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Culture Vulture 8th to the 14th of March 2025

March 8, 2025 at 8:36 am · Filed under Film & DVD Reviews, TV Shows, Uncategorized ·Tagged , , , ,

Welcome to Culture Vulture, where we go beyond the mainstream to bring you a fresh perspective on the best in film, television, and music. Curated by Pat Harrington, with music selections from Tim Bragg, this weekly guide highlights thought-provoking, overlooked, or uniquely compelling entertainment that challenges the conventional. Whether it’s a gripping drama, an insightful documentary, or a film that dares to push boundaries, Culture Vulture is your go-to source for entertainment with depth.

Here are three standout selections this week:

  • NCIS: Origins (Paramount+, March 13) – A deep dive into the early days of NCIS legend Leroy Jethro Gibbs, this prequel series offers a fresh take on a fan-favorite character’s journey in the 1990s.
  • All This I Will Give to You (Channel 4, March 6) – A dark and atmospheric French mystery that unravels a wealthy family’s long-buried secrets after a sudden and suspicious death.
  • Tom Petty: Heartbreakers Beach Party (Paramount+, March 12) – A sun-soaked documentary that captures Tom Petty and the Heartbreakers at a pivotal moment, featuring rare performances and behind-the-scenes footage.

For those who want to dig deeper, Counter Culture, frequently features longer reviews of selected films where we explore the themes, artistic merits, and cultural significance of what we watch. Stay tuned, stay curious, and most importantly—stay alternative.

Saturday 8th March 2025

Bob Dylan: No Direction Home (BBC Two, 9pm)

Martin Scorsese’s two-part profile of Bob Dylan explores the cultural landscape of the 1960s. It also delves into the political climate as seen through Dylan’s eyes. The documentary highlights Dylan’s role in the civil rights movement and how his music became anthems for social change. His shifting identity and resistance to being labeled mirNo Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to delve into Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews.

No Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to explore Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews. Critics have praised it for its depth and the way it captures Dylan’s enigmatic persona.

Bob Dylan: Shadow Kingdom – 12:55 AM

This unique project features new studio recordings of some of Dylan’s classic songs, originally part of a 2021 streaming special. The album reinvents these iconic tracks with a fresh, intimate feel, blending acoustic and electric elements. Critics have lauded it for its innovative approach and the timeless quality of the arrangements.

Sings Dylan Two – 1:15 AM

Joan Baez’s compilation album, released in 1975, features her renditions of Bob Dylan’s songs. Some purists argue that Dylan’s originals are unbeatable. However, Baez’s interpretations bring a unique and heartfelt perspective to these classic tracks. The album includes well-known songs like “Blowin’ in the Wind” and “A Hard Rain’s A-Gonna Fall”.

Tangled Up With Dylan: The Ballad of AJ Weberman – 2:15 AM

This documentary explores the life of A.J. Weberman, a self-proclaimed “Dylanologist.” He is known for his obsessive analysis of Dylan’s lyrics. He also has the infamous habit of going through Dylan’s trash. The film offers a fascinating and often humorous look at Weberman’s eccentricities and his complex relationship with Dylan.

Enjoy your Dylan-filled night on BBC2!

Louder: The Soundtrack of Change (TLC 10pm)

Airing on International Women’s Day, Louder: The Soundtrack of Change is a powerful documentary exploring the transformative role of female musicians in advocating for social justice and equality. Produced and narrated by political activist Stacey Abrams and singer Selena Gomez, the film weaves together archival footage, personal testimonies, and electrifying performances to showcase how music has been a driving force for change across generations.

The documentary features a diverse range of artists, from trailblazers like Nina Simone, whose civil rights anthems of the 1960s became rallying cries for justice, to contemporary performers like H.E.R., whose song I Can’t Breathe resonated with the Black Lives Matter movement. It also highlights Melissa Etheridge’s groundbreaking coming out in the 1990s and the struggles of country artist Mickey Guyton as a Black woman in a predominantly white genre. Hip-hop’s contributions to gender and racial equality are also explored, with figures like Queen Latifah and Salt-N-Pepa showing how female voices reshaped a male-dominated industry.

Visually, Louder: The Soundtrack of Change is a vibrant and engaging documentary, skillfully blending past and present to highlight the ongoing fight for representation and equality. The film is at its best when it allows the artists themselves to speak, offering raw and emotional insights into the battles they have faced. The soundtrack is, unsurprisingly, a highlight—powerful protest songs, anthems of empowerment, and performances that still carry weight decades after they were first recorded.

Critics have praised the documentary for its relevance and emotional impact, calling it a vital reminder of music’s power to challenge injustice. However, some have noted that certain historical moments, such as Billie Holiday’s Strange Fruit, could have been explored in greater depth. Despite this, the film remains a compelling and inspiring watch, encouraging viewers to reflect on the past while recognizing the work still to be done.

Directed by Kristi Jacobson, Louder: The Soundtrack of Change is both a celebration and a call to action. More than just a history lesson, it is a tribute to the resilience and influence of women in music, making it a fitting and essential watch for International Women’s Day.

The Ipcress File (1965) (BBC Two, 1.05pm)

This gritty spy film reflects the Cold War’s paranoia and the shadowy world of espionage. The film’s realism exposes the psychological toll on intelligence officers and the murky ethics of their work. The protagonist, Harry Palmer, embodies the everyman caught in a web of deceit. This highlights the societal tensions between duty and morality. The film’s political undertones critique the impersonal and bureaucratic nature of intelligence agencies.

Funeral in Berlin (1966) (BBC Two, 11.30pm)

“Funeral in Berlin” (1966) takes place against the backdrop of a divided Berlin. It is a spy thriller that masterfully explores themes of loyalty and betrayal. These themes unfold in a politically charged environment. The protagonist, Harry Palmer, maneuvers through a complex web of double agents. He encounters shifting alliances. This scenario mirrors the intricate power dynamics of the Cold War. The film delves into the psychological strain of constant surveillance. It explores the moral ambiguities faced by those in the espionage world. This creates a tense and captivating narrative.

Harry Palmer is portrayed by Michael Caine. He is a quintessential anti-hero. He stands in stark contrast to the more polished and suave spies of his time. Unlike the typical secret agent, Palmer is a working-class intelligence officer with a sardonic wit and a no-nonsense attitude. Characterized by his thick horn-rimmed glasses and his disdain for authority, Palmer is both relatable and endearing. His pragmatic approach to espionage sets him apart. His dry humor and resourcefulness make him a memorable and enduring character in the spy genre.

Palmer is sent to Berlin to arrange the defection of Colonel Stok, a high-ranking Soviet intelligence officer. He quickly realizes that things are not as straightforward as they seem. Palmer is caught in a web of deceit. He must determine who he can trust. He also needs to find out who is playing him for a fool. The plot thickens with unexpected twists and turns. These twists lead to a suspenseful and gripping climax. The climax keeps the audience on the edge of their seats.

The film’s setting in a divided Berlin adds to the atmosphere of tension and uncertainty. The city’s stark contrasts and the constant presence of surveillance create a sense of paranoia that permeates the film. Loyalty and betrayal are central themes. Palmer must navigate a world where alliances are constantly shifting. Trust is a rare commodity. The film also explores the psychological toll of espionage, as Palmer grapples with the moral ambiguities of his profession.

Sunday 9th March 2025

Get Carter (1971) (ITV4, 9pm)

Get Carter (1971) is a grim and gritty exploration of moral decay. It examines the harsh realities of urban life in 1970s Britain. The film explores the seedy underbelly of Newcastle. The protagonist, Jack Carter (Michael Caine), embarks on a relentless quest for vengeance. He delves deeper into the city’s criminal world. The movie paints a stark picture of social corruption. It highlights the brutality that often lies beneath the surface.

At the core of Get Carter are themes of justice and retribution. Carter’s journey is fueled by a desire to avenge his brother’s death, highlighting the personal and societal thirst for justice. Yet, as the film progresses, it becomes evident that true justice is elusive in such a morally bankrupt environment. The urban decay and corruption underscore the futility of trying to escape one’s past. The film also explores the impact of violence. It affects individuals not just physically but also psychologically. It portrays how violence scars both the victim and the perpetrator.

Michael Caine delivers one of his most iconic performances as Jack Carter. His portrayal is chillingly detached, yet simmering with a cold fury that drives the narrative forward. Caine’s ability to convey both menace and vulnerability makes Carter a complex anti-hero, one who embodies the film’s darker themes. The supporting cast includes Ian Hendry, Britt Ekland, and John Osborne. They add depth and texture to the story. Each actor brings their own shades of moral ambiguity to the film.

The plot of Get Carter is a tight, unrelenting tale of revenge. Carter investigates his brother’s death, which takes him through a labyrinth of deceit and betrayal. Each step uncovers more about the corrupt world he inhabits. The film’s brutal realism is a departure from the more polished crime thrillers of the time. Its raw portrayal of violence and moral ambiguity was groundbreaking, setting a new standard for the genre.

The setting of Newcastle has a bleak industrial landscape. It becomes almost a character in itself. This reflects the despair and decay that permeate the story. The film’s cinematography, with its stark, uncompromising style, enhances this atmosphere, immersing the viewer in Carter’s dark world.

Get Carter is more than just a revenge-driven crime thriller. It is a profound commentary on the darker aspects of human nature and society. The film remains relevant for its unflinching portrayal of violence and moral ambiguity.

A Quiet Place Part II (2020) (Film4, 10pm)

The sequel intensifies the psychological horror of living in a world where silence is essential for survival. The film explores the themes of family, resilience, and the primal instinct to protect loved ones. The relentless tension and ever-present danger create a suffocating atmosphere, reflecting the characters’ psychological trauma and the broader societal collapse.

Yardie (2018) (BBC Two, 11.30pm)

This crime drama delves into the cycle of violence and the struggle for identity within the Jamaican and British communities. The protagonist’s quest for justice is intertwined with themes of revenge and redemption. The film highlights the psychological scars of a violent past. It shows the difficulty of breaking free from a life defined by crime and retribution. The film also features a fantastic reggae soundtrack, which adds depth and authenticity to its portrayal of Jamaican culture. Notable tracks include “Natty Rebel” by U-Roy. Another classic is “Funky Kingston” by Toots and the Maytals. Additionally, there is “Police and Thieves” by Junior Murvin. These songs not only enhance the film’s atmosphere but also underscore its themes of resistance and resilience.

Monday 10th March 2025

Rum And Revolution: History Of Havana (PBS America, 7.35pm)

​Rum and Revolution: A History of Havana is a captivating documentary that delves into the intricate tapestry of Havana’s mid-20th-century history, exploring how the city’s vibrant culture intertwined with political upheaval to shape its unique identity. Airing on PBS America, the film offers an insightful look into the forces that transformed Havana from a bustling playground for the elite into the epicenter of a revolutionary movement.​

Set against the backdrop of the 1950s, the documentary paints a vivid picture of Havana as a city alive with music, casinos, and cabarets. It was a time when U.S. tourists flocked to the Cuban capital, seeking an escape from the moral restrictions back home. Icons like Ernest Hemingway, Frank Sinatra, and Ava Gardner reveled in the city’s rhythms, frequenting hotspots such as the Hotel Nacional and the Tropicana nightclub. However, beneath this glamorous veneer lay a city controlled by the American mafia, where luxury starkly contrasted with the poverty endured by most Cubans. ​

The film delves into the corrupt alliance between Cuban dictator Fulgencio Batista and the mafia, who conspired to transform Havana into a “Las Vegas in the Caribbean.” This unholy partnership exacerbated social inequalities and fueled widespread unrest among the Cuban populace. As the Cuban people suffered under oppression and economic disparity, the stage was set for revolution. The documentary meticulously traces how these tensions culminated in Fidel Castro and his revolutionaries triumphantly entering Havana on January 8, 1959, effectively ending U.S. dominance on the island. ​

“Rum and Revolution” also explores the cultural renaissance that paralleled these political shifts. The city’s vibrant music scene, rich traditions, and the indomitable spirit of its people played a pivotal role in shaping Havana’s identity during this tumultuous period. The film captures how, despite facing systemic corruption and oppression, the Cuban people’s resilience and cultural pride remained unshaken, ultimately fueling their desire for change.​

Through a blend of archival footage, expert interviews, and evocative storytelling, Rum and Revolution: A History of Havana offers viewers a comprehensive understanding of how Havana’s cultural vibrancy and political turmoil were inextricably linked. It sheds light on the complexities of a city that, despite external influences and internal strife, forged a unique path that continues to captivate the world today.

Michael Sheen’s Secret Million Pound Giveaway (Channel 4, 9pm)

Michael Sheen’s Secret Million Pound Giveaway is more than just a Channel 4 documentary; it’s a searing indictment of the UK’s broken financial system and the devastating impact of debt on ordinary people. Set in South Wales, the program follows Sheen as he uses £100,000 of his own money to establish a debt acquisition company with a unique purpose—not to profit from struggling individuals, but to abolish their debt entirely. In doing so, he wipes out £1 million worth of financial burdens for 900 people, providing not just relief, but a pointed challenge to the system that allowed their suffering in the first place.

At its core, the documentary lays bare the harsh realities of the secondary debt market, where financial institutions sell off unpaid debts to third-party buyers for a fraction of their original value. These companies, in turn, pursue debtors aggressively, often exploiting legal loopholes to extract payments from those who can least afford it. Sheen’s intervention exposes the moral contradictions of this system—how it profits from human hardship and sustains cycles of poverty rather than alleviating them.

The stories featured in the documentary bring a deeply personal dimension to what is often treated as a faceless economic issue. The individuals affected speak about the emotional toll of financial distress, the sleepless nights, the anxiety, and the sense of powerlessness. For many, the weight of debt has not only constrained their financial futures but has eroded their self-worth and mental well-being. Sheen’s act of debt forgiveness is not just about money—it’s about restoring dignity, hope, and the possibility of a fresh start.

Politically, the film raises urgent questions about the regulation of lending practices, consumer protection, and the role of government in tackling financial exploitation. While Sheen’s generosity is commendable, the documentary forces viewers to ask why such measures are left to private individuals rather than being addressed through structural reforms. The need for stronger financial oversight, fairer lending practices, and safety nets for vulnerable citizens is clear.

Economically, the program highlights how debt relief can have a ripple effect beyond the individuals directly impacted. Freed from relentless repayments, those affected can redirect their income into local businesses, education, and essential needs, fostering wider economic stability. The film implicitly argues that lifting people out of financial despair isn’t just an act of charity—it’s an investment in society as a whole.

Beyond its economic and political angles, Secret Million Pound Giveaway also carries a powerful ethical message. Sheen’s action is a challenge to the complacency of those in power and an invitation for viewers to consider their own role in pushing for change. It’s a rare documentary that not only informs but inspires, making a compelling case for systemic reform while also demonstrating the immediate impact of compassion and solidarity.

Michael Sheen has long been known for his activism, but this documentary elevates his work to a new level. By using his own money to subvert a broken system, he makes an unflinching statement about justice and fairness in modern Britain. The result is a gripping and emotional watch that is as much a call to action as it is an exposé of financial injustice.

Jerry Maguire (1996) (ITV2, 9pm)

A compelling story of personal and professional transformation, Jerry Maguire addresses themes of integrity, love, and redemption. The protagonist’s crisis of conscience and career downfall reflect broader societal questions about success and the true meaning of fulfillment. The film’s exploration of human connections and honesty in a cutthroat industry offers a psychological perspective on ambition and vulnerability.

Tuesday 11th March 2025

Ali & Ava (2021) (BBC Four, 9pm)

In the film Ali & Ava, a profound love story unfolds amidst social and cultural divides, offering a deep exploration of the human experience. The narrative delves into the lives of two distinct individuals, each grappling with their own emotional baggage and societal expectations.

Ali, a British Pakistani landlord, and Ava, a white Irish-born teaching assistant, come from different worlds, yet their lives intersect in the most unexpected way. The film masterfully highlights the subtle but powerful impact of cultural and ethnic backgrounds on relationships. It paints a vivid picture of how societal norms and prejudices can shape, and often challenge, the connections we form with others.

One of the central themes of the film is loneliness, depicted through the characters’ struggles with isolation despite being surrounded by people. Ali, trapped in a loveless marriage, and Ava, a widow yearning for companionship, both find solace in each other’s company. Their bond underscores the universal human need for understanding and acceptance, transcending the boundaries of race and class.

Moreover, Ali & Ava tackles the complexities of overcoming past traumas. Both characters carry emotional scars that influence their present lives. Ali’s attempts to reconcile with his failed marriage and Ava’s journey to move past the grief of losing her husband are portrayed with raw honesty. The film sensitively portrays how love can be a catalyst for healing, offering hope and a chance for redemption.

The story also sheds light on the psychological effects of long-term isolation. Ali’s internal struggle and Ava’s quiet resilience speak volumes about the human capacity for endurance and the desire for connection. Their relationship becomes a beacon of hope, illustrating that even in the face of adversity, love can pave the way to emotional recovery and personal growth.

In essence, Ali & Ava is more than just a love story; it is a commentary on the social themes of loneliness, acceptance, and the power of human connection in overcoming life’s challenges. The film invites viewers to reflect on their own experiences and the barriers that can both hinder and enrich our relationships.

