Posts Tagged movie-reviews

Culture Vulture 15th to the 21st of March 2025

March 14, 2025 at 2:18 pm · Filed under Documentaries, Film & DVD Reviews, TV Shows ·Tagged , , , , , , , , , , ,

5,085 words, 27 minutes read time.

Welcome to Culture Vulture, your alternative, non-mainstream weekly entertainment guide. Our aim is to highlight films and programmes that offer something deeper—whether through social critique, political subtext, or psychological insight. Selection and writing are curated by Pat Harrington, with music provided by Tim Bragg.

Here are three highlights from this week’s schedule:

  • The French Connection (1971) – BBC Two, 22:00, Sunday 16th March A gritty, uncompromising crime thriller that delves into police obsession, systemic corruption, and the brutal realities of law enforcement. Gene Hackman’s portrayal of Popeye Doyle remains one of cinema’s most fascinating antiheroes.
  • The Northman (2022) – Film 4, 21:00, Monday 17th March Robert Eggers’ visually stunning Viking epic explores revenge, destiny, and the destructive cycles of violence, questioning whether vengeance ever leads to true justice.
  • Aftersun (2022) – BBC Three, 21:00, Friday 21st March A deeply moving drama about memory, fatherhood, and self-discovery, Aftersun offers a quiet yet powerful meditation on nostalgia and intergenerational trauma.

Longer reviews of some of the featured films are available at Counter Culture, where we explore the cultural, philosophical, and political themes embedded within these works.

Now, on to this week’s full schedule:

Saturday, 15th March 2025

The Third Man (1949)

BBC Two, 14:50
Carol Reed’s The Third Man is a masterclass in post-war noir cinema, dripping with shadowy intrigue and moral ambiguity. Set in a divided, war-torn Vienna, the film follows an idealistic American writer, Holly Martins (Joseph Cotten), as he arrives in the city to meet his old friend Harry Lime (Orson Welles), only to discover that Lime is dead—under suspicious circumstances. As Martins digs deeper, the lines between truth and deception blur, leading him into a web of corruption, espionage, and betrayal.

Beyond its gripping narrative, The Third Man is a film about disillusionment and the erosion of idealism in the face of harsh political realities. Reed’s use of canted angles and deep shadows heightens the sense of unease, while the haunting zither score by Anton Karas underscores the melancholy of a city divided by war. The film asks uncomfortable questions about loyalty and morality—who gets to decide what is right and wrong in a world recovering from the trauma of global conflict?

Orson Welles’ enigmatic portrayal of Harry Lime elevates the film to legendary status. His brief yet unforgettable performance, particularly in the famous Ferris wheel scene, reveals the chilling pragmatism of a man who sees human suffering as an economic opportunity. In an age where corporate greed and political maneuvering continue to dominate global discourse, The Third Man remains as relevant as ever.

War for the Planet of the Apes (2017)

GREAT!Movies, 18:25
In a franchise often associated with science-fiction spectacle, War for the Planet of the Apes stands out as a meditation on leadership, revenge, and the cost of war. The film follows Caesar (Andy Serkis), the reluctant leader of the apes, as he seeks to protect his people from a ruthless human military faction led by the fanatical Colonel (Woody Harrelson). As the war escalates, the film pivots into a deeply introspective journey, exploring Caesar’s internal struggle between his quest for justice and his growing desire for vengeance.

Unlike its predecessors, War for the Planet of the Apes places a heavier emphasis on themes of morality and power. While it draws clear parallels to historical conflicts—including the American Civil War and Vietnam—the film also resonates in today’s era of authoritarianism and xenophobia. The apes, once portrayed as the ‘other,’ become a reflection of humanity’s own capacity for resistance and unity in the face of oppression.

Andy Serkis delivers one of the most remarkable motion-capture performances in cinema history, bringing depth and gravitas to Caesar’s character. His nuanced portrayal allows us to see a leader burdened by the weight of responsibility, forced to navigate a world where survival often comes at the cost of one’s soul. In an era where political leadership is under intense scrutiny, War for the Planet of the Apes asks what it truly means to lead—and at what cost.

Lady Gaga: Inside the Chaos

BBC Two, 20:30
Lady Gaga: Inside the Chaos features an insightful conversation between Lady Gaga and BBC’s music correspondent, Mark Savage. In this intimate documentary, Gaga discusses the creation of her latest album, Mayhem, her growing connection with a younger audience, and offers a glimpse into her personal life.

She shares the inspiration and creative freedom behind Mayhem, a blend of various genres reflecting her artistic evolution. Working with producers like Andrew Watt and her fiancé, Michael Polansky, Gaga has crafted an album that’s both personal and universally relatable.

Additionally, Gaga talks about how her music resonates with a younger audience, attributing this to her unique style and genre-defying music. Her use of visual storytelling and social media has strengthened her bond with fans, allowing her to engage directly and create a sense of unity.

On the personal front, Lady Gaga opens up about her relationship with Michael Polansky and the impact it has had on her life. She reflects on her journey, the pressures of fame, and the importance of mental health, emphasizing self-care and resilience.

Overall, Lady Gaga: Inside the Chaos is a must-watch for those interested in the behind-the-scenes realities of creative industries and the personal sacrifices involved in achieving success.

Lady Gaga at the BBC

BBC Two, 21:00
A retrospective of Lady Gaga’s performances and interviews, this programme showcases her growth as both a musician and a cultural icon. Her ability to blend avant-garde artistry with mainstream appeal is highlighted through key moments in her career, from early pop hits to experimental projects that challenge industry norms.

Enya at the BBC

BBC Two, 22:00
Enya at the BBC is a captivating retrospective that celebrates the ethereal sound and enduring appeal of Enya. This collection of performances and interviews showcases her unique ability to blend haunting melodies with lush, atmospheric arrangements. The programme highlights key moments in her career, from her early days with Clannad to her solo success with hits like “Orinoco Flow” and “Only Time.”

Enya’s music has always provided a refuge for listeners, offering a sense of tranquility and escape from the chaos of everyday life. Her distinctive style, characterized by layered vocals and intricate instrumentation, is beautifully captured in this compilation. The documentary also delves into her creative process, revealing the meticulous craftsmanship behind her timeless compositions.

As I Roved Out

BBC Two, 22:45
As I Roved Out is a captivating BBC programme that delves into the rich tradition of Irish folk music. This documentary offers an exploration of how Irish ballads and folk songs have preserved history, identity, and resistance through the ages.

Featuring rare performances and in-depth discussions with contemporary musicians, the programme highlights the enduring relevance of these traditional songs. It examines the role of oral storytelling in shaping national memory and the way these ballads have been passed down through generations.

The documentary also provides insights into the personal and cultural significance of the songs, showcasing their power to evoke emotion and convey the struggles and triumphs of the Irish people. Through evocative performances and thoughtful commentary, As I Roved Out celebrates the beauty and resilience of Irish folk music, making it a must-watch for anyone interested in cultural heritage and musical traditions.

St. Patrick’s Day at the BBC

BBC Two, 23:15

St. Patrick’s Day at the BBC is a vibrant celebration of Irish culture and music, showcasing some of the finest performances from the BBC archives. The programme features a diverse lineup of artists, including U2, Sinead O’Connor, Van Morrison, The Pogues, The Corrs, and The Cranberries, reflecting the immense impact of Irish music on the global stage.


A musical celebration featuring performances that capture the spirit of Ireland. Beyond the revelry, the programme subtly acknowledges the historical struggles tied to Irish identity and the role of music in cultural resilience.

Sunday, 16th March 2025

Dark Victory (1939)

BBC Two, 13:30
Bette Davis delivers a powerhouse performance in Dark Victory, a deeply moving drama that explores mortality, resilience, and self-discovery. Davis plays Judith Traherne, a wealthy socialite whose carefree existence is upended when she is diagnosed with a terminal illness. Instead of dwelling on despair, she embarks on a journey of personal transformation, embracing love and purpose in the face of her fate.

What makes Dark Victory stand out is its raw emotional honesty. Rather than portraying Judith as a passive victim, the film highlights her strength in choosing how to live her final days. The narrative critiques societal expectations of women, showing Judith breaking free from superficial concerns to find a deeper sense of identity. The film’s handling of terminal illness is refreshingly progressive for its time, avoiding melodrama in favor of introspective realism.

The chemistry between Davis and co-star George Brent lends the film additional depth, but it is Davis who commands every scene. Her ability to portray vulnerability without sacrificing agency ensures that Dark Victory remains a standout in Hollywood’s Golden Age. The film’s themes of self-determination and dignity in the face of mortality continue to resonate today, making it a timeless meditation on what truly matters in life.

Stardust (2007)

E4, 15:15
A fantastical adventure that blends fairy tale charm with sharp wit, Stardust is a modern classic that subverts traditional storytelling tropes. Directed by Matthew Vaughn, the film follows Tristan (Charlie Cox), an unassuming young man who embarks on a quest to retrieve a fallen star for his beloved. However, the star turns out to be a celestial woman (Claire Danes), and the journey becomes far more perilous than he anticipated.

Beyond its enchanting visuals and thrilling action, Stardust offers a deeper critique of power, ambition, and gender dynamics. The film’s antagonist, Lamia (Michelle Pfeiffer), embodies the dangers of unchecked greed, while its heroines challenge the passive roles often assigned to women in fantasy. Yvaine, the fallen star, is no mere damsel but a force of agency and independence.

A standout aspect of Stardust is its playful examination of identity. Tristan’s transformation from insecure villager to confident adventurer is not just about winning a romantic prize—it’s about self-discovery. In an era where traditional masculinity is being reevaluated, the film’s depiction of personal growth through emotional openness feels especially relevant. Stardust reminds us that true heroism is not about conquest but about understanding one’s own worth.

The French Connection (1971)

BBC Two, 22:00
William Friedkin’s The French Connection redefined the crime thriller genre, presenting a gritty, unflinching look at law enforcement and organised crime. The film follows NYPD detectives Jimmy “Popeye” Doyle (Gene Hackman) and Buddy Russo (Roy Scheider) as they attempt to dismantle a French heroin-smuggling operation. What sets The French Connection apart is its commitment to realism—filmed on location in New York, its documentary-like aesthetic immerses viewers in a world where justice is often as murky as the criminal networks it seeks to dismantle.

The French Connection is a film about obsession. Doyle, an unorthodox and deeply flawed protagonist, is driven not by noble ideals but by an almost pathological need to bring down the criminals he hunts. His reckless methods blur the line between law enforcement and vigilantism, forcing the audience to question whether the ends justify the means. In an age where discussions around police accountability are more urgent than ever, Doyle’s character serves as a stark reminder of the dangers of unchecked authority.

One of the film’s most celebrated sequences is the heart-stopping car chase beneath an elevated train track—a sequence that remains one of the most thrilling in cinema history. But beyond its technical brilliance, the film is a study in contrasts: the meticulous, disciplined criminals versus the erratic, relentless detective. This dynamic creates a tension that keeps viewers on edge throughout.

Friedkin’s decision to eschew a traditional Hollywood ending reinforces the film’s bleak realism. Unlike conventional crime dramas where justice is served, The French Connection ends on an ambiguous note, reflecting the frustrating reality of real-world law enforcement. In doing so, it captures the moral ambiguity of its time, where corruption and crime often go hand in hand.

The film also offers an early exploration of the global drug trade, an issue that continues to plague societies worldwide. The impact of such trade—on communities, law enforcement, and international politics—remains just as relevant today. By immersing the audience in the mechanics of a transatlantic smuggling operation, The French Connection forces viewers to confront the systemic nature of crime and its far-reaching consequences.

