. Her entanglement with the male protagonists reveals how power dynamics can affect personal connections. These dynamics often lead to exploitation and emotional detachment. The characters’ search for authenticity in a city that thrives on illusions is a recurring motif. It highlights the emotional cost of ambition.

Ultimately, LA Confidential is a noir masterpiece that explores the murky intersections of truth, justice, and ambition. The characters are each flawed and driven by their own desires. They must confront the darkness within themselves and the world they inhabit. The film’s layered storytelling mirrors the complexities of real life. Doing the right thing is often not as clear-cut as it seems.

Joram (2023) 2.10am C4

Joram is a contemporary Indian film directed by Devashish Makhija, set against the backdrop of tribal displacement and urbanization. It tells the story of a man named Dasru. He is a tribal labourer on the run with his infant daughter after committing an act of violence. The film masterfully blends personal drama with broader societal issues. It uses Dasru’s flight as a metaphor for the displacement faced by indigenous communities in India. His journey from the forest to the city reflects the dislocation of those uprooted by development projects. These projects prioritize profit over people’s lives.

Dasru’s desperation to protect his daughter highlights the generational impact of these societal upheavals. His struggles are emblematic of a broader sense of loss—loss of land, culture, and identity. The film shows how modernity often comes at the expense of those who live closest to the land. Urban centers provide no refuge but instead further alienate those who are displaced. The contrast between the natural world and the harsh, unforgiving cityscape reinforces the idea that progress is often destructive.

One of the film’s most compelling elements is its portrayal of power dynamics. Dasru encounters various figures in his journey—some who help, others who exploit. The audience is reminded of how vulnerable the marginalized are in a world that values economic growth above human dignity. These interactions reflect a system that benefits the powerful at the expense of those who have little agency. Dasru’s status as a tribal man marks him as invisible in the eyes of the authorities.

The tension between traditional ways of life and modern development is palpable throughout Joram. Dasru’s isolation in the city speaks to the erasure of tribal cultures. These cultures are forced to assimilate into a society that has no place for them. The emotional and psychological toll of this displacement is evident in every scene. Dasru struggles not only to survive but to retain a sense of self. He faces a world that constantly undermines his existence.

In the end, Joram is a powerful reflection on the cost of progress. It also reflects on the human lives that are often deemed expendable in the pursuit of modernization. Dasru’s journey is both deeply personal and universally resonant. It captures the struggles of those left behind. The system prioritizes the needs of the few over the many.

Monday 9th of September 2024

*Mr Bates vs the Post Office: The Impact” 9pm ITV1.

This follow-up documentary examines the aftermath of the drama series “Mr Bates vs The Post Office.” The series highlighted the wrongful accusations of theft against subpostmasters. These accusations were due to a faulty Horizon computer system.

The documentary features interviews with former subpostmasters and subpostmistresses. These include Alan Bates, who share their personal stories. They also discuss the ongoing fight for justice and compensation. The documentary is narrated by Toby Jones. It provides a deeper look into the real-life impact of the scandal. It also details the changes it has prompted.

Trump: Should We Be Scared? 10pm C4

This documentary explores the potential implications of Donald Trump’s political influence and possible return to power. It delves into various perspectives on his policies and leadership style. Additionally, it discusses the broader impact on both the United States and the global political landscape.

The programme features interviews with political analysts, historians, and former government officials. It provides a comprehensive look at the concerns and controversies surrounding Trump’s political career.

Cop Land (1997) 11pm ITV4

James Mangold’s Cop Land is a tightly wound crime drama. It is set in a small New Jersey town populated largely by New York City police officers. The film explores the corrupt alliances between law enforcement and organized crime. Sheriff Freddy Heflin, played by Sylvester Stallone, is caught in the middle. Freddy, an outsider due to his hearing impairment and small-town status, longs for the respect of the city cops. They dominate the town. He gradually realizes the corruption surrounding him. This realization forces him to confront his own complicity in allowing these injustices to fester.

The film’s portrayal of law enforcement reveals the blurred lines. It highlights those who are meant to uphold justice. It also shows those who exploit their power for personal gain. The community is built around the camaraderie of cops. It is rife with moral decay. This shows how a culture of loyalty can be manipulated to shield wrongdoing. The residents are bound by their shared profession. They protect one another at the expense of justice. This creates a deeply flawed system where accountability is rare.

Freddy’s journey is one of awakening. Initially, he is content with his small role. His growing awareness of the corruption forces him to take a stand. He does so even at great personal risk. His transformation is from passive bystander to active participant in the pursuit of justice. It reflects the internal conflicts faced by many. They are caught between loyalty to their peers and a desire to do what’s right. The character arc shows the cost of silence in the face of wrongdoing. It also illustrates the bravery required to confront entrenched systems of power.

Cop Land also examines the consequences of systemic corruption on a broader scale. The town’s lawlessness mirrors the often-unseen alliances between institutions and crime in the real world. The film suggests that when those in power protect each other, the very foundation of law and order is compromised. Ordinary people are left vulnerable to exploitation and abuse.

Cop Land is a story about the choices people make when confronted with moral crises. Freddy’s decision to break away from the toxic brotherhood of cops in the town is a powerful statement about integrity. It also represents sacrifice. Additionally, it highlights the long road to justice in a world where power can easily corrupt.

Tuesday 10th of September 2024

Stories from the National Gallery 9pm Sky Arts

This programme offers an in-depth look at some of the most iconic artworks housed in the National Gallery in London. It explores the history, significance9p and stories behind these masterpieces. It provides viewers with a deeper appreciation of the art and the artists who created them.

The episode will feature expert commentary, behind-the-scenes insights, and interviews with curators and art historians. It is a must-watch for art enthusiasts and anyone interested in cultural heritage.

The Children Act (2017) 11.05pm BBC2

Directed by Richard Eyre, The Children Act is an emotionally charged drama. It centers on Fiona Maye, a High Court judge in London. She is tasked with making life-altering decisions in family court cases. The film is based on the novel by Ian McEwan. Its core conflict revolves around Fiona’s judgment in a case concerning a young Jehovah’s Witness. Adam refuses a life-saving blood transfusion on religious grounds. This case becomes a moral battleground. Personal belief systems clash with medical ethics. Fiona is forced to grapple with the gravity of her decisions.

Fiona’s role as a judge places her in a position of immense authority. The film scrutinizes the burden of responsibility that comes with wielding such power. Her detached demeanor in court reflects the necessity of remaining impartial. Yet, the case of Adam gradually forces her to confront the human element behind the legal proceedings. The tension between objectivity and empathy becomes a central theme. Fiona’s personal involvement in Adam’s case blurs the lines between her professional duty and her emotional response.

The relationship that develops between Fiona and Adam is both touching and tragic. Their conversations delve into the complexities of faith, mortality, and personal choice. Adam’s steadfast commitment to his beliefs has fatal consequences. It challenges Fiona’s perception of what is best for him. It raises questions about individual autonomy and the limits of judicial intervention. Their interactions bring to light the tension between institutional authority and personal freedoms. They also highlight the sacrifices people make in the name of principle.

In her personal life, Fiona is also struggling. Her strained relationship with her husband mirrors the isolation she feels in her professional role. The emotional toll of her work takes a heavy toll. She cannot fully connect with those around her. This paints a portrait of a woman who, despite her success, is emotionally adrift. The film subtly critiques the ways in which high-powered careers can lead to personal sacrifices. These sacrifices leave individuals disconnected from their own emotions.

Ultimately, The Children Act is a meditation on the limits of human judgment. It explores the difficulty of making decisions that impact others’ lives in profound ways. Fiona’s character arc reflects the burden of responsibility. It also reflects the struggle to balance empathy with objectivity in a world where the right answer is often elusive. The film challenges viewers to consider the complexities of choice, belief, and the fragile nature of human connections.

Wednesday 11th of September 2024

Respect (2021) 10.40pm BBC1

Respect, directed by Liesl Tommy, tells the story of Aretha Franklin’s rise to fame. It focuses not only on her music but also on her personal struggles. It also looks at the influences that shaped her career. The film traces her journey from singing in her father’s church to becoming the Queen of Soul. She navigates the challenges of being a black woman in a male-dominated industry during the Civil Rights Movement. Aretha’s battle for control over her own voice and image is a powerful metaphor. It represents the broader fight for equality and self-determination in a world that sought to dictate her worth.

At the heart of Respect is Aretha’s complex relationship with her family. Particularly with her father, a charismatic preacher. He both nurtured and controlled her early career. The film shows how family expectations and societal pressures often collide. It is especially challenging for someone as talented as Aretha. She struggled to balance her personal desires with the needs of those around her. This dynamic reflects a broader issue. Individuals are shaped—and sometimes confined—by the expectations placed upon them by family, faith, and community.

The film also delves into Aretha’s internal struggles, particularly with self-worth and trauma. Her early experiences with abuse and loss haunt her. The film presents her journey toward self-empowerment as a hard-fought battle. As she finds her voice, both literally and metaphorically, Aretha’s journey mirrors that of many. They must overcome personal demons to claim their own identity and place in the world. Her growing sense of agency is a triumph over the forces that once sought to control her.

Respect also touches on the intersection of art and activism. Aretha’s involvement in the Civil Rights Movement highlights how music can be a form of personal expression. Her deep connection to the struggles of African Americans during this time also illustrates this. Music can also be a vehicle for political change. Her songs become anthems of empowerment. They are not just for herself. They are for an entire generation fighting for their rights and dignity.

Respect is a celebration of Aretha Franklin’s legacy, both as an artist and as a symbol of resilience and strength. The film pays tribute to her impact on music and culture. It also reminds viewers of the personal battles she fought to become the legend she is remembered as. It’s a moving portrayal of one woman’s triumph over adversity. The story is set against the backdrop of a society grappling with its own need for transformation.

Bhagwan Barose (2023) 1.55am C4

Bhagwan Barose, directed by Shiladitya Bora, is a poignant coming-of-age story set in rural India in the late 1980s. The film focuses on the life of two children, Bhola and Shambhu, as they encounter the changing dynamics of their village. These dynamics are shaped by superstition, religious fervor, and political undercurrents. The film is a powerful commentary. It shows how belief systems, both personal and communal, can be manipulated. This manipulation often has devastating consequences for those who are most vulnerable. The story is shown through the lens of these two young protagonists. The audience is taken on a journey. It explores innocence lost in the face of larger societal forces.

The film’s setting is a small village where religious rituals and superstitions dominate daily life. It is a microcosm of a society where blind faith can sometimes supersede logic and humanity. Bhola is caught in the web of these beliefs. He starts to question the world around him. He sees the impact it has on his family and community. The contrast between youthful curiosity and the rigid adherence to tradition is evident. Young individuals struggle to find their place in a world that doesn’t always encourage questioning.

The characters in Bhagwan Barose represent various facets of the society they live in. The village elders uphold tradition. The charismatic leaders exploit people’s fears. Both stand in stark contrast to the innocence of Bhola and Shambhu. They are just beginning to understand the complexities of the world around them. Their journey is not just about coming to terms with religious and political divides. It is also about learning to navigate a world where authority is often unquestioned. Power is wielded through fear.

The film also examines the impact of religious fervor on personal relationships. As the community becomes more divided, friendships and families are tested, with faith often becoming a tool of control. Bhola becomes aware of the manipulative nature of those who claim to act in the name of higher powers. This forces him to confront the idea of moral responsibility. He also faces the consequences of blind devotion.

Bhagwan Barose is a deeply reflective film about the loss of innocence in a society fraught with division. It calls into question the systems that govern belief and the human cost of unquestioned authority. Through its sensitive portrayal of childhood, it offers a sobering look at how larger forces can shape. They often warp the moral compass of entire communities.

Thursday 12th of September 2024

Tonight: The Summer Riots – Britain Broken 10.45pm ITV1

This documentary investigates the causes and consequences of the recent summer riots across the UK. It delves into the social, economic, and political factors that have contributed to the unrest. The documentary features interviews with those affected. These include community leaders, law enforcement, and individuals involved in the riots.

The programme aims to provide a comprehensive understanding of the underlying issues. It also examines the impact on communities. The programme explores potential solutions to prevent future unrest.

A House Named Shahana (2023) 1.25am C4

A House Named Shahana, directed by Samar Shaikh, is an evocative drama. It explores the themes of memory, loss, and the passage of time. This is done through the story of a house that once stood as a symbol of unity and familial bonds. The film follows the multi-generational history of the Shahana house. This once-grand residence has fallen into disrepair. Its former inhabitants return to confront their shared past. The house is a silent witness to the joys and tragedies of those who lived there. It serves as a powerful metaphor for the changing dynamics of family. It also highlights the transient nature of human connections.

The film highlights the emotional weight that spaces can hold. As the characters revisit Shahana, they are forced to confront the physical decay of the house. They also confront the emotional scars left by past conflicts and unresolved tensions. The house becomes a symbol of the fractured relationships that have weathered time. The characters’ attempts to reconcile with their past reflect the broader human struggle. They strive to find closure and meaning in a world where time inevitably erodes even the strongest bonds.

Central to the narrative is the theme of legacy. The characters are each grappling with their own sense of identity and belonging. They are bound by the shared history of Shahana. However, they are divided by the choices they have made in life. The house was once a place of safety and comfort. Now, it serves as a reminder of what has been lost—both physically and emotionally. The film carefully examines how the decisions of one generation impact the next. This creates a cycle of inherited trauma and unresolved conflict.

The film also addresses the idea of home. It is not just a physical space, but a concept tied to memory and emotional security. For some, Shahana represents a connection to a past that was once idyllic. For others, it is a place of unresolved pain. The characters’ differing perceptions of the house reveal the complex ways in which people relate to their pasts. Some seek to preserve what once was. Others try to move forward and leave it behind.

A House Named Shahana is a meditation on time, memory, and the inevitable decay of both physical and emotional structures. It asks viewers to reflect on the weight of the past. Even as buildings crumble and people change, the imprint of what once was remains. This shapes the future in ways both profound and subtle.

Friday 13th of September 2024

Shirley Valentine (1989) 9pm 5Star

Lewis Gilbert’s Shirley Valentine is a heartwarming and empowering story of self-discovery and liberation. It follows the life of a middle-aged Liverpool housewife who feels trapped in the monotony of domestic life. The film, based on Willy Russell’s play, offers a sharp critique of traditional gender roles. It also critiques societal expectations placed on women, particularly those in long-standing marriages. Shirley’s transformation begins from a dutiful wife and mother. She evolves into an independent woman seeking her own happiness. Her journey is a joyful, yet poignant, exploration of personal fulfillment.

The film highlights the emotional isolation many women experience in marriages that have become routine and devoid of passion. Shirley’s witty inner monologues provide insight into her deep dissatisfaction with her life. She breaks the fourth wall to address the audience. Her humor is a coping mechanism. It also reveals a longing for something more than the domestic drudgery that has come to define her existence. Through her reflections, the film speaks to the ways societal norms confine women. These norms often stifle their individuality.

Shirley’s journey to Greece was spurred by a spontaneous decision to embrace adventure. It symbolizes her escape from the constraints of her life back home. The sun-drenched beaches and open skies of the Mediterranean contrast sharply with the grey, oppressive setting of her Liverpool kitchen. This contrast represents the freedom and possibility that comes with breaking away from societal expectations. Her interactions with the local culture and people help her rediscover a sense of joy and wonder. These interactions remind viewers that it’s never too late to reclaim one’s life.

The film also explores the idea of reinvention. As Shirley reconnects with her younger, more adventurous self, she learns that her identity is not fixed. She discovers that personal growth is possible at any stage of life. Her transformation challenges the notion that women’s lives must revolve around their roles as wives and mothers. Instead, the film celebrates the importance of pursuing individual happiness. It highlights the courage it takes to step outside the roles assigned by society.

Ultimately, Shirley Valentine is a triumphant story about self-realization and the power of change. Shirley’s journey is both personal and universal, reflecting the desire we all have to live authentically. Her decision to embrace her own desires is a reminder. Rather than live for others, she shows that life is not just about fulfilling expectations. It is about seeking out joy and meaning on one’s own terms.

Filth (2013) 11.50pm Film4

Directed by Jon S. Baird, Filth is a dark, twisted adaptation of Irvine Welsh’s novel. The story focuses on the life of Detective Sergeant Bruce Robertson, played by James McAvoy. His self-destructive behavior and moral decay drive the film’s chaotic narrative. Set against the grim backdrop of Edinburgh, Filth is an intense character study of a man spiraling out of control. He is driven by his addictions, manipulations, and personal demons. The film is shocking and bleakly humorous. It offers a scathing look at a man consumed by his vices and the toxic environment that enables them.

Robertson is a deeply flawed protagonist. He uses manipulation, racism, and cruelty to climb the ranks within the police force. He conceals his personal disintegration. His behavior reflects a deeper commentary on the destructive effects of unchecked power and corruption. The film suggests that systems that reward ambition without accountability often foster individuals like Robertson. Rather than serving justice, these individuals exploit their positions for personal gain. His actions are not just a reflection of his own moral bankruptcy. They also reflect a larger environment that turns a blind eye to such behavior.

Robertson’s mental health deteriorates. The film delves into his psyche. It reveals the trauma and unresolved grief that underpin his actions. His grotesque behavior is juxtaposed with moments of vulnerability, showing how deeply broken he is beneath his outward bravado. The film challenges viewers to grapple with the complexity of his character, who is both repulsive and pitiable. His unraveling serves as a commentary. It shows how unresolved trauma can manifest in destructive ways. This is especially true in environments that offer little support for mental health.

Filth also presents a stark critique of masculinity and the pressure to conform to societal ideals of power and dominance. Robertson’s toxic behavior is fueled by his need to assert control and superiority, both in his personal and professional life. His relationships with others are based on manipulation and cruelty, reflecting the corrosive effects of unchecked aggression and emotional repression. The film exposes the fragility of this form of masculinity. Robertson’s façade crumbles under the weight of his internal conflicts.

In the end, Filth is a brutal exploration of a man’s descent into madness, addiction, and moral ruin. The film portrays its protagonist’s destructive behavior unflinchingly. It forces viewers to confront the darker aspects of human nature. It also highlights the societal structures that enable them. Filth is difficult to watch at times. It is a powerful meditation on the consequences of living a life disconnected from empathy, integrity, and self-awareness.

and finally, streaming…

The second part of Emily in Paris Season 4 will be available on Netflix starting Thursday, 12th September 2024. This part includes the final five episodes of the season. Here’s a summary:

Episode 6: Emily faces a major career decision that could change her life in Paris. Meanwhile, her relationships with her friends and colleagues are tested.
Episode 7: A surprise visitor from Chicago shakes things up for Emily. This leads to unexpected complications in her personal life. It also affects her professional life.
Episode 8: Emily and her friends embark on a weekend getaway. Things don’t go as planned. This leads to some hilarious and heartfelt moments.
Episode 9: Emily’s work project takes an unexpected turn, and she must navigate the challenges with creativity and determination.
Episode 10: The season finale brings all the storylines to a head. Emily makes some big decisions about her future in Paris.

We love Emily In Paris. One reason is the depiction of the culture clash. The show humorously explores the cultural differences between Emily’s American background and the French way of life. This leads to many amusing and insightful moments. But we also love the fashion. Emily’s wardrobe is a highlight of the show. The series features high fashion and stylish outfits that have inspired many viewers and fashion enthusiasts. Add to that a light-hearted tone, great character development and a beautiful setting and you have a winner.

Walter Presents: 1985 is an upcoming crime drama series set to launch on Channel 4. The series will premiere on 16th September 2024 at midnight. It will be available as a full boxset from 13th September 2024 via C4 Streaming. The series is set against the backdrop of Belgium’s most notorious unsolved crime spree, involving the so-called ‘Brabant Killers’.

In 1980, best friends Marc and Franky move to Brussels. They are joined by Franky’s sister Vicky. They start new chapters in their lives. Marc and Franky join the Gendarmerie as police recruits, while Vicky becomes a law student and pirate radio DJ. As they navigate their new lives, they find themselves entangled in the horrifying events. These events shocked a generation and left a scar on the entire country.

Picture credits

Little Women (2019)
By https://sonypicturespublicity.com/dom/secured/title/titleFolderContainer.jsf?terrtitleId=1840, Fair use, https://en.wikipedia.org/w/index.php?curid=61598613
Inside Man (2006)
By Internet Movie Poster Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=3714530
The Lavender Hill Mob (1951)
Fair use, https://en.wikipedia.org/w/index.php?curid=2705600
Source Code (2011)
May be found at the following website: IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=29700843
The Queen (2006)
The poster art can or could be obtained from Pathé Pictures (UK theatrical)20th Century Fox (UK DVD)Miramax Films (USA)Icon Productions (Australian theatrical)Warner Home Video (Australian DVD)., Fair use, https://en.wikipedia.org/w/index.php?curid=6757321
LA Confidential (1997)
By http://www.impawards.com/1997/la_confidential.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6898645
Joram (2023)
By Devashish Makhija – Twitter, Fair use, https://en.wikipedia.org/w/index.php?curid=75197469
Cop Land (1997)
Fair use, https://en.wikipedia.org/w/index.php?curid=5886157
The Children Act (2017)
By Studio and or Graphic Artist – IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=57782112
Respect (2021)
By IMP Awards / 2021 Movie Poster Gallery / Respect Poster (#6 of 6), Fair use, https://en.wikipedia.org/w/index.php?curid=62643512
Bhagwan Barose* (2023)
A House Named Shahana (2023)
Shirley Valentine (1989)
May be found at the following website: http://www.rarefilmposters.com/picture?pic=1232990107&table=pictures&width=600&height=444, Fair use, https://en.wikipedia.org/w/index.php?curid=21133618
Filth (2013)
By Lionsgate Films – [1], Fair use, https://en.wikipedia.org/w/index.php?curid=40625259
The Pet Shop Boys
By The Sound Stage, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=33294251
The Police
By Lionel Urman, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=3520500
Mr Bates
By ITV – https://www.itv.com/watch/mr-bates-vs-the-post-office/10a0469/10a0469a0001, Fair use, https://en.wikipedia.org/w/index.php?curid=75809925
National Gallery
By Diego Delso, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=35481651
Joan Rivers
By Roy Silver – The Historic Images OutletFront of photoBack of photo, Public Domain, https://commons.wikimedia.org/w/index.php?curid=54279003

Leave a Comment

Culture Vulture 31st of August to the 5th of September 2024

3,420 words, 18 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

Get Carter (1971) – This gritty British crime thriller follows Jack Carter’s ruthless quest for revenge in a corrupt, decaying 1970s Britain; airing Sunday, 1st of September 2024 at 10pm on BBC2.

Hampstead (2017) – A charming romantic drama set in London’s Hampstead Heath, exploring an unlikely connection between an American widow and a reclusive man; airing Wednesday, 4th of September 2024 at 6.55pm on Film4.

Another Round (2020) – This Danish film delves into a group of teachers experimenting with constant intoxication to reclaim the joy in their lives; airing Friday, 6th of September 2024 at 1.20am on C4.

Saturday 31st of August 2024

Passport To Pimlico (1949) 1.15pm BBC2

“Passport to Pimlico” is a classic British comedy that cleverly satirizes the post-war conditions in London. Set in the fictional district of Pimlico, the story unfolds when a group of residents discovers an old document that declares their neighbourhood to be a part of Burgundy, a region of France. This leads to Pimlico seceding from Britain, and the residents embrace their newfound independence with humorous and chaotic consequences. Beneath the film’s light-hearted exterior lies a commentary on the austerity of the era, the yearning for freedom, and the absurdities of bureaucracy. The film highlights how ordinary people navigate extraordinary circumstances, underscoring the human desire for autonomy and the impact of political decisions on everyday life.

A night of disco from the BBC

On Saturday, 31 August, BBC2 will broadcast “Everybody Dance! The Sound of Disco” as part of the Proms 2024 series. This event celebrates the vibrant disco era with performances by the BBC Concert Orchestra and vocalists like Vula Malinga, Vanessa Haynes, and Elisabeth Troy. Expect to hear iconic hits from artists such as Chic, Gloria Gaynor, Diana Ross, and Boney M.

The show will air at 8:25 PM followed by three volumes of disco at the BBC. and promises an evening filled with glitz, glamour, and classic disco tunes. Then at 12:55 AM, BBC2 will air “Studio 54”, a documentary that delves into the legendary New York nightclub known for its extravagant parties and celebrity guests.