Wednesday 12th March 2025

A Cruel Love: The Ruth Ellis Story (two of four) (ITV1, 9pm)

The second episode of A Cruel Love: The Ruth Ellis Story shifts its focus to the dramatic courtroom proceedings at the Old Bailey, where Ellis, the last woman to be executed in the UK, faces trial for the murder of her lover, David Blakely. As the prosecution lays out its case, the episode weaves in flashbacks that piece together the events leading to the fatal shooting, revealing the toxic and abusive nature of their relationship.

Lucy Boynton’s performance as Ellis is gripping, capturing both her defiance and underlying fragility as she stands in the dock. The episode does not shy away from the societal expectations and double standards of 1950s Britain, emphasizing how Ellis, a nightclub hostess, was judged as much for her lifestyle as for the crime itself. Laurie Davidson’s portrayal of Blakely highlights the dangerous mix of passion and cruelty that defined their relationship, making it clear that Ellis’s final act was the result of years of manipulation and violence.

Tightly structured and emotionally charged, this episode presents a compelling account of how a woman pushed to the edge became a figure of both scandal and sympathy. It effectively balances legal drama with human tragedy, offering a nuanced portrayal of Ellis’s fate while leaving viewers questioning whether justice was truly served.

Invasion of the Body Snatchers (1956) (Film4, 10pm)

Invasion of the Body Snatchers (1956) masterfully intertwines Cold War anxieties with a gripping sci-fi horror narrative. It creates a film that resonates with the fears and uncertainties of the McCarthy era. The film tells the story of an alien invasion. This invasion replaces humans with emotionless duplicates. The film offers a chilling allegory of the period’s paranoia. It reflects the fear of ideological subversion.

The invasion of the alien “body snatchers” symbolizes the pervasive fear of losing one’s identity. It also symbolizes the fear of losing autonomy. This mirrors the societal fear of communist infiltration and conformity. The film shows a small-town community gradually succumbing to an unseen threat. This reflects the atmosphere of distrust and suspicion during the Cold War. The pods that replicate humans lack emotions and individuality. They serve as a powerful metaphor for the loss of personal freedom. They also highlight the homogenizing influence of authoritarian regimes.

The plot centres on Dr. Miles Bennell. He returns to his hometown. There, several residents claim their loved ones have been replaced by impostors. As Miles investigates, he discovers the horrifying truth. Alien organisms are taking over human bodies. They create perfect physical duplicates that are devoid of human emotions. The story escalates. Miles and his companions struggle to resist the invasion. They attempt to alert the authorities. This leads to a tense and suspenseful climax.

Invasion of the Body Snatchers excels in its character-driven storytelling. It focuses on the personal experiences and psychological struggles of its protagonists. Dr. Miles Bennell is portrayed by Kevin McCarthy. He anchors the narrative with his determined efforts to save his town. His attempts become increasingly desperate as he faces the alien threat. The film’s tension rises due to its focus on the characters’ emotional responses to the unfolding horror. This approach makes their plight more relatable. It also keeps the audience engaged.

Many modern sci-fi films heavily rely on elaborate special effects. In contrast, Invasion of the Body Snatchers uses atmosphere, psychological tension, and strong performances to create its sense of dread. The film uses practical effects effectively. It employs suggestive storytelling. These techniques allow it to evoke fear and suspense without the need for CGI or flashy visuals. This character-driven approach creates a more immersive and emotionally resonant experience, highlighting the power of storytelling over visual spectacle.

Invasion of the Body Snatchers remains a timeless classic, its Cold War themes and character-driven narrative continuing to captivate audiences. The film reflects the societal anxieties of its time. It delivers a compelling and suspenseful story. This combination is a testament to its enduring impact on the sci-fi horror genre.

Thursday 13th March 2025

Stacey Dooley: Rape On Trial (BBC3, 9pm)

As a big fan of Stacey Dooley, I was eager to see how she would handle such a sensitive and important topic, and Rape On Trial does not disappoint. This gripping documentary follows four women over the course of three years as they navigate the harrowing journey of seeking justice for sexual assault. Dooley’s signature empathy and directness shine as she gains rare access to the deeply personal and often distressing reality of bringing a rape case to trial.

The film highlights the immense challenges survivors face, from the emotional strain of reliving their trauma to the difficulties of securing a conviction in a legal system where the burden of proof remains incredibly high. Stacey approaches each story with care, never sensationalizing but instead amplifying the voices of those who have fought for justice. The documentary does not just expose the flaws in the system—it also explores the long-lasting impact of these crimes on the survivors’ lives, their relationships, and their mental health.

With powerful storytelling and Dooley’s unwavering commitment to shedding light on difficult issues, Rape On Trial is a compelling, urgent, and necessary watch. It forces viewers to confront the reality of how sexual violence cases are handled and raises essential questions about whether enough is being done to support survivors. Stacey once again proves why she is one of the most trusted voices in documentary filmmaking.

Strike! The Village That Fought Back (BBC2, 9pm)

Strike! The Village That Fought Back is a powerful and deeply moving documentary that explores the 1984-85 miners’ strike through the experiences of the miners and families of Polmaise Colliery in Scotland. This pit holds a significant place in the history of the strike, being the first to take industrial action and the last to return to work, standing firm for an incredible 56 weeks.

The documentary offers an intimate and emotionally charged portrayal of the miners’ resilience, featuring first-hand accounts from those who lived through the struggle, as well as perspectives from their families and journalists. It paints a vivid picture of the sacrifices made, the hardships endured, and the unbreakable sense of solidarity that bound the community together. The film does not just focus on the strike itself but also explores its wider social and economic consequences, showing how the miners and their families navigated life in the aftermath of the conflict.

One of the documentary’s strengths is its ability to balance historical analysis with deeply personal storytelling. Archival footage is interwoven with contemporary reflections, providing both historical context and emotional weight. The sense of injustice and determination felt by the miners is palpable, making it impossible to watch without feeling the intensity of their fight. The film also highlights the striking contrast between the power of grassroots resistance and the political forces that sought to break it.

What makes Strike! The Village That Fought Back particularly compelling is its message of endurance. Even after returning to work, Polmaise remained a symbol of defiance. The National Coal Board allowed the colliery to continue operating until 1987, a small reprieve that nevertheless underscored the community’s strength.

This documentary is not just a historical account—it is a reminder of the power of working-class solidarity and the cost of standing up to injustice. With its rich storytelling, deeply personal interviews, and evocative archival footage, it is an essential watch for anyone interested in British labour history and the enduring spirit of those who refuse to back down.

Memento (2000) (Film4, 11pm)

Christopher Nolan’s psychological thriller explores the fragility of memory and the quest for truth. The protagonist’s struggle with short-term memory loss creates a fragmented narrative that mirrors the elusive nature of reality. Themes of revenge, identity, and the reliability of one’s own mind are central to the film. They offer a deep psychological exploration of human consciousness.

Friday 14th March 2025

Romeo + Juliet (1996) (BBC Four, 9pm)

Romeo + Juliet (1996), directed by Baz Luhrmann, is a vibrant and modern retelling of Shakespeare’s classic tragedy. This adaptation brings the timeless tale of star-crossed lovers into a contemporary urban setting. It blends the original Shakespearean dialogue with a visually stunning and dynamic cinematic style.

In Luhrmann’s version, the Montagues and Capulets are reimagined as rival mafia families in Verona Beach, a fictional modern-day city. The intense rivalry between these families is shown through stylized violence. It also involves gang conflicts. These aspects mirror the power struggles and territorial disputes of organized crime. The film presents the modern mafia in a fresh way. It adds a relevant dimension to the story. This highlights how themes of power, honour, and revenge transcend time and context.

Romeo + Juliet is set in a modern environment. Yet, it retains the original Shakespearean dialogue. This choice allows the beauty and eloquence of the text to shine through. The juxtaposition of Shakespeare’s verses with contemporary visuals and settings creates a unique contrast. This contrast is compelling and emphasizes the timelessness of the story’s themes and language.

The film is anchored by strong performances, particularly from Leonardo DiCaprio (Romeo) and Claire Danes (Juliet). Their portrayals capture the intensity and vulnerability of young love, bringing a fresh and relatable energy to their characters. The supporting cast enhances the narrative with depth and complexity. John Leguizamo portrays Tybalt and Harold Perrineau plays Mercutio. Each character contributes to the film’s exploration of loyalty, passion, and tragedy.

Luhrmann’s adaptation emphasizes themes of fate, destiny, and the inevitability of tragedy, much like the original play. The film opens with a television news report. It sets the stage for the unfolding drama. This highlights the media’s role in shaping public perception and societal pressures. This modern twist adds a layer of commentary on how external forces influence personal choices and relationships.

Romeo + Juliet stands out for its character-driven narrative and emotional depth. This is in contrast to many contemporary films that rely heavily on special effects. Luhrmann’s film uses innovative cinematography. It also incorporates dynamic editing and a powerful soundtrack. These elements enhance the storytelling without overshadowing the characters’ emotional journeys. This approach creates a more immersive and emotionally resonant experience, demonstrating the enduring power of strong performances and compelling narratives.

Baz Luhrmann’s Romeo + Juliet is a bold and visually captivating adaptation. It breathes new life into Shakespeare’s timeless tragedy. Its modern mafia setting is mixed with the original Shakespearean dialogue. The character-driven storytelling ensures that the film remains a relevant exploration of love, fate, and the human condition.

Cover Your Ears (Sky Arts, 10.45pm)

Cover Your Ears is a compelling documentary that explores the long and often controversial history of music censorship. Directed by Sean Patrick Shaul, the film examines how different genres—from jazz and rock ‘n’ roll to hip-hop—have faced suppression and moral outrage, sparking debates over artistic freedom and societal values.

Featuring insightful interviews with musicians and industry figures such as Chuck D of Public Enemy, Dee Snider of Twisted Sister, and Jello Biafra of Dead Kennedys, the documentary brings to life the battles artists have fought against censorship. Their firsthand accounts provide a fascinating look at how the music industry has been shaped by legal battles, public outrage, and shifting cultural norms.

The documentary takes a balanced approach, presenting perspectives from both artists and those who sought to censor their work. From the 1927 Radio Act to modern-day controversies, Cover Your Ears highlights how censorship has evolved, reflecting broader societal anxieties. It also examines the ways in which musicians have resisted restrictions, turning their fights for free speech into powerful cultural moments.

Visually engaging, the documentary blends archival footage, pop-art imagery, and contemporary interviews to create a dynamic and rhythmic narrative. The film captures the rebellious energy of artists who have continually pushed back against censorship and fought for their right to express themselves freely.

More than just a history lesson, Cover Your Ears challenges viewers to reflect on the ongoing struggles over artistic expression in a world where censorship debates are far from over. By celebrating the resilience of artists who refused to be silenced, the film serves as a powerful reminder of music’s ability to provoke, inspire, and challenge authority.

And finally, streaming

Streaming on Channel 4 from March 6, 2025. All This I Will Give to You is a gripping French miniseries that masterfully blends suspense, drama, and mystery against the atmospheric backdrop of Provence. Adapted from Dolores Redondo’s best-selling novel, the six-episode series unravels a deeply personal yet far-reaching story of deception, privilege, and hidden identities.

The plot is set in motion when a fatal car accident in the French countryside claims the life of Aymeric Fabre de Castelmore, a man whose death exposes layers of secrets long buried beneath a façade of aristocratic respectability. His husband, Manuel Ortigosa, a successful novelist in Paris, is not only devastated by the tragedy but blindsided by the revelation that Aymeric had been living a double life. Rather than being on a business trip to Brussels as he had claimed, Aymeric was tied to a sprawling wine estate and a powerful, unwelcoming family. As Manuel is forced into their world, inheriting an estate they resent him for, he begins to suspect that Aymeric’s death was not as straightforward as it seemed. Partnering with the grizzled detective Richard Saugier, he embarks on a relentless search for the truth, exposing a web of betrayal, privilege, and old family wounds.

David Kammenos delivers a hauntingly introspective performance as Manuel, portraying a man navigating not only grief but the unraveling of everything he thought he knew about his partner. Bruno Solo adds further weight to the drama as Saugier, the weary detective whose own struggles with the aristocracy lend a sharp edge to his investigation. The Fabre de Castelmore family, particularly its steely matriarch and scheming younger son, serve as chilling representations of inherited power and prejudice. Their presence in the narrative highlights the tension between those who seek truth and those who will do anything to keep it buried.

The cinematography enhances the contrast between the idyllic French countryside and the darkness festering within its grand estates. Sweeping shots of vineyards and winding rural roads set a striking stage for a mystery steeped in secrecy. The estate itself, with its imposing beauty, functions as a metaphor for the wealth and decay at the heart of the story. While the series takes a slow-burn approach, allowing tensions to simmer and relationships to evolve, its intricate storytelling ensures that each revelation lands with impact.

With its measured pacing, complex character dynamics, and atmospheric storytelling, All This I Will Give to You stands out as an engrossing psychological thriller. More than just a murder mystery, it is an exploration of identity, power, and the painful cost of long-buried secrets.

Streaming on Netflix from Friday, March 14, 2025. Anthony and Joe Russo’s The Electric State is a visually breathtaking and emotionally charged sci-fi adventure that blends retro-futurism with a poignant human story. Based on Simon Stålenhag’s acclaimed graphic novel, the film transports viewers to an alternate 1990s America, where the remnants of a failed technological revolution litter the landscape.

At the heart of the film is Michelle, played by Millie Bobby Brown, an orphaned teenager navigating a fractured world in search of her missing brother. She’s joined by a mysterious, outdated robot named Cosmo and a smuggler, Keats (Chris Pratt), who reluctantly aids her journey. Together, they traverse a world where sentient machines—once part of everyday life—now exist in exile after an unsuccessful uprising.

The Russo brothers bring their signature blockbuster flair, balancing large-scale spectacle with intimate storytelling. The film maintains the melancholy and wonder of Stålenhag’s artwork, depicting abandoned highways, colossal decaying machinery, and eerie remnants of a war between humanity and artificial intelligence. Each frame is rich with detail, evoking a sense of nostalgia and unease.

Millie Bobby Brown delivers a compelling performance, capturing both resilience and vulnerability as Michelle. Chris Pratt provides a mix of humor and grit, grounding the film’s emotional core, while Cosmo, the robot companion, is a standout—a silent observer whose expressive design conveys more emotion than words ever could.

One of the film’s most striking aspects is its visual storytelling. The desolate landscapes and retro-futuristic technology create an atmosphere that feels both familiar and otherworldly. The cinematography embraces wide shots that emphasize the vast loneliness of Michelle’s journey, while the score, composed by Henry Jackman, reinforces the film’s emotional depth with haunting synth melodies.

However, fans of the graphic novel may find the adaptation’s tone somewhat different. Where Stålenhag’s original work is introspective and minimalist, The Electric State leans more into action and spectacle. Some may feel that the increased pace and added humor dilute the novel’s quiet melancholy, but the film compensates with heartfelt character moments and thought-provoking themes about human connection in an increasingly mechanized world.

The Electric State is a visually stunning and emotionally resonant sci-fi epic. It asks profound questions about identity, loss, and what it means to be human in a world that feels increasingly artificial. While it may take creative liberties with its source material, the film stands as a powerful and engaging piece of storytelling.

NCIS: Origins – Paramount+ (First Two Episodes Available from March 13, 2025)

A fresh yet nostalgic addition to the NCIS franchise, NCIS: Origins transports viewers back to the early days of Leroy Jethro Gibbs, long before he became the legendary leader of the Naval Criminal Investigative Service. The prequel series follows a young Gibbs (portrayed by Austin Stowell) as he begins his career in the 1990s, navigating his first major cases, forming the relationships that would shape his future, and developing the moral code that fans have come to know so well.

The first two episodes do an admirable job of capturing the spirit of NCIS while offering a fresh perspective. Stowell brings a measured intensity to the role, balancing the quiet resolve and sharp instincts that make Gibbs such an iconic character. The show also leans into its 90s setting, featuring a mix of nostalgic callbacks and a time-appropriate investigative style that feels distinct from the high-tech procedures of its modern counterpart.

While NCIS: Origins doesn’t reinvent the procedural formula, it effectively builds intrigue around Gibbs’ early career while offering long-time fans rewarding nods to the wider NCIS universe. The series benefits from a strong supporting cast and solid writing, setting the stage for a compelling exploration of how Gibbs became the investigator and leader audiences know today.

Tom Petty: Heartbreakers Beach Party – Paramount+ (Available from March 12, 2025)

A treat for music lovers and Tom Petty fans alike, Tom Petty: Heartbreakers Beach Party is a vibrant, sun-soaked documentary that delves into a little-explored chapter of Petty’s career. Capturing a unique moment in the early 1980s, the film blends rare footage, interviews, and live performances, offering an intimate look at the band’s creative process, camaraderie, and love for the road.

More than just a nostalgic trip, the documentary highlights Petty’s artistic evolution, the challenges he faced within the music industry, and the deep connection he shared with his bandmates. The film’s relaxed, beach-party vibe mirrors Petty’s easygoing energy, while archival interviews and behind-the-scenes clips provide fresh insight into his genius as a songwriter and performer.

Beautifully crafted and rich in previously unseen material, Tom Petty: Heartbreakers Beach Party is a must-watch for both longtime fans and newcomers. It’s a celebration of a rock legend at a pivotal moment in his journey, capturing the spirit, sound, and sheer joy of making music.

