Posts Tagged The Road

Culture Vulture 18th to the 24th of January 2025

This week celebrates the enduring legacy of Paul Newman with a spotlight on his life, career, and iconic films. Paul Newman At The NFT (Thursday, BBC4, 9.45pm) delves into his remarkable journey as an actor and activist, followed by Paul Newman: Talking Pictures (BBC4, 12.15am), a retrospective featuring rare interviews and insights into his work. Two of Newman’s iconic films also grace the schedule: the sultry and tension-filled Cat On A Hot Tin Roof (Saturday, BBC2, 1pm), where he stars alongside Elizabeth Taylor, and the legendary Western Butch Cassidy And The Sundance Kid (Saturday, BBC2, 2.40pm), showcasing his charismatic chemistry with Robert Redford.

Corporate disasters take centre stage in Deepwater Horizon (Sunday, Legend, 9pm), a searing critique of greed and environmental neglect, and Dark Waters (Monday, BBC2, 11.05pm), a gripping legal drama that exposes the devastating consequences of industrial corruption. This week’s programming offers a perfect blend of cinematic classics and socially conscious storytelling.

Selections and writing are by Pat Harrington and music is from Tim Bragg.

Saturday 18th January 2025

Cat On A Hot Tin Roof (1958) – BBC2, 1pm

This adaptation of Tennessee Williams’ play is a compelling exploration of family dysfunction and societal expectations. Set in the sultry South, it captures the oppressive atmosphere of wealth and tradition. The Pollitt family’s veneer of respectability cracks under the weight of greed and lies, exposing deep fractures in their relationships. Themes of inheritance and legacy underscore the toxic grip of patriarchal structures.

Paul Newman’s portrayal of Brick Pollitt, a former athlete struggling with grief and alcoholism, is layered with vulnerability. His relationship with Elizabeth Taylor’s Maggie reveals a marriage strained by unspoken truths. Maggie’s yearning for connection contrasts with Brick’s emotional detachment, a reflection of the rigid gender roles that trap both characters. The film critiques the societal expectations placed on women to maintain appearances and secure family futures.

The theme of repression looms large, particularly in Brick’s unresolved feelings toward his late friend, Skipper. The subtle hints at his inner turmoil show mid-20th-century attitudes toward homosexuality. They force viewers to confront the emotional cost of societal stigma. It’s a nuanced critique of how societal norms suffocate individual authenticity.

The Southern Gothic aesthetic heightens the sense of decay and moral rot beneath the family’s wealth. The sprawling mansion becomes a metaphor for the suffocating expectations and secrets that imprison the characters. The film’s dialogue crackles with tension, creating an atmosphere of unease that mirrors the characters’ internal struggles.

Cat on a Hot Tin Roof presents a powerful commentary on the human need for connection. It also explores the cost of denying one’s truth. It’s a deeply personal story set against a broader critique of social structures. This makes it as relevant today as it was in the 1950s.


Butch Cassidy And The Sundance Kid (1969) – BBC2, 2.40pm

This classic Western redefines the genre, blending charm, humour, and tragedy. Paul Newman and Robert Redford’s chemistry as the titular outlaws is magnetic. Their dynamic balances light-hearted banter with poignant depth. The film’s depiction of camaraderie and loyalty offers a bittersweet look at friendship in a rapidly changing world.

Set at the turn of the 20th century, the story reflects the end of the Wild West. It also shows the encroachment of modernity. The outlaws’ struggle to adapt to a world of increasing industrialisation highlights their challenges. This serves as a metaphor for the loss of individual freedom. Their flight from relentless lawmen symbolises the relentless march of progress and the erasure of old ways of life.

The film critiques capitalism subtly but effectively. The forces pursuing Butch and Sundance represent corporate greed and consolidation of power. Their defiance becomes a statement against the homogenisation of society, a theme that resonates with audiences in any era.

The story’s light-hearted tone belies its tragic undercurrent. The famous final scene is a poignant commentary. It shows the futility of resisting change as the pair charge into a barrage of bullets. It’s a moment that lingers, reminding viewers of the cost of freedom and the inevitability of time.

Through its witty script, stunning cinematography, and unforgettable performances, Butch Cassidy and the Sundance Kid transcends the Western genre. It’s a meditation on friendship, change, and the human spirit’s resilience. The film offers layers of meaning for both casual viewers and deeper thinkers.


The Miniaturist (Episode 1 of 3) – U&Drama, 11.05pm

Set in 17th-century Amsterdam, this adaptation of Jessie Burton’s novel immerses viewers in a world of intrigue and repression. The story follows Nella, a young bride navigating the oppressive household of her new husband, Johannes. The mysterious gift of a dollhouse arrives. Lifelike miniatures appear within it. These elements set the stage for a haunting tale.

The series examines the power dynamics of a patriarchal society. Nella’s struggle to assert her identity in a world dominated by male authority highlights the systemic oppression of women. Her husband’s aloofness and her sister-in-law’s cold control create a claustrophobic atmosphere, mirroring the rigid social hierarchies of the time.

Religion and morality play central roles, with Amsterdam’s strict Calvinist society shaping every character’s choices. The miniaturist’s uncanny ability to predict future events raises questions about predestination versus free will. This tension reflects broader philosophical debates about agency and control.

Visually, the series is stunning, with its rich period detail and shadowy lighting evoking the tension beneath the surface. The dollhouse becomes a symbol of surveillance and manipulation, drawing parallels to modern concerns about privacy and autonomy. The eerie atmosphere builds a sense of foreboding, pulling viewers deeper into the mystery.

The first episode establishes a gripping narrative, balancing personal drama with larger societal themes. The Miniaturist invites viewers to question the roles we play in life and the unseen forces that shape our destinies. It’s a thought-provoking start to a visually arresting series.


Chopper (2000) – Film4, 11.45pm

This gritty biopic chronicles the life of Mark “Chopper” Read, a notorious Australian criminal. Eric Bana’s transformative performance captures the contradictions of a man who is both violent and charismatic. The film walks a fine line between humour and horror, creating a portrait of a deeply flawed individual.

Chopper’s actions raise ethical questions about violence and morality. The film doesn’t glorify his crimes but rather examines the circumstances that shaped him. It critiques the media’s role in turning criminals into celebrities, exposing society’s fascination with antiheroes.

The film’s dark humour adds a satirical edge, highlighting the absurdity of Chopper’s self-aggrandisement. His unreliable narration forces viewers to question the nature of truth and memory. It’s a clever commentary on the construction of identity and the stories we tell about ourselves.

Director Andrew Dominik uses stark visuals to depict the harsh realities of prison and criminal life. The grim settings contrast with Chopper’s larger-than-life personality, underscoring the disconnect between his self-image and the world around him. The film’s pacing mirrors the unpredictability of its protagonist.

Ultimately, Chopper is a compelling exploration of violence, identity, and the media’s power to shape perception. It’s a disturbing yet fascinating character study that lingers long after the credits roll.


Sunday 19th January 2025

Deepwater Horizon (2016) – Legend, 9pm

This gripping disaster film brings the catastrophic events of the Deepwater Horizon oil spill to vivid life. Mark Wahlberg leads a stellar cast in portraying the human cost of corporate negligence. The film’s meticulous attention to technical details immerses viewers in the harrowing events aboard the oil rig. It highlights the bravery of those involved.

The narrative exposes the ethical failings of BP and the prioritisation of profit over safety. Corporate decision-makers exhibit greed and hubris. This behavior serves as a chilling reminder of the systemic disregard for human lives in pursuit of wealth. It’s a scathing critique of capitalist excess.

Environmental themes are central to the story, as the disaster devastated marine ecosystems and local livelihoods. The film doesn’t shy away from showing the broader consequences of human exploitation of natural resources. It’s an urgent call for accountability and sustainable practices.

The human element remains at the heart of the film, focusing on the workers who risk their lives daily. Their courage and resilience contrast starkly with the callousness of corporate executives. This duality underscores the film’s critique of power imbalances within industrial hierarchies.

Deepwater Horizon is more than a disaster film. It’s a poignant reflection on corporate responsibility. It highlights environmental stewardship and the value of human life. It challenges viewers to consider the true cost of convenience and consumption.


Villain (1971) – Talking Pictures, 9.55am

Richard Burton delivers a chilling performance in this gritty British crime drama. As Vic Dakin, a ruthless East End gangster, Burton exudes a menacing charisma that dominates every scene. The film offers a bleak portrayal of London’s criminal underworld, unflinchingly exposing its violence and corruption.

