Counter Culture

5,472 words, 29 minutes read time.

Welcome to Culture Vulture, your guide to the weeks entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is from Tim Bragg. Highlights this week include:

The Art of the Brick exhibition in Brick Lane, a vibrant display of LEGO art, showcasing over 100 intricate sculptures, including reimagined famous masterpieces and an impressive 6-metre-long T-Rex skeleton, captivating visitors of all ages.

“Britain Behind Bars: A Secret History with Rob Rinder” which delves into the hidden narratives of the UK’s prison system, uncovering centuries of untold stories behind the walls. With the nation’s prisons facing unprecedented overcrowding and the imminent closure of the historic Dartmoor prison due to safety concerns, the series arrives at a critical moment. Rob Rinder’s exploration offers a timely examination of the penal system’s past and present, shedding light on the urgent issues at the heart of today’s justice
debates.

And, “Blood Simple”, a gripping 1984 neo-noir crime film marking the directorial debut of the acclaimed Coen Brothers. The story unfolds in Texas, where a seedy bar owner’s discovery of his wife’s affair with one of his bartenders spirals into a dark plot of jealousy and betrayal. As the husband hires a private investigator to eliminate the lovers, a series of misunderstandings and manipulations lead to an unpredictable and violent conclusion.

Saturday 20th of July 2024

A Time To Kill (1996) 1.05am Film4

Joel Schumacher’s “A Time to Kill” (1996), based on John Grisham’s novel, is a gripping legal drama set in the racially charged atmosphere of the fictional town of Clanton, Mississippi. The film, starring Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, and Kevin Spacey, tackles profound social, ethical, and political themes that resonate with historical and contemporary issues of race and justice in America.

At its core, “A Time to Kill” is a narrative about the pursuit of justice in the face of overwhelming racial prejudice. The plot revolves around the trial of Carl Lee Hailey (Samuel L. Jackson), a black man who takes the law into his own hands after his ten-year-old daughter is brutally raped by two white men. In a town still deeply divided by racial lines, Carl Lee’s actions and subsequent trial ignite a firestorm of controversy and violence.

One of the most compelling aspects of the film is its exploration of the ethical dilemmas faced by its characters. Jake Brigance (Matthew McConaughey), the idealistic young lawyer defending Carl Lee, is thrust into a moral quagmire. Jake’s commitment to securing a fair trial for Carl Lee is constantly challenged by the pervasive racial hatred in the town, as well as by threats to his own life and family. The film asks viewers to consider the extent to which personal and professional ethics should be influenced by external pressures and societal prejudices.

The film’s portrayal of the legal system is another critical element, highlighting the inherent biases and systemic flaws that often undermine true justice. The all-white jury, the presence of the Ku Klux Klan, and the deep-seated racism of many town residents create an environment where a fair trial seems almost impossible. This context raises poignant questions about the efficacy of a legal system that is supposed to be blind to colour but is often anything but.

“A Time to Kill” also delves into the broader political implications of race relations in America. The film is set against the backdrop of the civil rights movement and echoes the real-life struggles for racial equality. It portrays the dichotomy between the law as written and the law as practiced, illustrating how racial dynamics can skew perceptions of justice. Carl Lee’s act of vengeance is both a personal response to an unspeakable crime and a symbolic rejection of a system that has historically failed African Americans.

Moreover, the film does not shy away from depicting the personal costs of standing up for what is right. Jake’s journey is fraught with danger, isolation, and moral uncertainty. His struggle reflects the broader societal conflict between maintaining the status quo and striving for progress and equality. This narrative thread underscores the personal sacrifices often required in the fight for justice and civil rights.

“A Time to Kill” is a poignant and thought-provoking film that challenges viewers to reflect on the complexities of justice in a racially divided society. Through its compelling characters and intense narrative, the film addresses enduring social, ethical, and political themes that continue to be relevant today. It is a stark reminder of the ongoing struggle for racial equality and the moral courage required to confront injustice head-on.

In The Earth (2021) 135am C4

Ben Wheatley’s “In The Earth” (2021) is a horror-thriller that plunges audiences into a nightmarish journey through an enigmatic forest, intertwining ecological, social, political, and ethical themes. Set against the backdrop of a devastating global pandemic, the film taps into contemporary fears and anxieties, offering a hallucinatory narrative that blurs the lines between reality and myth.

