Posts Tagged film critique

Culture Vulture 14-20 June 2025

June 14, 2025 at 8:19 am · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , , , ,

3,474 words, 18 minutes read time.

Pat Harrington presents his weekly guide to the best in TV, film, and streaming from an alternative standpoint. This week’s selections include searing modern dramas, noir classics, and eccentric curiosities, ranging from Powell & Pressburger to Park Chan-wook. Tim Bragg’s music tips you in the right mood—serious, subversive, and soul-sharpening. Three standout choices have been marked as 🌟Highlights: Decision to Leave, 28 Days Later, and Nightmare Alley. They demand attention not just for their artistic power but also for the questions they pose about trust, truth, and transformation. Original music in our video edition is by Tim Bragg.

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Saturday 14 June

Carry On Up the Khyber (ITV3, 8:50 AM, 1968)
A classic of British comedy, this riotous entry in the Carry On series takes on the imperial era with a mix of slapstick, saucy humour, and wonderfully exaggerated performances. Set against the backdrop of the British Raj, the film follows the hapless exploits of Sir Sidney Ruff-Diamond (Sid James) as he attempts to maintain control over the local Burpa tribe, led by the scheming Khasi of Kalabar (Kenneth Williams).

Williams, Charles Hawtrey, and Sid James revel in their familiar personas, delivering a cavalcade of cheeky jokes and farcical situations with impeccable timing. Joan Sims is a scene-stealer as Lady Ruff-Diamond, bringing her usual flair for comedy, while Bernard Bresslaw, as the imposing Bungdit Din, makes for a gloriously over-the-top tribal leader.

The film is packed with outrageous misunderstandings, exaggerated colonial pomp, and set-piece gags that still raise a chuckle. The infamous dinner scene—where British officers dine unflinchingly while cannon fire rages around them—is a perfect example of the film’s unshakable stiff-upper-lip absurdity. Carry On Up the Khyber may not concern itself with historical accuracy, but it delights in poking fun at British self-importance with a knowing wink.

Though its humor reflects the era in which it was made, it remains one of the most memorable Carry On outings—full of irreverence, double entendres, and all the usual antics that made the series such a British institution.

The Magnificent Seven (BBC Two, 1:55 PM, 1960)
A Hollywood reimagining of Kurosawa’s Seven Samurai, this Western epic distills the essence of frontier heroism into one of the genre’s most enduring touchstones. Yul Brynner, exuding quiet authority, leads a crew of gunslingers—outsiders and drifters—who come together to defend a vulnerable Mexican village from predatory bandits. Steve McQueen, Charles Bronson, and James Coburn each bring their own rugged charm to the ensemble, their characters defined by skill, personal codes, and the unspoken loneliness that comes with a life of violence.

The Magnificent Seven operates as pure myth-making, reinforcing a vision of American exceptionalism where courage, sacrifice, and a clear moral purpose define the Western hero. Yet, beneath the bravado, the film also wrestles with the costs of violence and the fleeting nature of heroism. For all their skill, the gunmen are transients, drawn to battle by necessity rather than nobility. The villagers seek protection, but their fate is ultimately tied to forces beyond their control—the cyclical nature of power, corruption, and survival.

Socially, the film underscores a world in transition. The gunmen, relics of a vanishing frontier, embody both the virtues and contradictions of a bygone era—living by honour yet condemned to displacement. Politically, it touches on American interventionism, positioning the hired defenders as symbols of external salvation. Though not explicit, there’s a lingering question: do these warriors bring lasting peace or merely a temporary reprieve?

Psychologically, The Magnificent Seven explores the tension between individualism and duty. Each member of the group finds meaning in the mission, yet their motivations vary—some seeking redemption, others chasing the thrill of battle, all aware that glory fades. The film is at its most poignant in its quieter moments, when characters reflect on what comes after the fight, knowing full well that peace is a luxury they may never experience.

Elmer Bernstein’s soaring score amplifies the grandiosity of the narrative, merging adventure with operatic tragedy. The music elevates the film’s themes of sacrifice and fleeting heroism, ensuring that even as the genre evolves, this remains one of its defining works—a film that celebrates the Western legend while quietly questioning the price of wielding a gun in the name of justice.

🌟 Decision to Leave (BBC Two, 12:30 AM, 2022)
Park Chan-wook’s haunting noir is less a thriller than a sensual puzzle, delicately arranged. A detective investigating a climber’s suspicious death becomes enmeshed in the life of the dead man’s widow. The film oscillates between seduction and suspicion, reality and performance, framed with visual elegance that recalls Hitchcock and Wong Kar-wai in equal measure.

Tang Wei is mesmerising—her performance is all surface restraint with emotional undercurrents that pull you under. Park Hae-il matches her with understated despair, portraying a man who has lost his moral anchor in the fog of obsession.

Themes of migration, translation, and alienation pulse beneath the romantic stylings, suggesting that love, like crime, often depends on what you choose to ignore.

Sunday 15 June

Hue and Cry (Film4, 11:00 AM, 1947)
This post-war Ealing comedy kicks off the studio’s golden age. A group of resourceful boys uncover a criminal racket in London and take it upon themselves to foil the gang. A young Harry Fowler leads a cast brimming with spirit, and the film’s energy still feels fresh despite its age.

The rubble-strewn city provides a vivid backdrop—half playground, half battleground—and the film becomes a document of working-class resilience in a broken but rebuilding Britain. Director Charles Crichton captures a rare combination of innocence and urban grit.

Though it’s primarily played for laughs, Hue and Cry contains more than a hint of social realism. It celebrates collective effort, mistrusts authority, and places its faith in the sharp instincts of ordinary people.

Out of Sight (Legend, 9:00 PM, 1998)
Steven Soderbergh’s stylish adaptation of Elmore Leonard’s novel is a dance of wit and chemistry. George Clooney’s bank robber and Jennifer Lopez’s U.S. Marshal find themselves in a prolonged flirtation that stretches across heists, hideouts, and handcuffs.

It’s a film that luxuriates in cool—gliding between timelines, locations, and perspectives with jazzy confidence. But underneath the slick exterior is a melancholy meditation on choices, second chances, and the thin line between criminality and charisma.

Soderbergh plays with genre expectations to give us a noir romance where both lovers know they’re heading for heartbreak. One of the smartest, sexiest films of the ’90s.

🌟 28 Days Later (BBC One, 10:30 PM, (2002)
Over two decades since its release, Danny Boyle’s apocalyptic horror still pulses with urgency, freshly remastered to remind audiences why it remains one of the most unsettling visions of societal collapse in modern cinema. From its haunting opening, where Cillian Murphy’s Jim stumbles out of a hospital into a deserted London, the film grips with an eerie realism—its empty streets and flickering remnants of normal life amplifying the loneliness and confusion of its protagonist.

Shot with a grainy digital immediacy, 28 Days Later strips back the polish of traditional horror, making everything feel raw, unpredictable, and dangerously real. At its core, Boyle crafts a survival nightmare rooted in the fragility of civilisation: the infected—rage-fueled, mindless husks—are terrifying, but the true horror emerges elsewhere. The military, tasked with restoring order, becomes an unchecked force of control, turning the idea of protection into something darker, something more brutal. The theme is clear—crisis does not merely destroy; it warps morality, turns desperation into tyranny, and exposes the thin veneer of human decency.

Naomie Harris’s Selena is a standout, refusing to fall into genre clichés of vulnerability or romance. Her performance radiates toughness, pragmatism, and emotional depth, elevating the film beyond its blood-soaked tension into something deeply human. Brendan Gleeson brings warmth as Frank, a father desperately clinging to hope, making his fate all the more devastating.

Beyond its horror beats, 28 Days Later simmers with political undercurrents. Boyle plays with anxieties about viral outbreaks, government dysfunction, and the ethics of bio-weaponry—ideas that have only gained relevance over time. The film lingers on dehumanisation, not just in the infected but in the people left behind. Survival comes at a cost, and Boyle ensures we feel every moment of its weight.

Elusive, intense, and eerily prophetic, this is more than just a zombie thriller. It’s a warning, a reflection, and a masterpiece of modern horror filmmaking that refuses to age. Essential viewing.

America’s Veterans: The War Within (ITV1, 10:20 PM)
A harrowing exploration of the mental health crisis gripping U.S. military veterans, this documentary shines a stark light on the invisible wounds of war—those carried long after the battlefield is left behind. Through firsthand testimonies and expert analysis, it reveals the devastating impact of PTSD, homelessness, and suicide among those once celebrated as protectors of the nation.

Beyond the raw statistics, the programme examines the broader societal failure to support veterans in their transition back to civilian life. Many face bureaucratic hurdles, financial instability, and inadequate healthcare, compounding their struggles. The documentary confronts difficult questions: Why do so many veterans feel abandoned? What does it say about a country that reveres its soldiers in uniform but neglects them when they are most in need?

The human cost of war is laid bare—not just in combat but in the psychological toll that lingers long after the fighting stops. Interviews with veterans detail the isolation, the difficulty in reconciling wartime experiences with everyday life, and the desperate search for stability in a system that often fails them.

The film also investigates the role of institutions—how government policies, underfunded support programs, and societal misconceptions contribute to a crisis that has been largely ignored. It critiques the gap between rhetoric and reality; while veterans are frequently praised in political speeches, the tangible resources available to them tell a different story.

Through these accounts, America’s Veterans: The War Within serves as both an exposé and a call to action—urging viewers to reconsider the meaning of service, sacrifice, and national responsibility. It is more than a documentary; it is a sobering reminder that heroism does not end when the war does, and that real support must extend beyond the battlefield.

Monday 16 June

The Piano (BBC Two, 11:00 PM, 1993)
Jane Campion’s gothic romance remains emotionally raw and visually spellbinding. Holly Hunter’s mute Ada, arriving in colonial New Zealand with her piano and young daughter in tow, confronts cultural oppression and sexual politics with unflinching determination.

Michael Nyman’s score swells with longing, acting as both Ada’s voice and the film’s emotional map. Hunter and Harvey Keitel offer performances that eschew traditional romantic arcs, and Anna Paquin—aged just 11—gives a frighteningly precocious turn.

Campion’s film explores silence, resistance, and the tension between personal autonomy and societal roles. It’s a strange, powerful experience—sensual and unsettling in equal measure.

The Bush Years: Family, Duty, Power – Ep. 1 of 6 (PBS America, 8:50 PM)
The first chapter in this political dynasty docuseries delves into the formative years of the Bush family, exploring the ambitions and ideological forces that shaped their rise to power. From Prescott Bush’s early ventures in finance and politics to the disciplined upbringing of his son, George H.W. Bush, the episode traces the foundations of a legacy built on loyalty, service, and the careful cultivation of public image.