Set against the backdrop of post-war Britain, the film reflects the socio-economic conditions that bred such criminal figures. Poverty and disenfranchisement underpin the narrative, offering a commentary on the systemic failings that allow crime to thrive. Dakin’s character is both a product and a critique of these circumstances.

The film delves into the psychological complexities of its protagonist, exploring themes of power, loyalty, and repression. Dakin’s controlling nature and latent vulnerabilities reveal a man torn between his public persona and private insecurities. His relationships, particularly with his mother and gang members, expose the fragile humanity beneath his brutality.

The cinematography captures the grim realities of 1970s London. Its shadowy streets and dilapidated buildings reflect the moral decay of the world Dakin inhabits. The film’s unsentimental tone ensures that it doesn’t romanticise crime, instead offering a stark portrayal of its consequences.

Villain stands out as a deeply atmospheric and thought-provoking crime drama. It raises questions about power, morality, and the forces that shape our lives. This makes it a compelling watch for fans of hard-edged storytelling.


Monday 20th January 2025

The Revenant (2015) – Film4, 9pm

Alejandro González Iñárritu’s epic survival drama is as visually stunning as it is thematically rich. Leonardo DiCaprio’s portrayal of Hugh Glass, a fur trapper seeking revenge in the 1820s wilderness, is both visceral and haunting. The film’s brutal depiction of nature and human endurance leaves a lasting impact.

The story critiques colonial exploitation, as the fur trade devastates ecosystems and indigenous communities. The film’s portrayal of Native American characters is significant. It highlights the Arikara and Pawnee tribes. The portrayal offers a glimpse into their struggles against encroaching settlers. Themes of cultural displacement and resistance permeate the narrative.

Glass’s journey is both physical and spiritual, exploring themes of survival, vengeance, and forgiveness. The harsh wilderness becomes a character in itself, reflecting the primal forces that drive humanity. The film questions whether revenge truly provides closure or perpetuates cycles of violence.

Emmanuel Lubezki’s cinematography is a masterpiece, capturing the awe-inspiring beauty and brutality of the natural world. The use of natural light enhances the realism, immersing viewers in Glass’s harrowing journey. The attention to detail and authenticity is remarkable.

The Revenant is a profound meditation on resilience, humanity’s relationship with nature, and the cost of revenge. It’s an unforgettable cinematic experience that combines raw emotion with intellectual depth.


Dark Waters (2019) – BBC2, 11.05pm

This legal thriller, based on true events, is a searing indictment of corporate malfeasance. Mark Ruffalo plays the role of Rob Bilott. He is a lawyer who challenges the chemical giant DuPont. He does so after uncovering decades of environmental contamination. The film’s slow-burn narrative builds a sense of outrage and urgency.

At its core, Dark Waters is a story of perseverance and moral courage. Bilott’s transformation from corporate lawyer to whistleblower reflects the ethical dilemmas faced by individuals working within corrupt systems. His sacrifices, both personal and professional, highlight the toll of standing up against powerful entities.

The environmental themes are devastatingly relevant. The film exposes the widespread impact of PFAS chemicals, colloquially known as “forever chemicals,” on human health and ecosystems. It’s a sobering reminder of the hidden dangers lurking in everyday life.

Director Todd Haynes uses a muted colour palette and claustrophobic framing to create an oppressive atmosphere. This visual style mirrors the weight of the subject matter, immersing viewers in the gravity of the story. The film’s deliberate pacing underscores the painstaking nature of Bilott’s fight for justice.

Dark Waters is a powerful exploration of accountability, resilience, and the need for systemic change. It’s a must-watch for anyone interested in environmental justice and the fight against corporate greed.


Tuesday 21st January 2025

Life And Death Row – BBC3, 9pm

This hard-hitting documentary series provides an unflinching look at capital punishment in the United States. By focusing on individual stories, it brings the human cost of the death penalty into stark relief. The series challenges viewers to confront their own beliefs about justice and retribution.

Each episode presents the perspectives of inmates, victims’ families, and legal professionals, creating a multifaceted narrative. The moral and ethical complexities of state-sanctioned death are clear. This raises questions about fairness and bias, and considers the possibility of redemption. The programme highlights the disproportionate impact on marginalised communities, exposing systemic inequalities.

The emotional weight of the series is undeniable, as it delves into the last days of those on death row. It examines how individuals face their mortality and the psychological toll of living under such conditions. It also gives voice to victims’ families, exploring the varied ways they seek closure.

Visually, the series employs stark cinematography to underscore the gravity of its subject. The prison environment, with its cold and clinical appearance, contrasts sharply with the raw humanity of the individuals featured. This juxtaposition reinforces the tension between institutional systems and personal stories.

Life And Death Row is more than just a documentary. It deeply explores the value of life. It also examines the ethics of justice. It offers no easy answers, leaving viewers to grapple with their own positions on one of society’s most divisive issues.


Charles I: Downfall Of A King – BBC4, 9pm

This historical documentary brings the tumultuous final years of Charles I’s reign to life. Experts analyze and reconstruct dramatic scenarios. It explores the events leading to the English Civil War. The documentary also examines the king’s eventual execution. The programme offers a nuanced portrayal of a nation in crisis.

The political themes are central, as it delves into the clash between monarchy and Parliament. Charles’s belief in divine right is juxtaposed with the growing demand for democratic representation. The programme critiques the dangers of unchecked power, making it strikingly relevant to modern political discourse.

Ethically, the documentary questions the morality of rebellion and regicide. Was Parliament justified in its actions, or did the ends fail to justify the means? The programme’s balanced approach allows viewers to consider both sides, fostering a deeper understanding of this pivotal moment in history.

The social impact of the Civil War is also explored, highlighting how ordinary people were affected by the conflict. The programme examines the shifting religious and cultural landscape, as Puritanism gained influence and old traditions were challenged. These changes reshaped the nation, with echoes still felt today.

Charles I: Downfall Of A King is an engaging exploration of power and leadership. It delves into the consequences of political division. It invites viewers to reflect on the lessons of history and their relevance in the modern world.


Blade Runner 2049 (2017) – BBC1, 11.10pm

Denis Villeneuve’s sequel to Ridley Scott’s 1982 classic expands on its dystopian world with breathtaking visuals and philosophical depth. Ryan Gosling stars as K, a replicant tasked with uncovering a mystery that questions the nature of humanity and memory. The film’s slow, deliberate pace allows its themes to resonate powerfully.

Central to the narrative is the question of identity. What does it mean to be human? The replicants, artificial beings with memories and emotions, blur the line between organic life and artificial intelligence. The film critiques the ethical implications of creating sentient beings for exploitation.

The film also explores environmental decay, as the Earth’s desolate landscapes reflect the consequences of human hubris. This bleak vision of the future serves as a warning about unsustainable practices and the loss of natural beauty. It’s a haunting portrayal of a world shaped by corporate greed and technological overreach.

The role of women in the narrative raises ethical and social questions. Female characters, both human and artificial, are often treated as commodities, reflecting real-world issues of objectification. However, they also exhibit agency and complexity, challenging traditional gender roles in the genre.

Blade Runner 2049 is a masterpiece of science fiction, blending existential themes with stunning visuals and a powerful score. It’s a film that demands to be experienced and discussed, offering layers of meaning for those willing to engage deeply.


Zola (2020) – Film4, 1.20am

This darkly comedic drama, inspired by a viral Twitter thread, is a chaotic exploration of trust, manipulation, and survival. The story follows Zola, a Detroit waitress. She is drawn into a dangerous world of sex work and exploitation. This happens because of a charismatic new friend. It’s a raw and unfiltered glimpse into the realities of modern hustling.

At its core, Zola critiques the commodification of bodies and the blurred lines between empowerment and exploitation. The film doesn’t judge its characters but instead offers an empathetic portrayal of their struggles. It challenges societal perceptions of sex work, forcing viewers to confront their own biases.

The film’s use of social media aesthetics, such as on-screen notifications and rapid editing, shows how fragmented modern life is. It also highlights the performative nature of our times. This innovative storytelling technique highlights the influence of digital culture on personal identity and relationships.

Race and class dynamics are central to the narrative. Zola, as a Black woman, navigates a world rife with systemic inequities. Her interactions with Stefani, a white woman, underscore the uneven playing field. Stefani benefits from privilege despite her recklessness.