The film follows Dr. Martin Lowery (Joel Fry), a scientist who ventures into the forest to join his colleague, Dr. Olivia Wendle (Hayley Squires), in researching a peculiar mycorrhizal network that could hold the key to new forms of communication and possibly cures for the pandemic. Accompanied by park guide Alma (Ellora Torchia), Martin’s expedition quickly devolves into a surreal and terrifying ordeal as they encounter Zach (Reece Shearsmith), a recluse who has been living in the forest, driven mad by his own obsessive experiments.

One of the film’s central social themes is the relationship between humanity and nature. “In The Earth” portrays the forest as a living, sentient entity, with its own consciousness and agency. This depiction challenges the anthropocentric view that humans are the dominant force on Earth. Instead, Wheatley suggests a symbiotic relationship where humans are just one part of a vast ecological system. The film critiques humanity’s exploitative tendencies, highlighting the ethical implications of scientific pursuits that disregard the natural world’s intrinsic value.

Politically, “In The Earth” reflects on the broader implications of scientific research and environmental conservation. The forest, with its mysterious and potentially revolutionary properties, becomes a battleground for control and understanding. The clash between scientific inquiry and mystical reverence for nature underscores the political tension between progress and preservation. The film implicitly questions the motivations behind scientific advancements, suggesting that the quest for knowledge should not come at the expense of ecological integrity.

Ethically, the film delves into the moral dilemmas faced by its characters. Dr. Wendle’s obsession with her research leads her to increasingly unethical behaviour, including dangerous and untested experiments on herself and others. Zach’s descent into madness is another stark illustration of the ethical boundaries crossed in the pursuit of understanding and control over the natural world. These characters’ actions serve as a cautionary tale about the hubris of humanity and the ethical consequences of pushing beyond the limits of safe and responsible scientific practice.

“In The Earth” also taps into the collective trauma and isolation brought about by the pandemic, a theme that resonates deeply with contemporary audiences. The film’s eerie, claustrophobic atmosphere mirrors the psychological impact of prolonged isolation and the fear of the unknown that has permeated society. This backdrop adds a layer of social commentary on the ways in which crises can amplify existing tensions and drive individuals to extreme behaviour.

“In The Earth” is a visually and thematically rich film that explores profound social, political, and ethical themes through the lens of horror. Ben Wheatley’s narrative serves as a meditation on humanity’s place within the natural world, the ethical boundaries of scientific exploration, and the social impact of global crises. It is a chilling reminder of the interconnectedness of all life and the delicate balance that must be maintained to ensure the survival of both humanity and the environment.

Sunday 21st of July 2024

Chariots Of Fire (1981) 1pm BBC2

“Chariots of Fire” (1981), directed by Hugh Hudson, is a classic film that recounts the inspiring true story of two British athletes, Eric Liddell (Ian Charleson) and Harold Abrahams (Ben Cross), competing in the 1924 Paris Olympics. As we approach the centenary of those Games and prepare to host the 2024 Olympics in Paris, the film’s exploration of social, ethical, and political themes remains profoundly relevant.

Set in the post-World War I era, “Chariots of Fire” delves deeply into the social dynamics and prejudices of the time. Harold Abrahams, a Jewish student at Cambridge, faces pervasive anti-Semitism as he strives to prove his worth in a predominantly Christian society. His journey is a powerful commentary on the social barriers and discrimination faced by minority groups. Abrahams’ determination to succeed and his refusal to be diminished by prejudice resonate with contemporary audiences, highlighting the ongoing struggles against racism and xenophobia.

Eric Liddell’s story, on the other hand, brings to the fore ethical and religious themes. A devout Christian, Liddell refuses to run his race on a Sunday, the Sabbath, despite immense pressure from the Olympic committee and the British establishment. His unwavering adherence to his principles, even at the potential cost of his athletic dreams, underscores the importance of personal integrity and moral conviction. Liddell’s stance is a poignant reminder of the ethical dilemmas that individuals often face and the strength required to remain true to one’s beliefs.

Politically, the film reflects on the national pride and identity tied to international sporting events. The British athletes’ journey to the Olympics is depicted not just as a personal quest for glory but also as a representation of national honour. The intense preparation and the ultimate victory serve to unite a nation still recovering from the scars of war. This theme of national pride and unity through sports continues to be relevant, especially as we look forward to the 2024 Paris Olympics, where athletes from around the world will once again come together to compete on a global stage.