Glory (1989) 9pm Film4

“Glory” is a powerful historical drama that brings to light the often-overlooked contributions of African American soldiers during the American Civil War. The film follows the story of the 54th Massachusetts Infantry Regiment, the first all-Black regiment in the Union Army, and their fight for dignity and recognition in a deeply divided nation. Through the experiences of its characters, “Glory” explores the harsh realities of prejudice, the struggle for equality, and the sacrifices made in the pursuit of justice. The film challenges the viewer to reflect on the complexities of identity and the meaning of true courage in the face of systemic oppression, making it a poignant and thought-provoking portrayal of a pivotal moment in history.

Out Of Sight (1998) 10.55pm GREAT!movies

“Out of Sight” is a stylish crime thriller that intertwines the lives of a suave bank robber and a determined U.S. Marshal. Directed by Steven Soderbergh, the film combines sharp dialogue, a clever plot, and a sizzling chemistry between its leads to create a memorable cinematic experience. Beneath its cool exterior, “Out of Sight” touches on themes of power dynamics, morality, and the unpredictability of human relationships. The film presents characters who navigate the grey areas between right and wrong, challenging the audience to question the true nature of justice and the choices people make when faced with complex moral dilemmas. It’s a smart, engaging film that leaves viewers pondering the boundaries between law and love

Sunday 1st of September 2024

The Man Who Destroyed Oscar Wilde 8.30pm PBS America

This documentary explores the life and actions of the Marquess of Queensberry, whose feud with Oscar Wilde led to Wilde’s downfall. The Marquess, whose son Lord Alfred Douglas was Wilde’s lover, accused Wilde of homosexuality, which was illegal at the time. This accusation resulted in a series of trials that ultimately led to Wilde’s conviction and imprisonment.

The documentary delves into the personal and societal impacts of this conflict, shedding light on the dramatic events that led to the tragic end of Wilde’s career and life.

Spencer (2021) 9pm Film4

“Spencer” offers a hauntingly intimate portrayal of Princess Diana during a Christmas holiday with the royal family at Sandringham. Directed by Pablo Larraín, the film presents Diana as a woman trapped in an oppressive environment, struggling with her identity and mental health. The narrative delves deep into the personal turmoil of a public figure, capturing the suffocating pressures of tradition and expectation. Through its atmospheric storytelling and Kristen Stewart’s powerful performance, “Spencer” sheds light on the emotional isolation and internal conflict faced by those who must navigate the demands of duty and the search for personal freedom. The film resonates as a poignant exploration of individuality versus institutional expectations, making it a compelling and deeply moving watch.

Starship Troopers (1997) 9pm ITV4

“Starship Troopers,” directed by Paul Verhoeven, is a film that initially presents itself as a straightforward sci-fi action blockbuster, but upon closer inspection, reveals itself as a sharp, satirical commentary on the nature of militarism and societal control. Set in a future where Earth is governed by a militaristic regime, the film follows a group of young soldiers as they are trained and deployed in an interstellar war against a race of giant, insect-like aliens. The narrative centres on Johnny Rico, a high school graduate who enlists in the Mobile Infantry, motivated by a desire to impress his love interest, Carmen Ibanez. As Rico and his friends are thrust into the brutal reality of war, the film explores themes of loyalty, sacrifice, and the often grim realities that lie beneath the surface of patriotic fervour.

One of the most striking aspects of “Starship Troopers” is its depiction of a society that thrives on propaganda and indoctrination. The film opens with a recruitment advertisement that glorifies the military and presents the war against the “bugs” as a noble and necessary cause. Throughout the film, news broadcasts and educational videos reinforce this narrative, portraying the soldiers as heroes and the aliens as an existential threat that must be eradicated. These elements serve to critique how governments can manipulate information and foster a culture of fear to maintain control over the populace. The film’s use of exaggerated and hyperbolic propaganda mirrors historical and contemporary examples of how media can be used to shape public opinion and justify aggressive policies.

The militaristic society depicted in “Starship Troopers” is one where citizenship is earned through military service, creating a stark divide between those who serve and those who do not. This structure echoes historical fascist regimes, where military service and loyalty to the state were paramount, and where dissent was often met with harsh consequences. In the world of “Starship Troopers,” the concept of citizenship is deeply tied to one’s willingness to fight and die for the state, raising questions about the value of human life in such a society. The film challenges the notion that sacrifice and violence are inherently virtuous, instead suggesting that they are tools used by those in power to maintain control.

As the characters progress through the story, the film gradually peels back the layers of its seemingly heroic narrative to reveal the darker truths beneath. The soldiers, initially depicted as eager and idealistic, are quickly confronted with the brutal realities of war. The battles against the alien bugs are depicted with graphic violence, emphasizing the horror and senselessness of the conflict. The dehumanization of both the enemy and the soldiers themselves becomes apparent, as the characters are reduced to mere instruments of war, their individuality and humanity stripped away. This dehumanization is further underscored by the film’s portrayal of the bugs, which, while presented as mindless monsters, are shown to be highly organized and driven by a survival instinct not unlike that of the humans.

“Starship Troopers” also delves into the theme of blind obedience and the consequences of unquestioning loyalty to authority. The characters are taught to follow orders without hesitation, and those who question the mission or express doubts are quickly marginalized. Rico’s journey from a naïve recruit to a hardened leader is marked by his increasing willingness to embrace the violent ethos of the society he serves. This transformation raises important questions about the nature of leadership and the ethical implications of following orders, particularly when those orders lead to widespread destruction and loss of life. The film suggests that in a society that glorifies violence and suppresses critical thinking, individuals can easily be manipulated into committing atrocities in the name of duty.

Despite its heavy themes, “Starship Troopers” is often misunderstood as a simple action film due to its over-the-top special effects and thrilling battle sequences. However, these elements are intentionally exaggerated to serve the film’s satirical purpose. Verhoeven employs a style that both indulges in and critiques the very tropes it portrays, creating a film that is both entertaining and thought-provoking. The contrast between the film’s flashy, bombastic exterior and its darker, more critical subtext invites viewers to question the true message being conveyed. Is it a celebration of military might, or a warning about the dangers of unchecked power and the seductive allure of fascist ideology?

“Starship Troopers” is a complex and multi-layered film that challenges its audience to look beyond the surface and consider the deeper implications of the story it tells. It is a film that uses the conventions of the sci-fi genre to explore real-world issues, making it a timeless and relevant commentary on the intersection of war, media, and societal control. Verhoeven’s masterful use of satire ensures that “Starship Troopers” remains a film that can be revisited and reinterpreted, offering new insights with each viewing. It stands as a bold and provocative piece of cinema that continues to resonate in an age where the themes it addresses are as relevant as ever.

Get Carter (1971) 10pm BBC2

“Get Carter” is a gritty British crime thriller that follows Jack Carter, a ruthless gangster, as he returns to his hometown to avenge his brother’s death. The film paints a bleak picture of 1970s Britain, depicting a world rife with corruption, moral decay, and urban desolation. As Carter digs deeper into the underworld, the film exposes the seedy underbelly of society and the ways in which power and violence are intertwined. “Get Carter” is unflinching in its portrayal of a man who becomes increasingly entangled in a cycle of vengeance, highlighting the destructive consequences of living by a code of retribution. The film’s stark realism and uncompromising narrative make it a compelling exploration of the human cost of unchecked ambition and the harsh realities of a life driven by revenge.

Monday 2nd of September 2024

America’s New Female Right 9pm BBC3

This documentary, hosted by journalist Layla Wright, explores the rise of a new wave of young women in the USA who are championing extreme views on social media. These influencers, podcasters, and content creators often post antifeminist and other controversial content.

Layla Wright travels from her hometown in Liverpool to meet these women, including a 16-year-old rising star in Nashville and a 24-year-old conservative influencer in Arizona. The documentary delves into their motivations and the impact of their online presence, providing insight into why these young women are promoting ideologies that, in the opinion of many, seek to roll back progressive rights.

Mean Girls (2004) 11.15pm BBC4

“Mean Girls,” directed by Mark Waters and written by Tina Fey, is a sharp, witty exploration of the social dynamics within a high school. The film follows Cady Heron, a newcomer to the school, as she navigates the complex and often brutal hierarchy of teenage cliques. “Mean Girls” offers a biting critique of the ways in which young people can be influenced by peer pressure, the desire for popularity, and the pervasive culture of judgment. Through its humour and memorable characters, the film sheds light on the impact of exclusion, the power of gossip, and the challenges of finding one’s true identity amidst external pressures. While it’s a comedy at heart, “Mean Girls” resonates with deeper insights into the adolescent experience and the universal quest for acceptance.

Tuesday 3rd of September 2024

A Woman Of No Importance 10.55pm BBC4

This is Alan Bennett’s award-winning one-woman drama starring Patricia Routledge. The play revolves around Miss Schofield and her colleagues at their canteen table, exploring their conversations and interactions.

It’s a compelling piece that delves into the everyday lives and thoughts of its characters, offering a mix of humour and poignant moments.

Wednesday 4th of September 2024

Hampstead (2017) 6.55pm Film4

“Hampstead” is a charming romantic drama set against the picturesque backdrop of Hampstead Heath in London. The film tells the story of an American widow, Emily, who forms an unexpected connection with a reclusive man living off the land in a makeshift shack. As Emily becomes involved in his struggle to remain on the land, the film touches on themes of community, belonging, and the clash between modern development and the preservation of nature. “Hampstead” highlights the contrasts between different ways of life, questioning the values of materialism and the pursuit of personal happiness. The film invites viewers to reflect on what it means to truly live a fulfilled life, emphasizing the importance of human connection and standing up for what is right in the face of societal change.

Thursday 5th of September 2024

Blood Simple (1984) 1.30am Film4

“Blood Simple,” the Coen Brothers’ debut film, is a striking exploration of human nature and the unforeseen consequences of deceit and mistrust. Set in a small, desolate Texas town, the film revolves around a love triangle that spirals into a web of murder and betrayal. The story begins with bar owner Julian Marty, who suspects his wife Abby of infidelity with one of his employees, Ray. Driven by jealousy and paranoia, Marty hires a private detective, Loren Visser, to follow them. However, what begins as a simple tale of jealousy soon devolves into a complex and twisted narrative where no character can fully trust another, and the situation escalates with deadly consequences.

At the heart of “Blood Simple” is the theme of mistrust, which serves as the driving force behind the characters’ actions. The film’s title itself hints at the idea that when emotions like fear, greed, and suspicion take hold, rational thinking becomes clouded, leading individuals to make poor, often dangerous decisions. The characters in “Blood Simple” are trapped in a cycle of deception, each one misinterpreting the actions of the others, leading to a series of escalating misunderstandings. This theme is poignantly illustrated in the character of Ray, who, after finding Marty dead, mistakenly believes Abby is responsible, leading him to take actions that only deepen the tragedy. The Coens skilfully use this interplay of mistrust and misunderstanding to build suspense and keep the audience guessing at every turn.

Visually, “Blood Simple” is a study in atmosphere, using its setting and cinematography to create a pervasive sense of unease. The Texas landscape, with its wide-open spaces and oppressive heat, is captured in stark, moody visuals that reflect the film’s bleak tone. The Coen Brothers and cinematographer Barry Sonnenfeld employ shadows and light to great effect, enhancing the noir elements of the story. The night-time scenes, in particular, are shot with a claustrophobic intensity that mirrors the characters’ increasing desperation. The film’s meticulous attention to visual detail underscores the tension and impending doom that looms over the narrative, making the environment itself feel like an active participant in the unfolding drama.

“Blood Simple” also stands out for its dark, often ironic humour, a hallmark of the Coen Brothers’ style. The film’s dialogue is laced with a dry wit that contrasts sharply with the grim events on screen, creating moments of bleak comedy. This irony is most evident in the character of Loren Visser, played with sinister charm by M. Emmet Walsh. Visser is both menacing and absurd, embodying the film’s balance between horror and humour. His cavalier attitude toward violence and his grimy, unkempt appearance add a layer of grotesque absurdity to the proceedings. The Coens use this blend of humour and horror to comment on the randomness of fate and the absurdity of the characters’ increasingly desperate attempts to control their situations.

Ultimately, “Blood Simple” is a meditation on the unpredictability of human behaviour and the thin line between order and chaos. The film’s narrative is a tight, intricate puzzle, where every action leads to unforeseen and often tragic consequences. The Coens leave the audience with a sense of unease, as the characters’ fates are sealed not by grand, heroic gestures but by small, seemingly insignificant choices that spiral out of control. “Blood Simple” is more than just a noir thriller; it is a psychological exploration of the darker aspects of the human psyche, where mistrust and misunderstanding can lead to irreversible damage. The film remains a powerful and compelling piece of cinema that established the Coen Brothers as master storytellers, capable of weaving complex, morally ambiguous tales that continue to resonate with audiences long after the credits roll.

and finally, Friday 6th of September 2024

Guy Garvey: From The Vaults 10pm Sky Arts

M, Sky Arts will air “Guy Garvey: From The Vaults”. In this series, Elbow frontman and broadcaster Guy Garvey explores two decades of TV gold, featuring era-defining musical performances, long-lost studio appearances, and revealing interviews that have remained on the shelves for decades.

This episode focuses on protest songs with Aswad, Public Enemy, Tom Robinson and the Specials.

Lady Macbeth (2015) 11.05pm BBC2

“Lady Macbeth,” directed by William Oldroyd, is a gripping period drama that subverts traditional gender roles and explores the dark side of human desire. Set in 19th-century rural England, the film follows Katherine, a young woman trapped in a loveless marriage, as she embarks on a path of rebellion and destruction. The film critiques the rigid societal structures that confine women, highlighting the lengths to which one might go to break free from oppression. “Lady Macbeth” is a stark portrayal of power, control, and the consequences of unchecked ambition. The film’s intense, minimalist style and powerful performances create a chilling atmosphere, making it a compelling study of the darker aspects of human nature and the price of freedom.

Another Round (2020) 1.20am C4

“Another Round,” directed by Thomas Vinterberg, is a Danish film that explores the concept of living life to the fullest through the lens of a group of middle-aged teachers who embark on an experiment to maintain a constant level of intoxication. The film delves into the search for meaning and excitement in the mundanity of everyday life, as the characters grapple with their dissatisfaction and the consequences of their choices. Through its blend of humour and tragedy, “Another Round” examines the delicate balance between indulgence and responsibility, ultimately questioning the pursuit of happiness and the ways in which people cope with the challenges of life. It’s a poignant and thought-provoking film that resonates with universal themes of aging, regret, and the desire for renewal.

Picture credits

Passport to Pimlico (1949)
By Listal, Fair use, https://en.wikipedia.org/w/index.php?curid=17246144
Everybody Dance! The Sound of Disco
Studio 54By Studio 54 – This vector image was created by converting the Encapsulated PostScript file available at Brands of the World. Fair use.
Glory (1989)
By TriStar Pictures – Impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=13532520
Out of Sight (1998)
Fair use, https://en.wikipedia.org/w/index.php?curid=16252349
The Man Who Destroyed Oscar Wilde
By Napoleon Sarony/ Adam Cuerden – This image is available from the United States Library of Congress’s Prints and Photographs divisionunder the digital ID ppmsca.07757.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=141158986
Spencer (2021)
By http://www.impawards.com/2021/spencer_ver8.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68563004
Starship Troopers (1997)
By http://www.impawards.com/1997/starship_troopers_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1070214
Get Carter (1971)
By The poster art can or could be obtained from Metro-Goldwyn-Mayer., Fair use, https://en.wikipedia.org/w/index.php?curid=882263
Mean Girls (2004)
By Vanity Fair, Fair use, https://en.wikipedia.org/w/index.php?curid=55575949
A Woman Of No Importance
Hampstead (2017)
By The poster art can or could be obtained from Entertainment One Films., Fair use, https://en.wikipedia.org/w/index.php?curid=54306010
Blood Simple (1984)
By May be found at the following website: http://www.impawards.com/1985/blood_simple_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61286730
Lady Macbeth (2015)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=53543346
Another Round (2020)
By https://www.nfbio.dk/film/druk, Fair use, https://en.wikipedia.org/w/index.php?curid=65388617

Leave a Comment

Culture Vulture 24th to the 30th of August 2024

4,605 words, 24 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Nragg. Highlights this week include:

“The Magnificent Seven” (1960) – BBC2, Sunday 25th August, 12.55pm: A classic Western that explores themes of justice and redemption as seven mercenaries come together to protect a helpless village from bandits.

“The Shallows” (2016) – GREAT!movies, Wednesday 28th August, 9pm: A gripping survival thriller that pits a lone surfer against a relentless shark, testing her resolve and resourcefulness as she fights to stay alive.

“The Departed” (2006) – Film4, Friday 30th August, 9pm: Martin Scorsese’s intense crime drama delves into the intertwined lives of an undercover cop and a mob mole, exploring themes of identity, loyalty, and the corrupting influence of power.

Saturday 24th of August 2024

Spellbound (1945) 1pm BBC2

“Spellbound,” directed by Alfred Hitchcock, is a psychological thriller that dives deep into the complexities of the human mind. The film uses the backdrop of psychoanalysis to explore how trauma shapes and controls a person’s actions and perceptions. Through the character of Dr. Constance Petersen, the film demonstrates how a woman’s resolve can break through societal expectations, challenging the norms of her profession and her time. The plot intertwines a romance with an exploration of guilt, innocence, and memory, asking how far one should go to unravel the truth. The dream sequences designed by Salvador Dalí offer a vivid representation of the inner struggles faced by the characters, particularly those tormented by the weight of their past. In its final moments, “Spellbound” leaves the audience questioning the thin line between reality and illusion, and how our understanding of both can be manipulated by those around us.

The Remarkable Miss North 7.10pm PBS America

“The Remarkable Miss North” is a biographical drama that highlights the life and struggles of a pioneering woman in a time when the world was not ready for her brilliance. Set against a backdrop of changing times, the film portrays the journey of Miss North as she challenges the male-dominated fields she finds herself in, whether they be in education, science, or leadership. Her character is depicted as both resilient and vulnerable, allowing viewers to see the sacrifices made in the pursuit of progress. Through her interactions with both allies and adversaries, the film illustrates the pressures placed on individuals who step out of the societal norms, and the consequences of challenging the status quo. The film is a powerful reminder of the invisible barriers that still exist, and the courage it takes to push past them.

Sunday 25th of August 2024

The Magnificent Seven (1960) 12.55pm BBC2

John Sturges’ The Magnificent Seven is often hailed as one of the greatest Westerns of all time, but its roots stretch far beyond the American frontier. The film is a remake of Akira Kurosawa’s 1954 masterpiece Seven Samurai, a Japanese film that explores similar themes of honor, sacrifice, and the moral responsibilities of those who wield power. In The Magnificent Seven, the samurai are transformed into gunslingers, and the feudal Japanese village into a poor Mexican one, yet the core narrative remains the same: a group of skilled warriors coming together to defend the defenseless against overwhelming odds.

The film centers around seven mercenaries, each with a unique background and motivation, who are hired by a small Mexican village to protect them from a band of marauding bandits led by the ruthless Calvera. The bandits regularly pillage the village, taking food and resources, leaving the villagers on the brink of starvation. The narrative raises important questions about justice and the role of the powerful in protecting the powerless. Through their decision to defend the village, the seven gunfighters challenge the traditional Western trope of the lone hero, instead presenting a narrative where collective action and solidarity are the keys to confronting oppression.

Each of the seven gunfighters is driven by different motivations, from the desire for money, fame, or redemption, to a simple sense of duty. As the story unfolds, it becomes clear that the act of defending the village transforms each of them. The film delves into the internal conflicts of these characters, exploring how their experiences shape their sense of identity and purpose. For some, this journey is redemptive; for others, it becomes a tragic confrontation with their own mortality. This character-driven storytelling provides a deep emotional core to the film, making the inevitable final showdown more than just a battle of good versus evil but a reckoning with their own pasts and choices.

The Mexican village, much like the village in Seven Samurai, serves as a microcosm for larger societal issues. The villagers are portrayed as humble and hardworking, yet powerless against the forces that exploit them. The stark contrast between the village’s poverty and the gunfighters’ rugged independence highlights the inequities of the world they inhabit. The film suggests that the true measure of heroism lies not in one’s ability to wield a weapon but in one’s willingness to fight for those who cannot defend themselves. The camaraderie that develops among the seven, and their growing connection to the villagers, speaks to the potential for unity and mutual aid in the face of overwhelming adversity.

The final battle between the seven and Calvera’s men is not just a physical confrontation but a symbolic struggle between the ideals of justice and the harsh realities of the world. The film does not shy away from the costs of such a struggle, with several of the seven meeting their end in the process. In this way, The Magnificent Seven reflects the cyclical nature of violence, a theme that is also central to Seven Samurai. The film ends on a somber note, with the surviving gunfighters acknowledging that while they have won the battle, it is the villagers who have truly won, as they can now continue their lives in peace, free from the shadow of oppression.

Ultimately, The Magnificent Seven is a rich exploration of the responsibilities that come with power, the moral complexities of violence, and the enduring human desire for justice. It pays homage to its source material, Seven Samurai, while adapting its themes to the context of the American West. The film’s lasting impact on cinema can be seen in its influence on subsequent Westerns and action films, and its themes continue to resonate, reminding audiences of the universal struggle for dignity and justice in a world often defined by inequality and exploitation.

The Drop (2014) 11.05pm C4

“The Drop,” directed by Michaël R. Roskam, is a crime drama that examines the quiet, pervasive corruption within an urban neighborhood. The film follows Bob, a bartender, and his involvement in a scheme where criminal money is laundered through the bar he works at. The narrative slowly unravels to reveal the interconnectedness of small-time crime and how ordinary people are drawn into its web. Through its character-driven storytelling, “The Drop” highlights the moral ambiguities that come with survival in a world where the lines between right and wrong are blurred. The film’s setting, a gritty, working-class neighborhood, adds to the tension, creating an atmosphere where trust is scarce, and betrayal is common. The interactions between the characters reveal the complexities of loyalty, with each person struggling to navigate a world where safety and danger coexist. “The Drop” leaves the audience pondering the compromises one must make to protect themselves and those they care about.

Monday 26th of August 2024

Oliver! (1968) 3.45pm Film4

Oliver! is a vibrant and emotionally resonant adaptation of Charles Dickens’ Oliver Twist, brought to life through the medium of musical theatre. Directed by Carol Reed, the film captures the essence of Dickens’ critique of Victorian society while infusing it with the energy and charm of a musical. The film’s musical score, composed by Lionel Bart, plays a crucial role in this adaptation, transforming the grim realities of the story into memorable and uplifting tunes that stay with the audience long after the credits roll. Songs like “Consider Yourself,” “As Long As He Needs Me,” and “Food, Glorious Food” are not only catchy but also serve as narrative devices that deepen the characterization and underscore the film’s central themes of survival, community, and the longing for a better life.

The character of Fagin, played by Ron Moody, is one of the most complex figures in the film, embodying both the charm and the menace that Dickens originally intended. Moody’s portrayal strikes a delicate balance, making Fagin a figure of both pity and suspicion. The film navigates the delicate task of portraying Fagin, a character historically criticized for perpetuating anti-Semitic stereotypes, with a mix of whimsy and pathos. While Fagin is shown as the leader of a gang of child pickpockets, the film also imbues him with a sense of humanity, particularly in his more reflective moments, such as in the song “Reviewing the Situation.” This song allows the audience to glimpse Fagin’s vulnerability and his awareness of the precariousness of his position, revealing the internal conflict of a man caught between his survival instincts and a desire for redemption.

One of the intriguing historical aspects of Oliver! is its depiction of the Cockneys as inhabitants of Central London, rather than the East End or South London as commonly associated today. In the 19th century, when Dickens wrote Oliver Twist, the Cockney community was indeed based in areas like Covent Garden, Clerkenwell, and Soho. The film captures this historical detail, placing Oliver and the other characters in a Central London that is bustling, vibrant, and full of stark contrasts. This setting adds to the film’s authenticity, grounding the story in a specific time and place that reflects the social realities of Dickensian London. The cramped streets, shadowy alleyways, and lively markets are not just a backdrop but an integral part of the narrative, symbolizing the harsh conditions and the stark divide between the rich and the poor.

The musical score of Oliver! enhances the film’s exploration of these social themes, using its songs to comment on the characters’ circumstances and aspirations. The opening number, “Food, Glorious Food,” sung by the orphaned boys, immediately sets the tone for the film, highlighting their hunger and desperation while also introducing a sense of camaraderie among the children. The jaunty tune of “Consider Yourself,” performed by the Artful Dodger and Oliver, contrasts sharply with the underlying reality of their lives as street urchins, offering a glimpse into how these children find joy and friendship despite their dire situations. The music, therefore, not only entertains but also serves as a tool for deeper storytelling, providing insight into the characters’ inner lives and the world they inhabit.