Zola is both entertaining and deeply thought-provoking, blending humour with harrowing moments to create a unique cinematic experience. It’s a bold commentary on power, identity, and the modern hustle, capturing the zeitgeist with sharp wit and style.


Wednesday 22nd January 2025

A Cure For Wellness (2016) – Film4, 12.55am

This psychological horror-thriller, directed by Gore Verbinski, is a chilling exploration of ambition, control, and the pursuit of perfection. The film is set in an isolated spa in the Swiss Alps. It follows a young executive, Lockhart. He investigates the mysterious disappearance of his company’s CEO. What begins as a professional task spirals into a nightmarish journey.

The film critiques the obsession with wellness and the commodification of health. The spa’s luxurious façade masks sinister practices, reflecting how societies often prioritise appearance and status over genuine well-being. It’s a pointed commentary on the extremes people go to for the illusion of eternal youth.

Power dynamics and exploitation emerge as central themes. The spa’s residents, wealthy and privileged, are trapped in a cycle of dependency. The narrative mirrors real-world ethical dilemmas in healthcare, where the vulnerable are often exploited by those in power. The film asks difficult questions about consent and autonomy.

Visually, the film is stunning, with its Gothic architecture and sterile environments creating a sense of unease. The cinematography blends beauty and horror, immersing viewers in Lockhart’s increasingly distorted reality. The water motif symbolises both purification and entrapment, adding depth to the film’s themes.

A Cure for Wellness is a haunting tale that lingers in the mind long after the credits roll. It’s a thought-provoking exploration of human fragility, societal pressures, and the dark side of perfectionism. While unsettling, it offers a powerful critique of modern obsessions.


Gilda (1946) – Talking Pictures, 1.10am

This classic film noir is a dazzling blend of glamour, intrigue, and psychological complexity. Rita Hayworth delivers an unforgettable performance as the enigmatic Gilda, whose beauty and charisma captivate everyone around her. Set in post-war Buenos Aires, the film explores power, desire, and betrayal.

At its heart, Gilda critiques the objectification of women and the consequences of projecting fantasies onto them. Gilda’s character, both empowered and constrained by her sexuality, embodies the contradictions faced by women navigating male-dominated spaces. The film challenges traditional gender roles, making it a subversive entry in the noir genre.

The love triangle between Gilda, her husband Ballin Mundson, and his associate Johnny Farrell is fraught with tension. Beneath the surface, the film hints at repressed desires and complex interpersonal dynamics. These layers add depth to the story, elevating it beyond a straightforward tale of jealousy.

The post-war setting reflects broader societal anxieties, with themes of loyalty, betrayal, and shifting power dynamics. The nightclub, where much of the story unfolds, becomes a microcosm of the world’s moral ambiguities. It’s a place where appearances deceive and alliances are ever-changing.

With its iconic musical numbers and striking cinematography, Gilda remains a timeless exploration of identity, power, and vulnerability. It’s a must-watch for fans of classic cinema and anyone interested in the intersection of style and substance.


Thursday 23rd January 2025

Paul Newman At The NFT – BBC4, 9.45pm

This documentary celebrates the life and legacy of Paul Newman, one of Hollywood’s most enduring icons. Combining archival footage and interviews, it offers an intimate look at Newman’s career, personal life, and activism. The programme captures the essence of a man who was as much admired for his character as for his talent.

The documentary explores Newman’s versatility as an actor. It highlights his smouldering performances in classics like Cat on a Hot Tin Roof. Additionally, it showcases his nuanced roles in The Verdict and Nobody’s Fool. It examines how he consistently pushed boundaries, taking on challenging roles that defied conventional expectations.

Beyond his on-screen achievements, Newman’s off-screen commitments take centre stage. His political activism, support for civil rights, and philanthropy through Newman’s Own highlight his dedication to social justice. The documentary draws attention to how he used his fame to effect positive change.

Themes of identity and authenticity are woven throughout. Newman struggled with being typecast as a heartthrob early in his career. His determination to be taken seriously as an artist reflects broader questions about societal expectations and self-definition.

Paul Newman At The NFT is a fitting tribute to a legend. It’s not just a celebration of his filmography but also a reflection on the values that guided his life. For fans and newcomers alike, it’s a poignant reminder of why Newman remains a cultural icon.


Starred Up (2013) – Film4, 10.50pm

This raw and unflinching prison drama is a searing exploration of violence, masculinity, and redemption. Jack O’Connell delivers a powerhouse performance as Eric, a young offender transferred to an adult prison. The film’s title, a term for prematurely transferring young inmates, underscores the brutal realities of the system.

The father-son relationship between Eric and his estranged father, Neville, played by Ben Mendelsohn, is central to the story. Their interactions are fraught with tension, revealing generational cycles of trauma and violence. The film critiques the failings of prison systems to rehabilitate, instead perpetuating these cycles.

The depiction of prison life is stark and uncompromising, exposing the toxic culture of hyper-masculinity. Yet, it also highlights moments of vulnerability and connection, particularly through Eric’s sessions with an unconventional therapist. These moments offer a glimpse of hope and the possibility of change.

Director David Mackenzie’s use of close, claustrophobic shots creates an immersive atmosphere. This technique traps viewers in the oppressive environment of the prison. The raw dialogue and unfiltered performances add to the film’s authenticity, making it a visceral viewing experience.

Starred Up is more than a prison drama; it’s a powerful exploration of humanity in the harshest of circumstances. It challenges viewers to consider the potential for redemption and the systemic changes needed to support it.


The Road (2009) – GREAT!movies, 11.25pm

This post-apocalyptic drama, based on Cormac McCarthy’s novel, is a haunting meditation on survival and morality. Viggo Mortensen stars as a father journeying through a bleak, desolate landscape with his young son. The film’s stark visuals and harrowing tone reflect the fragility of human existence.

The relationship between father and son is the emotional core of the story. Their bond offers a glimmer of hope amidst the despair. It illustrates the resilience of love even in the face of unimaginable hardship. The father’s sacrifices raise ethical questions about the lengths we go to protect those we love.

The film critiques humanity’s capacity for destruction. The ruined world serves as a cautionary tale about environmental collapse. It also warns of unchecked greed. It forces viewers to confront the consequences of failing to act in the face of global challenges.

Themes of morality and survival are central, as characters must navigate difficult choices in a lawless world. The film doesn’t offer easy answers. It invites viewers to grapple with what it means to keep humanity when civilisation has crumbled.

The Road is a sombre yet deeply moving experience. Its exploration of love, loss, and resilience resonates on a profound level, leaving viewers both devastated and reflective.


Friday 24th January 2025

The Mountain Between Us (2017) – Film4, 6.45pm

This survival drama pairs Idris Elba and Kate Winslet as two strangers stranded in the wilderness after a plane crash. What begins as a physical fight for survival evolves into an emotional journey of connection and resilience. The film’s stunning landscapes contrast sharply with the characters’ dire situation.

The story explores themes of human connection and vulnerability. As the characters rely on each other to survive, they confront their own fears and insecurities. Their evolving relationship becomes a testament to the power of trust and companionship in overcoming adversity.

The film also examines the fragility of life and the unpredictability of nature. The vast wilderness is unforgiving. It serves as a threat. It also reminds us of humanity’s insignificance in the face of the natural world. It’s a subtle critique of human hubris and the illusion of control.

While the romance between the characters adds depth, it also raises ethical questions about emotional dependency in extreme circumstances. Are their feelings genuine, or a product of shared trauma? The film invites viewers to consider how context shapes relationships.

The Mountain Between Us is a visually stunning and emotionally resonant drama. It’s a story of physical survival. It’s also about emotional endurance. This story challenges viewers to think about the connections that sustain us in life’s most challenging moments.

and finally Streaming This Week in the UK

Netflix

  • “The Night Agent” Season 2 (Available from January 23, 2025)
    A gripping political thriller following FBI agent Peter Sutherland as he uncovers high-stakes conspiracies.

Sky Atlantic and NOW

  • “Lockerbie: A Search for Truth” (Premiered on January 2, 2025)
    This mini-series chronicles the 1988 Lockerbie bombing and one father’s pursuit of justice.

Channel 4

  • “Brian and Maggie” (Coming January 2025, exact date TBC)
    A dramatized account of the iconic political showdown between Margaret Thatcher and Brian Walden.