Slickly produced and well-paced, the documentary unpacks how privilege, networking, and inherited influence played a decisive role in positioning the Bushes as one of America’s most enduring political families. Yet, it also examines the personal dynamics—how family duty was instilled as a guiding principle, often leading to internal rivalries and defining moments of political transformation.

Beyond individual biographies, the episode considers the broader implications of dynasty in American politics. It raises questions about the balance between meritocracy and legacy, the extent to which power is passed down rather than earned, and how media narratives reinforce the image of leadership.

With archival footage, interviews, and expert insights, The Bush Years provides a fascinating glimpse into how political legacies are crafted—not only by policy and governance but by carefully managed optics, deep-rooted connections, and an unwavering commitment to sustaining influence across generations.

Tuesday 17 June

The Guard (Film4, 11:20 PM, 2011)
John Michael McDonagh’s Irish black comedy is an anti-cop film wrapped in the uniform of a buddy cop flick. Brendan Gleeson plays a foul-mouthed, morally ambiguous guard whose strange brand of justice collides with Don Cheadle’s straight-laced FBI agent. The culture clash is played for laughs—but also for pathos.

Gleeson’s character, Sergeant Boyle, is a contradiction: racist yet not malicious, indifferent yet oddly heroic. His deadpan observations slice through the absurdities of rural corruption and global crime. The dialogue is razor-sharp, and the humour pitch-black.

Underneath the gallows wit, The Guard is a melancholy reflection on honour in a dishonourable world. It’s cynical, yes—but never without heart.

The Bush Years – Ep. 2 of 6 (PBS America, 8:50 PM)
This episode delves into George H.W. Bush’s years as Vice President and President, balancing Cold War diplomacy with domestic challenges. The tone is respectful but not sycophantic, offering insight into a transitional era of U.S. conservatism.

Wednesday 18 June

The Lady from Shanghai (Talking Pictures, 3:00 PM, 1947)
Orson Welles’ dreamlike noir is a carnival of shadows, mirrors, and betrayals. Playing an Irish drifter caught in a wealthy couple’s web of deceit, Welles constructs a story that resists logic but compels through mood. Rita Hayworth’s transformation—icy, platinum-blonde femme fatale—is one of cinema’s great image shifts.

The film is fractured, hallucinatory, and often incoherent, but it is precisely this strangeness that gives it staying power. The climactic hall-of-mirrors shootout is a masterclass in visual metaphor and genre subversion.

This is noir as fever dream—dense, disorienting, and intoxicating.

The Bush Years – Ep. 3 of 6: “A Family Triumph” (PBS America, 8:50 PM)
This episode traces George W. Bush’s rise to the Texas governorship, framing it as both political redemption and familial expectation. The tone hovers between myth-making and mild critique.

Thursday 19 June

Night of the Demon (Talking Pictures, 10:10 PM, 1957)

Jacques Tourneur’s eerie adaptation of Casting the Runes remains one of the finest examples of British horror, effortlessly blending supernatural terror with psychological unease. Dana Andrews plays Dr. John Holden, a pragmatic American psychologist intent on debunking occult practices, only to find himself entangled in a sinister plot orchestrated by Julian Karswell—a cult leader whose charm masks something deeply unsettling.

What sets Night of the Demon apart is its commitment to tension over spectacle. The horror simmers beneath the surface—built through unsettling whispers, flickering candlelight, and ominous wind that rattles through the countryside. Tourneur, a master of restraint, ensures that suggestion is more terrifying than revelation. The film plays with shadows and uncertainty, daring the audience to question what they see and what they only suspect.

Karswell’s library is a place of dreadful knowledge, its books promising power yet dripping with menace. The séance scene crackles with unease, while the film’s rural landscapes transform the familiar into something quietly oppressive. Even mundane conversations carry an eerie weight, as though truth itself is a precarious illusion.

The moment of the demon’s appearance remains one of horror cinema’s most debated sequences. Some argue that showing the creature diminishes the carefully built dread, while others see it as a shocking punctuation mark in a film that otherwise thrives on ambiguity. But Tourneur understood that fear is as much about what lurks in the mind as what manifests before the eyes.

Beneath its supernatural elements, Night of the Demon is a philosophical ghost story—a battle between belief and scepticism, power and reason, fate and free will. Holden’s journey is not just about escaping a curse; it’s about confronting the limits of rationality and the unsettling possibility that some forces defy explanation.

Elegant, eerie, and richly atmospheric, this remains a cornerstone of British horror—a film that lingers not just in the mind but in the shadows it so expertly conjures.

🌟 Nightmare Alley (Film4, 10:55 PM, 2021)
Guillermo del Toro’s bleak vision of carnivalesque corruption casts Bradley Cooper as a charming grifter ascending through a world of illusion. With Cate Blanchett, Toni Collette, and Willem Dafoe adding edge and menace, the film gleams like chrome and cuts like glass.

It’s a critique of ambition and self-deception, where even the ‘gifted’ are doomed by their hunger. The production design is meticulous, evoking 1940s noir with art-deco dread, and the pacing lingers just long enough on every moral turning point.

This is del Toro at his darkest: unflinching, unsentimental, and utterly magnetic.

Outrageous (U&Drama, 9:00 PM)

A fascinating look at the lives and legacies of the Mitford sisters, Outrageous explores the contrasting paths of this influential British family, whose members shaped literature, politics, and social movements in ways that continue to spark debate. The programme delves into the sisters’ varied ideologies—from fascism to communism—and the enduring myths surrounding their aristocratic upbringing, rebellious spirits, and sometimes scandalous choices.

With a blend of archival footage, interviews, and dramatized sequences, Outrageous doesn’t shy away from the more divisive aspects of the Mitfords’ lives, yet it also celebrates their intelligence, wit, and impact. Nancy’s literary sharpness, Diana’s political notoriety, Jessica’s radical activism, and Unity’s disturbing admiration for Hitler—all are examined with a keen eye on both personal motivations and historical context.

The documentary raises compelling questions about class, privilege, and how certain figures—no matter their controversies—continue to captivate public imagination. Whether seen as rebels, visionaries, or cautionary figures, the Mitford sisters remain some of Britain’s most discussed and dissected personalities, and Outrageous ensures they are anything but forgotten.

The Bush Years – Ep. 4 of 6 (PBS America, 8:50 PM)
Focuses on the political manoeuvring behind Bush Jr.’s presidential run, offering a fascinating glimpse into the PR-driven mechanics of dynasty.

Friday 20 June

The Adventures of Priscilla, Queen of the Desert (BBC Two, 11:00 PM, 1994)
This Aussie road movie about two drag queens and a trans woman crossing the Outback in a lavender bus remains a dazzling celebration of queerness and resilience. Terence Stamp, Hugo Weaving, and Guy Pearce offer performances full of bite and soul.

Behind the feathers and ABBA lip-syncs lies a story about acceptance and chosen family. It doesn’t flinch from the bigotry the characters face, but it refuses to let them be victims. The scenery is gorgeous, but the emotional topography is even richer.

Priscilla helped pioneer queer visibility in mainstream cinema. It’s joyous, defiant, and unforgettable.

Sheroes (Channel 4, 12:55 AM, 2023)
This pulpy action flick centres on four women rescuing a kidnapped friend in Thailand. A blend of neon visuals and empowerment themes, it’s not subtle—but it’s undeniably entertaining for a late-night watch.

The Bush Years – Ep. 5 of 6: “Sibling Rivalry” (PBS America, 8:50 PM)
Tackles the differences between George W. and Jeb Bush, framing their rivalry as a study in legacy, image, and political fate.

And Streaming

For those looking for thought-provoking viewing, these upcoming streaming releases between June 14–20, 2025, explore social, political, and psychological themes across different platforms:

  • Netflix – State of Control (June 15)
    A tense political drama about mass surveillance and government oversight, where a journalist uncovers a secret program that threatens civil liberties. Sharp writing and gripping performances make this a chilling reflection on modern power dynamics.
  • Amazon Prime – The Mind’s Edge (June 17)
    A neuroscientist develops memory manipulation technology—only to find herself questioning reality as her own past unravels. A stylishly shot psychological thriller exploring trauma, identity, and the consequences of playing with human consciousness.
  • Disney Plus – Echoes of Power (June 19)
    This historical drama traces the rise and fall of a political dynasty, revealing the personal and ideological battles that define leadership. Layered storytelling and rich performances explore ambition, loyalty, and moral compromise.
  • Apple TV+ – Echo Valley (June 13)
    A grieving mother is drawn into a desperate cover-up when her daughter arrives home covered in blood. With intense performances and a gripping narrative, this psychological thriller probes themes of survival, trauma, and moral reckoning.
  • Hulu – A Complete Unknown (June 17)
    A biographical drama chronicling Bob Dylan’s early years, set against the cultural and political upheaval of the 1960s. The film examines artistic identity, rebellion, and the power of music as a force for change.
  • Max – The Brutalist (June 16)
    A historical drama following an architect’s struggle to build a legacy in post-war America, navigating political pressures, artistic integrity, and personal sacrifices. A thought-provoking meditation on creativity, ambition, and resilience.

Our video guide will follow shortly.

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Culture Vulture 24th to the 30th of May 2025

May 24, 2025 at 7:45 am · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , , ,

Curated by Pat Harrington • Original music on our video version by Tim Bragg

This week, we step into the refined yet radical world of Jane Austen. Her work, far from being simply romantic escapism, offers sharp observations of society and gender politics. Austen’s legacy looms large over our listings, with three outstanding productions: Jane Austen: Rise of a Genius, Joe Wright’s Pride and Prejudice, and a thoughtful BBC Four adaptation of Sense and Sensibility. These aren’t just stories about courtship—they’re critiques of class, power, and human frailty. Through their wit and restraint, they give voice to social tensions that still resonate.

🌟 Highlights

  • Jane Austen: Rise of a Genius: BBC Two, Monday, 9:00 PM
  • Pride and Prejudice (2005): BBC Two, Monday, 10:00 PM
  • Sense and Sensibility: BBC Four, Wednesday, from 10:00 PM

📅 Saturday, 24th May

Mon Oncle (1958) – Talking Pictures, 3:00 PM
Jacques Tati’s Mon Oncle is a masterclass in visual storytelling. Monsieur Hulot, with his pipe and awkward gait, finds himself adrift in a hyper-modern house full of absurd gadgets. The film gently mocks the soullessness of consumerism while celebrating the warmth of traditional life.
What makes Tati’s work so enduring is his patience. Scenes unfold with the rhythm of real life—no quick cuts, no explanatory dialogue. He trusts the audience to find humour in the mundane, and that trust pays off.
Though set in a comedic register, the critique of post-war modernisation is clear. The contrast between Hulot’s charmingly disordered neighbourhood and the antiseptic home of his sister’s family is striking. There’s affection here, but also a wistful note—what do we lose in the march of progress?

