Culture Vulture (9-15 March 2024)

March 8, 2024 at 10:25 am · Filed under Culture Vulture, Film & DVD Reviews ·Tagged film, movie-review, movie-reviews, movies, review

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Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Writing and selections are by Pat Harrington and music is by Tim Bragg. Highlights this week include: Royal Kill List, a landmark Sky HISTORY original series that chronicles King Charles II’s relentless pursuit to avenge his father’s killers, Chopper (2000) the Australian crime drama film based on the autobiographical books by criminal-turned-author Mark “Chopper” Read and Turning Point: The Bomb And The Cold War on Netflix.

Saturday 9 March 2024

Personal Shopper (2016) 10.35pm GREAT!movies

“Personal Shopper” is a captivating and unconventional film directed by Olivier Assayas. It stars Kristen Stewart as Maureen, a young American living in Paris. Maureen works as a personal shopper for a demanding German supermodel, but she also has a secret: she’s a medium trying to communicate with her deceased twin brother.

The movie weaves together elements of horror, workplace drama, and identity exploration. Maureen’s life takes unexpected turns as she grapples with her psychic abilities and the loss of her twin. The film’s enigmatic tone keeps viewers guessing, and Stewart’s performance is impossible to ignore.

“Personal Shopper” delves into themes of grief, spirituality, and the blurred boundaries between the material and supernatural worlds. The eerie Parisian setting adds to the film’s haunting atmosphere.

Stewart delivers one of her best performances to date. Her portrayal of Maureen is both vulnerable and mysterious, capturing the character’s inner turmoil. “Personal Shopper” is a captivating and unconventional film directed by Olivier Assayas. It stars Kristen Stewart as Maureen, a young American living in Paris. Maureen works as a personal shopper for a demanding German supermodel, but she also has a secret: she’s a medium trying to communicate with her deceased twin brother.

Sunday 10 March 2024

The Souvenir Part 2 (2021) 10pm BBC2

“The Souvenir Part II” is a captivating and unconventional film directed by Joanna Hogg. It continues the story of Julie, a young filmmaker haunted by her past relationship with the mysterious and destructive Anthony. The film delves into themes of memory, identity, and relationships.

Julie, portrayed by Honor Swinton Byrne, creatively exorcises Anthony’s presence through her work. As she grapples with guilt, mourning, and self-discovery, we witness moments of Powell and Pressburger influence. Tilda Swinton reprises her role as Julie’s mother, adding depth to the narrative.

The sequel maintains an elegant aesthetic while exploring deeper emotional territory. It defies industry norms and carries itself with marvellous artistry. Unlike the chilly and distant first film, this installment is emotionally charged and engaging.

Honor Swinton Byrne’s portrayal of Julie is both vulnerable and captivating. Tilda Swinton’s presence as Julie’s mother adds warmth and complexity to the film.

The sequel has been better received than its predecessor, offering a more complete and confident exploration of memory and relationships.

Basic Instinct (1992) 11.05pm 5Star

“Basic Instinct,” directed by Paul Verhoeven, is a film that defies easy categorization. Released in 1992, it straddles the line between erotic thriller, psychological drama, and crime mystery. At its core, the movie is a tantalizing exploration of sex, desire, and danger.

The film follows Catherine Tramell (played by Sharon Stone), a bisexual crime novelist who becomes a prime suspect in a murder investigation. The detective assigned to the case, Nick Curran (Michael Douglas), is drawn into a web of passion, deceit, and violence. As he delves deeper, he grapples with his own desires and vulnerabilities.

Upon its release, “Basic Instinct” sparked heated debates. The portrayal of Catherine Tramell as a bisexual femme fatale was met with resistance from the gay community. Critics questioned the film’s factual accuracy, dismissing the idea of a bisexual woman as a serial killer.

Some critics labeled the film misogynistic, pointing to its treatment of women. The character of Catherine Tramell was seen as a dangerous stereotype, reinforcing negative perceptions of female sexuality.

“Basic Instinct” has been reevaluated. Some appreciate its audacity and subversion of genre conventions. The film’s explicitness (remember the film’s notorious leg-crossing scene?) and unapologetic portrayal of desire have found new relevance.