In addition to its rich musical score, Oliver! offers a nuanced portrayal of the various social strata of Victorian London. The film moves seamlessly from the grim workhouse to the lively underworld of Fagin’s den and the upper-class household of Mr. Brownlow. Each of these settings is brought to life through both the production design and the music, which shifts in tone and style to reflect the different worlds that Oliver encounters. This shifting perspective allows the film to explore the social inequalities of the time, showing how Oliver, a child of no status or wealth, is able to move between these worlds due to his inherent goodness and the kindness of others.

Ultimately, Oliver! is more than just a musical; it is a poignant social commentary wrapped in the guise of entertainment. It captures the spirit of Dickens’ novel while using the power of song to highlight the emotional highs and lows of the characters’ journeys. The film’s depiction of Central London as the heart of the Cockney community adds an additional layer of historical accuracy, reminding viewers of the changing geography of London over time. Through its unforgettable characters, stirring music, and richly detailed world, Oliver! continues to resonate with audiences as a story of resilience, hope, and the enduring human spirit in the face of adversity.

Titanic: The Musical 7pm Sky Arts

“Titanic: The Musical” transforms the tragic sinking of the Titanic into a powerful narrative about human ambition, class division, and the fragility of life. Through its music and lyrics, the show brings to the forefront the stories of the ship’s passengers, from the wealthy elite to the impoverished immigrants seeking a new life in America. The juxtaposition of these different lives onboard the same ill-fated vessel underscores the stark contrasts in their experiences, both in life and death. The musical delves into the hubris of those who believed the Titanic to be unsinkable, a symbol of mankind’s overconfidence in its own creations. As the ship meets its tragic end, the musical prompts reflection on the responsibilities of leadership and the moral implications of choices made in the face of disaster. “Titanic: The Musical” is not just a retelling of a historical event but a poignant exploration of the human condition under extraordinary circumstances.

The Damned United (2009) 11pm BBC1

“The Damned United,” directed by Tom Hooper, offers an intimate look at the intense pressures and personal struggles of a football manager during one of the most turbulent periods of his career. The film focuses on Brian Clough’s brief tenure at Leeds United, a time marked by conflict, ego, and ambition. Through Clough’s journey, the film explores the complex nature of leadership, as well as the burdens of expectation and the consequences of hubris. The tension between Clough and the players, as well as with the club’s management, serves as a lens through which the film examines the difficulties of enacting change in a resistant environment. The portrayal of Clough’s internal battles, his determination to prove himself, and his ultimate fall from grace, offer a powerful commentary on the personal cost of pursuing greatness in a world that often values results over humanity. “The Damned United” is a gripping tale of ambition, rivalry, and the fine line between success and failure.

Tuesday 27th of August 2024

Carlito’s Way (1993) 11.05pm Film 4

“Carlito’s Way,” directed by Brian De Palma, is a story of redemption, loyalty, and the inescapable pull of the past. The film follows Carlito Brigante, a former drug lord trying to leave his criminal life behind after being released from prison. However, as Carlito attempts to build a new life, he finds himself repeatedly drawn back into the violent world he wants to escape. The film highlights the challenges faced by those trying to break free from a cycle of crime and violence, and the ways in which the past can hold a grip on the present. Carlito’s relationships with those around him, particularly his lawyer and his girlfriend, reflect the difficulty of maintaining personal integrity in a corrupt world. The film’s setting, in the gritty streets of New York, adds to the sense of inevitability that pervades Carlito’s journey. “Carlito’s Way” is a powerful exploration of the struggle for redemption and the forces that conspire to pull one back into darkness.

Wednesday 28th of August 2024

The Massacre That Shook The Empire 7.30 PBS America

The Massacre That Shook The Empire delves into a tragic and pivotal moment in history that had profound implications for an entire nation and the world beyond. The documentary examines the events leading up to the massacre, the day itself, and its lasting impact on the collective memory of a people under colonial rule. Through interviews, archival footage, and expert commentary, the film highlights the disconnect between those who wield power and those who suffer under it. The Jallianwala Bagh massacre of 1919 serves as a stark reminder of the brutal lengths to which a regime will go to maintain control and the deep scars such actions leave on the communities affected. The documentary also explores the aftermath, particularly how the massacre galvanized resistance and became a rallying point for a movement seeking to reclaim autonomy and dignity. By focusing on personal stories and broader historical contexts, the film paints a vivid picture of a world in transition, where the quest for justice is met with the harsh realities of oppression

Wellington v. Napoleon: The Aftermath of Waterloo 8.30pm PBS America

Wellington v. Napoleon: The Aftermath of Waterloo provides an in-depth exploration of one of the most famous battles in history, focusing not just on the clash of military titans but on the far-reaching consequences of their encounter. The documentary shifts the spotlight from the battlefield to the political chessboard of post-Napoleonic Europe, where the victory at Waterloo set the stage for a new world order. It examines how the defeat of Napoleon reshaped borders, influenced alliances, and dictated the fates of nations for decades to come. Through a detailed analysis of the aftermath, the film reveals how the victors sought to impose a new stability, often at the expense of those they governed. The documentary also looks at the personal journeys of Wellington and Napoleon in the wake of Waterloo, offering insights into how each man grappled with the legacy of the battle. This focus on the human element, intertwined with the broader geopolitical shifts, makes the film a compelling study of power, ambition, and the far-reaching consequences of war.

The Shallows (2016) 9pm GREAT!movies

The Shallows, directed by Jaume Collet-Serra, is a tense survival thriller that pits a lone woman against the forces of nature. The film follows Nancy, a young surfer who finds herself stranded on a rock, just a short distance from shore but with a great white shark circling between her and safety. At its core, the film is an exploration of resilience and the human instinct to survive against overwhelming odds. Nancy’s struggle is not just against the shark, but against the isolation and fear that threaten to overwhelm her as she fights to stay alive. The film subtly touches on themes of privilege and resourcefulness, showing how Nancy, with her medical training and access to technology, uses every tool at her disposal to survive. The natural setting, a seemingly idyllic but ultimately perilous beach, underscores the tension between humanity and the untamed world, highlighting how small and vulnerable we are in the face of nature’s vast and indifferent power. The Shallows is a gripping reminder of the primal struggle for survival and the inner strength required to confront the unknown.

Thursday 29th of August 2024

Classic Movies: The Story Of I’m All Right Jack 8pm Sky Arts

Classic Movies: The Story of I’m All Right Jack offers a retrospective on the 1959 British satire that brilliantly skewers the absurdities of industrial relations in post-war Britain. The film, directed by John Boulting, follows the hapless Stanley Windrush as he navigates the labyrinth of a British factory, becoming a pawn in the hands of both the management and the union. Through its sharp wit and biting humour, the film critiques the entrenched attitudes and self-serving behaviours that define both sides of the labour divide. The documentary explores how I’m All Right Jack reflects the tensions of a society grappling with the realities of modernization, where old hierarchies are challenged but not easily dismantled. It also delves into the film’s portrayal of the British class system, where everyone—from the factory floor to the boardroom—is depicted as complicit in maintaining a dysfunctional status quo. The story of the film itself is a window into a time when British cinema was not afraid to tackle the pressing issues of the day with a mix of humor and sharp social commentary.

Friday 30th of August 2024

Gilda (1946) 9am Talking Pictures

Gilda, directed by Charles Vidor and starring Rita Hayworth, is a film noir classic that delves into the darker aspects of desire, power, and manipulation. Set in Buenos Aires, the film centres around the volatile relationship between Gilda, her husband Ballin Mundson, and his right-hand man Johnny Farrell. Gilda is portrayed as both a victim and a manipulator, a woman whose independence and sexuality make her both desirable and dangerous in a world dominated by men. The film explores the dynamics of control within relationships, particularly how Gilda’s attempts to assert her agency are met with suspicion and hostility. The setting, a luxurious casino, contrasts sharply with the undercurrents of deceit and betrayal that drive the plot, highlighting the duality of appearance and reality. Through its complex characters and morally ambiguous narrative, Gilda offers a reflection on the consequences of unchecked ambition and the often-destructive nature of love and desire. The film’s iconic scenes, particularly Hayworth’s performance of “Put the Blame on Mame,” have become emblematic of the femme fatale archetype, showcasing how female power is both feared and fetishized in cinema.

Prince Albert: A Victorian Hero Revealed 6.40pm PBS America

Prince Albert: A Victorian Hero Revealed is a documentary that re-examines the life and legacy of Prince Albert, consort to Queen Victoria, shedding light on his role in shaping the modern British monarchy and society. The film explores Albert’s efforts to modernize Britain through his advocacy for science, education, and the arts, highlighting his vision of a progressive, enlightened society. Albert’s influence extended beyond the royal family, as he played a key role in events such as the Great Exhibition of 1851, which showcased the advancements of the Industrial Revolution. The documentary also delves into Albert’s personal challenges, including his struggle to find his place in a society that was often resistant to change and his efforts to navigate the complexities of his marriage to Queen Victoria. Through interviews with historians and archival material, the film paints a portrait of Albert as a forward-thinking leader whose contributions were often overshadowed by his royal status. It invites viewers to reconsider his legacy, not just as a royal consort but as a key figure in the development of modern Britain.

The Departed (2006) 9pm Film4

The Departed, directed by Martin Scorsese, is a gripping crime drama that explores themes of identity, loyalty, and betrayal in the underworld of Boston. The film, a remake of the Hong Kong classic Infernal Affairs, follows two men on opposite sides of the law: Billy Costigan, an undercover cop infiltrating a crime syndicate, and Colin Sullivan, a mob mole within the police force. As both men navigate their dangerous double lives, the film examines the moral ambiguity of their actions and the thin line between good and evil. The characters’ struggles to maintain their identities while playing roles dictated by their circumstances highlight the pressures of living in a world where loyalty is a commodity and trust is a rare and valuable currency. The film’s portrayal of the corrupting influence of power, both in the criminal underworld and within the police force, offers a stark commentary on the compromises individuals make to survive in a system rigged against them. The Departed is a tense, tightly woven narrative that keeps viewers on the edge of their seats, questioning who the real villains are and whether redemption is possible in a world built on deception.

Later Present Elvis Costello In Concert 10.40pm BBC4

Later Presents Elvis Costello In Concert is a showcase of one of the most influential and versatile musicians of his generation. The concert, part of the iconic Later… with Jools Holland series, captures Costello’s ability to blend genres and styles, from punk and new wave to jazz and classical, reflecting his deep understanding of music’s power to connect and communicate. Costello’s lyrics, often laced with irony and wit, touch on a range of themes, offering insights into the human condition and the world around us. The performance highlights his unique voice, both literally and figuratively, as he addresses complex emotions and social issues through his music. The concert format allows Costello to engage directly with his audience, creating an intimate atmosphere that showcases his skill as a live performer. For both longtime fans and newcomers, this concert is a testament to Elvis Costello’s enduring relevance in the ever-evolving landscape of popular music.

and streaming…

“Terminator Zero” is a gripping new anime series set to premiere on Netflix on August 29, 2024. The show promises to blend intense action with a deep sci-fi narrative, featuring a voice cast led by Timothy Olyphant and Rosario Dawson. Set in a dystopian future where humanity is at war with an endless army of machines, the story follows a soldier sent back in time to change the fate of humanity. She arrives in 1997 to protect a scientist named Malcolm Lee, who is on the brink of launching a new AI system that could rival Skynet’s dominance. The series will explore the moral complexities of technology and its impact on human destiny, all while delivering thrilling adventures across its eight-episode first season.

The anticipation for “The Lord of the Rings: The Rings of Power” Season 2 is palpable, with Prime Video set to release the first three episodes on August 29, 2024. This season promises to delve deeper into the darkness as Sauron returns, cast out by Galadriel and without an army or allies. The Dark Lord must rely on his cunning to rebuild his strength and oversee the creation of the Rings of Power, which he intends to use to bind the peoples of Middle-earth to his will. As the epic narrative unfolds, beloved characters will face new challenges and darkness, testing friendships and alliances. The season will continue to build on the grand scale and ambition of the first, with subsequent episodes released weekly, leading to a finale on October 3, 2024.

and finally, please consider donating

At Counter Culture, we’re committed to keeping our content freely accessible because we believe in the democratization of information. However, producing high-quality content isn’t cost-free. We’re on the cusp of an exciting expansion that will allow us to delve deeper into audio and visual media, enriching your experience with us. This leap forward requires new software, which, while essential, comes with significant costs. That’s why we’re reaching out to you, our community, to invite contributions of any size. Your donations are the lifeline that will enable us to continue providing the content you love and trust, while also embracing the innovative technologies that will take our services to the next level. Every contribution, no matter how small, is a powerful vote for a future where quality and free access go hand in hand. Together, we can make this vision a reality. Thank you for being a part of our journey and considering a donation to help us grow. Donate here

Picture Credits

Spellbound (1945)
By http://www.impawards.com, Fair use, https://en.wikipedia.org/w/index.php?curid=7097293
Miss Marianne North
By Julia Margaret Cameron (1815–1879) – http://www.nla.gov.au/exhibitions/ellisrowan/officers_wife.html, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3340357
The Magnificent Seven (1960)
Copyright © 1960 – United Artists Corporation.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88145440
The Drop (2014)
By May be found at the following website: IMDb.com, Fair use, https://en.wikipedia.org/w/index.php?curid=42513437
Oliver! (1968)
By Oliver1968.co.uk – UK quad., Fair use, https://en.wikipedia.org/w/index.php?curid=6697563
Titanic: The Musical
By http://www.tonyawards.com/images/pics/large/b_p_TitanicANewMusical.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=35290961
The Damned United (2009)
By http://images.google.co.uk/imgres?imgurl=http://images.mirror.co.uk/upl/m4/mar2009/2/8/image-1-for-the-damned-united-gallery-608466714.jpg&imgrefurl=http://www.mirror.co.uk/2009/03/20/the-damned-united-115875-21213898/&usg=__mmgMBoWFTXDbX_w1sOaxUuLcx34=&h=338&w=450&sz=30&hl=en&start=12&tbnid=P1F5eRDTT-gYEM:&tbnh=95&tbnw=127&prev=/images%3Fq%3Dthe%2Bdamned%2Bunited%26gbv%3D2%26hl%3Den, Fair use, https://en.wikipedia.org/w/index.php?curid=24106284
Carlito’s Way (1993)
By http://www.impawards.com/1993/carlitos_way.html, Fair use, https://en.wikipedia.org/w/index.php?curid=3950022
The Massacre That Shook The Empire
By Sukanta Pal – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=38059321
Wellington v. Napoleon: The Aftermath of Waterloo
Napoleon. Public Domain.
The Story Of I’m All Right Jack
By British Lion Films – http://www.moviegoods.com/movie_poster/im_all_right_jack_1959.htm, Fair use, https://en.wikipedia.org/w/index.php?curid=39470503
The Shallows (2016)
By The poster art can or could be obtained from Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=49562440
Gilda (1946)
By Robert Coburn – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88142536
Prince Albert: A Victorian Hero Revealed
By John Jabez Edwin Mayal – Royal Collection Fenton & CameronRoyal Collection RCIN 2931343, Public Domain, https://commons.wikimedia.org/w/index.php?curid=114409289
The Departed (2006)
Fair use, https://en.wikipedia.org/w/index.php?curid=9822901
Elivis Costello
By Robman94 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=21420918

Leave a Comment

Culture Vulture 1Oth to the 16th of August 2024

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is from Tim Bragg. Highlights this week include:

Woodstock: Three Days That Defined A Generation
This documentary offers a nostalgic exploration of the iconic 1969 Woodstock Music Festival, highlighting its cultural significance as a symbol of the 1960s counterculture movement through vivid archival footage and personal accounts.

Boyz N The Hood
John Singleton’s “Boyz N The Hood” presents a powerful depiction of life in South Central Los Angeles, tackling issues of systemic racism, violence, and the struggles of young men striving to escape their circumstances.

The Day of the Jackal
This tense political thriller follows a meticulous assassin’s attempt to kill French President Charles de Gaulle, offering a gripping look at the complexities of political violence and high-stakes conspiracies.

Saturday 10th of August 2024

Elizabeth Taylor: The Lost Tapes 9pm Sky Documentaries

“Elizabeth Taylor: The Lost Tapes” offers a rare glimpse into the life of one of Hollywood’s most enduring icons. The documentary, elegantly constructed by Nanette Burstein, is a rich tapestry of Taylor’s own words, complemented by a treasure trove of archival footage. It paints a vivid portrait of her tumultuous life and career, capturing the essence of an era when the studio system waned and the media’s glare intensified. While it may not reveal many new insights for those familiar with Taylor’s public persona, it remains a compelling watch, providing an intimate look at the star’s playful yet guarded nature.

Taxi Driver (1976) 11.35pm GREAT!movies

Martin Scorsese’s “Taxi Driver” is a searing exploration of urban alienation and moral decay in post-Vietnam War America. The film follows Travis Bickle, a mentally unstable Vietnam War veteran, who becomes a taxi driver in New York City. As he navigates the city’s seedy underbelly, Travis’s sense of isolation deepens, reflecting the disillusionment and disenfranchisement felt by many veterans returning to a society that seems indifferent to their sacrifices.

One of the film’s primary social themes is the fragmentation of urban life and the resulting psychological impact on individuals. Travis’s interactions with other characters, particularly the young prostitute Iris, underscore the sense of abandonment and neglect pervasive in the city. The film portrays New York as a place where the vulnerable are exploited and the mentally ill are left to fend for themselves, highlighting the failures of social institutions.

Politically, “Taxi Driver” delves into the themes of vigilantism and the individual’s response to societal corruption. Travis’s decision to take justice into his own hands reflects a broader critique of the political system’s inability to address crime and moral decay. His actions can be seen as a desperate, albeit misguided, attempt to restore order in a world he perceives as chaotic and immoral.

The film’s climactic scenes raise questions about heroism and the fine line between sanity and madness. Travis is both condemned and celebrated, illustrating society’s complex relationship with violence and the notion of the “lone avenger.” “Taxi Driver” ultimately leaves viewers pondering the ethical implications of taking justice into one’s own hands and the societal conditions that drive individuals to such extremes.

Love & Mercy (2014) 12.30am BBC2

“Love & Mercy,” directed by Bill Pohlad, is a biographical film that offers a poignant look at the life of Brian Wilson, the creative force behind The Beach Boys. The film oscillates between two periods in Wilson’s life: his struggles with mental illness and creative genius in the 1960s, and his abusive relationship with therapist Eugene Landy in the 1980s. Through this dual narrative, “Love & Mercy” explores themes of mental health, artistic innovation, and the exploitative nature of the music industry.

The film sheds light on the stigmatization of mental illness and the often harsh treatments imposed on those who suffer from it. Brian’s experiences with auditory hallucinations and panic attacks are depicted with sensitivity, emphasizing the need for compassionate and effective mental health care. The contrast between the 1960s and 1980s timelines highlights the evolution of mental health treatment, while also critiquing the manipulative control exerted by Landy.

“Love & Mercy” addresses the pressures faced by artists in the music industry. Brian’s struggle to balance commercial success with artistic integrity mirrors the broader conflict between creativity and profitability. The film underscores the sacrifices and personal costs associated with artistic innovation, as Brian’s ground-breaking work on albums like “Pet Sounds” takes a toll on his mental well-being.

The film critiques the lack of regulatory oversight in the mental health field, as exemplified by Landy’s unethical practices. Landy’s control over Brian’s life and finances points to the potential for abuse within therapeutic relationships and the need for stricter professional standards and accountability. “Love & Mercy” ultimately champions the importance of support and understanding for those battling mental health issues and the need for systemic reforms to protect vulnerable individuals.

Riders Of Justice (2020) 1.10am C4

“Riders Of Justice,” directed by Anders Thomas Jensen, is a Danish dark comedy-drama that blends revenge thriller elements with profound explorations of grief, randomness, and the human need for meaning. The story follows Markus, a soldier who returns home after his wife dies in a train accident, only to team up with a group of eccentric data analysts who believe the crash was a planned assassination by a criminal gang.

The film delves into the social themes of grief and trauma, portraying how individuals cope with loss in different ways. Markus’s stoic and violent response contrasts sharply with the quirky analysts, whose obsession with finding patterns and explanations reflects a broader human desire to make sense of tragedy. This dynamic highlights the varied ways people seek to process and move forward after experiencing deep personal loss.

Politically, “Riders Of Justice” critiques the over-reliance on data and technology to explain complex human experiences. The analysts’ insistence on finding a mathematical explanation for the train crash serves as a metaphor for society’s tendency to seek rationality in chaos. The film questions whether such reliance can truly address the underlying emotional and psychological impacts of trauma or if it merely serves as a distraction from dealing with the rawness of human pain.

Thematically, the film explores the concept of justice and revenge, examining the moral implications of taking the law into one’s own hands. Markus’s quest for vengeance raises questions about the cycle of violence and the possibility of redemption. Through its dark humor and poignant moments, “Riders Of Justice” challenges viewers to consider the limits of rationality and the importance of human connection and empathy in the face of suffering.

Sunday 11th of August 2024

The Cruel Sea (1953) 11.20am BBC2

“The Cruel Sea,” directed by Charles Frend, is a British war film that portrays the harsh realities of naval warfare during World War II. Based on the novel by Nicholas Monsarrat, the film follows the crew of the corvette HMS Compass Rose as they battle enemy submarines in the Atlantic. The narrative focuses on the camaraderie and resilience of the sailors, as well as the moral and ethical dilemmas they face in wartime.

The film highlights the theme of duty and sacrifice, showcasing the personal costs of war on individuals and their families. The crew’s unwavering commitment to their mission, despite the constant threat of death and the loss of comrades, underscores the profound sense of duty that drives soldiers in combat. This theme resonates with the collective memory of World War II, emphasizing the shared sacrifices made by those who served.

Politically, “The Cruel Sea” reflects the broader context of the war effort and the importance of unity and perseverance. The film portrays the Allies’ strategic efforts to secure vital supply routes across the Atlantic, highlighting the interconnectedness of the war front and the home front. The sailors’ struggles and victories are depicted as part of a larger collective endeavour, reinforcing the notion of national solidarity in the face of adversity.

The film also explores the psychological impact of warfare, particularly the moral challenges faced by the crew. Decisions that involve life and death, such as whether to rescue survivors or pursue enemy submarines, illustrate the ethical complexities inherent in combat. These moments serve as a reminder of the human cost of war and the difficult choices that soldiers must make in the line of duty.

Ultimately, “The Cruel Sea” is a powerful testament to the endurance and bravery of those who served in naval warfare. Through its realistic portrayal of life at sea and the emotional toll of combat, the film honours the legacy of the sailors who fought to protect their nations and underscores the enduring themes of sacrifice, duty, and resilience in times of conflict.

Beautiful Thing (1996) 11.10pm Film4

“Beautiful Thing,” directed by Hettie Macdonald, is a poignant British drama that explores themes of love, identity, and social acceptance within the working-class community of East London. The film follows the relationship between two teenage boys, Jamie and Ste, who navigate their feelings for each other against the backdrop of a troubled and often intolerant neighbourhood. The film’s portrayal of their romance is both tender and realistic, reflecting broader social issues related to LGBTQ+ acceptance and the challenges faced by young people coming to terms with their sexuality.

Socially, “Beautiful Thing” addresses the struggles of marginalized communities in the 1990s. The film highlights the harsh realities of living in a working-class environment where traditional values and prejudices often overshadow the need for understanding and compassion. Jamie and Ste’s love story unfolds in a context where homophobia and societal expectations pose significant obstacles, making their eventual acceptance and happiness a powerful statement about the possibility of change and progress.

Politically, the film critiques the lack of support and visibility for LGBTQ+ individuals during the time period. The characters’ experiences reflect a broader systemic failure to address the needs and rights of queer youth. By focusing on the personal impact of these political and social shortcomings, “Beautiful Thing” calls attention to the importance of inclusivity and the need for supportive environments that allow young people to express their true selves without fear of discrimination or violence.

The film also emphasizes the role of community and family in shaping one’s identity and experiences. The supportive, albeit imperfect, relationship between Jamie’s mother and Ste’s family provides a counterpoint to the more hostile elements of their environment. Through its intimate portrayal of personal and communal struggles, “Beautiful Thing” offers a hopeful vision of acceptance and love, suggesting that even in the face of adversity, human connections can foster resilience and transformation.

