Archive for Edinburgh Fringe Festival 2024

Fringe Review: Abby Denton – My Favourite Loser

Five black stars on a white background, representing a perfect rating.

In My Favourite Loser, Abby Denton resurrects the dust-choked absurdity of the 1904 Olympic marathon and transforms it into a sharply observed, emotionally resonant hour of stand-up storytelling. Her subject—Felix Carvajal, a Cuban postman who ran the race in street clothes and nearly died of poisoned apples—is not just a historical footnote, but Denton’s unlikely hero. And by the end of the show, he might be yours too.

A smiling woman wearing glasses and a colorful outfit holds a large tennis racket, standing in front of a light-colored wall. Text overlays the image, reading 'Abby Denton My Favorite Loser' in bold, stylized font.

Denton’s comedic voice is dry, self-effacing, and quietly radical. She doesn’t just recount Carvajal’s misadventures; she interrogates the politics of failure, masculinity, and myth-making with a deftness that never feels didactic. Her delivery is conversational, almost conspiratorial, as if she’s letting the audience in on a secret history that’s been hiding in plain sight.

The show’s structure is loose but deliberate, looping through anecdotes, tangents, and personal reflections that mirror the chaotic spirit of the marathon itself. There’s a gentle melancholy beneath the humour—a recognition of how systems fail the most earnest among us, and how dignity can be found in the margins. Denton’s admiration for Carvajal is sincere, but never sentimental. She wants us to laugh, yes—but also to reconsider who we build statues for.

In a festival often dominated by bombast and bravado, My Favourite Loser is a quiet triumph: a love letter to the underdog, the overlooked, and the beautifully absurd. Denton doesn’t just tell us why Carvajal matters—she makes us feel it.

Reviewed by Maria Camara

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The Crucible Reimagined: Dance Portrayal of Hysteria and Paranoia in Salem

★ ★ ★ ★ ★

185 words, 1 minute read time.

The cast. Picture by David Kerr.

The Crucible is Arthur Miller’s classic play. It deals with themes of hysteria and paranoia in 17th Century Salem, Massachusetts. It has never seen a production like this. Jacob Gutiérrez-Montoya has reimagined the play through the medium of contemporary dance and a blinding soundtrack. There is no spoken dialogue. This fine cast from the Sacramento Contemporary Dance Theatre shows everything. They depict the innocent dance in the woods. They show the tension between the Proctors. The trials, the denunciations, and the executions are depicted through the medium of dance. The feverish choreography increases the tension. The choice of music also raises the stakes. This electrifying portrait documents a small community destroying itself. Gutiérrez-Montoya stands out as the menacing Judge Danforth.

Reviewed by David Kerr

THE MUSIC

  1. Seven Devils – Florence and the Machine
  2. Me and the Devil – Soap and Skin Mimoser – Agnes Obel
  3. Moved – Laces
  4. Hosea – Apparat
  5. Lucid Dreaming – Dominique
  6. Flesh and Bone – Black Math
  7. No Fate Awaits Me – Son Lux
  8. Hellhounds – Karliene
  9. Something Bad – Cynthia Erivo and Shoshanna Bea
  10. Buried (Feat. Katie Herzig) – Unsecret
  11. Empire of Our Own – Raign
  12. Dropped Soul – Murcof
  13. Snowing – Sonya Kitchell

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Exploring Modern Life and Isolation in ‘Sonnets from Suburbia’

★★★★★

The central theme of ‘Sonnets from Suburbia’ revolves around the introspective journey of Lady Penelope (Penny Peyser). She reflects on modern life through her sonnets. The show weaves a narrative of personal growth and self-discovery. It explores themes of isolation. It also explores the impact of technology on human relationships. Lastly, it explores the enduring relevance of poetry in contemporary society. It’s a witty and poignant commentary that resonates with audiences. It offers both laughter and a deeper reflection on the complexities of life in the modern world.

Reviewed by David Andrews

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Janis Joplin: A Rockumentary of a Musical Legend

★ ★ ★ ★ ★

151 words, 1 minute read time.

Janice Smithers. Picture by David Kerr.

Half a century after her death at just 27, Janis Joplin has become a legend. As a girl living in Port Arthur, Texas, she loved to listen to soul music. It became one of her biggest musical influences. As this production showcases, she could give any musical genre her own unique spin. Think of her interpretation of Kris Kristofferson’s country classic, Me and Bobby McGee.

This rockumentary tells Janis’s short creative story. It is interspersed with an energetic performance of many of her best-known songs. The performance is brought to life by Janice Smithers, a talented singer from Brisbane in Australia.

This was a crowd-pleasing performance concluded by a storming rendition of A Little Piece of my Heart. Members of the audience joined Janice on the stage. Others danced in the aisle. This was much more than a tribute to a legendary performer, it was great entertainment.

Reviewed by David Kerr

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Navigating Conflicting Demands: The Puzzle of East Asian Parenting

★ ★ ★ ★ ★

225 words, 1 minute read time.