Decades after its release, The French Connection remains a landmark film, not just for its technical achievements but for its unflinching look at the complexities of justice. In an era where crime dramas have become increasingly stylised, this film’s raw, uncompromising storytelling stands as a testament to cinema’s ability to provoke, challenge, and unsettle.

Monday, 17th March 2025

The Northman (2022)

Film 4, 21:00
Robert Eggers’ The Northman is a brutal, visually arresting Viking epic that delves into themes of revenge, destiny, and the cyclical nature of violence. Inspired by the Scandinavian legend of Amleth, the film follows a young prince (Alexander Skarsgård) seeking vengeance for his father’s murder. Eggers’ meticulous attention to historical accuracy gives the film a mythic yet grounded quality, immersing viewers in a raw, elemental world where fate is inexorable.

Unlike conventional revenge narratives, The Northman examines the psychological and ethical weight of vengeance. Skarsgård’s Amleth is not a glorified hero but a deeply troubled figure, trapped in a cycle of retribution that threatens to consume him. The film subtly critiques traditional notions of masculinity and honor, questioning whether violence truly brings justice or merely perpetuates suffering.

Visually, The Northman is stunning, with haunting landscapes, hypnotic battle sequences, and surreal dream imagery that reinforce the film’s mythological underpinnings. Anya Taylor-Joy and Nicole Kidman deliver standout performances, adding depth to the narrative’s exploration of power, survival, and agency. The film’s unflinching brutality may not be for everyone, but its thematic richness makes it a compelling, thought-provoking work of historical fiction.

What Do Artists Do All Day? Jack Vettriano

BBC Four, 22:00
This insightful documentary offers a rare glimpse into the life and creative process of Jack Vettriano, one of Scotland’s most commercially successful yet critically divisive artists. Known for his evocative, film-noir-style paintings, Vettriano has long been dismissed by the art establishment despite his enduring popularity. The documentary follows him in his studio, capturing his meticulous approach to painting and his reflections on success, rejection, and artistic integrity.

Vettriano’s art is often associated with themes of longing, seduction, and nostalgia, drawing comparisons to cinematic storytelling. While some critics deride his work as overly commercial, his ability to evoke strong emotional responses from audiences speaks to its cultural significance. The documentary subtly explores this tension, raising broader questions about what defines ‘serious’ art in the contemporary landscape.

Beyond the studio, What Do Artists Do All Day? presents Vettriano’s personal journey, from his working-class roots to his unexpected rise in the art world. It highlights the ways in which class dynamics shape access to and recognition within artistic circles, making it a fascinating study of both an artist and the institutions that determine artistic legitimacy.

Jack Vettriano: Heaven and Hell XS

BBC Four, 22:30
A deeper exploration of Vettriano’s career, this follow-up programme examines his most iconic works and the controversies surrounding his artistic reputation. Through interviews with collectors, critics, and the artist himself, Heaven and Hell XS investigates how Vettriano has navigated fame, criticism, and the shifting perceptions of his work over time.

Tuesday, 18th March 2025

The Mouse That Roared (1959)

Film 4, 11:00
A biting political satire wrapped in a charming comedy, The Mouse That Roared follows the fictional, impoverished European microstate of Grand Fenwick, which declares war on the United States in the hopes of receiving post-war aid. What begins as an absurd military campaign takes an unexpected turn when Grand Fenwick accidentally wins the war, sending international politics into chaos.

Beyond its whimsical premise, the film cleverly critiques Cold War-era geopolitics and the absurdities of superpower rivalries. The notion that a tiny, unassuming nation could upend global affairs underscores the arbitrary nature of political influence and military might. Peter Sellers shines in multiple roles, delivering a satirical yet oddly sincere performance that reinforces the film’s underlying message.

In an era still dominated by discussions of international power struggles, The Mouse That Roared remains a relevant and witty exploration of how small actions can have outsized consequences. Its humor, rooted in sharp social commentary, ensures that it endures as a classic farce with serious undertones.

Can You Ever Forgive Me? (2018)

Channel 4, 02:15
A gripping drama based on true events, Can You Ever Forgive Me? tells the story of Lee Israel (Melissa McCarthy), a struggling biographer who turns to literary forgery to make ends meet. What starts as a desperate attempt to survive soon escalates into a sophisticated con, forcing Lee to navigate the ethical and legal consequences of her actions.

Melissa McCarthy delivers a career-defining performance, shedding her comedic persona to embody a deeply flawed but sympathetic character. The film’s nuanced portrayal of isolation, financial hardship, and moral compromise makes it a compelling character study that resonates far beyond its crime plot.

At its heart, Can You Ever Forgive Me? is a meditation on artistic legitimacy and societal neglect of those who fall outside the mainstream. It critiques the publishing industry’s elitism while also exploring how personal struggles can drive individuals to make impossible choices.

The Undercover Police Scandal: Love and Lies Exposed

ITV1, 22:45
This episode, titled There Are Others, delves into the shocking revelations surrounding undercover police officers who infiltrated activist groups, forming long-term relationships under false identities. Helen and Alison are introduced by a mutual friend and soon discover that their former partners belonged to a special Met Police squad tasked with infiltrating political groups. As they piece together the truth, they find that the media are not interested in their stories. Despite the lack of attention, the women rebuild their lives until a social media post seven years later unmasks one of the spy cops, Mark Kennedy, whose undercover name was Mark Stone.

The programme examines the devastating personal and legal consequences for those deceived, many of whom unknowingly built their lives around fictional personas. It does not just document the scandal but interrogates the wider implications for civil liberties and state surveillance. In an era where police accountability is a growing concern, Love and Lies Exposed highlights systemic failures and the ethical breaches within law enforcement.

Through interviews with victims, legal experts, and former officers, the documentary paints a chilling portrait of institutional deception. It forces viewers to ask whether such tactics are ever justified and what protections should exist to prevent future abuses of power.

Wednesday, 19th March 2025

The Swimmer (1968)

Film 4, 15:10
A surreal and deeply introspective drama, The Swimmer follows Ned Merrill (Burt Lancaster), a seemingly successful suburban man who decides to “swim” his way home by hopping from pool to pool in his affluent neighborhood. What begins as an eccentric, light-hearted journey slowly morphs into a devastating exploration of loss, self-delusion, and the collapse of the American Dream.

Lancaster delivers one of his most poignant performances, portraying a man whose self-perception crumbles with each interaction. As Ned encounters friends and acquaintances, the film peels away layers of his past, revealing uncomfortable truths about his financial ruin, personal failures, and emotional isolation. The film’s structure is deceptively simple, yet its impact lingers long after the credits roll.

Visually, The Swimmer uses the idyllic suburban landscape to reinforce its themes of nostalgia and disillusionment. The pools, initially symbols of luxury and freedom, become markers of Ned’s slow descent into a tragic reality he refuses to acknowledge. This underappreciated classic remains a powerful allegory for the dangers of clinging to illusions in a world that has already moved on.

French Connection II (1975)

GREAT!Action, 21:00
A sequel that dares to break convention, French Connection II follows Gene Hackman’s iconic character, Popeye Doyle, as he travels to France to track down his nemesis, drug kingpin Alain Charnier. Unlike its predecessor, which focused on high-stakes surveillance and action-packed chases, this film delves deeper into Doyle’s psyche, portraying his struggle with addiction and cultural alienation.

Hackman delivers a riveting performance, showcasing Doyle’s brash arrogance alongside his vulnerabilities. The film’s most harrowing sequence sees Doyle forcibly addicted to heroin, a stark contrast to the confident, reckless detective audiences met in the first film. His detox scenes are gut-wrenching, reinforcing the brutal realities of drug dependency and its dehumanizing effects.

While French Connection II lacks the kinetic energy of the original, it makes up for it with psychological depth and a gripping character study. The film’s critique of American exceptionalism, as Doyle flounders in a country that does not play by his rules, adds another layer of complexity to the narrative. It is a bold, often overlooked sequel that deserves more recognition.

A Cruel Love: The Ruth Ellis Story (3/4)

ITV1, 21:00
The third episode of this gripping series continues its examination of Ruth Ellis, the last woman to be executed in Britain. This episode follows Ruth, who has been found guilty and is due to hang in three weeks’ time. Initially, she accepts her fate, but as her execution date draws nearer, she grows more desperate. Her lawyer, played by Toby Jones, seeks a reprieve from the Home Office, hoping to save her from the gallows.

The Tower of London Special: Elizabeth I and Anne Boleyn, The Prisoner Queens

Channel 5, 21:00
This historical special juxtaposes the lives of two of England’s most famous queens, both of whom spent time in the Tower of London under vastly different circumstances. While Anne Boleyn met her tragic fate there, her daughter Elizabeth I later emerged from imprisonment to become one of the most powerful monarchs in history.

The documentary traces the parallels between mother and daughter, highlighting how political intrigue, gendered power struggles, and personal resilience shaped their respective legacies. Featuring expert historians and dramatic reenactments, it offers a fresh perspective on how the Tower served both as a prison and a place of transformation.

By shedding light on their personal struggles and triumphs, The Prisoner Queens challenges viewers to see beyond the myths and consider the human cost of power. It is a compelling watch for those interested in Tudor history and the lasting impact of these formidable women.

Thursday, 20th March 2025

The Old Man and the Gun (2018)

Film 4, 19:15
A charming farewell to a Hollywood legend, The Old Man and the Gun stars Robert Redford in what was widely regarded as his final acting role. The film tells the true story of Forrest Tucker, a lifelong criminal who escapes from San Quentin prison and embarks on a series of audacious heists—all carried out with remarkable politeness and charm.

Redford delivers a performance imbued with warmth, charisma, and a quiet melancholy, embodying an aging outlaw who refuses to conform to societal expectations. His dynamic with Sissy Spacek adds depth to the narrative, elevating the film beyond its crime elements to become a meditation on aging, purpose, and the joy of doing what one loves—even if it is outside the law.

Director David Lowery employs a nostalgic visual style, evoking 1970s crime films while reinforcing the story’s themes of nostalgia and time slipping away. In an era that often glorifies youthful rebellion, The Old Man and the Gun presents an alternative perspective—that of a man who has lived by his own rules and refuses to let age define him.

Hearts of Darkness: A Filmmaker’s Apocalypse (1991)

Film 4, 01:25
A legendary behind-the-scenes documentary, Hearts of Darkness chronicles the near-disastrous production of Apocalypse Now, revealing the chaos, ambition, and near-madness that fueled Francis Ford Coppola’s Vietnam War epic. Through on-set footage and candid interviews, the documentary exposes the psychological toll of artistic obsession, as Coppola battles financial ruin, uncooperative weather, and an increasingly erratic Marlon Brando.

The film offers a rare glimpse into the extremes of filmmaking, highlighting the fine line between creative genius and self-destruction. Coppola’s struggles mirror the themes of Apocalypse Now itself, with both narratives exploring power, control, and the human cost of ambition.

Beyond the film industry, Hearts of Darkness speaks to broader questions about leadership and perseverance under pressure. It is a must-watch not just for cinephiles but for anyone fascinated by the lengths to which individuals will go in pursuit of artistic vision.

St. Patrick: Born in Britain, Made in Ireland

BBC Two, 21:00
This historical documentary re-examines the life and legacy of St. Patrick, Britain’s most famous expatriate and Ireland’s most celebrated saint. Tracing his journey from a kidnapped youth to a religious icon, the programme challenges the myths surrounding his story, offering a nuanced view of his historical significance.