The Elephant Man (1980) 11.30pm BBC2

David Lynch’s “The Elephant Man” is a historical drama that tells the harrowing true story of John Merrick, a man with severe physical deformities who was exhibited as a sideshow curiosity in 19th-century London. The film, while centered on Merrick’s personal suffering and dignity, also provides a critique of societal attitudes towards physical difference and disability. Lynch’s direction and the film’s stark black-and-white cinematography underscore the stark contrast between Merrick’s humanity and the often inhumane treatment he receives.

Socially, “The Elephant Man” explores themes of exploitation and dehumanization. Merrick’s initial presentation as a “freak” in a sideshow reflects the era’s tendency to commodify and marginalize those who were considered different. The film critiques this exploitation by presenting Merrick as a complex individual with a rich inner life, challenging viewers to reconsider their perceptions of normalcy and worth.

The film engages with issues of class and social justice. Merrick’s transition from a sideshow attraction to a respected member of society highlights the social barriers faced by individuals with disabilities. The film suggests that societal changes and attitudes, rather than inherent worth, determine the treatment and opportunities afforded to people like Merrick. Through its portrayal of Merrick’s interactions with the medical community and upper-class society, “The Elephant Man” critiques the systemic inequalities that perpetuate discrimination.

Lynch’s portrayal of Merrick’s plight and dignity invites viewers to reflect on their own biases and the ethical implications of societal treatment of those who are marginalized. The film’s emotional depth and moral questions make it a powerful commentary on the nature of humanity and the need for compassion and understanding towards all individuals, regardless of their physical appearance or social status.

Monday 12th of August 2024

Sense And Sensibility: The Allure Of Art Nouveau 10.30pm BBC4

“Sense and Sensibility: The Allure of Art Nouveau” is a captivating exploration of the Art Nouveau movement, showcasing its profound impact on the aesthetics of the late 19th century. The BBC4 program delves into the intricate designs and revolutionary ideas that defined this era, bringing to life the vibrant streets of Paris and the innovative minds that transformed art and society. With insightful commentary and stunning visuals, the series is a must-watch for art enthusiasts and history buffs alike, offering a fresh perspective on the enduring legacy of Art Nouveau.

The Sense of An Ending (2017) 11.05pm BBC2

“The Sense of an Ending,” directed by Ritesh Batra, is an adaptation of Julian Barnes’ novel that delves into themes of memory, regret, and the consequences of past actions. The film follows Tony Webster, a retired man who is confronted with a series of revelations about his youth after receiving a mysterious letter. As he uncovers truths about his past relationships and decisions, the film explores how our recollections shape our understanding of ourselves and the impact of unresolved issues on our present lives.

The film addresses the theme of memory and its fallibility. Tony’s journey reveals the complexities and sometimes distortions inherent in personal recollection. The film suggests that memory is not always a reliable guide to truth and that our understanding of past events can be colored by our emotions and experiences. This theme resonates with the broader social concern of how individuals and societies come to terms with their histories and the ways in which past actions can haunt the present.

“The Sense of an Ending” touches on issues of privilege and class. Tony’s privileged background and his interactions with other characters reflect the societal dynamics of the time. The film critiques the ways in which social status can affect personal relationships and opportunities, highlighting the disparities that influence individuals’ choices and their consequences.

The film’s exploration of personal and collective memory invites viewers to reflect on their own lives and relationships. By revealing the consequences of past actions and the difficulty of reconciling with one’s own history, “The Sense of an Ending” encourages a deeper understanding of the ways in which our past shapes our present and the importance of facing unresolved issues to find closure and peace.

Tuesday 13th of August 2024

The Day Of The Jackal (1973) 9pm GREAT!movies

“Day of the Jackal,” directed by Fred Zinnemann, is a tense political thriller based on the novel by Frederick Forsyth. The film centres on an assassination attempt against French President Charles de Gaulle by a mysterious and meticulous assassin known as the Jackal. The narrative follows the intricate planning and cat-and-mouse chase between the assassin and French law enforcement, providing a detailed examination of political intrigue and the mechanics of high-stakes conspiracies.

Politically, the film explores themes of terrorism and political violence. The Jackal’s elaborate plan to assassinate de Gaulle reflects the era’s heightened political tensions and the lengths to which radical groups would go to achieve their aims. The film presents a nuanced view of political extremism, showing the complex motivations behind acts of terrorism and the meticulous planning required to execute such schemes.

“The Day of the Jackal” delves into the impact of political violence on society. The film portrays the pervasive atmosphere of fear and paranoia that accompanies a high-profile assassination plot. The tension and urgency of the investigation reflect the broader social concern about the safety of public figures and the potential for political violence to disrupt everyday life.

The film also highlights the theme of the individual’s role in political conflicts. The Jackal is depicted as a lone operator whose personal convictions drive him to undertake the assassination. This portrayal raises questions about the nature of political commitment and the sacrifices individuals are willing to make for their causes. By focusing on the personal and professional aspects of the characters involved, “The Day of the Jackal” provides a gripping and thought-provoking look at the interplay between politics, violence, and individual agency.

Secrets Of The Hells Angels 10pm Sky History

“Secrets of the Hells Angels,” airing on Sky History, offers an unprecedented glimpse into the notorious biker club known for its secretive nature. The series, with its in-depth interviews and rare archival footage, reveals a more complex and organized group than previously understood. It’s a compelling watch, not just for the exclusive content, but for the way it uncovers the intricate layers of brotherhood and the high stakes of living on the edge. This show promises to be an eye-opener for viewers, shedding light on the club’s most guarded secrets and the true cost of being an Angel.

Wednesday 14th of August 2024

Boyz N The Hood (1991) 9pm GREAT!Movies

“Boyz N The Hood” directed by John Singleton, is a seminal drama that offers a stark portrayal of life in South Central Los Angeles. The film follows the lives of three friends—Tre, Doughboy, and Ricky—as they navigate the challenges of growing up in a neighborhood plagued by violence, poverty, and systemic inequality. Through their stories, the film examines the social and political issues that impact their lives and their community.

“Boyz N The Hood” addresses the pervasive effects of systemic racism and economic disparity. The film provides an unflinching look at how poverty and lack of opportunity contribute to cycles of violence and crime. Tre’s experiences with his father and his attempts to escape the environment reflect a broader struggle for upward mobility and personal success in the face of overwhelming obstacles.

The film critiques the systemic neglect and disinvestment in marginalized communities. The portrayal of gang violence and police interactions highlights the failure of societal institutions to address the root causes of crime and provide meaningful support for those in need. Singleton’s narrative underscores the importance of policy reforms and community investment in addressing the systemic issues that perpetuate inequality and violence.

“Boyz N The Hood” also explores themes of friendship and personal responsibility. The contrasting paths of Tre, Doughboy, and Ricky illustrate the various ways individuals respond to their environment and the impact of personal choices on their futures. The film ultimately advocates for a deeper understanding of the socio-political factors that shape individual lives and the need for collective action to foster positive change in underserved communities.

Bridge Of Spies (2015) 11.20pm BBC1

“Bridge of Spies” directed by Steven Spielberg, is a historical drama based on true events during the Cold War. The film follows insurance lawyer James B. Donovan as he negotiates a high-stakes prisoner exchange between the United States and the Soviet Union, involving the exchange of captured American U-2 pilot Francis Gary Powers for Soviet spy Rudolf Abel. The film delves into themes of justice, diplomacy, and the moral complexities of the Cold War era.

The film examines the intricacies of Cold War diplomacy and the tense negotiations between superpowers. Donovan’s role as a negotiator highlights the importance of legal and ethical considerations in international relations, even during periods of intense political conflict. The film portrays the delicate balance of power and the significance of maintaining human rights and due process in the face of geopolitical tensions.

“Bridge of Spies” explores themes of patriotism and personal integrity. Donovan’s commitment to upholding the principles of justice and fairness, despite public criticism and personal risk, reflects the broader societal values of the time. The film critiques the tendency to prioritize national security over individual rights and the challenges faced by those who stand up for ethical principles in the face of widespread fear and suspicion.

The film also highlights the role of legal professionals in shaping historical events. Donovan’s dedication to defending Abel and negotiating the exchange underscores the critical role that lawyers and legal systems play in navigating complex political issues and ensuring that justice prevails. “Bridge of Spies” ultimately celebrates the courage and resolve of individuals who uphold moral and legal standards during times of crisis, emphasizing the enduring importance of these values in international diplomacy.

Thursday 15th August 2024

The Guard (2011) 2.20am C4

“The Guard” directed by John Michael McDonagh, is a dark comedy-thriller set in rural Ireland. The film follows Sergeant Gerry Boyle, a small-town cop with a unique and unconventional approach to law enforcement, as he becomes involved in an international drug-smuggling ring. The film blends humor with a critique of law enforcement and societal issues, offering a sharp commentary on the nature of justice and corruption.

“The Guard” examines the theme of isolation and the impact of rural life on individuals’ perspectives and behavior. Boyle’s unconventional methods and irreverent attitude reflect the challenges of policing in a small, close-knit community where traditional norms and expectations are often at odds with the realities of crime and corruption. The film portrays the tension between local and international issues, highlighting the complexities faced by those working at the intersection of these worlds.

The film critiques the corruption and ethical compromises present within law enforcement and criminal justice systems. Boyle’s interactions with drug dealers and his methods of handling crime reflect a broader commentary on the moral ambiguities faced by individuals in positions of authority. The film questions the efficacy of conventional approaches to law enforcement and highlights the often murky lines between right and wrong.

“The Guard” also explores themes of personal redemption and integrity. Boyle’s unorthodox methods and complex character arc reveal a deeper sense of morality and personal responsibility beneath his gruff exterior. Through its blend of humor and crime drama, the film invites viewers to consider the challenges of maintaining one’s principles and sense of justice in a world rife with corruption and moral ambiguity.

Friday 16th of August 2024

Woodstock: Three Days That Defined A Generation (2019) 9.50 BBC4

The documentary “Woodstock: Three Days That Defined A Generation” is a nostalgic trip back to the summer of ’69, a pivotal moment in cultural history. Directed by Barak Goodman, this film aired on BBC4, capturing the essence of the Woodstock Music Festival, an event that has become synonymous with the counterculture movement of the 1960s.

Goodman’s documentary is not just about the music, although that is certainly a significant aspect. It’s about the people, the atmosphere, and the zeitgeist of the era. The film takes viewers on a journey through the eyes of those who were there, offering a mosaic of experiences that encapsulate the spirit of Woodstock. From the rain-soaked revelers to the impromptu community that emerged, the documentary showcases the festival as a microcosm of the societal shifts happening in America at the time.

The film is beautifully crafted, with a mix of archival footage and interviews that bring to life the stories of the attendees, organizers, and performers. It’s a reminder of a time when music was a unifying force, capable of bringing together half a million people in the pursuit of peace and love.

One of the most compelling aspects of the documentary is its ability to transport the viewer to the muddy fields of Yasgur’s farm, making one feel as if they are part of the crowd, experiencing the music, the chaos, and the community. The film does an excellent job of highlighting how Woodstock was more than just a music festival; it was a defining moment of a generation grappling with war, civil rights, and a rapidly changing society.

For those who lived through the era, “Woodstock: Three Days That Defined A Generation” is a poignant reminder of their youth and ideals. For others, it’s an educational and entertaining look at a significant historical event that continues to resonate today.

In conclusion, this documentary is a must-watch for anyone interested in music history, social movements, or the 1960s as a whole. It’s a well-executed piece that respects its subject matter and provides a comprehensive look at what made Woodstock an event that defined a generation.

Moon (2009) 11.05pm BBC2

“Moon” directed by Duncan Jones, is a science fiction drama that explores themes of identity, isolation, and the ethics of human cloning. The film follows Sam Bell, an astronaut nearing the end of his three-year stint on a lunar base, who begins to question his sanity as he experiences mysterious occurrences and discovers unsettling truths about his mission. The film’s exploration of these themes raises important questions about human rights and the nature of self.

Socially, “Moon” addresses the theme of isolation and its psychological effects. Sam’s solitary existence on the moon, coupled with the lack of human contact, highlights the profound impact of extended isolation on mental health. The film delves into the emotional and existential struggles faced by individuals in isolated environments, emphasizing the human need for connection and understanding.

Politically, the film critiques the ethics of corporate practices and the exploitation of workers. The revelations about Sam’s true identity and the nature of his work reflect broader concerns about the treatment of individuals by powerful corporations. The film raises questions about the morality of using human clones as expendable resources and the implications of such practices for individual rights and autonomy.

“Moon” also explores the concept of self and personal identity. Sam’s journey to understand his own existence and the nature of his clone’s role challenges viewers to think about what it means to be truly human. The film’s exploration of these themes underscores the importance of self-awareness and ethical consideration in the face of technological advancements and corporate interests. Through its thoughtful narrative and emotional depth, “Moon” invites reflection on the intersection of humanity, technology, and ethics.

and finally, Counter Culture’s Edinburgh Fringe Festival Chronicles

The Edinburgh Fringe Festival is an event that brims with creativity and showcases a plethora of talents from around the globe. Counter Culture has been right in the thick of it, attending and reviewing an eclectic mix of shows. For those who’ve been following our journey, make sure to keep an eye on our website for the latest reviews. Here’s a quick recap of what we’ve experienced this week:

  • “Armed Robbery and Suicidal Intent” – A poignant play that delves into the complexities of human vulnerability and the unexpected connections that can arise from the darkest moments.
  • “007: Voices of Bond” – A nostalgic and thrilling musical ride through the iconic soundtracks of the James Bond franchise, leaving audiences both shaken and stirred.
  • “Two Mums” – A contemporary comedy that navigates the challenges and triumphs of unconventional parenting with wit and heart.
  • “Man of War: The Secret Life of Nadezhda Durova” – a show about a curiousity of history and challenging ascribed gender roles.
    And today, we’re adding two more reviews to our roster:
  • “(Dis)Honest” – A thought-provoking piece that questions the essence of truth through the lens of a master deceiver’s life.
  • “Sara Hester Ross Is What?” – A comedic tour-de-force that combines music, humor, and a touch of the absurd to create a truly unforgettable Fringe experience.

We also interviewed Reine Beau, the lead singer and narrator of The Blondie Story.

Stay tuned for our detailed reviews, and don’t forget to check back regularly for more Fringe highlights from Counter Culture!

Picture Credits

Elizabeth Taylor
By MGM publicity still – https://www.harpersbazaar.com/culture/features/g5333/vintage-elizabeth-taylor-photos/?slide=7, Public Domain, https://commons.wikimedia.org/w/index.php?curid=90476995
Love And Mercy
By ScreenRelish, Fair use, https://en.wikipedia.org/w/index.php?curid=46522655
Woodstock
By Woodstock – http://fromwoodstocktoeternity.com/some-left-woodstock-some-are-still-there (direct link), Public Domain, https://commons.wikimedia.org/w/index.php?curid=128672481
Sense And Sensibility: The Allure Of Art Nouveau
The Peacock Room: Freer Gallery of Art and Arthur M Sackler Gallery, CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0, via Wikimedia Commons
Secrets Of The Hells Angels
By https://hells-angels.com/wp-content/uploads/2017/03/world-toplogo3.png, Fair use, https://en.wikipedia.org/w/index.php?curid=35239990
Taxi Driver (1976)
By May be found at the following website: Heritage Auctions (cropped and resized from original), Fair use, https://en.wikipedia.org/w/index.php?curid=62776056
Love & Mercy (2014)
Riders Of Justice (2020)
By Nordisk Film – https://www.eclairplay.com/en_DNK/movies/retfaerdighedens-ryttere, Fair use, https://en.wikipedia.org/w/index.php?curid=66186288
The Cruel Sea (1953)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=30911940
Beautiful Thing (1996)
Fair use, https://en.wikipedia.org/w/index.php?curid=3406941
The Elephant Man (1980)
By Paramount Pictures – impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=20132209
The Sense of An Ending (2017)
By http://www.impawards.com/intl/uk/2017/sense_of_an_ending_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=53937705
The Day Of The Jackal (1973)
By Universal Pictures – http://every70smovie.blogspot.com/2012/05/day-of-jackal-1973.html, Fair use, https://en.wikipedia.org/w/index.php?curid=38830641
Boyz N The Hood (1991)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=12122442
Bridge Of Spies (2015)
By May be found at the following website: IMPAwards.com, Fair use, https://en.wikipedia.org/w/index.php?curid=46893204
The Guard (2011)
By The poster art can or could be obtained from Element Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=32348267
Moon (2009)
By http://www.impawards.com/2009/moon_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=20348255

Leave a Comment

Culture Vulture 3rd to the 9th of August 2024

2,125 words, 11 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

All The President’s Men
This political thriller follows Washington Post reporters Bob Woodward and Carl Bernstein as they uncover the Watergate scandal, leading to President Nixon’s resignation.

Black 47
Set during the Irish Potato Famine, “Black 47” follows an Irish Ranger who deserts the British Army to seek vengeance on those responsible for his people’s suffering.

and,

The Hate U Give which centres on Starr Carter, a young black girl who witnesses her best friend being fatally shot by police, spurring her into activism against racial injustice.

Saturday 3rd of August 2024

Contact (1997) 3.15pm 5Star

Directed by Robert Zemeckis, “Contact” is a gripping science fiction film that explores the profound implications of extra-terrestrial contact. Jodie Foster delivers a compelling performance as Dr. Ellie Arroway, a determined scientist who discovers a signal from outer space. The film blends scientific curiosity with spiritual themes, offering a thought-provoking narrative that remains engaging from start to finish. Supported by a strong cast, including Matthew McConaughey and James Woods, “Contact” delves into the intersection of faith and science, making it a timeless exploration of humanity’s place in the universe.

Notorious (1946) 3.50pm Talking Pictures

Alfred Hitchcock’s “Notorious” is a masterclass in suspense and romance, starring Ingrid Bergman and Cary Grant. The film weaves a tale of espionage and deceit during the post-World War II era. Bergman shines as Alicia, a woman torn between loyalty and love, while Hitchcock’s direction keeps viewers on the edge of their seats. The chemistry between the leads and the tension-filled plot make this a timeless classic. Claude Rains also delivers a memorable performance as the charming yet dangerous antagonist. The film’s blend of romance and thriller elements showcases Hitchcock’s unparalleled storytelling prowess.

Sunday 4th of August 2024

All The President’s Men (1976) 10.30pm BBC2

This political thriller directed by Alan J. Pakula chronicles the real-life investigation by Washington Post reporters Bob Woodward and Carl Bernstein into the Watergate scandal. Robert Redford and Dustin Hoffman deliver standout performances, portraying the relentless pursuit of truth by two journalists against all odds. The film meticulously details the dogged efforts of Woodward and Bernstein as they uncover the details of the Watergate break-in, leading to President Nixon’s resignation. The film’s attention to detail and commitment to realism make it a riveting and essential watch for anyone interested in American politics and journalism. The screenplay, adapted by William Goldman, captures the tension and stakes of investigative reporting, highlighting the crucial role of a free press in a democratic society.

They Live (1988) 11.40pm Talking Pictures

John Carpenter’s “They Live” is a cult classic that blends science fiction and social commentary. Starring Roddy Piper, the film follows a drifter who discovers that the elite are actually aliens controlling humanity through subliminal messages. With its iconic fight scenes and satirical edge, “They Live” critiques consumerism and conformity, remaining relevant and entertaining decades after its release. The film’s famous line, “I have come here to chew bubble-gum and kick ass, and I’m all out of bubble-gum,” has become a pop culture staple, reflecting its enduring influence and appeal.

A longer review of the film by Anthony C Green is available on the Counter Culture website.

Black 47 (2018) 1.35pm Film4

“Black 47,” directed by Lance Daly, is a gritty historical drama set during the Irish Potato Famine. The film follows Feeney, an Irish Ranger who deserts the British Army to exact vengeance on those responsible for the suffering of his people. James Frecheville delivers an intense performance as the vengeful protagonist, while Hugo Weaving, Stephen Rea, and Jim Broadbent provide strong support. The film’s stark portrayal of a devastating period in history is both powerful and haunting, capturing the despair and resilience of the Irish people. The cinematography, with its bleak landscapes and visceral depictions of famine-stricken Ireland, enhances the film’s sombre and realistic tone. “Black 47” not only serves as a gripping revenge thriller but also as a poignant reminder of a tragic chapter in history.

Monday 5th of August 2024

The Lost Colony Of Roanoke (one of two) PBS America 7.50pm

“The Lost Colony of Roanoke” is a fascinating historical documentary that delves into one of America’s oldest mysteries: the disappearance of the English settlers who founded the Roanoke Colony in the late 16th century. The film meticulously examines various theories and evidence surrounding the colony’s sudden vanishing, from possible integration with local Native American tribes to more sinister fates. Through expert interviews, detailed re-enactments, and careful analysis of historical records, the documentary provides a comprehensive and engaging exploration of this enduring enigma. While definitive answers remain elusive, the film succeeds in presenting a captivating narrative that keeps viewers intrigued and pondering the fate of the lost colony. Second part airs tomorrow.

How Disney Built America 9pm Sky History

“How Disney Built America” is an engaging documentary that explores the profound impact of Walt Disney and his creations on American culture and identity. The film traces Disney’s journey from humble beginnings to becoming a cultural powerhouse, highlighting how his innovative vision shaped not just entertainment, but also American values and aspirations. Through a blend of archival footage, interviews with historians and Disney experts, and behind-the-scenes looks at iconic projects like Disneyland, the documentary paints a vivid picture of how Disney’s influence permeated various aspects of American life. While celebrating Disney’s contributions, the film also critically examines the complexities and controversies surrounding his legacy, offering a balanced and insightful perspective.

Proxima (2019) 1.40am C4

Alice Winocour’s “Proxima” offers an intimate look at the personal sacrifices of an astronaut, played by Eva Green, preparing for a year-long mission aboard the International Space Station. The film is a poignant exploration of motherhood, ambition, and the challenges faced by women in male-dominated fields. Green’s nuanced performance and Winocour’s sensitive direction make “Proxima” a touching and thought-provoking drama. The film’s authenticity is further enhanced by its use of real space training facilities and input from actual astronauts, providing a realistic portrayal of the physical and emotional demands of space travel.

Tuesday 6th of August 2024

The Road (2009) 9pm GREATmovies!

Based on Cormac McCarthy’s novel, “The Road” is a harrowing post-apocalyptic drama directed by John Hillcoat. Viggo Mortensen stars as a father navigating a desolate world with his young son, played by Kodi Smit-McPhee. The film’s bleak atmosphere and powerful performances convey a profound story of survival, love, and hope in the face of despair. The stark landscapes and minimalist dialogue create a hauntingly beautiful backdrop for the narrative, emphasizing the bond between father and son amidst the relentless struggle for survival.

Corridors Of Power: Should America Police The World 10pm BBC4

“Corridors of Power: Should America Police the World?” is a BBC series that explores the United States’ role in international affairs. The show delves into complex topics, examining America’s historical relationships with various countries and its decisions regarding intervention, conflict, and global responsibilities. For instance, one episode focuses on the US’s complicated relationship with Iraq, initially supporting the country during the Iran-Iraq war but later turning against it after Saddam Hussein’s invasion of Kuwait. Another episode highlights America’s unwillingness to intervene in Syria after a chemical attack, which led to despair among Syrian rebels and contributed to the devastating conflict in the region. Overall, the series raises important questions about America’s global role and the challenges it faces in deciding when and where to engage.

Wednesday 7th of August 2024

The Hate U Give (2018) 1.20am Film4

Directed by George Tillman Jr., “The Hate U Give” is a powerful adaptation of Angie Thomas’s novel. The film follows Starr Carter, a young black girl who witnesses the police shooting of her best friend. Amandla Stenberg delivers a stellar performance, capturing the complexities of identity and activism. The film’s timely themes of racial injustice and social change make it a must-watch. It explores the impact of systemic racism on communities and the personal journey of Starr as she navigates her role in the fight for justice. The supporting cast, including Russell Hornsby and Regina Hall, provide strong performances that add depth to the film’s portrayal of family and community resilience

Thursday 8th of August 2024

Eyewitness To History: Norma Percy On Watergate 8pm BBC4

In the documentary “Eyewitness to History: Norma Percy on Watergate,” respected filmmaker Norma Percy reflects on her acclaimed 1994 series Watergate¹. In this series, she meticulously pieced together the tale of the infamous break-in that reverberated through America and the world. The Watergate scandal ultimately led to the downfall of a president and eroded society’s trust in political leaders’ integrity. Norma gained exclusive access to key figures involved in the scandal, shedding light on their journey from obscurity to notoriety. Even today, the series continues to resonate with viewers, capturing the gravity of his pivotal moment in history.