Doctor Who – Wishworld – BBC One, 6:15 PM
In this week’s Doctor Who, the crew are thrown into a surreal world shaped entirely by wishes. At first enchanting, the realm soon reveals its darker underbelly, as unchecked desires bring unintended consequences.
This episode sees the Doctor confronting not just external threats but their own doubts. The writing strikes a fine balance between whimsy and warning, reflecting on the difference between dreams and delusions.
Russell T Davies uses this episode to nudge viewers gently toward introspection. What do our wishes reveal about us? And what happens if they come true without constraint? There are no easy answers, only intriguing questions.

Apocalypse Stalin – PBS America, 7:25 PM
Uncompromising and chilling, this three-part documentary traces the life of one of history’s most ruthless leaders. This episode focuses on how Stalin consolidated power through propaganda, fear, and purges.
The archival footage is disturbing in its familiarity, echoing authoritarian patterns that still linger in the world. By humanising the victims and documenting the regime’s machinery, the programme honours the past while warning the present.
A stark and necessary viewing experience.

Liza: A Truly Terrific Absolutely True Story – BBC Two, 9:00 PM
This affectionate yet honest portrait of Liza Minnelli balances showbiz dazzle with raw insight. The documentary traces her life from Hollywood royalty to queer icon, capturing the triumphs and trials with sensitivity.
Rare footage and intimate interviews show a performer who burned brightly, and sometimes too close to the flame. But it’s never mawkish. Liza is seen here as complex, brave, and utterly compelling.
A tribute worthy of its subject—and essential for anyone interested in the intersections of fame, resilience, and identity.

The Running Man (1988) – Channel 4, 11:10 PM
Arnold Schwarzenegger’s The Running Man might seem like pure 80s action at first glance—muscular heroes, explosions, and a neon-drenched aesthetic—but beneath its bombastic surface lies a darkly prescient satire of media manipulation, authoritarianism, and the spectacle of violence as entertainment.

Set in a dystopian future where the government controls the masses through rigged reality TV, the film critiques a system where the truth is malleable, dissent is silenced, and the public is pacified with bloodsport. Ben Richards, falsely accused of mass murder, becomes a pawn in this brutal game—a gladiator forced to battle for survival while the audience cheers, unaware they are complicit in their own oppression.

The parallels to modern media are striking. The way the Running Man show twists reality, framing Richards as a villain, echoes the distortion of truth in our own era of misinformation and curated narratives. Whether through government propaganda, biased news outlets, or social media echo chambers, the film warns of a world where facts can be shaped to suit the ruling powers.

Then there’s the critique of commercialised violence. The Running Man shows a society addicted to spectacle—where suffering is entertainment and morality is secondary to ratings. It’s not far removed from real-world reality TV, where personal humiliation, cruelty, and manufactured drama keep audiences engaged. The difference? In the film’s universe, losing means death.

Despite its exaggerated, campy tone, The Running Man remains eerily relevant. It highlights the dangers of state-controlled narratives, unchecked corporate power, and public apathy in the face of exploitation. And like all great dystopian stories, it asks a chilling question: how far are we, really, from this future?

📅 Sunday, 25th May

From Russia with Love (1963) – ITV1, 4:20 PM
Bond’s second cinematic outing is a tightly coiled Cold War espionage tale. There’s less bombast, more brains—spycraft over spectacle. Sean Connery’s Bond is suave, cynical, and at his most lethal.
The Istanbul setting is rich and moody, full of alleyways and shadows. The train sequence is a classic, building tension with every turn. Lotte Lenya’s Rosa Klebb is unforgettable—a villain equal to Bond in menace and cunning.
A refined Bond adventure with elegance, grit, and real stakes.

3,000 Years of Longing (2022) – Channel 4, 10:55 PM
A lonely narratologist (Tilda Swinton) meets a Djinn (Idris Elba) in a Turkish hotel and must decide whether to use three wishes. What follows is a lavish, layered meditation on storytelling, loneliness, and desire.
George Miller’s film isn’t in a rush. It draws you into its spell with vivid tales, philosophical musings, and sumptuous imagery. The fables the Djinn recounts are touching and strange, filled with longing and regret.
A film that speaks softly but with great depth—a rare cinematic gem that rewards attention and reflection.

📅 Monday, 26th May

Apocalypse Stalin – PBS America, 7:25 PM
Part two of this searing series examines the regime’s descent into paranoia and purging. As Stalin reshapes Soviet society into a monolith of fear, personal stories of loss and defiance emerge.
It’s heavy, yes, but necessary. The programme never lets statistics eclipse individuals. Each victim has a name, a face, a context.
An unflinching examination of how ideology corrodes and consumes. Watch with care.

Jane Austen: Rise of a Genius – BBC Two, 9:00 PM
This documentary upends the tea-and-bonnets stereotype. Austen is revealed as a social critic, a feminist voice in corseted disguise. Her sharpness is celebrated, not softened.
Dramatisations are effective but never overused. Experts speak to Austen’s literary courage—writing women as thinkers, challengers, creators.
An absorbing, nuanced tribute that refreshes and reclaims Austen’s radical legacy.

Pride and Prejudice (2005) BBC2 10pm

Joe Wright’s Pride and Prejudice (2005) breathes new life into Austen’s classic, capturing both its sweeping romance and sharp social critique. Keira Knightley’s Elizabeth Bennet is fiery and independent, challenging the rigid expectations placed upon women in Regency England. Matthew Macfadyen’s Darcy, with his brooding intensity and hesitant vulnerability, embodies the struggle between personal pride and societal pressure.

Beyond the love story, the film highlights the suffocating constraints of class and gender. Elizabeth’s refusal to marry for security rather than love is a radical act in a world where women’s futures are dictated by wealth and status. Charlotte Lucas’s pragmatic decision to wed the insufferable Mr. Collins serves as a stark contrast—an unsettling reminder of the limited choices available to women. The Bennet family’s precarious financial situation underscores the brutal reality of inheritance laws that left daughters dependent on advantageous marriages.

The cinematography amplifies these themes, with sweeping shots of grand estates juxtaposed against the modest Bennet home, reinforcing the divide between privilege and struggle. The candlelit interiors and misty landscapes evoke a sense of longing—not just romantic, but for freedom, dignity, and self-determination.

Wright’s adaptation doesn’t just retell Austen’s story; it makes it resonate anew. The tension between tradition and change, duty and desire, remains as relevant today as it was in Austen’s time. This is a Pride and Prejudice that pulses with life, reminding us that love is not just about attraction, but about defiance, choice, and the courage to demand more.

📅 Tuesday, 27th May

The Good, the Bad and the Ugly (1966) – ITV4, 9:00 PM
Sergio Leone’s spaghetti western is a slow-burn masterpiece of cinema, rich in tension and iconic in style. Clint Eastwood, Eli Wallach, and Lee Van Cleef form an uneasy triangle of greed, pragmatism, and ruthlessness as they hunt for a cache of hidden gold during the chaos of the American Civil War.

Storyville: White Man Walking is a deeply unsettling yet necessary documentary that examines the journey of a man who once embraced white supremacist ideology but later rejected it, dedicating his life to de-radicalisation. The film follows Rob Bliss, a white filmmaker who embarks on a 1,500-mile walk through America’s southern states wearing a Black Lives Matter T-shirt, confronting hostility, armed Trump supporters, and moments of unexpected connection.

This documentary is not just about one man’s personal reckoning—it’s about the broader social and political forces that shape radicalisation and the difficulty of breaking free from them. It explores the deep racial and ideological divide in America, asking why advocating for Black lives provokes such visceral anger, particularly in poor, rural white communities. The film does not offer easy answers but instead forces viewers to sit with discomfort, reflecting on the systems that sustain racism and the silence that allows it to persist.

The documentary also highlights the power of human connection. While Bliss encounters hostility, he also finds moments of solidarity—people willing to walk beside him, listen, and engage in difficult conversations. These interactions underscore the possibility of change, however slow and painful it may be.

By marking the fifth anniversary of George Floyd’s murder, White Man Walking serves as both a personal journey and a broader call for empathy and understanding. It challenges viewers to consider what it truly means to be an ally and how deeply ingrained prejudices can be confronted—not just in theory, but face to face, in the streets.

📅 Wednesday, 28th May

The Hate U Give (2018) – Film4, 11:25 PM
Adapted from Angie Thomas’s acclaimed novel, this is a raw, emotionally charged film about a teenager grappling with police violence, activism, and identity. Amandla Stenberg stars as Starr Carter, who moves between two worlds—her poor, Black neighbourhood and a privileged, mostly white private school.

Sense and Sensibility (Episodes 1–3) – BBC Four, from 10:00 PM
This Austen adaptation takes its time, allowing each emotional shift to unfold gradually. Episode one introduces the Dashwood sisters and their sudden reversal of fortune. Episode two brings romantic possibility and quiet heartbreak. Episode three deepens the conflict between duty and desire.

📅 Thursday, 29th May

The Remains of the Day (1993) – Film4, 6:05 PM
Merchant Ivory’s The Remains of the Day (1993) is a masterclass in restraint, a film that unfolds with quiet devastation, exploring dignity, repression, and the weight of missed opportunities. Anthony Hopkins delivers a haunting performance as Stevens, a butler whose unwavering loyalty to duty has left him emotionally stunted, unable to grasp the depth of his own sacrifices. Emma Thompson’s Miss Kenton, warm and perceptive, offers him a glimpse of something more—a life beyond service, beyond rigid decorum—but Stevens, bound by his own sense of propriety, cannot reach for it.

Beneath its elegant surface, the film is a profound meditation on class, power, and the cost of unquestioning loyalty. Stevens’ devotion to Lord Darlington, a man whose political sympathies veer dangerously toward appeasement, reflects the broader theme of misplaced faith—how adherence to hierarchy and tradition can blind individuals to moral failings. The film subtly critiques the British class system, showing how servitude, even when performed with dignity, can become a form of self-erasure.

The historical backdrop—the years leading up to World War II—adds another layer of tragedy. Stevens, so consumed by his role, fails to see the shifting tides of history, just as he fails to acknowledge his own emotions. His journey, framed as a road trip to reconnect with Miss Kenton, is less about rekindling romance and more about reckoning with regret. The film asks: What happens when a life is spent in service to others, at the expense of one’s own desires? Can dignity exist without personal fulfillment?

