Posts Tagged TV guide

Culture Vulture 24th to the 30th of May 2025

May 24, 2025 at 7:45 am · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , , ,

Curated by Pat Harrington • Original music on our video version by Tim Bragg

This week, we step into the refined yet radical world of Jane Austen. Her work, far from being simply romantic escapism, offers sharp observations of society and gender politics. Austen’s legacy looms large over our listings, with three outstanding productions: Jane Austen: Rise of a Genius, Joe Wright’s Pride and Prejudice, and a thoughtful BBC Four adaptation of Sense and Sensibility. These aren’t just stories about courtship—they’re critiques of class, power, and human frailty. Through their wit and restraint, they give voice to social tensions that still resonate.

🌟 Highlights

  • Jane Austen: Rise of a Genius: BBC Two, Monday, 9:00 PM
  • Pride and Prejudice (2005): BBC Two, Monday, 10:00 PM
  • Sense and Sensibility: BBC Four, Wednesday, from 10:00 PM

📅 Saturday, 24th May

Mon Oncle (1958) – Talking Pictures, 3:00 PM
Jacques Tati’s Mon Oncle is a masterclass in visual storytelling. Monsieur Hulot, with his pipe and awkward gait, finds himself adrift in a hyper-modern house full of absurd gadgets. The film gently mocks the soullessness of consumerism while celebrating the warmth of traditional life.
What makes Tati’s work so enduring is his patience. Scenes unfold with the rhythm of real life—no quick cuts, no explanatory dialogue. He trusts the audience to find humour in the mundane, and that trust pays off.
Though set in a comedic register, the critique of post-war modernisation is clear. The contrast between Hulot’s charmingly disordered neighbourhood and the antiseptic home of his sister’s family is striking. There’s affection here, but also a wistful note—what do we lose in the march of progress?

Doctor Who – Wishworld – BBC One, 6:15 PM
In this week’s Doctor Who, the crew are thrown into a surreal world shaped entirely by wishes. At first enchanting, the realm soon reveals its darker underbelly, as unchecked desires bring unintended consequences.
This episode sees the Doctor confronting not just external threats but their own doubts. The writing strikes a fine balance between whimsy and warning, reflecting on the difference between dreams and delusions.
Russell T Davies uses this episode to nudge viewers gently toward introspection. What do our wishes reveal about us? And what happens if they come true without constraint? There are no easy answers, only intriguing questions.

Apocalypse Stalin – PBS America, 7:25 PM
Uncompromising and chilling, this three-part documentary traces the life of one of history’s most ruthless leaders. This episode focuses on how Stalin consolidated power through propaganda, fear, and purges.
The archival footage is disturbing in its familiarity, echoing authoritarian patterns that still linger in the world. By humanising the victims and documenting the regime’s machinery, the programme honours the past while warning the present.
A stark and necessary viewing experience.

Liza: A Truly Terrific Absolutely True Story – BBC Two, 9:00 PM
This affectionate yet honest portrait of Liza Minnelli balances showbiz dazzle with raw insight. The documentary traces her life from Hollywood royalty to queer icon, capturing the triumphs and trials with sensitivity.
Rare footage and intimate interviews show a performer who burned brightly, and sometimes too close to the flame. But it’s never mawkish. Liza is seen here as complex, brave, and utterly compelling.
A tribute worthy of its subject—and essential for anyone interested in the intersections of fame, resilience, and identity.

The Running Man (1988) – Channel 4, 11:10 PM
Arnold Schwarzenegger’s The Running Man might seem like pure 80s action at first glance—muscular heroes, explosions, and a neon-drenched aesthetic—but beneath its bombastic surface lies a darkly prescient satire of media manipulation, authoritarianism, and the spectacle of violence as entertainment.

Set in a dystopian future where the government controls the masses through rigged reality TV, the film critiques a system where the truth is malleable, dissent is silenced, and the public is pacified with bloodsport. Ben Richards, falsely accused of mass murder, becomes a pawn in this brutal game—a gladiator forced to battle for survival while the audience cheers, unaware they are complicit in their own oppression.

The parallels to modern media are striking. The way the Running Man show twists reality, framing Richards as a villain, echoes the distortion of truth in our own era of misinformation and curated narratives. Whether through government propaganda, biased news outlets, or social media echo chambers, the film warns of a world where facts can be shaped to suit the ruling powers.

Then there’s the critique of commercialised violence. The Running Man shows a society addicted to spectacle—where suffering is entertainment and morality is secondary to ratings. It’s not far removed from real-world reality TV, where personal humiliation, cruelty, and manufactured drama keep audiences engaged. The difference? In the film’s universe, losing means death.

Despite its exaggerated, campy tone, The Running Man remains eerily relevant. It highlights the dangers of state-controlled narratives, unchecked corporate power, and public apathy in the face of exploitation. And like all great dystopian stories, it asks a chilling question: how far are we, really, from this future?

📅 Sunday, 25th May

From Russia with Love (1963) – ITV1, 4:20 PM
Bond’s second cinematic outing is a tightly coiled Cold War espionage tale. There’s less bombast, more brains—spycraft over spectacle. Sean Connery’s Bond is suave, cynical, and at his most lethal.
The Istanbul setting is rich and moody, full of alleyways and shadows. The train sequence is a classic, building tension with every turn. Lotte Lenya’s Rosa Klebb is unforgettable—a villain equal to Bond in menace and cunning.
A refined Bond adventure with elegance, grit, and real stakes.

3,000 Years of Longing (2022) – Channel 4, 10:55 PM
A lonely narratologist (Tilda Swinton) meets a Djinn (Idris Elba) in a Turkish hotel and must decide whether to use three wishes. What follows is a lavish, layered meditation on storytelling, loneliness, and desire.
George Miller’s film isn’t in a rush. It draws you into its spell with vivid tales, philosophical musings, and sumptuous imagery. The fables the Djinn recounts are touching and strange, filled with longing and regret.
A film that speaks softly but with great depth—a rare cinematic gem that rewards attention and reflection.

📅 Monday, 26th May

Apocalypse Stalin – PBS America, 7:25 PM
Part two of this searing series examines the regime’s descent into paranoia and purging. As Stalin reshapes Soviet society into a monolith of fear, personal stories of loss and defiance emerge.
It’s heavy, yes, but necessary. The programme never lets statistics eclipse individuals. Each victim has a name, a face, a context.
An unflinching examination of how ideology corrodes and consumes. Watch with care.

Jane Austen: Rise of a Genius – BBC Two, 9:00 PM
This documentary upends the tea-and-bonnets stereotype. Austen is revealed as a social critic, a feminist voice in corseted disguise. Her sharpness is celebrated, not softened.
Dramatisations are effective but never overused. Experts speak to Austen’s literary courage—writing women as thinkers, challengers, creators.
An absorbing, nuanced tribute that refreshes and reclaims Austen’s radical legacy.

Pride and Prejudice (2005) BBC2 10pm

Joe Wright’s Pride and Prejudice (2005) breathes new life into Austen’s classic, capturing both its sweeping romance and sharp social critique. Keira Knightley’s Elizabeth Bennet is fiery and independent, challenging the rigid expectations placed upon women in Regency England. Matthew Macfadyen’s Darcy, with his brooding intensity and hesitant vulnerability, embodies the struggle between personal pride and societal pressure.

Beyond the love story, the film highlights the suffocating constraints of class and gender. Elizabeth’s refusal to marry for security rather than love is a radical act in a world where women’s futures are dictated by wealth and status. Charlotte Lucas’s pragmatic decision to wed the insufferable Mr. Collins serves as a stark contrast—an unsettling reminder of the limited choices available to women. The Bennet family’s precarious financial situation underscores the brutal reality of inheritance laws that left daughters dependent on advantageous marriages.

The cinematography amplifies these themes, with sweeping shots of grand estates juxtaposed against the modest Bennet home, reinforcing the divide between privilege and struggle. The candlelit interiors and misty landscapes evoke a sense of longing—not just romantic, but for freedom, dignity, and self-determination.

Wright’s adaptation doesn’t just retell Austen’s story; it makes it resonate anew. The tension between tradition and change, duty and desire, remains as relevant today as it was in Austen’s time. This is a Pride and Prejudice that pulses with life, reminding us that love is not just about attraction, but about defiance, choice, and the courage to demand more.

📅 Tuesday, 27th May

The Good, the Bad and the Ugly (1966) – ITV4, 9:00 PM
Sergio Leone’s spaghetti western is a slow-burn masterpiece of cinema, rich in tension and iconic in style. Clint Eastwood, Eli Wallach, and Lee Van Cleef form an uneasy triangle of greed, pragmatism, and ruthlessness as they hunt for a cache of hidden gold during the chaos of the American Civil War.

Storyville: White Man Walking is a deeply unsettling yet necessary documentary that examines the journey of a man who once embraced white supremacist ideology but later rejected it, dedicating his life to de-radicalisation. The film follows Rob Bliss, a white filmmaker who embarks on a 1,500-mile walk through America’s southern states wearing a Black Lives Matter T-shirt, confronting hostility, armed Trump supporters, and moments of unexpected connection.

This documentary is not just about one man’s personal reckoning—it’s about the broader social and political forces that shape radicalisation and the difficulty of breaking free from them. It explores the deep racial and ideological divide in America, asking why advocating for Black lives provokes such visceral anger, particularly in poor, rural white communities. The film does not offer easy answers but instead forces viewers to sit with discomfort, reflecting on the systems that sustain racism and the silence that allows it to persist.

The documentary also highlights the power of human connection. While Bliss encounters hostility, he also finds moments of solidarity—people willing to walk beside him, listen, and engage in difficult conversations. These interactions underscore the possibility of change, however slow and painful it may be.

By marking the fifth anniversary of George Floyd’s murder, White Man Walking serves as both a personal journey and a broader call for empathy and understanding. It challenges viewers to consider what it truly means to be an ally and how deeply ingrained prejudices can be confronted—not just in theory, but face to face, in the streets.

📅 Wednesday, 28th May

The Hate U Give (2018) – Film4, 11:25 PM
Adapted from Angie Thomas’s acclaimed novel, this is a raw, emotionally charged film about a teenager grappling with police violence, activism, and identity. Amandla Stenberg stars as Starr Carter, who moves between two worlds—her poor, Black neighbourhood and a privileged, mostly white private school.

Sense and Sensibility (Episodes 1–3) – BBC Four, from 10:00 PM
This Austen adaptation takes its time, allowing each emotional shift to unfold gradually. Episode one introduces the Dashwood sisters and their sudden reversal of fortune. Episode two brings romantic possibility and quiet heartbreak. Episode three deepens the conflict between duty and desire.

📅 Thursday, 29th May

The Remains of the Day (1993) – Film4, 6:05 PM
Merchant Ivory’s The Remains of the Day (1993) is a masterclass in restraint, a film that unfolds with quiet devastation, exploring dignity, repression, and the weight of missed opportunities. Anthony Hopkins delivers a haunting performance as Stevens, a butler whose unwavering loyalty to duty has left him emotionally stunted, unable to grasp the depth of his own sacrifices. Emma Thompson’s Miss Kenton, warm and perceptive, offers him a glimpse of something more—a life beyond service, beyond rigid decorum—but Stevens, bound by his own sense of propriety, cannot reach for it.

Beneath its elegant surface, the film is a profound meditation on class, power, and the cost of unquestioning loyalty. Stevens’ devotion to Lord Darlington, a man whose political sympathies veer dangerously toward appeasement, reflects the broader theme of misplaced faith—how adherence to hierarchy and tradition can blind individuals to moral failings. The film subtly critiques the British class system, showing how servitude, even when performed with dignity, can become a form of self-erasure.

The historical backdrop—the years leading up to World War II—adds another layer of tragedy. Stevens, so consumed by his role, fails to see the shifting tides of history, just as he fails to acknowledge his own emotions. His journey, framed as a road trip to reconnect with Miss Kenton, is less about rekindling romance and more about reckoning with regret. The film asks: What happens when a life is spent in service to others, at the expense of one’s own desires? Can dignity exist without personal fulfillment?

Visually, The Remains of the Day is stunning in its subtlety. The grandeur of Darlington Hall contrasts with the quiet melancholy of its inhabitants. The cinematography lingers on small gestures—a glance, a hesitation, a hand hovering near another—capturing the unspoken emotions that define the film. The final scene, with Stevens watching Miss Kenton disappear into the night, is a gut punch, a moment of realization too late.

This is not just a story of lost love; it is a story of self-denial, of the dangers of living entirely for duty. It remains one of the most poignant explorations of class, history, and human frailty ever put to screen. A film that lingers, much like the regrets it so delicately portrays.

L.A. Confidential (1997) – Legend, 9:00 PM
Curtis Hanson’s L.A. Confidential (1997) is a neo-noir masterpiece that peels back the glossy veneer of 1950s Los Angeles to reveal a city steeped in corruption, deception, and moral compromise. Adapted from James Ellroy’s novel, the film follows three very different cops—each with their own approach to justice—as they navigate a world where crime, politics, and Hollywood glamour are dangerously intertwined.

At its core, L.A. Confidential is a scathing critique of institutional corruption. The LAPD, presented as both protector and predator, operates more like a syndicate than a force for good. The film exposes the ways in which power is wielded—not to uphold justice, but to control narratives, silence dissent, and maintain the illusion of order. The media plays a crucial role in this deception, with tabloid journalist Sid Hudgens manufacturing scandals to serve the interests of those in power. The film’s portrayal of police brutality, cover-ups, and manipulation feels eerily relevant, reflecting ongoing conversations about law enforcement and accountability.

The three central detectives—Ed Exley (Guy Pearce), Bud White (Russell Crowe), and Jack Vincennes (Kevin Spacey)—embody different facets of the system. Exley, ambitious and idealistic, believes in justice but struggles with the compromises required to achieve it. White, driven by personal trauma, is a violent enforcer who sees himself as a protector of the vulnerable. Vincennes, slick and self-serving, is caught between his role as a cop and his desire for celebrity. Their arcs highlight the moral ambiguity of law enforcement—how personal motivations, rather than principles, often dictate actions.

The film also critiques the myth of Hollywood glamour. Beneath the dazzling lights and star-studded façades lies exploitation, secrecy, and the commodification of human lives. Kim Basinger’s Lynn Bracken, a Veronica Lake lookalike trapped in a world of manufactured fantasies, represents the cost of this illusion. Her character underscores the film’s theme of identity—how people are shaped, manipulated, and sometimes destroyed by the roles they are forced to play.

Visually, L.A. Confidential is stunning. Hanson and cinematographer Dante Spinotti craft a world that feels both nostalgic and unsettlingly modern. The film’s rich color palette, sharp contrasts, and meticulous framing evoke classic noir while maintaining a contemporary edge. The violence is brutal but never gratuitous, serving as a stark reminder of the consequences of unchecked power.

L.A. Confidential is a meditation on truth, power, and the cost of integrity in a world built on deception. Its themes remain as relevant today as they were in the 1950s. A gripping, intelligent, and beautifully crafted piece of cinema that refuses to offer easy answers.

Kelly’s Heroes (1970) – BBC Four, 10:30 PM
Kelly’s Heroes (1970) is a war film that defies traditional narratives, embracing a cynical, satirical view of military bureaucracy, heroism, and war’s underlying motivations. Unlike conventional World War II films, it presents soldiers driven not by duty but by personal gain, turning the battlefield into a gold heist rather than a noble struggle. Authority figures are depicted as incompetent or oblivious, reinforcing the idea that war is often mismanaged by those in power while individual soldiers must navigate its chaos for survival. The film also critiques the economic dimensions of war, framing it as an enterprise of profit rather than ideological conflict. Oddball, played by Donald Sutherland, embodies the countercultural spirit of the late 1960s, rejecting traditional military discipline in favour of a free-spirited, almost hippie-like philosophy that contrasts with standard war-film protagonists. By presenting combat as absurd and greed-driven, Kelly’s Heroes dismantles wartime heroism, portraying war not as a patriotic duty but as an opportunistic, often farcical endeavor. Beneath its comedic surface lies a sharp critique of warfare’s futility, making it one of the most subversive films in the genre.

📅 Friday, 30th May

Fire Island (2022) – Channel 4, 12:10 AM
Andrew Ahn’s Fire Island (2022) is a vibrant, unapologetically queer reimagining of Pride and Prejudice, set against the backdrop of the legendary Fire Island Pines. It’s a film that blends sharp social commentary with heartfelt romance, capturing both the joy and complexity of modern queer life.

Fire Island is a story about friendship, love, and the unspoken hierarchies within the LGBTQ+ community. Joel Kim Booster’s Noah, a witty and self-assured protagonist, takes on the Elizabeth Bennet role, navigating class divisions, romantic entanglements, and the pressures of queer social spaces. Bowen Yang’s Howie, more reserved and yearning for connection, mirrors Jane Bennet, while Conrad Ricamora’s Will, initially aloof and guarded, embodies the Darcy archetype. Their relationships unfold within the intoxicating chaos of Fire Island’s party scene, where status, attraction, and self-worth are constantly negotiated.

The film doesn’t shy away from exploring the intersection of class and privilege within queer spaces. Fire Island, long a haven for gay men, is also a place where wealth and exclusivity shape social dynamics. The tension between Noah’s working-class background and the affluence of Will and his friends echoes Austen’s critique of rigid class structures. The film asks: Who gets to belong? Who is deemed desirable? And how do these unspoken rules affect the way queer people see themselves and each other?

Beyond its social themes, Fire Island is a celebration. It revels in the freedom of chosen family, the thrill of summer romance, and the power of community. The humour is sharp, the chemistry electric, and the emotional beats deeply resonant. It’s a film that understands the importance of representation—not just in its diverse cast, but in its refusal to put pain over happiness.

The film is stunning, capturing the sun-soaked beauty of Fire Island while contrasting its idyllic setting with moments of vulnerability and introspection. The soundtrack pulses with energy, mirroring the highs and lows of the characters’ journeys. And at its heart, Fire Island remains true to Austen’s themes—love, self-discovery, and the courage to challenge societal expectations.

This is more than just a rom-com; it’s a statement. A film that embraces the messiness, beauty, and complexity of life while reminding us that, sometimes, love is found in the most unexpected places. Smart, funny, and full of heart, Fire Island is a modern classic in its own right.

Shadow in the Cloud (2020) – BBC One, 12:30 AM
Shadow in the Cloud (2020) is a genre-bending thrill ride that fuses WWII aerial combat with supernatural horror, feminist themes, and pulpy action. Chloë Grace Moretz delivers a fierce performance as Maude Garrett, a flight officer carrying a top-secret package aboard a B-17 bomber. As she battles sexism from the all-male crew, she soon faces an even greater threat—a monstrous gremlin lurking on the aircraft.

The film’s feminist undercurrent is unmistakable. Garrett’s struggle for respect mirrors the historical reality of women in male-dominated fields, particularly in wartime. The crew’s dismissive attitude toward her reflects ingrained misogyny, making her fight for survival not just against the creature but against systemic prejudice. Her resilience and tactical brilliance challenge the notion that heroism is reserved for men, reinforcing the film’s subversive edge.

Beyond its feminist themes, Shadow in the Cloud critiques wartime propaganda and the glorification of military heroism. The exaggerated action sequences—where Garrett defies gravity and logic—play into the myth-making often associated with war stories. The film knowingly embraces its absurdity, using it to highlight the way narratives of heroism are shaped and distorted.

The film is striking, with claustrophobic cinematography that heightens tension. The confined space of the bomber’s ball turret becomes a pressure cooker, forcing Garrett into a relentless battle against both human and supernatural threats. The gremlin itself, a nod to WWII folklore, symbolizes the unseen dangers of war—whether mechanical failures, enemy attacks, or internal sabotage.

While the film’s tonal shifts can be jarring, its audacity is part of its charm. It refuses to be boxed into a single genre, blending horror, action, and feminist commentary into a chaotic but compelling spectacle. Shadow in the Cloud is bold, bonkers, and undeniably entertaining—a film that takes risks and revels in its own madness.

📡and finally, Streaming Choices

Surviving the Tunisia Beach Attack – Prime Video, from Sunday 25 May

This documentary offers a deeply personal and harrowing account of the 2015 Tunisia beach massacre, where a lone gunman killed 38 people, including 30 British tourists. Told through the voices of survivors, it reconstructs the attack moment by moment, exploring the fight-or-flight responses that saved lives and the extraordinary acts of courage in the face of terror.

Beyond its immediate tragedy, the documentary examines the long-term psychological impact of such violence. Survivors reflect on grief, trauma, and the struggle to rebuild their lives, highlighting the resilience of the human spirit. It also raises broader ethical and political questions about terrorism, security failures, and the responsibility of governments in protecting citizens abroad.

The attack, linked to Islamic extremism, underscores the ongoing global challenge of radicalisation and the devastating consequences of ideological violence. The documentary does not just recount events—it forces viewers to confront the fragility of safety, the unpredictability of terror, and the ways in which societies respond to such atrocities. It is a vital piece of storytelling that honours the victims while prompting reflection on the world’s ongoing battle against extremism.

Department Q – Netflix, from Thursday, 29th May

This Danish crime series, based on Jussi Adler-Olsen’s bestselling novels, delves into the dark underbelly of Nordic noir, blending psychological depth with slow-burning intrigue. The story follows Carl Mørck, a brilliant but emotionally scarred detective, assigned to a cold case unit after a traumatic incident leaves his partner paralysed and another officer dead.

Department Q is an exploration of guilt, redemption, and the institutional failures within law enforcement. Mørck’s exile to the basement of the police department reflects the way bureaucracies often sideline those who challenge the system. His relentless pursuit of justice, despite personal demons, speaks to the moral complexities of policing—how trauma, corruption, and political pressures shape investigations.

The series also critiques the justice system’s handling of cold cases, questioning how many crimes remain unsolved due to negligence, lack of resources, or deliberate cover-ups. As Mørck and his team uncover buried truths, the show forces viewers to consider the ethical dilemmas of law enforcement: What happens when justice is delayed? How do victims and their families cope with unresolved crimes?

With its bleak Scandinavian landscapes and intricate storytelling, Department Q is a gripping addition to the Nordic noir genre, offering both suspense and a thought-provoking look at the human cost of crime and justice.

Picture credits

Mon Oncle (1958)
Fair use, https://en.wikipedia.org/w/index.php?curid=14855843
Doctor Who
By https://www.instagram.com/bbcdoctorwho/p/DHyBku8OAtV/, Fair use, https://en.wikipedia.org/w/index.php?curid=79334790
Apocalypse Stalin
By James Abbe – Immediate source: [1]Initial publication: The New York Times, 8 May 1932 (image of first page available at [2]), as attested in Shooting Stalin: The Wonderful Years of James Abbe (2005), ISBN 9783865210432, Public Domain, https://commons.wikimedia.org/w/index.php?curid=163452326
Liza: A Truly Terrific Absolutely True Story
By Unknown author – ebay, Public Domain, https://commons.wikimedia.org/w/index.php?curid=28341206
The Running Man (1987) (Note: often listed as 1987)
By http://www.impawards.com/1987/running_man.html, Fair use, https://en.wikipedia.org/w/index.php?curid=34215915
From Russia with Love (1963)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=37428191
Three Thousand Years of Longing (2022)
By http://www.impawards.com/2022/three_thousand_years_of_longing_xxlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=70822455
Jane Austen
Fair use.
Pride and Prejudice (2005)
The poster art can or could be obtained from Focus Features., Fair use, https://en.wikipedia.org/w/index.php?curid=30525992
The Good, the Bad and the Ugly (1966)
Derived from a scan of the poster (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=5714576
The Hate U Give (2018)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=58853244
Sense and Sensibility (TV adaptation – BBC) (2008)
By http://elegance-of-fashion.blogspot.com/2011/03/review-sense-and-sensibility-2008.html, Fair use, https://en.wikipedia.org/w/index.php?curid=24033034
The Remains of the Day (1993)
By http://www.impawards.com/1993/remains_of_the_day.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6745078
L.A. Confidential (1997)
By http://www.impawards.com/1997/la_confidential.html, Fair use, https://en.wikipedia.org/w/index.php?curid=6898645
Kelly’s Heroes (1970)
By Metro-Goldwyn-Mayer (MGM) – IMPawards, Fair use, https://en.wikipedia.org/w/index.php?curid=38329896
Fire Island (2022)
By Searchlight Pictures – https://twitter.com/searchlightpics/status/1518589402305507329?s=20&t=z98t5jxp96X-UEKqWN4Jfg, Fair use, https://en.wikipedia.org/w/index.php?curid=70626655
Shadow in the Cloud (2020)
By http://www.impawards.com/2020/shadow_in_the_cloud_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=66402981

Comments (1)

Culture Vulture TV and Film Picks, 17–23 May 2025

May 17, 2025 at 11:45 am · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , ,


Selections and commentary by Pat Harrington
Original music on our video edition by Tim Bragg

3,524 words, 19 minutes read time.

