Archive for Exhibitions

Rip It Up: The Story of Scottish Pop

Blazing A TrailTill 25 November 2018
National Museum of Scotland, Chambers Street, Edinburgh

Rip it Up: The Story of Scottish Pop is the first major exhibition dedicated to Scottish pop music, exploring the musical culture of the nation over more than half a century, the first big exhibition dedicated to Scottish pop music, exploring the musical culture of the nation over more than half a century, from influential indie pioneers to global superstars.

Featured artists and bands include Lonnie Donegan, Gerry Rafferty, the Sensational Alex Harvey Band, Lulu, The Rezillos, Midge Ure, Simple Minds, The Skids, Big Country, Garbage, Franz Ferdinand, Young Fathers, and many more. The exhibition has been brought to life through original stage outfits and instruments, many loaned by the artists themselves, plus memorabilia, props, film and, of course, music.

Stephen Allen, Exhibition Curator said:
“Popular music is a shared experience, and a really important one in many people’s lives. We want the exhibition to capture people’s imagination and allow them to reflect on their own experiences of listening to and enjoying music. Between the objects, the AV and the music, people will be able to learn more about their favourite artists and see their treasured objects up close, but also to discover music that is new to them in a whistlestop tour of over six decades of Scottish pop.”

Everyone will have a different experience of this exhibition. It covers a broad time period and diverse types of music. There are over 300 items on display as well as film contributions and music. Some was familiar to me. Although sometimes I don’t know why and I didn’t know there was a Scottish connection at all when I first heard it. I always liked The Sensational Alex Harvey Band (particularly Faith Healer). I think it was how theatrical and unusual they were! Much later I was drawn to punk and politics. So I was interested to see the Rock Against Racism (RAR) poster from 5 August 1978 advertising the Scars, Valves and Josef K (among others) playing in Craigmillar Park. It’s interesting to note that the reasons for the foundation of RAR are somewhat glossed over. RAR was formed because of comments made by Eric Clapton at a Birmingham concert in 1976.Clapton had urged his audience to back former Conservative MP Enoch Powell’s anti-immigration stance. The guitarist, who has since said he is not a racist, suggested Britain was becoming “a black colony”. Inconvenient history.

Less so the Proclaimers poster for anti-apartheid gigs!

I was also interested to see that emphasis was given to independent Scottish record labels such as Postcard, Creation and Fast Product. These helped foster bands in Scotland. The media and production centre was always very much London of course but there was an attempt to do something different by creating local centres.

There was also a lot of material which provides you with further avenues of enquiry. I was really intrigued to listen to the excellent Needle of Death by Bert Jansch. As someone who has lost friends to heroin addiction it really moved me. I’ve since listened to many of his songs. All thanks to this exhibition. That’s just one of the things I took from the exhibition and followed up. As a big Bowie fan I was intrigued to see his connection to The Beatstalkers highlighted. They recorded a Bowie song called Silver Treetop School for Boys. A connection to another band Clouds wasn’t featured.

Pop quiz! Which Scottish artists did James Bond themes?

The exhibition had so much in it of interest that I couldn’t absorb it all in one viewing. I’m actually thinking of going again.

If you are interested in pop culture you would be foolish to miss this. I hope it tours other areas to make it easier for people to see who don’t live near Edinburgh! Go see it!

https://www.youtube.com/watch?v=Y3X9T3rxmRk

Advertisements

Leave a Comment

Vikings at the British Museum!

 

Impressive longship at heart of the exhibition

Impressive longship at heart of the exhibition

There is an impressive longship at the heart of the British Museum’s new Viking exhibition. Roskilde 6 is the biggest Viking vessel ever found. It was excavated from the banks of Roskilde fjord in Denmark during the course of work undertaken to develop the Roskilde Viking Ship Museum in 1997. Since the excavation, the timbers have been painstakingly conserved and analysed by the National Museum of Denmark.

The construction of the ship has been dated to around AD 1025, the high point of the Viking Age when England, Denmark, Norway and possibly parts of Sweden were united under the rule of Cnut the Great. The size of the ship and the amount of resources required to build it suggest that it was almost certainly a royal warship, possibly connected with the wars fought by Cnut to assert his authority over this short-lived North Sea Empire.

The fragile oak lies within a metal skeleton which gives you a good idea of the shape and size of the original ship. Only about a fifth of the hull is from the surviving original timber. It has never been seen in the UK before and it can only be seen now because of the new temperature controlled large-scale facilities of the Sainsbury Exhibitions Gallery.

The influence and cultural complexity of the Vikings has sometimes been underestimated. The Vale of York Hoard (displayed in full for the first time illustrates both). It contains coins and silver from places as far removed as Ireland and Uzbekistan! The Vale of York hoard includes objects from Afghanistan in the East and Ireland in the West, as well as Russia, Scandinavia and continental Europe. Represented in the hoard are three belief systems (Islam, Christianity and the worship of Thor) and peoples who spoke at least seven languages. The Vikings had an extensive cultural and trade network with contacts from the Caspian Sea to the North Atlantic, and from the Arctic Circle to the Mediterranean. The exhibition shows the myriad of influences on the Vikings and their influence on others.

There are many examples of fine Viking craftmanship in the exhibition: large brooches used to fasten women’s aprons, ivory figures and an exquisite gold horse’s bridle for example. The work is intricate and the designs merge abstract and animal forms with great skill and precision. If the Vikings were barbarians they were very cultured barbarians!

The exhibition does not try to whitewash the Vikings accepting their dual nature as traders and raiders, brutal yet cultured and complex, slavers and explorers.

Neil MacGregor, Director of the British Museum said “The reach and cultural connections of the Viking Age make it a remarkable story shared by many countries, not least here in the British Isles. New discoveries and research have led to a wealth of new information about the Vikings so it is a perfect moment to look again at this critical era.”

Reviewed by Patrick Harrington


Vikings: Life and Legend
British Museum,
London
WC1
Until 22 June then at the Martin-Gropius-Bau, Berlin, 10 September 2014 – 4 January 2015.
Details: 020-7323 8181

Leave a Comment