Picture Credits

Bob Dylan: No Direction Home
May be found at the following website: Amazon.com, Fair use, https://en.wikipedia.org/w/index.php?curid=2759904
The Ipcress File (1965)
By Rank Organisation – http://testtransmissionarchive.blogspot.co.uk/2011_07_01_archive.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40521190
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Funeral in Berlin (1966)
By The poster art can or could be obtained from Paramount Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=43190196
Get Carter
The poster art can or could be obtained from Metro-Goldwyn-Mayer., Fair use, https://en.wikipedia.index.php?curid=882263
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Yardie
By IMDB – https://www.imdb.com/title/tt5862902/, Fair use, https://en.wikipedia.org/w/index.php?curid=56657428
Rum and Revolution: A History of Havana
Illustration: The Cuba State Capitol (El Capitolio) in Havana.
By Nigel Pacquette – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14798550
Michael Sheen’s Secret Million Pound Giveaway
Michael Sheen By iDominick – https://www.flickr.com/photos/82924988@N05/13408249074/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=37564522
Jerry Maguire (1996)
Fair use, https://en.wikipedia.org/w/index.php?curid=1835112
Ali & Ava (2021)
By Altitude Film Distribution – https://makingwavesfilmfestival.com/ali-ava-once-upon-a-time-in-bradford/, Fair use, https://en.wikipedia.org/w/index.php?curid=78633606
Invasion of the Body Snatchers (1956)
Distributed by Allied Artists Pictures Corporation – Scan via Heritage Auctions. Cropped and lightly retouched from the original image, primarily to remove autographs; see unretouched original in upload history below., Public Domain, https://commons.wikimedia.org/w/index.php?curid=86642192
Stacey Dooley: Rape On Trial
Stacey Dooley: By War on Want – https://www.flickr.com/photos/waronwant/3930619275/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=74634102
Strike! The Village That Fought Back
London protest in support of the miners By sludgegulper – https://www.flickr.com/photos/28179929@N08/4057072990/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=95925125
Memento (2000)
May be found at the following website: TheQuietFront.com, Fair use, https://en.wikipedia.org/w/index.php?curid=4762204
Romeo + Juliet (1996)
Derived from a digital capture (photo/scan) of the Film Poster/ VHS or DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=5885947
Electric State (2025)
By http://www.impawards.com/2025/electric_state_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=78139933

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The Last Showgirl: A Powerful Film on Ageing and Resilience By Patrick Harrington

March 4, 2025 at 5:49 pm · Filed under Film & DVD Reviews ·Tagged , , , , , , , ,

The neon-lit stages of Las Vegas shine brightly. They contrast with the dim corridors of fading dreams. The Last Showgirl takes viewers on a deeply affecting journey. It delves into the lives of those who once dazzled in the spotlight.

A Story of Reinvention in a Precarious Industry

At its heart, The Last Showgirl is a film about transition—both personal and cultural. Shelly has spent decades in the spotlight. She suddenly faces the harsh reality of an industry that discards women once they are no longer deemed marketable. But the film also highlights the broader financial precarity of those working in entertainment. As Le Razzle Dazzle closes, Shelly and her colleagues are left without pensions, savings, or even medical insurance. This serves as a stark reminder of how vulnerable performers can be when their careers are upended.

This sense of insecurity extends beyond the stage. One of Shelly’s closest friends is Annette, who is played by Jamie Lee Curtis. She works as a cocktail waitress and finds herself in an equally precarious situation. Struggling with gambling debts, she ultimately resorts to sleeping in her car. This subplot is devastating. It underscores how quickly fortunes can turn in an industry that offers glamour but little long-term stability. Coppola’s direction ensures that these economic concerns are integral to the story. They are not just background noise. These elements make The Last Showgirl feel both personal and politically charged.

Pamela Anderson’s Career-Defining Performance

Anderson’s portrayal of Shelly is nothing short of revelatory. She is long known for her work in Baywatch and as a Hollywood sex symbol. She channels her own experiences with objectification into a performance brimming with vulnerability. The performance also exudes strength and emotional depth. Anderson herself has commented, “I poured my heart and soul into this role. Shelly’s journey is so deeply personal to me.”

Echoes of Sunset Boulevard

Coppola’s film draws clear comparisons to Billy Wilder’s Sunset Boulevard (1950). It is another story about a woman past her prime. She struggles to stay relevant in an industry that has moved on. Like Norma Desmond, Shelly Gardner has built her life around performance. When that world vanishes, she is left grappling with an identity crisis. Yet, where Sunset Boulevard delves into psychological horror and self-delusion, The Last Showgirl takes a more grounded, empathetic approach. Shelly is not a relic clinging to faded glory. She is a survivor. She is painfully aware of the changing landscape. She is determined to find a way ahead. The contrast between Desmond’s tragic retreat into fantasy and Shelly’s determined path is fascinating. Shelly’s path is uncertain, but it leads toward reinvention.

Thematic Depth: Ageism, Economic Precarity, and the Male Gaze

Beyond its intimate character study, The Last Showgirl raises broader social and political questions. The film starkly portrays ageism in entertainment. It highlights how women are often discarded. In contrast, male performers continue to be celebrated well into old age. Shelly struggles to find new opportunities. This reflects the economic precarity of performers. Their careers are at the mercy of industry trends.

Moreover, The Last Showgirl critiques the male gaze and the commodification of women’s bodies. Shelly built her career on beauty, movement, and allure. Now, she faces an existential question. Who is she beyond her stage persona? This theme affects her personal life too. She tries to mend her fractured relationship with her estranged daughter (Billie Lourd). This subplot adds emotional weight to the narrative.

Gia Coppola’s Directorial Style

Gia Coppola’s direction is both intimate and expansive. Her previous works, like Palo Alto (2013), showcased her ability to delve deep into character psychology. She can keep a broader social commentary as well. In The Last Showgirl, Coppola uses a visual style to show Shelly’s internal struggle. She creates stark contrasts between the glitzy past and the uncertain present.

Contemporary Issues in the Entertainment Industry

The Last Showgirl resonates with today’s entertainment industry’s ongoing struggles. The film’s portrayal of economic insecurity and ageism reflects actual conversations about fair wages. It highlights discussions around career longevity and the treatment of aging performers. The industry’s shift towards digital and commercialized content also finds echoes in Coppola’s depiction of a changing Las Vegas.

Conclusion

Despite a mixed critical reception, The Last Showgirl succeeds in delivering a deeply affecting portrait of resilience and self-redefinition. The film’s depiction of financial insecurity elevates it beyond a simple character study. The portrayal of the struggles of aging performers makes it a relevant social critique. Pamela Anderson’s performance is the heart of the film. She offers a raw and introspective take on a woman grappling with change. Thematically rich and visually evocative, The Last Showgirl is rich in themes and colours. It is a must-watch for those who appreciate films that challenge industry norms.

By Pat Harrington

Picture credit

By Roadside Attractions – IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=78436833

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Oscars 2025: Surprises, Snubs, and Anora’s Victory By Patrick Harrington

March 4, 2025 at 8:45 am · Filed under Film & DVD Reviews ·Tagged , , , , , , , , , , , , ,

1,001 words, 5 minutes read time.

The 97th Academy Awards continued the tradition of surprises, snubs, and debates that have long defined Hollywood’s most prestigious ceremony. Anora was the biggest winner of the night, sweeping multiple categories. Still, other films had been widely expected to do well. Films like A Complete Unknown and Conclave were left with little or no recognition. The results raise questions about the Academy’s decision-making process. They also make us ponder the factors that influence Oscar outcomes. Additionally, one wonders if patterns from earlier years can help make sense of this year’s awards.

A Complete Unknown missed out at the Oscars

One of the most striking elements of the night was Anora’s overwhelming success. It is an independent film directed by Sean Baker. With a budget of just $6 million, it triumphed over bigger-budgeted, star-driven films. This reinforced the Academy’s recent tendency to favor independent cinema. In the past, films like Moonlight (2016) and Nomadland (2020) rose above traditional studio contenders. This signaled a shift away from the dominance of big-budget prestige dramas. Moonlight and Nomadland were seen as profound and politically resonant films. In contrast, Anora won on the strength of its storytelling. Its performances also contributed to its success. Whether its sweep was an anomaly remains to be seen. It could be the continuation of a trend. Its dominance undoubtedly shaped the landscape of this year’s Oscars.

A Complete Unknown, the Bob Dylan biopic starring Timothée Chalamet, was at the other end of the spectrum. It failed to win any awards. Biopics have traditionally performed well at the Oscars, particularly those centered on musical figures. Bohemian Rhapsody (2018) earned Rami Malek an Oscar for his portrayal of Freddie Mercury. Ray (2004) won Jamie Foxx Best Actor for his depiction of Ray Charles. Walk the Line (2005) saw Reese Witherspoon take home Best Actress for playing June Carter Cash. Given this pattern, it seemed reasonable to expect A Complete Unknown to be a strong contender. However, it was completely shut out, and Chalamet wasn’t even nominated for Best Actor.

The film’s lack of recognition suggests that the Academy was either unimpressed by its execution or simply prioritized other performances. Unlike Malek’s transformation into Mercury, which included extensive prosthetics and dramatic physicality, Chalamet’s portrayal of Dylan was more nuanced. He captured Dylan’s essence rather than relying on mimicry. The Academy has historically favored dramatic transformations. Gary Oldman’s heavily made-up performance as Winston Churchill in Darkest Hour (2017) is one example. Another is Brendan Fraser’s prosthetic-laden role in The Whale (2022). Without such a drastic physical transformation, Chalamet may have been overlooked. Showier performances, particularly Adrien Brody’s, might have been favored instead.

Brody’s win for The Brutalist marked his second Oscar, more than two decades after his first for The Pianist (2002). His performance in The Brutalist was widely praised for its intensity and depth. It fit into the Academy’s long-standing preference for roles that showcase hardship. They prefer roles that display suffering or transformation. Historically, actors who take on weighty, emotionally demanding roles tend to fare well. Daniel Day-Lewis’s performance in There Will Be Blood (2007) fits this mold. Joaquin Phoenix in Joker (2019) fits this mold. Matthew McConaughey in Dallas Buyers Club (2013) fits this mold. Brody’s win was in line with this tradition. It reinforces the idea that a deeply transformative role, along with a strong narrative, often carries more weight. This is true when compared to a subtler performance like Chalamet’s.

Another major talking point of the night was the fate of Conclave. The film seemed primed for awards success. However, it ultimately walked away with only one win—Best Adapted Screenplay. Despite receiving eight nominations, it failed to secure wins in any of the major categories. The film is a tense political drama about the selection of a new pope. It was widely praised for its sharp screenplay. The restrained storytelling also received acclaim. However, this very restraint may have worked against it. The Academy has a complicated relationship with films that are more intellectual than emotionally gripping. In 2011, The Social Network was a critically acclaimed, razor-sharp drama. It lost Best Picture to the more traditional and emotionally stirring The King’s Speech. Similarly, Conclave may have been seen as too cold or cerebral compared to the films that ultimately won big.

One of the fascinating aspects of the Oscars is the unpredictability of the Academy’s decisions. While trends can sometimes be identified, there are always surprises that defy expectations. In 1998, Steven Spielberg’s Saving Private Ryan was widely expected to win Best Picture. It lost to Shakespeare in Love. This remains a controversial decision to this day. Similarly, in 2006, Brokeback Mountain was the clear frontrunner. It was defeated by Crash. This film has since been criticized for its heavy-handed storytelling. The Academy’s choices are often influenced by factors beyond just the quality of a film. These factors include industry politics, campaign strategies, and cultural movements.

This year’s results reflect a combination of these influences. Anora’s success signals the Academy’s continued appreciation for independent, character-driven films. A Full Unknown’s shutout suggests that not all music biopics are guaranteed wins. This is particularly true if they lack a highly transformative central performance. Conclave’s underperformance highlights the Academy’s preference for emotionally driven narratives over intellectual ones. And Adrien Brody’s win reaffirms the Academy’s admiration for weighty, intense performances over more understated portrayals.

Despite the confusion, frustration, and debate that often follow the Oscars, this unpredictability is compelling. It is part of what makes them so engaging. The confusion, frustration, and debate often follow the Oscars. This unpredictability is part of what makes them so compelling. If the winners were entirely predictable, there would be little reason to stay engaged. The Academy Awards are fundamentally designed to surprise. They spark discussion and remind audiences that film appreciation is inherently subjective. Whether one agrees or disagrees with the results, the Oscars reflect Hollywood’s ever-changing landscape. They offer insight into the industry’s present values. They also show its evolving priorities.

By Patrick Harrington

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Culture Vulture 1st to the 7th of March 2025

March 1, 2025 at 8:20 am · Filed under Film & DVD Reviews, TV Shows ·Tagged , , , , , , , ,

Welcome to Culture Vulture, your go-to weekly guide for an alternative take on entertainment. This carefully curated selection is brought to you by Pat Harrington. Music by the talented Tim Bragg accompanies the . writing. This week’s highlights are thought-provoking and diverse. They feature a compelling mix of historical drama, Shakespearean intensity, and investigative documentary.

First, we have Suffragette (2015). It is a powerful historical drama. It focuses on the working-class women who played a pivotal role in the fight for the right to vote. Carey Mulligan stars as Maud. She is an ordinary woman whose journey of radicalization reflects the courage of countless suffragettes. These brave women risked everything in the struggle for equality. With its unflinching portrayal of the movement’s violent tactics, Suffragette highlights activism’s personal cost. It is both an emotional and inspiring watch. Viewers are asked to consider the sacrifices behind societal progress.

Next, delve into the gripping modern adaptation of Shakespeare’s Coriolanus (2011). Ralph Fiennes directs and stars in this tense political thriller. The film transports the Bard’s tale of war and betrayal to a contemporary setting. Fiennes portrays a proud and unyielding general. His tragic downfall stems from an inability to connect with the people he serves. Urban warfare forms the backdrop of this adaptation. It resonates powerfully with present-day themes of populism. It also highlights the dangers of unchecked authority.

Finally, there’s The Undercover Police Scandal: Love and Lies Exposed. This investigative documentary series exposes the shocking emotional toll and ethical dilemmas of undercover policing tactics. The first episode highlights the harrowing stories of individuals deceived by covert operatives. It focuses on the profound impact of these betrayals on their personal lives. It’s a deeply unsettling yet essential exploration of authority and trust, revealing a hidden world that demands public scrutiny.

If you’re in the mood for historic justice, you’ll find it. Prefer Shakespearean drama? There is something for you too. This week’s Culture Vulture even features a hard-hitting exposé. It offers something for everyone. Be sure to check out these standout picks that challenge and captivate in equal measure!

Saturday 1st of March 2025

Elkie Brooks At The BBC (BBC1, 8.30pm)

A retrospective of one of Britain’s greatest yet often overlooked vocalists. This documentary features performances spanning decades. It highlights how Elkie Brooks evolved from a rock and blues singer to a powerhouse of jazz and pop. Despite her undeniable talent, she never quite received the industry recognition afforded to male contemporaries.

Brooks’ career is a story of perseverance. She has faced a music business that has often been unkind to women. This is especially true for those who age out of its commercial spotlight. Her voice has remained timeless. It is rich with the experience of someone who has lived through the highs and lows of the industry.

This collection of BBC performances is a reminder of an artist whose music endures, even as the industry moves on. It’s also a reflection. The British music scene often fails to properly honour its homegrown talent. This recognition typically comes much later in the artists’ lives. I recently had the pleasure of listening to Elkie on BBC Radio 2’s Piano Room. Her voice is as powerful as ever.

Elkie: Sight And Sound In Concert (BBC1, 9.35pm)

This special captures Brooks at her prime, performing some of her most iconic songs in a live setting. Unlike today’s auto-tuned, overproduced performances, this concert is a testament to the power of raw vocal ability and genuine musicianship.

Brooks’ performance style is intense yet effortless, displaying her ability to move between genres while keeping her signature emotional depth. Songs of love, heartbreak, and personal struggle take centre stage, performed with an authenticity rarely seen in modern pop music.

For long-time fans, this is a nostalgic gem. For newcomers, it’s an introduction to an artist whose voice deserves to be remembered alongside the greats.

Elkie Brooks In Concert 1987 (BBC1, 10.35pm)

A live performance from the late ’80s, this concert showcases Brooks at a transitional moment in her career. By this point, she had cemented her reputation as one of Britain’s finest vocalists, yet mainstream success remained frustratingly elusive.

Performing with a full band, Brooks blends jazz, rock, and blues influences effortlessly. The show highlights her vocal prowess. It also emphasizes her commanding stage presence. This aspect has often been overlooked in discussions about British music legends.

A reminder of an artist. Despite not always getting the attention she deserved, she remained a singular talent. She consistently delivered emotionally charged and musically sophisticated performances.

Prey (2022) (C4, 9.20pm)

Prey strips back the Predator franchise to its primal roots. It replaces the typical military hero with Naru, a young Comanche woman. She must outthink and outlast the alien hunter. This change in perspective reinvigorates the series, shifting the narrative from brute strength to strategy, patience, and adaptability.