Today, discussions around sexuality are more nuanced. Bisexuality is better understood, and LGBTQ+ representation has improved. Audiences recognize that characters like Catherine Tramell can be complex and multifaceted.

“Basic Instinct” defined the erotic thriller genre but also pushed its boundaries. It blended sex, suspense, and psychological intrigue, leaving an indelible mark.

While the film faced criticism (particularly from some feminists and gay rights activists), it also challenged societal norms. Its provocative nature forced audiences to confront their own biases and assumptions.

In retrospect, “Basic Instinct” remains a polarizing film. Its allure lies in its ability to simultaneously titillate and disturb, inviting viewers to explore the darker corners of desire. Whether celebrated or criticized, it remains a testament to the power of cinema to provoke and unsettle.

If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd (2018) 1am Sky Arts

Directed by Stephen Kijak, this authorized documentary explores the music and backstory of the legendary American band. It provides insights into their journey, struggles, and impact on rock music.

Monday 11 March 2024

To End All War:Oppenheimer And The Atomic Bomb (2023) 9pm Sky Documentaries

“To End All War: Oppenheimer & the Atomic Bomb” is a compelling documentary that delves into the life of the controversial inventor of the atomic bomb, J. Robert Oppenheimer. Directed by Christopher Cassel, the film explores Oppenheimer’s genius, contradictions, and the moral conflict that his invention caused him.

The Iceman (2012) 9pm Film4

“The Iceman,” directed by Ariel Vromen, is a chilling biographical crime film loosely based on the life of notorious hitman Richard Kuklinski. Set against the backdrop of organized crime, the movie delves into the murky depths of morality, ethics, and the human psyche.

The film introduces us to Richie Kuklinski (portrayed by Michael Shannon), a seemingly ordinary family man who harbors a dark secret: he is a stone-cold assassin responsible for over a hundred murders spanning four decades. As we follow Richie’s life, we witness the tension between his dual identities—the loving husband and father versus the ruthless killer.

Richie’s transformation from a seemingly shy working guy to a remorseless murderer raises questions about the banality of evil. His ability to compartmentalize violence and lead a double life shocks us. The film forces us to confront the unsettling truth that evil can lurk behind an unassuming facade.

Richie’s actions blur the lines between right and wrong. He kills for money, yet he also shows compassion toward children. The film challenges our black-and-white notions of morality, leaving us to grapple with the gray areas of human behavior.

Richie’s wife, Deborah (Winona Ryder), remains blissfully unaware of her husband’s true nature. The film raises questions about complicity—what happens when we turn a blind eye to the darkness within our loved ones? Deborah’s ignorance becomes both tragic and thought-provoking.

Richie embodies a hypermasculine archetype—the stoic, unemotional man who solves problems with violence. His inability to express vulnerability or seek help perpetuates harmful stereotypes. The film invites us to examine how societal expectations shape male behavior.

The film’s portrayal of the mob world reflects broader social decay. The criminal underworld thrives on secrecy, betrayal, and violence. As Richie navigates this treacherous environment, we glimpse the erosion of societal norms and trust.

Richie’s double life strains his family relationships. His daughters grow up in ignorance, shielded from their father’s true nature. The film underscores the fragility of family ties when built on deception and half-truths.

Shannon’s portrayal of Richie is haunting. His tight-lipped demeanour and unreflective gaze reveal a man devoid of remorse. Shannon captures the essence of a killer who operates in the shadows, detached from humanity.

Legacy and Reflection:

“The Iceman” echoes classic gangster films like “Goodfellas” and “Killing Them Softly” but lacks their wit and depth. Its unflinching gaze into the abyss leaves us unsettled.

As we watch Richie freeze bodies and dispose of them, we confront our own fascination with violence and the thin line separating us from darkness.
In summary, “The Iceman” is a chilling exploration of the human capacity for evil, wrapped in a cloak of suburban normalcy. It reminds us that evil can thrive even in the most mundane corners of existence.