Disney+

  • “Say Nothing” (Premiering January 2025)
    This compelling crime drama delves into real-life political tensions and their impact.

Picture credits

Cat On A Hot Tin Roof (1958)
By Reynold Brown – Cat on a Hot Tin Roof – Extra Large Movie Poster Image. Internet Movie Poster Awards. Retrieved on 2013-02-22., Public Domain, https://commons.wikimedia.org/w/index.php?curid=24801037
Butch Cassidy And The Sundance Kid (1969)
By Tom Beauvais – Movieposter.com, Fair use, https://en.wikipedia.org/w/index.php?curid=5714787
Chopper (2000)
By https://www.imdb.com/title/tt0221073/mediaviewer/rm3142733312/, Fair use, https://en.wikipedia.org/w/index.php?curid=2311326
Deepwater Horizon (2016)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=49908257
Villain (1971)
Derived from a digital capture (photo/scan) of the VHS or DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=26538848
The Revenant (2015)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=48337450
Dark Waters (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61813314
Blade Runner 2049 (2017)
By Warner Bros. (direct link), Fair use, https://en.wikipedia.org/w/index.php?curid=51893608
Zola (2020)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=66086267
A Cure For Wellness (2016)
By 20th Century Fox – https://twitter.com/CureForWellness/status/788793077871685632, Fair use, https://en.wikipedia.org/w/index.php?curid=52043733
Gilda (1946)
By Robert Coburn – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88142536
Starred Up (2013)
By Orange published, however, Film4 and Fox Searchlight are the owners – http://web.orange.co.uk/article/film/New-trailer-and-poster-for-Starred-Up-394876, Fair use, https://en.wikipedia.org/w/index.php?curid=42196201
The Road (2009)
May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24227798
The Mountain Between Us (2017)
By 20th Century Fox – https://pbs.twimg.com/media/DCXQn8PWsAA6W8d.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=54196569
Programmes:
The Miniaturist
By BBC – https://www.bbc.co.uk/programmes/b09ld4xr, Fair use, https://en.wikipedia.org/w/index.php?curid=59641693
Life And Death Row
Charles I: Downfall Of A King
By Workshop of Anthony van Dyck – she-philosopher.com(original upload)Sothebys 2012 (higher resolution upload), Public Domain, https://commons.wikimedia.org/w/index.php?curid=3852590
Paul Newman At The NFT
Paul Newman: Talking Pictures
By Unknown author, dedicated to Bettmann Archive – https://www.gettyimages.com/detail/news-photo/paul-newman-publicity-still-from-1958-news-photo/517216552https://hips.hearstapps.com/hmg-prod/images/gettyimages-517216552-1569572686.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=48259183

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Culture Vulture 23rd to the 29th of November 2024

4,810 words, 25 minutes read time.

Welcome to Culture Vulture. It is your ultimate alternative weekly entertainment guide. We bring you the best of film, music, and the arts. Our perspective is fresh. Mainstream media often overshadows unique voices and creative expressions. Culture Vulture aims to shine a light on hidden cultural gems that deserve your attention. Each week, we curate a selection of films, music, and events designed to inspire and engage. We celebrate the diverse tapestry of artistic endeavours that shape our world. Writing and selection is by Pat Harrington and music is from Tim Bragg.

Highlights this week include:

Emperor: Rise & Fall of a Dynasty, a captivating historical drama that delves into the complexities of power and ambition through the eyes of the ruthless Livia Drusilla, narrated by Sian Phillips.

Old Boys (2018) is a delightful modern reimagining of Cyrano de Bergerac. It is set in an English boys’ boarding school. In this setting, wit and charm take centre stage.

And,

The New Front on Channel 4 Streaming, a compelling drama. It explores the challenges faced by a group of activists. They are fighting for change in a contemporary urban environment.

Saturday, 23rd November 2024

The Red Shoes (1948) – BBC2, 2:20am
Powell and Pressburger’s visually stunning tale is captivating. It draws the viewer into the world of ballet. Their story captivates the audience. Ambition and passion collide there. The story follows a young dancer, Victoria Page. Her talent becomes the central focus of a tumultuous battle between love and art. The film’s vivid colour palette and dreamlike sequences bring the stage to life, mirroring the emotional intensity of its characters.

At its heart, the film poses a dilemma: can one dedicate themselves entirely to their art without losing everything else? The character of Boris Lermontov is a demanding impresario. He shows the relentless pursuit of perfection. He pushes others to extremes in his quest for artistic excellence. In contrast, Victoria’s romantic entanglements question whether personal happiness can coexist with professional greatness.

The ballet within the film, also titled The Red Shoes, is a story within a story. It mirrors Victoria’s own struggles, making the lines between her life and performance blur. The use of movement and music conveys emotions that dialogue cannot, drawing the audience into her internal conflict. The intensity builds toward a conclusion that feels both inevitable and tragic.

The film subtly reflects the pressures placed on women. This is especially true in post-war society. Here, expectations around duty, success, and identity were heightened. Victoria’s journey is not just one of artistic endeavour but also of navigating a world that demands sacrifices without mercy.

The Red Shoes is a timeless exploration of obsession and the human cost of genius. Its themes resonate beyond the world of dance. They touch anyone who has ever grappled with the demands of passion. They also touch those who have faced the consequences of their choices.

Emperor: Rise & Fall of a Dynasty (one of three) Channel 5 9.25 pm

Emperor: Rise & Fall of a Dynasty on Channel 5 is a captivating historical drama. It delves into the complexities of power and ambition. Sian Phillips narrates the series. She reprises her role as Livia Drusilla from I Claudius. The series offers a fresh perspective on the Roman Empire through Livia’s eyes. The story begins with the assassination of Julius Caesar, setting the stage for a tale of intrigue and betrayal.

I loved watching I Claudius with its heady mix of sex, political intrigue, and violence. This new series captures that same intensity. Livia Drusilla, portrayed as ruthless and scheming, navigates the treacherous waters of Roman politics with cunning and determination. Her character is both fascinating and chilling, embodying the relentless pursuit of power.

The programme explores the impact of leadership and the consequences of ambition. It highlights the personal sacrifices and moral compromises made by those in power. The narrative is rich with historical detail, bringing to life the grandeur and brutality of the Roman Empire. Emperor: Rise & Fall of a Dynasty is a must-watch for fans of historical dramas. It is also fascinating for those intrigued by the darker aspects of human nature.

Ian Dury And The Blockheads: Hold On To Your Structure Sky Arts 11.15pm

Ian Dury And The Blockheads: Hold On To Your Structure on Sky Arts is a vibrant and energetic show. It celebrates one of the most iconic bands of the late 70s and early 80s. This documentary captures the essence of Ian Dury and The Blockheads. It showcases their unique blend of punk, rock, and funk. This combination made them a standout act in the music scene.

The film takes viewers on a journey through the band’s history. It highlights their rise to fame. The cultural impact they had is also emphasized. It features electrifying performances of their greatest hits. The performances include “Hit Me With Your Rhythm Stick,” “Reasons to Be Cheerful, Part 3,” and “Sex & Drugs & Rock & Roll.” These performances are interspersed with interviews and archival footage, providing a comprehensive look at the band’s legacy.

One of the standout aspects of the documentary is its focus on Ian Dury’s charismatic and often controversial persona. His witty lyrics and distinctive voice are brought to life through dynamic live performances and candid interviews. I noticed a lot of music hall influence in their songs. This influence adds a layer of theatricality and British charm that sets them apart. The film also delves into the band’s creative process, offering insights into how they crafted their unique sound.

Hold On To Your Structure is not just a tribute to the music of Ian Dury and The Blockheads. It also reflects on the social and political climate of the time. The band’s music often addressed issues of class, disability, and rebellion, resonating with a generation looking for change. This documentary captures that spirit. It is a must-watch for fans of the band and anyone interested in the cultural history of the era.

Ian Dury And The Blockheads: Hold On To Your Structure is an engaging and enjoyable documentary. It celebrates the enduring legacy of a truly original band. It’s a fitting tribute to Ian Dury’s genius and the indelible mark he left on the music world.

The Road (2009) – GREAT!movies, 1:40am
This stark adaptation of Cormac McCarthy’s novel is intense. It portrays a father and son struggling to survive. They live in a world that has lost its humanity. The grey, ash-filled landscapes are almost devoid of life, creating a haunting backdrop to their journey. Every step they take feels precarious, with danger lurking in every shadow.