Many East Asian parents are under intense social pressure for their children to do well. They are expected to get an A+ grade. They should go to a prestigious university. They need to get a good job with a high salary. They should also marry well. That’s the theme explored in Puzzle through the medium of dance. One daughter resists all the pressures put upon her. Another is compliant. She is pulled this way and that by her parents. She’s tied in knots as she tries to please everyone’s conflicting demands.

The mother herself is under pressure. She is trying to keep up with the demands of her busy life. This is shown by her constantly running between a stick of lipstick. She moves between shoes, an apron, wet wipes, a running top, and a constantly ringing mobile phone.

The puzzle is how to wish the best for your child yet recognise their own choices. A voice in the background says parental ‘love should not be conditional on meeting our expectations.’ As this production shows, navigating through these conflicting demands is a real puzzle. Parents believe that if you don’t keep running, your peers will leave you behind.

This production resonated well with the audience, who – apart from your reviewer – were all young East Asian women. They loved this thought-provoking production.

Reviewed by David Kerr

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Hebridean Fire: a musical tour through the Western Isles of Scotland

★ ★ ★ ★ ★

309 words, 2 minutes read time.

Elsa Jean McTaggart and her husband Gary Lister have been a regular feature of the Edinburgh Fringe since 2011. Since then, they have built up a reputation for their interpretations of Scottish music. They always draw a crowd. This year, they bring three shows to the Fringe. These include a singalong Scots of the Pops, Caledonia and their storming sell-out show Hebridean Fire. Your reviewer chose to see Hebridean Fire.

Elsa Jean McTaggart. Picture by David Kerr.

Elsa opens the show with a stirring fiddle piece that quickly has her audience clapping in time with the rhythm. Gary plays the keyboard. A third musician, Lydia, plays the beatbox. They perform in front of a massive screen. The screen projects pictures and video of the places we visit on our musical tour.

Elsa gives a running commentary on her choice of pieces. She intersperses the music with explanations of their connection to the places we are visiting in music. We learn how Elsa and Gary came to live on Lewis during the year the world stood still. It was 2020. We also learn the secret of Harris tweed.

Elsa shows her musical versatility on the fiddle, mandolin, tin whistle, and a small guitar. All are conveniently at hand to her on her ‘instrument tree’. On our musical tour, we experience rip-roaring ceilidh music. We also have an interview with a local Lewis character. Additionally, we hear a hauntingly beautiful Gàidhlig version of the twenty-third psalm. Finally, we listen to some of her own compositions written during the Covid lockdown.

Elsa and Gary have found the perfect mix. They know how to draw, interact with and please a crowd, but they don’t rest on their laurels. They’re not afraid to experiment with new material. They’ll be a feature of the Fringe for a few years yet, and deservedly so.

Reviewed by David Kerr

Till August 2024. Tickets here

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Raskolnikov’s Moral Dilemma: Crime and Punishment Play Review

★ ★ ★

208 words, 1 minute read time.

Rodion Romanovich Raskolnikov, an impoverished former student in 19th Century St Petersburg, has become unhinged. He visits an elderly pawnbroker and gets a bad price for a watch that belonged to his late father. In his brain fever, he dreams of killing and robbing the elderly woman. Later, he pretends to have a silver cigarette case. When he shows a plain case to her, he strangles her and then batters her sister, Lizaveta to death.

The play revolves around Raskolnikov’s relationships with a wastrel of a drunkard who befriends him, Marmeledov and his daughter Sonya who has been reduced to prostitution by his drinking. He feuds with his sister Dunya’s fiancé, Pyotr Petrovich Luzhin and is wracked by guilt at his actions and fear of discovery, almost giving himself away when visiting a police station to discuss an unrelated matter.

The young actor playing Raskolnikov carries off his guilt-wracked condition flawlessly. The audience, however, may have had some difficulty following the action. At some times voices came over the sound system as characters were speaking. At times two conversations were going on simultaneously at each edge of the stage area. Nevertheless,it’s a great introduction to Fyodor Dostoyevsky’s great classic.

Reviewed by David Kerr

Till August 2024. Tickets here

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Ralph vs. Jack: Power Struggle in Lord of the Flies | Review by David Kerr

★★★★★

201 words, 1 minute read time.

This shocking play, based on William Golding’s disturbing book, exposes the thin veneer of civilisation that is our modern society. A group of schoolchildren survive a plane crash on a small island. There are no adults. Factions develop around two of the stronger personalities, Ralph and Jack. The one sane voice is Piggy. She is fat and wears glasses. She is an object of ridicule as she tries to keep order. Ralph wants to lead and do the right thing. Jack is ruthless in taking power and imposing her will on others.

Lord of the Flies warns us that there are always those who will take advantage of tricky situations. They impose their will on others, often violently. They set up factions and use violence to ‘teach others a lesson.’ The others become ‘beasts’ that can be killed at will.