The film’s themes extend beyond the survival thriller. Prey is a metaphor for colonial arrogance. It mirrors the way European invaders dismissed Indigenous knowledge and underestimated those they sought to conquer. The Predator, like those colonisers, assumes itself superior, but Naru’s understanding of her environment becomes her greatest weapon.

The decision to release the film with a Comanche-language dub is significant. It marks one of the first major Hollywood films to treat Indigenous representation with genuine care. This is rather than mere tokenism. Prey is not just a great action film. It’s an important step ahead in how stories about the past are told. It also impacts how stories about the future are narrated.

Sicario (2015) (BBC1, 12.30am)

A brutal and unflinching look at the US-Mexico drug war. Sicario follows an idealistic FBI agent. She is thrust into a world where morality is blurred beyond recognition. She soon realises that the war on drugs isn’t about stopping crime—it’s about managing and maintaining power.

The film’s suffocating cinematography and tense, minimalist storytelling expose the reality of militarised policing. The supposed “good guys” are indistinguishable from the criminals they claim to fight. The US government is not an arbiter of justice. Instead, it is a manipulative force. It is willing to use any means necessary to maintain dominance.

Benicio del Toro’s enigmatic character, Alejandro, embodies this moral decay—a man so consumed by revenge that justice becomes irrelevant. Sicario forces viewers to confront the uncomfortable truth that institutions thrive on conflict rather than resolution.

Sunday 2nd of March 2025

Suffragette (2015) (Film4, 6.50pm)

Unlike many historical films, Suffragette does not focus on the famous leaders of the movement. It focuses on the working-class women who carried the fight. Carey Mulligan’s Maud is an ordinary woman. Her gradual radicalisation mirrors the real experiences of countless suffragettes. They risked everything for a future they might not live to see.

The film doesn’t shy away from the movement’s violent tactics. Bombings, arson, and hunger strikes are shown as acts of desperation. These acts were against a system that refused to listen. Today’s history books celebrate the suffrage movement. However, Suffragette reminds us that these women were criminalised, brutalised, and dismissed as terrorists in their own time.

With strong performances and a deeply emotional core, the film is compelling. It forces us to ask: how much of today’s progress was truly “granted” by the establishment? How much was taken by force?

Mark Kermode’s Oscar Winners (BBC4, 7pm)

Mark Kermode breaks down the major Oscar-winning films of the past. He examines not just their artistic merit but also the wider cultural impact. He looks at the political impact they had. A fascinating look at how Hollywood chooses which stories deserve recognition—and which ones don’t.

Nick Cave: This Much I Know To Be True (Sky Arts, 10.55pm)

is an evocative and deeply personal documentary that transcends the typical boundaries of music-focused films. It serves as a creative chronicle. It is also a raw exploration of human resilience. The film delves into themes of grief, reinvention, and the healing potential of art.

The documentary is set against the backdrop of Nick Cave’s transformative journey following the tragic loss of his son. This devastating event has profoundly shaped his music, which now carries an unparalleled depth, moving toward rawer, more spiritual expressions. The film captures this evolution. It offers an intimate glimpse into the artist’s world. He processes his pain and channels it into his creative work.

The film does not center on the mechanics of the music industry. Rather, it focuses on universal human experiences. It presents creativity as a means to cope with loss. Through candid moments, poignant performances, and reflective interviews, it paints a portrait of Cave as an artist. He navigates the intersection of sorrow and hope. He finds meaning through his art.

This Much I Know to Be True is not just a documentary. It is a testament to the power of creativity as a tool for understanding and overcoming grief. It’s a film that resonates on a deeply human level, celebrating the courage to transform tragedy into profound, transformative beauty.

Glory (1989) (Film4, 11.45pm)

This is a historical war film. It tells the true story of the 54th Massachusetts Infantry Regiment. It was one of the first Black regiments in the American Civil War. Despite fighting for the North, these men are still treated as second-class citizens, their sacrifices often unrecognised.

Denzel Washington’s Oscar-winning performance is a highlight. He portrays a soldier who understands that the fight for equality will not be over, even in victory. The film’s final battle sequence is devastating. This is not just because of the brutality of war. It is also tragically ironic. The men leading the charge may never see the justice they fought for.

Glory is not just a war film. It is a statement on who gets to be remembered in history. It is also about who is erased. It remains as relevant now as ever.

Monday 3rd of March 2025

The Last Duel (2021) (Film4, 9pm)

Ridley Scott’s The Last Duel explores power, truth, and gender in a way that feels disturbingly relevant today. The story is set in medieval France. It tells the tale of Marguerite de Carrouges. She accuses a powerful man of rape. This leads to the last legally sanctioned duel in history.

The film is structured in three parts, showing the same events from different perspectives. The first two—told from the viewpoints of the men—distort reality to fit their egos. Only Marguerite’s account, painful and brutally honest, rings true. This storytelling choice exposes how history has always been shaped by those in power.

The final duel is visually spectacular, but the film’s real power lies in its aftermath. Marguerite’s survival does not bring her justice—just a different struggle. A sharp indictment of how women’s voices have been silenced for centuries.

Israel And The Palestinians (two of three) (BBC2, 9pm)

The second episode of Israel and the Palestinians continues its in-depth exploration. It examines one of the most enduring and complex conflicts in modern history. This installment delves into the intricate web of diplomacy, failed peace talks, and the human cost of the ongoing crisis. The documentary takes a meticulous approach. It examines pivotal moments in the conflict. It offers insights from key political figures, diplomats, and those directly affected. The narrative is both sobering and enlightening. It sheds light on the challenges of achieving peace in a region fraught with historical grievances and geopolitical tensions.

What sets this episode apart is its balanced presentation of perspectives. The filmmakers have gone to great lengths to include voices from all sides, creating a nuanced portrayal of the conflict. The episode highlights the complexities of negotiation through interviews with Israeli and Palestinian leaders. It also features conversations with international mediators. The deep-seated mistrust often derails progress. Archival footage provides emotional weight. Personal testimonies remind viewers of the human lives at the heart of the political struggle.

This episode serves as a reminder of the fragility of peace. It highlights the resilience of those who continue to hope for a resolution. It does not shy away from the harsh realities of the conflict. It also underscores the potential for understanding and reconciliation. Israel and the Palestinians offers a compelling viewing experience. It presents the historical aspects of the issue. It also shows the contemporary dimensions. It is thought-provoking and encourages reflection on the broader implications of the crisis.

Oscars Highlights (ITV1, 10.45pm)

A glittering showcase of Hollywood’s finest combines the glamour of the red carpet with profound reflections. It provokes thought on the industry’s influence on global storytelling. The ceremony dazzles with wealth and celebration. However, it also prompts important questions about representation. We must consider which voices are heard and which are excluded from the narratives we celebrate.

This year’s Oscars showcase a diverse array of films, each contributing unique perspectives to the cinematic landscape. Emilia Pérez leads with an impressive 13 nominations. These include Best Picture and a historic Best Actress nod for Karla Sofía Gascón. The thought-provoking The Brutalist and the vibrant Wicked are other notable contenders. Each has 10 nominations. Compelling entries like Anora and A Complete Unknown also stand out. These films highlight the expanding diversity in storytelling. They also underline the ongoing challenges in creating an equitable platform for all voices.

As the awards are handed out, Oscars Highlights encourages viewers to think critically about Hollywood’s role in shaping cultural narratives. The night celebrates artistic achievements. It also reflects the inequalities within the industry. This challenges audiences to consider how we define and reward greatness in storytelling. Beyond the glitz and glamour, the show reflects broader struggles. It mirrors the quest for authenticity in global cinema.

The Death Of Stalin (2017) (BBC1, 11.55pm)

Armando Iannucci’s The Death of Stalin is a masterful political satire that walks the fine line between absurdity and horror. The film is set in the chaotic days following the sudden demise of Joseph Stalin in 1953. It turns a brutal period of history into dark comedy. The movie exposes the paranoia, incompetence, and opportunism of authoritarian rule. The characters scramble over each other in their frantic bids for power. Yet, the film never lets the audience forget the deadly stakes. Decisions made in smoky rooms determine who lives and who disappears forever.

What makes The Death of Stalin so compelling is its ability to highlight the sheer absurdity of totalitarianism. Every scene is infused with an unsettling mix of humour and menace. Stalin’s ministers awkwardly step over his body, terrified to be the first to acknowledge he is dead. There are also desperate attempts to rewrite history even as it unfolds. Power in such regimes is not about ideology or governance but about survival. Figures like Steve Buscemi’s Nikita Khrushchev are caught in a loop of constant betrayal. Simon Russell Beale’s monstrous Lavrentiy Beria also engages in these treacherous acts. They know that any misstep could lead to execution.

Beneath the sharp dialogue and comedic timing, the film carries a serious message. Authoritarianism doesn’t just rely on violence. It thrives on fear, loyalty tests, and the erasure of truth. The film’s final moments show Khrushchev consolidating power in an eerily similar manner to his predecessor. This makes it clear that tyranny isn’t about individuals. It is about systems that allow such rule to continue. The Death of Stalin is not just a historical farce. It chillingly reminds us of how power operates. History repeats itself when those in control focus on self-preservation more than justice.

Tuesday 4th of March 2025

Seeking Satoshi: The Mystery Bitcoin Creator (one of two) (C4, 10pm)

Bitcoin has long been hailed as a financial revolution, but its origins remain shrouded in secrecy. This documentary attempts to uncover the true identity of Satoshi Nakamoto, the pseudonymous figure credited with inventing Bitcoin.

The first episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) embarks on a fascinating journey. It investigates the enigmatic origins of Bitcoin, the revolutionary cryptocurrency. Bitcoin has transformed the financial world. Journalist Gabriel Gatehouse leads this documentary. It explores the mystery surrounding Satoshi Nakamoto. He is the pseudonymous figure credited with creating Bitcoin. The episode uses investigative reporting and compelling storytelling. It explores the cultural and economic impact of Bitcoin. It also questions the true identity of its elusive creator.

The episode takes viewers to a mega Bitcoin gathering in Miami. It reveals the cryptocurrency’s political ambitions. It also uncovers its ideological underpinnings. It raises thought-provoking questions about the promises of decentralization and financial freedom. These are juxtaposed with the realities of inequality and unaccountability that have emerged in the crypto world. The documentary skillfully balances technical insights with human stories, making it accessible to both crypto enthusiasts and newcomers alike.

What makes this episode particularly engaging is its ability to weave together the technical, cultural, and philosophical dimensions of Bitcoin. It challenges viewers to ask an important question. Does Bitcoin remain a radical alternative to traditional financial systems? Or has it been co-opted by the very institutions it sought to disrupt? Seeking Satoshi possesses investigative depth. Its captivating narrative sets the stage for a gripping exploration of one of the most intriguing mysteries in modern technology.

Coriolanus (2011) (BBC2, 11.05pm)

This modern reimagining of Shakespeare’s Coriolanus transforms the classic tale of war and political betrayal into a contemporary thriller. Ralph Fiennes directs and stars as the titular general. He is revered for his military prowess. Yet, he is despised for his inability to connect with the people.

The film’s urban warfare setting, complete with news broadcasts and riot police, makes it feel eerily relevant. It explores the dangers of unchecked power. It examines the manipulation of populism. It shows how the public’s favour can shift with alarming speed. Coriolanus is a man who sees himself above the masses. His downfall comes not from his enemies but from his failure to understand the people he claims to protect.

The film forces us to think on modern politics. Leaders who refuse to engage with ordinary citizens often find themselves cast out. This is not because they are unworthy. It is because the system demands a balance of power and perception. A striking and intense adaptation that proves Shakespeare’s themes stay timeless.

No Other Land (2024) (C4, 11.15pm)

This powerful documentary captures the reality of Palestinian displacement from the perspective of those experiencing it firsthand. Mainstream Western coverage often dilutes the urgency of the situation. No Other Land refuses to sanitize the brutal destruction of homes. It highlights the forced removal of entire communities.

Filmed by Palestinians on the ground, the documentary doesn’t just present statistics. It shows the human impact of occupation. It highlights the loss of cultural heritage. It demonstrates the resilience of people who refuse to be erased. The film raises pressing questions about international complicity and why certain narratives are amplified while others are suppressed.

For those who rely on corporate media for news, No Other Land provides an essential viewpoint. It offers an unfiltered perspective on one of the most pressing humanitarian crises of our time.

Wednesday 5th of March 2025

Nightmare Alley (2021) (Film4, 9pm)

Guillermo del Toro’s Nightmare Alley is a slow-burning, psychological noir that explores the thin line between ambition and self-destruction. The story follows Stanton Carlisle (Bradley Cooper), a drifter who learns the tricks of mentalism. He manipulates his way into high society. Eventually, his own arrogance leads to his downfall.

Unlike traditional noir films, Nightmare Alley presents its protagonist as both the conman and the mark. Stanton believes he can outwit everyone. In reality, he is simply another player in a system that devours those who reach too far. His journey is a cautionary tale about power and deception. It illustrates the inevitable downfall of those who believe they can cheat fate.

The film’s haunting visuals and chilling performances make it a gripping watch. However, its deeper message is more unsettling. Society itself is built on cons. Those at the top are simply the ones who have mastered the game for longer than others.

A Cruel Love: The Ruth Ellis Story (ITV1, 9pm)

Ruth Ellis was the last woman to be hanged in Britain. Her case remains one of the most controversial in legal history. This documentary examines her trial and execution. It questions whether justice was truly served. It also questions if Ellis was a victim of a system. The legal system refused to acknowledge domestic abuse as a mitigating factor.

The film provides context on how gender, class, and outdated legal standards shaped her fate. Now, discussions on coercive control and domestic violence have evolved. In this context, Ellis’ case feels even more tragic. She was punished not just for a crime, but for daring to defy societal expectations.

By revisiting Ellis’ story, this documentary forces us to ask how much the justice system has really changed. It also questions whether the law still fails those who need it most.

Seeking Satoshi: The Mystery Bitcoin Creator (two of two) (C4, 10pm)

The second episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) delves deeper into the enigma surrounding Bitcoin’s origins. It explores the conspiracy theories and controversies that have emerged over the years. Journalist Gabriel Gatehouse continues his investigation. He uncovers new leads and encounters warnings from veteran hackers. They suggest that the truth about Satoshi Nakamoto might be too dangerous to pursue.

This episode broadens the scope of the mystery. It examines whether Bitcoin was the work of a lone genius or a collective effort. It even entertains the possibility of government involvement. It also highlights the darker side of Bitcoin’s legacy. This includes its use in dark web markets. It also involves its role in financial speculation. These elements raise critical questions. Does Bitcoin still represent the ideals of freedom and decentralization? Or has it become another tool for exploitation and inequality?

With its mix of investigative journalism and philosophical inquiry, the episode challenges viewers. It encourages consideration of the broader implications of Bitcoin’s creation. The episode also examines its impact on the world. It’s a gripping continuation of the series. It blends intrigue with a thought-provoking exploration of the intersection between technology, power, and human ambition.

Thursday 6th of March 2025

The Wicked Lady (1945) (Talking Pictures, 10.50am)

A rebellious and provocative film for its time, The Wicked Lady tells the story of a noblewoman. She defies societal norms by leading a double life as a highway robber. Margaret Lockwood’s performance is electric, turning the character into an anti-hero who refuses to accept the constraints imposed on women.

The film explores morality. It makes audiences sympathise with a thief. The film questions who truly has the right to wealth and power. Although made in the 1940s, its themes of female independence and resistance against rigid social expectations remain strikingly relevant.

Beneath the costume drama, The Wicked Lady is a sharp critique of gender roles and the hypocrisy of aristocratic society. A daring and subversive classic.

The Undercover Police Scandal: Love And Lies Exposed (one of three) (ITV1, 9pm)

The first episode of The Undercover Police Scandal: Love and Lies Exposed (ITV1, 9pm) unveils a deeply unsettling narrative. The story is full of deception and betrayal. It focuses on the lives of individuals who were profoundly affected by covert operations. Through intimate interviews and detailed accounts, the documentary exposes the hidden practices of a secretive unit. It reveals the far-reaching consequences of their actions on personal lives. It also shows the impact on trust.

This episode highlights the intricate dynamics of power and control, as it explores how relationships were manipulated under false pretenses. The stories of those who were deceived are both harrowing and courageous. They recount their journeys of uncovering the truth. They also seek accountability. The documentary does not shy away from exposing the emotional toll. It reveals the long-lasting scars left by these actions. It offers a poignant look at the resilience of those who refused to stay silent.

The episode weaves together personal testimonies and investigative findings. It challenges viewers to think about the boundaries of authority. It also explores the ethical dilemmas that arise when those boundaries are crossed. It’s a compelling start to a series. The series promises to delve even deeper into the complexities of these hidden operations. It will also explore their impact on society.

Friday 7th of March 2025

High Noon (1952) (GREAT!action, 8pm)

On the surface, High Noon is a classic Western about a lone sheriff preparing for a gunfight. But beneath the action, it is a scathing critique of cowardice and conformity. The town’s people, rather than standing against injustice, find excuses to avoid responsibility.

Seen as an allegory for the McCarthy-era witch hunts, High Noon is not focused on heroism. Instead, it highlights the failures of those who choose silence over resistance. It remains a powerful reminder of how easily injustice flourishes when people turn a blind eye.