“Chariots of Fire” also touches on the evolving role of amateurism and professionalism in sports. Abrahams’ use of a professional coach is controversial, challenging the traditional notion of amateur athletics that was prevalent at the time. This debate between maintaining the purity of amateur sports and embracing professionalism echoes ongoing discussions in the world of athletics today, particularly in light of modern-day endorsements, sponsorships, and the commercialization of sports.

“Chariots of Fire” is more than just a sports drama; it is a profound exploration of social, ethical, and political themes that continue to resonate a century after the 1924 Olympics it depicts. As we approach another Olympic Games in Paris in 2024, the film serves as a timeless reminder of the power of perseverance, the importance of staying true to one’s principles, and the unifying spirit of sports. It is a celebration of human endurance and moral courage, making it as relevant today as it was when it first premiered.

Britain Behind Bars: A Secret History (one of three) 9pm C4

“Britain Behind Bars: A Secret History” with Rob Rinder offers a compelling look into the UK’s prison system, intertwining historical context with modern-day realities. Episode one takes us to the formidable HMP Dartmoor, where Rinder delves into the prison’s storied past and its reputation for a harsh regime. Through a blend of interviews, archival footage, and Rinder’s insightful commentary, the episode paints a vivid picture of life behind bars and raises important questions about the nature of punishment and rehabilitation. It’s a thought-provoking start to the series that sets the tone for a deep exploration of Britain’s penal history and its echoes in the present day.

The Hurt Locker (2009) 10.55pm BBC2

Kathryn Bigelow’s “The Hurt Locker” (2009) is an intense and harrowing portrayal of the Iraq War, focusing on the experiences of an elite bomb disposal team. The film, which won the Academy Award for Best Picture, delves into the psychological, social, political, and ethical dimensions of modern warfare, offering a raw and unflinching look at the lives of soldiers on the front lines.

At its core, “The Hurt Locker” explores the psychological impact of war on soldiers. The film follows Staff Sergeant William James (Jeremy Renner), whose recklessness and addiction to the adrenaline of bomb disposal highlight the profound psychological toll of continuous exposure to life-threatening situations. This portrayal underscores the theme of how war can fundamentally alter an individual’s psyche, leading to a form of dependency on the chaos and danger of combat. The film raises important social questions about the long-term mental health implications for veterans and the adequacy of support systems for those returning from war zones.

Politically, “The Hurt Locker” provides a critical lens on the Iraq War and the broader implications of U.S. military intervention. It refrains from overt political statements but instead allows the chaotic and often futile nature of the bomb disposal missions to speak volumes. The film’s depiction of the urban warfare environment — marked by uncertainty, mistrust, and civilian casualties — subtly critiques the complexities and the often ambiguous objectives of the Iraq conflict. It calls into question the efficacy and morality of such military engagements, encouraging viewers to consider the broader consequences of war on both soldiers and civilians.

Ethically, the film delves into the moral ambiguities and dilemmas faced by soldiers in combat. James’s character embodies the paradox of heroism and recklessness, raising questions about the ethical boundaries of military conduct. His actions, while sometimes heroic, also put his team at unnecessary risk, illustrating the thin line between courage and foolhardiness. The film does not shy away from depicting the moral compromises and harsh decisions that soldiers must make, highlighting the ethical complexity of their roles. This portrayal invites viewers to reflect on the nature of duty, honor, and the human cost of war.

The relationships among the members of the bomb disposal unit further highlight social themes of camaraderie, loyalty, and the strain that war places on personal connections. The interactions between James, Sergeant J.T. Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty) reveal the deep bonds that form in the crucible of combat, as well as the tensions and conflicts that arise from differing approaches to the job and coping mechanisms.

“The Hurt Locker” is a powerful and thought-provoking film that offers a nuanced exploration of the psychological, social, political, and ethical dimensions of war. Kathryn Bigelow’s direction and the compelling performances of the cast create an immersive experience that challenges viewers to confront the harsh realities of modern warfare. The film’s portrayal of the Iraq War serves as a poignant reminder of the complexities and consequences of military conflict, making it a significant and enduring work in the genre of war cinema.