This week’s picks illuminate power, protest, and identity with remarkable clarity. At the heart of the television schedule lies a commitment to confronting injustice and re-examining history: from new angles on the Titanic and the Lockerbie bombing to George Floyd’s global legacy and the silencing of working-class voices in British schools. Films offer the same sharpness: we move from Spike Lee’s masterful biopic of Malcolm X to British Gothic horror and Almodóvar’s meditations on memory and motherhood. Whether it’s courtroom showdowns or polar expeditions, every story this week echoes into the present.

📅 Saturday, 17 May

Doctor Who: The Interstellar Song Contest (BBC One, 7:10 PM)
This glitter-bomb of an episode drops the Doctor and Ruby into an intergalactic Eurovision-style contest. Underneath the dazzle lies a critique of soft-power politics and propaganda by entertainment. Ncuti Gatwa is magnetic, balancing comic timing with a growing emotional range, while the satire never lets up. There are monsters, metaphors, and musical mayhem in abundance.

Titanic: Our Secret History (Channel 4, 8:00 PM)
Not another retelling of the iceberg tragedy, but a deep dive into the ship’s under-explored backstories. This absorbing documentary reframes the Titanic as a floating symbol of class division and industrial overreach. Drawing on fresh sources and survivor testimonies, it paints a vivid, poignant picture of lives shaped by hubris and inequality.

The Untouchables (1987) (BBC Two, 10:00 PM) ★★★★
Brian De Palma’s stylised gangster saga pits Eliot Ness (Kevin Costner) against Al Capone (Robert De Niro) with operatic flair. The screenplay, written by David Mamet, crafts a battle between virtue and corruption with theatrical weight. Sean Connery provides the grit and gravitas, winning an Oscar for his supporting role as Malone.

The direction is bold, with De Palma’s signature set-pieces — especially the slow-motion shootout on the train station steps — creating a heightened world of mythic justice. The score by Ennio Morricone lifts scenes into epic territory without ever losing tension.

This is a film that revels in cinematic bravado while remaining morally unambiguous. It doesn’t flinch from sentimentality, but it earns its emotion with sheer style and craftsmanship.

Parallel Mothers (2021) (BBC Two, 12:50 AM) ★★★★ 🌟
Pedro Almodóvar entwines personal drama with political memory in this story of two women whose lives intersect in unexpected ways. Penélope Cruz is extraordinary in a performance that is both maternal and haunted. She plays Janis, a photographer whose decision to investigate her family’s past leads to unsettling revelations.

Almodóvar delicately balances melodrama with meditative reflection. The domestic storyline never overshadows the deeper commentary on Spain’s reckoning with its Civil War-era crimes, creating a powerful blend of private and collective history.

Visually rich and emotionally generous, Parallel Mothers is a late-career triumph that shows Almodóvar still capable of reinventing his thematic concerns with elegance and depth.

Dead of Night (1945) (Film4, 1:50 AM) ★★★★★
This British horror anthology remains one of the most inventive and disturbing films of its era. A series of eerie tales, linked by a framing device of a man haunted by a recurring nightmare, it taps into postwar anxieties with uncanny precision.

Each segment offers something unique, but it’s the ventriloquist dummy story, starring Michael Redgrave, that sears itself into the mind. The psychological terror here is deeper and more existential than simple ghost stories.

Blending surrealism with social unease, Dead of Night influenced everything from The Twilight Zone to modern horror. It’s a masterclass in atmosphere and dread.

📅 Sunday, 18 May

The Bombing of Pan Am 103 (1 of 6) 🌟
This docuseries embarks on a harrowing and deeply personal investigation into the Lockerbie disaster, peeling back layers of history to expose the political and intelligence failures that shaped the response. Drawing on newly declassified files and firsthand testimonies, it does more than recount the events of December 21, 1988—it interrogates the mechanisms of power that dictated how justice was pursued, or in some cases, obstructed.

Rather than adopting a conventional true-crime format, the series takes a profoundly human approach, placing the families of the victims at the heart of the narrative. Their decades-long struggle for answers is not framed as a subplot but as the driving force behind the investigation. The programme refuses to tiptoe around the uncomfortable truths of state accountability—questions are asked boldly, not whispered in the margins.

The political dimensions of Lockerbie are unavoidable. From the moment Pan Am Flight 103 exploded over Scotland, killing 270 people, the tragedy became entangled in international diplomacy, intelligence operations, and geopolitical maneuvering. The official conviction of Libyan intelligence officer Abdelbaset al-Megrahi remains one of the most contested rulings in modern history, with some arguing that Libya was scapegoated for political expediency while the real perpetrators—potentially linked to Iran or Syrian-backed groups—escaped scrutiny. The series does not shy away from these controversies, instead confronting them head-on, examining how shifting alliances and covert intelligence dealings may have influenced the investigation.

Beyond the question of who was responsible, the series also scrutinizes how governments handle acts of terror. The response to Lockerbie set precedents that would later shape policies on counterterrorism and victim support, influencing how authorities reacted to tragedies such as 9/11. The failures in communication, the lack of transparency, and the reluctance to acknowledge prior warnings about the attack all raise unsettling questions about the balance between national security and public accountability.

Expect this series to reignite old wounds and provoke urgent discussions about how nations reckon with terror, truth, and memory. It is not merely a retelling of history—it is an indictment of the systems that dictate whose grief is acknowledged, whose voices are heard, and whose version of events is allowed to stand unchallenged.

The Wicked Lady (1945) (Talking Pictures, 6:00 PM) ★★★★
Margaret Lockwood stars in this florid melodrama about a bored aristocrat who becomes a highway robber. A Technicolor romp with lace, daggers, and stolen kisses, it shocked censors on release and delights in its heroine’s moral ambiguity.

Gainsborough Pictures excelled at this kind of heightened costume drama, and The Wicked Lady is among the most brazen examples. Lockwood’s performance is charged with charisma and cheek.

A valuable watch not just for its camp appeal, but as a rare early British portrait of female rebellion.

📅 Monday, 19 May

Inside Our Minds (BBC Two, 9:00 PM)
Inside Our Minds is a compelling documentary series that shines a light on neurodivergence, offering a deeply personal and insightful look into how different minds work. Hosted by Chris Packham, the show helps individuals with conditions such as ADHD and dyslexia create films that express their experiences in a way that words often cannot.

The upcoming episode continues this journey, providing a platform for neurodivergent individuals to share their stories and perspectives. If previous episodes are anything to go by, viewers can expect a mix of emotional revelations, scientific insights, and beautifully crafted storytelling that challenges misconceptions and fosters understanding.

For those interested in exploring the complexities of the human brain and the lived experiences of neurodivergent individuals, this episode promises to be both enlightening and moving.

Nixon in the Den (PBS America, 9.55pm)
Nixon in the Den is a gripping and meticulously crafted documentary that peels back the layers of Richard Nixon’s presidency, offering a psychological portrait of a man whose ambition and paranoia shaped American history. Rather than resorting to caricature or simplistic villainy, the film presents Nixon as a deeply complex figure—an astute political strategist whose insecurities and distrust of others ultimately led to his downfall.

Through rarely seen archival footage and insightful interviews, the documentary reconstructs Nixon’s rise from a modest, often loveless upbringing to the heights of global power. It explores how his relentless drive to escape his past fueled his political success, yet also bred the paranoia that would consume him. The film does not shy away from the darker aspects of his presidency, particularly the Watergate scandal, but it reframes these events with fresh perspective, examining how Nixon’s psychological makeup influenced his decisions.

Beyond the scandals, Nixon in the Den delves into his foreign policy achievements, including his groundbreaking visit to China and his complex relationship with the Soviet Union. It acknowledges his diplomatic prowess while simultaneously exposing the ruthless tactics he employed behind the scenes. The documentary paints a portrait of a leader who was both brilliant and deeply flawed—a man whose legacy remains one of the most debated in American history.

This is not just a retelling of well-known events; it is an excavation of Nixon’s mind, revealing the contradictions that defined him. Expect a tense, thought-provoking exploration of power, paranoia, and the fragile nature of political legacy.

Little Women (2019) (Film4, 6:20 PM) ★★★★
Greta Gerwig’s adaptation of Louisa May Alcott’s novel plays with time and structure, refreshing the story while honouring its spirit. Saoirse Ronan leads a luminous cast, capturing Jo March’s restlessness with grace.

The visual palette, inspired by impressionist paintings, gives each scene a lived-in warmth. Florence Pugh’s Amy is especially well-drawn, turning a traditionally maligned character into a figure of surprising clarity and ambition.

Gerwig frames this as a tale of authorship and economic survival, enriching its relevance for modern viewers.

Malcolm X (1992) (BBC Two, 11:00 PM) ★★★★★ 🌟
Spike Lee’s biopic of Malcolm X remains a towering cinematic achievement. Charting his transformation from petty criminal to political icon, it never loses sight of the man behind the myth.

Denzel Washington’s performance is magnificent: disciplined, impassioned, and spiritually searching. He captures Malcolm’s shifts in tone, from firebrand to philosopher, with heartbreaking nuance.

The film is long, but its scope feels earned. It is a film of ideas, anger, and dignity — and one that should be required viewing.

he film is long, but its scope feels earned. It is a film of ideas, anger, and dignity — and one that should be required viewing.

📅 Tuesday, 20 May

The Admirable Crichton (1957) (Film 4, 4.35pm) ★★★★

The Admirable Crichton (1957), directed by Lewis Gilbert and based on J.M. Barrie’s play, is a fascinating exploration of class structure and social hierarchy, wrapped in the guise of a comedic adventure. The film challenges the rigid British class system by placing aristocrats and their servant on a deserted island, where survival necessitates a dramatic role reversal.

At the heart of the film is the question of capability versus status. In Edwardian Britain, nobility is synonymous with leadership, but when the pampered upper class is stripped of its comforts, it is Crichton, the butler, who proves himself most resourceful. This reversal of roles underscores the arbitrary nature of social rank, suggesting that competence, rather than birthright, should dictate leadership. The dynamic between Crichton and the stranded aristocrats becomes a microcosm of meritocracy, subverting the established norms of the British class system.

Additionally, the film exposes the fragility of aristocratic entitlement. The members of the ruling class are reduced to helpless figures, unable to fend for themselves without Crichton’s guidance. The irony here is sharp—these are the people who, by birth, rule nations, yet they cannot boil water or build shelter. This critique of social structure implies that the traditional class divisions may be outdated and impractical.

Although lighthearted, the film reflects post-war Britain’s shifting perspectives on class and social mobility. Released during an era when Britain was undergoing profound social change, The Admirable Crichton subtly comments on the growing sentiment that leadership should be earned rather than inherited. The character of Crichton represents a democratic ideal, in which individuals are judged by ability rather than status.

Yet, the film does not fully embrace revolution. When the characters return to England, the established order is reinstated, demonstrating the persistent grip of tradition. Crichton, despite proving himself a capable leader, willingly steps back into his servant role, hinting at an internalized acceptance of the societal framework. The film suggests that while class structures may be flawed, breaking free from their constraints is not simple, nor always desired by those within them.

The Admirable Crichton is both a satire and a thought-provoking social commentary, asking audiences to reconsider entrenched notions of class and leadership. While it offers moments of humour and romance, its deeper message remains relevant: Who truly deserves power, and why do we accept the structures that govern us? It is a film that entertains while inviting reflection on timeless societal and political debates.

📅 Wednesday, 21 May

The Backlash: The Murder of George Floyd (BBC Two, 9:00 PM) 🌟
The Backlash: The Murder of George Floyd is a powerful and unflinching documentary that examines the seismic impact of George Floyd’s death—not just in the United States, but across the world. More than a retelling of the events surrounding Derek Chauvin’s trial, this film takes a broader view, exploring how societies react to protest, how institutions respond to demands for justice, and how the fight against racial inequality continues to evolve.

Through a combination of unseen archival footage and deeply personal interviews, the documentary captures the raw emotion of the protests that erupted in the wake of Floyd’s murder. It follows the young activists who took to the streets, defying police orders and pandemic restrictions to demand change. Their voices, alongside those of Floyd’s family, legal experts, and cultural figures, form the backbone of the film, ensuring that the narrative remains grounded in lived experience rather than detached analysis.

The documentary also examines the political and institutional responses to the Black Lives Matter movement. In the US, Floyd’s death led to widespread calls for police reform, corporate pledges to address systemic racism, and a reckoning within the media and entertainment industries. But as statues were toppled and protests grew more confrontational, a counter-movement emerged, seeking to discredit and dismantle the momentum of racial justice activism. The film does not shy away from this backlash, exploring how political figures, media outlets, and social movements have sought to reshape the conversation, sometimes in ways that obscure the original demands for accountability.

In the UK, Floyd’s murder resonated deeply, sparking protests that highlighted Britain’s own struggles with racial injustice. The documentary weaves together the American and British narratives, showing how Floyd’s death became a moment of reckoning on both sides of the Atlantic. It revisits key moments, from John Boyega’s impassioned speech in London to the removal of statues linked to colonialism, and examines how these events shaped public discourse on race and history.

At a time when diversity initiatives are being rolled back in the US and debates over racial justice remain deeply polarizing, The Backlash: The Murder of George Floyd asks urgent questions,

Wild Rose (2018) (Film4, 11:25 PM) ★★★★
Jessie Buckley plays a Scottish single mum fresh out of prison who dreams of Nashville stardom. It could be clichéd, but the script and performance resist easy sentiment.

The film balances grit and hope, showing how creativity and aspiration battle poverty and stigma. It features one of Buckley’s finest performances to date.

With its tender mother-daughter dynamic and stirring music, Wild Rose is soulful without being saccharine.

📅 Thursday, 22 May


The Secret Life of Bees (1 of 2) (Channel 5, 9:00 PM)
The Secret Life of Bees (Channel 5, 9:00 PM)

This fascinating documentary, hosted by British naturalist Steve Backshall, takes viewers deep into the world of bees, revealing their intricate societies and vital role in the ecosystem. The first episode explores the 270 different bee species in Britain, showcasing their behaviors, historical significance, and the cutting-edge research being conducted to understand them better.

Backshall, who is learning to be a beekeeper for the first time, brings a personal touch to the series, immersing himself in the challenges and rewards of apiculture. The documentary emphasizes the importance of pollinators in maintaining food security and biodiversity, making a compelling case for why we should all care about these remarkable insects.

With stunning visuals and insightful commentary, The Secret Life of Bees is both educational and engaging, offering a fresh perspective on creatures we often take for granted. Whether you’re a nature enthusiast or simply curious about the hidden lives of bees, this documentary is well worth watching.

Classic Movies: The Story of Scott of the Antarctic (Sky Arts, 8:00 PM)
This engaging retrospective looks at the making and legacy of the 1948 film Scott of the Antarctic, revealing how it helped shape British perceptions of heroism, exploration, and sacrifice. A treat for cinephiles and history buffs alike.

Out of the Furnace (2013) (Legend, 9:00 PM) ★★★
Christian Bale and Casey Affleck star in this moody, downbeat drama set in the rust belt of America. It’s a tale of brothers and broken dreams, heavy on grit and grey skies.

The plot leans into noir territory, with violence and retribution at its core. Woody Harrelson’s turn as a sadistic villain steals every scene.

Bleak but beautifully shot, it speaks volumes about the costs of economic collapse.

A Few Good Men (1992) (Film4, 9:00 PM) ★★★★
Aaron Sorkin’s courtroom drama remains gripping and smart, anchored by powerhouse performances. Tom Cruise, Demi Moore, and Jack Nicholson circle each other with increasing tension.

At its heart, it’s a morality play about duty and the abuse of power. The climactic courtroom exchange has entered pop culture, but the surrounding story is equally compelling.

It’s a satisfyingly old-school thriller with genuine thematic weight.

📅 Friday, 23 May


Draining Pompeii: Secrets Beneath the Ash (Channel 5, 9:00 PM)
Using advanced scanning and excavation techniques, this documentary uncovers new insights into the lives of ordinary Pompeiians buried under ash. It’s a poignant exploration of vulnerability, daily life, and the forgotten victims of catastrophe.

Brass (Rewind TV, 7:00 PM)
A satire of British class, industry, and soap opera tropes, Brass skewers Thatcherite Britain with absurdist flair. The northern accents are thick, the stakes are ridiculous, and the politics are gleefully unsubtle.

Judy (2019) (BBC Two, 11:00 PM) ★★★★
Renée Zellweger disappears into the tragic glamour of Judy Garland’s final act. We find her broke, addicted, and still trying to sing, haunted by a life in the spotlight.

Zellweger’s physical transformation is matched by emotional truth. She captures Garland’s humour, vulnerability, and desperation.

Far from a showbiz hagiography, the film honours Judy by showing her at her most human.

Booksmart (2019) (BBC One, 11:40 PM) ★★★★
Two bookish girls decide to cram all of high school’s missed fun into one wild night. Olivia Wilde’s directorial debut is fast, fresh, and surprisingly moving.

Kaitlyn Dever and Beanie Feldstein share chemistry that grounds even the zaniest moments. It’s a film that balances sharp jokes with a big heart.

Modern, inclusive, and genuinely funny, it holds its own against the great teen comedies of any era.

📺 And finally, streaming choices

Rematch (Disney+, all six episodes available from Wednesday 21 May)
Rematch is an intense six-part series that dives into one of the most famous chess matches in history—the 1997 battle between Garry Kasparov and IBM’s Deep Blue supercomputer. The show isn’t just about chess, though—it’s about the tension between human intelligence and machine power, and it keeps you hooked from start to finish.

Christian Cooke plays Kasparov, bringing out all his passion, frustration, and determination as he faces off against a machine designed to defeat him. The supporting cast, including Sarah Bolger and Aidan Quinn, add depth to the story, making the stakes feel personal as well as historical.

Visually, the series pulls you in with its sharp cinematography, making every move on the board feel like a high-stakes moment. Whether you’re a chess fan or just love a gripping story, Rematch delivers drama, strategy, and a fascinating look at a turning point in history

Tucci in Italy (Disney+, all five episodes available from Monday 19 May)
Stanley Tucci’s culinary journey through Italy returns with warmth, elegance, and charm. He moves through regions both familiar and overlooked, meeting cooks, farmers, and winemakers. More than a travelogue, it’s a celebration of resilience, tradition, and the sensual pleasure of eating well.

Picture credits

Doctor Who: The Interstellar Song Contest
Titanic: Our Secret History By Francis Godolphin Osbourne Stuart –
The Untouchables Fair use.
Parallel Mothers Fair use,.
Dead of Night Fair use.
The Bombing of Pan Am 103 By Air Accident Investigation Branch – Air Accident Investigation BranchReport No: 2/1990
The Wicked Lady Fair use.
Inside Our Minds By Garry Knight from London, England – People’s Walk for Wildlife 2018 – 04, CC BY 2.0,
Nixon in the Den By James Anthony Wills – archive copy at the Wayback Machine, Public Domain,
Little Women
Malcolm X

The Admirable Crichton By Columbia Pictures – Fair use,
The Backlash: The Murder of George Floyd: By Darnella Frazier Facebook post., Fair use.
Wild Rose By Studio and or Graphic Artist – Can be obtained from the film’s distributor., Fair use.
The Secret Life of Bees By Impawards, Fair use.
Classic Movies: The Story of Scott of the Antarctic
Out of the Furnace IMP Awards, Fair use.
A Few Good Men
Draining Pompeii: Secrets Beneath the Ash By ElfQrin – Own work, CC BY-SA 4.0,
Brass
Judy
Booksmart By Trent Farr, Fair use.
Rematch By James the photographer
Tucci in Italy By Raph_PH – ConclaveBFILFF101024 (9 of 44), CC BY 2.0,

Comments (1)

Culture Vulture Picks: 12th–18th April 2025

April 11, 2025 at 8:03 pm · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , , ,

Selections and commentary by Pat Harrington | Music by Tim Bragg

As spring air stirs this week’s cultural offerings invite reflection, revelation — and the occasional revolution. Television and streaming cover a wide range of genres, from sci-fi and ska to true crime and torch songs. They deliver stories that challenge, charm, and cut deep.

This week’s guide is curated by Pat Harrington. Music is provided by Tim Bragg. It picks out standout offerings across British TV and streaming platforms from an alternative viewpoint. You might be settling in with a brew. Maybe you’re catching up on-demand. There’s something here for the curious. It’s perfect for the bold and the discerning.

This week’s top highlights:

  • Doctor Who returns with a stylish regeneration and a fresh Doctor.
  • Ute Lemper resurrects Weimar Berlin in an unforgettable late-night cabaret.
  • The Hunt delivers taut moral suspense in one of the week’s most powerful film broadcasts.

Saturday, 12th April

Doctor Who – Series 1, Episode 1: The Robot Revolution, 6:50 PM, BBC One
🌟 Highlight
In this thrilling opener, Ncuti Gatwa’s Doctor steps fully into his role. The Doctor does so with a captivating blend of charm and boldness. This embodies the essence of renewal that defines Doctor Who. The episode delves into the ever-relevant theme of AI and its potential consequences when it turns against humanity. A rogue AI uprising is the central conflict. It delivers an engaging mix of suspense. The action keeps viewers on the edge of their seats.

The Doctor’s unique approach to problem-solving is highlighted as he faces the daunting task of halting the rebellion. Gatwa’s portrayal introduces an energetic twist to the character. This modern interpretation makes this episode a perfect entry point for newcomers. It also delights long-time fans. The visual effects, clever dialogue, and emotional undercurrents guarantee this reboot feels fresh yet connected to the show’s legacy.

Expect moments of humor, heart, and intense drama as the Doctor navigates moral dilemmas and technological dangers. The supporting cast and their interactions with Gatwa’s Doctor add depth and color. This sets the stage for a promising season. The season will be filled with adventures that challenge conventions and push boundaries.

The Queen and the Traitor: A Great British Scandal, 7:45 PM, BBC One
Anthony Blunt’s story defies expectations. It reveals the extraordinary secrets that can lie hidden in plain sight. This drama sheds light on a man who was far more than he appeared to be. On the surface, Blunt was an esteemed art historian and a trusted advisor. He was deeply embedded in the royal household. He rubbed shoulders with the most influential people in Britain, including Queen Elizabeth II herself. His reputation was one of intellect, sophistication, and loyalty.

But what makes this tale so compelling is the stark contradiction at its heart. Behind this polished facade was a man living a double life. He was working covertly as a Soviet spy during the tense and dangerous era of the Cold War. The drama examines the choices that led Blunt to betray his country. It also reveals the sheer audacity it took to keep his dual identities. It examines themes of loyalty, betrayal, and moral complexity. The story reveals that even those in the most privileged and trusted positions are capable of unimaginable deception.

This portrayal delves into Blunt’s actions. It also examines the ripple effects of his treachery. This exposure highlights the fragile balance between trust and power within institutions like the monarchy. It is a haunting reflection on the lengths people will go to for ideology, ambition, or survival. Such decisions can have a devastating impact on those around them. This drama goes beyond a simple historical recount. It captures the human drama and ethical dilemmas at the core of one of Britain’s most shocking betrayals.

Made in Britain, 8:35 PM, ITV4
Celebrating the grit, innovation, and legacy of the UK’s manufacturing industries. From factories to family businesses, this documentary series spotlights unsung heroes of British industry.