While St. Patrick is often romanticized as a bringer of Christianity, this documentary presents a more complex picture—one of a man navigating the political and cultural landscapes of early medieval Ireland. It explores the role of religion as both a tool of unification and division, drawing parallels to modern struggles over identity and faith.

Through expert interviews and stunning cinematography, St. Patrick: Born in Britain, Made in Ireland invites viewers to reconsider the narratives we inherit and how historical figures are shaped by the times in which they lived.

The Undercover Police Scandal: Love and Lies Exposed (3/3) – Neither Confirm Nor Deny

ITV1, 21:00
The concluding episode of this gripping investigative series delves into the long-term consequences of the undercover policing scandal that shattered lives and raised serious ethical concerns about state surveillance.

This episode focuses on the legal and emotional aftermath, highlighting the victims’ fight for justice and the institutional resistance they continue to face. Through interviews with those directly affected, the documentary uncovers how the policy of “Neither Confirm Nor Deny” has been used to evade accountability, leaving many questions unanswered.

The series as a whole stands as a powerful indictment of unchecked governmental power, exposing how trust can be systematically weaponized for the sake of intelligence gathering. It forces viewers to confront the delicate balance between security and civil liberties, a conversation that remains as urgent today as ever.

Stacey Dooley: Meet the Shoplifters

BBC Three, 21:00
Stacey Dooley’s latest investigative piece explores the rise of organized shoplifting and its connection to economic hardship, addiction, and shifting social attitudes towards crime. With her signature blend of empathy and direct questioning, Dooley speaks with shoplifters, security professionals, and those impacted by retail theft to paint a comprehensive picture of this growing issue.

The documentary goes beyond sensationalism to examine the structural factors that drive theft, highlighting how poverty, corporate policies, and law enforcement responses contribute to the cycle. It also questions whether harsher penalties or alternative rehabilitation approaches would be more effective in addressing the problem.

Dooley’s ability to humanize both perpetrators and victims makes Meet the Shoplifters a thought-provoking watch that challenges viewers to consider the broader implications of crime and punishment in contemporary society.

Friday, 21st March 2025

Aftersun (2022)

BBC Three, 21:00
A deeply introspective drama, Aftersun is a quiet yet emotionally devastating exploration of memory, childhood, and the bonds between a father and daughter. Paul Mescal delivers an understated but powerful performance as Calum, a young father trying to give his daughter Sophie (Frankie Corio) a joyful holiday while struggling with his own internal battles.

Charlotte Wells’ direction lends the film an almost dreamlike quality, where past and present blur through Sophie’s recollections of their time together. The film subtly explores themes of mental health and intergenerational trauma, with its most poignant moments emerging not from grand dramatic reveals but from quiet, unspoken interactions.

Aftersun is a meditation on nostalgia, the fleeting nature of happiness, and the way we attempt to reconcile our memories with reality. Its emotional resonance has solidified it as one of the most powerful films in contemporary cinema.

And finally, Streaming

Walter Presents: Flowers Over the Inferno

Channel 4 Streaming, available from 21st March
A psychological thriller that delves into the mind of a brilliant but haunted detective, Flowers Over the Inferno follows Teresa Battaglia, a seasoned investigator with a sharp mind but a deteriorating memory. Tasked with solving a series of gruesome murders in the Alps, she must confront both the killer and her own encroaching vulnerability.

This Italian drama, based on Ilaria Tuti’s bestselling novel, weaves an intricate narrative filled with psychological depth, rich character development, and breathtaking scenery. Unlike many crime thrillers that focus purely on action and mystery, Flowers Over the Inferno deeply examines aging, resilience, and the cost of dedicating one’s life to justice.

With a gripping storyline and a protagonist unlike any seen in crime dramas before, this series promises to be an unforgettable viewing experience for fans of dark, character-driven mysteries.

Icons of Style is a captivating new series streaming on BBC iPlayer, with the first episode available from Sunday, 16th March 2025. Presented by the esteemed journalist Kirsty Wark, this two-part series delves into the rich and influential history of Scottish fashion.

Episode One: A Journey Through Time

The first episode takes viewers on a journey through 60 years of Scottish fashion, highlighting the designers, influencers, and celebrities who have left an indelible mark on the global fashion scene. From the historical connections between Dior and Scotland to the impact of the Scottish landscape on designers like Bernat Klein, the episode offers a comprehensive look at how Scotland has shaped the fashion industry.

Celebrating Iconic Figures

Kirsty Wark meets with a diverse array of fashion icons, including actor Alan Cumming, designers Pam Hogg and Bill Gibb, and singer Sharleen Spiteri. Each interview provides unique insights into how these figures have championed Scotland’s distinctive style and contributed to its enduring appeal.

A Blend of Tradition and Modernity

The series beautifully captures the essence of Scottish fashion, showcasing how traditional elements like tartan and tweed have been reimagined for contemporary audiences. The episode also explores the role of iconic Scottish mills, such as Lochcarron, in producing fabrics for major fashion houses worldwide.

A Must-Watch for Fashion Enthusiasts

Icons of Style is a must-watch for anyone interested in the intersection of fashion, culture, and history. The series not only celebrates the creativity and innovation of Scottish designers but also highlights the importance of sustainability and the timeless nature of well-crafted garments.

Icons of Style is a visually stunning and intellectually engaging series that offers a fresh perspective on the global impact of Scottish fashion.

Picture Credits

The French Connection (1971)
By RogerEbert.com: [1], Fair use, https://en.wikipedia.org/w/index.php?curid=4368613
The Northman (2022)
By https://twitter.com/TheNorthmanFilm/status/1508806210451091463, Fair use, https://en.wikipedia.org/w/index.php?curid=69558144
Aftersun (2022)
The Third Man (1949)
By “Copyright 1949 Selznick Releasing Organization, Inc. Country of Origin U.S.A.” – Scan via Heritage Auctions. Cropped from the original image and lightly retouched to repair the torn upper-left corner., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85714336
War for the Planet of the Apes (2017)
By http://www.impawards.com/2017/war_for_the_planet_of_the_apes_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=48616125
Dark Victory (1939)
By http://www.movieposterdb.com/poster/94189217, Fair use, https://en.wikipedia.org/w/index.php?curid=7200777
Stardust (2007)
By May be found at the following website: MoviePosterDB.com, Fair use, https://en.wikipedia.org/w/index.php?curid=11120362
The Swimmer (1968)By http://www.movieposterdb.com/poster/3d02fcee, Fair use, https://en.wikipedia.org/w/index.php?curid=35940227
French Connection II (1975)
By RogerEbert.com, Fair use, https://en.wikipedia.org/w/index.php?curid=7942921
The Old Man and the Gun (2018)
By https://www.imdb.com/title/tt2837574/, Fair use, https://en.wikipedia.org/w/index.php?curid=57635090
Hearts of Darkness: A Filmmaker’s Apocalypse (1991)
By American Zoetrope – IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=39124787
Lady Gaga
By Carlos M. Vazquez II – 210120-D-WD757-1720, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=121269563
Enya
By Orlando Sentinel/ Associated Press – The Orlando Sentinel, January 22, 1989, Public Domain, https://commons.wikimedia.org/w/index.php?curid=151569434
Jack Vettriano -The Singing Butler
Fair use, https://en.wikipedia.org/w/index.php?curid=3809260
SpyCops
Used with kind permission of KollectivFutur
Ruth Ellis
Fair use, https://en.wikipedia.org/w/index.php?curid=29759349
The Tower Of London
By Joy – Tower of London, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=10578253
Stacey Dooley
By War on Want – https://www.flickr.com/photos/waronwant/3930619275/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=74634102
Can You Ever Forgive Me? (2018)
By Fox Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=56873249
Saint Patrick
By Nheyob – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39732088

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Culture Vulture 15th to the 21st of February 2025

February 15, 2025 at 11:09 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , ,

Welcome to Culture Vulture

Your weekly entertainment guide, written from an alternative viewpoint. Here, we explore film, TV, and streaming with a focus on fresh perspectives, overlooked gems, and stories that challenge the mainstream. Culture Vulture isn’t just about what’s on—it’s about why it matters.

All selections and writing are by Pat Harrington. Music is from Tim Bragg.

This Week’s Highlights

Quo Vadis, Aida? – BBC2 1.25am, Saturday
A devastating look at one woman’s struggle to save her family as history’s cruel machinery grinds forward.

Zero Day – Streaming from Thursday
A high-stakes political thriller where secrets aren’t just power—they are survival.

The Quiet Girl – C4 12.10am, Monday
A beautifully restrained story of a child discovering kindness for the first time.

Stay tuned for in-depth reviews, critical takes, and a perspective you won’t find anywhere else.

Saturday 15th February 2025

Songs Inspired By The Movies At The BBC – BBC2 8.35pm

This programme brings together a mix of performances from the BBC archives. The selection spans decades.. Some choices, like Bananarama’s Robert De Niro’s Waiting and Deep Blue Something’s Breakfast at Tiffany’s, make clear connections to cinema. Others are more tenuous—Shania Twain’s That Don’t Impress Me Much is included seemingly for name-dropping Brad Pitt rather than any deeper film link.

An T-Eilean (The Island) – BBC4 9pm

“An T-Eilean” (The Island) is a gripping Scottish Gaelic-language crime drama set in the picturesque Outer Hebrides. The series follows Kat Crichton (played by Sorcha Groundsell), a family liaison officer who returns to her island home after a decade to investigate the murder of Lady Mary, the wife of a wealthy tycoon2. As Kat delves into the case, she uncovers deep-seated family secrets and confronts her own troubled past.

The show’s stunning landscapes and authentic portrayal of island life add to its atmospheric tension, while the blend of Gaelic and English dialogue enriches the storytelling. With a talented cast including Sagar Radia as DCI Ahmed Halim and Iain Macrae as Sir Douglas Maclean, “An T-Eilean” stands out as a landmark in Gaelic-language television, offering a unique and captivating viewing experience.

A Quiet Place (2018) – Film4 11.20pm

Silence is survival. In this world, sound brings death, so a family learns to live in near-complete quiet. Every movement is careful, every word unspoken. Even the smallest mistake can cost a life.

The tension never fades. The father, protective but powerless, builds barriers that cannot last. The mother, expecting a child, knows the risk she takes. The children, forced to grow up too fast, carry burdens they never chose.

There is love here, even in the fear. The film is as much about family as it is about horror. In the end, survival is not just about silence—it’s about sacrifice.

Quo Vadis, Aida? (2020) – BBC2 1.25am

Aida is a translator, caught between duty and desperation. She works for the UN, believing she can keep her family safe. But the promises made to her are empty, and the walls close in.

She moves through crowded rooms, pleading with those in power. Some listen, some turn away. No one tells the truth. Outside, families wait, uncertain of their fate. Inside, decisions are made, final and cold.

There is no justice here, no hero to save the day. Only the choices of one woman, trying to hold onto hope when all is lost.

Sunday 16th February 2025

Notorious (1946) – Talking Pictures 6pm

In this classic Alfred Hitchcock thriller, spies, betrayal, and a love tangled in lies take center stage. Alicia Huberman (Ingrid Bergman), the daughter of a convicted Nazi spy, is recruited by government agent T.R. Devlin (Cary Grant) to infiltrate a group of Nazi sympathizers in South America. Her mission: to seduce Alex Sebastian (Claude Rains), a high-ranking member of the group.

As Alicia delves deeper into her role, her loyalty and love are tested at every turn. She plays her part well, but at what cost? The camera lingers on her face, the weight of her choices visible in every glance. Devlin, torn between his duty and his feelings for Alicia, watches from a distance, caught between trust and suspicion.