Visually, The Remains of the Day is stunning in its subtlety. The grandeur of Darlington Hall contrasts with the quiet melancholy of its inhabitants. The cinematography lingers on small gestures—a glance, a hesitation, a hand hovering near another—capturing the unspoken emotions that define the film. The final scene, with Stevens watching Miss Kenton disappear into the night, is a gut punch, a moment of realization too late.

This is not just a story of lost love; it is a story of self-denial, of the dangers of living entirely for duty. It remains one of the most poignant explorations of class, history, and human frailty ever put to screen. A film that lingers, much like the regrets it so delicately portrays.

L.A. Confidential (1997) – Legend, 9:00 PM
Curtis Hanson’s L.A. Confidential (1997) is a neo-noir masterpiece that peels back the glossy veneer of 1950s Los Angeles to reveal a city steeped in corruption, deception, and moral compromise. Adapted from James Ellroy’s novel, the film follows three very different cops—each with their own approach to justice—as they navigate a world where crime, politics, and Hollywood glamour are dangerously intertwined.

At its core, L.A. Confidential is a scathing critique of institutional corruption. The LAPD, presented as both protector and predator, operates more like a syndicate than a force for good. The film exposes the ways in which power is wielded—not to uphold justice, but to control narratives, silence dissent, and maintain the illusion of order. The media plays a crucial role in this deception, with tabloid journalist Sid Hudgens manufacturing scandals to serve the interests of those in power. The film’s portrayal of police brutality, cover-ups, and manipulation feels eerily relevant, reflecting ongoing conversations about law enforcement and accountability.

The three central detectives—Ed Exley (Guy Pearce), Bud White (Russell Crowe), and Jack Vincennes (Kevin Spacey)—embody different facets of the system. Exley, ambitious and idealistic, believes in justice but struggles with the compromises required to achieve it. White, driven by personal trauma, is a violent enforcer who sees himself as a protector of the vulnerable. Vincennes, slick and self-serving, is caught between his role as a cop and his desire for celebrity. Their arcs highlight the moral ambiguity of law enforcement—how personal motivations, rather than principles, often dictate actions.

The film also critiques the myth of Hollywood glamour. Beneath the dazzling lights and star-studded façades lies exploitation, secrecy, and the commodification of human lives. Kim Basinger’s Lynn Bracken, a Veronica Lake lookalike trapped in a world of manufactured fantasies, represents the cost of this illusion. Her character underscores the film’s theme of identity—how people are shaped, manipulated, and sometimes destroyed by the roles they are forced to play.

Visually, L.A. Confidential is stunning. Hanson and cinematographer Dante Spinotti craft a world that feels both nostalgic and unsettlingly modern. The film’s rich color palette, sharp contrasts, and meticulous framing evoke classic noir while maintaining a contemporary edge. The violence is brutal but never gratuitous, serving as a stark reminder of the consequences of unchecked power.

L.A. Confidential is a meditation on truth, power, and the cost of integrity in a world built on deception. Its themes remain as relevant today as they were in the 1950s. A gripping, intelligent, and beautifully crafted piece of cinema that refuses to offer easy answers.

Kelly’s Heroes (1970) – BBC Four, 10:30 PM
Kelly’s Heroes (1970) is a war film that defies traditional narratives, embracing a cynical, satirical view of military bureaucracy, heroism, and war’s underlying motivations. Unlike conventional World War II films, it presents soldiers driven not by duty but by personal gain, turning the battlefield into a gold heist rather than a noble struggle. Authority figures are depicted as incompetent or oblivious, reinforcing the idea that war is often mismanaged by those in power while individual soldiers must navigate its chaos for survival. The film also critiques the economic dimensions of war, framing it as an enterprise of profit rather than ideological conflict. Oddball, played by Donald Sutherland, embodies the countercultural spirit of the late 1960s, rejecting traditional military discipline in favour of a free-spirited, almost hippie-like philosophy that contrasts with standard war-film protagonists. By presenting combat as absurd and greed-driven, Kelly’s Heroes dismantles wartime heroism, portraying war not as a patriotic duty but as an opportunistic, often farcical endeavor. Beneath its comedic surface lies a sharp critique of warfare’s futility, making it one of the most subversive films in the genre.

📅 Friday, 30th May

Fire Island (2022) – Channel 4, 12:10 AM
Andrew Ahn’s Fire Island (2022) is a vibrant, unapologetically queer reimagining of Pride and Prejudice, set against the backdrop of the legendary Fire Island Pines. It’s a film that blends sharp social commentary with heartfelt romance, capturing both the joy and complexity of modern queer life.

Fire Island is a story about friendship, love, and the unspoken hierarchies within the LGBTQ+ community. Joel Kim Booster’s Noah, a witty and self-assured protagonist, takes on the Elizabeth Bennet role, navigating class divisions, romantic entanglements, and the pressures of queer social spaces. Bowen Yang’s Howie, more reserved and yearning for connection, mirrors Jane Bennet, while Conrad Ricamora’s Will, initially aloof and guarded, embodies the Darcy archetype. Their relationships unfold within the intoxicating chaos of Fire Island’s party scene, where status, attraction, and self-worth are constantly negotiated.

The film doesn’t shy away from exploring the intersection of class and privilege within queer spaces. Fire Island, long a haven for gay men, is also a place where wealth and exclusivity shape social dynamics. The tension between Noah’s working-class background and the affluence of Will and his friends echoes Austen’s critique of rigid class structures. The film asks: Who gets to belong? Who is deemed desirable? And how do these unspoken rules affect the way queer people see themselves and each other?

Beyond its social themes, Fire Island is a celebration. It revels in the freedom of chosen family, the thrill of summer romance, and the power of community. The humour is sharp, the chemistry electric, and the emotional beats deeply resonant. It’s a film that understands the importance of representation—not just in its diverse cast, but in its refusal to put pain over happiness.

The film is stunning, capturing the sun-soaked beauty of Fire Island while contrasting its idyllic setting with moments of vulnerability and introspection. The soundtrack pulses with energy, mirroring the highs and lows of the characters’ journeys. And at its heart, Fire Island remains true to Austen’s themes—love, self-discovery, and the courage to challenge societal expectations.

This is more than just a rom-com; it’s a statement. A film that embraces the messiness, beauty, and complexity of life while reminding us that, sometimes, love is found in the most unexpected places. Smart, funny, and full of heart, Fire Island is a modern classic in its own right.

Shadow in the Cloud (2020) – BBC One, 12:30 AM
Shadow in the Cloud (2020) is a genre-bending thrill ride that fuses WWII aerial combat with supernatural horror, feminist themes, and pulpy action. Chloë Grace Moretz delivers a fierce performance as Maude Garrett, a flight officer carrying a top-secret package aboard a B-17 bomber. As she battles sexism from the all-male crew, she soon faces an even greater threat—a monstrous gremlin lurking on the aircraft.

The film’s feminist undercurrent is unmistakable. Garrett’s struggle for respect mirrors the historical reality of women in male-dominated fields, particularly in wartime. The crew’s dismissive attitude toward her reflects ingrained misogyny, making her fight for survival not just against the creature but against systemic prejudice. Her resilience and tactical brilliance challenge the notion that heroism is reserved for men, reinforcing the film’s subversive edge.

Beyond its feminist themes, Shadow in the Cloud critiques wartime propaganda and the glorification of military heroism. The exaggerated action sequences—where Garrett defies gravity and logic—play into the myth-making often associated with war stories. The film knowingly embraces its absurdity, using it to highlight the way narratives of heroism are shaped and distorted.

The film is striking, with claustrophobic cinematography that heightens tension. The confined space of the bomber’s ball turret becomes a pressure cooker, forcing Garrett into a relentless battle against both human and supernatural threats. The gremlin itself, a nod to WWII folklore, symbolizes the unseen dangers of war—whether mechanical failures, enemy attacks, or internal sabotage.

While the film’s tonal shifts can be jarring, its audacity is part of its charm. It refuses to be boxed into a single genre, blending horror, action, and feminist commentary into a chaotic but compelling spectacle. Shadow in the Cloud is bold, bonkers, and undeniably entertaining—a film that takes risks and revels in its own madness.

📡and finally, Streaming Choices

Surviving the Tunisia Beach Attack – Prime Video, from Sunday 25 May

This documentary offers a deeply personal and harrowing account of the 2015 Tunisia beach massacre, where a lone gunman killed 38 people, including 30 British tourists. Told through the voices of survivors, it reconstructs the attack moment by moment, exploring the fight-or-flight responses that saved lives and the extraordinary acts of courage in the face of terror.

Beyond its immediate tragedy, the documentary examines the long-term psychological impact of such violence. Survivors reflect on grief, trauma, and the struggle to rebuild their lives, highlighting the resilience of the human spirit. It also raises broader ethical and political questions about terrorism, security failures, and the responsibility of governments in protecting citizens abroad.

The attack, linked to Islamic extremism, underscores the ongoing global challenge of radicalisation and the devastating consequences of ideological violence. The documentary does not just recount events—it forces viewers to confront the fragility of safety, the unpredictability of terror, and the ways in which societies respond to such atrocities. It is a vital piece of storytelling that honours the victims while prompting reflection on the world’s ongoing battle against extremism.

Department Q – Netflix, from Thursday, 29th May

This Danish crime series, based on Jussi Adler-Olsen’s bestselling novels, delves into the dark underbelly of Nordic noir, blending psychological depth with slow-burning intrigue. The story follows Carl Mørck, a brilliant but emotionally scarred detective, assigned to a cold case unit after a traumatic incident leaves his partner paralysed and another officer dead.

Department Q is an exploration of guilt, redemption, and the institutional failures within law enforcement. Mørck’s exile to the basement of the police department reflects the way bureaucracies often sideline those who challenge the system. His relentless pursuit of justice, despite personal demons, speaks to the moral complexities of policing—how trauma, corruption, and political pressures shape investigations.

The series also critiques the justice system’s handling of cold cases, questioning how many crimes remain unsolved due to negligence, lack of resources, or deliberate cover-ups. As Mørck and his team uncover buried truths, the show forces viewers to consider the ethical dilemmas of law enforcement: What happens when justice is delayed? How do victims and their families cope with unresolved crimes?

With its bleak Scandinavian landscapes and intricate storytelling, Department Q is a gripping addition to the Nordic noir genre, offering both suspense and a thought-provoking look at the human cost of crime and justice.