Watergate Break-In 8.10pm BBC4

The Watergate scandal was a major political controversy in the United States during Richard Nixon’s presidency from 1972 to 1974. It originated from attempts by the Nixon administration to conceal its involvement in the June 17, 1972 break-in at the Democratic National Committee headquarters located in the Watergate Office Building in Washington, D.C. Members of Nixon’s re-election campaign broke into the DNC, stole documents, and bugged office phones. The subsequent cover-up led to Nixon’s resignation on August 9, 1974

Mud (2012) 11.35pm BBC2

Jeff Nichols’ “Mud” is a coming-of-age drama set in the American South, featuring standout performances by Matthew McConaughey and Tye Sheridan. The story follows two boys who discover a fugitive hiding on an island in the Mississippi River. With its rich storytelling and atmospheric setting, “Mud” is a poignant exploration of friendship, trust, and the passage to adulthood. McConaughey’s portrayal of the titular character, Mud, is both charismatic and mysterious, driving the narrative with his complex blend of charm and desperation. The film’s exploration of loyalty and the innocence of youth is beautifully captured through Nichols’ nuanced direction.

Friday 9th of August 2024

Children Of Men (2006) 11.05pm BBC2

Alfonso Cuarón’s “Children of Men” is a dystopian masterpiece set in a future where humans are infertile. Clive Owen stars as Theo, a disillusioned bureaucrat tasked with protecting a miraculously pregnant woman. The film’s immersive cinematography, gripping narrative, and profound social commentary make it a standout in the sci-fi genre. The long, uninterrupted shots and the realistic portrayal of societal collapse create an intense and immersive viewing experience, while the themes of hope and redemption resonate deeply.

and finally, Green Book (2018) 12.10am BBC1

Directed by Peter Farrelly, “Green Book” is a heart-warming drama based on the true story of the unlikely friendship between African American pianist Dr. Don Shirley (Mahershala Ali) and his Italian American driver Tony Vallelonga (Viggo Mortensen). The film addresses themes of racism and friendship with humor and sensitivity, bolstered by the exceptional performances of its leads. Despite some controversy over its historical accuracy, “Green Book” is an engaging and uplifting film. Ali and Mortensen’s chemistry drives the film, while the script balances moments of tension and humour, providing a poignant look at the transformative power of empathy and understanding.

Picture credits

Contact (1997)
By POV – Can be obtained from the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=34171483
Roanoke Colony
By Design by William Ludwell Sheppard, Engraving by William James Linton – https://www.flickr.com/photos/internetarchivebookimages/14781233224/Source book page: https://archive.org/stream/popularhistoryof00brya/popularhistoryof00brya#page/n317/mode/1up, No restrictions, https://commons.wikimedia.org/w/index.php?curid=42626470
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
All The President’s Men (1976)By IMPAwards.com, Fair use, https://en.wikipedia.org/w/index.php?curid=21480941
Watergate – Impeach Nixon
By Marion S. Trikosko or Thomas J. O’Halloran, photographer – File:Impeach Nixon.tif, Public Domain, https://commons.wikimedia.org/w/index.php?curid=24953906
They Live (1988)By http://www.impawards.com/1988/they_live.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6690694
Black 47 (2018)
By https://www.imdb.com/title/tt3208026/, Fair use, https://en.wikipedia.org/w/index.php?curid=58099079
Proxima (2019)
By https://www.imdb.com/title/tt7374926/mediaviewer/rm2895615745, Fair use, https://en.wikipedia.org/w/index.php?curid=61795179
The Road (2009)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24227798
The Hate U Give (2018)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=58853244
Mud (2012)
By Derived from a digital capture (photo/scan) of the Film Poster/DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=38423796
Children Of Men (2006)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24105930
Green Book (2018)
By CineMaterial, Fair use, https://en.wikipedia.org/w/index.php?curid=59741016
Walt Disney
By Boy Scouts of America – eBay itemphoto frontphoto back, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17511101
World
Image by Arek Socha from Pixabay

Leave a Comment

Culture Vulture 27th of July to the 2nd of August 2024

3,087 words, 16 minutes read time.

Welcome to Culture Vulture, your guide to the weeks entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

Serenity (2005): A sci-fi adventure where a group of rebels fights against a totalitarian regime, exploring themes of freedom and the ethics of scientific experimentation.

Deadpool 2 (2018): An irreverent superhero film that follows Deadpool’s journey of redemption and protection of the vulnerable, while satirizing the genre and Hollywood’s commercialization of violence.

and,

Hell Or High Water (2016): A modern Western about two brothers who rob banks to save their family ranch, critiquing the predatory practices of financial institutions and exploring themes of poverty and moral ambiguity.

Saturday 27th of July 2024

Serenity (2005) 6.55pm 5Star

“Serenity,” directed by Joss Whedon, is a gripping sci-fi adventure set in a dystopian future where a motley crew of rebels aboard the spaceship Serenity fights against a formidable totalitarian regime known as the Alliance. This film delves deeply into themes of freedom versus control, the ethics of scientific experimentation, and the profound power of belief. At its core, “Serenity” is about the crew’s relentless struggle for autonomy and the right to self-determination, symbolizing the perpetual fight against oppressive forces. Central to the narrative is the character of River Tam, a young woman who has been subjected to invasive experimentation by the Alliance. River’s journey and the crew’s efforts to protect her highlight the ethical dilemmas surrounding the use of science and technology to manipulate individuals for political purposes, making “Serenity” a thought-provoking commentary on the abuse of power and the resilience of the human spirit.
“Serenity,” directed by Joss Whedon, is a sci-fi adventure set in a dystopian future where a group of rebels battles against a totalitarian regime known as the Alliance. The film explores themes of freedom versus control, the ethics of scientific experimentation, and the power of belief. The crew’s fight for autonomy and the right to self-determination underscores the perpetual struggle against oppressive forces. Additionally, the character of River Tam, a product of the Alliance’s invasive experimentation, serves as a poignant commentary on the ethics of using science and technology to manipulate individuals for political ends.

Deadpool 2 (2018) 9pm C4

David Leitch’s “Deadpool 2” continues the irreverent saga of the anti-hero Deadpool. The film tackles social themes such as family, redemption, and the consequences of violence. Politically, it satirizes the superhero genre and Hollywood’s commercialization of violence. Ethical dilemmas arise through the character of Russell, a young mutant who faces abuse, highlighting the issues of child welfare and the repercussions of institutional neglect. Deadpool’s journey from self-serving mercenary to a protector of the vulnerable reinforces the importance of personal responsibility and redemption.

Record On: The Specials – A Message To You 10.30pm Sky Arts

“Record On: The Specials – A Message To You” is a poignant tribute to the enduring legacy of The Specials, a band that not only defined an era with their music but also captured the socio-political landscape of their time. This Sky Arts documentary delves into the band’s journey with a mix of nostalgia and reverence. The film is a tapestry of interviews, music, and memories that come together to paint a vivid picture of the band’s impact on British pop culture. It’s a must-watch for fans and newcomers alike, offering a window into the raw energy and message of unity that The Specials championed. The documentary doesn’t shy away from the tumultuous times that gave rise to their music, nor does it gloss over the band’s eventual breakup. Instead, it presents an honest narrative that celebrates their musical genius and the timeless relevance of their message.

Hell Or High Water (2016) 11.50pm BBC1

Directed by David Mackenzie, “Hell or High Water” is a riveting modern Western that delves into the bleak realities of economic despair and moral ambiguity in post-recession Texas. The film follows the story of two brothers, Toby and Tanner Howard, who embark on a series of bank robberies to save their family ranch from foreclosure, driven by a desperate need to secure a future for Toby’s children. As the brothers execute their plan, they are pursued by a determined Texas Ranger, Marcus Hamilton, and his partner, Alberto Parker, adding tension and complexity to the narrative.

“Hell or High Water” offers a powerful critique of the predatory practices of financial institutions, portraying them as merciless entities preying on the vulnerable. The film vividly explores themes of poverty, desperation, and the elusive nature of the American Dream for many individuals who find themselves trapped in an unforgiving economic landscape. The moral complexity of the brothers’ actions raises profound ethical questions: are their crimes justified by their dire circumstances? This central dilemma underscores the film’s exploration of systemic injustice and personal morality, challenging viewers to consider the harsh realities faced by those on the margins of society. Through its compelling characters and gripping storyline, “Hell or High Water” paints a poignant picture of the human struggle against economic oppression and the lengths to which people will go to reclaim their dignity and hope.

County Lines (2019) 12.30am BBC2

“County Lines,” directed by Henry Blake, is a harrowing depiction of child exploitation within the UK’s drug trade. The film centres on a 14-year-old boy coerced into trafficking drugs across county lines. Social themes of poverty, broken families, and the lack of social support systems are prevalent. The film sheds light on the vulnerabilities that lead young people into criminal activities and critiques the societal failures that allow such exploitation to persist. Ethically, it challenges viewers to consider the responsibility of society to protect its most vulnerable members and address the root causes of such exploitation.

Possessor (2020) 1.25am Film4

Brandon Cronenberg’s “Possessor” is a chilling sci-fi thriller that explores the ethics of identity and the extent of corporate power. The story follows an assassin who takes control of other people’s bodies to execute high-profile targets. The film delves into themes of autonomy, consent, and the dehumanizing effects of technology. It raises ethical questions about the manipulation of identity and the moral implications of corporate control over individuals’ bodies. The extreme violence depicted serves as a stark warning of the potential consequences of unchecked technological advancement and corporate greed.

Sunday 28th of July 2024

High Society (1956) 3.35pm BBC2

Directed by Charles Walters, “High Society” is a musical comedy that, while light-hearted, subtly critiques social class and the institution of marriage. Set against the backdrop of an elite socialite’s wedding, the film examines the superficiality of high society and the pursuit of genuine love versus social status. Social themes of class distinction and the performance of wealth are central, offering a satirical look at the American aristocracy. The film suggests that true happiness comes from personal authenticity and emotional honesty rather than social conformity.

The Shining (1980) 10pm BBC2

Stanley Kubrick’s masterful adaptation of Stephen King’s “The Shining” is a chilling psychological horror that intricately explores themes of isolation, madness, and family dysfunction. The story follows Jack Torrance, an aspiring writer and recovering alcoholic, who takes a job as the winter caretaker of the remote Overlook Hotel. Accompanied by his wife Wendy and son Danny, Jack’s initial hope for a fresh start quickly devolves into a harrowing descent into madness.

The Overlook Hotel itself serves as a powerful metaphor for societal pressures and the unravelling of the human psyche. Its eerie, sprawling corridors and ominous presence reflect the isolation and alienation that exacerbate Jack’s psychological deterioration. The film delves deeply into the destructive potential of untreated mental illness, portraying Jack’s gradual transformation from a loving father to a violent, unhinged maniac.

The haunting legacy of violence is a central theme, embodied in the hotel’s dark history and its supernatural influence over Jack. This legacy is also evident in the cyclical nature of Jack’s madness, mirroring his own abusive past. The film’s political undertones reflect on the American ethos of self-reliance and the breakdown of the nuclear family, suggesting that the pressures of individualism can lead to catastrophic consequences when mental health is neglected.

Ethically, “The Shining” challenges viewers to confront the thin line between sanity and insanity, and the moral responsibility to address psychological issues before they manifest in destructive ways. Kubrick’s meticulous direction and the film’s unsettling atmosphere compel audiences to examine the impact of isolation and untreated mental illness, making “The Shining” not just a horror classic, but a profound commentary on the fragility of the human mind and the importance of mental health awareness.

Monday 29th of July 2024

Night Of The Demon (1957) 9.05pm Talking Pictures

Jacques Tourneur’s “Night of the Demon” is a classic horror film that explores the conflict between rationality and superstition. The story of an American psychologist investigating a Satanic cult in England touches on themes of belief, scepticism, and the unknown. The film critiques the arrogance of scientific rationalism when confronted with inexplicable phenomena, suggesting that there are limits to human understanding. The ethical implications revolve around the responsibility of acknowledging and respecting beliefs different from one’s own, even when they challenge established scientific norms.

Tuesday 30th of July 2024

The Call Of The Wild (2020) 4.55pm Film4

“The Call of the Wild,” directed by Chris Sanders, is a visually stunning and heartwarming adaptation of Jack London’s beloved novel. This family-friendly adventure film transports audiences to the rugged landscapes of the Yukon during the Klondike Gold Rush, where the story unfolds through the eyes of Buck, a domesticated St. Bernard/Scotch Collie mix. Buck’s life takes a dramatic turn when he is stolen from his comfortable home in California and sold into the harsh world of sled dogs in the wild, unforgiving North.

The film beautifully captures the essence of London’s exploration of nature, survival, and the primal clash between civilization and wilderness. Buck’s journey from a pampered pet to a resilient and free-spirited leader of a sled dog team is a poignant narrative of self-discovery and adaptation. The themes of animal welfare and ethical treatment of animals are central to the story, highlighting Buck’s struggle against exploitation and his ultimate quest for freedom.

Through Buck’s eyes, the film also addresses the broader environmental impact of human activities, illustrating the delicate balance between mankind and nature. The pristine, yet perilous landscapes of the Yukon serve as a backdrop to underscore the importance of respecting the natural world and the consequences of human encroachment on wildlife habitats.

“The Call of the Wild” is more than just an adventure tale; it is a profound commentary on the intrinsic connection between all living beings and their environments. Buck’s transformation symbolizes the return to one’s true nature and the enduring spirit of resilience and freedom. The film’s message resonates deeply, reminding viewers of the timeless bond between humans and animals and the need to cherish and protect our natural world.

A Storm Foretold 10pm BBC4

“A Storm Foretold,” airing on BBC Four, is a gripping documentary that delves into the tumultuous political landscape of recent years. Centered around Roger Stone, a figure notorious for his role in American politics, the film weaves a complex narrative that explores the undercurrents of power and influence that have shaped significant events. Director Christoffer Guldbrandsen offers an intimate look at the machinations within the MAGA movement and its culmination in the harrowing events at the US Capitol. The documentary doesn’t shy away from the darker aspects of political maneuvering, presenting a candid and sometimes unsettling portrait of a democracy in turmoil. With a blend of interviews, behind-the-scenes footage, and Guldbrandsen’s own reflections, “A Storm Foretold” is a thought-provoking piece that resonates deeply in today’s political climate, especially with the looming possibility of another Trump presidential campaign. It’s a film that not only documents history but also prompts a serious reflection on the future of political discourse and democracy itself.

Wednesday 31st of July 2024

Accused: The Hampstead Paedophile Hoax 10.30pm C4

A profound exploration of the consequences of online conspiracy theories. It tells the harrowing story of innocent people in Hampstead who were falsely accused of heinous crimes and being part of a Satanic cult and the subsequent battle for justice and truth. The film combines interviews, real archive footage, and dramatizations to convey the emotional impact on those involved and highlights the importance of critical thinking in the digital age. For those interested in the themes of truth, justice, and the effects of internet culture on real lives, this documentary presents a compelling narrative.

Song Of The Sea (2014) 12.45pm Film4

Tomm Moore’s “Song of the Sea” is an enchanting animated film that blends Irish folklore with themes of loss, family, and the healing power of storytelling. The narrative follows a young boy and his sister, who is a selkie, on a magical journey. Social themes of grief and the importance of preserving cultural heritage are prevalent. The film advocates for the protection of endangered traditions and languages, emphasizing the role of stories in connecting us to our past and each other. Ethically, it highlights the importance of empathy, understanding, and the nurturing of familial bonds.

Nobody (2021) 9pm Film4

Directed by Ilya Naishuller, “Nobody” is a high-octane thriller that explores the complexities of violence, masculinity, and personal transformation. The film centers on Hutch Mansell, a seemingly unremarkable suburban dad and office worker who leads a mundane, repetitive life. However, when his home is invaded by burglars and his family’s safety is jeopardized, Hutch’s hidden past as a highly skilled assassin comes to light. This revelation sets off a relentless and adrenaline-fueled journey of vengeance and self-discovery.

“Nobody” delves deep into social and political themes, particularly the discontent simmering beneath the surface of suburban normalcy. The film critiques the façade of tranquillity that masks deeper frustrations and unfulfilled desires. Hutch’s transformation from a passive everyman to a force of lethal precision underscores the dissonance between outward appearances and inner realities.

The film also provides a sharp commentary on the glorification of violence in media and the seductive allure of vigilantism. As Hutch unleashes his suppressed aggression, “Nobody” challenges viewers to consider the ethical implications of taking the law into one’s own hands. It questions whether true heroism lies in violent retribution or in the restraint and moral integrity required to maintain peace.

Ethically, “Nobody” provokes a deeper reflection on the nature of heroism and the personal cost of preserving a peaceful existence in a world steeped in violence. It juxtaposes the exhilaration of action with the sobering consequences of living a double life, ultimately questioning the societal norms that equate masculinity with aggression and dominance.

Through its intense action sequences and nuanced character development, “Nobody” transcends the typical action thriller, offering a profound exploration of identity, morality, and the hidden depths within us all.

Thursday 1st of August 2024

Interview With The Vampire (one of eight) 9pm BBC2

This series, based on Anne Rice’s iconic Vampire Chronicles, explores the complex and often tumultuous relationships between its central characters, Louis, Lestat, and Claudia, as they navigate their existence as vampires. The show has been well-received for its fresh take on the classic tale, and it appears to be part of a series with episodes airing weekly. For those interested in a blend of drama and the supernatural, this series offers a compelling dive into the dark and alluring world of Rice’s creation.

The Theory Of Everything (2014) 11.35pm BBC2

James Marsh’s “The Theory of Everything” is a biographical drama about the life of physicist Stephen Hawking. The film explores themes of love, resilience, and the intersection of science and spirituality. It portrays Hawking’s struggle with ALS and his groundbreaking contributions to cosmology. Social themes of disability and the ethical implications of scientific discovery are central. The film highlights the importance of perseverance and the human spirit’s ability to overcome physical limitations. Ethically, it raises questions about the role of caregivers and the balance between personal ambition and family responsibilities.

Friday 2nd of August 2024

Official Secrets (2019) 11.05 BBC2

Directed by Gavin Hood, “Official Secrets” is a gripping political thriller that brings to light the true story of Katharine Gun, a courageous whistleblower whose actions exposed deep-seated government malfeasance. Set against the tumultuous backdrop of the lead-up to the Iraq War, the film meticulously unravels themes of government transparency, the ethics of journalism, and the profound moral duty to expose wrongdoing.

Keira Knightley delivers a compelling performance as Katharine Gun, a British intelligence specialist who stumbles upon a classified email detailing a covert U.S.-U.K. operation to blackmail U.N. diplomats into supporting the invasion of Iraq. Confronted with the moral implications of this discovery, Gun risks her career and freedom by leaking the document to the press, setting off a chain of events that challenge the integrity of both governments and media institutions.

“Official Secrets” delves deeply into the social and political themes of war, surveillance, and the individual’s role in challenging state power. The narrative critiques the use of intelligence to manipulate public opinion and justify military action, highlighting the ethical dilemmas faced by those who handle classified information. The film portrays the personal and professional sacrifices Gun endures, underscoring the heavy burden carried by whistleblowers who dare to reveal the truth.

Picture credits

Leave a Comment

Culture Vulture 20th to the 26th of July 2024

5,472 words, 29 minutes read time.

Welcome to Culture Vulture, your guide to the weeks entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is from Tim Bragg. Highlights this week include:

The Art of the Brick exhibition in Brick Lane, a vibrant display of LEGO art, showcasing over 100 intricate sculptures, including reimagined famous masterpieces and an impressive 6-metre-long T-Rex skeleton, captivating visitors of all ages.

“Britain Behind Bars: A Secret History with Rob Rinder” which delves into the hidden narratives of the UK’s prison system, uncovering centuries of untold stories behind the walls. With the nation’s prisons facing unprecedented overcrowding and the imminent closure of the historic Dartmoor prison due to safety concerns, the series arrives at a critical moment. Rob Rinder’s exploration offers a timely examination of the penal system’s past and present, shedding light on the urgent issues at the heart of today’s justice
debates.

And, “Blood Simple”, a gripping 1984 neo-noir crime film marking the directorial debut of the acclaimed Coen Brothers. The story unfolds in Texas, where a seedy bar owner’s discovery of his wife’s affair with one of his bartenders spirals into a dark plot of jealousy and betrayal. As the husband hires a private investigator to eliminate the lovers, a series of misunderstandings and manipulations lead to an unpredictable and violent conclusion.

Saturday 20th of July 2024

A Time To Kill (1996) 1.05am Film4

Joel Schumacher’s “A Time to Kill” (1996), based on John Grisham’s novel, is a gripping legal drama set in the racially charged atmosphere of the fictional town of Clanton, Mississippi. The film, starring Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, and Kevin Spacey, tackles profound social, ethical, and political themes that resonate with historical and contemporary issues of race and justice in America.

At its core, “A Time to Kill” is a narrative about the pursuit of justice in the face of overwhelming racial prejudice. The plot revolves around the trial of Carl Lee Hailey (Samuel L. Jackson), a black man who takes the law into his own hands after his ten-year-old daughter is brutally raped by two white men. In a town still deeply divided by racial lines, Carl Lee’s actions and subsequent trial ignite a firestorm of controversy and violence.

One of the most compelling aspects of the film is its exploration of the ethical dilemmas faced by its characters. Jake Brigance (Matthew McConaughey), the idealistic young lawyer defending Carl Lee, is thrust into a moral quagmire. Jake’s commitment to securing a fair trial for Carl Lee is constantly challenged by the pervasive racial hatred in the town, as well as by threats to his own life and family. The film asks viewers to consider the extent to which personal and professional ethics should be influenced by external pressures and societal prejudices.

The film’s portrayal of the legal system is another critical element, highlighting the inherent biases and systemic flaws that often undermine true justice. The all-white jury, the presence of the Ku Klux Klan, and the deep-seated racism of many town residents create an environment where a fair trial seems almost impossible. This context raises poignant questions about the efficacy of a legal system that is supposed to be blind to colour but is often anything but.

“A Time to Kill” also delves into the broader political implications of race relations in America. The film is set against the backdrop of the civil rights movement and echoes the real-life struggles for racial equality. It portrays the dichotomy between the law as written and the law as practiced, illustrating how racial dynamics can skew perceptions of justice. Carl Lee’s act of vengeance is both a personal response to an unspeakable crime and a symbolic rejection of a system that has historically failed African Americans.

Moreover, the film does not shy away from depicting the personal costs of standing up for what is right. Jake’s journey is fraught with danger, isolation, and moral uncertainty. His struggle reflects the broader societal conflict between maintaining the status quo and striving for progress and equality. This narrative thread underscores the personal sacrifices often required in the fight for justice and civil rights.

“A Time to Kill” is a poignant and thought-provoking film that challenges viewers to reflect on the complexities of justice in a racially divided society. Through its compelling characters and intense narrative, the film addresses enduring social, ethical, and political themes that continue to be relevant today. It is a stark reminder of the ongoing struggle for racial equality and the moral courage required to confront injustice head-on.

In The Earth (2021) 135am C4

Ben Wheatley’s “In The Earth” (2021) is a horror-thriller that plunges audiences into a nightmarish journey through an enigmatic forest, intertwining ecological, social, political, and ethical themes. Set against the backdrop of a devastating global pandemic, the film taps into contemporary fears and anxieties, offering a hallucinatory narrative that blurs the lines between reality and myth.

The film follows Dr. Martin Lowery (Joel Fry), a scientist who ventures into the forest to join his colleague, Dr. Olivia Wendle (Hayley Squires), in researching a peculiar mycorrhizal network that could hold the key to new forms of communication and possibly cures for the pandemic. Accompanied by park guide Alma (Ellora Torchia), Martin’s expedition quickly devolves into a surreal and terrifying ordeal as they encounter Zach (Reece Shearsmith), a recluse who has been living in the forest, driven mad by his own obsessive experiments.

One of the film’s central social themes is the relationship between humanity and nature. “In The Earth” portrays the forest as a living, sentient entity, with its own consciousness and agency. This depiction challenges the anthropocentric view that humans are the dominant force on Earth. Instead, Wheatley suggests a symbiotic relationship where humans are just one part of a vast ecological system. The film critiques humanity’s exploitative tendencies, highlighting the ethical implications of scientific pursuits that disregard the natural world’s intrinsic value.

Politically, “In The Earth” reflects on the broader implications of scientific research and environmental conservation. The forest, with its mysterious and potentially revolutionary properties, becomes a battleground for control and understanding. The clash between scientific inquiry and mystical reverence for nature underscores the political tension between progress and preservation. The film implicitly questions the motivations behind scientific advancements, suggesting that the quest for knowledge should not come at the expense of ecological integrity.