Shadows stretch long across the screen, secrets hiding in every corner. The tension between Alicia and Alex, and Alicia and Devlin, drives the film forward, making every interaction charged with suspense. Some films age, others sharpen with time. This one remains as sharp as ever, its tensions still cutting deep.

Nixon In The Den – PBS America 8.35pm

A man at the peak of power, yet always afraid. Nixon’s world was built on paranoia, on enemies real and imagined. This documentary takes us inside that world, showing the mind behind the man.

The footage is stark. Private conversations reveal a leader whose victories brought no peace. The need to control, to silence opposition, grew stronger the higher he climbed. He had power but never security.

History has judged him, but this film lets him speak.

Escaping Utopia (one of three) – BBC2 9pm

Some individuals are born into environments where control is paramount. They are instructed on what to believe, whom to fear, and what to love. For those who manage to break free, the concept of freedom can be both unfamiliar and daunting.

“Escaping Utopia” is a poignant documentary that delves into the lives of individuals who have left behind strict, closed communities, such as the Gloriavale Christian Community in New Zealand. The film chronicles their journeys as they step into a world vastly different from the one they were conditioned to accept. Through candid interviews and personal stories, viewers gain insight into the psychological toll of escaping a controlled environment.

Gloriavale, founded in 1969 by Neville Cooper (also known as “Hopeful Christian”), is a small and isolated cult located on the West Coast of New Zealand’s South Island. The community is known for its fundamentalist Christian beliefs, large families, and strict gender roles. Members wear distinctive uniforms, and the community has faced numerous allegations of abuse and exploitation over the years.

Many participants speak with a sense of relief, having finally found the courage to seek a new life. However, others share their experiences with palpable pain, as the past continues to cast long shadows over their present. Even after leaving, the memories and scars of their previous lives remain deeply etched.

This documentary not only tells a story of survival but also highlights the profound sense of loss that comes with leaving behind everything they once knew. It explores the challenges of adapting to a new reality, the fear of the unknown, and the resilience required to rebuild one’s identity. Through their voices, “Escaping Utopia” offers a moving narrative of courage, transformation, and the enduring quest for freedom.

Words On Bathroom Walls (2020) – BBC3 10.30pm

A teenager struggles with a mind that won’t stay quiet. He sees things others don’t, hears voices no one else hears. His world is fractured, shifting, always uncertain.

The film does not romanticise his experience. The fear is real, but so is his humour. He clings to love, to the idea of normality, even when it feels out of reach.

It’s not just about illness. It’s about understanding, about how people see those who are different. He wants to be more than his diagnosis. But will the world let him?

Monday 17th February 2025

Gaza: How To Survive A Warzone – BBC2 9pm

Survival is not just about staying alive. It is about finding food, keeping loved ones safe, and making choices no one should have to make. For those living in a warzone, danger is constant, but life must go on.

The documentary follows people navigating destruction in Gaza, a place where the conflict between Israel and Hamas has left deep scars. A mother, shielding her children from the chaos; a doctor, working tirelessly without supplies; a boy, too young to understand but old enough to feel fear. Their days are filled with waiting—waiting for aid, for news, for the next attack.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people. Through the lens of three children and a young woman with a newborn, the documentary captures the harrowing reality of life in Gaza, where even the youngest are forced to confront unimaginable horrors.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people.

The Real Stonehouse – ITV1 10.45pm

John Stonehouse was a British politician who built his life on deception. A charismatic and ambitious man, he climbed the ranks of the Labour Party, gaining power and enjoying the rewards that came with it. However, lies and deceit can only hold for so long, and eventually, the truth catches up with him.

The documentary unfolds the riveting tale of Stonehouse’s audacious plan to fake his own death. In 1974, facing financial ruin and the possibility of his fraudulent activities being exposed, Stonehouse staged his own disappearance in Miami, leaving behind a neatly folded pile of clothes on the beach. He hoped to start afresh in Australia under a new identity, away from his mounting troubles. However, he underestimated the complexity of the world around him and his ability to outsmart the authorities.

As the story progresses, Stonehouse’s carefully crafted facade begins to crumble. His plans unravel when a combination of errors, including his conspicuous behavior and the astuteness of law enforcement, leads to his arrest in Melbourne, Australia. Despite his initial success in evading capture, the flaws in his scheme become evident, and his downfall is inevitable.

“The Real Stonehouse” does not paint him as a straightforward villain or a tragic victim. Instead, it presents a nuanced portrait of a man whose ambition and hubris outweighed his abilities. The documentary explores the intricacies of his deception, his motivations, and the eventual consequences of his actions. Through interviews, archival footage, and expert analysis, viewers are given an in-depth look at the life and times of John Stonehouse, a politician whose legacy is forever marked by his infamous attempt to escape his past.

The Quiet Girl (2022) – C4 12.10am

A child sent away, silent and watchful. She has learned not to expect much. But in a new home, she finds something unfamiliar: kindness.

The film moves slowly, allowing glances and gestures to speak. No grand events, no dramatic revelations—just a girl realising she is valued. The sadness lingers, but so does the warmth.

It’s a story of care, of understanding what love looks like when words are few. And it’s a reminder that some things, once given, cannot be taken away.

Tuesday 18th February 2025

Georgia Harrison, Porn, Power, Profit (Part One) – ITV4 9pm

A woman fights to reclaim what was stolen. Private moments turned into public spectacle. A violation excused as entertainment.

Her voice is clear, unwavering. She refuses to let others define her. The legal battles are long, but the personal cost is greater. This is not just about her—it is about a system that allows such things to happen.

Speaking out comes with risks. But silence would mean accepting defeat. And she is not willing to do that.

Snowpiercer (2013) – ITV4 10pm

A train circles a frozen Earth. Inside, life is divided. The rich live in luxury, the poor fight for scraps. Order is kept through force, and rebellion simmers below the surface.

The film moves fast, each carriage revealing something new. Violence is sudden, brutal. The cost of change is high, but the alternative is worse. The train cannot run forever.

It asks, without ever saying it directly: who deserves comfort, and who is left to suffer? And who decides?

Wednesday 19th February 2025

Georgia Harrison, Porn, Power, Profit (Part Two) – ITV4 9pm

Georgia Harrison returns to ITV2 and ITVX with a two-part series exploring the lucrative world of the online porn business following on from her previous documentary, Revenge Porn: Georgia vs Bear.

Georgia explains:-

“What we really wanted to do was get to the bottom of who is behind the posting of image-based sexual abuse that’s still out there. The first part involves me having to really look into where my video still is which is obviously a really tough thing to do, but by doing that we could then decipher how many different sites it was on. Then this gave us a way of following the video,  figuring out who is actually behind the money and who is advertising next to this image-based sexual abuse.

“When it comes to DeepFake pornography, I have so many women now messaging me through my inbox for help. That’s usually all forms of abuse, so image-based sexual abuse, DeepFake pornography, domestic abuse, anything to do with a struggling relationship or another person involved, people tend to reach out.

“I was just seeing more and more issues around DeepFakes, a lot from mothers and it was affecting their children in school and I just thought, ‘this is the same sort of feeling as image-based sexual abuse’. It is the same feeling of humiliation, a violation of literally being de-clothed without your consent. It’s unconsented image-based abuse. Just because it’s fake, doesn’t mean it doesn’t evoke the same emotion within the victim it affects.” 

With the global porn industry worth an estimated $1 billion globally, Georgia takes a deep dive look into how this hugely profitable industry works and seeks to uncover just how far her own illegal video has spread, and who might be profiting from it.

Georgia says:-

“Overall, the purpose of doing both documentaries is to do two things; give the power back to the victims and look into how the porn industry works and how it makes its money.  I’ve been very open about what’s happened to me, been to Downing Street, won my court case…I very publicly made it obvious that my video is unconsented, yet it’s still on so many websites. 

“It’s raising awareness of that, because hopefully, we can evoke change within the internet, so in the future, not just me, but any person who has been a victim of revenge porn won’t have to wake up every day wondering if it’s still out there.  If you can stop the people higher up from investing into the advertisement at the bottom, then the people at the bottom won’t keep putting up unconsented footage because they won’t be making any money off it. It’s just exposing the ecosystem. 

“And with DeepFakes, it’s exposing the issue because so many people aren’t aware of it and I’m telling you, I had heard of it and I had friends who were affected by it, but until really looking into it and immersing myself into the world of it, I had no idea how damaging it is to society. How much it’s catching us all up, how much it’s ruining young people’s lives. It’s affecting parents and teachers who are dealing with this issue in schools, it’s a really horrible thing to do.  Recently it was announced that the creation of deepfakes will be made illegal so the more awareness I can raise around it, the more likely it will be implemented.” 

Here at Culture Vulture we agree that the battle is not over. The system protects those who exploit. She keeps speaking, keeps pushing. Justice is slow, but silence would mean giving up.

Others come forward. Similar stories, the same fight. The problem is bigger than one case. It is built into the way power works.

It is a hard watch, but an important one. The cost of speaking out is high, but the cost of staying silent is higher.

The Father (2020) – Film4 9pm

In “The Father,” Anthony Hopkins delivers an extraordinary performance as an elderly man grappling with the disorienting effects of dementia. As his mind betrays him, time loses its coherence, certainty becomes elusive, and familiar faces morph into strangers. Rooms shift, and memories vanish like smoke, leaving both Anthony and the audience in a labyrinth of confusion and doubt.

The film places us inside Anthony’s fragmented perception of reality. We experience his bewilderment firsthand, seeing through his eyes and feeling the same disorientation he endures. Olivia Colman portrays Anne, Anthony’s devoted daughter, who is both patient and exhausted, struggling to care for a father who is gradually slipping away. Her unwavering commitment to him serves as an emotional anchor amidst the chaos.

“The Father” is a deeply affecting exploration of the devastating impact of dementia on individuals and their families. There is no relief, no easy resolution—only the harsh, quiet truth that some battles cannot be won. The film’s brilliance lies in its ability to evoke empathy and understanding for those facing this relentless condition, leaving a lasting impression on all who watch.

Shayda (2023) – Film4 1.35am

A mother and daughter seek refuge, but safety is fragile. They are not free, not really. The past is close, the threat never far.

The film is filled with small moments. A child laughing, a mother braiding hair. But underneath, the fear remains. How long can they stay hidden?

It does not promise a happy ending, only a chance to keep going. And sometimes, that is enough.

Thursday 20th February 2025

Vesper (2022) – Film4 9pm

In a world that is dying and struggling to survive, young Vesper is a beacon of hope and resilience. The 13-year-old girl, armed with exceptional bio-hacking skills, navigates a post-apocalyptic landscape where resources are scarce and survival is a daily battle. Clever and resourceful, Vesper faces overwhelming odds, but her determination never wavers.

The bleakness of the landscape is starkly contrasted by Vesper’s indomitable spirit. She does not wait for salvation; instead, she fights for it with every ounce of her being. Along her journey, she encounters a diverse cast of characters—some cruel and opportunistic, others kind and supportive. Each person she meets shapes her path and challenges her resolve, forcing her to confront difficult truths and make impossible choices.

“Vesper” presents a vision of the future that feels all too relevant to our present-day concerns. The film raises urgent questions about who controls the resources, who gets to live, and who is left behind. Through its captivating narrative and stunning visuals, the film invites viewers to ponder the ethical implications of genetic technology and the power dynamics at play in a world on the brink of collapse.

The story takes a poignant turn when Vesper rescues Camellia, a young woman from a citadel, promising to take Vesper and her father to a place of safety. As they search for another survivor, Elias, the bond between Vesper and Camellia deepens, adding layers of emotional complexity to the narrative.