Picture credits

Mon Oncle (1958)
Fair use, https://en.wikipedia.org/w/index.php?curid=14855843
Doctor Who
By https://www.instagram.com/bbcdoctorwho/p/DHyBku8OAtV/, Fair use, https://en.wikipedia.org/w/index.php?curid=79334790
Apocalypse Stalin
By James Abbe – Immediate source: [1]Initial publication: The New York Times, 8 May 1932 (image of first page available at [2]), as attested in Shooting Stalin: The Wonderful Years of James Abbe (2005), ISBN 9783865210432, Public Domain, https://commons.wikimedia.org/w/index.php?curid=163452326
Liza: A Truly Terrific Absolutely True Story
By Unknown author – ebay, Public Domain, https://commons.wikimedia.org/w/index.php?curid=28341206
The Running Man (1987) (Note: often listed as 1987)
By http://www.impawards.com/1987/running_man.html, Fair use, https://en.wikipedia.org/w/index.php?curid=34215915
From Russia with Love (1963)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=37428191
Three Thousand Years of Longing (2022)
By http://www.impawards.com/2022/three_thousand_years_of_longing_xxlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=70822455
Jane Austen
Fair use.
Pride and Prejudice (2005)
The poster art can or could be obtained from Focus Features., Fair use, https://en.wikipedia.org/w/index.php?curid=30525992
The Good, the Bad and the Ugly (1966)
Derived from a scan of the poster (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=5714576
The Hate U Give (2018)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=58853244
Sense and Sensibility (TV adaptation – BBC) (2008)
By http://elegance-of-fashion.blogspot.com/2011/03/review-sense-and-sensibility-2008.html, Fair use, https://en.wikipedia.org/w/index.php?curid=24033034
The Remains of the Day (1993)
By http://www.impawards.com/1993/remains_of_the_day.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6745078
L.A. Confidential (1997)
By http://www.impawards.com/1997/la_confidential.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6898645
Kelly’s Heroes (1970)
By Metro-Goldwyn-Mayer (MGM) – IMPawards, Fair use, https://en.wikipedia.org/w/index.php?curid=38329896
Fire Island (2022)
By Searchlight Pictures – https://twitter.com/searchlightpics/status/1518589402305507329?s=20&t=z98t5jxp96X-UEKqWN4Jfg, Fair use, https://en.wikipedia.org/w/index.php?curid=70626655
Shadow in the Cloud (2020)
By http://www.impawards.com/2020/shadow_in_the_cloud_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=66402981

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Culture Vulture Picks: 12th–18th April 2025

April 11, 2025 at 8:03 pm · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , , ,

Selections and commentary by Pat Harrington | Music by Tim Bragg

As spring air stirs this week’s cultural offerings invite reflection, revelation — and the occasional revolution. Television and streaming cover a wide range of genres, from sci-fi and ska to true crime and torch songs. They deliver stories that challenge, charm, and cut deep.

This week’s guide is curated by Pat Harrington. Music is provided by Tim Bragg. It picks out standout offerings across British TV and streaming platforms from an alternative viewpoint. You might be settling in with a brew. Maybe you’re catching up on-demand. There’s something here for the curious. It’s perfect for the bold and the discerning.

This week’s top highlights:

  • Doctor Who returns with a stylish regeneration and a fresh Doctor.
  • Ute Lemper resurrects Weimar Berlin in an unforgettable late-night cabaret.
  • The Hunt delivers taut moral suspense in one of the week’s most powerful film broadcasts.

Saturday, 12th April

Doctor Who – Series 1, Episode 1: The Robot Revolution, 6:50 PM, BBC One
🌟 Highlight
In this thrilling opener, Ncuti Gatwa’s Doctor steps fully into his role. The Doctor does so with a captivating blend of charm and boldness. This embodies the essence of renewal that defines Doctor Who. The episode delves into the ever-relevant theme of AI and its potential consequences when it turns against humanity. A rogue AI uprising is the central conflict. It delivers an engaging mix of suspense. The action keeps viewers on the edge of their seats.

The Doctor’s unique approach to problem-solving is highlighted as he faces the daunting task of halting the rebellion. Gatwa’s portrayal introduces an energetic twist to the character. This modern interpretation makes this episode a perfect entry point for newcomers. It also delights long-time fans. The visual effects, clever dialogue, and emotional undercurrents guarantee this reboot feels fresh yet connected to the show’s legacy.

Expect moments of humor, heart, and intense drama as the Doctor navigates moral dilemmas and technological dangers. The supporting cast and their interactions with Gatwa’s Doctor add depth and color. This sets the stage for a promising season. The season will be filled with adventures that challenge conventions and push boundaries.

The Queen and the Traitor: A Great British Scandal, 7:45 PM, BBC One
Anthony Blunt’s story defies expectations. It reveals the extraordinary secrets that can lie hidden in plain sight. This drama sheds light on a man who was far more than he appeared to be. On the surface, Blunt was an esteemed art historian and a trusted advisor. He was deeply embedded in the royal household. He rubbed shoulders with the most influential people in Britain, including Queen Elizabeth II herself. His reputation was one of intellect, sophistication, and loyalty.

But what makes this tale so compelling is the stark contradiction at its heart. Behind this polished facade was a man living a double life. He was working covertly as a Soviet spy during the tense and dangerous era of the Cold War. The drama examines the choices that led Blunt to betray his country. It also reveals the sheer audacity it took to keep his dual identities. It examines themes of loyalty, betrayal, and moral complexity. The story reveals that even those in the most privileged and trusted positions are capable of unimaginable deception.

This portrayal delves into Blunt’s actions. It also examines the ripple effects of his treachery. This exposure highlights the fragile balance between trust and power within institutions like the monarchy. It is a haunting reflection on the lengths people will go to for ideology, ambition, or survival. Such decisions can have a devastating impact on those around them. This drama goes beyond a simple historical recount. It captures the human drama and ethical dilemmas at the core of one of Britain’s most shocking betrayals.

Made in Britain, 8:35 PM, ITV4
Celebrating the grit, innovation, and legacy of the UK’s manufacturing industries. From factories to family businesses, this documentary series spotlights unsung heroes of British industry.

Sunday, 13th April

Walter Presents: Cold Summer, 12:35 AM, Channel 4
Cold Summer is a gripping Italian crime thriller. It is set in Bari during the early 1990s. The story begins with the devastating arson of the Petruzzelli Theatre. This act disrupts the fragile peace among the city’s criminal clans. The son of mafia boss Nicola Grimaldi is kidnapped. Alessio Boni plays Nicola Grimaldi. Despite a ransom being paid, the kidnapped son is later found murdered. This event causes the delicate balance of power to collapse. It plunges the city into chaos.

The narrative follows Pietro Fenoglio. He is portrayed by Paolo Sassanelli and is a carabinieri officer navigating the murky world of mafia feuds and corruption. The prime suspect is Vito Lopez, a former confidant of Grimaldi. He surrenders to the authorities and offers to become a state’s witness. While confessing to many crimes, Lopez denies involvement in the boy’s murder. As Fenoglio and his partner Pellecchia dig deeper, they uncover a shocking truth. The murder was committed by two of their own colleagues. This revelation forces Fenoglio to confront the ethical dilemma of bringing justice against fellow officers. It challenges his loyalty to the uniform. It also tests his commitment to the law.

The series is a tense exploration of betrayal, power, and the fight for justice. It is set in a city teetering on the edge of corruption. The moody atmosphere and morally complex characters make it a compelling watch. It offers a poignant reflection on the cost of loyalty. It also reflects the pursuit of truth in a world where trust is scarce.

Willard White Remembers Porgy and Bess, 8:35 PM, BBC Four
Opera legend Willard White reflects on his iconic role. This role was in Gershwin’s landmark work. He offers a poignant exploration of race. The reflection includes legacy and artistic endurance.

George Gershwin’s Porgy and Bess, 8:50 PM, BBC Four
This is a lavish production of the American opera classic. It blends jazz, gospel, and folk. The story told is one of love and struggle in the Deep South.

Ute Lemper Sings Kurt Weill. Tune in at 11:55 PM on BBC Four.
🌟 Highlight
Lemper brings Kurt Weill’s music to life in a way that feels both timeless and deeply personal. Lemper is known as one of the most accomplished interpreters of Weill’s work. She immerses her audience in a rich tapestry of sound and emotion. She channels the spirit of artistic rebellion that defined Weill’s legacy. Through her distinctive voice and theatrical presence, she transforms each song into a vivid story. She gives classics like Surabaya Johnny, Alabama Song, and Pirate Jenny an intensity. The songs have a nuance that captivates listeners.

This late-night BBC Four special creates an intimate atmosphere where music and storytelling blend seamlessly. Lemper’s delivery blurs the boundaries between a traditional performance and something far more dynamic. It offers a unique experience. This feels as much like an emotional journey as it does a concert. The themes of love, heartbreak, and political defiance ripple through each note. These themes remind us of the power of art to challenge the status quo. Art speaks to the soul.

This performance is for anyone with a passion for music that transcends the ordinary. It is also for those drawn to the evocative allure of cabaret noir. Finally, it is for those who simply wish to be moved. This event stands as an unmissable celebration of Kurt Weill’s enduring genius. It’s less about nostalgia and more about the raw relevance of these songs in today’s world.

Monday, 14th April

Capricorn One (1977), 2:35 PM, Legend
This gripping thriller takes viewers on a journey. It delves into the murky world of conspiracy theories. It also explores government deception. The film imagines a scenario where NASA fakes a manned mission to Mars. They are driven by the pressure to maintain funding. The plot also concerns maintaining public trust.

Elliott Gould stars as a determined journalist. James Brolin plays one of the astronauts caught in the web of lies. The story unfolds with nail-biting tension. The government forces the astronauts to participate in the hoax. They soon find themselves hunted by government agents who are determined to keep the truth buried. The film captures the paranoia and distrust of the Cold War era. It blends suspense, drama, and a touch of sci-fi to create a thought-provoking narrative.

With its sharp commentary on power and ethics, Capricorn One remains a classic. It challenges viewers to question the narratives presented by authority. Will you be watching this retro gem? It’s a fascinating piece of cinema history!

The Last of Us, 9:00 PM, Sky Atlantic
Post-apocalyptic storytelling at its finest. The much-anticipated return continues Joel and Ellie’s harrowing journey with haunting visuals and gut-punch emotional stakes. Season two of The Last of Us continues Joel and Ellie’s story. They navigate a world devastated by a fungal pandemic. The series is based on the acclaimed 2013 video game. It has redefined what adaptations can achieve. This proves that gaming narratives can translate into compelling television. The first season was a groundbreaking success. It earned 24 Emmy nominations. It won six awards, including ones for its exceptional storytelling and performances.

The show’s ability to capture the emotional depth and complexity of the game is impressive. It expands the narrative and has set a new standard for adaptations. Pedro Pascal and Bella Ramsey deliver standout performances as Joel and Ellie, bringing authenticity and nuance to their roles. Their chemistry remains the heart of the series, drawing viewers into the characters’ struggles and triumphs.