The film’s power lies in its depiction of moral erosion. In a world where society has collapsed, questions of right and wrong become blurred. The father, played by Viggo Mortensen, must make impossible choices to protect his son. At times, his actions seem harsh, even cruel, yet they are driven by love and fear.

The relationship between father and son is the emotional core of the story. Their bond, though fragile, represents a flicker of hope in a bleak world. Through small acts of kindness, the film reminds us of the resilience of love. These acts include sharing a can of fruit or recalling better days. Love persists even in the face of despair.

The desolation of the world reflects deep anxieties about environmental catastrophe and human fragility. It’s a chilling vision of what might happen if our world collapses, stripped of its comforts and connections. The film forces us to confront our own role in preserving—or destroying—the world around us.

The Road is a haunting meditation on survival, love, and what it means to carry the flame of hope. It lingers long after the credits roll, as unsettling as it is profound.


Sunday, 24th November 2024

Whisky Galore! (1949) – BBC2, 11:30am
This beloved Ealing comedy is a lighthearted tale set on a Scottish island during wartime. When a ship carrying whisky runs aground, the islanders see it as a gift from the heavens. The story unfolds as they outwit the authorities to claim the precious cargo.

The film’s humour stems from its celebration of community spirit and ingenuity. The islanders band together, united by their shared love of whisky and a healthy disdain for the meddling customs officer. Their schemes are as audacious as they are hilarious, offering a charming portrait of resilience and creativity.

Beneath its comedic surface, the film questions authority and rules that seem out of touch with real human needs. The wartime rationing of whisky becomes a metaphor for the restrictions imposed on ordinary lives. The islanders’ defiance is as much about reclaiming their joy as it is about the drink itself.

The idyllic setting, with its rugged coastlines and close-knit community, serves as a reminder of a simpler way of life. Yet, even in this remote paradise, the pressures of war and modernity loom large. The film suggests that the values of laughter, camaraderie, and tradition can withstand these challenges.

Whisky Galore! is a celebration of human ingenuity and the pursuit of happiness. Its enduring charm lies in its ability to make us laugh while subtly reminding us of what truly matters in life.

Raging Bull (1980) – BBC2, 10:00pm
Martin Scorsese’s biographical drama delves into the turbulent life of boxer Jake LaMotta. Shot in stark black and white, the film captures the brutality of the ring and the emotional chaos of LaMotta’s personal life. Robert De Niro delivers a searing performance, embodying both the physical prowess and the emotional fragility of his character.

The film portrays the ring as both sanctuary and battleground. While LaMotta’s strength brings him success, his inability to control his anger and jealousy causes his downfall. His relationships, particularly with his wife and brother, unravel under the weight of his insecurities.

LaMotta’s self-destruction is both fascinating and tragic. He fights not only his opponents but also himself, revealing the deep scars of his psyche. The film explores how unchecked emotions can erode even the strongest of men, leaving behind a hollow shell of regret.

Set against the backdrop of mid-20th-century America, the film reflects the pressures of fame and the toxic ideals of masculinity. LaMotta’s story becomes a cautionary tale about the cost of trying to live up to an image of invincibility.

Raging Bull is more than a sports film; it’s a raw, unflinching portrait of human weakness. Its impact is as visceral as a punch to the gut, leaving the viewer shaken yet enthralled.

War for the Planet of the Apes (2017) – C4, 11:00pm
This gripping conclusion to the Planet of the Apes trilogy is a powerful character study. It is also a war epic. This gripping conclusion focuses on Caesar, a leader burdened by loss and responsibility. His journey is one of vengeance, redemption, and ultimately sacrifice.

The film’s depiction of conflict is unrelenting. The brutality on show underscores the futility of war, with both humans and apes suffering devastating losses. Yet, in the midst of this violence, moments of compassion and understanding shine through.

Caesar’s internal struggle is what gives the film its emotional depth. As he battles his own darker impulses, he must decide on the type of leader he wishes to become. He also needs to consider what being he wants to be. His choices echo universal questions about morality and the legacy we leave behind.

The film also touches on themes of prejudice, oppression, and survival. The humans fear the apes. This fear drives them to acts of cruelty. It reflects a broader commentary on the dangers of dehumanising those we see as “other.”

With its stunning visuals and deeply resonant storytelling, War for the Planet of the Apes transcends its genre. It’s a powerful meditation on the cost of hatred and the enduring hope for peace.

Boiling Point (2021) – C4, 1:35pm
Boiling Point is shot in a single, continuous take. The film drops viewers into the high-pressure world of a London restaurant. The film’s unrelenting pace mirrors the chaos of service, where tempers flare and mistakes snowball into crises.

At its core, the film explores the fragility of human relationships under stress. The interactions between staff and customers reveal tensions simmering beneath the surface, from power dynamics to personal insecurities. It’s a raw, unvarnished look at the cost of maintaining a facade of perfection.

The restaurant becomes a microcosm of broader societal issues, highlighting disparities in power and privilege. The staff’s struggles, both professional and personal, show the emotional toll of an industry that demands relentless perfection.

Through its characters, the film questions the sacrifices made in pursuit of success. The head chef is played brilliantly by Stephen Graham. He is a man on the edge. He juggles the weight of his own expectations and the needs of those around him. His journey is as heart-breaking as it is compelling.

Boiling Point is a masterclass in tension and empathy. It captures the relentless nature of life in the service industry while reminding us of the humanity behind the chaos.

Monday, 25th November 2024

My Cousin Rachel (2017) – Film4, 6:50pm
This atmospheric adaptation of Daphne du Maurier’s novel immerses viewers in mystery. It surrounds them with ambiguity. Philip, the young protagonist, is both captivated and tormented by his cousin Rachel, whose intentions stay shrouded in doubt. The film combines lush, romantic visuals with a constant sense of unease. It creates a story that keeps you guessing until the end.

Central to the narrative is the tension between love and suspicion. Philip’s infatuation with Rachel blinds him to the warnings of those around him. Yet, the audience is never quite sure who to believe. Is Rachel a manipulative figure, or is Philip’s perception warped by his own insecurities and prejudices? This constant interplay between trust and doubt drives the drama.

The film delves deeply into themes of power and control within relationships. Philip’s obsession reveals his attempts to assert dominance over Rachel, but she resists being defined or confined. Rachel, in turn, wields her charm and intelligence with precision, making her an enigmatic and complex character.

The 19th-century setting underscores societal constraints, particularly about gender roles and inheritance laws. Rachel, as a widow, must navigate a world where her independence is suspect, and her financial position precarious. Her actions, whether calculated or not, show the limited options available to women in such a society.

My Cousin Rachel is a beautifully crafted exploration of love, power, and the unknowable nature of others. Its haunting ambiguity lingers long after the credits roll, leaving viewers to ponder who, if anyone, can truly be trusted.

Irresistible: Why We Can’t Stop Eating BBC2 9pm

Irresistible: Why We Can’t Stop Eating on BBC2 is a thought-provoking documentary. It delves into the world of ultra-processed foods. The documentary examines their impact on our health. Presented by Dr. Chris van Tulleken, the programme explores why these foods are so appealing. It investigates how they have come to dominate our diets. With his background in medicine and academia, Dr. van Tulleken offers a compelling perspective on the science and marketing behind these products.

The documentary reveals the lengths to which food companies go to make their products irresistible. The industry employs brain scans to assess the deliciousness of ice cream. It also engineers the perfect crunch. The industry leaves no stone unturned in its quest to win over consumers. The programme features insider interviews that expose the strategies used to create addictive foods. These interviews highlight the financial gains of these corporations. Our consumption of ultra-processed foods is increasing.

One of the most striking aspects of the documentary is its examination of the health implications of our modern diet. Dr. van Tulleken discusses the growing body of evidence linking ultra-processed foods to declining health. Poor diet now surpasses tobacco as the leading cause of early death. The documentary raises important questions about the impact of these foods on our bodies and brains. It also explores the possibility of creating a healthier food environment.

Irresistible: Why We Can’t Stop Eating is a must-watch. It is essential for anyone interested in understanding the darker side of the food industry. The film also explores the profound effects of our dietary choices. It’s an eye-opening exploration. It challenges viewers to rethink their relationship with food. It encourages considering the broader implications of what we eat.