Monday 22nd of July 2024

75 Years of NATO: New Challenges and Chances 8.35pm PBS America

“75 Years of NATO: New Challenges and Chances” offers a compelling examination of the North Atlantic Treaty Organization as it marks a significant milestone. The documentary delves into the alliance’s evolution since the Cold War, highlighting the shift from a period of relative peace to the current climate of heightened tensions and geopolitical complexities. It underscores the challenges NATO faces, including the confrontation with Russia, the war in Ukraine, and the differing interests of its member states. The film prompts viewers to consider whether NATO is prepared to defend its members and maintain stability in the face of these challenges. It’s a thought-provoking piece that not only recounts the history of the alliance but also questions its future readiness and cohesion. This documentary is a must-watch for those interested in understanding the intricacies of international defence relationships and the delicate balance of power in the modern world.

Tuesday 23rd of July 2024

London ’48: How Britain Saved The Olympics 9pm C5

The documentary “London ’48: How Britain Saved The Olympics” is a fascinating recount of the 1948 Olympic Games, a pivotal event in sports history. It showcases how, despite the aftermath of World War II and the austerity of post-war Britain, London managed to host the Olympics, symbolizing hope and resilience. The documentary delves into the challenges faced by the organizers and the nation, and how their determination and ingenuity ensured the Games not only took place but also left a lasting legacy. This story of triumph over adversity is a testament to the enduring spirit of the Olympic movement and Britain’s significant role in its history.

Britain’s Forgotten Slave Owners (part two of two) 9.15pm BBC4

“Britain’s Forgotten Slave Owners,” in its second part, delves into the aftermath of the British government’s decision in 1834 to compensate slave owners, which amounted to a staggering sum in today’s currency. Historian David Olusoga explores the contentious debates and propaganda battles between those who supported slavery and the abolitionists. This part of the documentary series sheds light on the economic and moral complexities of this period, highlighting the extensive impact of slavery on British society.

Sick Of Myself (2022) 11.25pm Film4

Kristoffer Borgli’s “Sick Of Myself” (2022) is a darkly comedic and satirical exploration of contemporary society’s obsession with fame and self-image. The film follows Signe (Kristine Kujath Thorp), a young woman in Oslo who becomes addicted to a drug that causes disfiguring side effects, all in a bid to gain attention and sympathy. This narrative serves as a biting critique of social, ethical, and political themes prevalent in today’s world.

One of the film’s central social themes is the pervasive influence of social media and the culture of self-obsession it fosters. Signe’s desperate attempts to achieve fame, regardless of the personal cost, mirror the extreme lengths to which individuals will go to curate and broadcast their lives online. The film highlights the superficiality and ephemeral nature of social media fame, questioning the societal values that prioritize visibility and notoriety over authenticity and substance.

Ethically, “Sick Of Myself” delves into the moral implications of exploiting personal suffering for public attention. Signe’s self-destructive behaviour and the lengths she goes to in order to manipulate public perception raise important questions about the ethics of victimhood and the commodification of personal trauma. The film critiques the voyeuristic tendencies of modern audiences who consume and often celebrate the suffering of others as entertainment or spectacle.

Politically, the film offers a critique of the commodification of health and wellness. Signe’s use of an illegal drug to achieve her aims can be seen as a commentary on the darker side of the pharmaceutical and beauty industries, which often prey on individuals’ insecurities and promote quick fixes for complex issues. This narrative thread underscores the broader political and economic systems that exploit vulnerable individuals for profit, perpetuating cycles of dependency and harm.

Furthermore, the film’s portrayal of Signe’s relationships, particularly with her boyfriend Thomas (Eirik Sæther), underscores the toxic dynamics that can arise from competing desires for attention and validation. The couple’s increasingly destructive behaviour highlights the corrosive impact of narcissism on personal relationships and the alienation that often accompanies a relentless pursuit of self-promotion.

In conclusion, “Sick Of Myself” is a sharp, satirical film that offers a poignant critique of contemporary society’s obsession with fame, self-image, and the commodification of personal suffering. Through its dark humour and incisive storytelling, the film invites viewers to reflect on the ethical and political dimensions of our digital age, challenging us to reconsider the values that drive our behaviours and the societal norms that shape our perceptions of worth and identity.