Sunday, 13th April

Walter Presents: Cold Summer, 12:35 AM, Channel 4
Cold Summer is a gripping Italian crime thriller. It is set in Bari during the early 1990s. The story begins with the devastating arson of the Petruzzelli Theatre. This act disrupts the fragile peace among the city’s criminal clans. The son of mafia boss Nicola Grimaldi is kidnapped. Alessio Boni plays Nicola Grimaldi. Despite a ransom being paid, the kidnapped son is later found murdered. This event causes the delicate balance of power to collapse. It plunges the city into chaos.

The narrative follows Pietro Fenoglio. He is portrayed by Paolo Sassanelli and is a carabinieri officer navigating the murky world of mafia feuds and corruption. The prime suspect is Vito Lopez, a former confidant of Grimaldi. He surrenders to the authorities and offers to become a state’s witness. While confessing to many crimes, Lopez denies involvement in the boy’s murder. As Fenoglio and his partner Pellecchia dig deeper, they uncover a shocking truth. The murder was committed by two of their own colleagues. This revelation forces Fenoglio to confront the ethical dilemma of bringing justice against fellow officers. It challenges his loyalty to the uniform. It also tests his commitment to the law.

The series is a tense exploration of betrayal, power, and the fight for justice. It is set in a city teetering on the edge of corruption. The moody atmosphere and morally complex characters make it a compelling watch. It offers a poignant reflection on the cost of loyalty. It also reflects the pursuit of truth in a world where trust is scarce.

Willard White Remembers Porgy and Bess, 8:35 PM, BBC Four
Opera legend Willard White reflects on his iconic role. This role was in Gershwin’s landmark work. He offers a poignant exploration of race. The reflection includes legacy and artistic endurance.

George Gershwin’s Porgy and Bess, 8:50 PM, BBC Four
This is a lavish production of the American opera classic. It blends jazz, gospel, and folk. The story told is one of love and struggle in the Deep South.

Ute Lemper Sings Kurt Weill. Tune in at 11:55 PM on BBC Four.
🌟 Highlight
Lemper brings Kurt Weill’s music to life in a way that feels both timeless and deeply personal. Lemper is known as one of the most accomplished interpreters of Weill’s work. She immerses her audience in a rich tapestry of sound and emotion. She channels the spirit of artistic rebellion that defined Weill’s legacy. Through her distinctive voice and theatrical presence, she transforms each song into a vivid story. She gives classics like Surabaya Johnny, Alabama Song, and Pirate Jenny an intensity. The songs have a nuance that captivates listeners.

This late-night BBC Four special creates an intimate atmosphere where music and storytelling blend seamlessly. Lemper’s delivery blurs the boundaries between a traditional performance and something far more dynamic. It offers a unique experience. This feels as much like an emotional journey as it does a concert. The themes of love, heartbreak, and political defiance ripple through each note. These themes remind us of the power of art to challenge the status quo. Art speaks to the soul.

This performance is for anyone with a passion for music that transcends the ordinary. It is also for those drawn to the evocative allure of cabaret noir. Finally, it is for those who simply wish to be moved. This event stands as an unmissable celebration of Kurt Weill’s enduring genius. It’s less about nostalgia and more about the raw relevance of these songs in today’s world.

Monday, 14th April

Capricorn One (1977), 2:35 PM, Legend
This gripping thriller takes viewers on a journey. It delves into the murky world of conspiracy theories. It also explores government deception. The film imagines a scenario where NASA fakes a manned mission to Mars. They are driven by the pressure to maintain funding. The plot also concerns maintaining public trust.

Elliott Gould stars as a determined journalist. James Brolin plays one of the astronauts caught in the web of lies. The story unfolds with nail-biting tension. The government forces the astronauts to participate in the hoax. They soon find themselves hunted by government agents who are determined to keep the truth buried. The film captures the paranoia and distrust of the Cold War era. It blends suspense, drama, and a touch of sci-fi to create a thought-provoking narrative.

With its sharp commentary on power and ethics, Capricorn One remains a classic. It challenges viewers to question the narratives presented by authority. Will you be watching this retro gem? It’s a fascinating piece of cinema history!

The Last of Us, 9:00 PM, Sky Atlantic
Post-apocalyptic storytelling at its finest. The much-anticipated return continues Joel and Ellie’s harrowing journey with haunting visuals and gut-punch emotional stakes. Season two of The Last of Us continues Joel and Ellie’s story. They navigate a world devastated by a fungal pandemic. The series is based on the acclaimed 2013 video game. It has redefined what adaptations can achieve. This proves that gaming narratives can translate into compelling television. The first season was a groundbreaking success. It earned 24 Emmy nominations. It won six awards, including ones for its exceptional storytelling and performances.

The show’s ability to capture the emotional depth and complexity of the game is impressive. It expands the narrative and has set a new standard for adaptations. Pedro Pascal and Bella Ramsey deliver standout performances as Joel and Ellie, bringing authenticity and nuance to their roles. Their chemistry remains the heart of the series, drawing viewers into the characters’ struggles and triumphs.

By staying true to the essence of the game, The Last of Us has reached both fans and newcomers. Thoughtful adjustments for television were made. Its success has paved the way for future projects. This success shows that gaming stories can thrive in the world of prestige television. These stories need to be handled with care and creativity. Season two promises to build on this legacy. It will offer more of the gripping drama.

Tuesday, 15th April

Tombstone (1993), 9:00 PM, Film4

Tombstone (1993) is a Western that stands out for its sharp storytelling and unforgettable performances. Kurt Russell and Val Kilmer lead the cast. They bring depth and charisma to their roles as Wyatt Earp and Doc Holliday. The film captures the tension and drama of the Old West. It weaves a tale of loyalty, revenge, and the struggle for justice.

Kilmer’s portrayal of Doc Holliday is particularly remarkable. He imbues the character with a mix of wit, vulnerability, and defiance. This makes Holliday both a tragic figure and a force to be reckoned with. He delivers iconic lines like “I’m your huckleberry.” This has cemented his performance as one of the most memorable in the genre. Russell’s Wyatt Earp, meanwhile, is a compelling blend of determination and moral complexity, anchoring the story with his presence.

The film’s stylized approach to the Western genre is clear in its striking cinematography and intense action sequences. From the gunfight at the O.K. Corral, viewers experience the simmering confrontations between lawmen and outlaws. Tombstone keeps viewers engaged with its dynamic pacing. The dramatic stakes hold their attention. The supporting cast is impressive. Sam Elliott and Bill Paxton play Earp’s brothers. They add layers to the narrative and create a rich tapestry of characters and conflicts.

Beyond the action, Tombstone is a film that resonates not just as a thrilling Western. It is also a story about the human condition in a time of chaos and change.

Wednesday, 16th April

Pauline Black: A Two-Tone Story, 9:00 PM, Sky Arts
Pauline Black’s story is about resilience, creativity, and defiance. This documentary captures her journey with vivid detail. As the frontwoman of The Selecter, she became a defining voice of the Two-Tone movement. This genre fused ska, punk, and reggae to challenge societal norms. It also confronted issues of race and identity. The documentary delves into her personal journey. It explores the challenges she faced as a woman of color in the male-dominated music industry. It also reviews the political landscape of the time.

Through interviews, archival footage, and performances, the film paints a portrait of Black not just as a musician. She was a trailblazer who used her platform to advocate for equality and justice. It highlights her ability to channel her experiences into powerful lyrics and performances that resonated with audiences and inspired change. The rebellious spirit of Two-Tone is woven throughout, celebrating its impact on music and culture.

This documentary is more than a retrospective. It celebrates Pauline Black’s enduring legacy and the movement she helped shape.

Re:cord On… The Specials: A Message to You, 10:50 PM, Sky Arts
A loving exploration of the Specials’ enduring anthem. The show blends personal stories with cultural context. It is a perfectly ska-soaked time capsule.

Hideous Kinky (1998), 11:30 PM, BBC Two
This evocative drama is based on Esther Freud’s semi-autobiographical novel. It stars Kate Winslet as Julia. She is a young English mother seeking a fresh start in 1970s Morocco. Accompanied by her two daughters, Julia embarks on a journey of self-discovery. She grapples with the challenges of raising children. At the same time, she chases spiritual enlightenment and personal freedom.

The film is set against the vibrant and chaotic backdrop of Marrakech. It captures the essence of a time and place where tradition and modernity collide. Winslet delivers a nuanced performance. She portrays Julia’s vulnerability and determination. Julia navigates relationships, cultural differences, and the search for meaning in a world far removed from her own.

With its dreamy cinematography, warm tones, and moments of quiet introspection, Hideous Kinky offers a gently strange journey. It provides a deeply human exploration of identity, love, and the pursuit of happiness. It’s a film that lingers in the mind, inviting viewers to consider their own journeys.

Targeted: Lebanon’s Deadliest Attack, 11:00 PM, Channel 4
This powerful documentary investigates a devastating bombing in Beirut. It unpacks the international entanglements that led to tragedy. A vital piece of longform journalism.

Thursday, 17th April

Wonderland: Science Fiction in the Atomic Age – Episode 3 of 4. Airing at 8:00 PM on BBC Four.
The series explores how sci-fi channeled 20th-century nuclear fears into tales of aliens, dystopias, and human hubris. A stylish trip through speculative imagination.

Love My Face, Episode 1 at 10:00 PM. Episode 2 is at 11:05 PM on BBC Two.
This deeply personal series follows people navigating facial difference and the decision to undergo surgery. A moving challenge to societal ideas of beauty and visibility.

The Hunt (2019), 10:50 PM, Film4
🌟 Highlight
The Hunt (2019) is a sharp and provocative thriller. It delves into the divisions of modern society. Directed by Craig Zobel, the story follows a group of strangers. They wake up in an unfamiliar location. They quickly realize they are being hunted by a group of wealthy elites. The film plays with tension, humor, and violence as it navigates the chaos that unfolds.

At the center of the narrative is Betty Gilpin as Crystal. She is one of the captives who refuses to be a victim. Gilpin’s performance is magnetic—she brings intelligence, wit, and unrelenting toughness to a character who consistently outsmarts her captors. Her portrayal ensures that Crystal’s journey is both engaging and deeply satisfying to watch.

The film doesn’t shy away from its social commentary. It takes aim at political extremes with a dark and biting sense of humor. The film’s satirical approach may not resonate with everyone. Yet, it successfully holds a mirror up to the absurdities and hypocrisies of our times. The pacing is relentless. It keeps viewers gripped from start to finish. The action sequences are executed with precision and energy.

Visually, the film juxtaposes its idyllic setting with the brutal events taking place, adding an unsettling layer to the story. The Hunt is bold and unflinching. It challenges audiences to think about the consequences of prejudice. It examines mob mentality and the ways we engage with opposing views. You might see it as a sharp critique. Or you might view it simply as an intense thriller. Either way, it leaves a lot to think about long after the credits roll.

Friday, 18th April (Good Friday)

King of Kings (1961), 8:15 AM, BBC Two
This Technicolor epic captures the grandeur and solemnity of its subject matter. It offers a richly detailed depiction of key moments from the New Testament. The film begins with the birth of Jesus. It then portrays his ministry. The climax focuses on his crucifixion and resurrection. This narrative is both reverent and cinematic.

The sweeping visuals are enhanced by Miklós Rózsa’s powerful score. His music adds emotional depth. It also brings a sense of majesty to the story. The music underscores the film’s most poignant moments. It enhances the film’s ability to resonate with audiences on a spiritual level. It also touches them on an emotional level. Jeffrey Hunter’s portrayal of Jesus brings a quiet intensity to the role. The supporting cast adds layers of complexity to the historical and personal dynamics at play.

This retelling is not just a recounting of biblical events but an exploration of themes like faith, sacrifice, and redemption. The film’s meticulous attention to detail stands out. Its thoughtful direction ensures it continues to hold significance, particularly during the Easter season. Whether you’re drawn to its artistic achievements or its spiritual message,

The Rolling Stones: Live at the Fonda, 9:25 PM, BBC Four
Filmed in 2015, this intimate club show was recorded. It proves the Stones still swagger and seduce. An electrifying setlist in a small venue setting.

Mick Jagger: My Life as a Rolling Stone, 10:50 PM, BBC Four
From rock god to cultural icon. This show dissects the myth. It reveals the man behind the mic – and the moves.

Keith Richards: My Life as a Rolling Stone, 11:50 PM, BBC Four
A tribute to the Stones’ riff king. He is a bluesman, outlaw, and survivor. A love letter to the world’s most charismatic guitarist.

and finally, Streaming – Netflix

Behind the Curtain: Stranger Things – The First Shadow. It is available from Tuesday, 15th April.
The Stranger Things universe gets theatrical in this lavish West End origin story. Set in 1950s Hawkins, it’s a moody, sharply-written prequel packed with nostalgia and stage magic.

Oklahoma City Bombing: American Terror. It is available from Friday, 18th April.
🌟 Highlight
A chilling, in-depth documentary examining the 1995 bombing, its perpetrators, and the rise of homegrown extremism. Sobering, necessary, and disturbingly relevant. Essential viewing in an age where history repeats — and warns.

Leave a Comment

Culture Vulture 15th to the 21st of March 2025

March 14, 2025 at 2:18 pm · Filed under Documentaries, Film & DVD Reviews, TV Shows ·Tagged , , , , , , , , , , ,

5,085 words, 27 minutes read time.

Welcome to Culture Vulture, your alternative, non-mainstream weekly entertainment guide. Our aim is to highlight films and programmes that offer something deeper—whether through social critique, political subtext, or psychological insight. Selection and writing are curated by Pat Harrington, with music provided by Tim Bragg.

Here are three highlights from this week’s schedule:

  • The French Connection (1971) – BBC Two, 22:00, Sunday 16th March A gritty, uncompromising crime thriller that delves into police obsession, systemic corruption, and the brutal realities of law enforcement. Gene Hackman’s portrayal of Popeye Doyle remains one of cinema’s most fascinating antiheroes.
  • The Northman (2022) – Film 4, 21:00, Monday 17th March Robert Eggers’ visually stunning Viking epic explores revenge, destiny, and the destructive cycles of violence, questioning whether vengeance ever leads to true justice.
  • Aftersun (2022) – BBC Three, 21:00, Friday 21st March A deeply moving drama about memory, fatherhood, and self-discovery, Aftersun offers a quiet yet powerful meditation on nostalgia and intergenerational trauma.

Longer reviews of some of the featured films are available at Counter Culture, where we explore the cultural, philosophical, and political themes embedded within these works.

Now, on to this week’s full schedule:

Saturday, 15th March 2025

The Third Man (1949)

BBC Two, 14:50
Carol Reed’s The Third Man is a masterclass in post-war noir cinema, dripping with shadowy intrigue and moral ambiguity. Set in a divided, war-torn Vienna, the film follows an idealistic American writer, Holly Martins (Joseph Cotten), as he arrives in the city to meet his old friend Harry Lime (Orson Welles), only to discover that Lime is dead—under suspicious circumstances. As Martins digs deeper, the lines between truth and deception blur, leading him into a web of corruption, espionage, and betrayal.

Beyond its gripping narrative, The Third Man is a film about disillusionment and the erosion of idealism in the face of harsh political realities. Reed’s use of canted angles and deep shadows heightens the sense of unease, while the haunting zither score by Anton Karas underscores the melancholy of a city divided by war. The film asks uncomfortable questions about loyalty and morality—who gets to decide what is right and wrong in a world recovering from the trauma of global conflict?

Orson Welles’ enigmatic portrayal of Harry Lime elevates the film to legendary status. His brief yet unforgettable performance, particularly in the famous Ferris wheel scene, reveals the chilling pragmatism of a man who sees human suffering as an economic opportunity. In an age where corporate greed and political maneuvering continue to dominate global discourse, The Third Man remains as relevant as ever.

War for the Planet of the Apes (2017)

GREAT!Movies, 18:25
In a franchise often associated with science-fiction spectacle, War for the Planet of the Apes stands out as a meditation on leadership, revenge, and the cost of war. The film follows Caesar (Andy Serkis), the reluctant leader of the apes, as he seeks to protect his people from a ruthless human military faction led by the fanatical Colonel (Woody Harrelson). As the war escalates, the film pivots into a deeply introspective journey, exploring Caesar’s internal struggle between his quest for justice and his growing desire for vengeance.

Unlike its predecessors, War for the Planet of the Apes places a heavier emphasis on themes of morality and power. While it draws clear parallels to historical conflicts—including the American Civil War and Vietnam—the film also resonates in today’s era of authoritarianism and xenophobia. The apes, once portrayed as the ‘other,’ become a reflection of humanity’s own capacity for resistance and unity in the face of oppression.

Andy Serkis delivers one of the most remarkable motion-capture performances in cinema history, bringing depth and gravitas to Caesar’s character. His nuanced portrayal allows us to see a leader burdened by the weight of responsibility, forced to navigate a world where survival often comes at the cost of one’s soul. In an era where political leadership is under intense scrutiny, War for the Planet of the Apes asks what it truly means to lead—and at what cost.

Lady Gaga: Inside the Chaos

BBC Two, 20:30
Lady Gaga: Inside the Chaos features an insightful conversation between Lady Gaga and BBC’s music correspondent, Mark Savage. In this intimate documentary, Gaga discusses the creation of her latest album, Mayhem, her growing connection with a younger audience, and offers a glimpse into her personal life.

She shares the inspiration and creative freedom behind Mayhem, a blend of various genres reflecting her artistic evolution. Working with producers like Andrew Watt and her fiancé, Michael Polansky, Gaga has crafted an album that’s both personal and universally relatable.

Additionally, Gaga talks about how her music resonates with a younger audience, attributing this to her unique style and genre-defying music. Her use of visual storytelling and social media has strengthened her bond with fans, allowing her to engage directly and create a sense of unity.

On the personal front, Lady Gaga opens up about her relationship with Michael Polansky and the impact it has had on her life. She reflects on her journey, the pressures of fame, and the importance of mental health, emphasizing self-care and resilience.

Overall, Lady Gaga: Inside the Chaos is a must-watch for those interested in the behind-the-scenes realities of creative industries and the personal sacrifices involved in achieving success.

Lady Gaga at the BBC

BBC Two, 21:00
A retrospective of Lady Gaga’s performances and interviews, this programme showcases her growth as both a musician and a cultural icon. Her ability to blend avant-garde artistry with mainstream appeal is highlighted through key moments in her career, from early pop hits to experimental projects that challenge industry norms.

Enya at the BBC

BBC Two, 22:00
Enya at the BBC is a captivating retrospective that celebrates the ethereal sound and enduring appeal of Enya. This collection of performances and interviews showcases her unique ability to blend haunting melodies with lush, atmospheric arrangements. The programme highlights key moments in her career, from her early days with Clannad to her solo success with hits like “Orinoco Flow” and “Only Time.”

Enya’s music has always provided a refuge for listeners, offering a sense of tranquility and escape from the chaos of everyday life. Her distinctive style, characterized by layered vocals and intricate instrumentation, is beautifully captured in this compilation. The documentary also delves into her creative process, revealing the meticulous craftsmanship behind her timeless compositions.

As I Roved Out

BBC Two, 22:45
As I Roved Out is a captivating BBC programme that delves into the rich tradition of Irish folk music. This documentary offers an exploration of how Irish ballads and folk songs have preserved history, identity, and resistance through the ages.

Featuring rare performances and in-depth discussions with contemporary musicians, the programme highlights the enduring relevance of these traditional songs. It examines the role of oral storytelling in shaping national memory and the way these ballads have been passed down through generations.

The documentary also provides insights into the personal and cultural significance of the songs, showcasing their power to evoke emotion and convey the struggles and triumphs of the Irish people. Through evocative performances and thoughtful commentary, As I Roved Out celebrates the beauty and resilience of Irish folk music, making it a must-watch for anyone interested in cultural heritage and musical traditions.

St. Patrick’s Day at the BBC

BBC Two, 23:15

St. Patrick’s Day at the BBC is a vibrant celebration of Irish culture and music, showcasing some of the finest performances from the BBC archives. The programme features a diverse lineup of artists, including U2, Sinead O’Connor, Van Morrison, The Pogues, The Corrs, and The Cranberries, reflecting the immense impact of Irish music on the global stage.


A musical celebration featuring performances that capture the spirit of Ireland. Beyond the revelry, the programme subtly acknowledges the historical struggles tied to Irish identity and the role of music in cultural resilience.

Sunday, 16th March 2025

Dark Victory (1939)

BBC Two, 13:30
Bette Davis delivers a powerhouse performance in Dark Victory, a deeply moving drama that explores mortality, resilience, and self-discovery. Davis plays Judith Traherne, a wealthy socialite whose carefree existence is upended when she is diagnosed with a terminal illness. Instead of dwelling on despair, she embarks on a journey of personal transformation, embracing love and purpose in the face of her fate.

What makes Dark Victory stand out is its raw emotional honesty. Rather than portraying Judith as a passive victim, the film highlights her strength in choosing how to live her final days. The narrative critiques societal expectations of women, showing Judith breaking free from superficial concerns to find a deeper sense of identity. The film’s handling of terminal illness is refreshingly progressive for its time, avoiding melodrama in favor of introspective realism.

The chemistry between Davis and co-star George Brent lends the film additional depth, but it is Davis who commands every scene. Her ability to portray vulnerability without sacrificing agency ensures that Dark Victory remains a standout in Hollywood’s Golden Age. The film’s themes of self-determination and dignity in the face of mortality continue to resonate today, making it a timeless meditation on what truly matters in life.

Stardust (2007)

E4, 15:15
A fantastical adventure that blends fairy tale charm with sharp wit, Stardust is a modern classic that subverts traditional storytelling tropes. Directed by Matthew Vaughn, the film follows Tristan (Charlie Cox), an unassuming young man who embarks on a quest to retrieve a fallen star for his beloved. However, the star turns out to be a celestial woman (Claire Danes), and the journey becomes far more perilous than he anticipated.

Beyond its enchanting visuals and thrilling action, Stardust offers a deeper critique of power, ambition, and gender dynamics. The film’s antagonist, Lamia (Michelle Pfeiffer), embodies the dangers of unchecked greed, while its heroines challenge the passive roles often assigned to women in fantasy. Yvaine, the fallen star, is no mere damsel but a force of agency and independence.

A standout aspect of Stardust is its playful examination of identity. Tristan’s transformation from insecure villager to confident adventurer is not just about winning a romantic prize—it’s about self-discovery. In an era where traditional masculinity is being reevaluated, the film’s depiction of personal growth through emotional openness feels especially relevant. Stardust reminds us that true heroism is not about conquest but about understanding one’s own worth.

The French Connection (1971)

BBC Two, 22:00
William Friedkin’s The French Connection redefined the crime thriller genre, presenting a gritty, unflinching look at law enforcement and organised crime. The film follows NYPD detectives Jimmy “Popeye” Doyle (Gene Hackman) and Buddy Russo (Roy Scheider) as they attempt to dismantle a French heroin-smuggling operation. What sets The French Connection apart is its commitment to realism—filmed on location in New York, its documentary-like aesthetic immerses viewers in a world where justice is often as murky as the criminal networks it seeks to dismantle.

The French Connection is a film about obsession. Doyle, an unorthodox and deeply flawed protagonist, is driven not by noble ideals but by an almost pathological need to bring down the criminals he hunts. His reckless methods blur the line between law enforcement and vigilantism, forcing the audience to question whether the ends justify the means. In an age where discussions around police accountability are more urgent than ever, Doyle’s character serves as a stark reminder of the dangers of unchecked authority.

One of the film’s most celebrated sequences is the heart-stopping car chase beneath an elevated train track—a sequence that remains one of the most thrilling in cinema history. But beyond its technical brilliance, the film is a study in contrasts: the meticulous, disciplined criminals versus the erratic, relentless detective. This dynamic creates a tension that keeps viewers on edge throughout.

Friedkin’s decision to eschew a traditional Hollywood ending reinforces the film’s bleak realism. Unlike conventional crime dramas where justice is served, The French Connection ends on an ambiguous note, reflecting the frustrating reality of real-world law enforcement. In doing so, it captures the moral ambiguity of its time, where corruption and crime often go hand in hand.