Event Horizon (1997) (Film4, 11.15pm)

Event Horizon, a sci-fi horror film, delves deeply into the multidimensional consequences of unchecked ambition. Socially, it examines the human drive to explore and dominate the unknown. This reflects the age-old pursuit of progress. Often, progress comes at the expense of ethics and humanity. Politically, it mirrors the Cold War-era space race. During this time, nations pushed the boundaries of space exploration in a quest for supremacy. This reflects the real-world tension and competition between superpowers.

Economically, the film hints at the massive investments required for such space missions. It also touches on the resource allocations necessary. The film questions whether the potential rewards are worth the risks. This notion is particularly resonant in today’s context of space commercialization, where private corporations race to exploit extraterrestrial resources.

Psychologically, Event Horizon explores the terror of the unknown. It delves into the profound impact of isolation and existential dread on the human psyche. The spaceship’s return is now a harbinger of horror. It symbolizes the unforeseen and often catastrophic consequences of pushing beyond human limits. These occur without considering the mental and emotional toll on those involved.

Event Horizon serves as a chilling reminder. Humanity might pay a price for its relentless quest to conquer the cosmos.

Streaming Choices

Walter Presents: The Mantis (All six episodes on Channel 4 streaming from Friday 7th of March 2025)

When a copycat killer strikes in France, police turn to the original murderer for help. A gripping crime drama that exposes corruption, power struggles, and moral compromises.

The First Emperor Of China (Available from Thursday 6th of March on History Hit)

A historical deep dive into how one man unified a nation, but at immense human cost.

The Real Ruth Ellis (Available from Wednesday 5th of March 2025 on ITVX)

A fresh look at Britain’s most infamous execution case, exploring new evidence. Worth watching alongside the new drama about her this week, A Cruel Love.

Picture credits

Elkie Brooks At The BBC
Elkie: Sight And Sound In Concert
Elkie Brooks In Concert 1987
By kitmasterbloke – https://www.flickr.com/photos/kitmasterbloke/49233655996/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=97277764
Prey (2022)
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Sicario (2015)
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Suffragette (2015)
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Mark Kermode’s Oscar Winners
By Julie Edwards – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=132623664
Nick Cave: This Much I Know To Be True
By Raph_PH – https://www.flickr.com/photos/raph_ph/51427635149/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=109766405
Glory (1989)
By TriStar Pictures – Impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=13532520
The Last Duel (2021)
By http://www.impawards.com/2021/last_duel_ver6.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68281500
Israel And The Palestinians (two of three)
Illustration from KollectivFutur with permission
Oscars Highlights
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The Death Of Stalin (2017)
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Seeking Satoshi: The Mystery Bitcoin Creator (one of two)
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Coriolanus (2011)
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No Other Land (2024)
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Nightmare Alley (2021)
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A Cruel Love: The Ruth Ellis Story
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The Wicked Lady (1945)
High Noon (1952)
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Event Horizon (1997)
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I’m Still Here: A Story of Resilience Against Oppression By Patrick Harrington

February 25, 2025 at 7:15 pm · Filed under Film & DVD Reviews ·Tagged , , , , , , , , , ,

765 words, 4 minutes read time.

Walter Salles’ I’m Still Here is a haunting exploration of loss. It delves into resilience. The story is set against the brutal backdrop of Brazil’s military dictatorship (1964–1985). The film follows Eunice Paiva. Fernanda Torres portrays her with exceptional depth. Eunice struggles to hold her family together after the disappearance of her husband. Rubens Paiva was a political activist taken by the regime. With no certainty about his fate, Eunice must navigate an oppressive and dangerous landscape. She also has to ensure the safety of her children.

The film has been met with widespread acclaim. It is praised for its unflinching depiction of authoritarian brutality. The film’s intimate focus is on one family’s suffering. Critics have highlighted Torres’ performance as “stoic” and “compelling,” commending her ability to convey quiet strength and heartbreak at once. I’m Still Here has performed well in art-house circuits. It has also gained recognition at international festivals. The film received nominations for Best Foreign Language Film at major European film awards.

Fernanda Torres delivers a phenomenal performance, embodying Eunice’s resilience and heartbreak with remarkable nuance. Her portrayal captures the suffocating fear of a mother trying to protect her children. She grieves a husband who may never return. One particularly moving scene shows Eunice desperately searching government offices for information on Rubens. She is met with silence and veiled threats. This moment encapsulates both the systematic cruelty of the dictatorship and her growing despair. Selton Mello gives a heartbreaking turn as Rubens Paiva. The Paiva children, portrayed by Valentina Herszage, Maria Manoella, Bárbara Luz, Gabriela Carneiro da Cunha, and Luiza Kosovski, bring depth and authenticity. They capture the confusion and terror of growing up in an era of repression.

Salles’ directing style is understated yet deeply effective, allowing the story to unfold organically without unnecessary embellishments. His use of long takes immerses the viewer in Eunice’s psychological turmoil. Tight close-ups make every moment feel personal and immediate. Walter Carvalho’s cinematography is striking. It blends archival footage with evocative interiors. These shadowed interiors show the paranoia of the time. Scenes of streets punctuated by the looming presence of soldiers reinforce the omnipresent threat of state violence. The film’s score, composed by Warren Ellis, is restrained but powerful. Sparse piano notes and melancholic strings underscore the tension. They never overpower the performances. Instead, they heighten the sense of loss and endurance. One particularly memorable sequence features a sorrowful yet defiant rendition of Pra Não Dizer Que Não Falei das Flores. It is a protest song banned by the military regime. This adds an extra layer of resistance to the narrative.

Beyond its personal narrative, I’m Still Here serves as a stark reminder of the systemic cruelty of Brazil’s military regime. The film masterfully portrays the arbitrary and extrajudicial nature of the dictatorship. It includes harrowing scenes of checkpoints, home invasions, and torture. These elements paint a grim picture of the era. One of the film’s most striking moments comes when press photographers make a request. They ask that the family refrain from smiling in a photo. In defiance, Eunice insists that they smile. She transforms a moment of surveillance into an act of quiet resistance. It is a refusal to let the dictatorship dictate their grief. Salles’ direction ensures that the broader historical narrative never overshadows the intimate struggles of the Paiva family. He focuses on their pain, love, and defiance. This personalizes the impact of the dictatorship in a way that is deeply human. It is profoundly affecting. The contrast is evident between the sterile government offices. In these spaces, Eunice pleads for information. In contrast, the warm, cluttered home holds memories of Rubens. This stark comparison serves as a powerful metaphor for the intrusion of the state into private life.

The dictatorship’s crimes were often buried under layers of bureaucracy. They were also buried under silence. Eunice’s quest for answers represents thousands of similar stories. In today’s context, I’m Still Here forces the audience to confront how societies reckon with past atrocities. It also highlights the ongoing fight for truth and reconciliation. It is a deeply moving tribute to family resilience in the face of oppression. The film focuses on the intimate struggles of the Paiva family. This focus ensures that the weight of history is felt on a deeply human level. Walter Salles delivers not just a political film but an emotionally rich story of love, loss, and quiet defiance. This film stays in your mind long after the credits roll. It is a testament to the power of cinema to illuminate the darkest chapters of history.

By Pat Harrington

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Culture Vulture 22nd to the 28th of February 2025

February 21, 2025 at 6:48 pm · Filed under Film & DVD Reviews, TV Shows ·Tagged , ,

3,833 words, 20 minutes read time.

Welcome to this week’s edition of Culture Vulture, your entertainment guide from an alternative standpoint. We’re delighted to bring you a curated selection of thought-provoking films, documentaries, and television programmes that challenge the norm and offer fresh perspectives on the world around us.

In this edition, we’ve got a fantastic line-up of content that spans various genres and themes, each chosen to inspire, entertain, and spark meaningful conversations. As always, our writing is brought to you by Pat Harrington, with music by the talented Tim Bragg.

Here are three highlights from this week’s picks:

  1. The Godfather Coda: The Death of Michael Corleone (2020) – Film4 9pm A re-edit of the third installment of the Godfather series, offering a more focused narrative that delves into the consequences of Michael Corleone’s actions and his quest for redemption.
  2. Dope Girls (one of six) – BBC1 9.15pm A gripping drama based on the true story of young women who become entangled in the world of drug trafficking during the early 20th century, shedding light on the societal pressures and economic hardships that drive their choices.
  3. Nomadland (2020) – Film4 6.50pm This critically acclaimed film follows a woman who, after losing everything in the Great Recession, embarks on a journey through the American West, living as a modern-day nomad and exploring themes of resilience and community.

We hope you enjoy this week’s selection and find something that resonates with you. Stay tuned for in-depth reviews, insightful commentary, and more from Culture Vulture

Saturday 22nd of February 2025

The Banshees of Inisherin (2022) – C4 9.15pm The film is set against the backdrop of a remote Irish island. “The Banshees of Inisherin” tells the story of two lifelong friends. They are played by Colin Farrell and Brendan Gleeson. The friends find themselves in a sudden and unexplained feud. The film’s dark humour and rich character development explore the intricacies of human relationships and the deep impact of isolation. As the narrative unfolds, viewers are drawn into the emotional turmoil and the unforeseen consequences of a seemingly trivial disagreement. The film masterfully captures the bleak beauty of the Irish landscape. It serves as a poignant metaphor for the characters’ inner struggles.

Whisky Galore! (1949) – BBC2 1pm A quintessential British comedy, “Whisky Galore!” is inspired by the true story of a Scottish island community. The community endeavours to salvage a shipwrecked cargo of whisky during World War II. The film’s lighthearted approach masks a deeper commentary on the resilience and ingenuity of people in the face of scarcity. The community’s efforts to outwit the authorities and secure the whisky are remarkable. They serve as a testament to the human spirit. This pursuit of joy continues even in the darkest times. The film’s charm lies in its portrayal of the characters’ camaraderie. It also subtly critiques the bureaucratic systems they navigate.

Passport to Pimlico (1949) – BBC2 2.20pm This delightful Ealing comedy takes viewers to a London district. The residents discover an ancient document that declares them part of French territory. The ensuing chaos offers a humorous yet insightful look at issues of identity, community, and the absurdities of bureaucratic regulations. The film’s clever script and engaging performances highlight the absurdity of arbitrary borders and the power of local solidarity. As the residents navigate their newfound ‘independence,’ the story underscores the importance of community cohesion. It shows the lengths people will go to defend their way of life.

Howards End (1992) – Film4 3.20pm An adaptation of E.M. Forster’s novel, “Howards End” delves into the intersecting lives of three families in early 20th century England. The film examines the class divisions caused by industrialization. It also discusses societal shifts. It highlights the personal and moral dilemmas faced by its characters. The narrative weaves together themes of inheritance and property. It also explores the struggle for personal fulfillment. This all occurs against the backdrop of a changing social landscape. The film’s nuanced performances and lush cinematography bring Forster’s intricate exploration of human relationships and societal norms to life.

The Godfather Part 2 (1974) – Film4 9pm. This critically acclaimed sequel continues the saga of the Corleone family. It juxtaposes the origins of Vito Corleone with the rise of his son Michael. Through its intricate narrative structure, the film explores themes of loyalty, power, and the corrupting influence of ambition. The contrast between Vito’s humble beginnings and Michael’s ruthless consolidation of power highlights the complex dynamics of family. It also emphasizes the moral costs of their choices. The film’s masterful direction and performances have solidified it as a landmark in cinematic history.

Godland (2022) – BBC4 10.40pm “Godland” takes place in the unforgiving landscapes of Iceland. It follows a Danish priest’s journey to set up a church in a remote region. The film explores the tension between faith and nature, as well as the limits of human endurance and ambition. The stark beauty of the Icelandic terrain is more than just a backdrop. It serves as a character in the narrative. This reflects the priest’s inner turmoil and the challenges he faces. The story delves into the complexities of missionary work and the cultural clashes that arise when ideals confront harsh realities.

Sunday 23rd of February 2025

Fleetwood Mac At The BBC – BBC2 8pm. This nostalgic programme takes viewers on a journey. It explores Fleetwood Mac’s performances at the BBC. It showcases their musical evolution. The personal dynamics that shaped their enduring appeal are also highlighted. The programme offers rare insights into the band’s creative process and the moments that defined their legacy. Viewers gain a deeper appreciation of Fleetwood Mac’s artistic journey. They also learn about the personal stories behind their iconic music from archival footage and interviews.

Fleetwood Mac’s Songbird: Christine McVie – BBC2 9.25pm This documentary celebrates the life and career of Christine McVie, one of Fleetwood Mac’s key members. The film features interviews with bandmates, friends, and McVie herself. It explores her contributions to the band. It also examines her influence on the music industry. The documentary highlights McVie’s songwriting prowess and her unique voice, offering a heartfelt tribute to her enduring legacy. The narrative delves into her personal and professional challenges. It paints a comprehensive portrait of an artist whose work has resonated with generations.

Fleetwood Mac: The Dance – BBC2 10.55pm “Fleetwood Mac: The Dance” captures the band’s 1997 reunion tour. It showcases their timeless music. The film reveals the chemistry that has kept them together for decades. The concert film features electrifying performances of their greatest hits. It includes behind-the-scenes footage. This footage reveals the personal dynamics within the band. The film celebrates the enduring appeal of Fleetwood Mac’s music and their ability to connect with audiences across generations. It is a testament to their resilience and the enduring power of their artistic collaboration.

Fleetwood Mac: A Musical History – BBC2 12. 40am This programme offers an in-depth exploration of Fleetwood Mac’s storied career. It traces their journey from a blues band to rock legends. The documentary examines the personal and professional challenges they faced. It offers insights into the band’s evolution. It highlights the music that defined them. The film uses interviews and archival footage. It explores the creative process behind their most iconic albums. The tumultuous relationships fueled their artistry.

The Godfather Coda: The Death of Michael Corleone (2020) – Film4 9pm. This re-edit of the third installment of the Godfather series offers a more focused narrative. It delves into the consequences of Michael Corleone’s actions. The film explores his quest for redemption. The film revisits the life of an aging Michael Corleone. He is determined to sever his ties with the criminal underworld. He wants to legitimize his family’s business. However, he struggles to protect his legacy. While seeking absolution, he becomes entangled in a web of power, betrayal, and violence.

The film masterfully juxtaposes Michael’s internal turmoil with the external threats he faces. It highlights the psychological toll of his past deeds. Michael grapples with his guilt. He attempts to make amends. The film raises questions about the possibility of redemption. It also considers the cost of power. The intricate relationships and power dynamics within the Corleone family add depth to the narrative. These elements emphasize the complexities of loyalty. They also highlight ambition and morality.

Throughout the film, the themes of corruption are explored with nuance. The consequences of one’s choices are also examined. This makes it a compelling and thought-provoking conclusion to the Godfather saga. The re-edit enhances the storytelling, providing a more cohesive and impactful experience for viewers.

Dope Girls (one of six) – BBC1 9.15pm “Dope Girls” is a gripping drama. It is based on the nonfiction book Dope Girls: The Birth of the British Drug Underground (1992) by Marek Kohn. The series follows the lives of young women entangled in drug trafficking during the early 20th century. Set against the backdrop of a rapidly changing society, the series sheds light on the challenges these women face. They navigate a world filled with danger and deception. The series paints a vivid picture of the societal pressures and economic hardships that drive their choices. It offers a poignant exploration of their struggles and resilience.

The characters grapple with their circumstances. The series explores how their actions affect their relationships. It also examines the impact on their communities. Ambition, survival, and morality come together in a complex interplay. This interplay adds depth to the narrative. It highlights the difficult choices these women must make. The portrayal of their lives offers a window into a world with limited opportunities. The consequences of their actions are profound.

“Dope Girls” is not simply a story about crime. It is a nuanced exploration of the human condition. The series provides insight into the motivations and emotions of its characters. The series challenges viewers to consider the broader implications of the characters’ actions. It also encourages reflection on the societal factors that shape their lives.

All The President’s Men (1976) – BBC2 10pm This political thriller recounts the investigation into the Watergate scandal. Journalists Bob Woodward and Carl Bernstein led this investigation. The film follows their relentless pursuit of the truth. They uncover a web of corruption and deceit. This web reaches the highest levels of government. The film highlights the importance of a free press and the role of journalism in holding those in power accountable.

The film explores how Woodward and Bernstein navigate the complexities of their investigation. It examines the personal challenges they face. It also delves into the professional difficulties they face. The film’s portrayal of their determination is strong. Their integrity serves as a powerful reminder of the vital role of journalism in a democratic society. The tension and suspense build. The journalists uncover more damning evidence. This underscores the stakes involved in their quest for justice.

The film also offers a critique of the abuse of power and the impact of corruption on society. “All The President’s Men” uses detailed and immersive storytelling. It explores the pursuit of truth. The film highlights the importance of transparency and accountability in governance.

After Love (2020) – BBC2 12.15am “After Love” is a poignant drama. It follows the journey of Mary Hussain. After the sudden death of her husband, she discovers his secret life. She grapples with the complexities of love and betrayal. Set in the coastal town of Dover, the film provides a nuanced portrayal of grief. It also explores self-discovery as Mary unravels the truth about her husband’s hidden existence.

The film delves into the emotional turmoil Mary feels. She confronts the reality of her husband’s actions. This impacts her sense of self. The narrative explores the themes of identity, loyalty, and the search for meaning in the face of loss. As Mary navigates her way through the revelations, the film highlights the resilience. It also highlights the strength needed to rebuild one’s life after a profound betrayal.