“Vesper” is a beautifully crafted film that combines science fiction with a deeply human story of survival, resilience, and hope. It is a hauntingly evocative portrayal of a world where the line between savior and survivor is blurred, and where the fight for a better future is both a personal and collective struggle.

It is a vision of the future, but its questions are for now. Who controls the resources? Who gets to live? And who is left behind?

Stan & Ollie (2018) – BBC4 11.45pm

“Stan & Ollie” is a heartfelt biographical film that explores the final years of the legendary comedy duo, Stan Laurel and Oliver Hardy. Laughter made them famous, but fame, like all things, fades with time. The once adored pair, who brought joy to millions with their slapstick humor, now find themselves struggling to fill theatres during their post-war tour of Britain in 1953.

The film captures the poignant reality of their later years, as the inseparable friends face diminishing audiences and the physical toll of age. Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) deliver masterful performances, portraying the deep bond and unwavering friendship that define their relationship. Despite the challenges they face, their camaraderie and mutual respect never truly break.

“Stan & Ollie” is a gentle film, filled with nostalgia and a deep sense of affection for its subjects. It does not seek to shock or dramatize but instead offers a tender remembrance of two icons of comedy. Their final years were not easy, marked by health struggles and financial difficulties, but they had each other to lean on.

The film beautifully illustrates the evolution of comedy and the shifting tastes of audiences. While comedy changes and new stars emerge, the work of Laurel and Hardy remains timeless. Their influence on the genre is undeniable, and their routines continue to evoke laughter even now. “Stan & Ollie” serves as a touching tribute to their legacy, reminding us that behind the laughter were two men who shared an unbreakable bond and a passion for making people smile.

Friday 21st February 2025

Red Eye (2005) – GREAT!movies 9pm

“Red Eye,” directed by Wes Craven, is a taut and gripping thriller that keeps viewers on the edge of their seats from start to finish. The story revolves around Lisa Reisert (Rachel McAdams), a hotel manager who boards a late-night flight from Dallas to Miami. Expecting a routine trip, Lisa soon finds herself trapped in a nightmare when she meets Jackson Rippner (Cillian Murphy), a charming yet menacing stranger.

As the plane ascends, the tension escalates minute by minute. Jackson reveals his true intentions, coercing Lisa into assisting with a high-stakes assassination plot targeting a high-profile guest at her hotel. The confined space of the airplane amplifies the claustrophobic atmosphere, leaving Lisa with few options for escape.

Despite being clever and resourceful, Lisa faces a formidable adversary in Jackson, who is always one step ahead. The battle between them is as much psychological as it is physical, with mind games and threats intensifying the stakes. The film masterfully plays on the primal fear of being trapped and powerless, creating a relentless sense of suspense.

“Red Eye” excels in its simplicity and effectiveness. The plot unfolds with precision, building tension through expertly crafted scenes and sharp dialogue. Wes Craven’s direction ensures that every moment counts, making even the smallest details contribute to the overall sense of dread. Sometimes, fear needs no ghosts or monsters—just a locked door and no way out.

The performances by Rachel McAdams and Cillian Murphy are outstanding, with McAdams portraying Lisa’s vulnerability and determination, while Murphy’s chilling portrayal of Jackson adds to the film’s menacing aura. “Red Eye” is a testament to the power of a well-executed thriller, proving that sometimes the most terrifying scenarios are grounded in reality.

Lindisfarne’s Geordie Genius: The Alan Hull Story – BBC4 9pm

Alan Hull, the heart and soul of the folk-rock band Lindisfarne, was a musician who never chased fame but found it nonetheless. His songs resonated with the struggles and joys of ordinary lives, painting vivid pictures through poetic, political, and deeply personal lyrics. Hull’s music spoke to the hearts of many, capturing the essence of life in the North East of England.

“Lindisfarne’s Geordie Genius: The Alan Hull Story” is a heartfelt documentary that delves into the life and legacy of this remarkable artist. The film lets Hull’s music tell his story, showcasing the depth and authenticity of his songwriting. Through a blend of archival footage, interviews, and performances, viewers are taken on a journey through Hull’s career, from his early days with Lindisfarne to his solo work.

The documentary does not seek to sensationalize or dramatize Hull’s life. Instead, it offers a gentle and nostalgic reflection on his contributions to music and his impact on those around him. Hull’s words, whether addressing social issues or personal experiences, remain as relevant and powerful today as they were when first penned.

Hull was not a star in the traditional sense—he was a man who stayed true to his roots and his craft. His songs, filled with wit, warmth, and wisdom, continue to resonate with audiences, ensuring his legacy endures. The documentary serves as a reminder of the enduring power of music and the remarkable talent of Alan Hull.

Rock Goes To College BBC4 10pm

“Rock Goes to College” was a BBC series that showcased various rock bands performing live at university venues. Lindisfarne’s episode, first aired on November 17, 1978. It captures the band’s raw energy and charm in an intimate setting2. The performance highlights their unique blend of folk and rock, with Alan Hull’s distinctive voice and songwriting taking centre stage. The stripped-down, acoustic feel of the show allows the audience to experience Lindisfarne’s music in a personal and authentic way. This episode remains a cherished memory for fans, showcasing the band’s enduring appeal and musical talent.

And finally, Streaming

The Chief: All four episodes available from Thursday, 20th February 2025. Scot Squad comedy spin-off following pompous and out of touch Cameron Miekelson (Jack Docherty).

Zero Day: All six episodes available from Thursday, 20th February 2025. A political thriller set against a US under cyber attack where morality is less important than results.

Walter Presents: Evilside: All six episodes available from Friday, 21st February 2025 A bullied outcast on a remote island becomes the prime suspect in the ritualistic murder of her friend.

Video Picture Credits

Songs Inspired By The Movies At The BBC
An T-Eilean (The Island) – Sorcha Groundsell
By MTV UK – Sorcha Groundsell & Percelle Ascott Talk Sex Scenes – Netflix’s The Innocents – MTV Movies, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=116162815
A Quiet Place (2018)
By http://popcornhorror.com/5-horror-movies-whose-atmosphere-will-scare-hell/, Fair use, https://en.wikipedia.org/w/index.php?curid=56965271
Quo Vadis, Aida? (2020)
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
Nixon In The Den
By Department of Defense. Department of the Army. Office of the Deputy Chief of Staff for Operations. U.S. Army Audiovisual Center. (ca. 1974 – 05/15/1984) – This file was derived from: Richard M. Nixon, ca. 1935 – 1982 – NARA – 530679.jpg:, Public Domain, https://commons.wikimedia.org/w/index.php?curid=92980570
Escaping Utopia
Protest against the cult – By Schwede66 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94977675
Words On Bathroom Walls (2020)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=64561738
Gaza: How To Survive A Warzone
The Real Stonehouse
John Stonehouse – By André Cros – This photograph is part of the Fonds André Cros, preserved by the city archives of Toulouse and released under CC BY-SA 4.0 license by the deliberation n°27.3 of June 23rd, 2017 of the Town Council of the City of Toulouse., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=119124824
The Quiet Girl (2022)
By Inscéal – IMDB, Fair use, https://en.wikipedia.org/w/index.php?curid=70151764
Georgia Harrison, Porn, Power, Profit (Part One)
Shutterstock under license
Vesper
By kinopoisk.ru, Fair use, https://en.wikipedia.org/w/index.php?curid=7187855071878550
Snowpiercer (2013)
By http://www.impawards.com/2013/snowpiercer_ver27_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40911316
Georgia Harrison, Porn, Power, Profit (Part Two)
The Father (2020)
By IMP Awards / Intl > UK > 2020 Movie Poster Gallery / The Father Poster (#2 of 3), Fair use, https://en.wikipedia.org/w/index.php?curid=63838973
Shayda (2023)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=74709056
James May’s Great Explorers (Part Two)
Vesper (2022)
Stan & Ollie (2018)
By https://www.imdb.com/title/tt3385524/, Fair use, https://en.wikipedia.org/w/index.php?curid=58029929
Red Eye (2005)
By http://www.impawards.com/2005/red_eye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1958423
Lindisfarne’s Geordie Genius: The Alan Hull Story
By Rodhullandemu – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4380270
Rock Goes To College
The Godfather (1972)
By http://www.movieposterdb.com/poster/ff7638bd, Fair use, https://en.wikipedia.org/w/index.php?curid=6703024
Additional artwork from KollectivFutur

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Culture Vulture (9-15 March 2024)

March 8, 2024 at 10:25 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , ,

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3,510 words, 19 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Writing and selections are by Pat Harrington and music is by Tim Bragg. Highlights this week include: Royal Kill List, a landmark Sky HISTORY original series that chronicles King Charles II’s relentless pursuit to avenge his father’s killers, Chopper (2000) the Australian crime drama film based on the autobiographical books by criminal-turned-author Mark “Chopper” Read and Turning Point: The Bomb And The Cold War on Netflix.

Saturday 9 March 2024

Personal Shopper (2016) 10.35pm GREAT!movies

“Personal Shopper” is a captivating and unconventional film directed by Olivier Assayas. It stars Kristen Stewart as Maureen, a young American living in Paris. Maureen works as a personal shopper for a demanding German supermodel, but she also has a secret: she’s a medium trying to communicate with her deceased twin brother.

The movie weaves together elements of horror, workplace drama, and identity exploration. Maureen’s life takes unexpected turns as she grapples with her psychic abilities and the loss of her twin. The film’s enigmatic tone keeps viewers guessing, and Stewart’s performance is impossible to ignore.

“Personal Shopper” delves into themes of grief, spirituality, and the blurred boundaries between the material and supernatural worlds. The eerie Parisian setting adds to the film’s haunting atmosphere.

Stewart delivers one of her best performances to date. Her portrayal of Maureen is both vulnerable and mysterious, capturing the character’s inner turmoil. “Personal Shopper” is a captivating and unconventional film directed by Olivier Assayas. It stars Kristen Stewart as Maureen, a young American living in Paris. Maureen works as a personal shopper for a demanding German supermodel, but she also has a secret: she’s a medium trying to communicate with her deceased twin brother.

The movie weaves together elements of horror, workplace drama, and identity exploration. Maureen’s life takes unexpected turns as she grapples with her psychic abilities and the loss of her twin. The film’s enigmatic tone keeps viewers guessing, and Stewart’s performance is impossible to ignore.

Sunday 10 March 2024

The Souvenir Part 2 (2021) 10pm BBC2

“The Souvenir Part II” is a captivating and unconventional film directed by Joanna Hogg. It continues the story of Julie, a young filmmaker haunted by her past relationship with the mysterious and destructive Anthony. The film delves into themes of memory, identity, and relationships.

Julie, portrayed by Honor Swinton Byrne, creatively exorcises Anthony’s presence through her work. As she grapples with guilt, mourning, and self-discovery, we witness moments of Powell and Pressburger influence. Tilda Swinton reprises her role as Julie’s mother, adding depth to the narrative.

The sequel maintains an elegant aesthetic while exploring deeper emotional territory. It defies industry norms and carries itself with marvellous artistry. Unlike the chilly and distant first film, this installment is emotionally charged and engaging.

Honor Swinton Byrne’s portrayal of Julie is both vulnerable and captivating. Tilda Swinton’s presence as Julie’s mother adds warmth and complexity to the film.

The sequel has been better received than its predecessor, offering a more complete and confident exploration of memory and relationships.

Basic Instinct (1992) 11.05pm 5Star

“Basic Instinct,” directed by Paul Verhoeven, is a film that defies easy categorization. Released in 1992, it straddles the line between erotic thriller, psychological drama, and crime mystery. At its core, the movie is a tantalizing exploration of sex, desire, and danger.