By staying true to the essence of the game, The Last of Us has reached both fans and newcomers. Thoughtful adjustments for television were made. Its success has paved the way for future projects. This success shows that gaming stories can thrive in the world of prestige television. These stories need to be handled with care and creativity. Season two promises to build on this legacy. It will offer more of the gripping drama.

Tuesday, 15th April

Tombstone (1993), 9:00 PM, Film4

Tombstone (1993) is a Western that stands out for its sharp storytelling and unforgettable performances. Kurt Russell and Val Kilmer lead the cast. They bring depth and charisma to their roles as Wyatt Earp and Doc Holliday. The film captures the tension and drama of the Old West. It weaves a tale of loyalty, revenge, and the struggle for justice.

Kilmer’s portrayal of Doc Holliday is particularly remarkable. He imbues the character with a mix of wit, vulnerability, and defiance. This makes Holliday both a tragic figure and a force to be reckoned with. He delivers iconic lines like “I’m your huckleberry.” This has cemented his performance as one of the most memorable in the genre. Russell’s Wyatt Earp, meanwhile, is a compelling blend of determination and moral complexity, anchoring the story with his presence.

The film’s stylized approach to the Western genre is clear in its striking cinematography and intense action sequences. From the gunfight at the O.K. Corral, viewers experience the simmering confrontations between lawmen and outlaws. Tombstone keeps viewers engaged with its dynamic pacing. The dramatic stakes hold their attention. The supporting cast is impressive. Sam Elliott and Bill Paxton play Earp’s brothers. They add layers to the narrative and create a rich tapestry of characters and conflicts.

Beyond the action, Tombstone is a film that resonates not just as a thrilling Western. It is also a story about the human condition in a time of chaos and change.

Wednesday, 16th April

Pauline Black: A Two-Tone Story, 9:00 PM, Sky Arts
Pauline Black’s story is about resilience, creativity, and defiance. This documentary captures her journey with vivid detail. As the frontwoman of The Selecter, she became a defining voice of the Two-Tone movement. This genre fused ska, punk, and reggae to challenge societal norms. It also confronted issues of race and identity. The documentary delves into her personal journey. It explores the challenges she faced as a woman of color in the male-dominated music industry. It also reviews the political landscape of the time.

Through interviews, archival footage, and performances, the film paints a portrait of Black not just as a musician. She was a trailblazer who used her platform to advocate for equality and justice. It highlights her ability to channel her experiences into powerful lyrics and performances that resonated with audiences and inspired change. The rebellious spirit of Two-Tone is woven throughout, celebrating its impact on music and culture.

This documentary is more than a retrospective. It celebrates Pauline Black’s enduring legacy and the movement she helped shape.

Re:cord On… The Specials: A Message to You, 10:50 PM, Sky Arts
A loving exploration of the Specials’ enduring anthem. The show blends personal stories with cultural context. It is a perfectly ska-soaked time capsule.

Hideous Kinky (1998), 11:30 PM, BBC Two
This evocative drama is based on Esther Freud’s semi-autobiographical novel. It stars Kate Winslet as Julia. She is a young English mother seeking a fresh start in 1970s Morocco. Accompanied by her two daughters, Julia embarks on a journey of self-discovery. She grapples with the challenges of raising children. At the same time, she chases spiritual enlightenment and personal freedom.

The film is set against the vibrant and chaotic backdrop of Marrakech. It captures the essence of a time and place where tradition and modernity collide. Winslet delivers a nuanced performance. She portrays Julia’s vulnerability and determination. Julia navigates relationships, cultural differences, and the search for meaning in a world far removed from her own.

With its dreamy cinematography, warm tones, and moments of quiet introspection, Hideous Kinky offers a gently strange journey. It provides a deeply human exploration of identity, love, and the pursuit of happiness. It’s a film that lingers in the mind, inviting viewers to consider their own journeys.

Targeted: Lebanon’s Deadliest Attack, 11:00 PM, Channel 4
This powerful documentary investigates a devastating bombing in Beirut. It unpacks the international entanglements that led to tragedy. A vital piece of longform journalism.

Thursday, 17th April

Wonderland: Science Fiction in the Atomic Age – Episode 3 of 4. Airing at 8:00 PM on BBC Four.
The series explores how sci-fi channeled 20th-century nuclear fears into tales of aliens, dystopias, and human hubris. A stylish trip through speculative imagination.

Love My Face, Episode 1 at 10:00 PM. Episode 2 is at 11:05 PM on BBC Two.
This deeply personal series follows people navigating facial difference and the decision to undergo surgery. A moving challenge to societal ideas of beauty and visibility.

The Hunt (2019), 10:50 PM, Film4
🌟 Highlight
The Hunt (2019) is a sharp and provocative thriller. It delves into the divisions of modern society. Directed by Craig Zobel, the story follows a group of strangers. They wake up in an unfamiliar location. They quickly realize they are being hunted by a group of wealthy elites. The film plays with tension, humor, and violence as it navigates the chaos that unfolds.

At the center of the narrative is Betty Gilpin as Crystal. She is one of the captives who refuses to be a victim. Gilpin’s performance is magnetic—she brings intelligence, wit, and unrelenting toughness to a character who consistently outsmarts her captors. Her portrayal ensures that Crystal’s journey is both engaging and deeply satisfying to watch.

The film doesn’t shy away from its social commentary. It takes aim at political extremes with a dark and biting sense of humor. The film’s satirical approach may not resonate with everyone. Yet, it successfully holds a mirror up to the absurdities and hypocrisies of our times. The pacing is relentless. It keeps viewers gripped from start to finish. The action sequences are executed with precision and energy.

Visually, the film juxtaposes its idyllic setting with the brutal events taking place, adding an unsettling layer to the story. The Hunt is bold and unflinching. It challenges audiences to think about the consequences of prejudice. It examines mob mentality and the ways we engage with opposing views. You might see it as a sharp critique. Or you might view it simply as an intense thriller. Either way, it leaves a lot to think about long after the credits roll.

Friday, 18th April (Good Friday)

King of Kings (1961), 8:15 AM, BBC Two
This Technicolor epic captures the grandeur and solemnity of its subject matter. It offers a richly detailed depiction of key moments from the New Testament. The film begins with the birth of Jesus. It then portrays his ministry. The climax focuses on his crucifixion and resurrection. This narrative is both reverent and cinematic.

The sweeping visuals are enhanced by Miklós Rózsa’s powerful score. His music adds emotional depth. It also brings a sense of majesty to the story. The music underscores the film’s most poignant moments. It enhances the film’s ability to resonate with audiences on a spiritual level. It also touches them on an emotional level. Jeffrey Hunter’s portrayal of Jesus brings a quiet intensity to the role. The supporting cast adds layers of complexity to the historical and personal dynamics at play.

This retelling is not just a recounting of biblical events but an exploration of themes like faith, sacrifice, and redemption. The film’s meticulous attention to detail stands out. Its thoughtful direction ensures it continues to hold significance, particularly during the Easter season. Whether you’re drawn to its artistic achievements or its spiritual message,

The Rolling Stones: Live at the Fonda, 9:25 PM, BBC Four
Filmed in 2015, this intimate club show was recorded. It proves the Stones still swagger and seduce. An electrifying setlist in a small venue setting.

Mick Jagger: My Life as a Rolling Stone, 10:50 PM, BBC Four
From rock god to cultural icon. This show dissects the myth. It reveals the man behind the mic – and the moves.

Keith Richards: My Life as a Rolling Stone, 11:50 PM, BBC Four
A tribute to the Stones’ riff king. He is a bluesman, outlaw, and survivor. A love letter to the world’s most charismatic guitarist.

and finally, Streaming – Netflix

Behind the Curtain: Stranger Things – The First Shadow. It is available from Tuesday, 15th April.
The Stranger Things universe gets theatrical in this lavish West End origin story. Set in 1950s Hawkins, it’s a moody, sharply-written prequel packed with nostalgia and stage magic.

Oklahoma City Bombing: American Terror. It is available from Friday, 18th April.
🌟 Highlight
A chilling, in-depth documentary examining the 1995 bombing, its perpetrators, and the rise of homegrown extremism. Sobering, necessary, and disturbingly relevant. Essential viewing in an age where history repeats — and warns.

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Culture Vulture 15th to the 21st of February 2025

February 15, 2025 at 11:09 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , ,

Welcome to Culture Vulture

Your weekly entertainment guide, written from an alternative viewpoint. Here, we explore film, TV, and streaming with a focus on fresh perspectives, overlooked gems, and stories that challenge the mainstream. Culture Vulture isn’t just about what’s on—it’s about why it matters.

All selections and writing are by Pat Harrington. Music is from Tim Bragg.

This Week’s Highlights

Quo Vadis, Aida? – BBC2 1.25am, Saturday
A devastating look at one woman’s struggle to save her family as history’s cruel machinery grinds forward.

Zero Day – Streaming from Thursday
A high-stakes political thriller where secrets aren’t just power—they are survival.

The Quiet Girl – C4 12.10am, Monday
A beautifully restrained story of a child discovering kindness for the first time.

Stay tuned for in-depth reviews, critical takes, and a perspective you won’t find anywhere else.

Saturday 15th February 2025

Songs Inspired By The Movies At The BBC – BBC2 8.35pm

This programme brings together a mix of performances from the BBC archives. The selection spans decades.. Some choices, like Bananarama’s Robert De Niro’s Waiting and Deep Blue Something’s Breakfast at Tiffany’s, make clear connections to cinema. Others are more tenuous—Shania Twain’s That Don’t Impress Me Much is included seemingly for name-dropping Brad Pitt rather than any deeper film link.

An T-Eilean (The Island) – BBC4 9pm

“An T-Eilean” (The Island) is a gripping Scottish Gaelic-language crime drama set in the picturesque Outer Hebrides. The series follows Kat Crichton (played by Sorcha Groundsell), a family liaison officer who returns to her island home after a decade to investigate the murder of Lady Mary, the wife of a wealthy tycoon2. As Kat delves into the case, she uncovers deep-seated family secrets and confronts her own troubled past.

The show’s stunning landscapes and authentic portrayal of island life add to its atmospheric tension, while the blend of Gaelic and English dialogue enriches the storytelling. With a talented cast including Sagar Radia as DCI Ahmed Halim and Iain Macrae as Sir Douglas Maclean, “An T-Eilean” stands out as a landmark in Gaelic-language television, offering a unique and captivating viewing experience.

A Quiet Place (2018) – Film4 11.20pm

Silence is survival. In this world, sound brings death, so a family learns to live in near-complete quiet. Every movement is careful, every word unspoken. Even the smallest mistake can cost a life.

The tension never fades. The father, protective but powerless, builds barriers that cannot last. The mother, expecting a child, knows the risk she takes. The children, forced to grow up too fast, carry burdens they never chose.