Ethically, the film delves into the moral dilemmas faced by its characters. Dr. Wendle’s obsession with her research leads her to increasingly unethical behaviour, including dangerous and untested experiments on herself and others. Zach’s descent into madness is another stark illustration of the ethical boundaries crossed in the pursuit of understanding and control over the natural world. These characters’ actions serve as a cautionary tale about the hubris of humanity and the ethical consequences of pushing beyond the limits of safe and responsible scientific practice.

“In The Earth” also taps into the collective trauma and isolation brought about by the pandemic, a theme that resonates deeply with contemporary audiences. The film’s eerie, claustrophobic atmosphere mirrors the psychological impact of prolonged isolation and the fear of the unknown that has permeated society. This backdrop adds a layer of social commentary on the ways in which crises can amplify existing tensions and drive individuals to extreme behaviour.

“In The Earth” is a visually and thematically rich film that explores profound social, political, and ethical themes through the lens of horror. Ben Wheatley’s narrative serves as a meditation on humanity’s place within the natural world, the ethical boundaries of scientific exploration, and the social impact of global crises. It is a chilling reminder of the interconnectedness of all life and the delicate balance that must be maintained to ensure the survival of both humanity and the environment.

Sunday 21st of July 2024

Chariots Of Fire (1981) 1pm BBC2

“Chariots of Fire” (1981), directed by Hugh Hudson, is a classic film that recounts the inspiring true story of two British athletes, Eric Liddell (Ian Charleson) and Harold Abrahams (Ben Cross), competing in the 1924 Paris Olympics. As we approach the centenary of those Games and prepare to host the 2024 Olympics in Paris, the film’s exploration of social, ethical, and political themes remains profoundly relevant.

Set in the post-World War I era, “Chariots of Fire” delves deeply into the social dynamics and prejudices of the time. Harold Abrahams, a Jewish student at Cambridge, faces pervasive anti-Semitism as he strives to prove his worth in a predominantly Christian society. His journey is a powerful commentary on the social barriers and discrimination faced by minority groups. Abrahams’ determination to succeed and his refusal to be diminished by prejudice resonate with contemporary audiences, highlighting the ongoing struggles against racism and xenophobia.

Eric Liddell’s story, on the other hand, brings to the fore ethical and religious themes. A devout Christian, Liddell refuses to run his race on a Sunday, the Sabbath, despite immense pressure from the Olympic committee and the British establishment. His unwavering adherence to his principles, even at the potential cost of his athletic dreams, underscores the importance of personal integrity and moral conviction. Liddell’s stance is a poignant reminder of the ethical dilemmas that individuals often face and the strength required to remain true to one’s beliefs.

Politically, the film reflects on the national pride and identity tied to international sporting events. The British athletes’ journey to the Olympics is depicted not just as a personal quest for glory but also as a representation of national honour. The intense preparation and the ultimate victory serve to unite a nation still recovering from the scars of war. This theme of national pride and unity through sports continues to be relevant, especially as we look forward to the 2024 Paris Olympics, where athletes from around the world will once again come together to compete on a global stage.

“Chariots of Fire” also touches on the evolving role of amateurism and professionalism in sports. Abrahams’ use of a professional coach is controversial, challenging the traditional notion of amateur athletics that was prevalent at the time. This debate between maintaining the purity of amateur sports and embracing professionalism echoes ongoing discussions in the world of athletics today, particularly in light of modern-day endorsements, sponsorships, and the commercialization of sports.

“Chariots of Fire” is more than just a sports drama; it is a profound exploration of social, ethical, and political themes that continue to resonate a century after the 1924 Olympics it depicts. As we approach another Olympic Games in Paris in 2024, the film serves as a timeless reminder of the power of perseverance, the importance of staying true to one’s principles, and the unifying spirit of sports. It is a celebration of human endurance and moral courage, making it as relevant today as it was when it first premiered.

Britain Behind Bars: A Secret History (one of three) 9pm C4

“Britain Behind Bars: A Secret History” with Rob Rinder offers a compelling look into the UK’s prison system, intertwining historical context with modern-day realities. Episode one takes us to the formidable HMP Dartmoor, where Rinder delves into the prison’s storied past and its reputation for a harsh regime. Through a blend of interviews, archival footage, and Rinder’s insightful commentary, the episode paints a vivid picture of life behind bars and raises important questions about the nature of punishment and rehabilitation. It’s a thought-provoking start to the series that sets the tone for a deep exploration of Britain’s penal history and its echoes in the present day.

The Hurt Locker (2009) 10.55pm BBC2

Kathryn Bigelow’s “The Hurt Locker” (2009) is an intense and harrowing portrayal of the Iraq War, focusing on the experiences of an elite bomb disposal team. The film, which won the Academy Award for Best Picture, delves into the psychological, social, political, and ethical dimensions of modern warfare, offering a raw and unflinching look at the lives of soldiers on the front lines.

At its core, “The Hurt Locker” explores the psychological impact of war on soldiers. The film follows Staff Sergeant William James (Jeremy Renner), whose recklessness and addiction to the adrenaline of bomb disposal highlight the profound psychological toll of continuous exposure to life-threatening situations. This portrayal underscores the theme of how war can fundamentally alter an individual’s psyche, leading to a form of dependency on the chaos and danger of combat. The film raises important social questions about the long-term mental health implications for veterans and the adequacy of support systems for those returning from war zones.

Politically, “The Hurt Locker” provides a critical lens on the Iraq War and the broader implications of U.S. military intervention. It refrains from overt political statements but instead allows the chaotic and often futile nature of the bomb disposal missions to speak volumes. The film’s depiction of the urban warfare environment — marked by uncertainty, mistrust, and civilian casualties — subtly critiques the complexities and the often ambiguous objectives of the Iraq conflict. It calls into question the efficacy and morality of such military engagements, encouraging viewers to consider the broader consequences of war on both soldiers and civilians.

Ethically, the film delves into the moral ambiguities and dilemmas faced by soldiers in combat. James’s character embodies the paradox of heroism and recklessness, raising questions about the ethical boundaries of military conduct. His actions, while sometimes heroic, also put his team at unnecessary risk, illustrating the thin line between courage and foolhardiness. The film does not shy away from depicting the moral compromises and harsh decisions that soldiers must make, highlighting the ethical complexity of their roles. This portrayal invites viewers to reflect on the nature of duty, honor, and the human cost of war.

The relationships among the members of the bomb disposal unit further highlight social themes of camaraderie, loyalty, and the strain that war places on personal connections. The interactions between James, Sergeant J.T. Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty) reveal the deep bonds that form in the crucible of combat, as well as the tensions and conflicts that arise from differing approaches to the job and coping mechanisms.

“The Hurt Locker” is a powerful and thought-provoking film that offers a nuanced exploration of the psychological, social, political, and ethical dimensions of war. Kathryn Bigelow’s direction and the compelling performances of the cast create an immersive experience that challenges viewers to confront the harsh realities of modern warfare. The film’s portrayal of the Iraq War serves as a poignant reminder of the complexities and consequences of military conflict, making it a significant and enduring work in the genre of war cinema.

Monday 22nd of July 2024

75 Years of NATO: New Challenges and Chances 8.35pm PBS America

“75 Years of NATO: New Challenges and Chances” offers a compelling examination of the North Atlantic Treaty Organization as it marks a significant milestone. The documentary delves into the alliance’s evolution since the Cold War, highlighting the shift from a period of relative peace to the current climate of heightened tensions and geopolitical complexities. It underscores the challenges NATO faces, including the confrontation with Russia, the war in Ukraine, and the differing interests of its member states. The film prompts viewers to consider whether NATO is prepared to defend its members and maintain stability in the face of these challenges. It’s a thought-provoking piece that not only recounts the history of the alliance but also questions its future readiness and cohesion. This documentary is a must-watch for those interested in understanding the intricacies of international defence relationships and the delicate balance of power in the modern world.

Tuesday 23rd of July 2024

London ’48: How Britain Saved The Olympics 9pm C5

The documentary “London ’48: How Britain Saved The Olympics” is a fascinating recount of the 1948 Olympic Games, a pivotal event in sports history. It showcases how, despite the aftermath of World War II and the austerity of post-war Britain, London managed to host the Olympics, symbolizing hope and resilience. The documentary delves into the challenges faced by the organizers and the nation, and how their determination and ingenuity ensured the Games not only took place but also left a lasting legacy. This story of triumph over adversity is a testament to the enduring spirit of the Olympic movement and Britain’s significant role in its history.

Britain’s Forgotten Slave Owners (part two of two) 9.15pm BBC4

“Britain’s Forgotten Slave Owners,” in its second part, delves into the aftermath of the British government’s decision in 1834 to compensate slave owners, which amounted to a staggering sum in today’s currency. Historian David Olusoga explores the contentious debates and propaganda battles between those who supported slavery and the abolitionists. This part of the documentary series sheds light on the economic and moral complexities of this period, highlighting the extensive impact of slavery on British society.

Sick Of Myself (2022) 11.25pm Film4

Kristoffer Borgli’s “Sick Of Myself” (2022) is a darkly comedic and satirical exploration of contemporary society’s obsession with fame and self-image. The film follows Signe (Kristine Kujath Thorp), a young woman in Oslo who becomes addicted to a drug that causes disfiguring side effects, all in a bid to gain attention and sympathy. This narrative serves as a biting critique of social, ethical, and political themes prevalent in today’s world.

One of the film’s central social themes is the pervasive influence of social media and the culture of self-obsession it fosters. Signe’s desperate attempts to achieve fame, regardless of the personal cost, mirror the extreme lengths to which individuals will go to curate and broadcast their lives online. The film highlights the superficiality and ephemeral nature of social media fame, questioning the societal values that prioritize visibility and notoriety over authenticity and substance.

Ethically, “Sick Of Myself” delves into the moral implications of exploiting personal suffering for public attention. Signe’s self-destructive behaviour and the lengths she goes to in order to manipulate public perception raise important questions about the ethics of victimhood and the commodification of personal trauma. The film critiques the voyeuristic tendencies of modern audiences who consume and often celebrate the suffering of others as entertainment or spectacle.

Politically, the film offers a critique of the commodification of health and wellness. Signe’s use of an illegal drug to achieve her aims can be seen as a commentary on the darker side of the pharmaceutical and beauty industries, which often prey on individuals’ insecurities and promote quick fixes for complex issues. This narrative thread underscores the broader political and economic systems that exploit vulnerable individuals for profit, perpetuating cycles of dependency and harm.

Furthermore, the film’s portrayal of Signe’s relationships, particularly with her boyfriend Thomas (Eirik Sæther), underscores the toxic dynamics that can arise from competing desires for attention and validation. The couple’s increasingly destructive behaviour highlights the corrosive impact of narcissism on personal relationships and the alienation that often accompanies a relentless pursuit of self-promotion.

In conclusion, “Sick Of Myself” is a sharp, satirical film that offers a poignant critique of contemporary society’s obsession with fame, self-image, and the commodification of personal suffering. Through its dark humour and incisive storytelling, the film invites viewers to reflect on the ethical and political dimensions of our digital age, challenging us to reconsider the values that drive our behaviours and the societal norms that shape our perceptions of worth and identity.

Blood Simple (1984) 1.20am Film4

“Blood Simple” (1984), the debut feature from the Coen Brothers, is a gripping neo-noir thriller that masterfully intertwines deception, betrayal, and murder. Set in a small Texas town, the film showcases the Coens’ unique storytelling style, characterized by dark humour, intricate plotting, and memorable characters.

The story revolves around a convoluted murder plot instigated by bar owner Julian Marty (Dan Hedaya), who hires private detective Loren Visser (M. Emmet Walsh) to kill his unfaithful wife, Abby (Frances McDormand), and her lover, Ray (John Getz). However, Visser’s double-crossing and deceitful nature set off a chain of events marked by misunderstandings and deadly consequences.

The film’s social themes delve into the darker aspects of human nature, such as greed, jealousy, and the instinct for self-preservation. Each character’s moral ambiguity and susceptibility to corruption highlight the ease with which ordinary people can be drawn into criminal acts when driven by desperation or malice.

Ethically, “Blood Simple” raises questions about the consequences of taking justice into one’s own hands and the moral degradation that accompanies acts of violence and betrayal. Marty’s decision to resolve his marital issues through murder rather than confrontation sets off a series of unintended and tragic events, illustrating the chaotic and uncontrollable nature of crime.

Politically, the film can be seen as a critique of the American Dream’s darker side, where personal ambitions and desires often lead to ethical compromises and destructive behaviours. The small-town setting underscores the pervasive nature of these themes, suggesting that such moral failings are not confined to big cities or grand narratives but can be found in everyday life.

Visually, “Blood Simple” is striking, with Barry Sonnenfeld’s cinematography creating a mood of tension and foreboding through the use of shadows and tight framing. The film’s suspenseful atmosphere is further enhanced by Carter Burwell’s haunting score, which adds an additional layer of intensity to the unfolding drama.

“Blood Simple” is a brilliant introduction to the Coen Brothers’ filmmaking prowess, blending elements of classic noir with their distinctive dark humour and narrative style. It is a taut, suspenseful film that explores complex social, ethical, and political themes, making it a compelling watch for anyone interested in the darker facets of human behaviour and the unpredictable nature of crime.

Wednesday 24th of July 2024

Art Matters 8pm Sky Arts

Art Matters, a Sky Arts documentary, showcases the impassioned plea of Melvyn Bragg for the arts’ central role in society. In this feature, Bragg converses with various artists, including Tracey Emin and Antony Gormley, exploring the profound impact of the arts on individual lives and their significant contribution to the nation’s economy and culture. His advocacy extends beyond the screen, as he addresses the House of Lords, emphasizing the arts as a vital, employable sector that enriches community and democracy. This documentary is a testament to Bragg’s lifelong dedication to making the arts accessible and appreciated by all.

Youth (2015) 12.35am Film4

Paolo Sorrentino’s “Youth” (2015) is a visually stunning and emotionally profound exploration of aging, memory, and artistic legacy. Set in a luxurious Swiss Alps resort, the film revolves around two lifelong friends, Fred Ballinger (Michael Caine), a retired composer and conductor, and Mick Boyle (Harvey Keitel), a still-active film director. As they navigate their twilight years, the film delves into themes of regret, creativity, and the search for meaning.

The film’s social themes are cantered around the process of aging and the societal perceptions of the elderly. Sorrentino portrays his characters with deep empathy, highlighting their internal struggles and the sense of invisibility they often feel in a youth-obsessed culture. The resort, filled with eclectic guests each dealing with their own existential crises, serves as a microcosm of broader societal attitudes towards aging and mortality.

Ethically, “Youth” examines the complexities of human relationships and the moral dimensions of legacy and memory. Fred’s refusal to conduct his famous piece “Simple Songs” for the Queen reflects his personal convictions and a deep-seated desire to move beyond his past achievements. Mick’s struggle to create a meaningful final film underscores the ethical tensions between commercial success and artistic integrity. These personal dilemmas invite viewers to reflect on the ethical considerations of legacy, both personal and professional.

Politically, the film subtly addresses issues related to fame and the commodification of art. Fred’s interactions with younger characters, such as the pop star Paloma Faith (playing herself) and the young masseuse who idolizes him, reveal the generational gap and differing attitudes towards artistic expression. Sorrentino critiques the fleeting nature of modern fame and the often superficial values that accompany it, contrasting them with the enduring nature of true artistic legacy.

Visually, “Youth” is a feast for the eyes, with Luca Bigazzi’s cinematography capturing the serene beauty of the Alpine landscape and the opulent interiors of the resort. The film’s aesthetic elegance enhances its reflective tone, creating a poignant backdrop for the characters’ introspections. The score, composed by David Lang, complements the film’s mood, adding an additional layer of emotional depth.

In conclusion, “Youth” is a contemplative and beautifully crafted film that offers a rich exploration of aging, creativity, and the human condition. Sorrentino’s direction, combined with powerful performances by Michael Caine and Harvey Keitel, creates a narrative that is both introspective and universally resonant. It is a film that encourages viewers to ponder the nature of legacy, the passage of time, and the enduring power of art.

Thursday 25th of July 2024

Tabloids On Trial 9pm ITV1

“Tabloids On Trial” is a compelling documentary airing on ITV1 that delves into the infamous phone hacking scandal. It features Prince Harry’s first major interview since his court case, highlighting his ongoing battle against the illegal practices of the British tabloid press. The program also includes insights from celebrities like Hugh Grant and Charlotte Church, who share their personal experiences with media intrusion. This documentary not only sheds light on the scandal but also sparks a conversation about the ethics of journalism and the importance of privacy in the modern age.

Queen & Slim (2019) 11.30pm BBC2

“Queen & Slim” (2019) is a powerful and thought-provoking film that blends romance, drama, and social commentary. Directed by Melina Matsoukas, the story follows a young African American couple, Queen and Slim, who go on the run after a traffic stop escalates into violence. Their journey becomes a modern-day Bonnie and Clyde tale, exploring themes of systemic racism, identity, and love in the face of adversity.

The film is beautifully shot, with striking visuals that capture the vastness of the American landscape. The chemistry between the lead actors, Daniel Kaluuya and Jodie Turner-Smith, is palpable, and their performances are raw and authentic. As they navigate their newfound fugitive status, they encounter a series of characters who challenge their perceptions and force them to confront their own humanity.

Queen & Slim doesn’t shy away from difficult conversations. It delves into the complexities of being Black in America, the trauma of police violence, and the resilience required to survive. The soundtrack, featuring artists like Lauryn Hill and Megan Thee Stallion, adds emotional depth to the film.

While some critics found fault with certain plot elements, the overall impact of Queen & Slim lies in its ability to provoke empathy and reflection. It’s a film that lingers long after the credits roll, leaving viewers with questions about justice, love, and the pursuit of freedom.

Queen & Slim is a gripping and relevant cinematic experience that invites audiences to examine the world through a different lens.

Friday 26th of July 2024

High Plains Drifter (1973) 9pm iTV4

“High Plains Drifter,” directed by and starring Clint Eastwood, is a Western that defies the traditional mold of the genre. Released in 1973, the film presents a narrative that is as much a ghost story as it is a tale of the Wild West. Eastwood plays a mysterious stranger with no name who arrives in the small town of Lago. His presence is met with suspicion, but his skills with a pistol soon have the townsfolk seeking his help against a band of outlaws.

The film is noted for its stark portrayal of morality, or the lack thereof, within the town of Lago. The townspeople are depicted as self-serving and cowardly, having failed to prevent the brutal murder of their marshal. Eastwood’s character, possibly the vengeful spirit of the slain marshal, brings a sense of eerie justice to the town. The movie’s atmosphere is tense and shadowy, contributing to its gothic undertones.

“High Plains Drifter” stands out for its commentary on the Western mythos, stripping away the clear-cut morality traditionally associated with the genre. It reflects the disillusionment of the Vietnam era, injecting a sense of bitterness into the American ideal of the West. The film’s landscape, a desolate backdrop set against a beautiful blue lake, emphasizes the isolation and emptiness of the setting.

Eastwood’s performance is central to the film’s impact, his nearly silent portrayal of the drifter is both menacing and fitting to the film’s dark themes. The supporting cast reacts well to his dominating presence, enhancing the film’s twisted sense of entertainment.

Overall, “High Plains Drifter” is a compelling piece of cinema that reshapes the Western narrative, offering a brutal and allegorical storyline that leaves a lasting impression. It’s a must-see for fans of the genre and those interested in the evolution of American cinematic storytelling.

And streaming…

Let’s dive into the intriguing world of Kleo, the German action-thriller comedy series on Netflix.

Season 1 premiered on Netflix in August 2022 and swiftly captured viewers’ attention. Set after the fall of the Berlin Wall, it follows Kleo Straub (played by Jella Haase), a former East German Stasi assassin. Imprisoned for an alleged act of treason, Kleo is released and embarks on a relentless quest for revenge against those who framed her. Think of it as Netflix’s answer to Quentin Tarantino’s Kill Bill. The show garnered positive reviews and even caught the eye of prolific writer Stephen King. With 34.33 million hours watched globally within two weeks, it left its mark.

Now, brace yourself for Season 2, arriving globally on July 25, 2024. The hunt for the elusive red suitcase continues, and Kleo isn’t the only one after its secrets—the CIA and KGB are also hot on the trail. Action, espionage, and personal history intertwine as Kleo’s wild adventures unfold. Can she save Europe’s fate? Get ready for more thrills, twists, and lethal skills in this highly anticipated second round!

And finally, The Art of the Brick: A Lego Odyssey in London

Nestled in the heart of London’s vibrant Brick Lane lies The Boiler House, a venue that has become the canvas for an extraordinary exhibition that’s captivating the hearts of both young and old. “The Art of the Brick” is not just an exhibition; it’s a celebration of creativity, innovation, and the timeless appeal of one of the world’s most beloved toys: LEGO®.

As you step into the world of artist Nathan Sawaya, you are greeted by a myriad of colours and shapes, each meticulously crafted from the humble LEGO brick. The exhibition boasts over 150 works, ranging from thought-provoking original pieces to awe-inspiring recreations of iconic art. Sawaya’s genius lies not just in the scale of his creations but in the emotional resonance they carry. His sculptures, often human figures, are imbued with a sense of motion and life that belies their plastic construction.

One of the standout pieces is a life-sized dress made entirely of red LEGO bricks, which appears to melt away into the air. It’s a testament to Sawaya’s skill that these bricks can convey such fluidity and grace. Another highlight is the 20-foot dinosaur that commands its own room, a marvel of engineering that leaves visitors guessing just how many bricks could make up such a behemoth.

The exhibition is not without its playful side. Children and adults alike revel in the interactive elements, such as the virtual art gallery where visitors’ coloured pictures come to life on screen. It’s a space where imagination is not only welcomed but encouraged.

“The Art of the Brick” is a reminder that art is not confined to traditional mediums. It challenges perceptions and invites us to find the extraordinary in the ordinary. It’s a must-visit for anyone in London, whether you’re a LEGO enthusiast, an art aficionado, or simply in search of inspiration. As Sawaya himself says, “Fortunately, there are no rules in art!” This exhibition is a dazzling display of what can be achieved when creativity is let loose on a simple toy brick. Don’t miss this inspiring LEGO journey at The Boiler House.

A longer review of this great exhibition is available on the Counter Culture website.

Picture credits

A Time To Kill (1996)
By Warner Bros., Fair use, https://en.wikipedia.org/w/index.php?curid=12473597
In The Earth (2021)
By Neon Book Films – Original publication: 14.3.2021Immediate source: http://www.impawards.com/intl/uk/2021/in_the_earth.html, Fair use, https://en.wikipedia.org/w/index.php?curid=67099395
Chariots Of Fire (1981)
By IMP Awards U.K. quad poster, Fair use, https://en.wikipedia.org/w/index.php?curid=3022377
The Hurt Locker (2009)
Fair use, https://en.wikipedia.org/w/index.php?curid=22629914
Sick Of Myself (2022)
By https://www.vl.no/resizer/p2N3MYsvArxGR_INimfz0Et0V-I=/arc-photo-mentormedier/eu-central-1-prod/public/2CQ2I5OHHZEY7C4RXIWP56TX4M.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=73567547
Blood Simple (1984)
By May be found at the following website: http://www.impawards.com/1985/blood_simple_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61286730
Youth (2015)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=47657816
Queen & Slim (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61401429
High Plains Drifter (1973)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=20200300
Nato image
Image by DANIEL DIAZ from Pixabay
Olympics ’48
By The logo may be obtained from International Olympic Committee., Fair use, https://en.wikipedia.org/w/index.php?curid=61076827
Slave
Image by Jim Cramer from Pixabay

Leave a Comment

Culture Vulture 13th to the 19th of July 2024

3,405 words, 18 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is from Tim Bragg. Highlights this week include:

The Eyes of Tammy Faye (2021): A captivating biographical drama that dives into the rise and fall of televangelists Tammy Faye and Jim Bakker, spotlighting the exploitation and corruption within televangelism.

Legend (2015): A gritty biographical crime thriller that delves into the tumultuous lives of the infamous Kray twins, Ronnie and Reggie, who ruled London’s underworld in the 1960s.

Only The Brave (2017): A powerful and heartfelt tribute to the Granite Mountain Hotshots, a team of elite firefighters who battled some of the most dangerous wildfires in American history.