The film follows Catherine Tramell (played by Sharon Stone), a bisexual crime novelist who becomes a prime suspect in a murder investigation. The detective assigned to the case, Nick Curran (Michael Douglas), is drawn into a web of passion, deceit, and violence. As he delves deeper, he grapples with his own desires and vulnerabilities.

Upon its release, “Basic Instinct” sparked heated debates. The portrayal of Catherine Tramell as a bisexual femme fatale was met with resistance from the gay community. Critics questioned the film’s factual accuracy, dismissing the idea of a bisexual woman as a serial killer.

Some critics labeled the film misogynistic, pointing to its treatment of women. The character of Catherine Tramell was seen as a dangerous stereotype, reinforcing negative perceptions of female sexuality.

“Basic Instinct” has been reevaluated. Some appreciate its audacity and subversion of genre conventions. The film’s explicitness (remember the film’s notorious leg-crossing scene?) and unapologetic portrayal of desire have found new relevance.

Today, discussions around sexuality are more nuanced. Bisexuality is better understood, and LGBTQ+ representation has improved. Audiences recognize that characters like Catherine Tramell can be complex and multifaceted.

“Basic Instinct” defined the erotic thriller genre but also pushed its boundaries. It blended sex, suspense, and psychological intrigue, leaving an indelible mark.

While the film faced criticism (particularly from some feminists and gay rights activists), it also challenged societal norms. Its provocative nature forced audiences to confront their own biases and assumptions.

In retrospect, “Basic Instinct” remains a polarizing film. Its allure lies in its ability to simultaneously titillate and disturb, inviting viewers to explore the darker corners of desire. Whether celebrated or criticized, it remains a testament to the power of cinema to provoke and unsettle.

If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd (2018) 1am Sky Arts

Directed by Stephen Kijak, this authorized documentary explores the music and backstory of the legendary American band. It provides insights into their journey, struggles, and impact on rock music.

Monday 11 March 2024

To End All War:Oppenheimer And The Atomic Bomb (2023) 9pm Sky Documentaries

“To End All War: Oppenheimer & the Atomic Bomb” is a compelling documentary that delves into the life of the controversial inventor of the atomic bomb, J. Robert Oppenheimer. Directed by Christopher Cassel, the film explores Oppenheimer’s genius, contradictions, and the moral conflict that his invention caused him.

The Iceman (2012) 9pm Film4

“The Iceman,” directed by Ariel Vromen, is a chilling biographical crime film loosely based on the life of notorious hitman Richard Kuklinski. Set against the backdrop of organized crime, the movie delves into the murky depths of morality, ethics, and the human psyche.

The film introduces us to Richie Kuklinski (portrayed by Michael Shannon), a seemingly ordinary family man who harbors a dark secret: he is a stone-cold assassin responsible for over a hundred murders spanning four decades. As we follow Richie’s life, we witness the tension between his dual identities—the loving husband and father versus the ruthless killer.

Richie’s transformation from a seemingly shy working guy to a remorseless murderer raises questions about the banality of evil. His ability to compartmentalize violence and lead a double life shocks us. The film forces us to confront the unsettling truth that evil can lurk behind an unassuming facade.

Richie’s actions blur the lines between right and wrong. He kills for money, yet he also shows compassion toward children. The film challenges our black-and-white notions of morality, leaving us to grapple with the gray areas of human behavior.

Richie’s wife, Deborah (Winona Ryder), remains blissfully unaware of her husband’s true nature. The film raises questions about complicity—what happens when we turn a blind eye to the darkness within our loved ones? Deborah’s ignorance becomes both tragic and thought-provoking.

Richie embodies a hypermasculine archetype—the stoic, unemotional man who solves problems with violence. His inability to express vulnerability or seek help perpetuates harmful stereotypes. The film invites us to examine how societal expectations shape male behavior.

The film’s portrayal of the mob world reflects broader social decay. The criminal underworld thrives on secrecy, betrayal, and violence. As Richie navigates this treacherous environment, we glimpse the erosion of societal norms and trust.

Richie’s double life strains his family relationships. His daughters grow up in ignorance, shielded from their father’s true nature. The film underscores the fragility of family ties when built on deception and half-truths.

Shannon’s portrayal of Richie is haunting. His tight-lipped demeanour and unreflective gaze reveal a man devoid of remorse. Shannon captures the essence of a killer who operates in the shadows, detached from humanity.


Legacy and Reflection:

“The Iceman” echoes classic gangster films like “Goodfellas” and “Killing Them Softly” but lacks their wit and depth. Its unflinching gaze into the abyss leaves us unsettled.

As we watch Richie freeze bodies and dispose of them, we confront our own fascination with violence and the thin line separating us from darkness.
In summary, “The Iceman” is a chilling exploration of the human capacity for evil, wrapped in a cloak of suburban normalcy. It reminds us that evil can thrive even in the most mundane corners of existence.

Tuesday 12 March 2024

Royal Kill List 10pm Sky Showcase (one of three)

The story revolves around King Charles II and his relentless pursuit of revenge.

After the execution of his father, King Charles I, during the English Civil War, Charles II becomes obsessed with hunting down and punishing the Regicides—those responsible for his father’s death in 1649. 59 people siged the death warrant.

The series explores themes of espionage, revenge, power, and loyalty, providing a window into a remarkable and often overlooked historical period.

Little Joe (2019) 11.15pm BBC2

“Little Joe,” directed by Jessica Hausner, is a thought-provoking drama film that explores the consequences of genetic engineering. Released in 2019, it delves into the intersection of science, ethics, and human emotions.

The film centers around Alice Woodard (played by Emily Beecham), a plant breeder working in a lab that creates new strains of flowers. Alice and her team successfully develop a unique flower named “Little Joe.” This plant requires more care than ordinary flora but promises to make its owners happy. However, as the Little Joes begin to aggressively pollinate, Alice suspects that she has inadvertently made them sterile. Strange changes occur in those exposed to the plant’s pollen, leading to unsettling consequences.

“Little Joe” raises ethical questions about genetic manipulation. Alice’s creation of a plant that affects human behavior parallels real-world debates about genetically modified organisms (GMOs). The film prompts us to consider the consequences of tampering with nature.

Alice names the plant after her son, emphasizing the bond between parent and child. As the Little Joes affect people’s behavior, we witness how external influences can strain family dynamics. The film underscores the delicate balance between nurturing and control.

Alice’s dedication to her work blinds her to the changes occurring around her. The film critiques a society where scientific progress often comes at the cost of personal relationships. Alice’s obsession with her creation mirrors our modern preoccupation with achievement.
Political Themes Explored:

The lab’s focus on creating marketable products clashes with potential risks. The film hints at corporate pressure to release Little Joe despite its effects. This mirrors debates over profit-driven decisions versus public safety in scientific advancements.

The film doesn’t explicitly delve into government oversight, but it raises questions about the responsibility of regulatory bodies. How should we balance innovation with safeguards? Little Joe’s impact on human behavior underscores the need for ethical guidelines.

Beecham’s portrayal of Alice is both vulnerable and determined. She captures the internal struggle of a scientist torn between ambition and maternal instincts. Her nuanced performance adds depth to the film’s exploration of identity and responsibility.

“Little Joe” serves as a cautionary tale about unintended consequences. It warns against blind pursuit of scientific breakthroughs without considering the broader implications.

As we witness the subtle changes in characters exposed to the plant, we confront our own vulnerability to external influences.


In summary, “Little Joe” invites us to question the boundaries of science, the impact of genetic engineering, and the delicate balance between progress and humanity. It reminds us that even the smallest creations can have profound effects

Wednesday 13 March 2024

Death Line (1972) Legend 12.50am

“Death Line,” directed by Gary Sherman, is a gripping horror film that takes place in the eerie depths of the London Underground. Released in 1972, it combines mystery, suspense, and social commentary.

The story begins late at night in Russell Square station. University students Patricia and her American boyfriend Alex stumble upon an unconscious man on the stairwell. The man, James Manfred, OBE, vanishes mysteriously. Inspector Calhoun investigates the disappearance, leading him to explore the dark history of the Underground. Legend has it that descendants of Victorian railway workers, who survived a cave-in in 1892, still inhabit the tunnels. These survivors have resorted to cannibalism to survive.

The film portrays a London brimming with violence, cheap sex, and a ruling class indifferent to the destitute. The Underground becomes a metaphor for societal neglect, where the forgotten struggle to survive.

The abandoned tunnels symbolize decay and desperation. The cannibal’s existence in this hidden world reflects the darker aspects of urban life—the forgotten corners where humanity’s worst instincts emerge.

The Underground becomes a microcosm of alienation. Patricia and Alex, isolated from help, face the horrors alone. The film underscores how modern life can disconnect us from each other and our surroundings.

Donald Pleasence shines as Inspector Calhoun. His portrayal captures the weariness of a detective navigating a grim underworld. His skepticism clashes with the inexplicable horrors he uncovers.
Legacy and Reflection:

“Death Line” remains a cult classic, blending horror with social critique. It reminds us that beneath the bustling city lies forgotten history and hidden suffering.

As we journey with Patricia and Alex into the depths, we confront our own fears of isolation and the darkness lurking beneath the surface.
In summary, “Death Line” unearths the secrets buried beneath London’s streets, revealing a chilling tale of survival, neglect, and the primal instincts that emerge when pushed to the edge.

Thursday 14 March 2024

Chopper (2000) 11.35pm Film4

“Chopper,” directed by Andrew Dominik, is a gritty Australian crime drama released in 2000. Based on the autobiographical books by criminal-turned-author Mark “Chopper” Read, the film delves into the violent and complex life of its titular character.

Set in 1978 Victoria, the film introduces us to Mark “Chopper” Read (played by Eric Bana), an inmate at Pentridge Prison. Chopper’s reputation precedes him—he’s a violent criminal with a penchant for brutality. When he crosses a territorial line in the prison yard, a contract is put out on his life. Undeterred, Chopper recruits fellow inmates to lead a siege against rival criminals. His life is a constant struggle between survival, violence, and manipulation.

“Chopper” portrays the seedy underbelly of Melbourne’s criminal world. It exposes the power struggles, loyalty, and brutality that define this hidden society.

Chopper’s character is multifaceted. He oscillates between violence and vulnerability, revealing the psychological toll of his criminal life. The film challenges our perceptions of criminals as one-dimensional figures.

Chopper’s interactions with friends, enemies, and loved ones are fraught with tension. His loyalty wavers, and betrayal is a constant threat. The film explores the fragile bonds forged in a dangerous environment.

Eric Bana’s portrayal of Chopper is riveting. He captures the character’s volatility, charisma, and inner turmoil. Bana’s transformation into this notorious figure is both chilling and captivating.
Legacy and Reflection:

“Chopper” received positive reviews and has since gained a cult following. It remains a testament to the dark allure of true-crime stories.
As we witness Chopper’s violent escapades, we confront our fascination with antiheroes and the blurred lines between good and evil.


In summary, “Chopper” unflinchingly exposes the raw reality of crime, survival, and the human psyche. Eric Bana’s performance lingers, leaving us pondering the complexities of criminality.

Friday 15 March 2024

Heaven Knows Mr Alison (1957) 1.50pm Talking Pictures

“Heaven Knows, Mr. Allison,” directed by John Huston, is a captivating war film released in 1957. Set against the backdrop of World War II, it explores the unlikely bond between two stranded souls on a remote Pacific island.