“After Love” is a deeply moving exploration of the human heart and the complexities of relationships. The film’s introspective and empathetic approach provides a thought-provoking and emotionally resonant viewing experience.

Monday 24th of February 2025

Nomadland (2020) – Film4 6.50pm This critically acclaimed film follows a woman. After losing everything in the Great Recession, she embarks on a journey through the American West. She lives as a modern-day nomad. The film stars Frances McDormand as Fern, a resilient and introspective woman who finds solace and community among fellow nomads. Through its beautifully shot landscapes, “Nomadland” captures the essence of a transient lifestyle. The film also tells an intimate story of the search for purpose and belonging. The film explores the struggles and joys of life on the road. It offers a compassionate portrayal of those who have chosen this way of life or have been forced into it. The film highlights the connections and camaraderie among the nomads. It underscores the importance of human connection in the face of economic and personal hardships.

Israel And The Palestinians: The Road To The 7th Of October (one of three). This documentary series explores the historical context. It examines the political factors of the Israeli-Palestinian conflict. It offers perspectives on the events leading up to the 7th of October. It also explores the ongoing struggle for peace and justice. The series conducts interviews with historians, politicians, and those directly affected by the conflict. These discussions give a nuanced understanding of the complexities. This approach also reveals the deep-rooted issues at play. The documentary sheds light on the human impact of the conflict, giving voice to individuals and communities on both sides. The series explores both the historical and contemporary dimensions of the conflict. It aims to foster a deeper understanding and dialogue. This is about one of the most enduring and contentious issues in modern history.

Glitter: The Popstar Paedophile – ITV1 10.45pm This documentary is harrowing. It investigates the crimes of a once-beloved popstar. The film examines the systemic failures that allowed his abuse to continue unchecked. It also reviews the impact on his victims. The film shares insights through interviews with survivors, investigators, and experts. It provides a detailed account of the long-lasting effects of abuse. The film portrays these effects compassionately. The documentary also examines how the perpetrator managed to evade justice for an extended period. It highlights the importance of accountability. The documentary also stresses the need for support for survivors. By bringing these issues to light, the film demands systemic change. It calls for greater awareness to prevent such abuses in the future. The documentary serves as a powerful reminder of the importance of vigilance and advocacy in protecting vulnerable individuals.

Corsage (2022) – Film4 11.20pm Set in the late 19th century, this film tells the story of Empress Elisabeth of Austria. She struggles against the constraints of her royal duties. She also faces societal expectations. The film, starring Vicky Krieps, offers a thoughtful exploration of identity, autonomy, and the pressures of public life. As Elisabeth navigates her roles as empress, wife, and mother, the film explores her personal struggles. It delves into her desires for freedom. The narrative highlights the tension between personal aspirations and societal expectations. It offers a poignant commentary on the limitations imposed on women in power. Through its rich historical setting, “Corsage” provides a captivating look. Nuanced character development offers an introspective view into the life of a complex and fascinating figure.

Tuesday 25th of February 2025

National Theatre Live: The Crucible – Sky Arts 9pm This is a powerful adaptation of Arthur Miller’s classic play. It examines the hysteria and injustice of the Salem witch trials. The production underscores the dangers of mass hysteria and the consequences of scapegoating. Through its compelling performances, “The Crucible” provides a searing critique of the mechanisms of fear. It also examines the impact of unfounded accusations. The play explores the human capacity for cruelty. It also addresses the moral dilemmas faced by individuals under societal pressure. These themes stay as relevant today as ever. The National Theatre’s adaptation brings new life to Miller’s work. It highlights the enduring power of the story. It also emphasizes its resonance with contemporary audiences.

Jealous Guy: The Assassination of John Lennon – Sky Documentaries 11pm This documentary offers an in-depth look. It details the events leading up to the tragic murder of John Lennon. It explores the life and mindset of his assassin. The film also examines the impact on Lennon’s legacy and the world. The film offers a comprehensive account of the fateful day. It does so through interviews with those who knew Lennon, the perpetrator, and experts. Historians also contribute to this account. The documentary delves into the complex motivations and psychological factors. These factors led to the assassination. The film offers insights into the broader implications for society and culture. The film provides a nuanced and thought-provoking exploration of one of the most shocking events in modern history. It achieves this by examining the personal and public dimensions of the tragedy.

The Eyes of Tammy Faye (2021) – Film4 11.45pm A biographical drama that chronicles the rise and fall of televangelist Tammy Faye Bakker. The film, starring Jessica Chastain, delves into the complexities of faith, ambition, and the consequences of public scrutiny. Through its empathetic portrayal of Tammy Faye, the film explores her personal struggles. Her larger-than-life persona impacts her relationships and career. The narrative highlights the tensions between personal conviction and the demands of a public life. It offers a nuanced look at the highs and lows of her journey. The film’s exploration of the intersection of religion, media, and power provides a compelling portrayal of a controversial figure. It offers a multifaceted portrait of a fascinating person.

Wednesday 26th of February 2025

No Taste Like Home – National Geographic 10pm This series explores the cultural and culinary traditions of different communities. It highlights the importance of food in shaping identity. It also fosters connections among people. Through its vivid and immersive storytelling, the programme provides a window into how food brings people together. It reflects their heritage. The series showcases the stories of individuals and families who preserve their culinary practices. It highlights their efforts to innovate these practices. This underscores the role of food in maintaining cultural continuity and adapting to changing circumstances. The programme celebrates the creativity and resilience of communities, offering a rich and varied tapestry of flavours and traditions.

Ema (2019) – C4 1am This film is a visually striking drama. It follows a young dancer’s journey of self-discovery and redemption after a devastating loss. Directed by Pablo Larraín, the film examines the intersections of art, love, and the human spirit. Ema is portrayed by Mariana Di Girolamo. She embarks on a quest to reclaim her sense of self. She finds her agency through her passion for dance. The film’s bold and dynamic visual style enhances its exploration of the protagonist’s emotional landscape. It offers a visceral and immersive experience. Through its portrayal of Ema’s struggles and triumphs, it explores themes of identity and resilience. It also delves into the transformative power of art.

Thursday 27th of February 2025

The Mission (1986) – Film4 9pm This historical epic tells the story of a Jesuit missionary. He tries to protect a remote South American tribe from colonial forces. The film is directed by Roland Joffé. It highlights the clash between indigenous cultures and colonial powers. It also explores the moral dilemmas faced by those caught in between. The narrative follows Father Gabriel. Jeremy Irons plays the role of Father Gabriel. He seeks to build a mission. He also provides sanctuary for the Guarani people. The film’s exploration of faith, sacrifice, and resistance is underscored by its stunning cinematography and powerful performances. As the characters navigate their conflicting loyalties, the film profoundly meditates on colonization’s impact. It also highlights the struggle for justice and dignity.

Friday 28th of February 2025

Disco Night – BBC4 9.05pm Experience a nostalgic journey through the disco era. The show celebrates the music, fashion, and cultural impact of the 1970s and early 1980s. The programme offers a vibrant look at a key period in popular culture. It highlights the ways in which disco music and its associated subcultures challenged societal norms. These elements reshaped societal norms. The show features interviews with musicians, DJs, and fans. It examines the lasting influence of disco on music. It also looks at how disco affected fashion and social attitudes. The programme celebrates the sense of liberation that disco culture fostered. It acknowledges the community that grew around it. This provides a lively and engaging tribute to a pivotal moment in cultural history.

Nightmare Alley (2021) – Film4 9pm It is a neo-noir psychological thriller. The film follows a charismatic but morally ambiguous carnival worker. He manipulates his way to success. Directed by Guillermo del Toro, the film explores themes of deception, ambition, and the consequences of unchecked desires. The protagonist, played by Bradley Cooper, navigates a world of intrigue. He faces danger as he seeks to exploit the vulnerabilities of those around him. The film’s rich and atmospheric visuals complement its dark and compelling narrative. This offers a gripping exploration of the human capacity for manipulation. It also delves into betrayal. Through its intricate storytelling and complex characters, “Nightmare Alley” provides a thought-provoking and immersive viewing experience.

Drive (2011) – GREAT!movies 11.20pm A stylish and intense action drama about a Hollywood stunt driver who moonlights as a getaway driver. Directed by Nicolas Winding Refn, the film explores the duality of the protagonist’s life. It examines the violent consequences of his choices. The driver, played by Ryan Gosling, is a stoic and enigmatic figure. His quiet existence is disrupted by his involvement in a heist gone wrong. The film’s minimalist dialogue and striking visuals create a tense atmosphere. They immerse the audience in the story. They also highlight the internal and external conflicts faced by the protagonist. Through its exploration of loyalty, identity, and the search for redemption, “Drive” offers a captivating and visceral cinematic experience.

And finally, streaming

Snowpiercer on ITVX

Premiering on February 23, 2025, “Snowpiercer” arrives on ITVX with all four seasons available for streaming. This small-screen spin-off is based on the cult classic 2013 movie directed by Bong Joon-Ho. The story is set in a post-apocalyptic world. It revolves around the remnants of humanity. They reside on a perpetually moving train that circles the globe. The series delves into themes of class warfare, social injustice, and survival.

The plot follows Layton Well, played by Daveed Diggs, a former detective from the train’s underclass, known as the “Tailies.” Layton becomes a key figure in a rebellion. The rebellion is against the oppressive upper-class passengers. These passengers live in luxury at the front of the train. Jennifer Connelly stars as Melanie Cavill, the enigmatic head of hospitality, who has her own secrets to protect. As the series continues, viewers experience the power struggles. They grapple with moral dilemmas and engage in fierce battles that happen within the confines of the train.

The show’s success lies in its ability to expand on the original film’s premise. It provides a deeper exploration of the characters and their backstories. With strong performances and thought-provoking themes, “Snowpiercer” offers a gripping and immersive viewing experience.

Toxic Town on Netflix

“Toxic Town” debuts on Netflix on February 27, 2025. It is a compelling drama. The series is inspired by the real-life Corby toxic waste case. The series consists of four episodes. These episodes chronicle the harrowing journey of three mothers. They fight for justice after toxic waste mismanagement allegedly causes birth defects in their children.

The story is set in the town of Corby. It follows the lives of these mothers portrayed by Jodie Whittaker, Aimee Lou Wood, and Claudia Jessie. They confront the devastating consequences of the industrial negligence. The series sheds light on their relentless pursuit of accountability and the emotional toll it takes on their families.

The show humanizes a legal battle that had far-reaching implications. “Toxic Town” highlights the resilience and determination of ordinary people. They stand up against systemic failures through powerful performances and a poignant narrative. The series highlights the importance of environmental justice. It also underscores the impact of community solidarity in the face of adversity.

Picture Credits

The Banshees of Inisherin (2022)
By http://www.impawards.com/2022/posters/banshees_of_inisherin_xxlg.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=71458552

Whisky Galore! (1949)
By Ealing Studios – http://picclick.co.uk/WHISKY-GALORE-1949-16-x-12-Reproduction-Movie-272339713575.html#&gid=1&pid=1, Fair use, https://en.wikipedia.org/w/index.php?curid=52170258

Passport to Pimlico (1949)
By Listal, Fair use, https://en.wikipedia.org/w/index.php?curid=17246144

Howards End (1992)
By https://www.filmaffinity.com/us/film814609.html, Fair use, https://en.wikipedia.org/w/index.php?curid=3741923

The Godfather Part 2 (1974)
By http://www.movieposterdb.com/poster/f2874b3b, Fair use, https://en.wikipedia.org/w/index.php?curid=6703096

Godland (2022)
By https://www.sambio.is/english/event/2752/title/vola%C3%B0a_land/, Fair use, https://en.wikipedia.org/w/index.php?curid=71834776

Fleetwood Mac At The BBC

Fleetwood Mac’s Songbird: Christine McVie
By Raph_PH – FlMacWerchter080619_59, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=101141876

Fleetwood Mac: The Dance
By The cover art can be obtained from Reprise., Fair use, https://en.wikipedia.org/w/index.php?curid=1075541

Fleetwood Mac: A Musical History
By Warner Bros. Records – Billboard, 25 June 1977, p. 86, Public Domain, https://commons.wikimedia.org/w/index.php?curid=69584540

The Godfather Coda: The Death of Michael Corleone (2020)
By Paramount Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=1677920

Dope Girls

All The President’s Men (1976)
By IMPAwards.com, Fair use, https://en.wikipedia.org/w/index.php?curid=21480941

After Love (2020)
By http://www.impawards.com/intl/uk/2021/after_love.html, Fair use, https://en.wikipedia.org/w/index.php?curid=69540628

Nomadland (2020)
By Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=64969367

Israel And The Palestinians: The Road To The 7th Of October
Kollectiv Futur with permission

Glitter: The Popstar Paedophile
Shutterstock under license

Corsage (2022)
By http://www.impawards.com/intl/austria/2022/corsage.html, Fair use, https://en.wikipedia.org/w/index.php?curid=71186085

National Theatre Live: The Crucible
By Google Images, Fair use, https://en.wikipedia.org/w/index.php?curid=13204918

Jealous Guy: The Assassination of John Lennon
By New York City Police Department – Worland, Justin (2014-08-22). John Lennon’s Killer Denied Parole Again., Public Domain, https://commons.wikimedia.org/w/index.php?curid=135627943

The Eyes of Tammy Faye (2021)
By http://www.impawards.com/2021/eyes_of_tammy_faye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68280723

The Mission (1986)
By IMDB, Fair use, https://en.wikipedia.org/w/index.php?curid=20132130

Disco Night

Nightmare Alley (2021)
By http://www.impawards.com/2021/nightmare_alley_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68734063

Drive (2011)
By The poster art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=32645711

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Captain America: Brave New World Review – A Missed Opportunity for Depth By Patrick Harrington

February 21, 2025 at 9:34 am · Filed under Film & DVD Reviews ·Tagged , , , , , , , , , , , ,

623 words, 3 minutes read time.

Captain America: Brave New World marks a significant shift in the Marvel Cinematic Universe (MCU). In this film, Sam Wilson fully steps into his role as Captain America. After the events of The Falcon and the Winter Soldier, Sam faces the immense responsibility of carrying the shield. The world is still adjusting to his new leadership. The film attempts to blend political intrigue, action, and personal stakes. It has moments of promise. Yet, it falls short of fully realizing Sam’s potential as a character.

Why would Sam Wilson’s Captain America choose to be part of a system? This question is one of the most thought-provoking aspects. Why would he engage with a system that has historically—and continues to—treat Black people unjustly? The Falcon and the Winter Soldier at least touched on this. It made allusions to the Tuskegee experiments. The show also referenced the exploitation of Black bodies and the prison-industrial complex. The TV series also gave more depth to Wilson’s personal life. It particularly focused on his relationship with his family. This offered a more well-rounded depiction of his motivations. However, Brave New World largely sidesteps these complexities, reducing Wilson’s struggle to a background element rather than a central theme.

A key figure in this discussion is Carl Lumbly’s Isaiah Bradley. He played a crucial role in The Falcon and the Winter Soldier. He reminded audiences of the desegregation of the U.S. military, which primarily affected Black soldiers during the Korean War. Bradley’s presence also evoked the dark history of U.S.-led medical experimentation, such as the Tuskegee Syphilis Study (1932-1972), experiments on prisoners (Ohio Penitentiary), and military personnel (Operation Whitecoat). These historical realities make Wilson’s position as Captain America even more complex. His acceptance of the mantle is not just about heroism. It is about challenging and redefining what America’s ideals truly mean. Yet, Brave New World does not meaningfully engage with these weighty themes. It misses an opportunity to explore Wilson’s deeper conflicts in taking on this role.

Meanwhile, the film presents a mix of old and new faces. The film embraces diversity. This is particularly evident in the camaraderie between Wilson and Joaquin Torres. However, it still begins with a White man: Thaddeus “Thunderbolt” Ross. Harrison Ford takes over the role. He succeeds the late William Hurt. William Hurt played Ross in the MCU from 2008 to 2021. This framing decision is notable—it subtly re-centers the story around an established White authority figure rather than fully committing to the perspective of its new Captain America.

The film struggles with a broader issue that has long plagued the Marvel franchise. It is the inability to balance substance with entertainment. While Brave New World delivers the expected action and spectacle, it does not adequately tackle the political implications. The journey of its protagonist also lacks depth in that regard. It also overlooks racial implications. This lack of balance is particularly noticeable. In contrast, The Falcon and the Winter Soldier was not perfect. Nevertheless, it engaged more directly with the real-world implications of Wilson’s role.

Marvel’s approach will likely lead to some backlash from those who already grumble against Diversity, Equity, and Inclusion (DEI) initiatives. These audiences may dismiss the significance of Isaiah Bradley’s story and the weight of Wilson’s legacy. Yet, their resistance only underscores why these conversations need to be had. Sam Wilson’s Captain America is not just about representing diversity. It involves reckoning with history and power. It also delves into what it truly means to stand for justice. Brave New World scratches at the surface of these issues but ultimately falls short of delivering a narrative that fully embraces the depth of its protagonist’s journey.