Tuesday, 26th November 2024

Roman Holiday (1953) – Film4, 12:45pm
This enchanting romantic comedy sees a sheltered princess, played by Audrey Hepburn, escaping her royal duties for a day of freedom in Rome. Paired with Gregory Peck’s cynical journalist, the film unfolds as a joyful exploration of fleeting connection and personal discovery. The chemistry between the leads is electric, elevating the film’s lighthearted premise into something deeply moving.

At its core, the story is about breaking free from societal expectations. The princess’s day of adventure allows her to experience life beyond the confines of duty. It’s a poignant reminder of the universal desire for freedom and self-expression, even for those living in privilege.

The film also grapples with the ethics of truth and responsibility. Peck’s journalist initially sees the princess as a scoop that could launch his career. However, as he grows closer to her, his priorities shift. Their bond becomes a testament to the transformative power of empathy and understanding.

The backdrop of Rome is a character in itself. The bustling streets, iconic landmarks, and vibrant energy of the city provide a perfect contrast to the rigidity of royal life. Through the princess’s eyes, the audience is reminded of the beauty in ordinary moments.

With its blend of romance, humour, and bittersweet reality, Roman Holiday captures the magic of living in the moment. It’s a film that remains timeless, offering both escapism and heartfelt insight.


Wednesday, 27th November 2024

Old Boys (2018) – Film4, 7:05pm.
This film presents an inventive twist on Cyrano de Bergerac. It relocates the classic tale to an English boys’ boarding school. Amberson is at the centre. He is a socially awkward but clever student. He helps a popular classmate woo the intelligent and independent Agnes. The film’s sharp wit and charming performances make it a delightful modern reimagining of a timeless story.

The boarding school setting is a perfect stage for exploring themes of identity and belonging. Amberson, with his quirky outlook and underdog status, must navigate a rigid social hierarchy that values appearances over substance. His journey reflects the universal struggle of finding one’s voice in an environment that demands conformity.

The film also examines the complexities of love and friendship. Amberson’s unspoken feelings for Agnes drive his actions, even as he helps another win her affection. This bittersweet dynamic raises questions about selflessness and the courage it takes to be honest about one’s emotions.

Agnes, meanwhile, challenges traditional notions of the romantic heroine. She’s perceptive and confident, unafraid to challenge expectations placed on her by those around her. Her interactions with both Amberson and his friend reveal the importance of genuine connection over superficial attraction.

With its playful humour and heartfelt exploration of relationships, Old Boys offers a fresh perspective on a classic tale. It’s a story about staying true to oneself, even when the odds seem stacked against you.


Thursday, 28th November 2024

Hunting Mr Nice: The Cannabis Kingpin (two of two) BBC2 9 pm

Hunting Mr Nice: The Cannabis Kingpin on BBC Two continues to unravel a fascinating story. It explores the complex life of Howard Marks in its second part. This episode delves deeper into the life of the Oxford-educated cannabis smuggler. It explores the height of his operations. It also discusses the eventual downfall that followed.

The documentary paints a vivid picture of Marks’ audacious smuggling activities. These activities spanned continents and involved a network of international contacts. It highlights his charm and intelligence, which allowed him to evade law enforcement for years. The narrative includes interviews with Marks’ inner circle. It also features the law enforcement officers who pursued him. This provides a balanced view of his life and crimes.

This episode is compelling for many reasons. It explores the personal risks taken by those involved in Marks’ operations. It also examines the professional risks. The documentary does not shy away from the darker side of his empire. It highlights the impact on his family and associates. It also examines the broader implications of the drug trade. It touches on issues of legality, morality, and the socio-economic factors that drive such activities.

The second part of Hunting Mr Nice: The Cannabis Kingpin is a gripping continuation of the story. It offers a nuanced look at a man who was both celebrated and reviled. It’s a must-watch for those interested in true crime and the complexities of the drug trade.

The Colosseum: Blood And Sand (two of two) Channel 5 9 pm

The Colosseum: Blood And Sand continues to captivate audiences. It vividly portrays the brutal spectacles of ancient Rome. These spectacles were often grotesque. The second part of this series delves deeper into the lives of the gladiators. It explores the politics of the arena. It also examines the societal norms that glorified such violence. The detailed re-enactments and expert commentary showcase the Colosseum’s vast events. They turn human suffering into public entertainment.

Our fascination with the cruelty of the Roman Empire is perplexing yet undeniable. The series prompts us to reflect on why we are drawn to these tales of bloodshed and power. Is it the sheer spectacle? Is it the drama of life and death in such a grand setting? Or is there something deeper within our psyche that finds a strange allure in the macabre? The enduring popularity of such narratives suggests a complex relationship with violence and power. This relationship continues to resonate through the ages.

The recent release of Gladiator II further underscores this point. Despite the passage of time, the themes of gladiatorial combat remain captivating. Modern audiences are still drawn to the ruthless politics of ancient Rome. The film, much like its predecessor, draws us into a world of honor, revenge, and survival. These elements are played out in the most brutal of arenas. This continued interest raises questions about human nature and our intrinsic attraction to stories of conflict and dominance. It suggests that, despite our advancements, part of us still finds the raw, primal aspects of human existence fascinating.

In essence, The Colosseum: Blood And Sand and Gladiator II serve as mirrors. They reflect our ongoing fascination with the darker aspects of history. They also reflect human behaviour. They challenge us to think about what these stories say about us. Why are we, even today, drawn to the spectacle of cruelty and power?

Official Competition (2021) – C4, 12:35am
This razor-sharp satire skewers the pretensions of the film industry with wit and flair. A wealthy entrepreneur decides to fund a prestigious movie. He hires an eccentric director. He also hires two egotistical actors to bring it to life. What follows is a hilarious clash of personalities, egos, and artistic ideals.

At its heart, the film is a critique of vanity and the lengths people go to for recognition. The actors’ rivalry and the director’s manipulative tactics reveal the absurdity of creative ambition when stripped of sincerity. Every interaction is a battle for dominance, with the characters’ insecurities laid bare.

The story also explores the nature of art and authenticity. The characters grapple with whether their work serves a higher purpose or is merely a vehicle for their own self-aggrandisement. The tension between the pursuit of meaning and the pursuit of fame drives much of the humour and drama.

The film’s intimate setting is often confined to rehearsal spaces and minimalist backdrops. This setting strips away the glamour of filmmaking. It exposes the raw dynamics of collaboration—or lack of it. It’s a reminder that art, at its core, is as much about human connection as it is about talent.

Official Competition is a biting yet affectionate look at the contradictions of the creative world. It’s as entertaining as it is thought-provoking, offering a hilarious commentary on the pursuit of artistic greatness.


Friday, 29th November 2024

Notorious (1946) – Talking Pictures, 7:05pm
Alfred Hitchcock’s masterful thriller is a combination of romance and espionage. It tells a tale of love, trust, and betrayal. Ingrid Bergman stars as Alicia. She is recruited by the government to infiltrate a Nazi spy ring. Cary Grant plays her handler and love interest. The film’s suspenseful plot is perfectly balanced by its emotional depth.

The tension lies not only in the spy mission but also in the relationship between Alicia and Devlin. Their romance is fraught with mistrust and unspoken emotions, as Devlin’s jealousy and Alicia’s dangerous assignment pull them apart. The interplay between duty and personal desire creates an atmosphere of constant unease.

Hitchcock’s use of visual storytelling is at its peak here. The infamous key scene, where Alicia discovers a secret wine cellar, is a masterclass in building suspense. Every shot feels meticulously crafted, with the camera itself becoming a character in the story.

The film also reflects the anxieties of its time. Set in the aftermath of World War II, it explores themes of loyalty and the lingering shadows of conflict. Alicia’s journey, from a reckless socialite to a woman of courage, mirrors a broader shift in societal roles and expectations.

Notorious is a film that captivates on multiple levels. It’s a gripping thriller. It’s also a poignant romance. It studies the complexities of human relationships. All these elements are wrapped in Hitchcock’s signature style.


and finally, streaming

The Madness on Netflix

All eight episodes streaming from Thursday, 28th of November 2024

The Madness on Netflix is a gripping thriller that delves into the dark underbelly of media and power. The series follows Muncie Daniels. Colman Domingo plays him. Muncie is a media pundit who stumbles upon a murder in the Poconos woods. This chance meeting spirals into a high-stakes conspiracy, with Muncie framed for the murder of a notorious white supremacist. Muncie fights to clear his name. The series explores themes of truth and deception. It also examines the lengths to which individuals will go to protect their secrets.