Blood Simple (1984) 1.20am Film4

“Blood Simple” (1984), the debut feature from the Coen Brothers, is a gripping neo-noir thriller that masterfully intertwines deception, betrayal, and murder. Set in a small Texas town, the film showcases the Coens’ unique storytelling style, characterized by dark humour, intricate plotting, and memorable characters.

The story revolves around a convoluted murder plot instigated by bar owner Julian Marty (Dan Hedaya), who hires private detective Loren Visser (M. Emmet Walsh) to kill his unfaithful wife, Abby (Frances McDormand), and her lover, Ray (John Getz). However, Visser’s double-crossing and deceitful nature set off a chain of events marked by misunderstandings and deadly consequences.

The film’s social themes delve into the darker aspects of human nature, such as greed, jealousy, and the instinct for self-preservation. Each character’s moral ambiguity and susceptibility to corruption highlight the ease with which ordinary people can be drawn into criminal acts when driven by desperation or malice.

Ethically, “Blood Simple” raises questions about the consequences of taking justice into one’s own hands and the moral degradation that accompanies acts of violence and betrayal. Marty’s decision to resolve his marital issues through murder rather than confrontation sets off a series of unintended and tragic events, illustrating the chaotic and uncontrollable nature of crime.

Politically, the film can be seen as a critique of the American Dream’s darker side, where personal ambitions and desires often lead to ethical compromises and destructive behaviours. The small-town setting underscores the pervasive nature of these themes, suggesting that such moral failings are not confined to big cities or grand narratives but can be found in everyday life.

Visually, “Blood Simple” is striking, with Barry Sonnenfeld’s cinematography creating a mood of tension and foreboding through the use of shadows and tight framing. The film’s suspenseful atmosphere is further enhanced by Carter Burwell’s haunting score, which adds an additional layer of intensity to the unfolding drama.

“Blood Simple” is a brilliant introduction to the Coen Brothers’ filmmaking prowess, blending elements of classic noir with their distinctive dark humour and narrative style. It is a taut, suspenseful film that explores complex social, ethical, and political themes, making it a compelling watch for anyone interested in the darker facets of human behaviour and the unpredictable nature of crime.

Wednesday 24th of July 2024

Art Matters 8pm Sky Arts

Art Matters, a Sky Arts documentary, showcases the impassioned plea of Melvyn Bragg for the arts’ central role in society. In this feature, Bragg converses with various artists, including Tracey Emin and Antony Gormley, exploring the profound impact of the arts on individual lives and their significant contribution to the nation’s economy and culture. His advocacy extends beyond the screen, as he addresses the House of Lords, emphasizing the arts as a vital, employable sector that enriches community and democracy. This documentary is a testament to Bragg’s lifelong dedication to making the arts accessible and appreciated by all.

Youth (2015) 12.35am Film4

Paolo Sorrentino’s “Youth” (2015) is a visually stunning and emotionally profound exploration of aging, memory, and artistic legacy. Set in a luxurious Swiss Alps resort, the film revolves around two lifelong friends, Fred Ballinger (Michael Caine), a retired composer and conductor, and Mick Boyle (Harvey Keitel), a still-active film director. As they navigate their twilight years, the film delves into themes of regret, creativity, and the search for meaning.

The film’s social themes are cantered around the process of aging and the societal perceptions of the elderly. Sorrentino portrays his characters with deep empathy, highlighting their internal struggles and the sense of invisibility they often feel in a youth-obsessed culture. The resort, filled with eclectic guests each dealing with their own existential crises, serves as a microcosm of broader societal attitudes towards aging and mortality.

Ethically, “Youth” examines the complexities of human relationships and the moral dimensions of legacy and memory. Fred’s refusal to conduct his famous piece “Simple Songs” for the Queen reflects his personal convictions and a deep-seated desire to move beyond his past achievements. Mick’s struggle to create a meaningful final film underscores the ethical tensions between commercial success and artistic integrity. These personal dilemmas invite viewers to reflect on the ethical considerations of legacy, both personal and professional.

Politically, the film subtly addresses issues related to fame and the commodification of art. Fred’s interactions with younger characters, such as the pop star Paloma Faith (playing herself) and the young masseuse who idolizes him, reveal the generational gap and differing attitudes towards artistic expression. Sorrentino critiques the fleeting nature of modern fame and the often superficial values that accompany it, contrasting them with the enduring nature of true artistic legacy.