The film also offers an early exploration of the global drug trade, an issue that continues to plague societies worldwide. The impact of such trade—on communities, law enforcement, and international politics—remains just as relevant today. By immersing the audience in the mechanics of a transatlantic smuggling operation, The French Connection forces viewers to confront the systemic nature of crime and its far-reaching consequences.

Decades after its release, The French Connection remains a landmark film, not just for its technical achievements but for its unflinching look at the complexities of justice. In an era where crime dramas have become increasingly stylised, this film’s raw, uncompromising storytelling stands as a testament to cinema’s ability to provoke, challenge, and unsettle.

Monday, 17th March 2025

The Northman (2022)

Film 4, 21:00
Robert Eggers’ The Northman is a brutal, visually arresting Viking epic that delves into themes of revenge, destiny, and the cyclical nature of violence. Inspired by the Scandinavian legend of Amleth, the film follows a young prince (Alexander Skarsgård) seeking vengeance for his father’s murder. Eggers’ meticulous attention to historical accuracy gives the film a mythic yet grounded quality, immersing viewers in a raw, elemental world where fate is inexorable.

Unlike conventional revenge narratives, The Northman examines the psychological and ethical weight of vengeance. Skarsgård’s Amleth is not a glorified hero but a deeply troubled figure, trapped in a cycle of retribution that threatens to consume him. The film subtly critiques traditional notions of masculinity and honor, questioning whether violence truly brings justice or merely perpetuates suffering.

Visually, The Northman is stunning, with haunting landscapes, hypnotic battle sequences, and surreal dream imagery that reinforce the film’s mythological underpinnings. Anya Taylor-Joy and Nicole Kidman deliver standout performances, adding depth to the narrative’s exploration of power, survival, and agency. The film’s unflinching brutality may not be for everyone, but its thematic richness makes it a compelling, thought-provoking work of historical fiction.

What Do Artists Do All Day? Jack Vettriano

BBC Four, 22:00
This insightful documentary offers a rare glimpse into the life and creative process of Jack Vettriano, one of Scotland’s most commercially successful yet critically divisive artists. Known for his evocative, film-noir-style paintings, Vettriano has long been dismissed by the art establishment despite his enduring popularity. The documentary follows him in his studio, capturing his meticulous approach to painting and his reflections on success, rejection, and artistic integrity.

Vettriano’s art is often associated with themes of longing, seduction, and nostalgia, drawing comparisons to cinematic storytelling. While some critics deride his work as overly commercial, his ability to evoke strong emotional responses from audiences speaks to its cultural significance. The documentary subtly explores this tension, raising broader questions about what defines ‘serious’ art in the contemporary landscape.

Beyond the studio, What Do Artists Do All Day? presents Vettriano’s personal journey, from his working-class roots to his unexpected rise in the art world. It highlights the ways in which class dynamics shape access to and recognition within artistic circles, making it a fascinating study of both an artist and the institutions that determine artistic legitimacy.

Jack Vettriano: Heaven and Hell XS

BBC Four, 22:30
A deeper exploration of Vettriano’s career, this follow-up programme examines his most iconic works and the controversies surrounding his artistic reputation. Through interviews with collectors, critics, and the artist himself, Heaven and Hell XS investigates how Vettriano has navigated fame, criticism, and the shifting perceptions of his work over time.

Tuesday, 18th March 2025

The Mouse That Roared (1959)

Film 4, 11:00
A biting political satire wrapped in a charming comedy, The Mouse That Roared follows the fictional, impoverished European microstate of Grand Fenwick, which declares war on the United States in the hopes of receiving post-war aid. What begins as an absurd military campaign takes an unexpected turn when Grand Fenwick accidentally wins the war, sending international politics into chaos.

Beyond its whimsical premise, the film cleverly critiques Cold War-era geopolitics and the absurdities of superpower rivalries. The notion that a tiny, unassuming nation could upend global affairs underscores the arbitrary nature of political influence and military might. Peter Sellers shines in multiple roles, delivering a satirical yet oddly sincere performance that reinforces the film’s underlying message.

In an era still dominated by discussions of international power struggles, The Mouse That Roared remains a relevant and witty exploration of how small actions can have outsized consequences. Its humor, rooted in sharp social commentary, ensures that it endures as a classic farce with serious undertones.

Can You Ever Forgive Me? (2018)

Channel 4, 02:15
A gripping drama based on true events, Can You Ever Forgive Me? tells the story of Lee Israel (Melissa McCarthy), a struggling biographer who turns to literary forgery to make ends meet. What starts as a desperate attempt to survive soon escalates into a sophisticated con, forcing Lee to navigate the ethical and legal consequences of her actions.

Melissa McCarthy delivers a career-defining performance, shedding her comedic persona to embody a deeply flawed but sympathetic character. The film’s nuanced portrayal of isolation, financial hardship, and moral compromise makes it a compelling character study that resonates far beyond its crime plot.

At its heart, Can You Ever Forgive Me? is a meditation on artistic legitimacy and societal neglect of those who fall outside the mainstream. It critiques the publishing industry’s elitism while also exploring how personal struggles can drive individuals to make impossible choices.

The Undercover Police Scandal: Love and Lies Exposed

ITV1, 22:45
This episode, titled There Are Others, delves into the shocking revelations surrounding undercover police officers who infiltrated activist groups, forming long-term relationships under false identities. Helen and Alison are introduced by a mutual friend and soon discover that their former partners belonged to a special Met Police squad tasked with infiltrating political groups. As they piece together the truth, they find that the media are not interested in their stories. Despite the lack of attention, the women rebuild their lives until a social media post seven years later unmasks one of the spy cops, Mark Kennedy, whose undercover name was Mark Stone.

The programme examines the devastating personal and legal consequences for those deceived, many of whom unknowingly built their lives around fictional personas. It does not just document the scandal but interrogates the wider implications for civil liberties and state surveillance. In an era where police accountability is a growing concern, Love and Lies Exposed highlights systemic failures and the ethical breaches within law enforcement.

Through interviews with victims, legal experts, and former officers, the documentary paints a chilling portrait of institutional deception. It forces viewers to ask whether such tactics are ever justified and what protections should exist to prevent future abuses of power.

Wednesday, 19th March 2025

The Swimmer (1968)

Film 4, 15:10
A surreal and deeply introspective drama, The Swimmer follows Ned Merrill (Burt Lancaster), a seemingly successful suburban man who decides to “swim” his way home by hopping from pool to pool in his affluent neighborhood. What begins as an eccentric, light-hearted journey slowly morphs into a devastating exploration of loss, self-delusion, and the collapse of the American Dream.

Lancaster delivers one of his most poignant performances, portraying a man whose self-perception crumbles with each interaction. As Ned encounters friends and acquaintances, the film peels away layers of his past, revealing uncomfortable truths about his financial ruin, personal failures, and emotional isolation. The film’s structure is deceptively simple, yet its impact lingers long after the credits roll.

Visually, The Swimmer uses the idyllic suburban landscape to reinforce its themes of nostalgia and disillusionment. The pools, initially symbols of luxury and freedom, become markers of Ned’s slow descent into a tragic reality he refuses to acknowledge. This underappreciated classic remains a powerful allegory for the dangers of clinging to illusions in a world that has already moved on.

French Connection II (1975)

GREAT!Action, 21:00
A sequel that dares to break convention, French Connection II follows Gene Hackman’s iconic character, Popeye Doyle, as he travels to France to track down his nemesis, drug kingpin Alain Charnier. Unlike its predecessor, which focused on high-stakes surveillance and action-packed chases, this film delves deeper into Doyle’s psyche, portraying his struggle with addiction and cultural alienation.

Hackman delivers a riveting performance, showcasing Doyle’s brash arrogance alongside his vulnerabilities. The film’s most harrowing sequence sees Doyle forcibly addicted to heroin, a stark contrast to the confident, reckless detective audiences met in the first film. His detox scenes are gut-wrenching, reinforcing the brutal realities of drug dependency and its dehumanizing effects.

While French Connection II lacks the kinetic energy of the original, it makes up for it with psychological depth and a gripping character study. The film’s critique of American exceptionalism, as Doyle flounders in a country that does not play by his rules, adds another layer of complexity to the narrative. It is a bold, often overlooked sequel that deserves more recognition.

A Cruel Love: The Ruth Ellis Story (3/4)

ITV1, 21:00
The third episode of this gripping series continues its examination of Ruth Ellis, the last woman to be executed in Britain. This episode follows Ruth, who has been found guilty and is due to hang in three weeks’ time. Initially, she accepts her fate, but as her execution date draws nearer, she grows more desperate. Her lawyer, played by Toby Jones, seeks a reprieve from the Home Office, hoping to save her from the gallows.

The Tower of London Special: Elizabeth I and Anne Boleyn, The Prisoner Queens

Channel 5, 21:00
This historical special juxtaposes the lives of two of England’s most famous queens, both of whom spent time in the Tower of London under vastly different circumstances. While Anne Boleyn met her tragic fate there, her daughter Elizabeth I later emerged from imprisonment to become one of the most powerful monarchs in history.

The documentary traces the parallels between mother and daughter, highlighting how political intrigue, gendered power struggles, and personal resilience shaped their respective legacies. Featuring expert historians and dramatic reenactments, it offers a fresh perspective on how the Tower served both as a prison and a place of transformation.

By shedding light on their personal struggles and triumphs, The Prisoner Queens challenges viewers to see beyond the myths and consider the human cost of power. It is a compelling watch for those interested in Tudor history and the lasting impact of these formidable women.

Thursday, 20th March 2025

The Old Man and the Gun (2018)

Film 4, 19:15
A charming farewell to a Hollywood legend, The Old Man and the Gun stars Robert Redford in what was widely regarded as his final acting role. The film tells the true story of Forrest Tucker, a lifelong criminal who escapes from San Quentin prison and embarks on a series of audacious heists—all carried out with remarkable politeness and charm.

Redford delivers a performance imbued with warmth, charisma, and a quiet melancholy, embodying an aging outlaw who refuses to conform to societal expectations. His dynamic with Sissy Spacek adds depth to the narrative, elevating the film beyond its crime elements to become a meditation on aging, purpose, and the joy of doing what one loves—even if it is outside the law.

Director David Lowery employs a nostalgic visual style, evoking 1970s crime films while reinforcing the story’s themes of nostalgia and time slipping away. In an era that often glorifies youthful rebellion, The Old Man and the Gun presents an alternative perspective—that of a man who has lived by his own rules and refuses to let age define him.

Hearts of Darkness: A Filmmaker’s Apocalypse (1991)

Film 4, 01:25
A legendary behind-the-scenes documentary, Hearts of Darkness chronicles the near-disastrous production of Apocalypse Now, revealing the chaos, ambition, and near-madness that fueled Francis Ford Coppola’s Vietnam War epic. Through on-set footage and candid interviews, the documentary exposes the psychological toll of artistic obsession, as Coppola battles financial ruin, uncooperative weather, and an increasingly erratic Marlon Brando.

The film offers a rare glimpse into the extremes of filmmaking, highlighting the fine line between creative genius and self-destruction. Coppola’s struggles mirror the themes of Apocalypse Now itself, with both narratives exploring power, control, and the human cost of ambition.

Beyond the film industry, Hearts of Darkness speaks to broader questions about leadership and perseverance under pressure. It is a must-watch not just for cinephiles but for anyone fascinated by the lengths to which individuals will go in pursuit of artistic vision.

St. Patrick: Born in Britain, Made in Ireland

BBC Two, 21:00
This historical documentary re-examines the life and legacy of St. Patrick, Britain’s most famous expatriate and Ireland’s most celebrated saint. Tracing his journey from a kidnapped youth to a religious icon, the programme challenges the myths surrounding his story, offering a nuanced view of his historical significance.

While St. Patrick is often romanticized as a bringer of Christianity, this documentary presents a more complex picture—one of a man navigating the political and cultural landscapes of early medieval Ireland. It explores the role of religion as both a tool of unification and division, drawing parallels to modern struggles over identity and faith.

Through expert interviews and stunning cinematography, St. Patrick: Born in Britain, Made in Ireland invites viewers to reconsider the narratives we inherit and how historical figures are shaped by the times in which they lived.

The Undercover Police Scandal: Love and Lies Exposed (3/3) – Neither Confirm Nor Deny

ITV1, 21:00
The concluding episode of this gripping investigative series delves into the long-term consequences of the undercover policing scandal that shattered lives and raised serious ethical concerns about state surveillance.

This episode focuses on the legal and emotional aftermath, highlighting the victims’ fight for justice and the institutional resistance they continue to face. Through interviews with those directly affected, the documentary uncovers how the policy of “Neither Confirm Nor Deny” has been used to evade accountability, leaving many questions unanswered.

The series as a whole stands as a powerful indictment of unchecked governmental power, exposing how trust can be systematically weaponized for the sake of intelligence gathering. It forces viewers to confront the delicate balance between security and civil liberties, a conversation that remains as urgent today as ever.

Stacey Dooley: Meet the Shoplifters

BBC Three, 21:00
Stacey Dooley’s latest investigative piece explores the rise of organized shoplifting and its connection to economic hardship, addiction, and shifting social attitudes towards crime. With her signature blend of empathy and direct questioning, Dooley speaks with shoplifters, security professionals, and those impacted by retail theft to paint a comprehensive picture of this growing issue.

The documentary goes beyond sensationalism to examine the structural factors that drive theft, highlighting how poverty, corporate policies, and law enforcement responses contribute to the cycle. It also questions whether harsher penalties or alternative rehabilitation approaches would be more effective in addressing the problem.

Dooley’s ability to humanize both perpetrators and victims makes Meet the Shoplifters a thought-provoking watch that challenges viewers to consider the broader implications of crime and punishment in contemporary society.

Friday, 21st March 2025

Aftersun (2022)

BBC Three, 21:00
A deeply introspective drama, Aftersun is a quiet yet emotionally devastating exploration of memory, childhood, and the bonds between a father and daughter. Paul Mescal delivers an understated but powerful performance as Calum, a young father trying to give his daughter Sophie (Frankie Corio) a joyful holiday while struggling with his own internal battles.

Charlotte Wells’ direction lends the film an almost dreamlike quality, where past and present blur through Sophie’s recollections of their time together. The film subtly explores themes of mental health and intergenerational trauma, with its most poignant moments emerging not from grand dramatic reveals but from quiet, unspoken interactions.

Aftersun is a meditation on nostalgia, the fleeting nature of happiness, and the way we attempt to reconcile our memories with reality. Its emotional resonance has solidified it as one of the most powerful films in contemporary cinema.

And finally, Streaming

Walter Presents: Flowers Over the Inferno

Channel 4 Streaming, available from 21st March
A psychological thriller that delves into the mind of a brilliant but haunted detective, Flowers Over the Inferno follows Teresa Battaglia, a seasoned investigator with a sharp mind but a deteriorating memory. Tasked with solving a series of gruesome murders in the Alps, she must confront both the killer and her own encroaching vulnerability.

This Italian drama, based on Ilaria Tuti’s bestselling novel, weaves an intricate narrative filled with psychological depth, rich character development, and breathtaking scenery. Unlike many crime thrillers that focus purely on action and mystery, Flowers Over the Inferno deeply examines aging, resilience, and the cost of dedicating one’s life to justice.

With a gripping storyline and a protagonist unlike any seen in crime dramas before, this series promises to be an unforgettable viewing experience for fans of dark, character-driven mysteries.

Icons of Style is a captivating new series streaming on BBC iPlayer, with the first episode available from Sunday, 16th March 2025. Presented by the esteemed journalist Kirsty Wark, this two-part series delves into the rich and influential history of Scottish fashion.

Episode One: A Journey Through Time

The first episode takes viewers on a journey through 60 years of Scottish fashion, highlighting the designers, influencers, and celebrities who have left an indelible mark on the global fashion scene. From the historical connections between Dior and Scotland to the impact of the Scottish landscape on designers like Bernat Klein, the episode offers a comprehensive look at how Scotland has shaped the fashion industry.

Celebrating Iconic Figures

Kirsty Wark meets with a diverse array of fashion icons, including actor Alan Cumming, designers Pam Hogg and Bill Gibb, and singer Sharleen Spiteri. Each interview provides unique insights into how these figures have championed Scotland’s distinctive style and contributed to its enduring appeal.

A Blend of Tradition and Modernity

The series beautifully captures the essence of Scottish fashion, showcasing how traditional elements like tartan and tweed have been reimagined for contemporary audiences. The episode also explores the role of iconic Scottish mills, such as Lochcarron, in producing fabrics for major fashion houses worldwide.

A Must-Watch for Fashion Enthusiasts

Icons of Style is a must-watch for anyone interested in the intersection of fashion, culture, and history. The series not only celebrates the creativity and innovation of Scottish designers but also highlights the importance of sustainability and the timeless nature of well-crafted garments.

Icons of Style is a visually stunning and intellectually engaging series that offers a fresh perspective on the global impact of Scottish fashion.

Picture Credits

The French Connection (1971)
By RogerEbert.com: [1], Fair use, https://en.wikipedia.org/w/index.php?curid=4368613
The Northman (2022)
By https://twitter.com/TheNorthmanFilm/status/1508806210451091463, Fair use, https://en.wikipedia.org/w/index.php?curid=69558144
Aftersun (2022)
The Third Man (1949)
By “Copyright 1949 Selznick Releasing Organization, Inc. Country of Origin U.S.A.” – Scan via Heritage Auctions. Cropped from the original image and lightly retouched to repair the torn upper-left corner., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85714336
War for the Planet of the Apes (2017)
By http://www.impawards.com/2017/war_for_the_planet_of_the_apes_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=48616125
Dark Victory (1939)
By http://www.movieposterdb.com/poster/94189217, Fair use, https://en.wikipedia.org/w/index.php?curid=7200777
Stardust (2007)
By May be found at the following website: MoviePosterDB.com, Fair use, https://en.wikipedia.org/w/index.php?curid=11120362
The Swimmer (1968)By http://www.movieposterdb.com/poster/3d02fcee, Fair use, https://en.wikipedia.org/w/index.php?curid=35940227
French Connection II (1975)
By RogerEbert.com, Fair use, https://en.wikipedia.org/w/index.php?curid=7942921
The Old Man and the Gun (2018)
By https://www.imdb.com/title/tt2837574/, Fair use, https://en.wikipedia.org/w/index.php?curid=57635090
Hearts of Darkness: A Filmmaker’s Apocalypse (1991)
By American Zoetrope – IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=39124787
Lady Gaga
By Carlos M. Vazquez II – 210120-D-WD757-1720, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=121269563
Enya
By Orlando Sentinel/ Associated Press – The Orlando Sentinel, January 22, 1989, Public Domain, https://commons.wikimedia.org/w/index.php?curid=151569434
Jack Vettriano -The Singing Butler
Fair use, https://en.wikipedia.org/w/index.php?curid=3809260
SpyCops
Used with kind permission of KollectivFutur
Ruth Ellis
Fair use, https://en.wikipedia.org/w/index.php?curid=29759349
The Tower Of London
By Joy – Tower of London, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=10578253
Stacey Dooley
By War on Want – https://www.flickr.com/photos/waronwant/3930619275/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=74634102
Can You Ever Forgive Me? (2018)
By Fox Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=56873249
Saint Patrick
By Nheyob – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=39732088

Comments (2)

Culture Vulture 8th to the 14th of March 2025

March 8, 2025 at 8:36 am · Filed under Film & DVD Reviews, TV Shows, Uncategorized ·Tagged , , , ,

Welcome to Culture Vulture, where we go beyond the mainstream to bring you a fresh perspective on the best in film, television, and music. Curated by Pat Harrington, with music selections from Tim Bragg, this weekly guide highlights thought-provoking, overlooked, or uniquely compelling entertainment that challenges the conventional. Whether it’s a gripping drama, an insightful documentary, or a film that dares to push boundaries, Culture Vulture is your go-to source for entertainment with depth.

Here are three standout selections this week:

  • NCIS: Origins (Paramount+, March 13) – A deep dive into the early days of NCIS legend Leroy Jethro Gibbs, this prequel series offers a fresh take on a fan-favorite character’s journey in the 1990s.
  • All This I Will Give to You (Channel 4, March 6) – A dark and atmospheric French mystery that unravels a wealthy family’s long-buried secrets after a sudden and suspicious death.
  • Tom Petty: Heartbreakers Beach Party (Paramount+, March 12) – A sun-soaked documentary that captures Tom Petty and the Heartbreakers at a pivotal moment, featuring rare performances and behind-the-scenes footage.

For those who want to dig deeper, Counter Culture, frequently features longer reviews of selected films where we explore the themes, artistic merits, and cultural significance of what we watch. Stay tuned, stay curious, and most importantly—stay alternative.

Saturday 8th March 2025

Bob Dylan: No Direction Home (BBC Two, 9pm)

Martin Scorsese’s two-part profile of Bob Dylan explores the cultural landscape of the 1960s. It also delves into the political climate as seen through Dylan’s eyes. The documentary highlights Dylan’s role in the civil rights movement and how his music became anthems for social change. His shifting identity and resistance to being labeled mirNo Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to delve into Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews.

No Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to explore Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews. Critics have praised it for its depth and the way it captures Dylan’s enigmatic persona.

Bob Dylan: Shadow Kingdom – 12:55 AM

This unique project features new studio recordings of some of Dylan’s classic songs, originally part of a 2021 streaming special. The album reinvents these iconic tracks with a fresh, intimate feel, blending acoustic and electric elements. Critics have lauded it for its innovative approach and the timeless quality of the arrangements.

Sings Dylan Two – 1:15 AM

Joan Baez’s compilation album, released in 1975, features her renditions of Bob Dylan’s songs. Some purists argue that Dylan’s originals are unbeatable. However, Baez’s interpretations bring a unique and heartfelt perspective to these classic tracks. The album includes well-known songs like “Blowin’ in the Wind” and “A Hard Rain’s A-Gonna Fall”.

Tangled Up With Dylan: The Ballad of AJ Weberman – 2:15 AM

This documentary explores the life of A.J. Weberman, a self-proclaimed “Dylanologist.” He is known for his obsessive analysis of Dylan’s lyrics. He also has the infamous habit of going through Dylan’s trash. The film offers a fascinating and often humorous look at Weberman’s eccentricities and his complex relationship with Dylan.

Enjoy your Dylan-filled night on BBC2!

Louder: The Soundtrack of Change (TLC 10pm)

Airing on International Women’s Day, Louder: The Soundtrack of Change is a powerful documentary exploring the transformative role of female musicians in advocating for social justice and equality. Produced and narrated by political activist Stacey Abrams and singer Selena Gomez, the film weaves together archival footage, personal testimonies, and electrifying performances to showcase how music has been a driving force for change across generations.

The documentary features a diverse range of artists, from trailblazers like Nina Simone, whose civil rights anthems of the 1960s became rallying cries for justice, to contemporary performers like H.E.R., whose song I Can’t Breathe resonated with the Black Lives Matter movement. It also highlights Melissa Etheridge’s groundbreaking coming out in the 1990s and the struggles of country artist Mickey Guyton as a Black woman in a predominantly white genre. Hip-hop’s contributions to gender and racial equality are also explored, with figures like Queen Latifah and Salt-N-Pepa showing how female voices reshaped a male-dominated industry.

Visually, Louder: The Soundtrack of Change is a vibrant and engaging documentary, skillfully blending past and present to highlight the ongoing fight for representation and equality. The film is at its best when it allows the artists themselves to speak, offering raw and emotional insights into the battles they have faced. The soundtrack is, unsurprisingly, a highlight—powerful protest songs, anthems of empowerment, and performances that still carry weight decades after they were first recorded.

Critics have praised the documentary for its relevance and emotional impact, calling it a vital reminder of music’s power to challenge injustice. However, some have noted that certain historical moments, such as Billie Holiday’s Strange Fruit, could have been explored in greater depth. Despite this, the film remains a compelling and inspiring watch, encouraging viewers to reflect on the past while recognizing the work still to be done.

Directed by Kristi Jacobson, Louder: The Soundtrack of Change is both a celebration and a call to action. More than just a history lesson, it is a tribute to the resilience and influence of women in music, making it a fitting and essential watch for International Women’s Day.