There is love here, even in the fear. The film is as much about family as it is about horror. In the end, survival is not just about silence—it’s about sacrifice.

Quo Vadis, Aida? (2020) – BBC2 1.25am

Aida is a translator, caught between duty and desperation. She works for the UN, believing she can keep her family safe. But the promises made to her are empty, and the walls close in.

She moves through crowded rooms, pleading with those in power. Some listen, some turn away. No one tells the truth. Outside, families wait, uncertain of their fate. Inside, decisions are made, final and cold.

There is no justice here, no hero to save the day. Only the choices of one woman, trying to hold onto hope when all is lost.

Sunday 16th February 2025

Notorious (1946) – Talking Pictures 6pm

In this classic Alfred Hitchcock thriller, spies, betrayal, and a love tangled in lies take center stage. Alicia Huberman (Ingrid Bergman), the daughter of a convicted Nazi spy, is recruited by government agent T.R. Devlin (Cary Grant) to infiltrate a group of Nazi sympathizers in South America. Her mission: to seduce Alex Sebastian (Claude Rains), a high-ranking member of the group.

As Alicia delves deeper into her role, her loyalty and love are tested at every turn. She plays her part well, but at what cost? The camera lingers on her face, the weight of her choices visible in every glance. Devlin, torn between his duty and his feelings for Alicia, watches from a distance, caught between trust and suspicion.

Shadows stretch long across the screen, secrets hiding in every corner. The tension between Alicia and Alex, and Alicia and Devlin, drives the film forward, making every interaction charged with suspense. Some films age, others sharpen with time. This one remains as sharp as ever, its tensions still cutting deep.

Nixon In The Den – PBS America 8.35pm

A man at the peak of power, yet always afraid. Nixon’s world was built on paranoia, on enemies real and imagined. This documentary takes us inside that world, showing the mind behind the man.

The footage is stark. Private conversations reveal a leader whose victories brought no peace. The need to control, to silence opposition, grew stronger the higher he climbed. He had power but never security.

History has judged him, but this film lets him speak.

Escaping Utopia (one of three) – BBC2 9pm

Some individuals are born into environments where control is paramount. They are instructed on what to believe, whom to fear, and what to love. For those who manage to break free, the concept of freedom can be both unfamiliar and daunting.

“Escaping Utopia” is a poignant documentary that delves into the lives of individuals who have left behind strict, closed communities, such as the Gloriavale Christian Community in New Zealand. The film chronicles their journeys as they step into a world vastly different from the one they were conditioned to accept. Through candid interviews and personal stories, viewers gain insight into the psychological toll of escaping a controlled environment.

Gloriavale, founded in 1969 by Neville Cooper (also known as “Hopeful Christian”), is a small and isolated cult located on the West Coast of New Zealand’s South Island. The community is known for its fundamentalist Christian beliefs, large families, and strict gender roles. Members wear distinctive uniforms, and the community has faced numerous allegations of abuse and exploitation over the years.

Many participants speak with a sense of relief, having finally found the courage to seek a new life. However, others share their experiences with palpable pain, as the past continues to cast long shadows over their present. Even after leaving, the memories and scars of their previous lives remain deeply etched.

This documentary not only tells a story of survival but also highlights the profound sense of loss that comes with leaving behind everything they once knew. It explores the challenges of adapting to a new reality, the fear of the unknown, and the resilience required to rebuild one’s identity. Through their voices, “Escaping Utopia” offers a moving narrative of courage, transformation, and the enduring quest for freedom.

Words On Bathroom Walls (2020) – BBC3 10.30pm

A teenager struggles with a mind that won’t stay quiet. He sees things others don’t, hears voices no one else hears. His world is fractured, shifting, always uncertain.

The film does not romanticise his experience. The fear is real, but so is his humour. He clings to love, to the idea of normality, even when it feels out of reach.

It’s not just about illness. It’s about understanding, about how people see those who are different. He wants to be more than his diagnosis. But will the world let him?

Monday 17th February 2025

Gaza: How To Survive A Warzone – BBC2 9pm

Survival is not just about staying alive. It is about finding food, keeping loved ones safe, and making choices no one should have to make. For those living in a warzone, danger is constant, but life must go on.

The documentary follows people navigating destruction in Gaza, a place where the conflict between Israel and Hamas has left deep scars. A mother, shielding her children from the chaos; a doctor, working tirelessly without supplies; a boy, too young to understand but old enough to feel fear. Their days are filled with waiting—waiting for aid, for news, for the next attack.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people. Through the lens of three children and a young woman with a newborn, the documentary captures the harrowing reality of life in Gaza, where even the youngest are forced to confront unimaginable horrors.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people.

The Real Stonehouse – ITV1 10.45pm

John Stonehouse was a British politician who built his life on deception. A charismatic and ambitious man, he climbed the ranks of the Labour Party, gaining power and enjoying the rewards that came with it. However, lies and deceit can only hold for so long, and eventually, the truth catches up with him.

The documentary unfolds the riveting tale of Stonehouse’s audacious plan to fake his own death. In 1974, facing financial ruin and the possibility of his fraudulent activities being exposed, Stonehouse staged his own disappearance in Miami, leaving behind a neatly folded pile of clothes on the beach. He hoped to start afresh in Australia under a new identity, away from his mounting troubles. However, he underestimated the complexity of the world around him and his ability to outsmart the authorities.

As the story progresses, Stonehouse’s carefully crafted facade begins to crumble. His plans unravel when a combination of errors, including his conspicuous behavior and the astuteness of law enforcement, leads to his arrest in Melbourne, Australia. Despite his initial success in evading capture, the flaws in his scheme become evident, and his downfall is inevitable.

“The Real Stonehouse” does not paint him as a straightforward villain or a tragic victim. Instead, it presents a nuanced portrait of a man whose ambition and hubris outweighed his abilities. The documentary explores the intricacies of his deception, his motivations, and the eventual consequences of his actions. Through interviews, archival footage, and expert analysis, viewers are given an in-depth look at the life and times of John Stonehouse, a politician whose legacy is forever marked by his infamous attempt to escape his past.

The Quiet Girl (2022) – C4 12.10am

A child sent away, silent and watchful. She has learned not to expect much. But in a new home, she finds something unfamiliar: kindness.

The film moves slowly, allowing glances and gestures to speak. No grand events, no dramatic revelations—just a girl realising she is valued. The sadness lingers, but so does the warmth.

It’s a story of care, of understanding what love looks like when words are few. And it’s a reminder that some things, once given, cannot be taken away.

Tuesday 18th February 2025

Georgia Harrison, Porn, Power, Profit (Part One) – ITV4 9pm

A woman fights to reclaim what was stolen. Private moments turned into public spectacle. A violation excused as entertainment.

Her voice is clear, unwavering. She refuses to let others define her. The legal battles are long, but the personal cost is greater. This is not just about her—it is about a system that allows such things to happen.

Speaking out comes with risks. But silence would mean accepting defeat. And she is not willing to do that.

Snowpiercer (2013) – ITV4 10pm

A train circles a frozen Earth. Inside, life is divided. The rich live in luxury, the poor fight for scraps. Order is kept through force, and rebellion simmers below the surface.

The film moves fast, each carriage revealing something new. Violence is sudden, brutal. The cost of change is high, but the alternative is worse. The train cannot run forever.

It asks, without ever saying it directly: who deserves comfort, and who is left to suffer? And who decides?

Wednesday 19th February 2025

Georgia Harrison, Porn, Power, Profit (Part Two) – ITV4 9pm

Georgia Harrison returns to ITV2 and ITVX with a two-part series exploring the lucrative world of the online porn business following on from her previous documentary, Revenge Porn: Georgia vs Bear.

Georgia explains:-

“What we really wanted to do was get to the bottom of who is behind the posting of image-based sexual abuse that’s still out there. The first part involves me having to really look into where my video still is which is obviously a really tough thing to do, but by doing that we could then decipher how many different sites it was on. Then this gave us a way of following the video,  figuring out who is actually behind the money and who is advertising next to this image-based sexual abuse.

“When it comes to DeepFake pornography, I have so many women now messaging me through my inbox for help. That’s usually all forms of abuse, so image-based sexual abuse, DeepFake pornography, domestic abuse, anything to do with a struggling relationship or another person involved, people tend to reach out.

“I was just seeing more and more issues around DeepFakes, a lot from mothers and it was affecting their children in school and I just thought, ‘this is the same sort of feeling as image-based sexual abuse’. It is the same feeling of humiliation, a violation of literally being de-clothed without your consent. It’s unconsented image-based abuse. Just because it’s fake, doesn’t mean it doesn’t evoke the same emotion within the victim it affects.” 

With the global porn industry worth an estimated $1 billion globally, Georgia takes a deep dive look into how this hugely profitable industry works and seeks to uncover just how far her own illegal video has spread, and who might be profiting from it.

Georgia says:-

“Overall, the purpose of doing both documentaries is to do two things; give the power back to the victims and look into how the porn industry works and how it makes its money.  I’ve been very open about what’s happened to me, been to Downing Street, won my court case…I very publicly made it obvious that my video is unconsented, yet it’s still on so many websites. 

“It’s raising awareness of that, because hopefully, we can evoke change within the internet, so in the future, not just me, but any person who has been a victim of revenge porn won’t have to wake up every day wondering if it’s still out there.  If you can stop the people higher up from investing into the advertisement at the bottom, then the people at the bottom won’t keep putting up unconsented footage because they won’t be making any money off it. It’s just exposing the ecosystem. 

“And with DeepFakes, it’s exposing the issue because so many people aren’t aware of it and I’m telling you, I had heard of it and I had friends who were affected by it, but until really looking into it and immersing myself into the world of it, I had no idea how damaging it is to society. How much it’s catching us all up, how much it’s ruining young people’s lives. It’s affecting parents and teachers who are dealing with this issue in schools, it’s a really horrible thing to do.  Recently it was announced that the creation of deepfakes will be made illegal so the more awareness I can raise around it, the more likely it will be implemented.” 

Here at Culture Vulture we agree that the battle is not over. The system protects those who exploit. She keeps speaking, keeps pushing. Justice is slow, but silence would mean giving up.

Others come forward. Similar stories, the same fight. The problem is bigger than one case. It is built into the way power works.

It is a hard watch, but an important one. The cost of speaking out is high, but the cost of staying silent is higher.

The Father (2020) – Film4 9pm

In “The Father,” Anthony Hopkins delivers an extraordinary performance as an elderly man grappling with the disorienting effects of dementia. As his mind betrays him, time loses its coherence, certainty becomes elusive, and familiar faces morph into strangers. Rooms shift, and memories vanish like smoke, leaving both Anthony and the audience in a labyrinth of confusion and doubt.