Saturday 13th of July 2024

The Whistleblower (2010) 11.45pm GREAT!movies

“The Whistleblower” (2010) is a gripping drama that delves deep into the dark underbelly of international politics and ethics. Based on a true story, the film follows Kathryn Bolkovac (Rachel Weisz), a UN peacekeeper in post-war Bosnia who uncovers a sex trafficking ring involving high-ranking officials. The political themes are starkly portrayed as the film exposes the corruption within the United Nations and the complicity of various government entities. Ethical dilemmas are at the forefront, as Bolkovac grapples with the moral imperative to seek justice against overwhelming odds and institutional apathy. The film is a haunting reminder of the complexities and often grim realities of international intervention, making it a powerful and thought-provoking watch.

Law of Tehran (2019) 1am BBC2

“Law of Tehran” (2019) is an intense and gripping crime thriller that paints a stark portrait of Iran’s war on drugs. Directed by Saeed Roustaee, the film follows police officer Samad Majidi (Payman Maadi) as he relentlessly pursues Nasser Khakzad (Navid Mohammadzadeh), a powerful drug lord. The narrative masterfully explores the socio-economic factors fueling the drug epidemic, presenting a gritty and realistic depiction of the harsh realities faced by both law enforcement and addicts. The film’s strong performances, particularly by Maadi and Mohammadzadeh, are complemented by Roustaee’s tight direction and compelling storytelling. “Law of Tehran” is not just a crime drama but a powerful social commentary on the devastating impact of addiction and the moral ambiguities in the fight against it.

Sunday 14th of July 2024

Summer Night Concert From Vienna 8pm BBC4

The Vienna Philharmonic Orchestra will present their traditional Summer Night Concert from the enchanting grounds of the Schönbrunn Palace in Vienna. This annual event, conducted for the second time by Andris Nelsons, promises a delightful evening of classical music. The vocal soloist for this year’s concert is Lise Davidsen, a talented Norwegian opera singer.

Fight Club (1999) 12am C4

“Fight Club” (1999), directed by David Fincher and based on Chuck Palahniuk’s novel, is a provocative and visually stunning exploration of modern masculinity and consumer culture. Starring Edward Norton as the disillusioned narrator and Brad Pitt as the charismatic Tyler Durden, the film delves into themes of identity, freedom, and societal expectations. It critiques the emptiness of consumerism and the alienation of men in contemporary society, revealing how repressed desires and discontent can lead to violent rebellion. The film’s anarchic philosophy and dark humor challenge viewers to question societal norms and their own perceptions of self-worth. With its bold narrative and groundbreaking visuals, “Fight Club” remains a culturally significant and thought-provoking piece of cinema.

Terry Venables: A Man Can Dream 11pm Sky Documentaries

“Terry Venables: A Man Can Dream” is a captivating documentary that delves into the extraordinary life and times of the late Terry Venables. The film intertwines his story with England’s unforgettable run at Euro 96, offering unique insights from players, friends, and family. Directed by Stewart Sugg, this documentary provides a fascinating glimpse into Venables’ legacy and the footballing history of that era.

Point Break (1991) 11pm BBC1

“Point Break” (1991) is an adrenaline-fueled action thriller directed by Kathryn Bigelow, blending high-stakes heists with the exhilarating world of extreme sports. Starring Keanu Reeves as FBI agent Johnny Utah and Patrick Swayze as the enigmatic surfer and bank robber Bodhi, the film explores themes of loyalty, freedom, and the quest for transcendence. Utah infiltrates Bodhi’s gang of surfers, who rob banks to fund their pursuit of the ultimate wave. The chemistry between Reeves and Swayze drives the narrative, as does Bigelow’s masterful direction, which captures breathtaking surfing sequences and intense action scenes. “Point Break” is more than a conventional action film; it’s a compelling study of the allure of counterculture and the search for meaning beyond conventional societal norms.

Monday 15th of July 2024

The Eyes of Tammy Faye (2021) 9pm Film4

“The Eyes of Tammy Faye” (2021) is a captivating biographical drama that dives into the rise and fall of televangelists Tammy Faye Bakker (Jessica Chastain) and Jim Bakker (Andrew Garfield). Directed by Michael Showalter, the film spotlights Tammy Faye’s unique persona and her tumultuous journey through fame, scandal, and redemption. Social and ethical themes are central, highlighting the exploitation and corruption within televangelism, the manipulation of faith for financial gain, and the impact of media scrutiny. Chastain’s powerful performance humanizes Tammy Faye, portraying her unwavering compassion and progressive views, particularly her advocacy for LGBTQ+ rights, despite the moral ambiguities surrounding her. The film compellingly examines the intersection of religion, media, and morality, making it a thought-provoking and emotionally resonant watch.

Classic FM Live: Classical Anthems 9pm Sky Arts

This promises an enchanting evening of classical music. Hosted by Alexander Armstrong and Myleene Klass, this concert takes place at the iconic Royal Albert Hall. Expect captivating performances from artists such as Freddie De Tommaso and Hayato Sumino. Whether you’re a seasoned classical music enthusiast or a newcomer, this event is sure to delight your ears and transport you to a world of timeless melodies

Tuesday 16th of July 2024

The Day of the Jackal (1973) 9pm GREAT!Action

“The Day of the Jackal” (1973), directed by Fred Zinnemann and based on Frederick Forsyth’s novel, is a masterful political thriller set against the backdrop of 1960s France. The film follows a meticulous and enigmatic assassin, known only as the Jackal (Edward Fox), hired to kill French President Charles de Gaulle. The historical context is richly portrayed, capturing the political turmoil of the era, particularly the tensions surrounding de Gaulle’s controversial policies and the fallout from the Algerian War.

A key element of the plot is the Organisation de l’Armée Secrète (OAS), a far-right paramilitary group vehemently opposed to de Gaulle’s decision to grant independence to Algeria. The OAS, composed mainly of disillusioned French military personnel, orchestrates the assassination plot as their most extreme measure to overthrow de Gaulle’s government. Their relentless hatred for the president drives them to hire the Jackal, a cold and calculating professional assassin, to carry out the job.

Political themes are intricately woven into the narrative, showcasing the pervasive fear of political instability and the lengths to which dissident groups will go to achieve their aims. The film highlights the dogged efforts of law enforcement, led by Inspector Lebel (Michael Lonsdale), to thwart the assassination plot, reflecting the cat-and-mouse dynamics between state power and subversive elements. Zinnemann’s precise direction, combined with Fox’s chilling performance, creates a taut and suspenseful atmosphere, making “The Day of the Jackal” a riveting exploration of political intrigue, extremist ideologies, and the fragility of democracy.

Daley: Olympic Superstar 9pm BBC2

“Daley: Olympic Superstar” is a compelling feature documentary that chronicles the remarkable life of double Olympic decathlon champion Daley Thompson. The film provides unprecedented access and never-before-seen archive footage. It not only celebrates Thompson’s legendary sporting achievements but also delves into the personal struggles he faced while rising from humble beginnings to become the ultimate Olympian. As a Superstar, he grapples with reconciling his status as the world’s greatest all-around athlete with his humanity as a son and father.

Britain’s Forgotten Slave Owners 9.15pm BBC4

“Britain’s Forgotten Slave Owners,” hosted by historian David Olusoga, is a compelling documentary that sheds light on the often overlooked history of British involvement in the slave trade. The program meticulously examines the economic and social impact of slavery on British society, revealing the extent to which the nation profited from this inhumane practice. Olusoga’s detailed exploration of historical records and compensation claims provides a stark reminder of the deep-rooted connections between wealth and slavery in Britain.

The documentary is particularly effective in highlighting the moral and ethical contradictions of the time. While figures like William Wilberforce are celebrated for their roles in the abolition movement, the program uncovers the uncomfortable truth that many ordinary Britons, including women, were financially dependent on slavery. This nuanced portrayal challenges the simplistic narrative of Britain as a purely abolitionist nation and forces viewers to confront the complexities of its history.

Visually, the documentary is both haunting and informative. The use of historical documents, personal letters, and artifacts such as shackles and branding irons brings the brutal reality of slavery to life. Olusoga’s narration is both engaging and thought-provoking, making “Britain’s Forgotten Slave Owners” a must-watch for anyone interested in understanding the full scope of Britain’s historical relationship with slavery.

Legend (2015) 11.40pm BBC1

“Legend” (2015), directed by Brian Helgeland, is a gritty biographical crime thriller that delves into the tumultuous lives of the infamous Kray twins, Ronnie and Reggie, who ruled London’s underworld in the 1960s. Tom Hardy delivers a tour-de-force performance, portraying both brothers with remarkable distinction and depth. The film explores the dichotomy between the suave and business-minded Reggie and the volatile, psychopathic Ronnie, providing a nuanced portrayal of their complex relationship and criminal empire.

Set against the backdrop of swinging London, the film vividly captures the era’s vibrant yet dangerous atmosphere, highlighting the twins’ rise to power and their eventual downfall. Ethical themes are deeply woven into the narrative, examining the moral ambiguities of loyalty, power, and violence. The Kray twins’ empire is built on brutality and intimidation, raising questions about the cost of ambition and the ethical compromises made in the pursuit of power.

The tragic love story between Reggie and Frances Shea (Emily Browning) offers a poignant counterbalance to the violence, highlighting the personal toll of the Krays’ criminal lifestyle. Frances’ perspective brings forth themes of innocence corrupted by association with crime and the moral struggle of loving someone involved in such a destructive world.

While the film’s pacing can be uneven at times, Helgeland’s direction and Hardy’s magnetic dual performance keep the audience engaged. The supporting cast, including Browning and David Thewlis as the twins’ business manager Leslie Payne, add depth to the story. “Legend” is a compelling exploration of criminality, fame, and the ethical dilemmas inherent in the bonds of brotherhood, making it a thought-provoking watch for fans of crime dramas and biographical films.

An Education (2009) BBC2

“An Education” (2009), directed by Lone Scherfig and based on the memoir by Lynn Barber, is a captivating coming-of-age drama that explores the intricate social and ethical themes of ambition, innocence, and the search for identity. Set in 1960s suburban London, the film follows Jenny Mellor (Carey Mulligan), a bright and promising 16-year-old schoolgirl who dreams of attending Oxford University. Her life takes a dramatic turn when she meets David Goldman (Peter Sarsgaard), an older, sophisticated man who introduces her to a glamorous world far removed from her sheltered upbringing.

Social themes are intricately woven into the narrative, highlighting the expectations placed on young women during the era. Jenny’s academic aspirations are juxtaposed with the allure of a more immediate, exciting lifestyle offered by David, reflecting the limited opportunities available to women and the societal pressure to marry well. The film also delves into class distinctions, as Jenny is exposed to the stark contrasts between her modest, middle-class background and the opulence of David’s world.

Ethical themes are central to the story, as Jenny grapples with the moral complexities of her relationship with David. The initially charming and generous David gradually reveals a more manipulative and deceitful side, leading Jenny to question the validity of her choices and the true cost of her newfound freedom. Her parents, particularly her father (Alfred Molina), also face ethical dilemmas as they become complicit in encouraging the relationship, blinded by the prospect of social advancement for their daughter.

Carey Mulligan’s performance is mesmerizing, capturing Jenny’s transformation from an innocent schoolgirl to a young woman confronted with the harsh realities of life. The supporting cast, including Sarsgaard, Molina, and Emma Thompson as the strict headmistress, provide strong performances that enrich the narrative.

“An Education” is a thought-provoking film that raises important social and ethical questions about the value of education, the allure of materialism, and the complexities of personal growth. It serves as a poignant reminder of the importance of making informed choices and the enduring impact of those decisions on one’s future.

Wednesday 17th of July 2024

Only The Brave (2017) 6.20pm Film4

“Only The Brave” (2017), directed by Joseph Kosinski, is a powerful and heartfelt tribute to the Granite Mountain Hotshots, a team of elite firefighters who battled some of the most dangerous wildfires in American history. The film chronicles their journey from rigorous training to becoming a highly respected crew known for their bravery and camaraderie.

At its core, “Only The Brave” is a testament to the courage and sacrifice of these firefighters, highlighting the dangers they face and the profound impact their work has on their families and communities. The film poignantly explores themes of brotherhood, resilience, and the unwavering determination to protect others at all costs.

Josh Brolin delivers a compelling performance as Eric Marsh, the leader of the Granite Mountain Hotshots, embodying both toughness and vulnerability as he navigates the challenges of leadership and personal relationships. The supporting cast, including Miles Teller as Brendan McDonough, a troubled young recruit, and Jennifer Connelly as Marsh’s supportive wife, add depth and emotional resonance to the narrative.

Kosinski’s direction effectively captures the intensity of firefighting operations and the vast, unforgiving landscapes in which these brave men work. The film strikes a delicate balance between thrilling action sequences and intimate character moments, honoring the bravery of the firefighters while paying homage to their personal lives and struggles.

“Only The Brave” is a poignant and moving tribute that celebrates the courage and dedication of firefighters, offering a heartfelt reminder of their heroism and the sacrifices they make to protect others.

Sleuths, Spies and Sorcerers: Andrew Marr’s Paperback Heroes 9pm BBC4

In the “Sleuths, Spies & Sorcerers: Andrew Marr’s Paperback Heroes” series, Andrew Marr delves into the captivating world of detective fiction, fantasy epics, and spy novels. In this episode, Marr argues that the British spy novel allows readers to engage with profound questions about the human condition.

Thursday 18th of July 2024

The Film Fan’s Guide to Glasgow 8.55pm BBC4

“The Film Fan’s Guide To… Glasgow” explores the UK’s most iconic and unexpected film locations. In the Glasgow episode, Ali takes us on a cinematic journey through the silver screen sights of this vibrant city.

From Batman cruising through the Necropolis to memorable moments like Spud and Renton sharing a milkshake in a legendary Maryhill cafe, Glasgow’s adaptable gridiron streets have also doubled as Philadelphia in*Brad Pitt’s World War Z and New York in other films. Whether you’re a cinephile or simply curious about the magic behind movie locations, this episode offers fascinating insights into Glasgow’s cinematic history.

The Mist (2007) 11.25pm Film4

“The Mist” (2007), directed by Frank Darabont and based on Stephen King’s novella, is a gripping and atmospheric horror film that masterfully blends supernatural terror with psychological drama. The story follows a group of small-town residents who become trapped in a supermarket when an eerie, otherworldly mist envelops their town, bringing with it horrifying creatures.

The film excels in creating a palpable sense of dread and claustrophobia, with Darabont skilfully building tension through the interactions among the trapped townspeople. Thomas Jane delivers a solid performance as David Drayton, a pragmatic artist trying to protect his son amidst the chaos. Marcia Gay Harden is particularly memorable as Mrs. Carmody, a fanatical religious zealot whose influence over the increasingly desperate survivors adds a chilling layer of human horror.

The special effects and creature designs are effectively unsettling, but it is the film’s exploration of human nature under extreme duress that truly stands out. Themes of fear, mob mentality, and the fragility of societal norms are compellingly portrayed, making the characters’ psychological struggles as frightening as the monsters outside.

The film’s bleak and controversial ending is both shocking and thought-provoking, leaving a lasting impact on the audience. “The Mist” is a haunting and intense horror film that not only delivers on scares but also offers a profound commentary on humanity’s darker impulses when confronted with the unknown.

and finally, Friday 19th of July 2024

Down the Tracks: The Music that Influenced Bob Dylan 11.40pm Sky Arts

“Down the Tracks: The Music That Influenced Bob Dylan” is a fascinating exploration of the roots and influences that shaped the legendary Bob Dylan’s musical vision. Throughout his career, Dylan’s reputation as a songwriter has stood supreme, but this documentary delves into the artists and tracks that left an indelible mark on him.

The film features archival footage of influential figures such as Woody Guthrie, Mississippi John Hurt, Blind Lemon Jefferson, Leadbelly, Blind Willie McTell, Jimmie Rodgers, Pete Seeger, and Hank Williams. These folk performers had a profound impact on Dylan’s early career, and their influence resonates in nearly all of his music. Notably, Woody Guthrie’s bond with Dylan is reflected throughout his work.

Moreover, the documentary explores the rich legacy of African American music that Dylan encountered while living in New York City. Blues legends like Blind Willie Johnson and Robert Johnson left an imprint on him, allowing him to incorporate their musical styles and themes into his own unique sound. If you’re curious about the musical tapestry that shaped Bob Dylan’s artistry, this program gives you the answers.

Planet of the Apes (2001) 1.20pm BBC1

“Planet of the Apes” (2001), directed by Tim Burton, is a reimagining of the classic 1968 sci-fi film. The story follows astronaut Leo Davidson (Mark Wahlberg), who crash-lands on a mysterious planet ruled by intelligent apes. Struggling to survive, he teams up with sympathetic chimpanzee Ari (Helena Bonham Carter) and a group of human rebels to overthrow the oppressive ape regime.

While Burton’s visual flair is evident in the film’s impressive makeup and costume design, which bring the ape characters to life with remarkable detail, the film falters in its narrative execution. The plot feels disjointed and lacks the philosophical depth of the original, relying more on action sequences than on exploring the social and ethical themes that made the 1968 version iconic.

Wahlberg’s performance is serviceable but lacks the gravitas needed to anchor the film, while Bonham Carter and Tim Roth, as the menacing General Thade, deliver more memorable performances. The film’s pacing is uneven, and the dialogue often falls flat, diminishing the impact of key scenes.

Despite its shortcomings, “Planet of the Apes” (2001) offers some entertaining moments and intriguing visuals. However, it ultimately fails to live up to the legacy of its predecessor, leaving it as a visually striking but narratively flawed entry in the franchise.

Picture credits

The Whistleblower (2010),
By The cover art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=31899087
Law of Tehran (2019),
Fight Club (1999)
By http://www.impawards.com/1999/fight_club_ver4.html, Fair use, https://en.wikipedia.org/w/index.php?curid=19641114
Point Break (1991)
By May be found at the following website: IMDb, Fair use,https://en.wikipedia.org/w/index.php?curid=14244462
Terry Venables
By Joop van Bilsen / Anefo – http://proxy.handle.net/10648/adba2196-d0b4-102d-bcf8-003048976d84, CC0, https://commons.wikimedia.org/w/index.php?curid=141517095
The Eyes of Tammy Faye (2021)
By http://www.impawards.com/2021/eyes_of_tammy_faye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68280723
The Day of the Jackal (1973)
By Universal Pictures – http://every70smovie.blogspot.com/2012/05/day-of-jackal-1973.html, Fair use, https://en.wikipedia.org/w/index.php?curid=38830641
Legend (2015)
By Telegraph.co.uk, Fair use, https://en.wikipedia.org/w/index.php?curid=47721944
Daley
By Billpolo – File:Martina Navratilova, Boris Becker and Laureus Ambasodors.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14749074
An Education (2009)
By IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=26113343
Only The Brave (2017)
By https://images-na.ssl-images-amazon.com/images/M/MV5BMTk2NTE3OTg5Nl5BMl5BanBnXkFtZTgwNDUzMzY5MjI@.V1_SY1000_CR0,0,674,1000_AL.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=54611292
The Mist (2007)
By IMP Awards / 2007 Movie Poster Gallery / The Mist Poster (#1 of 4), Fair use, https://en.wikipedia.org/w/index.php?curid=12530561
Planet of the Apes (2001)
By 20th Century Fox – http://www.impawards.com/2001/planet_of_the_apes_ver2_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=72733916

tags

The Whistleblower (2010),
By The cover art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=31899087

Leave a Comment

Culture Vulture 6th to the 12th of July 2024

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is from Tim Bragg. Highlights this week include: The Night Caller, a tense Channel 5 thriller series where former Hustle star Robert Glenister plays Tony, a Liverpool taxi driver with an unhealthy obsession and The Burnt Orange Heresy which serves as a fitting tribute to actor Donald Sutherland who died last month.

Saturday 6th of July 2024

Prince from 10pm BBC2

This evening starting at 10pm BBC2 treats viewers to a special night of programming dedicated to celebrating the unparalleled musical legacy of Prince. The centerpiece of the night was the program titled “Prince and His Songs at the BBC,” a tribute episode that showcased the enduring influence and brilliance of the iconic artist.

Featuring an eclectic lineup of talented musicians, the episode highlighted Prince’s expansive repertoire through diverse covers of his songs. Artists such as Beyoncé, Muse, Tom Jones, The Bangles, Pink, Alicia Keys, Michael Kiwanuka, and Chaka Khan brought their unique interpretations to Prince’s timeless music. Interspersed with these contemporary performances were rare and unforgettable footage of Prince himself, captured during his appearances on various BBC shows over the years.

Through this compilation of performances, “Prince and His Songs at the BBC” not only paid homage to Prince’s extraordinary talent but also underscored why he remains one of pop music’s greatest icons. Whether performing under his name or as the ‘Unpronounceable Symbol,’ Prince’s music continues to inspire generations of artists and fans alike with its innovation, emotion, and unmatched artistry.

In addition to this musical tribute, BBC Two offers two more Prince-related programs later in the evening. At 11:00 PM, viewers are treated to “Prince: A Purple Reign,” a comprehensive documentary that delved deep into Prince’s life, career, and profound impact on the music industry. This documentary explored Prince’s artistic evolution, his influence on fellow musicians, and the cultural significance of his boundary-pushing music. Featuring interviews with collaborators, archival footage, and insightful commentary, “Prince: A Purple Reign” provided a compelling look into the enigmatic artist’s lasting legacy.

Following the documentary, at midnight, BBC Two airs “Prince and The Revolution: Live,” a Grammy-nominated concert film capturing the electrifying performance of Prince and The Revolution at the Syracuse Carrier Dome during the 1985 Purple Rain tour. This remixed, remastered, and visually enhanced presentation allowed viewers to relive the magic of Prince’s live performances in stunning high fidelity, showcasing his unparalleled stage presence and musical prowess.

Who You Think I Am (2019) 1.20am

“Who You Think I Am,” directed by Safy Nebbou, is a French psychological drama that delves deep into the complexities of identity, social media, and the human psyche. Starring Juliette Binoche as Claire Millaud, a middle-aged professor who creates a fake Facebook profile to spy on her younger lover, the film unravels a web of deception, loneliness, and the yearning for connection.

The film masterfully explores the impact of social media on personal relationships and self-perception. In a world where virtual identities often overshadow real ones, Claire’s creation of a younger, more attractive online persona, Clara, highlights the social pressures faced by women regarding age and beauty. The film raises pertinent questions about authenticity and the lengths individuals go to in order to be seen and validated. It critiques the superficiality of online interactions and the ease with which reality can be manipulated in the digital age.

Ethically, “Who You Think I Am” challenges viewers to consider the morality of deceit, especially in intimate relationships. Claire’s actions, driven by a mix of desperation and curiosity, lead to unintended and devastating consequences. The film does not shy away from portraying the ethical gray areas of her behavior, prompting viewers to reflect on the boundaries of privacy and the potential harm caused by deceit, even when the intentions might seem benign or understandable.

Politically, the film subtly addresses issues of gender and power dynamics. Claire’s struggle with her own identity and self-worth can be seen as a commentary on the societal expectations placed on women, particularly as they age. The pressure to remain youthful and desirable in a patriarchal society pushes Claire towards creating Clara, revealing the intersection of gender politics and personal crisis. The film also touches on the broader implications of surveillance and privacy in the digital era, questioning the power structures inherent in the ability to watch and be watched.

Juliette Binoche delivers a compelling performance, capturing the nuanced emotional turmoil of Claire. Her portrayal is both empathetic and disturbing, making Claire a deeply complex and relatable character. Safy Nebbou’s direction is subtle yet powerful, effectively using visual storytelling to mirror the duality of Claire’s existence and the blurring lines between reality and illusion.

“Who You Think I Am” is a poignant and thought-provoking film that tackles significant social, ethical, and political themes. It serves as a mirror reflecting the modern human condition, emphasizing the importance of genuine connections and the dangers of losing oneself in the quest for an idealized self. With its intelligent narrative and stellar performances, the film is a profound commentary on the intricacies of identity in the digital age.

Sunday 7th of July 2024

The Night Caller (one of four) 9pm CHannel 5

Tony, a lonely Liverpudlian taxi driver played by Robert Glenister, used to be a respected teacher but lost his job, marriage, and confidence. His lifelines are Rosa, a café worker, and a late-night talk show hosted by DJ Lawrence (Sean Pertwee). Tony becomes a “friend of the show,” finding a sense of identity after years of isolation. However, he dangerously misinterprets Lawrence’s views and becomes obsessed with their relationship. Eventually, Tony discovers that the DJ isn’t who he pretends to be.

The Burnt Orange Heresy (2019) 10.45pm

“The Burnt Orange Heresy,” directed by Giuseppe Capotondi, is a captivating neo-noir thriller that weaves art, deception, and moral ambiguity into a stylish narrative. Based on Charles Willeford’s novel, the film stars Claes Bang as James Figueras, a charismatic art critic who gets entangled in a dangerous scheme, and Elizabeth Debicki as Berenice Hollis, a mysterious woman who becomes his unwitting accomplice.