The Ipcress File (1965) (BBC Two, 1.05pm)

This gritty spy film reflects the Cold War’s paranoia and the shadowy world of espionage. The film’s realism exposes the psychological toll on intelligence officers and the murky ethics of their work. The protagonist, Harry Palmer, embodies the everyman caught in a web of deceit. This highlights the societal tensions between duty and morality. The film’s political undertones critique the impersonal and bureaucratic nature of intelligence agencies.

Funeral in Berlin (1966) (BBC Two, 11.30pm)

“Funeral in Berlin” (1966) takes place against the backdrop of a divided Berlin. It is a spy thriller that masterfully explores themes of loyalty and betrayal. These themes unfold in a politically charged environment. The protagonist, Harry Palmer, maneuvers through a complex web of double agents. He encounters shifting alliances. This scenario mirrors the intricate power dynamics of the Cold War. The film delves into the psychological strain of constant surveillance. It explores the moral ambiguities faced by those in the espionage world. This creates a tense and captivating narrative.

Harry Palmer is portrayed by Michael Caine. He is a quintessential anti-hero. He stands in stark contrast to the more polished and suave spies of his time. Unlike the typical secret agent, Palmer is a working-class intelligence officer with a sardonic wit and a no-nonsense attitude. Characterized by his thick horn-rimmed glasses and his disdain for authority, Palmer is both relatable and endearing. His pragmatic approach to espionage sets him apart. His dry humor and resourcefulness make him a memorable and enduring character in the spy genre.

Palmer is sent to Berlin to arrange the defection of Colonel Stok, a high-ranking Soviet intelligence officer. He quickly realizes that things are not as straightforward as they seem. Palmer is caught in a web of deceit. He must determine who he can trust. He also needs to find out who is playing him for a fool. The plot thickens with unexpected twists and turns. These twists lead to a suspenseful and gripping climax. The climax keeps the audience on the edge of their seats.

The film’s setting in a divided Berlin adds to the atmosphere of tension and uncertainty. The city’s stark contrasts and the constant presence of surveillance create a sense of paranoia that permeates the film. Loyalty and betrayal are central themes. Palmer must navigate a world where alliances are constantly shifting. Trust is a rare commodity. The film also explores the psychological toll of espionage, as Palmer grapples with the moral ambiguities of his profession.

Sunday 9th March 2025

Get Carter (1971) (ITV4, 9pm)

Get Carter (1971) is a grim and gritty exploration of moral decay. It examines the harsh realities of urban life in 1970s Britain. The film explores the seedy underbelly of Newcastle. The protagonist, Jack Carter (Michael Caine), embarks on a relentless quest for vengeance. He delves deeper into the city’s criminal world. The movie paints a stark picture of social corruption. It highlights the brutality that often lies beneath the surface.

At the core of Get Carter are themes of justice and retribution. Carter’s journey is fueled by a desire to avenge his brother’s death, highlighting the personal and societal thirst for justice. Yet, as the film progresses, it becomes evident that true justice is elusive in such a morally bankrupt environment. The urban decay and corruption underscore the futility of trying to escape one’s past. The film also explores the impact of violence. It affects individuals not just physically but also psychologically. It portrays how violence scars both the victim and the perpetrator.

Michael Caine delivers one of his most iconic performances as Jack Carter. His portrayal is chillingly detached, yet simmering with a cold fury that drives the narrative forward. Caine’s ability to convey both menace and vulnerability makes Carter a complex anti-hero, one who embodies the film’s darker themes. The supporting cast includes Ian Hendry, Britt Ekland, and John Osborne. They add depth and texture to the story. Each actor brings their own shades of moral ambiguity to the film.

The plot of Get Carter is a tight, unrelenting tale of revenge. Carter investigates his brother’s death, which takes him through a labyrinth of deceit and betrayal. Each step uncovers more about the corrupt world he inhabits. The film’s brutal realism is a departure from the more polished crime thrillers of the time. Its raw portrayal of violence and moral ambiguity was groundbreaking, setting a new standard for the genre.

The setting of Newcastle has a bleak industrial landscape. It becomes almost a character in itself. This reflects the despair and decay that permeate the story. The film’s cinematography, with its stark, uncompromising style, enhances this atmosphere, immersing the viewer in Carter’s dark world.

Get Carter is more than just a revenge-driven crime thriller. It is a profound commentary on the darker aspects of human nature and society. The film remains relevant for its unflinching portrayal of violence and moral ambiguity.

A Quiet Place Part II (2020) (Film4, 10pm)

The sequel intensifies the psychological horror of living in a world where silence is essential for survival. The film explores the themes of family, resilience, and the primal instinct to protect loved ones. The relentless tension and ever-present danger create a suffocating atmosphere, reflecting the characters’ psychological trauma and the broader societal collapse.

Yardie (2018) (BBC Two, 11.30pm)

This crime drama delves into the cycle of violence and the struggle for identity within the Jamaican and British communities. The protagonist’s quest for justice is intertwined with themes of revenge and redemption. The film highlights the psychological scars of a violent past. It shows the difficulty of breaking free from a life defined by crime and retribution. The film also features a fantastic reggae soundtrack, which adds depth and authenticity to its portrayal of Jamaican culture. Notable tracks include “Natty Rebel” by U-Roy. Another classic is “Funky Kingston” by Toots and the Maytals. Additionally, there is “Police and Thieves” by Junior Murvin. These songs not only enhance the film’s atmosphere but also underscore its themes of resistance and resilience.

Monday 10th March 2025

Rum And Revolution: History Of Havana (PBS America, 7.35pm)

​Rum and Revolution: A History of Havana is a captivating documentary that delves into the intricate tapestry of Havana’s mid-20th-century history, exploring how the city’s vibrant culture intertwined with political upheaval to shape its unique identity. Airing on PBS America, the film offers an insightful look into the forces that transformed Havana from a bustling playground for the elite into the epicenter of a revolutionary movement.​

Set against the backdrop of the 1950s, the documentary paints a vivid picture of Havana as a city alive with music, casinos, and cabarets. It was a time when U.S. tourists flocked to the Cuban capital, seeking an escape from the moral restrictions back home. Icons like Ernest Hemingway, Frank Sinatra, and Ava Gardner reveled in the city’s rhythms, frequenting hotspots such as the Hotel Nacional and the Tropicana nightclub. However, beneath this glamorous veneer lay a city controlled by the American mafia, where luxury starkly contrasted with the poverty endured by most Cubans. ​

The film delves into the corrupt alliance between Cuban dictator Fulgencio Batista and the mafia, who conspired to transform Havana into a “Las Vegas in the Caribbean.” This unholy partnership exacerbated social inequalities and fueled widespread unrest among the Cuban populace. As the Cuban people suffered under oppression and economic disparity, the stage was set for revolution. The documentary meticulously traces how these tensions culminated in Fidel Castro and his revolutionaries triumphantly entering Havana on January 8, 1959, effectively ending U.S. dominance on the island. ​

“Rum and Revolution” also explores the cultural renaissance that paralleled these political shifts. The city’s vibrant music scene, rich traditions, and the indomitable spirit of its people played a pivotal role in shaping Havana’s identity during this tumultuous period. The film captures how, despite facing systemic corruption and oppression, the Cuban people’s resilience and cultural pride remained unshaken, ultimately fueling their desire for change.​

Through a blend of archival footage, expert interviews, and evocative storytelling, Rum and Revolution: A History of Havana offers viewers a comprehensive understanding of how Havana’s cultural vibrancy and political turmoil were inextricably linked. It sheds light on the complexities of a city that, despite external influences and internal strife, forged a unique path that continues to captivate the world today.

Michael Sheen’s Secret Million Pound Giveaway (Channel 4, 9pm)

Michael Sheen’s Secret Million Pound Giveaway is more than just a Channel 4 documentary; it’s a searing indictment of the UK’s broken financial system and the devastating impact of debt on ordinary people. Set in South Wales, the program follows Sheen as he uses £100,000 of his own money to establish a debt acquisition company with a unique purpose—not to profit from struggling individuals, but to abolish their debt entirely. In doing so, he wipes out £1 million worth of financial burdens for 900 people, providing not just relief, but a pointed challenge to the system that allowed their suffering in the first place.

At its core, the documentary lays bare the harsh realities of the secondary debt market, where financial institutions sell off unpaid debts to third-party buyers for a fraction of their original value. These companies, in turn, pursue debtors aggressively, often exploiting legal loopholes to extract payments from those who can least afford it. Sheen’s intervention exposes the moral contradictions of this system—how it profits from human hardship and sustains cycles of poverty rather than alleviating them.

The stories featured in the documentary bring a deeply personal dimension to what is often treated as a faceless economic issue. The individuals affected speak about the emotional toll of financial distress, the sleepless nights, the anxiety, and the sense of powerlessness. For many, the weight of debt has not only constrained their financial futures but has eroded their self-worth and mental well-being. Sheen’s act of debt forgiveness is not just about money—it’s about restoring dignity, hope, and the possibility of a fresh start.

Politically, the film raises urgent questions about the regulation of lending practices, consumer protection, and the role of government in tackling financial exploitation. While Sheen’s generosity is commendable, the documentary forces viewers to ask why such measures are left to private individuals rather than being addressed through structural reforms. The need for stronger financial oversight, fairer lending practices, and safety nets for vulnerable citizens is clear.

Economically, the program highlights how debt relief can have a ripple effect beyond the individuals directly impacted. Freed from relentless repayments, those affected can redirect their income into local businesses, education, and essential needs, fostering wider economic stability. The film implicitly argues that lifting people out of financial despair isn’t just an act of charity—it’s an investment in society as a whole.

Beyond its economic and political angles, Secret Million Pound Giveaway also carries a powerful ethical message. Sheen’s action is a challenge to the complacency of those in power and an invitation for viewers to consider their own role in pushing for change. It’s a rare documentary that not only informs but inspires, making a compelling case for systemic reform while also demonstrating the immediate impact of compassion and solidarity.

Michael Sheen has long been known for his activism, but this documentary elevates his work to a new level. By using his own money to subvert a broken system, he makes an unflinching statement about justice and fairness in modern Britain. The result is a gripping and emotional watch that is as much a call to action as it is an exposé of financial injustice.

Jerry Maguire (1996) (ITV2, 9pm)

A compelling story of personal and professional transformation, Jerry Maguire addresses themes of integrity, love, and redemption. The protagonist’s crisis of conscience and career downfall reflect broader societal questions about success and the true meaning of fulfillment. The film’s exploration of human connections and honesty in a cutthroat industry offers a psychological perspective on ambition and vulnerability.

Tuesday 11th March 2025

Ali & Ava (2021) (BBC Four, 9pm)

In the film Ali & Ava, a profound love story unfolds amidst social and cultural divides, offering a deep exploration of the human experience. The narrative delves into the lives of two distinct individuals, each grappling with their own emotional baggage and societal expectations.

Ali, a British Pakistani landlord, and Ava, a white Irish-born teaching assistant, come from different worlds, yet their lives intersect in the most unexpected way. The film masterfully highlights the subtle but powerful impact of cultural and ethnic backgrounds on relationships. It paints a vivid picture of how societal norms and prejudices can shape, and often challenge, the connections we form with others.

One of the central themes of the film is loneliness, depicted through the characters’ struggles with isolation despite being surrounded by people. Ali, trapped in a loveless marriage, and Ava, a widow yearning for companionship, both find solace in each other’s company. Their bond underscores the universal human need for understanding and acceptance, transcending the boundaries of race and class.

Moreover, Ali & Ava tackles the complexities of overcoming past traumas. Both characters carry emotional scars that influence their present lives. Ali’s attempts to reconcile with his failed marriage and Ava’s journey to move past the grief of losing her husband are portrayed with raw honesty. The film sensitively portrays how love can be a catalyst for healing, offering hope and a chance for redemption.

The story also sheds light on the psychological effects of long-term isolation. Ali’s internal struggle and Ava’s quiet resilience speak volumes about the human capacity for endurance and the desire for connection. Their relationship becomes a beacon of hope, illustrating that even in the face of adversity, love can pave the way to emotional recovery and personal growth.

In essence, Ali & Ava is more than just a love story; it is a commentary on the social themes of loneliness, acceptance, and the power of human connection in overcoming life’s challenges. The film invites viewers to reflect on their own experiences and the barriers that can both hinder and enrich our relationships.

Wednesday 12th March 2025

A Cruel Love: The Ruth Ellis Story (two of four) (ITV1, 9pm)

The second episode of A Cruel Love: The Ruth Ellis Story shifts its focus to the dramatic courtroom proceedings at the Old Bailey, where Ellis, the last woman to be executed in the UK, faces trial for the murder of her lover, David Blakely. As the prosecution lays out its case, the episode weaves in flashbacks that piece together the events leading to the fatal shooting, revealing the toxic and abusive nature of their relationship.

Lucy Boynton’s performance as Ellis is gripping, capturing both her defiance and underlying fragility as she stands in the dock. The episode does not shy away from the societal expectations and double standards of 1950s Britain, emphasizing how Ellis, a nightclub hostess, was judged as much for her lifestyle as for the crime itself. Laurie Davidson’s portrayal of Blakely highlights the dangerous mix of passion and cruelty that defined their relationship, making it clear that Ellis’s final act was the result of years of manipulation and violence.

Tightly structured and emotionally charged, this episode presents a compelling account of how a woman pushed to the edge became a figure of both scandal and sympathy. It effectively balances legal drama with human tragedy, offering a nuanced portrayal of Ellis’s fate while leaving viewers questioning whether justice was truly served.

Invasion of the Body Snatchers (1956) (Film4, 10pm)

Invasion of the Body Snatchers (1956) masterfully intertwines Cold War anxieties with a gripping sci-fi horror narrative. It creates a film that resonates with the fears and uncertainties of the McCarthy era. The film tells the story of an alien invasion. This invasion replaces humans with emotionless duplicates. The film offers a chilling allegory of the period’s paranoia. It reflects the fear of ideological subversion.

The invasion of the alien “body snatchers” symbolizes the pervasive fear of losing one’s identity. It also symbolizes the fear of losing autonomy. This mirrors the societal fear of communist infiltration and conformity. The film shows a small-town community gradually succumbing to an unseen threat. This reflects the atmosphere of distrust and suspicion during the Cold War. The pods that replicate humans lack emotions and individuality. They serve as a powerful metaphor for the loss of personal freedom. They also highlight the homogenizing influence of authoritarian regimes.

The plot centres on Dr. Miles Bennell. He returns to his hometown. There, several residents claim their loved ones have been replaced by impostors. As Miles investigates, he discovers the horrifying truth. Alien organisms are taking over human bodies. They create perfect physical duplicates that are devoid of human emotions. The story escalates. Miles and his companions struggle to resist the invasion. They attempt to alert the authorities. This leads to a tense and suspenseful climax.

Invasion of the Body Snatchers excels in its character-driven storytelling. It focuses on the personal experiences and psychological struggles of its protagonists. Dr. Miles Bennell is portrayed by Kevin McCarthy. He anchors the narrative with his determined efforts to save his town. His attempts become increasingly desperate as he faces the alien threat. The film’s tension rises due to its focus on the characters’ emotional responses to the unfolding horror. This approach makes their plight more relatable. It also keeps the audience engaged.

Many modern sci-fi films heavily rely on elaborate special effects. In contrast, Invasion of the Body Snatchers uses atmosphere, psychological tension, and strong performances to create its sense of dread. The film uses practical effects effectively. It employs suggestive storytelling. These techniques allow it to evoke fear and suspense without the need for CGI or flashy visuals. This character-driven approach creates a more immersive and emotionally resonant experience, highlighting the power of storytelling over visual spectacle.

Invasion of the Body Snatchers remains a timeless classic, its Cold War themes and character-driven narrative continuing to captivate audiences. The film reflects the societal anxieties of its time. It delivers a compelling and suspenseful story. This combination is a testament to its enduring impact on the sci-fi horror genre.

Thursday 13th March 2025

Stacey Dooley: Rape On Trial (BBC3, 9pm)

As a big fan of Stacey Dooley, I was eager to see how she would handle such a sensitive and important topic, and Rape On Trial does not disappoint. This gripping documentary follows four women over the course of three years as they navigate the harrowing journey of seeking justice for sexual assault. Dooley’s signature empathy and directness shine as she gains rare access to the deeply personal and often distressing reality of bringing a rape case to trial.

The film highlights the immense challenges survivors face, from the emotional strain of reliving their trauma to the difficulties of securing a conviction in a legal system where the burden of proof remains incredibly high. Stacey approaches each story with care, never sensationalizing but instead amplifying the voices of those who have fought for justice. The documentary does not just expose the flaws in the system—it also explores the long-lasting impact of these crimes on the survivors’ lives, their relationships, and their mental health.

With powerful storytelling and Dooley’s unwavering commitment to shedding light on difficult issues, Rape On Trial is a compelling, urgent, and necessary watch. It forces viewers to confront the reality of how sexual violence cases are handled and raises essential questions about whether enough is being done to support survivors. Stacey once again proves why she is one of the most trusted voices in documentary filmmaking.

Strike! The Village That Fought Back (BBC2, 9pm)

Strike! The Village That Fought Back is a powerful and deeply moving documentary that explores the 1984-85 miners’ strike through the experiences of the miners and families of Polmaise Colliery in Scotland. This pit holds a significant place in the history of the strike, being the first to take industrial action and the last to return to work, standing firm for an incredible 56 weeks.

The documentary offers an intimate and emotionally charged portrayal of the miners’ resilience, featuring first-hand accounts from those who lived through the struggle, as well as perspectives from their families and journalists. It paints a vivid picture of the sacrifices made, the hardships endured, and the unbreakable sense of solidarity that bound the community together. The film does not just focus on the strike itself but also explores its wider social and economic consequences, showing how the miners and their families navigated life in the aftermath of the conflict.

One of the documentary’s strengths is its ability to balance historical analysis with deeply personal storytelling. Archival footage is interwoven with contemporary reflections, providing both historical context and emotional weight. The sense of injustice and determination felt by the miners is palpable, making it impossible to watch without feeling the intensity of their fight. The film also highlights the striking contrast between the power of grassroots resistance and the political forces that sought to break it.

What makes Strike! The Village That Fought Back particularly compelling is its message of endurance. Even after returning to work, Polmaise remained a symbol of defiance. The National Coal Board allowed the colliery to continue operating until 1987, a small reprieve that nevertheless underscored the community’s strength.

This documentary is not just a historical account—it is a reminder of the power of working-class solidarity and the cost of standing up to injustice. With its rich storytelling, deeply personal interviews, and evocative archival footage, it is an essential watch for anyone interested in British labour history and the enduring spirit of those who refuse to back down.

Memento (2000) (Film4, 11pm)

Christopher Nolan’s psychological thriller explores the fragility of memory and the quest for truth. The protagonist’s struggle with short-term memory loss creates a fragmented narrative that mirrors the elusive nature of reality. Themes of revenge, identity, and the reliability of one’s own mind are central to the film. They offer a deep psychological exploration of human consciousness.

Friday 14th March 2025

Romeo + Juliet (1996) (BBC Four, 9pm)

Romeo + Juliet (1996), directed by Baz Luhrmann, is a vibrant and modern retelling of Shakespeare’s classic tragedy. This adaptation brings the timeless tale of star-crossed lovers into a contemporary urban setting. It blends the original Shakespearean dialogue with a visually stunning and dynamic cinematic style.

In Luhrmann’s version, the Montagues and Capulets are reimagined as rival mafia families in Verona Beach, a fictional modern-day city. The intense rivalry between these families is shown through stylized violence. It also involves gang conflicts. These aspects mirror the power struggles and territorial disputes of organized crime. The film presents the modern mafia in a fresh way. It adds a relevant dimension to the story. This highlights how themes of power, honour, and revenge transcend time and context.

Romeo + Juliet is set in a modern environment. Yet, it retains the original Shakespearean dialogue. This choice allows the beauty and eloquence of the text to shine through. The juxtaposition of Shakespeare’s verses with contemporary visuals and settings creates a unique contrast. This contrast is compelling and emphasizes the timelessness of the story’s themes and language.

The film is anchored by strong performances, particularly from Leonardo DiCaprio (Romeo) and Claire Danes (Juliet). Their portrayals capture the intensity and vulnerability of young love, bringing a fresh and relatable energy to their characters. The supporting cast enhances the narrative with depth and complexity. John Leguizamo portrays Tybalt and Harold Perrineau plays Mercutio. Each character contributes to the film’s exploration of loyalty, passion, and tragedy.

Luhrmann’s adaptation emphasizes themes of fate, destiny, and the inevitability of tragedy, much like the original play. The film opens with a television news report. It sets the stage for the unfolding drama. This highlights the media’s role in shaping public perception and societal pressures. This modern twist adds a layer of commentary on how external forces influence personal choices and relationships.

Romeo + Juliet stands out for its character-driven narrative and emotional depth. This is in contrast to many contemporary films that rely heavily on special effects. Luhrmann’s film uses innovative cinematography. It also incorporates dynamic editing and a powerful soundtrack. These elements enhance the storytelling without overshadowing the characters’ emotional journeys. This approach creates a more immersive and emotionally resonant experience, demonstrating the enduring power of strong performances and compelling narratives.

Baz Luhrmann’s Romeo + Juliet is a bold and visually captivating adaptation. It breathes new life into Shakespeare’s timeless tragedy. Its modern mafia setting is mixed with the original Shakespearean dialogue. The character-driven storytelling ensures that the film remains a relevant exploration of love, fate, and the human condition.

Cover Your Ears (Sky Arts, 10.45pm)

Cover Your Ears is a compelling documentary that explores the long and often controversial history of music censorship. Directed by Sean Patrick Shaul, the film examines how different genres—from jazz and rock ‘n’ roll to hip-hop—have faced suppression and moral outrage, sparking debates over artistic freedom and societal values.

Featuring insightful interviews with musicians and industry figures such as Chuck D of Public Enemy, Dee Snider of Twisted Sister, and Jello Biafra of Dead Kennedys, the documentary brings to life the battles artists have fought against censorship. Their firsthand accounts provide a fascinating look at how the music industry has been shaped by legal battles, public outrage, and shifting cultural norms.

The documentary takes a balanced approach, presenting perspectives from both artists and those who sought to censor their work. From the 1927 Radio Act to modern-day controversies, Cover Your Ears highlights how censorship has evolved, reflecting broader societal anxieties. It also examines the ways in which musicians have resisted restrictions, turning their fights for free speech into powerful cultural moments.

Visually engaging, the documentary blends archival footage, pop-art imagery, and contemporary interviews to create a dynamic and rhythmic narrative. The film captures the rebellious energy of artists who have continually pushed back against censorship and fought for their right to express themselves freely.

More than just a history lesson, Cover Your Ears challenges viewers to reflect on the ongoing struggles over artistic expression in a world where censorship debates are far from over. By celebrating the resilience of artists who refused to be silenced, the film serves as a powerful reminder of music’s ability to provoke, inspire, and challenge authority.

And finally, streaming

Streaming on Channel 4 from March 6, 2025. All This I Will Give to You is a gripping French miniseries that masterfully blends suspense, drama, and mystery against the atmospheric backdrop of Provence. Adapted from Dolores Redondo’s best-selling novel, the six-episode series unravels a deeply personal yet far-reaching story of deception, privilege, and hidden identities.

The plot is set in motion when a fatal car accident in the French countryside claims the life of Aymeric Fabre de Castelmore, a man whose death exposes layers of secrets long buried beneath a façade of aristocratic respectability. His husband, Manuel Ortigosa, a successful novelist in Paris, is not only devastated by the tragedy but blindsided by the revelation that Aymeric had been living a double life. Rather than being on a business trip to Brussels as he had claimed, Aymeric was tied to a sprawling wine estate and a powerful, unwelcoming family. As Manuel is forced into their world, inheriting an estate they resent him for, he begins to suspect that Aymeric’s death was not as straightforward as it seemed. Partnering with the grizzled detective Richard Saugier, he embarks on a relentless search for the truth, exposing a web of betrayal, privilege, and old family wounds.