Visually, “Youth” is a feast for the eyes, with Luca Bigazzi’s cinematography capturing the serene beauty of the Alpine landscape and the opulent interiors of the resort. The film’s aesthetic elegance enhances its reflective tone, creating a poignant backdrop for the characters’ introspections. The score, composed by David Lang, complements the film’s mood, adding an additional layer of emotional depth.

In conclusion, “Youth” is a contemplative and beautifully crafted film that offers a rich exploration of aging, creativity, and the human condition. Sorrentino’s direction, combined with powerful performances by Michael Caine and Harvey Keitel, creates a narrative that is both introspective and universally resonant. It is a film that encourages viewers to ponder the nature of legacy, the passage of time, and the enduring power of art.

Thursday 25th of July 2024

Tabloids On Trial 9pm ITV1

“Tabloids On Trial” is a compelling documentary airing on ITV1 that delves into the infamous phone hacking scandal. It features Prince Harry’s first major interview since his court case, highlighting his ongoing battle against the illegal practices of the British tabloid press. The program also includes insights from celebrities like Hugh Grant and Charlotte Church, who share their personal experiences with media intrusion. This documentary not only sheds light on the scandal but also sparks a conversation about the ethics of journalism and the importance of privacy in the modern age.

Queen & Slim (2019) 11.30pm BBC2

“Queen & Slim” (2019) is a powerful and thought-provoking film that blends romance, drama, and social commentary. Directed by Melina Matsoukas, the story follows a young African American couple, Queen and Slim, who go on the run after a traffic stop escalates into violence. Their journey becomes a modern-day Bonnie and Clyde tale, exploring themes of systemic racism, identity, and love in the face of adversity.

The film is beautifully shot, with striking visuals that capture the vastness of the American landscape. The chemistry between the lead actors, Daniel Kaluuya and Jodie Turner-Smith, is palpable, and their performances are raw and authentic. As they navigate their newfound fugitive status, they encounter a series of characters who challenge their perceptions and force them to confront their own humanity.

Queen & Slim doesn’t shy away from difficult conversations. It delves into the complexities of being Black in America, the trauma of police violence, and the resilience required to survive. The soundtrack, featuring artists like Lauryn Hill and Megan Thee Stallion, adds emotional depth to the film.

While some critics found fault with certain plot elements, the overall impact of Queen & Slim lies in its ability to provoke empathy and reflection. It’s a film that lingers long after the credits roll, leaving viewers with questions about justice, love, and the pursuit of freedom.

Queen & Slim is a gripping and relevant cinematic experience that invites audiences to examine the world through a different lens.

Friday 26th of July 2024

High Plains Drifter (1973) 9pm iTV4

“High Plains Drifter,” directed by and starring Clint Eastwood, is a Western that defies the traditional mold of the genre. Released in 1973, the film presents a narrative that is as much a ghost story as it is a tale of the Wild West. Eastwood plays a mysterious stranger with no name who arrives in the small town of Lago. His presence is met with suspicion, but his skills with a pistol soon have the townsfolk seeking his help against a band of outlaws.

The film is noted for its stark portrayal of morality, or the lack thereof, within the town of Lago. The townspeople are depicted as self-serving and cowardly, having failed to prevent the brutal murder of their marshal. Eastwood’s character, possibly the vengeful spirit of the slain marshal, brings a sense of eerie justice to the town. The movie’s atmosphere is tense and shadowy, contributing to its gothic undertones.

“High Plains Drifter” stands out for its commentary on the Western mythos, stripping away the clear-cut morality traditionally associated with the genre. It reflects the disillusionment of the Vietnam era, injecting a sense of bitterness into the American ideal of the West. The film’s landscape, a desolate backdrop set against a beautiful blue lake, emphasizes the isolation and emptiness of the setting.

Eastwood’s performance is central to the film’s impact, his nearly silent portrayal of the drifter is both menacing and fitting to the film’s dark themes. The supporting cast reacts well to his dominating presence, enhancing the film’s twisted sense of entertainment.

Overall, “High Plains Drifter” is a compelling piece of cinema that reshapes the Western narrative, offering a brutal and allegorical storyline that leaves a lasting impression. It’s a must-see for fans of the genre and those interested in the evolution of American cinematic storytelling.