The show is a masterclass in suspense, with each episode peeling back layers of the conspiracy. Muncie’s journey is fraught with danger as he navigates a world where trust is a rare commodity. The series does an excellent job of highlighting the tension between personal integrity and the corrupting influence of power. The characters are well-developed. Marsha Stephanie Blake delivers a standout performance as Elena. She is Muncie’s estranged wife who becomes entangled in the chaos.

The Madness also offers a sharp critique of the media landscape. It portrays the challenges of maintaining credibility in a post-truth era. The series is not just a thriller. It serves as a commentary on the societal impact of misinformation. It also highlights the erosion of public trust. With its compelling narrative and strong performances, The Madness is a must-watch for fans of political thrillers and conspiracy dramas.

Walter Presents: The New Front on Channel 4 Streaming

Season one available from Friday, 29th of November 2024.

The New Front is a compelling drama that explores the challenges faced by a group of activists fighting for change. The series is set in a contemporary urban environment. It follows the protagonists as they confront systemic issues. They strive to make a difference. The show captures the passion of those who want to challenge the status quo. It also highlights their determination to bring about social reform.

The characters’ journeys are marked by moments of triumph and setback, reflecting the realities of activism. The series highlights the importance of solidarity and the power of collective action. It also delves into the personal sacrifices made by the activists, showcasing the emotional and physical toll of their efforts.

Picture Credits

The Red Shoes (1948)
Fair use, https://en.wikipedia.org/w/index.php?curid=7089526
Livia
By Didier Descouens – Own work, Public Domain, By Dhphoto – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6988222https://commons.wikimedia.org/w/index.php?curid=116012203
Ian Dury
By Dhphoto – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=6988222
The Road (2009)
May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24227798
Whisky Galore!
By Ealing Studios – http://picclick.co.uk/WHISKY-GALORE-1949-16-x-12-Reproduction-Movie-272339713575.html#&gid=1&pid=1, Fair use, https://en.wikipedia.org/w/index.php?curid=52170258
Raging Bull (1980)
May be found at the following website: IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=3352185
War For The Planet Of The Apes
By http://www.impawards.com/2017/war_for_the_planet_of_the_apes_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=48616125
Boiling Poimt (2021)
By https://www.empireonline.com/movies/news/boiling-point-trailer-stephen-graham-is-a-chef-under-pressure/, Fair use, https://en.wikipedia.org/w/index.php?curid=69064252
My Cousin Rachel (2017)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=53746693
Roman Holiday (1953)
By Designer unknown. “Copyright 1953 by Paramount Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85944431
Colloseum
By FeaturedPics – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=95579199
Official Competition (2021)
By https://twitter.com/ellas_com_/status/1497159883086565377, Fair use, https://en.wikipedia.org/w/index.php?curid=71401772
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
Howard Marks
By Дмитрий Александрович Гайдук – “Энциклопедия конопли”, Copyrighted free use, https://commons.wikimedia.org/w/index.php?curid=8814189

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Culture Vulture 3rd to the 9th of August 2024

2,125 words, 11 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include:

All The President’s Men
This political thriller follows Washington Post reporters Bob Woodward and Carl Bernstein as they uncover the Watergate scandal, leading to President Nixon’s resignation.

Black 47
Set during the Irish Potato Famine, “Black 47” follows an Irish Ranger who deserts the British Army to seek vengeance on those responsible for his people’s suffering.

and,

The Hate U Give which centres on Starr Carter, a young black girl who witnesses her best friend being fatally shot by police, spurring her into activism against racial injustice.

Saturday 3rd of August 2024

Contact (1997) 3.15pm 5Star

Directed by Robert Zemeckis, “Contact” is a gripping science fiction film that explores the profound implications of extra-terrestrial contact. Jodie Foster delivers a compelling performance as Dr. Ellie Arroway, a determined scientist who discovers a signal from outer space. The film blends scientific curiosity with spiritual themes, offering a thought-provoking narrative that remains engaging from start to finish. Supported by a strong cast, including Matthew McConaughey and James Woods, “Contact” delves into the intersection of faith and science, making it a timeless exploration of humanity’s place in the universe.

Notorious (1946) 3.50pm Talking Pictures

Alfred Hitchcock’s “Notorious” is a masterclass in suspense and romance, starring Ingrid Bergman and Cary Grant. The film weaves a tale of espionage and deceit during the post-World War II era. Bergman shines as Alicia, a woman torn between loyalty and love, while Hitchcock’s direction keeps viewers on the edge of their seats. The chemistry between the leads and the tension-filled plot make this a timeless classic. Claude Rains also delivers a memorable performance as the charming yet dangerous antagonist. The film’s blend of romance and thriller elements showcases Hitchcock’s unparalleled storytelling prowess.

Sunday 4th of August 2024

All The President’s Men (1976) 10.30pm BBC2

This political thriller directed by Alan J. Pakula chronicles the real-life investigation by Washington Post reporters Bob Woodward and Carl Bernstein into the Watergate scandal. Robert Redford and Dustin Hoffman deliver standout performances, portraying the relentless pursuit of truth by two journalists against all odds. The film meticulously details the dogged efforts of Woodward and Bernstein as they uncover the details of the Watergate break-in, leading to President Nixon’s resignation. The film’s attention to detail and commitment to realism make it a riveting and essential watch for anyone interested in American politics and journalism. The screenplay, adapted by William Goldman, captures the tension and stakes of investigative reporting, highlighting the crucial role of a free press in a democratic society.

They Live (1988) 11.40pm Talking Pictures

John Carpenter’s “They Live” is a cult classic that blends science fiction and social commentary. Starring Roddy Piper, the film follows a drifter who discovers that the elite are actually aliens controlling humanity through subliminal messages. With its iconic fight scenes and satirical edge, “They Live” critiques consumerism and conformity, remaining relevant and entertaining decades after its release. The film’s famous line, “I have come here to chew bubble-gum and kick ass, and I’m all out of bubble-gum,” has become a pop culture staple, reflecting its enduring influence and appeal.

A longer review of the film by Anthony C Green is available on the Counter Culture website.

Black 47 (2018) 1.35pm Film4

“Black 47,” directed by Lance Daly, is a gritty historical drama set during the Irish Potato Famine. The film follows Feeney, an Irish Ranger who deserts the British Army to exact vengeance on those responsible for the suffering of his people. James Frecheville delivers an intense performance as the vengeful protagonist, while Hugo Weaving, Stephen Rea, and Jim Broadbent provide strong support. The film’s stark portrayal of a devastating period in history is both powerful and haunting, capturing the despair and resilience of the Irish people. The cinematography, with its bleak landscapes and visceral depictions of famine-stricken Ireland, enhances the film’s sombre and realistic tone. “Black 47” not only serves as a gripping revenge thriller but also as a poignant reminder of a tragic chapter in history.

Monday 5th of August 2024

The Lost Colony Of Roanoke (one of two) PBS America 7.50pm

“The Lost Colony of Roanoke” is a fascinating historical documentary that delves into one of America’s oldest mysteries: the disappearance of the English settlers who founded the Roanoke Colony in the late 16th century. The film meticulously examines various theories and evidence surrounding the colony’s sudden vanishing, from possible integration with local Native American tribes to more sinister fates. Through expert interviews, detailed re-enactments, and careful analysis of historical records, the documentary provides a comprehensive and engaging exploration of this enduring enigma. While definitive answers remain elusive, the film succeeds in presenting a captivating narrative that keeps viewers intrigued and pondering the fate of the lost colony. Second part airs tomorrow.

How Disney Built America 9pm Sky History

“How Disney Built America” is an engaging documentary that explores the profound impact of Walt Disney and his creations on American culture and identity. The film traces Disney’s journey from humble beginnings to becoming a cultural powerhouse, highlighting how his innovative vision shaped not just entertainment, but also American values and aspirations. Through a blend of archival footage, interviews with historians and Disney experts, and behind-the-scenes looks at iconic projects like Disneyland, the documentary paints a vivid picture of how Disney’s influence permeated various aspects of American life. While celebrating Disney’s contributions, the film also critically examines the complexities and controversies surrounding his legacy, offering a balanced and insightful perspective.