David Kammenos delivers a hauntingly introspective performance as Manuel, portraying a man navigating not only grief but the unraveling of everything he thought he knew about his partner. Bruno Solo adds further weight to the drama as Saugier, the weary detective whose own struggles with the aristocracy lend a sharp edge to his investigation. The Fabre de Castelmore family, particularly its steely matriarch and scheming younger son, serve as chilling representations of inherited power and prejudice. Their presence in the narrative highlights the tension between those who seek truth and those who will do anything to keep it buried.

The cinematography enhances the contrast between the idyllic French countryside and the darkness festering within its grand estates. Sweeping shots of vineyards and winding rural roads set a striking stage for a mystery steeped in secrecy. The estate itself, with its imposing beauty, functions as a metaphor for the wealth and decay at the heart of the story. While the series takes a slow-burn approach, allowing tensions to simmer and relationships to evolve, its intricate storytelling ensures that each revelation lands with impact.

With its measured pacing, complex character dynamics, and atmospheric storytelling, All This I Will Give to You stands out as an engrossing psychological thriller. More than just a murder mystery, it is an exploration of identity, power, and the painful cost of long-buried secrets.

Streaming on Netflix from Friday, March 14, 2025. Anthony and Joe Russo’s The Electric State is a visually breathtaking and emotionally charged sci-fi adventure that blends retro-futurism with a poignant human story. Based on Simon Stålenhag’s acclaimed graphic novel, the film transports viewers to an alternate 1990s America, where the remnants of a failed technological revolution litter the landscape.

At the heart of the film is Michelle, played by Millie Bobby Brown, an orphaned teenager navigating a fractured world in search of her missing brother. She’s joined by a mysterious, outdated robot named Cosmo and a smuggler, Keats (Chris Pratt), who reluctantly aids her journey. Together, they traverse a world where sentient machines—once part of everyday life—now exist in exile after an unsuccessful uprising.

The Russo brothers bring their signature blockbuster flair, balancing large-scale spectacle with intimate storytelling. The film maintains the melancholy and wonder of Stålenhag’s artwork, depicting abandoned highways, colossal decaying machinery, and eerie remnants of a war between humanity and artificial intelligence. Each frame is rich with detail, evoking a sense of nostalgia and unease.

Millie Bobby Brown delivers a compelling performance, capturing both resilience and vulnerability as Michelle. Chris Pratt provides a mix of humor and grit, grounding the film’s emotional core, while Cosmo, the robot companion, is a standout—a silent observer whose expressive design conveys more emotion than words ever could.

One of the film’s most striking aspects is its visual storytelling. The desolate landscapes and retro-futuristic technology create an atmosphere that feels both familiar and otherworldly. The cinematography embraces wide shots that emphasize the vast loneliness of Michelle’s journey, while the score, composed by Henry Jackman, reinforces the film’s emotional depth with haunting synth melodies.

However, fans of the graphic novel may find the adaptation’s tone somewhat different. Where Stålenhag’s original work is introspective and minimalist, The Electric State leans more into action and spectacle. Some may feel that the increased pace and added humor dilute the novel’s quiet melancholy, but the film compensates with heartfelt character moments and thought-provoking themes about human connection in an increasingly mechanized world.

The Electric State is a visually stunning and emotionally resonant sci-fi epic. It asks profound questions about identity, loss, and what it means to be human in a world that feels increasingly artificial. While it may take creative liberties with its source material, the film stands as a powerful and engaging piece of storytelling.

NCIS: Origins – Paramount+ (First Two Episodes Available from March 13, 2025)

A fresh yet nostalgic addition to the NCIS franchise, NCIS: Origins transports viewers back to the early days of Leroy Jethro Gibbs, long before he became the legendary leader of the Naval Criminal Investigative Service. The prequel series follows a young Gibbs (portrayed by Austin Stowell) as he begins his career in the 1990s, navigating his first major cases, forming the relationships that would shape his future, and developing the moral code that fans have come to know so well.

The first two episodes do an admirable job of capturing the spirit of NCIS while offering a fresh perspective. Stowell brings a measured intensity to the role, balancing the quiet resolve and sharp instincts that make Gibbs such an iconic character. The show also leans into its 90s setting, featuring a mix of nostalgic callbacks and a time-appropriate investigative style that feels distinct from the high-tech procedures of its modern counterpart.

While NCIS: Origins doesn’t reinvent the procedural formula, it effectively builds intrigue around Gibbs’ early career while offering long-time fans rewarding nods to the wider NCIS universe. The series benefits from a strong supporting cast and solid writing, setting the stage for a compelling exploration of how Gibbs became the investigator and leader audiences know today.

Tom Petty: Heartbreakers Beach Party – Paramount+ (Available from March 12, 2025)

A treat for music lovers and Tom Petty fans alike, Tom Petty: Heartbreakers Beach Party is a vibrant, sun-soaked documentary that delves into a little-explored chapter of Petty’s career. Capturing a unique moment in the early 1980s, the film blends rare footage, interviews, and live performances, offering an intimate look at the band’s creative process, camaraderie, and love for the road.

More than just a nostalgic trip, the documentary highlights Petty’s artistic evolution, the challenges he faced within the music industry, and the deep connection he shared with his bandmates. The film’s relaxed, beach-party vibe mirrors Petty’s easygoing energy, while archival interviews and behind-the-scenes clips provide fresh insight into his genius as a songwriter and performer.

Beautifully crafted and rich in previously unseen material, Tom Petty: Heartbreakers Beach Party is a must-watch for both longtime fans and newcomers. It’s a celebration of a rock legend at a pivotal moment in his journey, capturing the spirit, sound, and sheer joy of making music.

Picture Credits

Bob Dylan: No Direction Home
May be found at the following website: Amazon.com, Fair use, https://en.wikipedia.org/w/index.php?curid=2759904
The Ipcress File (1965)
By Rank Organisation – http://testtransmissionarchive.blogspot.co.uk/2011_07_01_archive.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40521190
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Funeral in Berlin (1966)
By The poster art can or could be obtained from Paramount Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=43190196
Get Carter
The poster art can or could be obtained from Metro-Goldwyn-Mayer., Fair use, https://en.wikipedia.index.php?curid=882263
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Yardie
By IMDB – https://www.imdb.com/title/tt5862902/, Fair use, https://en.wikipedia.org/w/index.php?curid=56657428
Rum and Revolution: A History of Havana
Illustration: The Cuba State Capitol (El Capitolio) in Havana.
By Nigel Pacquette – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14798550
Michael Sheen’s Secret Million Pound Giveaway
Michael Sheen By iDominick – https://www.flickr.com/photos/82924988@N05/13408249074/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=37564522
Jerry Maguire (1996)
Fair use, https://en.wikipedia.org/w/index.php?curid=1835112
Ali & Ava (2021)
By Altitude Film Distribution – https://makingwavesfilmfestival.com/ali-ava-once-upon-a-time-in-bradford/, Fair use, https://en.wikipedia.org/w/index.php?curid=78633606
Invasion of the Body Snatchers (1956)
Distributed by Allied Artists Pictures Corporation – Scan via Heritage Auctions. Cropped and lightly retouched from the original image, primarily to remove autographs; see unretouched original in upload history below., Public Domain, https://commons.wikimedia.org/w/index.php?curid=86642192
Stacey Dooley: Rape On Trial
Stacey Dooley: By War on Want – https://www.flickr.com/photos/waronwant/3930619275/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=74634102
Strike! The Village That Fought Back
London protest in support of the miners By sludgegulper – https://www.flickr.com/photos/28179929@N08/4057072990/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=95925125
Memento (2000)
May be found at the following website: TheQuietFront.com, Fair use, https://en.wikipedia.org/w/index.php?curid=4762204
Romeo + Juliet (1996)
Derived from a digital capture (photo/scan) of the Film Poster/ VHS or DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=5885947
Electric State (2025)
By http://www.impawards.com/2025/electric_state_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=78139933

Comments (1)

Culture Vulture 1st to the 7th of March 2025

March 1, 2025 at 8:20 am · Filed under Film & DVD Reviews, TV Shows ·Tagged , , , , , , , ,

Welcome to Culture Vulture, your go-to weekly guide for an alternative take on entertainment. This carefully curated selection is brought to you by Pat Harrington. Music by the talented Tim Bragg accompanies the . writing. This week’s highlights are thought-provoking and diverse. They feature a compelling mix of historical drama, Shakespearean intensity, and investigative documentary.

First, we have Suffragette (2015). It is a powerful historical drama. It focuses on the working-class women who played a pivotal role in the fight for the right to vote. Carey Mulligan stars as Maud. She is an ordinary woman whose journey of radicalization reflects the courage of countless suffragettes. These brave women risked everything in the struggle for equality. With its unflinching portrayal of the movement’s violent tactics, Suffragette highlights activism’s personal cost. It is both an emotional and inspiring watch. Viewers are asked to consider the sacrifices behind societal progress.

Next, delve into the gripping modern adaptation of Shakespeare’s Coriolanus (2011). Ralph Fiennes directs and stars in this tense political thriller. The film transports the Bard’s tale of war and betrayal to a contemporary setting. Fiennes portrays a proud and unyielding general. His tragic downfall stems from an inability to connect with the people he serves. Urban warfare forms the backdrop of this adaptation. It resonates powerfully with present-day themes of populism. It also highlights the dangers of unchecked authority.

Finally, there’s The Undercover Police Scandal: Love and Lies Exposed. This investigative documentary series exposes the shocking emotional toll and ethical dilemmas of undercover policing tactics. The first episode highlights the harrowing stories of individuals deceived by covert operatives. It focuses on the profound impact of these betrayals on their personal lives. It’s a deeply unsettling yet essential exploration of authority and trust, revealing a hidden world that demands public scrutiny.

If you’re in the mood for historic justice, you’ll find it. Prefer Shakespearean drama? There is something for you too. This week’s Culture Vulture even features a hard-hitting exposé. It offers something for everyone. Be sure to check out these standout picks that challenge and captivate in equal measure!

Saturday 1st of March 2025

Elkie Brooks At The BBC (BBC1, 8.30pm)

A retrospective of one of Britain’s greatest yet often overlooked vocalists. This documentary features performances spanning decades. It highlights how Elkie Brooks evolved from a rock and blues singer to a powerhouse of jazz and pop. Despite her undeniable talent, she never quite received the industry recognition afforded to male contemporaries.

Brooks’ career is a story of perseverance. She has faced a music business that has often been unkind to women. This is especially true for those who age out of its commercial spotlight. Her voice has remained timeless. It is rich with the experience of someone who has lived through the highs and lows of the industry.

This collection of BBC performances is a reminder of an artist whose music endures, even as the industry moves on. It’s also a reflection. The British music scene often fails to properly honour its homegrown talent. This recognition typically comes much later in the artists’ lives. I recently had the pleasure of listening to Elkie on BBC Radio 2’s Piano Room. Her voice is as powerful as ever.

Elkie: Sight And Sound In Concert (BBC1, 9.35pm)

This special captures Brooks at her prime, performing some of her most iconic songs in a live setting. Unlike today’s auto-tuned, overproduced performances, this concert is a testament to the power of raw vocal ability and genuine musicianship.

Brooks’ performance style is intense yet effortless, displaying her ability to move between genres while keeping her signature emotional depth. Songs of love, heartbreak, and personal struggle take centre stage, performed with an authenticity rarely seen in modern pop music.

For long-time fans, this is a nostalgic gem. For newcomers, it’s an introduction to an artist whose voice deserves to be remembered alongside the greats.

Elkie Brooks In Concert 1987 (BBC1, 10.35pm)

A live performance from the late ’80s, this concert showcases Brooks at a transitional moment in her career. By this point, she had cemented her reputation as one of Britain’s finest vocalists, yet mainstream success remained frustratingly elusive.

Performing with a full band, Brooks blends jazz, rock, and blues influences effortlessly. The show highlights her vocal prowess. It also emphasizes her commanding stage presence. This aspect has often been overlooked in discussions about British music legends.

A reminder of an artist. Despite not always getting the attention she deserved, she remained a singular talent. She consistently delivered emotionally charged and musically sophisticated performances.

Prey (2022) (C4, 9.20pm)

Prey strips back the Predator franchise to its primal roots. It replaces the typical military hero with Naru, a young Comanche woman. She must outthink and outlast the alien hunter. This change in perspective reinvigorates the series, shifting the narrative from brute strength to strategy, patience, and adaptability.

The film’s themes extend beyond the survival thriller. Prey is a metaphor for colonial arrogance. It mirrors the way European invaders dismissed Indigenous knowledge and underestimated those they sought to conquer. The Predator, like those colonisers, assumes itself superior, but Naru’s understanding of her environment becomes her greatest weapon.

The decision to release the film with a Comanche-language dub is significant. It marks one of the first major Hollywood films to treat Indigenous representation with genuine care. This is rather than mere tokenism. Prey is not just a great action film. It’s an important step ahead in how stories about the past are told. It also impacts how stories about the future are narrated.

Sicario (2015) (BBC1, 12.30am)

A brutal and unflinching look at the US-Mexico drug war. Sicario follows an idealistic FBI agent. She is thrust into a world where morality is blurred beyond recognition. She soon realises that the war on drugs isn’t about stopping crime—it’s about managing and maintaining power.

The film’s suffocating cinematography and tense, minimalist storytelling expose the reality of militarised policing. The supposed “good guys” are indistinguishable from the criminals they claim to fight. The US government is not an arbiter of justice. Instead, it is a manipulative force. It is willing to use any means necessary to maintain dominance.

Benicio del Toro’s enigmatic character, Alejandro, embodies this moral decay—a man so consumed by revenge that justice becomes irrelevant. Sicario forces viewers to confront the uncomfortable truth that institutions thrive on conflict rather than resolution.

Sunday 2nd of March 2025

Suffragette (2015) (Film4, 6.50pm)

Unlike many historical films, Suffragette does not focus on the famous leaders of the movement. It focuses on the working-class women who carried the fight. Carey Mulligan’s Maud is an ordinary woman. Her gradual radicalisation mirrors the real experiences of countless suffragettes. They risked everything for a future they might not live to see.

The film doesn’t shy away from the movement’s violent tactics. Bombings, arson, and hunger strikes are shown as acts of desperation. These acts were against a system that refused to listen. Today’s history books celebrate the suffrage movement. However, Suffragette reminds us that these women were criminalised, brutalised, and dismissed as terrorists in their own time.

With strong performances and a deeply emotional core, the film is compelling. It forces us to ask: how much of today’s progress was truly “granted” by the establishment? How much was taken by force?

Mark Kermode’s Oscar Winners (BBC4, 7pm)

Mark Kermode breaks down the major Oscar-winning films of the past. He examines not just their artistic merit but also the wider cultural impact. He looks at the political impact they had. A fascinating look at how Hollywood chooses which stories deserve recognition—and which ones don’t.

Nick Cave: This Much I Know To Be True (Sky Arts, 10.55pm)

is an evocative and deeply personal documentary that transcends the typical boundaries of music-focused films. It serves as a creative chronicle. It is also a raw exploration of human resilience. The film delves into themes of grief, reinvention, and the healing potential of art.

The documentary is set against the backdrop of Nick Cave’s transformative journey following the tragic loss of his son. This devastating event has profoundly shaped his music, which now carries an unparalleled depth, moving toward rawer, more spiritual expressions. The film captures this evolution. It offers an intimate glimpse into the artist’s world. He processes his pain and channels it into his creative work.

The film does not center on the mechanics of the music industry. Rather, it focuses on universal human experiences. It presents creativity as a means to cope with loss. Through candid moments, poignant performances, and reflective interviews, it paints a portrait of Cave as an artist. He navigates the intersection of sorrow and hope. He finds meaning through his art.

This Much I Know to Be True is not just a documentary. It is a testament to the power of creativity as a tool for understanding and overcoming grief. It’s a film that resonates on a deeply human level, celebrating the courage to transform tragedy into profound, transformative beauty.

Glory (1989) (Film4, 11.45pm)

This is a historical war film. It tells the true story of the 54th Massachusetts Infantry Regiment. It was one of the first Black regiments in the American Civil War. Despite fighting for the North, these men are still treated as second-class citizens, their sacrifices often unrecognised.

Denzel Washington’s Oscar-winning performance is a highlight. He portrays a soldier who understands that the fight for equality will not be over, even in victory. The film’s final battle sequence is devastating. This is not just because of the brutality of war. It is also tragically ironic. The men leading the charge may never see the justice they fought for.

Glory is not just a war film. It is a statement on who gets to be remembered in history. It is also about who is erased. It remains as relevant now as ever.

Monday 3rd of March 2025

The Last Duel (2021) (Film4, 9pm)

Ridley Scott’s The Last Duel explores power, truth, and gender in a way that feels disturbingly relevant today. The story is set in medieval France. It tells the tale of Marguerite de Carrouges. She accuses a powerful man of rape. This leads to the last legally sanctioned duel in history.

The film is structured in three parts, showing the same events from different perspectives. The first two—told from the viewpoints of the men—distort reality to fit their egos. Only Marguerite’s account, painful and brutally honest, rings true. This storytelling choice exposes how history has always been shaped by those in power.

The final duel is visually spectacular, but the film’s real power lies in its aftermath. Marguerite’s survival does not bring her justice—just a different struggle. A sharp indictment of how women’s voices have been silenced for centuries.

Israel And The Palestinians (two of three) (BBC2, 9pm)

The second episode of Israel and the Palestinians continues its in-depth exploration. It examines one of the most enduring and complex conflicts in modern history. This installment delves into the intricate web of diplomacy, failed peace talks, and the human cost of the ongoing crisis. The documentary takes a meticulous approach. It examines pivotal moments in the conflict. It offers insights from key political figures, diplomats, and those directly affected. The narrative is both sobering and enlightening. It sheds light on the challenges of achieving peace in a region fraught with historical grievances and geopolitical tensions.

What sets this episode apart is its balanced presentation of perspectives. The filmmakers have gone to great lengths to include voices from all sides, creating a nuanced portrayal of the conflict. The episode highlights the complexities of negotiation through interviews with Israeli and Palestinian leaders. It also features conversations with international mediators. The deep-seated mistrust often derails progress. Archival footage provides emotional weight. Personal testimonies remind viewers of the human lives at the heart of the political struggle.

This episode serves as a reminder of the fragility of peace. It highlights the resilience of those who continue to hope for a resolution. It does not shy away from the harsh realities of the conflict. It also underscores the potential for understanding and reconciliation. Israel and the Palestinians offers a compelling viewing experience. It presents the historical aspects of the issue. It also shows the contemporary dimensions. It is thought-provoking and encourages reflection on the broader implications of the crisis.

Oscars Highlights (ITV1, 10.45pm)

A glittering showcase of Hollywood’s finest combines the glamour of the red carpet with profound reflections. It provokes thought on the industry’s influence on global storytelling. The ceremony dazzles with wealth and celebration. However, it also prompts important questions about representation. We must consider which voices are heard and which are excluded from the narratives we celebrate.

This year’s Oscars showcase a diverse array of films, each contributing unique perspectives to the cinematic landscape. Emilia Pérez leads with an impressive 13 nominations. These include Best Picture and a historic Best Actress nod for Karla Sofía Gascón. The thought-provoking The Brutalist and the vibrant Wicked are other notable contenders. Each has 10 nominations. Compelling entries like Anora and A Complete Unknown also stand out. These films highlight the expanding diversity in storytelling. They also underline the ongoing challenges in creating an equitable platform for all voices.

As the awards are handed out, Oscars Highlights encourages viewers to think critically about Hollywood’s role in shaping cultural narratives. The night celebrates artistic achievements. It also reflects the inequalities within the industry. This challenges audiences to consider how we define and reward greatness in storytelling. Beyond the glitz and glamour, the show reflects broader struggles. It mirrors the quest for authenticity in global cinema.

The Death Of Stalin (2017) (BBC1, 11.55pm)

Armando Iannucci’s The Death of Stalin is a masterful political satire that walks the fine line between absurdity and horror. The film is set in the chaotic days following the sudden demise of Joseph Stalin in 1953. It turns a brutal period of history into dark comedy. The movie exposes the paranoia, incompetence, and opportunism of authoritarian rule. The characters scramble over each other in their frantic bids for power. Yet, the film never lets the audience forget the deadly stakes. Decisions made in smoky rooms determine who lives and who disappears forever.

What makes The Death of Stalin so compelling is its ability to highlight the sheer absurdity of totalitarianism. Every scene is infused with an unsettling mix of humour and menace. Stalin’s ministers awkwardly step over his body, terrified to be the first to acknowledge he is dead. There are also desperate attempts to rewrite history even as it unfolds. Power in such regimes is not about ideology or governance but about survival. Figures like Steve Buscemi’s Nikita Khrushchev are caught in a loop of constant betrayal. Simon Russell Beale’s monstrous Lavrentiy Beria also engages in these treacherous acts. They know that any misstep could lead to execution.

Beneath the sharp dialogue and comedic timing, the film carries a serious message. Authoritarianism doesn’t just rely on violence. It thrives on fear, loyalty tests, and the erasure of truth. The film’s final moments show Khrushchev consolidating power in an eerily similar manner to his predecessor. This makes it clear that tyranny isn’t about individuals. It is about systems that allow such rule to continue. The Death of Stalin is not just a historical farce. It chillingly reminds us of how power operates. History repeats itself when those in control focus on self-preservation more than justice.

Tuesday 4th of March 2025

Seeking Satoshi: The Mystery Bitcoin Creator (one of two) (C4, 10pm)

Bitcoin has long been hailed as a financial revolution, but its origins remain shrouded in secrecy. This documentary attempts to uncover the true identity of Satoshi Nakamoto, the pseudonymous figure credited with inventing Bitcoin.

The first episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) embarks on a fascinating journey. It investigates the enigmatic origins of Bitcoin, the revolutionary cryptocurrency. Bitcoin has transformed the financial world. Journalist Gabriel Gatehouse leads this documentary. It explores the mystery surrounding Satoshi Nakamoto. He is the pseudonymous figure credited with creating Bitcoin. The episode uses investigative reporting and compelling storytelling. It explores the cultural and economic impact of Bitcoin. It also questions the true identity of its elusive creator.

The episode takes viewers to a mega Bitcoin gathering in Miami. It reveals the cryptocurrency’s political ambitions. It also uncovers its ideological underpinnings. It raises thought-provoking questions about the promises of decentralization and financial freedom. These are juxtaposed with the realities of inequality and unaccountability that have emerged in the crypto world. The documentary skillfully balances technical insights with human stories, making it accessible to both crypto enthusiasts and newcomers alike.

What makes this episode particularly engaging is its ability to weave together the technical, cultural, and philosophical dimensions of Bitcoin. It challenges viewers to ask an important question. Does Bitcoin remain a radical alternative to traditional financial systems? Or has it been co-opted by the very institutions it sought to disrupt? Seeking Satoshi possesses investigative depth. Its captivating narrative sets the stage for a gripping exploration of one of the most intriguing mysteries in modern technology.

Coriolanus (2011) (BBC2, 11.05pm)

This modern reimagining of Shakespeare’s Coriolanus transforms the classic tale of war and political betrayal into a contemporary thriller. Ralph Fiennes directs and stars as the titular general. He is revered for his military prowess. Yet, he is despised for his inability to connect with the people.

The film’s urban warfare setting, complete with news broadcasts and riot police, makes it feel eerily relevant. It explores the dangers of unchecked power. It examines the manipulation of populism. It shows how the public’s favour can shift with alarming speed. Coriolanus is a man who sees himself above the masses. His downfall comes not from his enemies but from his failure to understand the people he claims to protect.

The film forces us to think on modern politics. Leaders who refuse to engage with ordinary citizens often find themselves cast out. This is not because they are unworthy. It is because the system demands a balance of power and perception. A striking and intense adaptation that proves Shakespeare’s themes stay timeless.

No Other Land (2024) (C4, 11.15pm)

This powerful documentary captures the reality of Palestinian displacement from the perspective of those experiencing it firsthand. Mainstream Western coverage often dilutes the urgency of the situation. No Other Land refuses to sanitize the brutal destruction of homes. It highlights the forced removal of entire communities.

Filmed by Palestinians on the ground, the documentary doesn’t just present statistics. It shows the human impact of occupation. It highlights the loss of cultural heritage. It demonstrates the resilience of people who refuse to be erased. The film raises pressing questions about international complicity and why certain narratives are amplified while others are suppressed.