And streaming…

Let’s dive into the intriguing world of Kleo, the German action-thriller comedy series on Netflix.

Season 1 premiered on Netflix in August 2022 and swiftly captured viewers’ attention. Set after the fall of the Berlin Wall, it follows Kleo Straub (played by Jella Haase), a former East German Stasi assassin. Imprisoned for an alleged act of treason, Kleo is released and embarks on a relentless quest for revenge against those who framed her. Think of it as Netflix’s answer to Quentin Tarantino’s Kill Bill. The show garnered positive reviews and even caught the eye of prolific writer Stephen King. With 34.33 million hours watched globally within two weeks, it left its mark.

Now, brace yourself for Season 2, arriving globally on July 25, 2024. The hunt for the elusive red suitcase continues, and Kleo isn’t the only one after its secrets—the CIA and KGB are also hot on the trail. Action, espionage, and personal history intertwine as Kleo’s wild adventures unfold. Can she save Europe’s fate? Get ready for more thrills, twists, and lethal skills in this highly anticipated second round!

And finally, The Art of the Brick: A Lego Odyssey in London

Nestled in the heart of London’s vibrant Brick Lane lies The Boiler House, a venue that has become the canvas for an extraordinary exhibition that’s captivating the hearts of both young and old. “The Art of the Brick” is not just an exhibition; it’s a celebration of creativity, innovation, and the timeless appeal of one of the world’s most beloved toys: LEGO®.

As you step into the world of artist Nathan Sawaya, you are greeted by a myriad of colours and shapes, each meticulously crafted from the humble LEGO brick. The exhibition boasts over 150 works, ranging from thought-provoking original pieces to awe-inspiring recreations of iconic art. Sawaya’s genius lies not just in the scale of his creations but in the emotional resonance they carry. His sculptures, often human figures, are imbued with a sense of motion and life that belies their plastic construction.

One of the standout pieces is a life-sized dress made entirely of red LEGO bricks, which appears to melt away into the air. It’s a testament to Sawaya’s skill that these bricks can convey such fluidity and grace. Another highlight is the 20-foot dinosaur that commands its own room, a marvel of engineering that leaves visitors guessing just how many bricks could make up such a behemoth.

The exhibition is not without its playful side. Children and adults alike revel in the interactive elements, such as the virtual art gallery where visitors’ coloured pictures come to life on screen. It’s a space where imagination is not only welcomed but encouraged.

“The Art of the Brick” is a reminder that art is not confined to traditional mediums. It challenges perceptions and invites us to find the extraordinary in the ordinary. It’s a must-visit for anyone in London, whether you’re a LEGO enthusiast, an art aficionado, or simply in search of inspiration. As Sawaya himself says, “Fortunately, there are no rules in art!” This exhibition is a dazzling display of what can be achieved when creativity is let loose on a simple toy brick. Don’t miss this inspiring LEGO journey at The Boiler House.

A longer review of this great exhibition is available on the Counter Culture website.

Picture credits

A Time To Kill (1996)
By Warner Bros., Fair use, https://en.wikipedia.org/w/index.php?curid=12473597
In The Earth (2021)
By Neon Book Films – Original publication: 14.3.2021Immediate source: http://www.impawards.com/intl/uk/2021/in_the_earth.html, Fair use, https://en.wikipedia.org/w/index.php?curid=67099395
Chariots Of Fire (1981)
By IMP Awards U.K. quad poster, Fair use, https://en.wikipedia.org/w/index.php?curid=3022377
The Hurt Locker (2009)
Fair use, https://en.wikipedia.org/w/index.php?curid=22629914
Sick Of Myself (2022)
By https://www.vl.no/resizer/p2N3MYsvArxGR_INimfz0Et0V-I=/arc-photo-mentormedier/eu-central-1-prod/public/2CQ2I5OHHZEY7C4RXIWP56TX4M.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=73567547
Blood Simple (1984)
By May be found at the following website: http://www.impawards.com/1985/blood_simple_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61286730
Youth (2015)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=47657816
Queen & Slim (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61401429
High Plains Drifter (1973)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=20200300
Nato image
Image by DANIEL DIAZ from Pixabay
Olympics ’48
By The logo may be obtained from International Olympic Committee., Fair use, https://en.wikipedia.org/w/index.php?curid=61076827
Slave
Image by Jim Cramer from Pixabay