Proxima (2019) 1.40am C4

Alice Winocour’s “Proxima” offers an intimate look at the personal sacrifices of an astronaut, played by Eva Green, preparing for a year-long mission aboard the International Space Station. The film is a poignant exploration of motherhood, ambition, and the challenges faced by women in male-dominated fields. Green’s nuanced performance and Winocour’s sensitive direction make “Proxima” a touching and thought-provoking drama. The film’s authenticity is further enhanced by its use of real space training facilities and input from actual astronauts, providing a realistic portrayal of the physical and emotional demands of space travel.

Tuesday 6th of August 2024

The Road (2009) 9pm GREATmovies!

Based on Cormac McCarthy’s novel, “The Road” is a harrowing post-apocalyptic drama directed by John Hillcoat. Viggo Mortensen stars as a father navigating a desolate world with his young son, played by Kodi Smit-McPhee. The film’s bleak atmosphere and powerful performances convey a profound story of survival, love, and hope in the face of despair. The stark landscapes and minimalist dialogue create a hauntingly beautiful backdrop for the narrative, emphasizing the bond between father and son amidst the relentless struggle for survival.

Corridors Of Power: Should America Police The World 10pm BBC4

“Corridors of Power: Should America Police the World?” is a BBC series that explores the United States’ role in international affairs. The show delves into complex topics, examining America’s historical relationships with various countries and its decisions regarding intervention, conflict, and global responsibilities. For instance, one episode focuses on the US’s complicated relationship with Iraq, initially supporting the country during the Iran-Iraq war but later turning against it after Saddam Hussein’s invasion of Kuwait. Another episode highlights America’s unwillingness to intervene in Syria after a chemical attack, which led to despair among Syrian rebels and contributed to the devastating conflict in the region. Overall, the series raises important questions about America’s global role and the challenges it faces in deciding when and where to engage.

Wednesday 7th of August 2024

The Hate U Give (2018) 1.20am Film4

Directed by George Tillman Jr., “The Hate U Give” is a powerful adaptation of Angie Thomas’s novel. The film follows Starr Carter, a young black girl who witnesses the police shooting of her best friend. Amandla Stenberg delivers a stellar performance, capturing the complexities of identity and activism. The film’s timely themes of racial injustice and social change make it a must-watch. It explores the impact of systemic racism on communities and the personal journey of Starr as she navigates her role in the fight for justice. The supporting cast, including Russell Hornsby and Regina Hall, provide strong performances that add depth to the film’s portrayal of family and community resilience

Thursday 8th of August 2024

Eyewitness To History: Norma Percy On Watergate 8pm BBC4

In the documentary “Eyewitness to History: Norma Percy on Watergate,” respected filmmaker Norma Percy reflects on her acclaimed 1994 series Watergate¹. In this series, she meticulously pieced together the tale of the infamous break-in that reverberated through America and the world. The Watergate scandal ultimately led to the downfall of a president and eroded society’s trust in political leaders’ integrity. Norma gained exclusive access to key figures involved in the scandal, shedding light on their journey from obscurity to notoriety. Even today, the series continues to resonate with viewers, capturing the gravity of his pivotal moment in history.

Watergate Break-In 8.10pm BBC4

The Watergate scandal was a major political controversy in the United States during Richard Nixon’s presidency from 1972 to 1974. It originated from attempts by the Nixon administration to conceal its involvement in the June 17, 1972 break-in at the Democratic National Committee headquarters located in the Watergate Office Building in Washington, D.C. Members of Nixon’s re-election campaign broke into the DNC, stole documents, and bugged office phones. The subsequent cover-up led to Nixon’s resignation on August 9, 1974

Mud (2012) 11.35pm BBC2

Jeff Nichols’ “Mud” is a coming-of-age drama set in the American South, featuring standout performances by Matthew McConaughey and Tye Sheridan. The story follows two boys who discover a fugitive hiding on an island in the Mississippi River. With its rich storytelling and atmospheric setting, “Mud” is a poignant exploration of friendship, trust, and the passage to adulthood. McConaughey’s portrayal of the titular character, Mud, is both charismatic and mysterious, driving the narrative with his complex blend of charm and desperation. The film’s exploration of loyalty and the innocence of youth is beautifully captured through Nichols’ nuanced direction.

Friday 9th of August 2024

Children Of Men (2006) 11.05pm BBC2

Alfonso Cuarón’s “Children of Men” is a dystopian masterpiece set in a future where humans are infertile. Clive Owen stars as Theo, a disillusioned bureaucrat tasked with protecting a miraculously pregnant woman. The film’s immersive cinematography, gripping narrative, and profound social commentary make it a standout in the sci-fi genre. The long, uninterrupted shots and the realistic portrayal of societal collapse create an intense and immersive viewing experience, while the themes of hope and redemption resonate deeply.

and finally, Green Book (2018) 12.10am BBC1

Directed by Peter Farrelly, “Green Book” is a heart-warming drama based on the true story of the unlikely friendship between African American pianist Dr. Don Shirley (Mahershala Ali) and his Italian American driver Tony Vallelonga (Viggo Mortensen). The film addresses themes of racism and friendship with humor and sensitivity, bolstered by the exceptional performances of its leads. Despite some controversy over its historical accuracy, “Green Book” is an engaging and uplifting film. Ali and Mortensen’s chemistry drives the film, while the script balances moments of tension and humour, providing a poignant look at the transformative power of empathy and understanding.

Picture credits

Contact (1997)
By POV – Can be obtained from the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=34171483
Roanoke Colony
By Design by William Ludwell Sheppard, Engraving by William James Linton – https://www.flickr.com/photos/internetarchivebookimages/14781233224/Source book page: https://archive.org/stream/popularhistoryof00brya/popularhistoryof00brya#page/n317/mode/1up, No restrictions, https://commons.wikimedia.org/w/index.php?curid=42626470
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
All The President’s Men (1976)By IMPAwards.com, Fair use, https://en.wikipedia.org/w/index.php?curid=21480941
Watergate – Impeach Nixon
By Marion S. Trikosko or Thomas J. O’Halloran, photographer – File:Impeach Nixon.tif, Public Domain, https://commons.wikimedia.org/w/index.php?curid=24953906
They Live (1988)By http://www.impawards.com/1988/they_live.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6690694
Black 47 (2018)
By https://www.imdb.com/title/tt3208026/, Fair use, https://en.wikipedia.org/w/index.php?curid=58099079
Proxima (2019)
By https://www.imdb.com/title/tt7374926/mediaviewer/rm2895615745, Fair use, https://en.wikipedia.org/w/index.php?curid=61795179
The Road (2009)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24227798
The Hate U Give (2018)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=58853244
Mud (2012)
By Derived from a digital capture (photo/scan) of the Film Poster/DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=38423796
Children Of Men (2006)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24105930
Green Book (2018)
By CineMaterial, Fair use, https://en.wikipedia.org/w/index.php?curid=59741016
Walt Disney
By Boy Scouts of America – eBay itemphoto frontphoto back, Public Domain, https://commons.wikimedia.org/w/index.php?curid=17511101
World
Image by Arek Socha from Pixabay

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Film & DVD Review: The Road

Directed by John Hillcoat
Certificate: 15
Runtime: 111 minutes

The Road DVD Cover

Click on image to buy this DVD

BLEAK doesn’t begin to describe The Road, a new film based on Cormac McCarthy’s bestseller. In The Road some sort of apocalyptic catastrophe has hit the world draining it of all natural colour and wiping out all plant and animal life. We see the contrast between the past in the central character’s (Viggo Mortensen) dreams which interrupt his bouts of fitful sleep and the grim present as he and his son try to travel along the road to the sea, where they hope to find a better life.
Life is miserable and vicious. Gangs of marauders hunt the road in search of stragglers for meat. The only colour we see is red, the colour of blood. The little boy is hungry and confused. He wants his papa to reassure him that ‘we’re still the good guys’ and that they will never start to eat people.
Many films depict some kind of a journey. This has to be one of the most memorable. Some of the images are likely to haunt you for a very long time. It makes you think, what would you do if your current comfortable life came to a sudden end?
It happened to the man and his son in the film. It happened to the marauders who took a different bloody road from the central characters. In real life it happened to the citizens of Port au Prince in Haiti a few days before this film was released. An earthquake changed their lives utterly in just a few seconds. Please God, we’ll never have to find out.

Reviewed by David Kerr

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