For those who rely on corporate media for news, No Other Land provides an essential viewpoint. It offers an unfiltered perspective on one of the most pressing humanitarian crises of our time.

Wednesday 5th of March 2025

Nightmare Alley (2021) (Film4, 9pm)

Guillermo del Toro’s Nightmare Alley is a slow-burning, psychological noir that explores the thin line between ambition and self-destruction. The story follows Stanton Carlisle (Bradley Cooper), a drifter who learns the tricks of mentalism. He manipulates his way into high society. Eventually, his own arrogance leads to his downfall.

Unlike traditional noir films, Nightmare Alley presents its protagonist as both the conman and the mark. Stanton believes he can outwit everyone. In reality, he is simply another player in a system that devours those who reach too far. His journey is a cautionary tale about power and deception. It illustrates the inevitable downfall of those who believe they can cheat fate.

The film’s haunting visuals and chilling performances make it a gripping watch. However, its deeper message is more unsettling. Society itself is built on cons. Those at the top are simply the ones who have mastered the game for longer than others.

A Cruel Love: The Ruth Ellis Story (ITV1, 9pm)

Ruth Ellis was the last woman to be hanged in Britain. Her case remains one of the most controversial in legal history. This documentary examines her trial and execution. It questions whether justice was truly served. It also questions if Ellis was a victim of a system. The legal system refused to acknowledge domestic abuse as a mitigating factor.

The film provides context on how gender, class, and outdated legal standards shaped her fate. Now, discussions on coercive control and domestic violence have evolved. In this context, Ellis’ case feels even more tragic. She was punished not just for a crime, but for daring to defy societal expectations.

By revisiting Ellis’ story, this documentary forces us to ask how much the justice system has really changed. It also questions whether the law still fails those who need it most.

Seeking Satoshi: The Mystery Bitcoin Creator (two of two) (C4, 10pm)

The second episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) delves deeper into the enigma surrounding Bitcoin’s origins. It explores the conspiracy theories and controversies that have emerged over the years. Journalist Gabriel Gatehouse continues his investigation. He uncovers new leads and encounters warnings from veteran hackers. They suggest that the truth about Satoshi Nakamoto might be too dangerous to pursue.

This episode broadens the scope of the mystery. It examines whether Bitcoin was the work of a lone genius or a collective effort. It even entertains the possibility of government involvement. It also highlights the darker side of Bitcoin’s legacy. This includes its use in dark web markets. It also involves its role in financial speculation. These elements raise critical questions. Does Bitcoin still represent the ideals of freedom and decentralization? Or has it become another tool for exploitation and inequality?

With its mix of investigative journalism and philosophical inquiry, the episode challenges viewers. It encourages consideration of the broader implications of Bitcoin’s creation. The episode also examines its impact on the world. It’s a gripping continuation of the series. It blends intrigue with a thought-provoking exploration of the intersection between technology, power, and human ambition.

Thursday 6th of March 2025

The Wicked Lady (1945) (Talking Pictures, 10.50am)

A rebellious and provocative film for its time, The Wicked Lady tells the story of a noblewoman. She defies societal norms by leading a double life as a highway robber. Margaret Lockwood’s performance is electric, turning the character into an anti-hero who refuses to accept the constraints imposed on women.

The film explores morality. It makes audiences sympathise with a thief. The film questions who truly has the right to wealth and power. Although made in the 1940s, its themes of female independence and resistance against rigid social expectations remain strikingly relevant.

Beneath the costume drama, The Wicked Lady is a sharp critique of gender roles and the hypocrisy of aristocratic society. A daring and subversive classic.

The Undercover Police Scandal: Love And Lies Exposed (one of three) (ITV1, 9pm)

The first episode of The Undercover Police Scandal: Love and Lies Exposed (ITV1, 9pm) unveils a deeply unsettling narrative. The story is full of deception and betrayal. It focuses on the lives of individuals who were profoundly affected by covert operations. Through intimate interviews and detailed accounts, the documentary exposes the hidden practices of a secretive unit. It reveals the far-reaching consequences of their actions on personal lives. It also shows the impact on trust.

This episode highlights the intricate dynamics of power and control, as it explores how relationships were manipulated under false pretenses. The stories of those who were deceived are both harrowing and courageous. They recount their journeys of uncovering the truth. They also seek accountability. The documentary does not shy away from exposing the emotional toll. It reveals the long-lasting scars left by these actions. It offers a poignant look at the resilience of those who refused to stay silent.

The episode weaves together personal testimonies and investigative findings. It challenges viewers to think about the boundaries of authority. It also explores the ethical dilemmas that arise when those boundaries are crossed. It’s a compelling start to a series. The series promises to delve even deeper into the complexities of these hidden operations. It will also explore their impact on society.

Friday 7th of March 2025

High Noon (1952) (GREAT!action, 8pm)

On the surface, High Noon is a classic Western about a lone sheriff preparing for a gunfight. But beneath the action, it is a scathing critique of cowardice and conformity. The town’s people, rather than standing against injustice, find excuses to avoid responsibility.

Seen as an allegory for the McCarthy-era witch hunts, High Noon is not focused on heroism. Instead, it highlights the failures of those who choose silence over resistance. It remains a powerful reminder of how easily injustice flourishes when people turn a blind eye.

Event Horizon (1997) (Film4, 11.15pm)

Event Horizon, a sci-fi horror film, delves deeply into the multidimensional consequences of unchecked ambition. Socially, it examines the human drive to explore and dominate the unknown. This reflects the age-old pursuit of progress. Often, progress comes at the expense of ethics and humanity. Politically, it mirrors the Cold War-era space race. During this time, nations pushed the boundaries of space exploration in a quest for supremacy. This reflects the real-world tension and competition between superpowers.

Economically, the film hints at the massive investments required for such space missions. It also touches on the resource allocations necessary. The film questions whether the potential rewards are worth the risks. This notion is particularly resonant in today’s context of space commercialization, where private corporations race to exploit extraterrestrial resources.

Psychologically, Event Horizon explores the terror of the unknown. It delves into the profound impact of isolation and existential dread on the human psyche. The spaceship’s return is now a harbinger of horror. It symbolizes the unforeseen and often catastrophic consequences of pushing beyond human limits. These occur without considering the mental and emotional toll on those involved.

Event Horizon serves as a chilling reminder. Humanity might pay a price for its relentless quest to conquer the cosmos.

Streaming Choices

Walter Presents: The Mantis (All six episodes on Channel 4 streaming from Friday 7th of March 2025)

When a copycat killer strikes in France, police turn to the original murderer for help. A gripping crime drama that exposes corruption, power struggles, and moral compromises.

The First Emperor Of China (Available from Thursday 6th of March on History Hit)

A historical deep dive into how one man unified a nation, but at immense human cost.

The Real Ruth Ellis (Available from Wednesday 5th of March 2025 on ITVX)

A fresh look at Britain’s most infamous execution case, exploring new evidence. Worth watching alongside the new drama about her this week, A Cruel Love.

Picture credits

Elkie Brooks At The BBC
Elkie: Sight And Sound In Concert
Elkie Brooks In Concert 1987
By kitmasterbloke – https://www.flickr.com/photos/kitmasterbloke/49233655996/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=97277764
Prey (2022)
By http://www.impawards.com/2022/posters/prey_ver4_xxlg.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=70800783
Sicario (2015)
May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=46727168
Suffragette (2015)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=47657815
Mark Kermode’s Oscar Winners
By Julie Edwards – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=132623664
Nick Cave: This Much I Know To Be True
By Raph_PH – https://www.flickr.com/photos/raph_ph/51427635149/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=109766405
Glory (1989)
By TriStar Pictures – Impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=13532520
The Last Duel (2021)
By http://www.impawards.com/2021/last_duel_ver6.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68281500
Israel And The Palestinians (two of three)
Illustration from KollectivFutur with permission
Oscars Highlights
By Oscars: AMPAS Brand Guide, Fair use, https://en.wikipedia.org/w/index.php?curid=77913754
The Death Of Stalin (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=54810778
Seeking Satoshi: The Mystery Bitcoin Creator (one of two)
By Grayliptrot – This file was derived from: Bitcoin logo.svg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=30202095
Coriolanus (2011)
By IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=26505292
No Other Land (2024)
By Berlinale, Fair use, https://en.wikipedia.org/w/index.php?curid=76180863
Nightmare Alley (2021)
By http://www.impawards.com/2021/nightmare_alley_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68734063
A Cruel Love: The Ruth Ellis Story
Fair use, https://en.wikipedia.org/w/index.php?curid=29759349
The Wicked Lady (1945)
High Noon (1952)
By “Copyright 1952 – United Artists Corporation.” – Scan via Heritage Auctions., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85708724
Event Horizon (1997)
By Paramount Pictures – impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=10657985

Leave a Comment

Culture Vulture 15th to the 21st of February 2025

February 15, 2025 at 11:09 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged , , , , , ,

Welcome to Culture Vulture

Your weekly entertainment guide, written from an alternative viewpoint. Here, we explore film, TV, and streaming with a focus on fresh perspectives, overlooked gems, and stories that challenge the mainstream. Culture Vulture isn’t just about what’s on—it’s about why it matters.

All selections and writing are by Pat Harrington. Music is from Tim Bragg.

This Week’s Highlights

Quo Vadis, Aida? – BBC2 1.25am, Saturday
A devastating look at one woman’s struggle to save her family as history’s cruel machinery grinds forward.

Zero Day – Streaming from Thursday
A high-stakes political thriller where secrets aren’t just power—they are survival.

The Quiet Girl – C4 12.10am, Monday
A beautifully restrained story of a child discovering kindness for the first time.

Stay tuned for in-depth reviews, critical takes, and a perspective you won’t find anywhere else.

Saturday 15th February 2025

Songs Inspired By The Movies At The BBC – BBC2 8.35pm

This programme brings together a mix of performances from the BBC archives. The selection spans decades.. Some choices, like Bananarama’s Robert De Niro’s Waiting and Deep Blue Something’s Breakfast at Tiffany’s, make clear connections to cinema. Others are more tenuous—Shania Twain’s That Don’t Impress Me Much is included seemingly for name-dropping Brad Pitt rather than any deeper film link.

An T-Eilean (The Island) – BBC4 9pm

“An T-Eilean” (The Island) is a gripping Scottish Gaelic-language crime drama set in the picturesque Outer Hebrides. The series follows Kat Crichton (played by Sorcha Groundsell), a family liaison officer who returns to her island home after a decade to investigate the murder of Lady Mary, the wife of a wealthy tycoon2. As Kat delves into the case, she uncovers deep-seated family secrets and confronts her own troubled past.

The show’s stunning landscapes and authentic portrayal of island life add to its atmospheric tension, while the blend of Gaelic and English dialogue enriches the storytelling. With a talented cast including Sagar Radia as DCI Ahmed Halim and Iain Macrae as Sir Douglas Maclean, “An T-Eilean” stands out as a landmark in Gaelic-language television, offering a unique and captivating viewing experience.

A Quiet Place (2018) – Film4 11.20pm

Silence is survival. In this world, sound brings death, so a family learns to live in near-complete quiet. Every movement is careful, every word unspoken. Even the smallest mistake can cost a life.

The tension never fades. The father, protective but powerless, builds barriers that cannot last. The mother, expecting a child, knows the risk she takes. The children, forced to grow up too fast, carry burdens they never chose.

There is love here, even in the fear. The film is as much about family as it is about horror. In the end, survival is not just about silence—it’s about sacrifice.

Quo Vadis, Aida? (2020) – BBC2 1.25am

Aida is a translator, caught between duty and desperation. She works for the UN, believing she can keep her family safe. But the promises made to her are empty, and the walls close in.

She moves through crowded rooms, pleading with those in power. Some listen, some turn away. No one tells the truth. Outside, families wait, uncertain of their fate. Inside, decisions are made, final and cold.

There is no justice here, no hero to save the day. Only the choices of one woman, trying to hold onto hope when all is lost.

Sunday 16th February 2025

Notorious (1946) – Talking Pictures 6pm

In this classic Alfred Hitchcock thriller, spies, betrayal, and a love tangled in lies take center stage. Alicia Huberman (Ingrid Bergman), the daughter of a convicted Nazi spy, is recruited by government agent T.R. Devlin (Cary Grant) to infiltrate a group of Nazi sympathizers in South America. Her mission: to seduce Alex Sebastian (Claude Rains), a high-ranking member of the group.

As Alicia delves deeper into her role, her loyalty and love are tested at every turn. She plays her part well, but at what cost? The camera lingers on her face, the weight of her choices visible in every glance. Devlin, torn between his duty and his feelings for Alicia, watches from a distance, caught between trust and suspicion.

Shadows stretch long across the screen, secrets hiding in every corner. The tension between Alicia and Alex, and Alicia and Devlin, drives the film forward, making every interaction charged with suspense. Some films age, others sharpen with time. This one remains as sharp as ever, its tensions still cutting deep.

Nixon In The Den – PBS America 8.35pm

A man at the peak of power, yet always afraid. Nixon’s world was built on paranoia, on enemies real and imagined. This documentary takes us inside that world, showing the mind behind the man.

The footage is stark. Private conversations reveal a leader whose victories brought no peace. The need to control, to silence opposition, grew stronger the higher he climbed. He had power but never security.

History has judged him, but this film lets him speak.

Escaping Utopia (one of three) – BBC2 9pm

Some individuals are born into environments where control is paramount. They are instructed on what to believe, whom to fear, and what to love. For those who manage to break free, the concept of freedom can be both unfamiliar and daunting.

“Escaping Utopia” is a poignant documentary that delves into the lives of individuals who have left behind strict, closed communities, such as the Gloriavale Christian Community in New Zealand. The film chronicles their journeys as they step into a world vastly different from the one they were conditioned to accept. Through candid interviews and personal stories, viewers gain insight into the psychological toll of escaping a controlled environment.

Gloriavale, founded in 1969 by Neville Cooper (also known as “Hopeful Christian”), is a small and isolated cult located on the West Coast of New Zealand’s South Island. The community is known for its fundamentalist Christian beliefs, large families, and strict gender roles. Members wear distinctive uniforms, and the community has faced numerous allegations of abuse and exploitation over the years.

Many participants speak with a sense of relief, having finally found the courage to seek a new life. However, others share their experiences with palpable pain, as the past continues to cast long shadows over their present. Even after leaving, the memories and scars of their previous lives remain deeply etched.

This documentary not only tells a story of survival but also highlights the profound sense of loss that comes with leaving behind everything they once knew. It explores the challenges of adapting to a new reality, the fear of the unknown, and the resilience required to rebuild one’s identity. Through their voices, “Escaping Utopia” offers a moving narrative of courage, transformation, and the enduring quest for freedom.

Words On Bathroom Walls (2020) – BBC3 10.30pm

A teenager struggles with a mind that won’t stay quiet. He sees things others don’t, hears voices no one else hears. His world is fractured, shifting, always uncertain.

The film does not romanticise his experience. The fear is real, but so is his humour. He clings to love, to the idea of normality, even when it feels out of reach.

It’s not just about illness. It’s about understanding, about how people see those who are different. He wants to be more than his diagnosis. But will the world let him?

Monday 17th February 2025

Gaza: How To Survive A Warzone – BBC2 9pm

Survival is not just about staying alive. It is about finding food, keeping loved ones safe, and making choices no one should have to make. For those living in a warzone, danger is constant, but life must go on.

The documentary follows people navigating destruction in Gaza, a place where the conflict between Israel and Hamas has left deep scars. A mother, shielding her children from the chaos; a doctor, working tirelessly without supplies; a boy, too young to understand but old enough to feel fear. Their days are filled with waiting—waiting for aid, for news, for the next attack.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people. Through the lens of three children and a young woman with a newborn, the documentary captures the harrowing reality of life in Gaza, where even the youngest are forced to confront unimaginable horrors.

There is no easy answer here. The film does not give solutions, only stories. And stories matter. They remind us that behind the headlines, there are people.

The Real Stonehouse – ITV1 10.45pm

John Stonehouse was a British politician who built his life on deception. A charismatic and ambitious man, he climbed the ranks of the Labour Party, gaining power and enjoying the rewards that came with it. However, lies and deceit can only hold for so long, and eventually, the truth catches up with him.

The documentary unfolds the riveting tale of Stonehouse’s audacious plan to fake his own death. In 1974, facing financial ruin and the possibility of his fraudulent activities being exposed, Stonehouse staged his own disappearance in Miami, leaving behind a neatly folded pile of clothes on the beach. He hoped to start afresh in Australia under a new identity, away from his mounting troubles. However, he underestimated the complexity of the world around him and his ability to outsmart the authorities.

As the story progresses, Stonehouse’s carefully crafted facade begins to crumble. His plans unravel when a combination of errors, including his conspicuous behavior and the astuteness of law enforcement, leads to his arrest in Melbourne, Australia. Despite his initial success in evading capture, the flaws in his scheme become evident, and his downfall is inevitable.

“The Real Stonehouse” does not paint him as a straightforward villain or a tragic victim. Instead, it presents a nuanced portrait of a man whose ambition and hubris outweighed his abilities. The documentary explores the intricacies of his deception, his motivations, and the eventual consequences of his actions. Through interviews, archival footage, and expert analysis, viewers are given an in-depth look at the life and times of John Stonehouse, a politician whose legacy is forever marked by his infamous attempt to escape his past.

The Quiet Girl (2022) – C4 12.10am

A child sent away, silent and watchful. She has learned not to expect much. But in a new home, she finds something unfamiliar: kindness.

The film moves slowly, allowing glances and gestures to speak. No grand events, no dramatic revelations—just a girl realising she is valued. The sadness lingers, but so does the warmth.

It’s a story of care, of understanding what love looks like when words are few. And it’s a reminder that some things, once given, cannot be taken away.

Tuesday 18th February 2025

Georgia Harrison, Porn, Power, Profit (Part One) – ITV4 9pm

A woman fights to reclaim what was stolen. Private moments turned into public spectacle. A violation excused as entertainment.

Her voice is clear, unwavering. She refuses to let others define her. The legal battles are long, but the personal cost is greater. This is not just about her—it is about a system that allows such things to happen.

Speaking out comes with risks. But silence would mean accepting defeat. And she is not willing to do that.

Snowpiercer (2013) – ITV4 10pm

A train circles a frozen Earth. Inside, life is divided. The rich live in luxury, the poor fight for scraps. Order is kept through force, and rebellion simmers below the surface.

The film moves fast, each carriage revealing something new. Violence is sudden, brutal. The cost of change is high, but the alternative is worse. The train cannot run forever.

It asks, without ever saying it directly: who deserves comfort, and who is left to suffer? And who decides?

Wednesday 19th February 2025

Georgia Harrison, Porn, Power, Profit (Part Two) – ITV4 9pm

Georgia Harrison returns to ITV2 and ITVX with a two-part series exploring the lucrative world of the online porn business following on from her previous documentary, Revenge Porn: Georgia vs Bear.

Georgia explains:-

“What we really wanted to do was get to the bottom of who is behind the posting of image-based sexual abuse that’s still out there. The first part involves me having to really look into where my video still is which is obviously a really tough thing to do, but by doing that we could then decipher how many different sites it was on. Then this gave us a way of following the video,  figuring out who is actually behind the money and who is advertising next to this image-based sexual abuse.

“When it comes to DeepFake pornography, I have so many women now messaging me through my inbox for help. That’s usually all forms of abuse, so image-based sexual abuse, DeepFake pornography, domestic abuse, anything to do with a struggling relationship or another person involved, people tend to reach out.

“I was just seeing more and more issues around DeepFakes, a lot from mothers and it was affecting their children in school and I just thought, ‘this is the same sort of feeling as image-based sexual abuse’. It is the same feeling of humiliation, a violation of literally being de-clothed without your consent. It’s unconsented image-based abuse. Just because it’s fake, doesn’t mean it doesn’t evoke the same emotion within the victim it affects.” 

With the global porn industry worth an estimated $1 billion globally, Georgia takes a deep dive look into how this hugely profitable industry works and seeks to uncover just how far her own illegal video has spread, and who might be profiting from it.

Georgia says:-

“Overall, the purpose of doing both documentaries is to do two things; give the power back to the victims and look into how the porn industry works and how it makes its money.  I’ve been very open about what’s happened to me, been to Downing Street, won my court case…I very publicly made it obvious that my video is unconsented, yet it’s still on so many websites. 

“It’s raising awareness of that, because hopefully, we can evoke change within the internet, so in the future, not just me, but any person who has been a victim of revenge porn won’t have to wake up every day wondering if it’s still out there.  If you can stop the people higher up from investing into the advertisement at the bottom, then the people at the bottom won’t keep putting up unconsented footage because they won’t be making any money off it. It’s just exposing the ecosystem. 

“And with DeepFakes, it’s exposing the issue because so many people aren’t aware of it and I’m telling you, I had heard of it and I had friends who were affected by it, but until really looking into it and immersing myself into the world of it, I had no idea how damaging it is to society. How much it’s catching us all up, how much it’s ruining young people’s lives. It’s affecting parents and teachers who are dealing with this issue in schools, it’s a really horrible thing to do.  Recently it was announced that the creation of deepfakes will be made illegal so the more awareness I can raise around it, the more likely it will be implemented.” 

Here at Culture Vulture we agree that the battle is not over. The system protects those who exploit. She keeps speaking, keeps pushing. Justice is slow, but silence would mean giving up.

Others come forward. Similar stories, the same fight. The problem is bigger than one case. It is built into the way power works.

It is a hard watch, but an important one. The cost of speaking out is high, but the cost of staying silent is higher.

The Father (2020) – Film4 9pm

In “The Father,” Anthony Hopkins delivers an extraordinary performance as an elderly man grappling with the disorienting effects of dementia. As his mind betrays him, time loses its coherence, certainty becomes elusive, and familiar faces morph into strangers. Rooms shift, and memories vanish like smoke, leaving both Anthony and the audience in a labyrinth of confusion and doubt.

The film places us inside Anthony’s fragmented perception of reality. We experience his bewilderment firsthand, seeing through his eyes and feeling the same disorientation he endures. Olivia Colman portrays Anne, Anthony’s devoted daughter, who is both patient and exhausted, struggling to care for a father who is gradually slipping away. Her unwavering commitment to him serves as an emotional anchor amidst the chaos.

“The Father” is a deeply affecting exploration of the devastating impact of dementia on individuals and their families. There is no relief, no easy resolution—only the harsh, quiet truth that some battles cannot be won. The film’s brilliance lies in its ability to evoke empathy and understanding for those facing this relentless condition, leaving a lasting impression on all who watch.

Shayda (2023) – Film4 1.35am

A mother and daughter seek refuge, but safety is fragile. They are not free, not really. The past is close, the threat never far.

The film is filled with small moments. A child laughing, a mother braiding hair. But underneath, the fear remains. How long can they stay hidden?

It does not promise a happy ending, only a chance to keep going. And sometimes, that is enough.

Thursday 20th February 2025

Vesper (2022) – Film4 9pm

In a world that is dying and struggling to survive, young Vesper is a beacon of hope and resilience. The 13-year-old girl, armed with exceptional bio-hacking skills, navigates a post-apocalyptic landscape where resources are scarce and survival is a daily battle. Clever and resourceful, Vesper faces overwhelming odds, but her determination never wavers.

The bleakness of the landscape is starkly contrasted by Vesper’s indomitable spirit. She does not wait for salvation; instead, she fights for it with every ounce of her being. Along her journey, she encounters a diverse cast of characters—some cruel and opportunistic, others kind and supportive. Each person she meets shapes her path and challenges her resolve, forcing her to confront difficult truths and make impossible choices.

“Vesper” presents a vision of the future that feels all too relevant to our present-day concerns. The film raises urgent questions about who controls the resources, who gets to live, and who is left behind. Through its captivating narrative and stunning visuals, the film invites viewers to ponder the ethical implications of genetic technology and the power dynamics at play in a world on the brink of collapse.

The story takes a poignant turn when Vesper rescues Camellia, a young woman from a citadel, promising to take Vesper and her father to a place of safety. As they search for another survivor, Elias, the bond between Vesper and Camellia deepens, adding layers of emotional complexity to the narrative.