Donald Sutherland, who passed away in June 2024, delivers a masterful performance as Jerome Debney, a reclusive and legendary artist. Sutherland’s portrayal of Debney is both magnetic and enigmatic, infusing the character with a mix of wisdom, wit, and a touch of melancholy. His presence elevates the film, providing a depth that resonates long after the credits roll.

The film’s narrative revolves around Figueras, who is lured by the wealthy art dealer Joseph Cassidy (Mick Jagger) into stealing one of Debney’s paintings. The plot thickens as Figueras and Hollis visit Debney’s secluded villa on Lake Como, setting off a chain of events marked by betrayal, greed, and moral quandaries. The Burnt Orange Heresy skillfully explores themes of ambition, integrity, and the subjective nature of art and truth.

Capotondi’s direction is sleek and assured, with a keen eye for detail and atmosphere. The film’s visual style, complemented by David Ungaro’s cinematography, captures the opulence and underlying tension of the art world. The lush, serene landscapes of Lake Como contrast sharply with the dark undercurrents of the story, enhancing the film’s sense of unease and intrigue.

Claes Bang delivers a compelling performance as the ambitious and morally compromised Figueras. His character’s descent into ethical ambiguity is both gripping and unsettling. Elizabeth Debicki is equally impressive, bringing a nuanced vulnerability to her role as Hollis. The chemistry between Bang and Debicki adds an intriguing layer to the film, as their characters navigate a complex web of trust and deception.

Mick Jagger’s turn as Joseph Cassidy is a delightful surprise. His portrayal of the manipulative and suave art dealer adds a layer of charisma and menace, contributing to the film’s overall tension. However, it is Donald Sutherland’s performance that stands out, serving as a poignant reminder of his immense talent and the indelible mark he left on cinema.

“The Burnt Orange Heresy” is not just a film about art theft; it is a meditation on the nature of art, the power dynamics within the art world, and the ethical boundaries individuals are willing to cross for success and recognition. The film’s climax is both shocking and thought-provoking, leaving viewers to ponder the true cost of ambition and deceit.

In tribute to Donald Sutherland, who died last month, “The Burnt Orange Heresy” stands as a testament to his extraordinary career. His portrayal of Jerome Debney showcases his ability to bring complexity and gravitas to his roles. Sutherland’s legacy in cinema is immortal, and his performance in this film is a reminder of his exceptional talent and the profound impact he had on audiences worldwide.

“The Burnt Orange Heresy” is a dark, stylish thriller that captivates with its intricate plot, stellar performances, and thought-provoking themes. It is a fitting homage to the late Donald Sutherland, whose presence in the film adds a layer of depth and poignancy, making it a must-watch for fans of intelligent, character-driven cinema.

Vice (2018) 11.45pm BBC2

“Vice,” directed by Adam McKay, is a riveting and audacious biopic that delves into the life and career of Dick Cheney, one of the most enigmatic and influential figures in modern American politics. Starring Christian Bale in a transformative performance as Cheney, the film explores his rise to power and the far-reaching impact of his decisions during his tenure as Vice President under George W. Bush.

Christian Bale’s portrayal of Cheney is nothing short of remarkable. Through meticulous physical transformation and nuanced acting, Bale captures the essence of Cheney’s persona—his stoic demeanor, calculating intelligence, and ruthless ambition. Bale’s performance is both compelling and unsettling, drawing viewers into the complex psyche of a man who wielded immense power behind the scenes.

The supporting cast is equally impressive. Amy Adams shines as Lynne Cheney, presenting her as a formidable force in her own right, whose influence on her husband’s career is both significant and profound. Steve Carell delivers a sharp performance as Donald Rumsfeld, capturing the brash and unapologetic nature of the former Secretary of Defense. Sam Rockwell’s portrayal of George W. Bush adds a layer of complexity and humor to the film, presenting Bush as both a figurehead and a willing participant in Cheney’s machinations.

Adam McKay’s direction is bold and innovative, utilizing a mix of dark humor, satire, and unconventional narrative techniques to tell Cheney’s story. The film frequently breaks the fourth wall, employs a non-linear timeline, and incorporates surreal sequences that serve to underscore the absurdity and gravity of the political maneuvers at play. This approach, while divisive, adds a dynamic and engaging layer to the biopic genre, making “Vice” stand out as both an informative and entertaining piece of cinema.

“Vice” also benefits from its sharp screenplay, written by McKay, which deftly balances humor and drama while providing incisive commentary on Cheney’s legacy. The film does not shy away from critiquing Cheney’s policies and actions, particularly his role in the Iraq War, the expansion of executive power, and the use of enhanced interrogation techniques. It paints a portrait of a man whose pursuit of power often came at the expense of ethical considerations and human lives.

The film’s technical aspects are top-notch, with meticulous attention to detail in its production design, costume design, and makeup. The transformation of Bale into Cheney is particularly noteworthy, achieved through exceptional makeup and prosthetics that make the actor almost unrecognizable.

While “Vice” has been praised for its bold approach and performances, it has also faced criticism for its heavy-handedness and lack of subtlety. Some viewers may find the film’s satirical tone and narrative style polarizing. However, these elements are integral to McKay’s vision, providing a unique lens through which to examine a controversial figure and the turbulent era he helped shape.

“Vice” is a provocative and thought-provoking biopic that offers a deep dive into the life of Dick Cheney and his indelible impact on American politics. Christian Bale’s transformative performance, coupled with Adam McKay’s bold direction and sharp screenplay, makes for a compelling and memorable cinematic experience. Despite its polarizing style, “Vice” succeeds in shedding light on the complexities and consequences of power, leaving viewers with much to ponder.

Monday 8th of July 2024

THe Night Caller (two of four) 9pm CHannel 5

Episode 2 (“The Confession”): Tony confronts Lawrence, who reveals shocking truths live on air. Meanwhile, Rosa’s revelation adds to the tension.

Dirty Harry (1971) 11.10pm 5Action

“Dirty Harry,” directed by Don Siegel and starring Clint Eastwood as the titular character, is a landmark film in the crime thriller genre. Released in 1971, it follows San Francisco police inspector Harry Callahan as he pursues a psychopathic serial killer known as Scorpio. While celebrated for its gritty realism, taut direction, and Eastwood’s iconic performance, “Dirty Harry” also grapples with complex social, political, and ethical themes that have sparked significant debate.

At its core, “Dirty Harry” is a reflection of the social anxieties and urban violence of the early 1970s. The film portrays a city besieged by crime and a police force struggling to maintain order. Harry Callahan’s character embodies a rugged, no-nonsense approach to law enforcement, which contrasts sharply with the perceived inefficacy and bureaucratic constraints of the legal system. This theme resonates with the public’s growing frustration with rising crime rates and the challenges faced by law enforcement officers.

Politically, “Dirty Harry” is often viewed as a critique of liberal attitudes towards crime and justice. The film presents a stark dichotomy between the rights of criminals and the rights of victims. Scorpio, the film’s antagonist, exploits legal loopholes and due process protections to evade capture and punishment, highlighting the tension between civil liberties and public safety. Harry’s methods, while effective, are extralegal and often brutal, suggesting a controversial endorsement of vigilantism and a rejection of the legal safeguards designed to protect individual rights.

The film’s portrayal of police brutality and vigilante justice raises significant ethical questions. Harry Callahan’s willingness to bypass legal procedures and use excessive force to achieve his goals challenges the moral integrity of law enforcement. The famous line, “Do I feel lucky? Well, do ya, punk?” encapsulates Harry’s confrontational and authoritarian approach. While some viewers see Harry as a hero who gets results, others criticize the film for glorifying violence and undermining the rule of law. This ethical ambiguity makes “Dirty Harry” a provocative and polarizing film that continues to inspire debate about the limits of police power and the balance between security and civil rights.

Clint Eastwood’s performance as Harry Callahan is central to the film’s impact. His stoic demeanor, piercing gaze, and minimalistic dialogue create a character that is both intimidating and compelling. Eastwood’s portrayal captures the essence of a man driven by a personal code of justice, willing to cross lines that others will not. This complexity adds depth to the character, making him more than just a one-dimensional enforcer.

The music score by Lalo Schifrin is another standout element of “Dirty Harry.” Schifrin’s score combines jazz, orchestral, and avant-garde elements to create a soundtrack that is both eerie and intense. The music enhances the film’s tension and atmosphere, underscoring the suspense and unpredictability of the cat-and-mouse game between Harry and Scorpio. Schifrin’s use of dissonant tones, rhythmic patterns, and unconventional instruments adds a layer of psychological depth to the film, reflecting the chaotic and menacing world that Harry navigates.

Don Siegel’s direction and Lalo Schifrin’s haunting score contribute significantly to the film’s tense and foreboding atmosphere. The use of San Francisco’s urban landscape enhances the film’s gritty realism, while the cat-and-mouse dynamic between Harry and Scorpio keeps viewers on edge. Andrew Robinson’s portrayal of Scorpio is chilling and unpredictable, serving as a counterbalance to Eastwood’s controlled intensity.

“Dirty Harry” also touches on themes of alienation and disillusionment. Harry Callahan is depicted as a lone wolf, isolated from his peers and the system he serves. His disillusionment with the bureaucratic constraints of the police force reflects broader societal disenchantment with institutions that are perceived as ineffective or corrupt.

“Dirty Harry” is a seminal film that transcends its genre to explore profound social, political, and ethical themes. Its portrayal of crime, justice, and the use of force remains relevant and thought-provoking. Clint Eastwood’s iconic performance, Don Siegel’s adept direction, and Lalo Schifrin’s evocative music score ensure that “Dirty Harry” is not only an influential crime thriller but also a cultural touchstone that continues to provoke discussion and analysis. The film’s legacy is marked by its ability to engage with contentious issues in a way that is both entertaining and intellectually stimulating.

Tuesday 9th pf July 2024

THe Night Caller (three of four) 9pm CHannel 5

Episode 3 (“The Australia Day Shootings”): Eric Edgar Cooke’s role in the shootings comes to light, exposing a corrupt police force and seeking exoneration for John Button.

Ordinary Love (2019) 11.05pm BBC2

“Ordinary Love,” directed by Lisa Barros D’Sa and Glenn Leyburn, is a poignant and tender drama that explores the enduring power of love in the face of life’s most challenging adversities. Starring Liam Neeson and Lesley Manville, the film follows middle-aged couple Tom and Joan as they navigate Joan’s diagnosis and treatment for breast cancer.

Liam Neeson and Lesley Manville deliver deeply affecting performances, capturing the nuances of a long-term relationship tested by illness. Their chemistry is palpable, portraying a love that is both resilient and vulnerable. The film’s strength lies in its authenticity, presenting the couple’s journey with honesty and sensitivity.

The narrative focuses on the everyday moments of their lives, highlighting the small acts of kindness and support that define their bond. The film’s understated direction and naturalistic dialogue emphasize the ordinariness of their situation, making their love story universally relatable.

“Ordinary Love” is a beautifully crafted film that celebrates the quiet strength of enduring love. It is a moving tribute to the unspoken understanding and unwavering support that sustain relationships through the toughest times. This heartfelt drama is a testament to the resilience of the human spirit and the profound connection that binds us together.

Wednesday 10th of July 2024

The Night Caller (four of four_ 9.30pm Channel 5

Episode 4 (“Cleared of Murder”): John Button’s case prompts a royal commission, and Cooke’s crimes continue to impact the community.

Cat Balou (1965) 4.35pm Film4

“Cat Ballou,” directed by Elliot Silverstein, is a charming and whimsical Western comedy that stars Jane Fonda as the titular character, Catherine “Cat” Ballou. The film follows Cat, a schoolteacher-turned-outlaw, as she seeks revenge for her father’s murder and fights to save their ranch from a corrupt developer.

Jane Fonda shines as Cat, delivering a performance that is both spirited and endearing. She is supported by a standout cast, including Lee Marvin in a dual role as the washed-up gunslinger Kid Shelleen and the villainous Tim Strawn. Marvin’s performance, particularly as the comedic and drunken Shelleen, earned him an Academy Award for Best Actor and remains one of the film’s highlights.

“Cat Ballou” expertly balances humor and action, with witty dialogue, slapstick comedy, and memorable musical interludes provided by Nat King Cole and Stubby Kaye as the balladeers narrating the story. The film’s lighthearted tone and playful spirit make it a refreshing take on the Western genre.

With its engaging story, delightful performances, and clever humor, “Cat Ballou” is a classic that continues to entertain audiences. It’s a joyous romp that showcases the versatility of its cast and the enduring appeal of a well-crafted comedy.

C’mon C’mon (2021) 1.301m Film4

“C’mon C’mon,” directed by Mike Mills, is a deeply moving and introspective film that beautifully explores the complexities of human connection and the innocence of childhood. Starring Joaquin Phoenix as Johnny, a radio journalist, and Woody Norman as his precocious nephew Jesse, the film delves into their evolving relationship as they embark on a cross-country trip.

Joaquin Phoenix delivers a nuanced and empathetic performance, portraying Johnny with a blend of vulnerability and warmth. Woody Norman is a revelation, capturing the inquisitiveness and emotional depth of Jesse with remarkable authenticity. Their chemistry is the heart of the film, driving its poignant narrative.

Shot in striking black and white, “C’mon C’mon” exudes a timeless quality, enhancing its reflective and intimate tone. The film’s contemplative pacing and thoughtful dialogue invite viewers to ponder life’s big questions through the lens of its endearing characters.

“C’mon C’mon” is a tender and beautifully crafted film that celebrates the bonds that define us. It is a testament to the power of empathy, understanding, and the simple, yet profound, connections we share with one another. This heartfelt journey is a must-watch for anyone seeking a deeply human and emotionally resonant cinematic experience.

Thursday 11th of July 2024

The Velvet Touch (1948) 6.25am BBC2

“The Velvet Touch,” directed by John Gage and starring Rosalind Russell in a tour de force performance, is a classic film noir that weaves together elements of suspense, drama, and psychological intrigue. Set in the glamorous world of Broadway theater, the film follows the story of Valerie Stanton (Rosalind Russell), a successful actress who becomes entangled in a web of deceit and murder.

Rosalind Russell delivers a captivating performance as Valerie Stanton, portraying her as a complex and multifaceted character. Valerie is a strong-willed and ambitious woman navigating the challenges of fame and artistic integrity in a male-dominated industry. Russell’s portrayal captures Valerie’s vulnerability and inner strength, making her a compelling protagonist amidst the film’s noirish atmosphere.

The plot unfolds as Valerie accidentally kills her manipulative and abusive husband (played by Leo Genn) in self-defense. This sets off a chain of events involving blackmail, suspicion, and betrayal, as Valerie attempts to cover up the crime and protect her career and reputation. The film masterfully builds tension and suspense, keeping viewers on edge as Valerie’s world unravels.

Director John Gage creates a visually striking and atmospheric film noir, utilizing shadowy cinematography and moody lighting to enhance the sense of intrigue and danger. The film’s evocative score complements the suspenseful narrative, heightening the emotional impact of pivotal scenes.

“The Velvet Touch” also explores deeper themes of power, ambition, and the price of success. It confronts issues of gender dynamics and the challenges faced by women in the entertainment industry during the post-World War II era. Valerie Stanton’s journey from victim to survivor is a testament to resilience and determination in the face of adversity.

“The Velvet Touch” stands as a compelling example of classic film noir, anchored by Rosalind Russell’s powerhouse performance and John Gage’s skillful direction. With its gripping plot, atmospheric cinematography, and exploration of complex themes, the film still captivates.

The Lodge (2019) 11.50pm Film4

“The Lodge,” directed by Veronika Franz and Severin Fiala, is a chilling psychological horror that delves deep into the darkest corners of the human psyche. Set against the backdrop of a remote lodge buried in snow, the film weaves a tale of isolation, grief, and escalating paranoia that grips viewers from start to finish.

The story revolves around Grace (Riley Keough), a young woman with a haunting past, who finds herself snowed in with her fiancé’s two children, Aiden (Jaeden Martell) and Mia (Lia McHugh), at a secluded lodge. As tensions mount and eerie occurrences begin to unfold, Grace’s fragile sanity is tested, revealing unsettling truths and blurring the lines between reality and nightmare.

Veronika Franz and Severin Fiala excel in creating an atmosphere thick with dread and uncertainty. The desolate winter setting enhances the film’s sense of isolation and impending doom, effectively mirroring the characters’ psychological states. The directors employ slow pacing and a deliberate buildup of suspense, allowing tension to simmer and intensify with each passing scene.

Riley Keough delivers a captivating performance as Grace, navigating a complex spectrum of emotions from vulnerability to menacing intensity. Her portrayal is hauntingly authentic, drawing viewers into her character’s unraveling psyche. Jaeden Martell and Lia McHugh complement Keough with equally compelling performances, portraying the conflicted and increasingly wary children caught in Grace’s turbulent orbit.

“The Lodge” is not a typical horror film reliant on jump scares; instead, it relies on psychological depth and a sense of impending dread. It explores themes of trauma, guilt, and the fragility of the human mind, challenging viewers to confront uncomfortable truths about grief and psychological manipulation.

The film’s cinematography by Thimios Bakatakis is stark and atmospheric, capturing the claustrophobic confines of the lodge and the vast, unforgiving landscape outside. The score by Danny Bensi and Saunder Jurriaans enhances the film’s eerie ambiance, heightening suspense without overpowering the quiet moments of introspection.

Overall, “The Lodge” is a haunting and thought-provoking psychological thriller. With its powerful performances, atmospheric direction, and chilling narrative, the film stands as a testament to the enduring allure of psychological horror done right. Whether you’re a fan of the genre or simply intrigued by tales that probe the depths of human fear, “The Lodge” is a must-watch for its unsettling and unforgettable journey into darkness.

Friday 12th of July 2024

Dawn of the Planet of the Apes (2014) 10pm C5

“Dawn of the Planet of the Apes,” directed by Matt Reeves, is a stunning and immersive sci-fi epic that continues the saga of intelligent apes and their evolving relationship with humanity. Set in a post-apocalyptic world where a deadly virus has devastated human civilization, the film explores themes of survival, conflict, and the precarious balance between empathy and aggression.

The story picks up years after the events of its predecessor, “Rise of the Planet of the Apes,” with Caesar (Andy Serkis) leading a thriving community of genetically enhanced apes in the Muir Woods near San Francisco. Their peaceful existence is disrupted when a group of human survivors, led by Malcolm (Jason Clarke) and Ellie (Keri Russell), seek access to a dam located within the apes’ territory to restore power to their decaying city.

Matt Reeves masterfully crafts a narrative that delves into the complexities of coexistence and mutual distrust. The film explores the parallels between the ape and human societies, both grappling with internal power struggles and external threats. The evolving dynamics between Caesar and Koba (Toby Kebbell), a scarred and embittered ape, exemplify the tensions simmering beneath the surface and the consequences of fear and mistrust.

Andy Serkis delivers a tour de force performance as Caesar, imbuing the character with a profound sense of leadership and inner turmoil. Through Serkis’ motion-capture performance, Caesar emerges as a complex and empathetic protagonist, torn between his loyalty to his fellow apes and his desire for peace with humans. Toby Kebbell’s portrayal of Koba is equally compelling, capturing the character’s descent into extremism and the tragic consequences of unchecked hatred.

Visually, “Dawn of the Planet of the Apes” is a marvel of modern filmmaking. The seamless integration of motion-capture technology and breathtaking cinematography by Michael Seresin creates a vivid and immersive world. The apes’ lifelike expressions and movements, coupled with the lush landscapes of the Muir Woods and the crumbling ruins of San Francisco, add depth and authenticity to the film’s dystopian setting.

Michael Giacchino’s evocative score enhances the film’s emotional resonance, underscoring key moments of tension and introspection. The haunting themes of loss, redemption, and the quest for peace resonate throughout the narrative, elevating “Dawn of the Planet of the Apes” beyond mere spectacle to a profound exploration of humanity’s capacity for both greatness and destruction.

“Dawn of the Planet of the Apes” is a masterfully crafted sequel that surpasses its predecessor in both scope and emotional depth. Matt Reeves’ direction, coupled with outstanding performances and groundbreaking visual effects, delivers a gripping tale of survival, moral complexity, and the fragile bonds that define us as individuals and societies. Whether you’re a fan of sci-fi epics or thoughtful dramas, this film offers a compelling and thought-provoking experience that will leave a lasting impression.

Manhunter (1986) 12.05am BBC2

“Manhunter,” directed by Michael Mann, is a gripping psychological thriller that dives deep into the mind of a criminal profiler and the ethical dilemmas he faces in pursuit of justice. Based on Thomas Harris’s novel “Red Dragon,” the film follows FBI agent Will Graham (played by William Petersen) as he comes out of retirement to track down a serial killer known as “The Tooth Fairy.”

Ethical themes pervade the narrative as Graham grapples with the psychological toll of entering the minds of violent criminals. His ability to empathize with killers, a gift that aids his investigations, also threatens to consume him morally and emotionally. The film confronts the ethical implications of using unconventional methods and delves into the ethical boundaries law enforcement officials navigate in their pursuit of justice.

Michael Mann’s direction creates a tense and atmospheric backdrop that enhances the film’s exploration of ethical dilemmas. The cinematography and soundtrack contribute to the film’s noirish ambiance, amplifying the psychological intensity of Graham’s pursuit of the killer.

William Petersen delivers a compelling performance as Will Graham, portraying his internal conflict and moral ambiguity with depth and nuance. His portrayal captures Graham’s dedication to his work and the personal sacrifices he makes in his quest to protect society from violent predators.

“Manhunter” also explores ethical questions surrounding the nature of evil and the human capacity for violence. The character of Francis Dollarhyde (played by Tom Noonan), the serial killer at the heart of the story, raises profound questions about the roots of criminal behavior and the potential for redemption.

“Manhunter” is a thought-provoking thriller that delves into ethical complexities and the psychological toll of confronting evil. Michael Mann’s direction, coupled with William Petersen’s riveting performance, makes for a compelling exploration of justice, morality, and the blurred lines between good and evil in the pursuit of truth.

and finally… streaming choices

Disney+ has Mastermind: To Think Like a Killer available from Thursday 11th of July 2024. The show consists of three episodes and offers a fascinating perspective on the woman whose crime-hunting innovations changed history. Dr Ann Burgess, a psychiatric nurse and professor, must learn to think like a serial killer to stop them. With unprecedented access to the mastermind behind modern serial-killer profiling, the series delves into Burgess’ tenacious story and her compassion for victims, making her central to solving America’s most infamous true-crime cases. From well-known cases like Ed Kemper and Ted Bundy to lesser-known ones, Burgess investigates and studies both victims and the damaged psyches of their attackers, piecing together the puzzle to catch a killer. Directed by Abby Fuller, the series is produced for Hulu by Campfire Studios in association with Lewellen Pictures. Elle Fanning, Dakota Fanning, and other talented individuals serve as executive producers. You can also check out the trailer for the series!

Netflix has Exploding Kittens. Season One is available from Friday, 12th of July 2024. this adult animated comedy series is based on the card game. The show stars Tom Ellis as “Godcat,” and it promises to be a hilarious and entertaining watch.

Picture credits

Who You Think I Am (2019)
The poster art can or could be obtained from the distributor Diaphana Films., Fair use, https://en.wikipedia.org/w/index.php?curid=63973505

The Burnt Orange Heresy (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=63024812
Vice (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59040750
Dirty Harry (1971)
By Warner Bros./ movieposter.com, Fair use, https://en.wikipedia.org/w/index.php?curid=7391508
Ordinary Love (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor, Fair use, https://en.wikipedia.org/w/index.php?curid=63106722
Cat Ballou (1965)
Fair use, https://en.wikipedia.org/w/index.php?curid=5575765
C’mon C’mon (2021)
By http://www.impawards.com/2021/cmon_cmon.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68670014
The Velvet Touch (1948)
By RKO Pictures – Distributor of film – http://www.movieposterdb.com/poster/0f88885d, Fair use, https://en.wikipedia.org/w/index.php?curid=40242487
The Lodge (2019)
By NEON – https://neonrated.com/films/the-lodge, Fair use, https://en.wikipedia.org/w/index.php?curid=60697078
Dawn of the Planet of the Apes (2014)By 20th Century Fox – http://www.movieinsider.com/posters/131057/, Fair use, https://en.wikipedia.org/w/index.php?curid=39545166
Manhunter (1986)
By http://www.impawards.com/1986/manhunter_ver1.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6084921

Leave a Comment

« Newer Posts · Older Posts »