By Pat Harrington

Picture credit: By https://dam.gettyimages.com/thewaltdisneystudios/allaccess/#!asset/28ks3rpv49gp7cmxc48t8rt, Fair use, https://en.wikipedia.org/w/index.php?curid=73349947

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Companion Film Review: AI and Human Connection By Patrick Harrington

February 21, 2025 at 7:22 am · Filed under Film & DVD Reviews, Uncategorized ·Tagged , , , , , , ,

1,072 words, 6 minutes read time.

Companion, directed by Drew Hancock, is a sci-fi horror film that presents intriguing philosophical ideas but doesn’t fully explore them. Sophie Thatcher and Jack Quaid star in the film. It follows Iris, an AI companion who believes she is human. She is joined by her boyfriend Josh. A quiet weekend getaway soon turns into chaos. This forces Iris to confront the unsettling truth about her identity. She must also face the reality of her existence.

The film succeeds in creating a haunting atmosphere, using eerie cinematography and sound design to build tension. Sophie Thatcher delivers a compelling performance. She captures both the innocence and the growing dread of a being coming to terms with its artificial nature. Jack Quaid provides a grounded counterbalance, making their dynamic feel believable.

However, while Companion is engaging, it leaves many of its most interesting philosophical questions underdeveloped. The concept of implanted memories in the robots is touched upon but not explored in depth. Memories play a crucial role in shaping identity, as they inform our sense of self, relationships, and continuity over time. For humans, our memories define how we perceive the world and interact with others. If AI robots were equipped with implanted memories, they could develop a more consistent personal narrative. This would allow them to interact with humans in a more relatable and emotionally resonant way. Such memories would bridge the gap between artificial cognition and human emotional intelligence. They would make AI companions more effective in forming social bonds. AI companions would also better mimic human behavior. The film could have explored how these memories shaped the identities of the AI characters. This exploration could have created a more layered story. It could also have created a more emotionally resonant story. The idea of identity being constructed through programmed memories raises fascinating questions. These questions are about what truly makes us who we are. However, the film only hints at these questions rather than fully engaging with them.

One of the most intriguing ideas introduced is the “love link.” It is an implanted mechanism designed to force emotional bonding between the robot and its human companion. This concept parallels real-world discussions about attachment and emotional dependency in human relationships. It is particularly relevant in the context of social conditioning and technology-driven interactions. In a world dominated by algorithms, these systems increasingly mediate human connections through dating apps and social media. The “love link” presents a compelling extension of these ideas. It is unsettling. It questions the notion of free will in emotional bonds. This raises ethical questions about whether affection is genuine when it is engineered instead of naturally developed. If the film had delved deeper into these implications, it could have shed more light on modern relationships. It might have also offered insights into the evolving role of AI in shaping human emotions. This raises thought-provoking questions about how attachment is formed—both in AI and in humans. The parallels to childhood development are significant. The way humans are socially conditioned to bond could have provided crucial insights. Unfortunately, Companion only scratches the surface of these ideas, leaving a significant gap in its exploration of AI-human dynamics.

Beyond the film itself, Companion touches on one intriguing aspect of AI. It explores what AI teaches us about the human mind. Theories from cognitive science, like the Extended Mind Hypothesis, suggest that intelligence is not confined to the brain. It extends to tools and external aids. This is much like how AI augments human capabilities today. Philosophers like Daniel Dennett have explored how artificial intelligence challenges our definitions of selfhood. Cognitive scientists like Douglas Hofstadter have also examined how AI questions our concept of agency. The film raises these questions but does not fully explore them. This leaves an opportunity to ponder on whether AI could develop a form of selfhood comparable to humans. It may have implanted memories and emotional conditioning. By engaging with expert perspectives on AI, Companion could have offered a richer discussion on identity. It could have also presented a more nuanced discussion of consciousness. AI forces us to question what makes us conscious, what defines memory, and whether emotions can be artificially replicated. These are powerful ideas that Companion introduces but doesn’t fully explore. The film treats AI and humans as separate, but in reality, the line between them may blur in the future. AI and human cognition may not remain distinct—rather, they may merge. This is not just a theoretical idea. It could happen in different ways, like through brain-computer interfaces or AI developing biological components.

However, as Companion subtly hints at, society may not be ready for such a transition. The film’s portrayal of AI reflects real-world advancements in machine learning and neural networks. AI increasingly mimics human cognition. Nonetheless, it still lacks true consciousness. Current developments in AI involve generative models and deep learning systems. These advancements are pushing the boundaries of human-machine interaction. They are raising ethical and social concerns akin to those explored in the film. The gap between technological ability and societal preparedness mirrors Companion‘s thematic tension. This makes its narrative relevant to contemporary discussions about the role of AI in our lives. There is already an imbalance forming. This is not in access to AI, since AI tools are widely available. The imbalance is in understanding how to use them effectively. Those who grasp AI’s potential will wield disproportionate influence, while others may be left behind. This growing divide is much like the underexplored themes in Companion. It signifies an untapped area of discussion. This could have made the film even more compelling.

Despite its missed opportunities, Companion remains an engaging experience. It offers a gripping atmosphere and strong performances, but its underdeveloped philosophical themes and lack of deeper exploration into AI-human dynamics leave it feeling somewhat incomplete. Still, its thought-provoking premise and eerie execution make it a film worth watching for those interested in the intersection of technology and identity. It effectively balances horror and tension but could have been a far richer film if it had fully committed to exploring its philosophical themes. A deeper engagement with identity, memory, and programmed attachment would have elevated it beyond a standard sci-fi thriller. As AI continues to evolve in the real world, films like Companion have the potential to not just entertain but also provoke meaningful conversations about the future of human and artificial intelligence.

By Patrick Harrington

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Culture Vulture 15th to the 21st of February 2025

February 15, 2025 at 11:09 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , ,

Welcome to Culture Vulture

Your weekly entertainment guide, written from an alternative viewpoint. Here, we explore film, TV, and streaming with a focus on fresh perspectives, overlooked gems, and stories that challenge the mainstream. Culture Vulture isn’t just about what’s on—it’s about why it matters.

All selections and writing are by Pat Harrington. Music is from Tim Bragg.

This Week’s Highlights

Quo Vadis, Aida? – BBC2 1.25am, Saturday
A devastating look at one woman’s struggle to save her family as history’s cruel machinery grinds forward.

Zero Day – Streaming from Thursday
A high-stakes political thriller where secrets aren’t just power—they are survival.

The Quiet Girl – C4 12.10am, Monday
A beautifully restrained story of a child discovering kindness for the first time.

Stay tuned for in-depth reviews, critical takes, and a perspective you won’t find anywhere else.

Saturday 15th February 2025

Songs Inspired By The Movies At The BBC – BBC2 8.35pm

This programme brings together a mix of performances from the BBC archives. The selection spans decades.. Some choices, like Bananarama’s Robert De Niro’s Waiting and Deep Blue Something’s Breakfast at Tiffany’s, make clear connections to cinema. Others are more tenuous—Shania Twain’s That Don’t Impress Me Much is included seemingly for name-dropping Brad Pitt rather than any deeper film link.

An T-Eilean (The Island) – BBC4 9pm

“An T-Eilean” (The Island) is a gripping Scottish Gaelic-language crime drama set in the picturesque Outer Hebrides. The series follows Kat Crichton (played by Sorcha Groundsell), a family liaison officer who returns to her island home after a decade to investigate the murder of Lady Mary, the wife of a wealthy tycoon2. As Kat delves into the case, she uncovers deep-seated family secrets and confronts her own troubled past.

The show’s stunning landscapes and authentic portrayal of island life add to its atmospheric tension, while the blend of Gaelic and English dialogue enriches the storytelling. With a talented cast including Sagar Radia as DCI Ahmed Halim and Iain Macrae as Sir Douglas Maclean, “An T-Eilean” stands out as a landmark in Gaelic-language television, offering a unique and captivating viewing experience.

A Quiet Place (2018) – Film4 11.20pm

Silence is survival. In this world, sound brings death, so a family learns to live in near-complete quiet. Every movement is careful, every word unspoken. Even the smallest mistake can cost a life.

The tension never fades. The father, protective but powerless, builds barriers that cannot last. The mother, expecting a child, knows the risk she takes. The children, forced to grow up too fast, carry burdens they never chose.

There is love here, even in the fear. The film is as much about family as it is about horror. In the end, survival is not just about silence—it’s about sacrifice.

Quo Vadis, Aida? (2020) – BBC2 1.25am

Aida is a translator, caught between duty and desperation. She works for the UN, believing she can keep her family safe. But the promises made to her are empty, and the walls close in.

She moves through crowded rooms, pleading with those in power. Some listen, some turn away. No one tells the truth. Outside, families wait, uncertain of their fate. Inside, decisions are made, final and cold.

There is no justice here, no hero to save the day. Only the choices of one woman, trying to hold onto hope when all is lost.

Sunday 16th February 2025

Notorious (1946) – Talking Pictures 6pm

In this classic Alfred Hitchcock thriller, spies, betrayal, and a love tangled in lies take center stage. Alicia Huberman (Ingrid Bergman), the daughter of a convicted Nazi spy, is recruited by government agent T.R. Devlin (Cary Grant) to infiltrate a group of Nazi sympathizers in South America. Her mission: to seduce Alex Sebastian (Claude Rains), a high-ranking member of the group.

As Alicia delves deeper into her role, her loyalty and love are tested at every turn. She plays her part well, but at what cost? The camera lingers on her face, the weight of her choices visible in every glance. Devlin, torn between his duty and his feelings for Alicia, watches from a distance, caught between trust and suspicion.

Shadows stretch long across the screen, secrets hiding in every corner. The tension between Alicia and Alex, and Alicia and Devlin, drives the film forward, making every interaction charged with suspense. Some films age, others sharpen with time. This one remains as sharp as ever, its tensions still cutting deep.

Nixon In The Den – PBS America 8.35pm

A man at the peak of power, yet always afraid. Nixon’s world was built on paranoia, on enemies real and imagined. This documentary takes us inside that world, showing the mind behind the man.

The footage is stark. Private conversations reveal a leader whose victories brought no peace. The need to control, to silence opposition, grew stronger the higher he climbed. He had power but never security.

History has judged him, but this film lets him speak.

Escaping Utopia (one of three) – BBC2 9pm

Some individuals are born into environments where control is paramount. They are instructed on what to believe, whom to fear, and what to love. For those who manage to break free, the concept of freedom can be both unfamiliar and daunting.

“Escaping Utopia” is a poignant documentary that delves into the lives of individuals who have left behind strict, closed communities, such as the Gloriavale Christian Community in New Zealand. The film chronicles their journeys as they step into a world vastly different from the one they were conditioned to accept. Through candid interviews and personal stories, viewers gain insight into the psychological toll of escaping a controlled environment.

Gloriavale, founded in 1969 by Neville Cooper (also known as “Hopeful Christian”), is a small and isolated cult located on the West Coast of New Zealand’s South Island. The community is known for its fundamentalist Christian beliefs, large families, and strict gender roles. Members wear distinctive uniforms, and the community has faced numerous allegations of abuse and exploitation over the years.

Many participants speak with a sense of relief, having finally found the courage to seek a new life. However, others share their experiences with palpable pain, as the past continues to cast long shadows over their present. Even after leaving, the memories and scars of their previous lives remain deeply etched.

This documentary not only tells a story of survival but also highlights the profound sense of loss that comes with leaving behind everything they once knew. It explores the challenges of adapting to a new reality, the fear of the unknown, and the resilience required to rebuild one’s identity. Through their voices, “Escaping Utopia” offers a moving narrative of courage, transformation, and the enduring quest for freedom.

Words On Bathroom Walls (2020) – BBC3 10.30pm

A teenager struggles with a mind that won’t stay quiet. He sees things others don’t, hears voices no one else hears. His world is fractured, shifting, always uncertain.

The film does not romanticise his experience. The fear is real, but so is his humour. He clings to love, to the idea of normality, even when it feels out of reach.

It’s not just about illness. It’s about understanding, about how people see those who are different. He wants to be more than his diagnosis. But will the world let him?

Monday 17th February 2025

Gaza: How To Survive A Warzone – BBC2 9pm

Survival is not just about staying alive. It is about finding food, keeping loved ones safe, and making choices no one should have to make. For those living in a warzone, danger is constant, but life must go on.

The documentary follows people navigating destruction in Gaza, a place where the conflict between Israel and Hamas has left deep scars. A mother, shielding her children from the chaos; a doctor, working tirelessly without supplies; a boy, too young to understand but old enough to feel fear. Their days are filled with waiting—waiting for aid, for news, for the next attack.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people. Through the lens of three children and a young woman with a newborn, the documentary captures the harrowing reality of life in Gaza, where even the youngest are forced to confront unimaginable horrors.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people.

The Real Stonehouse – ITV1 10.45pm

John Stonehouse was a British politician who built his life on deception. A charismatic and ambitious man, he climbed the ranks of the Labour Party, gaining power and enjoying the rewards that came with it. However, lies and deceit can only hold for so long, and eventually, the truth catches up with him.

The documentary unfolds the riveting tale of Stonehouse’s audacious plan to fake his own death. In 1974, facing financial ruin and the possibility of his fraudulent activities being exposed, Stonehouse staged his own disappearance in Miami, leaving behind a neatly folded pile of clothes on the beach. He hoped to start afresh in Australia under a new identity, away from his mounting troubles. However, he underestimated the complexity of the world around him and his ability to outsmart the authorities.

As the story progresses, Stonehouse’s carefully crafted facade begins to crumble. His plans unravel when a combination of errors, including his conspicuous behavior and the astuteness of law enforcement, leads to his arrest in Melbourne, Australia. Despite his initial success in evading capture, the flaws in his scheme become evident, and his downfall is inevitable.

“The Real Stonehouse” does not paint him as a straightforward villain or a tragic victim. Instead, it presents a nuanced portrait of a man whose ambition and hubris outweighed his abilities. The documentary explores the intricacies of his deception, his motivations, and the eventual consequences of his actions. Through interviews, archival footage, and expert analysis, viewers are given an in-depth look at the life and times of John Stonehouse, a politician whose legacy is forever marked by his infamous attempt to escape his past.

The Quiet Girl (2022) – C4 12.10am

A child sent away, silent and watchful. She has learned not to expect much. But in a new home, she finds something unfamiliar: kindness.

The film moves slowly, allowing glances and gestures to speak. No grand events, no dramatic revelations—just a girl realising she is valued. The sadness lingers, but so does the warmth.

It’s a story of care, of understanding what love looks like when words are few. And it’s a reminder that some things, once given, cannot be taken away.

Tuesday 18th February 2025

Georgia Harrison, Porn, Power, Profit (Part One) – ITV4 9pm

A woman fights to reclaim what was stolen. Private moments turned into public spectacle. A violation excused as entertainment.

Her voice is clear, unwavering. She refuses to let others define her. The legal battles are long, but the personal cost is greater. This is not just about her—it is about a system that allows such things to happen.

Speaking out comes with risks. But silence would mean accepting defeat. And she is not willing to do that.

Snowpiercer (2013) – ITV4 10pm

A train circles a frozen Earth. Inside, life is divided. The rich live in luxury, the poor fight for scraps. Order is kept through force, and rebellion simmers below the surface.

The film moves fast, each carriage revealing something new. Violence is sudden, brutal. The cost of change is high, but the alternative is worse. The train cannot run forever.

It asks, without ever saying it directly: who deserves comfort, and who is left to suffer? And who decides?

Wednesday 19th February 2025

Georgia Harrison, Porn, Power, Profit (Part Two) – ITV4 9pm

Georgia Harrison returns to ITV2 and ITVX with a two-part series exploring the lucrative world of the online porn business following on from her previous documentary, Revenge Porn: Georgia vs Bear.

Georgia explains:-

“What we really wanted to do was get to the bottom of who is behind the posting of image-based sexual abuse that’s still out there. The first part involves me having to really look into where my video still is which is obviously a really tough thing to do, but by doing that we could then decipher how many different sites it was on. Then this gave us a way of following the video,  figuring out who is actually behind the money and who is advertising next to this image-based sexual abuse.

“When it comes to DeepFake pornography, I have so many women now messaging me through my inbox for help. That’s usually all forms of abuse, so image-based sexual abuse, DeepFake pornography, domestic abuse, anything to do with a struggling relationship or another person involved, people tend to reach out.

“I was just seeing more and more issues around DeepFakes, a lot from mothers and it was affecting their children in school and I just thought, ‘this is the same sort of feeling as image-based sexual abuse’. It is the same feeling of humiliation, a violation of literally being de-clothed without your consent. It’s unconsented image-based abuse. Just because it’s fake, doesn’t mean it doesn’t evoke the same emotion within the victim it affects.” 

With the global porn industry worth an estimated $1 billion globally, Georgia takes a deep dive look into how this hugely profitable industry works and seeks to uncover just how far her own illegal video has spread, and who might be profiting from it.

Georgia says:-

“Overall, the purpose of doing both documentaries is to do two things; give the power back to the victims and look into how the porn industry works and how it makes its money.  I’ve been very open about what’s happened to me, been to Downing Street, won my court case…I very publicly made it obvious that my video is unconsented, yet it’s still on so many websites. 

“It’s raising awareness of that, because hopefully, we can evoke change within the internet, so in the future, not just me, but any person who has been a victim of revenge porn won’t have to wake up every day wondering if it’s still out there.  If you can stop the people higher up from investing into the advertisement at the bottom, then the people at the bottom won’t keep putting up unconsented footage because they won’t be making any money off it. It’s just exposing the ecosystem. 