“Vesper” is a beautifully crafted film that combines science fiction with a deeply human story of survival, resilience, and hope. It is a hauntingly evocative portrayal of a world where the line between savior and survivor is blurred, and where the fight for a better future is both a personal and collective struggle.

It is a vision of the future, but its questions are for now. Who controls the resources? Who gets to live? And who is left behind?

Stan & Ollie (2018) – BBC4 11.45pm

“Stan & Ollie” is a heartfelt biographical film that explores the final years of the legendary comedy duo, Stan Laurel and Oliver Hardy. Laughter made them famous, but fame, like all things, fades with time. The once adored pair, who brought joy to millions with their slapstick humor, now find themselves struggling to fill theatres during their post-war tour of Britain in 1953.

The film captures the poignant reality of their later years, as the inseparable friends face diminishing audiences and the physical toll of age. Stan Laurel (Steve Coogan) and Oliver Hardy (John C. Reilly) deliver masterful performances, portraying the deep bond and unwavering friendship that define their relationship. Despite the challenges they face, their camaraderie and mutual respect never truly break.

“Stan & Ollie” is a gentle film, filled with nostalgia and a deep sense of affection for its subjects. It does not seek to shock or dramatize but instead offers a tender remembrance of two icons of comedy. Their final years were not easy, marked by health struggles and financial difficulties, but they had each other to lean on.

The film beautifully illustrates the evolution of comedy and the shifting tastes of audiences. While comedy changes and new stars emerge, the work of Laurel and Hardy remains timeless. Their influence on the genre is undeniable, and their routines continue to evoke laughter even now. “Stan & Ollie” serves as a touching tribute to their legacy, reminding us that behind the laughter were two men who shared an unbreakable bond and a passion for making people smile.

Friday 21st February 2025

Red Eye (2005) – GREAT!movies 9pm

“Red Eye,” directed by Wes Craven, is a taut and gripping thriller that keeps viewers on the edge of their seats from start to finish. The story revolves around Lisa Reisert (Rachel McAdams), a hotel manager who boards a late-night flight from Dallas to Miami. Expecting a routine trip, Lisa soon finds herself trapped in a nightmare when she meets Jackson Rippner (Cillian Murphy), a charming yet menacing stranger.

As the plane ascends, the tension escalates minute by minute. Jackson reveals his true intentions, coercing Lisa into assisting with a high-stakes assassination plot targeting a high-profile guest at her hotel. The confined space of the airplane amplifies the claustrophobic atmosphere, leaving Lisa with few options for escape.

Despite being clever and resourceful, Lisa faces a formidable adversary in Jackson, who is always one step ahead. The battle between them is as much psychological as it is physical, with mind games and threats intensifying the stakes. The film masterfully plays on the primal fear of being trapped and powerless, creating a relentless sense of suspense.

“Red Eye” excels in its simplicity and effectiveness. The plot unfolds with precision, building tension through expertly crafted scenes and sharp dialogue. Wes Craven’s direction ensures that every moment counts, making even the smallest details contribute to the overall sense of dread. Sometimes, fear needs no ghosts or monsters—just a locked door and no way out.

The performances by Rachel McAdams and Cillian Murphy are outstanding, with McAdams portraying Lisa’s vulnerability and determination, while Murphy’s chilling portrayal of Jackson adds to the film’s menacing aura. “Red Eye” is a testament to the power of a well-executed thriller, proving that sometimes the most terrifying scenarios are grounded in reality.

Lindisfarne’s Geordie Genius: The Alan Hull Story – BBC4 9pm

Alan Hull, the heart and soul of the folk-rock band Lindisfarne, was a musician who never chased fame but found it nonetheless. His songs resonated with the struggles and joys of ordinary lives, painting vivid pictures through poetic, political, and deeply personal lyrics. Hull’s music spoke to the hearts of many, capturing the essence of life in the North East of England.

“Lindisfarne’s Geordie Genius: The Alan Hull Story” is a heartfelt documentary that delves into the life and legacy of this remarkable artist. The film lets Hull’s music tell his story, showcasing the depth and authenticity of his songwriting. Through a blend of archival footage, interviews, and performances, viewers are taken on a journey through Hull’s career, from his early days with Lindisfarne to his solo work.

The documentary does not seek to sensationalize or dramatize Hull’s life. Instead, it offers a gentle and nostalgic reflection on his contributions to music and his impact on those around him. Hull’s words, whether addressing social issues or personal experiences, remain as relevant and powerful today as they were when first penned.

Hull was not a star in the traditional sense—he was a man who stayed true to his roots and his craft. His songs, filled with wit, warmth, and wisdom, continue to resonate with audiences, ensuring his legacy endures. The documentary serves as a reminder of the enduring power of music and the remarkable talent of Alan Hull.

Rock Goes To College BBC4 10pm

“Rock Goes to College” was a BBC series that showcased various rock bands performing live at university venues. Lindisfarne’s episode, first aired on November 17, 1978. It captures the band’s raw energy and charm in an intimate setting2. The performance highlights their unique blend of folk and rock, with Alan Hull’s distinctive voice and songwriting taking centre stage. The stripped-down, acoustic feel of the show allows the audience to experience Lindisfarne’s music in a personal and authentic way. This episode remains a cherished memory for fans, showcasing the band’s enduring appeal and musical talent.

And finally, Streaming

The Chief: All four episodes available from Thursday, 20th February 2025. Scot Squad comedy spin-off following pompous and out of touch Cameron Miekelson (Jack Docherty).

Zero Day: All six episodes available from Thursday, 20th February 2025. A political thriller set against a US under cyber attack where morality is less important than results.

Walter Presents: Evilside: All six episodes available from Friday, 21st February 2025 A bullied outcast on a remote island becomes the prime suspect in the ritualistic murder of her friend.

Video Picture Credits

Songs Inspired By The Movies At The BBC
An T-Eilean (The Island) – Sorcha Groundsell
By MTV UK – Sorcha Groundsell & Percelle Ascott Talk Sex Scenes – Netflix’s The Innocents – MTV Movies, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=116162815
A Quiet Place (2018)
By http://popcornhorror.com/5-horror-movies-whose-atmosphere-will-scare-hell/, Fair use, https://en.wikipedia.org/w/index.php?curid=56965271
Quo Vadis, Aida? (2020)
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Notorious (1946)
By “Copyright 1946 RKO Radio Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=87339746
Nixon In The Den
By Department of Defense. Department of the Army. Office of the Deputy Chief of Staff for Operations. U.S. Army Audiovisual Center. (ca. 1974 – 05/15/1984) – This file was derived from: Richard M. Nixon, ca. 1935 – 1982 – NARA – 530679.jpg:, Public Domain, https://commons.wikimedia.org/w/index.php?curid=92980570
Escaping Utopia
Protest against the cult – By Schwede66 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=94977675
Words On Bathroom Walls (2020)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=64561738
Gaza: How To Survive A Warzone
The Real Stonehouse
John Stonehouse – By André Cros – This photograph is part of the Fonds André Cros, preserved by the city archives of Toulouse and released under CC BY-SA 4.0 license by the deliberation n°27.3 of June 23rd, 2017 of the Town Council of the City of Toulouse., CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=119124824
The Quiet Girl (2022)
By Inscéal – IMDB, Fair use, https://en.wikipedia.org/w/index.php?curid=70151764
Georgia Harrison, Porn, Power, Profit (Part One)
Shutterstock under license
Vesper
By kinopoisk.ru, Fair use, https://en.wikipedia.org/w/index.php?curid=7187855071878550
Snowpiercer (2013)
By http://www.impawards.com/2013/snowpiercer_ver27_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40911316
Georgia Harrison, Porn, Power, Profit (Part Two)
The Father (2020)
By IMP Awards / Intl > UK > 2020 Movie Poster Gallery / The Father Poster (#2 of 3), Fair use, https://en.wikipedia.org/w/index.php?curid=63838973
Shayda (2023)
By IMDb, Fair use, https://en.wikipedia.org/w/index.php?curid=74709056
James May’s Great Explorers (Part Two)
Vesper (2022)
Stan & Ollie (2018)
By https://www.imdb.com/title/tt3385524/, Fair use, https://en.wikipedia.org/w/index.php?curid=58029929
Red Eye (2005)
By http://www.impawards.com/2005/red_eye_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1958423
Lindisfarne’s Geordie Genius: The Alan Hull Story
By Rodhullandemu – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4380270
Rock Goes To College
The Godfather (1972)
By http://www.movieposterdb.com/poster/ff7638bd, Fair use, https://en.wikipedia.org/w/index.php?curid=6703024
Additional artwork from KollectivFutur

Comments (1)

Culture Vulture 1st to the 7th of February 2025

January 31, 2025 at 8:24 pm · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged , , , , ,

Welcome to Culture Vulture – Your Alternative Weekly Entertainment Guide. Writing is by Pat Harrington and music is by Tim Bragg.

Highlights this week include:

  • The Sisters Brothers (2018) – A revisionist Western that subverts genre conventions, following two bounty-hunting brothers on a journey of survival, greed, and self-discovery.
  • Belfast (2021) – A poignant coming-of-age drama set against the backdrop of 1960s Northern Ireland, capturing the innocence of youth amid political turmoil.
  • Respect (2021) – A powerful biopic of Aretha Franklin, showcasing her rise to fame, struggles, and enduring legacy through an unforgettable performance by Jennifer Hudson.

Now, onto this week’s full selection of films and programmes.

Saturday 1st February 2025

Women Who Rock – Sky Arts from 9pm
A celebration of women who reshaped the music industry. Their struggles and triumphs reflect wider changes in society. The show captures the energy and defiance of artists who refused to conform.
The documentary highlights how music became a form of resistance. Each performer carved a space in a male-dominated world. The interviews reveal personal sacrifices behind public success.
Viewers will see how these women changed perceptions. Their influence reaches beyond music into fashion and activism. The programme is a reminder of the power of creative expression.

Judgment at Nuremberg (1961) – BBC2 12.45pm
A courtroom drama that examines responsibility. The focus is not only on the accused but also on those who looked the other way. The film asks difficult questions about morality and justice.
Performances are powerful, particularly Spencer Tracy as the judge. The script avoids easy answers, forcing viewers to consider uncomfortable truths. The weight of history is felt in every scene.
Decades later, the questions remain relevant. The film warns against blind obedience and moral compromise. A stark reminder of how societies justify their worst actions.

Poly Styrene: I Am a Cliché – Sky Arts 2am
A raw and intimate portrait of an artist ahead of her time. Poly Styrene challenged conventions, both in punk music and in life. Her story is one of rebellion and self-discovery.
The film explores her impact on music and identity. Personal letters and interviews reveal a woman torn between ambition and expectation. Her mixed heritage shaped her outsider status.
More than a biography, this is a story about finding a voice. It resonates with anyone who has felt out of place. Her influence continues in today’s alternative music scene.

Sunday 2nd February 2025

The Straight Story (1999) – Film4 4.30pm
A slow and meditative film about an elderly man’s journey. He travels across America on a lawnmower, determined to reconnect with his brother. The simplicity of the story hides great emotional depth.
David Lynch directs with restraint, showing warmth rather than his usual darkness. The performances feel authentic, particularly from Richard Farnsworth. The film lingers on landscapes, emphasising time and memory.
It is a quiet reflection on aging and regret. The journey is physical, but also symbolic. The film asks whether old wounds can ever truly heal.

Harrods: The Rise and Fall of a British Institution – Channel 5 9pm
Once a symbol of luxury, Harrods represents changing economic tides. The documentary traces its history from family-run business to foreign ownership. Behind the glamour is a tale of power and shifting fortunes.
The programme exposes the conflicts between tradition and modernisation. It shows how consumer culture evolved alongside British society. The store’s rise mirrors imperial confidence, its sale reflects global shifts.
More than just a shop, Harrods embodies national identity. The film questions what is lost when heritage is sold. It is a case study in money and influence.

Dr Jekyll and Mr Hyde: The Read with Reece Shearsmith – BBC4 9pm
A chilling reading of a classic tale. Shearsmith brings the dual nature of man to life. His performance captures the fear and fascination of the original text.
The gothic horror remains unsettling today. The story explores hidden desires and suppressed instincts. It suggests that civilisation is only a thin veil.
This adaptation reminds us why the story endures. The duality within us all is both disturbing and compelling. A gripping interpretation of a timeless tale.

Ian Rankin Investigates: Dr Jekyll and Mr Hyde – BBC4 10.05pm
Rankin explores the real inspirations behind Stevenson’s novel. He delves into Victorian anxieties and the idea of the double life. The true history is as eerie as the fiction.
Interviews with experts reveal deeper meanings. The investigation links the story to crime, class, and repression. Stevenson’s world was one of contradictions and secrets.
A fascinating look at why the story still haunts us. The themes remain familiar, even in modern society. A perfect companion piece to the previous programme.

Belfast (2021) – BBC2 10pm
Kenneth Branagh’s semi-autobiographical film captures childhood in a divided city. The innocence of youth contrasts with the backdrop of violence. The black-and-white cinematography adds a nostalgic quality.
The story is told through a child’s eyes, softening but not erasing the pain. There are moments of humour and warmth, making the loss feel sharper. Family bonds provide strength amid uncertainty.
A love letter to a city and a past that can’t be reclaimed. The film reminds us that history is personal. A moving account of home and belonging.

The Sisters Brothers (2018) – BBC2 11.30pm

The Sisters Brothers is a revisionist Western that subverts the genre’s conventions. It follows two bounty-hunting brothers navigating a rapidly changing American frontier. Directed by Jacques Audiard, the film balances dark humour with moments of deep introspection. It explores themes of violence, greed, and fractured familial bonds.

Joaquin Phoenix and John C. Reilly deliver compelling performances as the titular brothers. Phoenix’s Charlie is impulsive and reckless, while Reilly’s Eli is burdened by a growing conscience. Their dynamic forms the film’s emotional core, as Eli questions their brutal way of life and dreams of something better. Jake Gyllenhaal and Riz Ahmed give strong supporting performances. They add depth to the film’s exploration of shifting loyalties. They also enhance the portrayal of evolving ideals.

The cinematography by Benoît Debie captures the stark beauty of the Western landscape. From sun-scorched plains to dimly lit saloons, every frame enhances the film’s melancholic tone. The film’s visual storytelling is meticulous, highlighting both the isolation and camaraderie of its characters.

The score, composed by Alexandre Desplat, blends traditional Western sounds with a haunting, modern sensibility. The music highlights the film’s tension. It strengthens the introspective moments. This reinforces the sense of an old world fading into a new one.

Thematically, The Sisters Brothers critiques the brutality of frontier justice and the corrosive nature of capitalism. The Gold Rush is depicted as a ruthless pursuit, where survival often comes at the cost of morality. Ethical dilemmas arise as the brothers encounter figures who challenge their worldview. These encounters force them to confront their past and consider the possibility of change.

Critics praised the film’s unique take on the Western genre. Its blend of dark comedy, action, and philosophical depth set it apart from more traditional entries. Some viewers found its pacing deliberate. Others appreciated its contemplative nature. They saw it as a meditation on brotherhood, ambition, and the price of violence.

The Sisters Brothers is a thought-provoking and visually stunning film. It offers a fresh perspective on the Western mythos, grounding its story in human emotion rather than spectacle.

Monday 3rd February 2025

Mr Jones (2019)
A journalist uncovers a famine that others choose to ignore. The film exposes how truth is manipulated. The protagonist risks everything to reveal reality.
The visuals shift between cold desolation and propaganda’s warmth. The contrast shows how suffering is hidden. The cost of truth is painfully high.
A film about courage and complicity. Silence enables cruelty, while speaking out invites danger. A reminder that stories shape history.

Fire Island (2022)
A reimagining of Pride and Prejudice set in a modern LGBTQ+ holiday retreat. The film mixes wit with social commentary. It celebrates community while exposing its flaws.
Romance is central, but so is friendship. The characters navigate love, status, and belonging. The humour makes deeper themes more accessible.
A joyful yet thoughtful film. It reminds us that acceptance isn’t always easy. A refreshing take on a classic tale.

Tuesday 4th February 2025

All The Money In The World (2017) – GREAT!movies 9pm
A thriller based on real events. The film follows the kidnapping of John Paul Getty III. His grandfather’s refusal to pay the ransom dominates the narrative.
The story highlights greed and power. The boy’s suffering is secondary to financial concerns. Family bonds are tested against corporate interests.
A tense and stylish drama. Christopher Plummer delivers a cold yet captivating performance. A study of how wealth distorts human relationships.

Mussolini: Son of the Century – Sky Arts 9pm
A documentary exploring the rise of a dictator. It traces his journey from socialism to totalitarianism. The programme pieces together rare footage and expert analysis.
It examines how ambition turns into authoritarian rule. The film shows how a leader’s early ideals can curdle into oppression. The dangers of political idolatry are evident.
A necessary history lesson. The past offers warnings for the present. The documentary challenges viewers to see patterns in modern politics.

Wednesday 5th February 2025

Respect (2021) – BBC1 11.15pm
The story of Aretha Franklin’s rise to fame. Jennifer Hudson delivers a commanding performance. The music carries the film, but so does its emotional weight.
It explores the pressures of success. Franklin’s voice made history, but her journey was fraught with struggle. The film does not shy away from personal hardships.
More than a biography, it is a tribute. A reminder of the resilience behind the legend. A powerful portrayal of an artist’s fight to be heard.

Mean Streets (1973) – Film4 11.35pm
Scorsese’s early masterpiece. A gritty look at loyalty and survival in Little Italy. The film’s raw energy and improvisational style make it feel real.
Harvey Keitel and Robert De Niro shine as young men caught between crime and conscience. The streets are their battleground. Violence is both a choice and a fate.
An essential watch for those who love character-driven films. It laid the foundation for Scorsese’s later classics. A look at ambition, failure, and redemption.

Thursday 6th February 2025

Oliver! (1968) – Film4 4.10pm
A musical that remains beloved. The story of an orphan in Victorian London. Songs and performances make it an enduring classic.
Beneath the charm is a tale of survival. The film does not ignore the harsh realities of poverty. Dickens’ world is softened but not erased.
A family favourite with dark undercurrents. The contrast between joy and hardship makes it compelling. A classic that still resonates.

Some Like It Hot (1959) – BBC4 8.20pm
A comedy masterpiece. Two musicians disguise themselves as women to escape the mob. The humour is sharp, and the performances iconic.
Jack Lemmon and Tony Curtis have perfect timing. Marilyn Monroe adds charm and melancholy. The film balances farce with genuine emotion.
Beneath the laughter is a look at identity and deception. A film ahead of its time. Endlessly rewatchable and still relevant.

Can Elon Musk Rule The World – Channel 4 9pm
A documentary examining one of the most controversial figures today. It explores his vision and influence. The programme asks whether one man should hold so much power.
Musk’s innovations have changed industries. But ambition comes with consequences. The film presents both his brilliance and his flaws.
An insightful investigation into modern leadership. Technology and capitalism intertwine. The future may rest in the hands of a few.

Pitch Black (2000) – ITV4 9pm
A sci-fi thriller with a cult following. A transport ship crashes on a dark planet. The survivors face both internal and external threats.
Vin Diesel’s anti-hero dominates the film. His character walks the line between saviour and predator. The darkness is both literal and symbolic.
Tense, atmospheric, and visually striking. A film that proves sci-fi can be both action-packed and thought-provoking.

Friday 7th February 2025

Ella Fitzgerald Live At Montreux – Sky Arts 8pm
A concert film capturing a jazz legend at her best. Fitzgerald’s voice remains unmatched. Her performance is effortless yet deeply moving.
The setlist is a journey through jazz history. The audience is spellbound. The film showcases her warmth and mastery.
A celebration of pure talent. A must-watch for music lovers. Her voice still enchants decades later.

Ella Fitzgerald: Just One Of Those Things – Sky Arts 9.30pm
A documentary exploring her life and career. The struggles behind the success are revealed. Her rise from hardship to global fame is inspiring.
Interviews and archival footage bring her story to life. The film highlights both her triumphs and personal sacrifices. She reshaped music forever.
A fitting tribute to a true pioneer. Her impact goes beyond jazz. Her legacy is one of perseverance and excellence.

Lynch/OZ – Film4 1.35am
A documentary about the connection between The Wizard of Oz and David Lynch’s films. It delves into cinematic influences and hidden meanings.
Lynch’s work is filled with references to Oz. The documentary explores these links in depth. Filmmakers and critics offer their insights.
A fascinating look at artistic inspiration. It shows how one story can shape another. A must-watch for cinephiles.

And finally, Streaming

On Channel 4 streaming – Walter Presents: The Sketch Artist (Season 3) – from Friday 7th February 2025
A detective series with a unique protagonist. A forensic sketch artist reconstructs faces and memories. The show blends mystery with human insight.
The new season deepens character backstories. It focuses on perception and how we interpret truth. Crime-solving is as much about psychology as evidence.
A gripping drama with an original premise. Fans of intelligent thrillers will be hooked.

On History Hit – Dogs: Their History (Episode One) – from Thursday 6th February 2025
A look at how dogs shaped human lives. From hunting partners to companions, their role has changed. The documentary explores this shared history.
Footage from different cultures highlights contrasts in treatment. The bond between humans and dogs is complex. Some are loved, others exploited.
More than a history lesson, this is a reflection on human nature. Our relationship with animals says much about us.

Picture credits

Judgment at Nuremberg
By “Copyright © 1961 by United Artists Corporation.” – Scan via Heritage Auctions. Cropped from the original image and lightly retouched; see upload history for unretouched original., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88144188
The Straight Story (1999)
Fair use, https://en.wikipedia.org/w/index.php?curid=3573982
Belfast (2021)
By Studio and or Graphic Artist – [1], Fair use, https://en.wikipedia.org/w/index.php?curid=68638309
The Sisters Brothers
By https://thefilmstage.com/wp-content/uploads/2018/05/The-Sisters-Brothers-poster.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid57505137
Mr Jones (2019)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59698104
Fire Island (2022)
By Searchlight Pictures – https://twitter.com/searchlightpics/status/1518589402305507329?s=20&t=z98t5jxp96X-UEKqWN4Jfg, Fair use, https://en.wikipedia.org/w/index.php?curid=70626655
All the Money in the World (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=55238236
Respect (2021)
By IMP Awards / 2021 Movie Poster Gallery / Respect Poster (#6 of 6), Fair use, https://en.wikipedia.org/w/index.php?curid=62643512
Mean Streets (1973)
By May be found at the following website: https://www.imdb.com/title/tt0070379/mediaindex?page=3&ref_=ttmi_mi_sm, Fair use, https://en.wikipedia.org/w/index.php?curid=63535900
Oliver! (1968)
By Oliver1968.co.uk – UK quad., Fair use, https://en.wikipedia.org/w/index.php?curid=6697563
Some Like It Hot (1959)
Designed by Macario Gómez Quibus. “Copyright 1959 – United Artists Corp.”. – Scan via LiveAbout. Cropped from original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85794299
Pitch Black (2000)
By The poster art can or could be obtained from USA Films (USA theatrical)Universal Studios (all other rights)., Fair use, https://en.wikipedia.org/w/index.php?curid=1209558
Ella Fitzgerald: Just One of Those Things
Aber Bergen
Minx
By HBO Max – Screenshot from the premiere episode, “Not like a shvantz right in the face”, Public Domain, https://commons.wikimedia.org/w/index.php?curid=117713496
Reece Shearsmith
By PeterCarmichael51 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=151951308
Elon Musk
By The Royal Society, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=152333860
Harrods
By user: Sokkk y – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3600342
Polystyrene
By Poly_Styrene.png: Uroicaderivative work: Memphisto (talk) – Poly_Styrene.png, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=15033083
Ella Fitzgerald
By Lewin/Kaufman/Schwartz, Public Relations, Beverly Hills – eBay itemphoto frontphoto back, Public Domain, https://commons.wikimedia.org/w/index.php?curid=19129012
Ian Rankin
By TimDuncan – Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=3588034
Mussolini

Leave a Comment

« Newer Posts