The film introduces us to Corporal Allison (played by Robert Mitchum), a U.S. Marine, and Sister Angela (Deborah Kerr), an Irish nun. Both are marooned on the same Japanese-occupied island. As they struggle for survival, their contrasting backgrounds—Allison’s military toughness and Sister Angela’s unwavering faith—collide. Their relationship evolves from wary coexistence to a deep and unexpected connection.

The island becomes a microcosm of human interaction. Allison and Sister Angela, initially strangers, find solace in each other’s company. Their shared vulnerability transcends their individual roles.

Sister Angela’s unwavering faith contrasts with Allison’s skepticism. The film delves into the complexities of belief during times of crisis. Can faith endure in the face of hardship?

Sister Angela defies traditional gender roles. She is no damsel in distress but a resilient woman who adapts to her circumstances. The film challenges stereotypes about women’s strength and resilience.

Mitchum and Kerr deliver powerful performances. Their chemistry captures the gradual transformation of two disparate souls into confidants. Kerr’s portrayal of Sister Angela balances vulnerability and determination.
Legacy and Reflection:

“Heaven Knows, Mr. Allison” remains a hidden gem. Its exploration of survival, faith, and human connection resonates beyond its wartime setting.
As we witness Allison and Sister Angela navigate danger and uncertainty, we reflect on our own capacity for resilience and compassion.

“Heaven Knows, Mr. Allison” is a testament to the human spirit’s ability to find hope and companionship even in the darkest of times.

The Man In The White Suit (1951) 5.10pm Film4

“The Man in the White Suit,” directed by Alexander Mackendrick, is a satirical science fiction comedy film produced by Ealing Studios. Released in 1951, it stars Alec Guinness, Joan Greenwood, and Cecil Parker. The movie cleverly blends humor, drama, and social commentary.

The film introduces us to Sidney Stratton (Alec Guinness), an altruistic chemist with a vision. He invents a revolutionary fabric that resists wear, stains, and never gets dirty. This breakthrough could benefit humanity, but it threatens established garment manufacturers, big business, and labor unions. As Sidney’s invention gains attention, economic interests collide, leading to a battle over innovation versus profit.

Sidney’s fabric represents disruptive innovation. The film highlights how capitalism often prioritizes economic interests over societal benefits. Established industries fear change, even if it could improve lives.
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Sidney’s altruism clashes with the profit-driven motives of others. The film raises questions about the responsibility of inventors. Should they prioritize societal welfare or financial gain?

The conflict between Sidney’s invention and the garment industry mirrors broader labor struggles. The film critiques the power dynamics between workers, management, and corporate interests.

Guinness shines as Sidney Stratton. His portrayal captures the idealism, determination, and vulnerability of an inventor caught in a web of economic forces. His transformation from an eccentric scientist to a symbol of resistance is compelling.
Legacy and Reflection:

“The Man in the White Suit” remains relevant today. It reminds us that innovation can disrupt established norms and provoke resistance.
As we witness Sidney’s journey, we reflect on the delicate balance between progress, ethics, and economic realities. “The Man in the White Suit” is a witty exploration of invention, capitalism, and the human desire for progress

and finally, streaming

Channel 4 streaming

Walter Presents: Top Dog (season 2 avialable from Friday 15 March 2024)

“Walter Presents: Top Dog” returns with its highly anticipated second season. This Swedish series, created by Jens Lapidus, continues to explore the gritty world of crime, loyalty, and survival.

The series follows gangster Teddy (played by Alexej Manvelov) and lawyer Emily (Josefin Asplund). Last season, their lives were entangled in a cycle of helping and hurting each other. In this installment, local billionaire Paul Ahlborg’s electronics recycling plant project in Södertälje may have links to organized crime. Emily is tasked with handling the legal negotiations, but doing so requires betraying Teddy’s trust.

Meanwhile, Teddy’s nephew Nicola (Gustav Lindh) has managed to avoid a life of crime. However, when his best friend Chamon gets into trouble with a local gang, Nicola can’t resist helping. Tragedy strikes when Nicola witnesses Chamon’s murder, leading to his arrest. Emily negotiates his release, but Nicola mysteriously disappears. The desperate search for Teddy’s beloved nephew forces Emily to make a heart-wrenching decision.

Netflix

Turning Point: The Bomb And The Cold War (all 9 episodes from Tuesday 9 March 2024)

“Turning Point: The Bomb and the Cold War” is a gripping docuseries that delves into the tumultuous era of the Cold War. With firsthand accounts and access to prominent figures from around the world, this comprehensive exploration sheds light on the pivotal moments that shaped our global history.

The series spans nine episodes, each dissecting critical events, decisions, and personalities during the Cold War. From the development of nuclear weapons to espionage, proxy conflicts, and the delicate balance of power, “Turning Point” provides a nuanced perspective on this tense period.

Picture Credits

Personal Shopper (2016)
By Studio / Graphic Artist – http://www.impawards.com/intl/france/2016/personal_shopper.html, Fair use, https://en.wikipedia.org/w/index.php?curid=50525433
The Souvenir Part 2 (2021)
Fair use, https://en.wikipedia.org/w/index.php?curid=69160003
Basic Instinct (1992)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=57662088
The Iceman (2012)
By The cover art can or could be obtained from IMDb., Fair use, https://en.wikipedia.org/w/index.php?curid=32326392
Little Joe (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=62050052
Death Line (1972)
Fair use, https://en.wikipedia.org/w/index.php?curid=17682775
Chopper (2000)
By http://www.middlemiss.org/weblog/archives/matilda/film_adaptations/index.html, Fair use, https://en.wikipedia.org/w/index.php?curid=2311326
Heaven Knows Mr Alison (1957)
The Man In The White Suit (1951)
By designed by graphic designer Sydney John Woods and painted by Alfred Reginald Thomson. – https://www.bfi.org.uk/features/ealing-moment-man-white-suit, Fair use, https://en.wikipedia.org/w/index.php?curid=6684904

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Moneyboys: Exploring Gay Life in China and Austria

January 12, 2024 at 9:24 am · Filed under Film & DVD Reviews, LGBT+interest ·Tagged , , , ,

376 words, 2 minutes read time.

“Moneyboys” is a 2021 film directed by C.B. Yi that explores the life of a young man named Fei who moves from a rural Chinese village to Austria as a teenager. The film depicts the struggles of gay life in China, where stories about gay life are few and far between due to the government’s strict censorship regime. The film is a rare depiction of contemporary gay life in China, filmed in neighbouring Taiwan, and uses an exploration of sex work not only as a way of addressing attitudes towards sexuality in a conservative country, but the increasing gulf in prospects for young people between rural areas and cities. The film is a melancholic character drama and a grander study on simmering economic and cultural tensions, be they regional or generational. Through Fei’s various interactions with other characters, a clear theme rings throughout the film: the sacrifice of one’s happiness for the sake of others. Lovers sacrifice for the ones they love, young adults sacrifice to meet family expectations, LGBTQ+ sacrifice to fit the moulds of society.

In “Moneyboys”, Fei’s family is initially accepting of the money he sends them from his work as a sex worker, but they are unwilling to accept his sexuality. When Fei visits his home village to see his dying grandfather, his family struggles to hide their shame that their son makes money sleeping with other men. This complicates things, as Fei has kept donating significant chunks of his paycheck to his family. Fei realizes the hypocrisy of his family who are happy to take the money he makes from hustling on the street but unwilling to accept his sexuality.

The film covers the topic of male prostitution in Taiwan/China, and the trauma that many gay/bisexual/MSM men face in society. A large part of this is due to the familial pressure to marry and have children, which is something many young people in Taiwan and China may relate to. The film was deliberately slow-paced, and it’s a curious film that doesn’t feel culturally specific in its approach to the subject matter, as the heart of the drama appears to be a universally relatable tale of gay self-acceptance in the face of homophobia from family and wider society.

Reviewed by Pat Harrington

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The Goldfinger: Compelling Hong Kong Crime Drama Exploring Corruption and Power

January 6, 2024 at 9:34 am · Filed under Film & DVD Reviews ·Tagged , , , ,

332 words, 2 minutes read time.

“The Goldfinger” is a compelling 2023 Hong Kong crime drama directed by Felix Chong and featuring the dynamic performances of Tony Leung and Andy Lau. Inspired by the turbulent rise and fall of the Carrian Group, a prominent Hong Kong conglomerate in the early 1980s, the film follows the journey of Ching Yat-yin (portrayed by Leung), a destitute Chinese entrepreneur who ascends to prominence within the Carmen Group, ultimately becoming synonymous with the Hong Kong economy. However, when a stock market crash uncovers irregularities within his empire, ICAC investigator Lau Kai-yuen (played by Lau) sets his sights on prosecuting Ching.

One of the film’s main attractions is the compelling on-screen chemistry between Leung and Lau, which is expected to resonate with audiences not only in Asian markets but also internationally. While the movie has garnered accolades for its performances, music, and direction, it has also faced critique regarding its perceived lack of depth and historical accuracy¹.

Set against the backdrop of late colonial-era Hong Kong, “The Goldfinger” intricately explores themes of corruption, greed, and power. The film vividly depicts widespread corruption and class conflict, shining a spotlight on the exploitation of the working class by the affluent elite. Initially depicted as a champion of the working class, Ching later immerses himself in opulence, reminiscent of the extravagant parties often associated with James Bond title sequences.

Functioning as a profound social and political commentary, “The Goldfinger” delves into the intricate web of corruption, power dynamics, and avarice prevalent during Hong Kong’s late colonial era. It offers a penetrating insight into the realms of business and finance, providing commentary on the pervasive greed and corruption inherent in society.

Overall, “The Goldfinger” presents a thought-provoking narrative set in the twilight of colonial Hong Kong, delving into the themes of corruption, greed, and power. Despite varied critical reception, the film’s captivating performances, evocative music, and adept direction render it a compelling and worthwhile cinematic experience.

Reviewed by Pat Harrington

Picture credit

By https://movie.douban.com/photos/photo/2896951807/, Fair use, https://en.wikipedia.org/w/index.php?curid=73289162

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Culture Vulture (6th to 12th of January 2024)

January 4, 2024 at 6:14 pm · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , ,

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is by Tim Bragg. Highlights this week include a treat for Bowie fans from Sky Arts on Sunday night, the fascinating documentary The Cambridgeshire Crucifixion on Wednesday and the drama Black ’47 set around the Irish famine.

Saturday 6th of January 2024

Nomadland (2020 film) 10pm C4

Nomadland is a 2020 film directed by Chloé Zhao and starring Frances McDormand. The film is a fictionalized version of Jessica Bruder’s non-fiction book Nomadland: Surviving America in the Twenty-First Century. The film follows Fern, a widow who lives in her van and travels across the American West, taking on seasonal jobs to make ends meet. The film is a poignant portrayal of the struggles of older Americans who have been displaced by society.

From an alternative perspective, Nomadland can be seen as a cf life for those who have been left behind by society. It shows how the American Dream has become unattainable for many, and how people are forced to live on the margins of society. The film also touches on themes of community, resilience, and the human spirit. It shows how people can come together and support each other in times of need, and how they can find meaning and purpose in their lives even in the face of adversity.

Overall, Nomadland is a powerful film that offers a unique perspective on the American Dream and the struggles of those who have been left behind. It is a poignant and thought-provoking film that is sure to leave a lasting impression on viewers.

Celts: The Untold Story 9pm Sky History

“Celts: The Untold Story” is a three-part documentary series that delves into the mysteries, myths, and arcane history of the Celts. The series reveals brand new information about the ancient civilization and is directed by Marek Bures and Max Serio. The series explores the factors that triggered the decline of the Celts in Central Europe, including why they moved from prosperous cities into smaller fortified settlements.