The young players in this Muchmuchmore Theatre production made the increasing sense of menace become real. Their intensity of acting also made the sheer terror become real. The choreography using just a few boxes and planks was flawless. If you want the wits scared out of you, go see this production.

Reviewed by David Kerr

Till August 24th 2024. Tickets here

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Ambiguous Proposition: A Thoughtful Play on Workplace Conduct and Personal Dilemmas

★★★★★

544 words, 3 minutes read time.

Margaret Woods is an Employment Tribunal judge. In this one—woman show, Margaret (Hilary Cordery) is in control. The cases that come before her are at best like a game of chess. At worst, they are like a game of snakes and ladders. She talks about her latest case. It is in the preliminary stage. The employer will unleash a document deluge on the unsuspecting claimant. The unrepresented claimant will be unrepresented. She will be the arbiter in the room. She will rule by relying solely on the facts.

Margaret is haunted by her past. She was the victim of sexual harassment at work, but she wasn’t believed. Her relationship with her workaholic husband Nigel is strained. Her 25-year-old son Bradley recently moved out for ‘more independence.’ Bradley has passed his probationary period at work along with five others including a young woman called Cloë. They’re going out for drinks in the evening to celebrate this. Cloë is up for a promotion.

The story unfolds in a series of phone calls and revelations to the audience. Cloë doesn’t get her promotion. Bradley leaves a voicemail that unsettles Margaret who consults informally a colleague she thinks of as a slightly condescending friend. Beatrix recommends that Margaret write her concerns down. She will take a look to see if there’s anything to worry about.

Margaret’s life begins to unravel. She’s asked to ‘pop in’ to see Beatrix. Beatrix tells her that she has sent what was supposed to be a confidential report ‘upstairs.’ Margaret feels betrayed by Beatrix. She raised a hypothetical concern. Beatrix fears Daily Mail headlines that might bring the Employment Tribunes into disrepute. Margaret must ‘step to one side’ and be at home for thirty days.

Margaret’s professionalism conflicts with her love for and wish to protect her son. Cloë – ‘this manipulative young woman’ has accused him of sexual harassment. She says he used inappropriate language and stared at her constantly. She also accuses him of following her about at the party. She says he held her hand in the kitchen for a minute. Bradley has a meeting with the HR department and he’s given a letter. He’s been sacked. He’s gone to pieces. He thinks that raising an appeal would be a waste of time. Cloë has listed dates and times, he claims not to remember specifics. His mother thinks that he just wants it all to go away. He lashes out, saying that her concern is that she wants to protect herself.

This thoughtful play raises issues of acceptable workplace conduct. There are lots of questions. Did Bradley really harass Cloë at the party? Was that why he said ‘sorry’ a lot in his meeting with HR? Did Cloë make a vexatious claim against him, blaming him for her not winning the promotion she sought? Should Margaret have remembered when her allegations of sexual harassment weren’t believed and looked at Cloë’s allegations more objectively? Did her love for her son and wish to protect him cause her to jettison all her professional standards? How would she have ruled in Bradley and Cloë’s case if he had not been her son? The answers are ambiguous. The audience is left wondering.

Reviewed by David Kerr

Till the 24th of August 2024. Tickets here

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The 25th Annual Putnam County Spelling Bee: a musical antidote to dark, grim plays.

★★★★

333 words, 2 minutes read time.

Language fascinates me. So a play featuring one of those quintessential American competitions, a ‘Spelling Bee,’ sounded like it be interesting. In a spelling bee, the adjudicator gives each contestant a word to spell. If necessary, they may ask for a definition of the word. They can also inquire about its linguistic roots. Additionally, they may request an example of its use in a sentence.

The cast. Picture by David Kerr.

What took me by surprise was the discovery that this play was a musical. It had elements of improvisation and audience participation. It was brilliantly executed by the talented young cast. There were some terrific jokes. A stand-in adjudicator had to replace the regular one ‘who got lost in an Ikea and hasn’t been seen since’.  He asked one of the random audience participants to spell ‘Batman.’ She asked for the word’s use in a sentence. The reply came, ‘Nana, nana, nana, nana, Batman!’

Some of these kids were a bit damaged. Stephen was loud and overconfident. Olive’s mum was away in an ashram in India. Her dad wasn’t there to pay her $25 entry fee or to cheer her on. Logan’s two dads were the ultimate pushy parents whom she could never quite please. The previous year’s winner threw the ultimate strop when he misspelled a word and found himself eliminated from the contest. Some were visibly neurodivergent and showed different tics. Logan spelled out a word with her fingers on her wrist. Stephen by tapping out the letters with his ‘magic’ right foot.

The cast gave everything they had to their singing, their dancing, and their acting. Fair play to the four random audience participants too. Although thrown in at the deep end, they joined in the fun enthusiastically. The full house loved this immensely entertaining production for its laughs, for its music and for its elements of pathos. If you’re looking for the antidote to dark, grim plays, see this one. You will not be disappointed.

Reviewed by David Kerr

Till August 24th. Tickets here.

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