The film places us inside Anthony’s fragmented perception of reality. We experience his bewilderment firsthand, seeing through his eyes and feeling the same disorientation he endures. Olivia Colman portrays Anne, Anthony’s devoted daughter, who is both patient and exhausted, struggling to care for a father who is gradually slipping away. Her unwavering commitment to him serves as an emotional anchor amidst the chaos.

“The Father” is a deeply affecting exploration of the devastating impact of dementia on individuals and their families. There is no relief, no easy resolution—only the harsh, quiet truth that some battles cannot be won. The film’s brilliance lies in its ability to evoke empathy and understanding for those facing this relentless condition, leaving a lasting impression on all who watch.

Shayda (2023) – Film4 1.35am

A mother and daughter seek refuge, but safety is fragile. They are not free, not really. The past is close, the threat never far.

The film is filled with small moments. A child laughing, a mother braiding hair. But underneath, the fear remains. How long can they stay hidden?

It does not promise a happy ending, only a chance to keep going. And sometimes, that is enough.

Thursday 20th February 2025

Vesper (2022) – Film4 9pm

In a world that is dying and struggling to survive, young Vesper is a beacon of hope and resilience. The 13-year-old girl, armed with exceptional bio-hacking skills, navigates a post-apocalyptic landscape where resources are scarce and survival is a daily battle. Clever and resourceful, Vesper faces overwhelming odds, but her determination never wavers.

The bleakness of the landscape is starkly contrasted by Vesper’s indomitable spirit. She does not wait for salvation; instead, she fights for it with every ounce of her being. Along her journey, she encounters a diverse cast of characters—some cruel and opportunistic, others kind and supportive. Each person she meets shapes her path and challenges her resolve, forcing her to confront difficult truths and make impossible choices.

“Vesper” presents a vision of the future that feels all too relevant to our present-day concerns. The film raises urgent questions about who controls the resources, who gets to live, and who is left behind. Through its captivating narrative and stunning visuals, the film invites viewers to ponder the ethical implications of genetic technology and the power dynamics at play in a world on the brink of collapse.

The story takes a poignant turn when Vesper rescues Camellia, a young woman from a citadel, promising to take Vesper and her father to a place of safety. As they search for another survivor, Elias, the bond between Vesper and Camellia deepens, adding layers of emotional complexity to the narrative.

“Vesper” is a beautifully crafted film that combines science fiction with a deeply human story of survival, resilience, and hope. It is a hauntingly evocative portrayal of a world where the line between savior and survivor is blurred, and where the fight for a better future is both a personal and collective struggle.

It is a vision of the future, but its questions are for now. Who controls the resources? Who gets to live? And who is left behind?

Stan & Ollie (2018) – BBC4 11.45pm

“Stan & Ollie” is a heartfelt biographical film that explores the final years of the legendary comedy duo, Stan Laurel and Oliver Hardy. Laughter made them famous, but fame, like all things, fades with time. The once adored pair, who brought joy to millions with their slapstick humor, now find themselves struggling to fill theatres during their post-war tour of Britain in 1953.

The film captures the poignant reality of their later years, as the inseparable friends face diminishing audiences and the physical toll of age. Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) deliver masterful performances, portraying the deep bond and unwavering friendship that define their relationship. Despite the challenges they face, their camaraderie and mutual respect never truly break.

“Stan & Ollie” is a gentle film, filled with nostalgia and a deep sense of affection for its subjects. It does not seek to shock or dramatize but instead offers a tender remembrance of two icons of comedy. Their final years were not easy, marked by health struggles and financial difficulties, but they had each other to lean on.

The film beautifully illustrates the evolution of comedy and the shifting tastes of audiences. While comedy changes and new stars emerge, the work of Laurel and Hardy remains timeless. Their influence on the genre is undeniable, and their routines continue to evoke laughter even now. “Stan & Ollie” serves as a touching tribute to their legacy, reminding us that behind the laughter were two men who shared an unbreakable bond and a passion for making people smile.

Friday 21st February 2025

Red Eye (2005) – GREAT!movies 9pm

“Red Eye,” directed by Wes Craven, is a taut and gripping thriller that keeps viewers on the edge of their seats from start to finish. The story revolves around Lisa Reisert (Rachel McAdams), a hotel manager who boards a late-night flight from Dallas to Miami. Expecting a routine trip, Lisa soon finds herself trapped in a nightmare when she meets Jackson Rippner (Cillian Murphy), a charming yet menacing stranger.

As the plane ascends, the tension escalates minute by minute. Jackson reveals his true intentions, coercing Lisa into assisting with a high-stakes assassination plot targeting a high-profile guest at her hotel. The confined space of the airplane amplifies the claustrophobic atmosphere, leaving Lisa with few options for escape.

Despite being clever and resourceful, Lisa faces a formidable adversary in Jackson, who is always one step ahead. The battle between them is as much psychological as it is physical, with mind games and threats intensifying the stakes. The film masterfully plays on the primal fear of being trapped and powerless, creating a relentless sense of suspense.

“Red Eye” excels in its simplicity and effectiveness. The plot unfolds with precision, building tension through expertly crafted scenes and sharp dialogue. Wes Craven’s direction ensures that every moment counts, making even the smallest details contribute to the overall sense of dread. Sometimes, fear needs no ghosts or monsters—just a locked door and no way out.

The performances by Rachel McAdams and Cillian Murphy are outstanding, with McAdams portraying Lisa’s vulnerability and determination, while Murphy’s chilling portrayal of Jackson adds to the film’s menacing aura. “Red Eye” is a testament to the power of a well-executed thriller, proving that sometimes the most terrifying scenarios are grounded in reality.

Lindisfarne’s Geordie Genius: The Alan Hull Story – BBC4 9pm

Alan Hull, the heart and soul of the folk-rock band Lindisfarne, was a musician who never chased fame but found it nonetheless. His songs resonated with the struggles and joys of ordinary lives, painting vivid pictures through poetic, political, and deeply personal lyrics. Hull’s music spoke to the hearts of many, capturing the essence of life in the North East of England.

“Lindisfarne’s Geordie Genius: The Alan Hull Story” is a heartfelt documentary that delves into the life and legacy of this remarkable artist. The film lets Hull’s music tell his story, showcasing the depth and authenticity of his songwriting. Through a blend of archival footage, interviews, and performances, viewers are taken on a journey through Hull’s career, from his early days with Lindisfarne to his solo work.

The documentary does not seek to sensationalize or dramatize Hull’s life. Instead, it offers a gentle and nostalgic reflection on his contributions to music and his impact on those around him. Hull’s words, whether addressing social issues or personal experiences, remain as relevant and powerful today as they were when first penned.

Hull was not a star in the traditional sense—he was a man who stayed true to his roots and his craft. His songs, filled with wit, warmth, and wisdom, continue to resonate with audiences, ensuring his legacy endures. The documentary serves as a reminder of the enduring power of music and the remarkable talent of Alan Hull.

Rock Goes To College BBC4 10pm

“Rock Goes to College” was a BBC series that showcased various rock bands performing live at university venues. Lindisfarne’s episode, first aired on November 17, 1978. It captures the band’s raw energy and charm in an intimate setting2. The performance highlights their unique blend of folk and rock, with Alan Hull’s distinctive voice and songwriting taking centre stage. The stripped-down, acoustic feel of the show allows the audience to experience Lindisfarne’s music in a personal and authentic way. This episode remains a cherished memory for fans, showcasing the band’s enduring appeal and musical talent.

And finally, Streaming

The Chief: All four episodes available from Thursday, 20th February 2025. Scot Squad comedy spin-off following pompous and out of touch Cameron Miekelson (Jack Docherty).

Zero Day: All six episodes available from Thursday, 20th February 2025. A political thriller set against a US under cyber attack where morality is less important than results.

Walter Presents: Evilside: All six episodes available from Friday, 21st February 2025 A bullied outcast on a remote island becomes the prime suspect in the ritualistic murder of her friend.

Video Picture Credits

Songs Inspired By The Movies At The BBC
An T-Eilean (The Island) – Sorcha Groundsell
By MTV UK – Sorcha Groundsell & Percelle Ascott Talk Sex Scenes – Netflix’s The Innocents – MTV Movies, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=116162815
A Quiet Place (2018)
By http://popcornhorror.com/5-horror-movies-whose-atmosphere-will-scare-hell/, Fair use, https://en.wikipedia.org/w/index.php?curid=56965271
Quo Vadis, Aida? (2020)
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
Nixon In The Den
By Department of Defense. Department of the Army. Office of the Deputy Chief of Staff for Operations. U.S. Army Audiovisual Center. (ca. 1974 – 05/15/1984) – This file was derived from: Richard M. Nixon, ca. 1935 – 1982 – NARA – 530679.jpg:, Public Domain, https://commons.wikimedia.org/w/index.php?curid=92980570
Escaping Utopia
Protest against the cult – By Schwede66 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94977675
Words On Bathroom Walls (2020)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=64561738
Gaza: How To Survive A Warzone
The Real Stonehouse
John Stonehouse – By André Cros – This photograph is part of the Fonds André Cros, preserved by the city archives of Toulouse and released under CC BY-SA 4.0 license by the deliberation n°27.3 of June 23rd, 2017 of the Town Council of the City of Toulouse., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=119124824
The Quiet Girl (2022)
By Inscéal – IMDB, Fair use, https://en.wikipedia.org/w/index.php?curid=70151764
Georgia Harrison, Porn, Power, Profit (Part One)
Shutterstock under license
Vesper
By kinopoisk.ru, Fair use, https://en.wikipedia.org/w/index.php?curid=7187855071878550
Snowpiercer (2013)
By http://www.impawards.com/2013/snowpiercer_ver27_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40911316
Georgia Harrison, Porn, Power, Profit (Part Two)
The Father (2020)
By IMP Awards / Intl > UK > 2020 Movie Poster Gallery / The Father Poster (#2 of 3), Fair use, https://en.wikipedia.org/w/index.php?curid=63838973
Shayda (2023)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=74709056
James May’s Great Explorers (Part Two)
Vesper (2022)
Stan & Ollie (2018)
By https://www.imdb.com/title/tt3385524/, Fair use, https://en.wikipedia.org/w/index.php?curid=58029929
Red Eye (2005)
By http://www.impawards.com/2005/red_eye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1958423
Lindisfarne’s Geordie Genius: The Alan Hull Story
By Rodhullandemu – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4380270
Rock Goes To College
The Godfather (1972)
By http://www.movieposterdb.com/poster/ff7638bd, Fair use, https://en.wikipedia.org/w/index.php?curid=6703024
Additional artwork from KollectivFutur

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