The Truth (2019 film) 1.10am BBC2

“The Truth” is a 2019 film directed by Chloé Zhao and starring Catherine Deneuve and Juliette Binoche. The film is a family melodrama that explores the complex relationship between a mother and daughter. From an alternative perspective, the film can be seen as a commentary on the nature of truth and memory. It highlights how our memories can be distorted by our own perceptions and how we often choose to remember things in a way that suits us. The film also touches on themes of aging, regret, and the importance of family.

The film’s central character, Fabienne, is a legendary French actress who has just published her memoirs. Her daughter, Lumir, returns from New York to Paris with her husband and daughter to celebrate the book’s release. However, Lumir soon discovers that her mother’s memoirs are full of lies and half-truths. The film explores the tension between the two women as they confront their past and try to come to terms with their relationship. Catherine Deneuve’s portrayal of Fabienne in “The Truth” is remarkable.

“The Truth” is a beautifully crafted film that offers a unique perspective on the nature of truth and memory. It is a poignant and thought-provoking film that is sure to leave a lasting impression on viewers. The film’s themes of aging, regret, and the importance of family are universal and will resonate with audiences of all ages.

Sunday 7th of January 2024

Deepwater Horizon (2016 film) 4.30pm GREAT!movies

“Deepwater Horizon” is a 2016 film directed by Peter Berg and starring Mark Wahlberg. The film is based on the true story of the Deepwater Horizon oil rig explosion in 2010, which resulted in the largest oil spill in US history. The film is a commentary on corporate greed and the impact of environmental disasters on working-class communities.

The film highlights the dangers of prioritizing profits over safety and the devastating consequences that can result from such actions. It also sheds light on the struggles of the working-class people who are often the most affected by environmental disasters. The film’s portrayal of the oil rig workers as heroes who risk their lives to save others is a powerful reminder of the importance of solidarity and community in times of crisis.

Overall, “Deepwater Horizon” is a thought-provoking film that raises important questions about corporate responsibility and the impact of environmental disasters on working-class communities. It is a powerful reminder of the need to prioritize safety and the well-being of people over profits.

Three treats for Bowie fans from 8pm on Sky Arts:

  1. At 8pm, “Bowie: The Man Who Changed the World”: This feature-length documentary about David Bowie’s life and inspiration is a must-watch for any fan of the British rock icon. Unlike other documentaries that focus on Bowie as a musician, this film examines his revolutionary style and personas, from the ground-breaking Ziggy Stardust to the Thin White Duke. The documentary is well put together and has enough interesting facts to keep you engaged.
  2. At 10pm, “David Bowie: Love You Till Tuesday”: This 1969 promotional film was created to bring David Bowie to a wider audience. It includes a previously unreleased original recording of Space Oddity. The film is a curious recording that was never shown on a major network until now. It is a must-watch for any Bowie fan.
  3. At 10.40pm, “David Bowie and Marc Bolan Urban Myths Programme”: This short film is a fictional comedy drama about a young David Bowie and Marc Bolan painting an office. The film is evocative and touching, and it is intriguing to see the two characters cautiously eye each other up with suspicion, play status games, and ultimately bond. The film is well put together and has enough interesting facts to keep you engaged.

The Massacre That Shook the Empire 9.45pm PBS America

The film is presented by The Times journalist, Sathnam Sanghera, and reveals the savage cruelty of the British strategy during the Amritsar massacre in 1919. Hundreds of Indian men, women, and children were shot and killed at the Jallianwala Bagh park by troops under British command. On a personal journey to educate himself about the event, Sanghera turns the pages of history through the testimonies of people there on the day, carefully preserved by various Indian historical organizations, interwoven with footage of the park today, interviews with expert historians, and Sanghera’s emotional meetings with descendants of victims.

Rush (2013 film) BBC1 11.30pm

“Rush” is a 2013 biographical sports drama film directed by Ron Howard. The movie depicts the rivalry between two Formula One drivers, James Hunt and Niki Lauda, during the 1976 season. The film highlights the triumph of James Hunt, a British driver, over his Austrian rival, Niki Lauda, in the World Championship. The film portrays Hunt as a charismatic and daring driver who embodies the spirit of British racing. The film also highlights the importance of teamwork and the role of the pit crew in a driver’s success. Critics have praised the film’s exhilarating race sequences, strong performances from Chris Hemsworth and Daniel Brühl, and its accurate portrayal of the events. According to The Guardian, the film is a “fast and furious treat” that depicts the “swashbuckling F1 star James Hunt” and his rivalry with the “icy Niki Lauda”. Overall, “Rush” is a thrilling and well-made film that celebrates the triumph of James Hunt and his contribution to British racing.

Monday 8th of January 2024

Playboy: The Centrefolds That Changed the World 9pm Channel 5

“Playboy: The Centrefolds That Changed the World” explores the history of Playboy magazine’s centerfolds and how they have influenced popular culture over the years. The documentary features interviews with former Playmates and Playboy executives, as well as rare footage and photographs from the magazine’s archives

Land (2021 film) 9pm Film4

“Land” is a 2021 drama film directed by Robin Wright that explores themes of grief, isolation, and the restorative power of nature. The movie follows Edee, an urban-dwelling woman who moves to a remote cabin in the Rockies after a devastating tragedy. The film portrays the impact of grief on mental health and the importance of seeking help from others. Edee’s isolation from society is a reflection of how grief can distance people from their loved ones and make them crave solitude The film also highlights the significance of human connection and how it can help people overcome their struggles. Miguel, a hunter who teaches Edee how to survive in the wilderness, becomes an unexpected ally and friend. The film suggests that isolation isn’t the answer and that seeking help from others is essential for healing. The stunning cinematography and Robin Wright’s performance are noteworthy, but the film’s conventional plot and lack of energy have been criticized. According to The Guardian, the film is “conventional, competent” and “tame”. Roger Ebert praises the film’s portrayal of “multiple forms of isolation”. Overall, “Land” is a well-acted and visually stunning film that highlights the importance of human connection and seeking help from others to overcome grief and isolation.

Tuesday 9th of January 2024

Hue And Cry (1947 film) Film 4 5.05pm

“Hue and Cry” is a 1947 British film directed by Charles Crichton. The movie is generally considered to be the first of the Ealing comedies, although it is better characterized as a thriller for children. The film is set in a bombed-out post-World War 2 London neighborhood and revolves around a working-class children’s street culture and children’s secret clubs. The film portrays the impact of the war on the lives of children and how they cope with the aftermath. The film highlights the importance of imagination and creativity in the lives of children and how they use it to escape the harsh realities of their lives. The film also touches upon the themes of social inequality and the class divide in British society. The vivid portrait of a London still showing the damage of the Second World War is a notable historic document. Overall, “Hue and Cry” is a well-made film that provides a glimpse into the lives of children in post-war Britain and highlights the importance of imagination and creativity in their lives.

Wednesday 10th of January 2024

The Cambridgeshire Crucifixion 9pm BBC4

“The Cambridgeshire Crucifixion” documentary that aired on BBC Four on January 10th at 9 PM: The documentary, part of the Storyville series, tells the story of the discovery of evidence of Roman crucifixion in the Cambridgeshire Fens. The extremely rare discovery was made during a routine archaeological dig. The documentary is a fascinating and informative account of the discovery and the subsequent research that has been carried out.

The Favourite (2018 film) 10.55pm Film 4

“The Favourite” is a 2018 period comedy-drama film directed by Yorgos Lanthimos. The movie is set in early 18th century England and follows the power struggle between three women in the royal house of England. The film explores themes of identity, performance, and the destructive potential of ambition. The film boasts of a talented cast including Olivia Colman, Rachel Weisz, and Emma Stone, who deliver pitch-perfect performances. Critics have praised the film’s razor-sharp dialogue, stunning cinematography, and its portrayal of complex female characters. According to The Guardian, the film is “a filthy, violent and outrageous period comedy that drips with bad language and worse behaviour”. Roger Ebert describes the film as “a deliciously ‘Dangerous Liaisons’-esque and thoroughly female-driven period film”. Overall, “The Favourite” is a well-made film that offers a unique perspective on the power dynamics among women in the 18th century.

Blood Simple (1984) 1.15am Film4

“Blood Simple” is a 1984 American neo-noir crime film directed by Joel Coen and produced by Ethan Coen. The movie tells the story of a Texas bar owner who hires a private investigator to kill his wife and her lover. The film is a blood-soaked nightmare in which greed and lust trap the characters in escalating horror. The plot twists in upon itself, and characters are found in situations of diabolical complexity. The Coen brothers are masters of plot, and they build crazy walls with sensible bricks.

Thursday 11th of January 2024

The Eyes of Orson Welles 11.40pm BBC4

“The Eyes of Orson Welles” is a feature-length documentary that explores the life and work of the legendary director, actor, and pop culture icon Orson Welles. The film is directed by Mark Cousins, who takes a very personal approach to the subject matter. The documentary is a fascinating and insightful journey through Welles’ films, philosophies, and loves, as seen through his hundreds of sketches and paintings. The film is a must-watch for anyone interested in the life and work of Orson Welles, or in the art of cinema in general.

Friday 12th of January 2024

Black ’47 (2018 film) 11.20pm Film4

“Black ’47” is a 2018 Irish revenge western film directed by Lance Daly. The movie is set in the aftermath of the Irish famine of 1845 and tells the story of an Irishman who deserts from the British army and returns to his homeland to discover the truth about how his family have been tyrannized and allowed to die in squalor and misery. The film is a rousing, blood-spattered drama in which one Irishman holds the British colonialists to account for their wanton cruelty. The Guardian’s Peter Bradshaw describes the movie as “a revenge horror, or revenge western. Revenge something, anyway”. The film has received mixed reviews, with some critics praising its brutal portrayal of the Irish famine and others criticizing its weak plot and unconvincing character motivations

and finally, The Lobster (2015 film) 1.25pm Film4

“The Lobster” is a 2015 absurdist black comedy film directed by Yorgos Lanthimos. The movie is set in a dystopian world where being single can turn you into an animal. The film satirizes relationships and our conviction that couplehood is the supreme expression of human happiness, a civilised institution which distinguishes us from the beasts. The film examines both politics and sexual politics, and it is an interesting take on the pressure society puts on people to have a companion and the pitfalls of political factions. The movie is a dark satire on the subject of our universal obsession with relationships, and it is a must-watch for anyone who loves the genre.

Picture Credits

Nomadland
By Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=64969367
The Truth
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=62411971
Deepwater Horizon
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=49908257
Rush
Believed to be Exclusive Media – http://u.jimdo.com/www62/o/s2d10dc52008362cb/img/i0e94e5f09bbeb8d5/1380903225/std/image.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=42139112
Land
By Focus Features – https://www.firstshowing.net/2020/first-trailer-for-wilderness-survival-film-land-made-by-robin-wright/, Fair use, https://en.wikipedia.org/w/index.php?curid=66169897
Hue And Cry
By GFD – http://www.casualratings.com/en/movie/37193, Fair use, https://en.wikipedia.org/w/index.php?curid=47803425
The Favourite
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=57185501
Blood Simple
May be found at the following website: http://www.impawards.com/1985/blood_simple_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61286730
Orson Welles
By Carl Van Vechten – This image is available from the United States Library of Congress’s Prints and Photographs division under the digital ID van.5a52776.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons :Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=124623704
Black ’47
By https://www.imdb.com/title/tt3208026/, Fair use, https://en.wikipedia.org/w/index.php?curid=58099079
The Lobster
By IMDB – https://www.imdb.com/title/tt3464902/, Fair use, https://en.wikipedia.org/w/index.php?curid=46758339

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