“And with DeepFakes, it’s exposing the issue because so many people aren’t aware of it and I’m telling you, I had heard of it and I had friends who were affected by it, but until really looking into it and immersing myself into the world of it, I had no idea how damaging it is to society. How much it’s catching us all up, how much it’s ruining young people’s lives. It’s affecting parents and teachers who are dealing with this issue in schools, it’s a really horrible thing to do.  Recently it was announced that the creation of deepfakes will be made illegal so the more awareness I can raise around it, the more likely it will be implemented.” 

Here at Culture Vulture we agree that the battle is not over. The system protects those who exploit. She keeps speaking, keeps pushing. Justice is slow, but silence would mean giving up.

Others come forward. Similar stories, the same fight. The problem is bigger than one case. It is built into the way power works.

It is a hard watch, but an important one. The cost of speaking out is high, but the cost of staying silent is higher.

The Father (2020) – Film4 9pm

In “The Father,” Anthony Hopkins delivers an extraordinary performance as an elderly man grappling with the disorienting effects of dementia. As his mind betrays him, time loses its coherence, certainty becomes elusive, and familiar faces morph into strangers. Rooms shift, and memories vanish like smoke, leaving both Anthony and the audience in a labyrinth of confusion and doubt.

The film places us inside Anthony’s fragmented perception of reality. We experience his bewilderment firsthand, seeing through his eyes and feeling the same disorientation he endures. Olivia Colman portrays Anne, Anthony’s devoted daughter, who is both patient and exhausted, struggling to care for a father who is gradually slipping away. Her unwavering commitment to him serves as an emotional anchor amidst the chaos.

“The Father” is a deeply affecting exploration of the devastating impact of dementia on individuals and their families. There is no relief, no easy resolution—only the harsh, quiet truth that some battles cannot be won. The film’s brilliance lies in its ability to evoke empathy and understanding for those facing this relentless condition, leaving a lasting impression on all who watch.

Shayda (2023) – Film4 1.35am

A mother and daughter seek refuge, but safety is fragile. They are not free, not really. The past is close, the threat never far.

The film is filled with small moments. A child laughing, a mother braiding hair. But underneath, the fear remains. How long can they stay hidden?

It does not promise a happy ending, only a chance to keep going. And sometimes, that is enough.

Thursday 20th February 2025

Vesper (2022) – Film4 9pm

In a world that is dying and struggling to survive, young Vesper is a beacon of hope and resilience. The 13-year-old girl, armed with exceptional bio-hacking skills, navigates a post-apocalyptic landscape where resources are scarce and survival is a daily battle. Clever and resourceful, Vesper faces overwhelming odds, but her determination never wavers.

The bleakness of the landscape is starkly contrasted by Vesper’s indomitable spirit. She does not wait for salvation; instead, she fights for it with every ounce of her being. Along her journey, she encounters a diverse cast of characters—some cruel and opportunistic, others kind and supportive. Each person she meets shapes her path and challenges her resolve, forcing her to confront difficult truths and make impossible choices.

“Vesper” presents a vision of the future that feels all too relevant to our present-day concerns. The film raises urgent questions about who controls the resources, who gets to live, and who is left behind. Through its captivating narrative and stunning visuals, the film invites viewers to ponder the ethical implications of genetic technology and the power dynamics at play in a world on the brink of collapse.

The story takes a poignant turn when Vesper rescues Camellia, a young woman from a citadel, promising to take Vesper and her father to a place of safety. As they search for another survivor, Elias, the bond between Vesper and Camellia deepens, adding layers of emotional complexity to the narrative.

“Vesper” is a beautifully crafted film that combines science fiction with a deeply human story of survival, resilience, and hope. It is a hauntingly evocative portrayal of a world where the line between savior and survivor is blurred, and where the fight for a better future is both a personal and collective struggle.

It is a vision of the future, but its questions are for now. Who controls the resources? Who gets to live? And who is left behind?

Stan & Ollie (2018) – BBC4 11.45pm

“Stan & Ollie” is a heartfelt biographical film that explores the final years of the legendary comedy duo, Stan Laurel and Oliver Hardy. Laughter made them famous, but fame, like all things, fades with time. The once adored pair, who brought joy to millions with their slapstick humor, now find themselves struggling to fill theatres during their post-war tour of Britain in 1953.

The film captures the poignant reality of their later years, as the inseparable friends face diminishing audiences and the physical toll of age. Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) deliver masterful performances, portraying the deep bond and unwavering friendship that define their relationship. Despite the challenges they face, their camaraderie and mutual respect never truly break.

“Stan & Ollie” is a gentle film, filled with nostalgia and a deep sense of affection for its subjects. It does not seek to shock or dramatize but instead offers a tender remembrance of two icons of comedy. Their final years were not easy, marked by health struggles and financial difficulties, but they had each other to lean on.

The film beautifully illustrates the evolution of comedy and the shifting tastes of audiences. While comedy changes and new stars emerge, the work of Laurel and Hardy remains timeless. Their influence on the genre is undeniable, and their routines continue to evoke laughter even now. “Stan & Ollie” serves as a touching tribute to their legacy, reminding us that behind the laughter were two men who shared an unbreakable bond and a passion for making people smile.

Friday 21st February 2025

Red Eye (2005) – GREAT!movies 9pm

“Red Eye,” directed by Wes Craven, is a taut and gripping thriller that keeps viewers on the edge of their seats from start to finish. The story revolves around Lisa Reisert (Rachel McAdams), a hotel manager who boards a late-night flight from Dallas to Miami. Expecting a routine trip, Lisa soon finds herself trapped in a nightmare when she meets Jackson Rippner (Cillian Murphy), a charming yet menacing stranger.

As the plane ascends, the tension escalates minute by minute. Jackson reveals his true intentions, coercing Lisa into assisting with a high-stakes assassination plot targeting a high-profile guest at her hotel. The confined space of the airplane amplifies the claustrophobic atmosphere, leaving Lisa with few options for escape.

Despite being clever and resourceful, Lisa faces a formidable adversary in Jackson, who is always one step ahead. The battle between them is as much psychological as it is physical, with mind games and threats intensifying the stakes. The film masterfully plays on the primal fear of being trapped and powerless, creating a relentless sense of suspense.

“Red Eye” excels in its simplicity and effectiveness. The plot unfolds with precision, building tension through expertly crafted scenes and sharp dialogue. Wes Craven’s direction ensures that every moment counts, making even the smallest details contribute to the overall sense of dread. Sometimes, fear needs no ghosts or monsters—just a locked door and no way out.

The performances by Rachel McAdams and Cillian Murphy are outstanding, with McAdams portraying Lisa’s vulnerability and determination, while Murphy’s chilling portrayal of Jackson adds to the film’s menacing aura. “Red Eye” is a testament to the power of a well-executed thriller, proving that sometimes the most terrifying scenarios are grounded in reality.

Lindisfarne’s Geordie Genius: The Alan Hull Story – BBC4 9pm

Alan Hull, the heart and soul of the folk-rock band Lindisfarne, was a musician who never chased fame but found it nonetheless. His songs resonated with the struggles and joys of ordinary lives, painting vivid pictures through poetic, political, and deeply personal lyrics. Hull’s music spoke to the hearts of many, capturing the essence of life in the North East of England.

“Lindisfarne’s Geordie Genius: The Alan Hull Story” is a heartfelt documentary that delves into the life and legacy of this remarkable artist. The film lets Hull’s music tell his story, showcasing the depth and authenticity of his songwriting. Through a blend of archival footage, interviews, and performances, viewers are taken on a journey through Hull’s career, from his early days with Lindisfarne to his solo work.

The documentary does not seek to sensationalize or dramatize Hull’s life. Instead, it offers a gentle and nostalgic reflection on his contributions to music and his impact on those around him. Hull’s words, whether addressing social issues or personal experiences, remain as relevant and powerful today as they were when first penned.

Hull was not a star in the traditional sense—he was a man who stayed true to his roots and his craft. His songs, filled with wit, warmth, and wisdom, continue to resonate with audiences, ensuring his legacy endures. The documentary serves as a reminder of the enduring power of music and the remarkable talent of Alan Hull.

Rock Goes To College BBC4 10pm

“Rock Goes to College” was a BBC series that showcased various rock bands performing live at university venues. Lindisfarne’s episode, first aired on November 17, 1978. It captures the band’s raw energy and charm in an intimate setting2. The performance highlights their unique blend of folk and rock, with Alan Hull’s distinctive voice and songwriting taking centre stage. The stripped-down, acoustic feel of the show allows the audience to experience Lindisfarne’s music in a personal and authentic way. This episode remains a cherished memory for fans, showcasing the band’s enduring appeal and musical talent.

And finally, Streaming

The Chief: All four episodes available from Thursday, 20th February 2025. Scot Squad comedy spin-off following pompous and out of touch Cameron Miekelson (Jack Docherty).

Zero Day: All six episodes available from Thursday, 20th February 2025. A political thriller set against a US under cyber attack where morality is less important than results.

Walter Presents: Evilside: All six episodes available from Friday, 21st February 2025 A bullied outcast on a remote island becomes the prime suspect in the ritualistic murder of her friend.

Video Picture Credits

Songs Inspired By The Movies At The BBC
An T-Eilean (The Island) – Sorcha Groundsell
By MTV UK – Sorcha Groundsell & Percelle Ascott Talk Sex Scenes – Netflix’s The Innocents – MTV Movies, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=116162815
A Quiet Place (2018)
By http://popcornhorror.com/5-horror-movies-whose-atmosphere-will-scare-hell/, Fair use, https://en.wikipedia.org/w/index.php?curid=56965271
Quo Vadis, Aida? (2020)
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
Nixon In The Den
By Department of Defense. Department of the Army. Office of the Deputy Chief of Staff for Operations. U.S. Army Audiovisual Center. (ca. 1974 – 05/15/1984) – This file was derived from: Richard M. Nixon, ca. 1935 – 1982 – NARA – 530679.jpg:, Public Domain, https://commons.wikimedia.org/w/index.php?curid=92980570
Escaping Utopia
Protest against the cult – By Schwede66 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94977675
Words On Bathroom Walls (2020)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=64561738
Gaza: How To Survive A Warzone
The Real Stonehouse
John Stonehouse – By André Cros – This photograph is part of the Fonds André Cros, preserved by the city archives of Toulouse and released under CC BY-SA 4.0 license by the deliberation n°27.3 of June 23rd, 2017 of the Town Council of the City of Toulouse., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=119124824
The Quiet Girl (2022)
By Inscéal – IMDB, Fair use, https://en.wikipedia.org/w/index.php?curid=70151764
Georgia Harrison, Porn, Power, Profit (Part One)
Shutterstock under license
Vesper
By kinopoisk.ru, Fair use, https://en.wikipedia.org/w/index.php?curid=7187855071878550
Snowpiercer (2013)
By http://www.impawards.com/2013/snowpiercer_ver27_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40911316
Georgia Harrison, Porn, Power, Profit (Part Two)
The Father (2020)
By IMP Awards / Intl > UK > 2020 Movie Poster Gallery / The Father Poster (#2 of 3), Fair use, https://en.wikipedia.org/w/index.php?curid=63838973
Shayda (2023)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=74709056
James May’s Great Explorers (Part Two)
Vesper (2022)
Stan & Ollie (2018)
By https://www.imdb.com/title/tt3385524/, Fair use, https://en.wikipedia.org/w/index.php?curid=58029929
Red Eye (2005)
By http://www.impawards.com/2005/red_eye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1958423
Lindisfarne’s Geordie Genius: The Alan Hull Story
By Rodhullandemu – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4380270
Rock Goes To College
The Godfather (1972)
By http://www.movieposterdb.com/poster/ff7638bd, Fair use, https://en.wikipedia.org/w/index.php?curid=6703024
Additional artwork from KollectivFutur

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A Complete Unknown: The Untold Story of Bob Dylan’s Rise By Patrick Harrington

February 14, 2025 at 4:39 pm · Filed under Film & DVD Reviews, Folk ·Tagged , , , , , , ,

A Complete Unknown is a compelling, layered biopic that delves into the early years of Bob Dylan’s rise in the folk music scene, capturing the raw essence of his artistic transformation. The film follows Dylan from his arrival in New York in the early 1960s, his immersion into the Greenwich Village folk scene, and his ascent as a cultural icon. It meticulously chronicles his relationships with key figures such as Joan Baez, Pete Seeger, Woody Guthrie, and Johnny Cash, while exploring his evolution from folk acoustic performer to the electric trailblazer who shattered conventions at the Newport Folk Festival. I like others appreciated the film’s focus on a formative chapter in Dylan’s life, rather than following the typical cradle-to-the-grave biopic format

Plot Summary

The film opens with Dylan (played with uncanny authenticity by Timothée Chalamet) stepping off a Greyhound bus into the cold, chaotic streets of New York. Drawn by the myth of Woody Guthrie, Dylan quickly becomes a fixture in folk clubs, soaking up influences and developing his distinct voice. His rapid ascent is marked by pivotal encounters: his artistic and romantic entanglement with Joan Baez, his deep admiration for Guthrie, and his friendships with legends like Pete Seeger and Johnny Cash.

The narrative builds towards the infamous 1965 Newport Folk Festival, where Dylan, armed with an electric guitar, defies purists and sparks outrage among the folk establishment. His performance was nothing short of seismic. Opening with an electrified, blistering rendition of Maggie’s Farm, followed by Like a Rolling Stone, Dylan’s transition into amplified rock shocked the audience. While some fans embraced the bold shift, others jeered and booed, feeling betrayed by his departure from traditional folk. Folk purists saw it as sacrilege, and critical reactions ranged from awe to anger. Pete Seeger himself was rumored to have been so upset that he wanted to cut the power, though accounts vary on whether this is legend or reality. Regardless, the performance was a watershed moment that redefined the boundaries of folk music and cemented Dylan’s reputation as an artist who refused to be confined by expectations.

This event also marked a turning point for Newport itself, accelerating its evolution from a folk purist haven into a more expansive musical showcase, embracing broader influences in the years that followed.

Acting and Performances

The cast is phenomenal, breathing life into their real-life counterparts. Timothée Chalamet embodies Dylan’s elusive charisma, delivering a performance that captures his enigmatic blend of arrogance, vulnerability, and genius. His ability to channel Dylan’s mannerisms and speech patterns makes for an uncannily convincing portrayal.

Joan Baez, played by Monica Barbaro is a standout. She conveys both the deep affection and lingering frustration that defined her relationship with Dylan. Baez herself has remarked that Dylan is “kind of an asshole,” and the film does not shy away from this aspect of his personality. Their tumultuous relationship is depicted with nuance, culminating in Baez’s heartbreak and her subsequent writing of Diamonds and Rust, a song laced with both admiration and regret. Baez sang of Dylan —“You, who are so good with words / And at keeping things vague” and that feels particularly poignant and true.

Pete Seeger, played by Edward Norton, and Woody Guthrie (portrayed by Scoot McNairy) serve as Dylan’s ideological compass, while Johnny Cash (played by Boyd Holbrook), his pen pal and confidant, provides warmth and camaraderie in a world where Dylan often seems isolated. The interactions between these titans of music are electric, giving the film its heartbeat.

Themes and Cultural Impact

The film does an excellent job of positioning Dylan not just as a musician but as a poet and cultural force. The central theme of artistic evolution is explored through Dylan’s constant pushing of boundaries, challenging the status quo, and redefining himself. His songs—woven throughout the film—underscore his genius as a lyricist.

The film also delves into themes of authenticity, rebellion, and the price of fame. Dylan’s journey is not just about his music but also about his struggle to stay true to himself amidst external pressures and expectations.

Historical Context

The 1960s was a tumultuous decade marked by significant cultural and political upheaval. The folk music revival, which sought to revive traditional American music, became intertwined with social and political movements, particularly the civil rights movement. Dylan’s involvement in these causes, including his performances at civil rights rallies and participation in the 1963 March on Washington, is highlighted in the film, reinforcing his status as more than just a musician.

Dylan’s evolution from folk purist to rock pioneer mirrored broader changes in the musical landscape of the 1960s. His controversial shift to electric music at the 1965 Newport Folk Festival symbolized the broader generational and cultural shifts taking place.

Final Thoughts

A Complete Unknown is a rich, evocative portrait of an artist who refused to be boxed in. It does justice to the complexity of Dylan’s character—his brilliance, his contradictions, and his relentless pursuit of something beyond labels. One character describes him as a contrarian and another as an “arsehole”. He certainly was portrayed as sometimes selfish to the point of cruelty. The film also serves as a love letter to the folk revival era, bringing to life not just Dylan, but Baez, Seeger, Guthrie, and Cash in all their glory. To give just one example, Joan Baez’s House of the Rising Sun – simply spellbinding.

I absolutely loved the music in this film which were weaved seamlessly into the narrative. Every song was a reminder of why Dylan remains one of the greatest songwriters of all time. The electrified Newport performance was a thrill to watch, and the tension it caused within the folk community only added to its historical weight. As the credits rolled, the audience stayed in their seats, completely absorbed in his words and melodies. It was a testament to the enduring power of his music.

By Pat Harrington

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