Tuesday 12 March 2024

Royal Kill List 10pm Sky Showcase (one of three)

The story revolves around King Charles II and his relentless pursuit of revenge.

After the execution of his father, King Charles I, during the English Civil War, Charles II becomes obsessed with hunting down and punishing the Regicides—those responsible for his father’s death in 1649. 59 people siged the death warrant.

The series explores themes of espionage, revenge, power, and loyalty, providing a window into a remarkable and often overlooked historical period.

Little Joe (2019) 11.15pm BBC2

“Little Joe,” directed by Jessica Hausner, is a thought-provoking drama film that explores the consequences of genetic engineering. Released in 2019, it delves into the intersection of science, ethics, and human emotions.

The film centers around Alice Woodard (played by Emily Beecham), a plant breeder working in a lab that creates new strains of flowers. Alice and her team successfully develop a unique flower named “Little Joe.” This plant requires more care than ordinary flora but promises to make its owners happy. However, as the Little Joes begin to aggressively pollinate, Alice suspects that she has inadvertently made them sterile. Strange changes occur in those exposed to the plant’s pollen, leading to unsettling consequences.

“Little Joe” raises ethical questions about genetic manipulation. Alice’s creation of a plant that affects human behavior parallels real-world debates about genetically modified organisms (GMOs). The film prompts us to consider the consequences of tampering with nature.

Alice names the plant after her son, emphasizing the bond between parent and child. As the Little Joes affect people’s behavior, we witness how external influences can strain family dynamics. The film underscores the delicate balance between nurturing and control.

Alice’s dedication to her work blinds her to the changes occurring around her. The film critiques a society where scientific progress often comes at the cost of personal relationships. Alice’s obsession with her creation mirrors our modern preoccupation with achievement.
Political Themes Explored:

The lab’s focus on creating marketable products clashes with potential risks. The film hints at corporate pressure to release Little Joe despite its effects. This mirrors debates over profit-driven decisions versus public safety in scientific advancements.

The film doesn’t explicitly delve into government oversight, but it raises questions about the responsibility of regulatory bodies. How should we balance innovation with safeguards? Little Joe’s impact on human behavior underscores the need for ethical guidelines.

Beecham’s portrayal of Alice is both vulnerable and determined. She captures the internal struggle of a scientist torn between ambition and maternal instincts. Her nuanced performance adds depth to the film’s exploration of identity and responsibility.

“Little Joe” serves as a cautionary tale about unintended consequences. It warns against blind pursuit of scientific breakthroughs without considering the broader implications.

As we witness the subtle changes in characters exposed to the plant, we confront our own vulnerability to external influences.

In summary, “Little Joe” invites us to question the boundaries of science, the impact of genetic engineering, and the delicate balance between progress and humanity. It reminds us that even the smallest creations can have profound effects

Wednesday 13 March 2024

Death Line (1972) Legend 12.50am

“Death Line,” directed by Gary Sherman, is a gripping horror film that takes place in the eerie depths of the London Underground. Released in 1972, it combines mystery, suspense, and social commentary.

The story begins late at night in Russell Square station. University students Patricia and her American boyfriend Alex stumble upon an unconscious man on the stairwell. The man, James Manfred, OBE, vanishes mysteriously. Inspector Calhoun investigates the disappearance, leading him to explore the dark history of the Underground. Legend has it that descendants of Victorian railway workers, who survived a cave-in in 1892, still inhabit the tunnels. These survivors have resorted to cannibalism to survive.

The film portrays a London brimming with violence, cheap sex, and a ruling class indifferent to the destitute. The Underground becomes a metaphor for societal neglect, where the forgotten struggle to survive.

The abandoned tunnels symbolize decay and desperation. The cannibal’s existence in this hidden world reflects the darker aspects of urban life—the forgotten corners where humanity’s worst instincts emerge.

The Underground becomes a microcosm of alienation. Patricia and Alex, isolated from help, face the horrors alone. The film underscores how modern life can disconnect us from each other and our surroundings.

Donald Pleasence shines as Inspector Calhoun. His portrayal captures the weariness of a detective navigating a grim underworld. His skepticism clashes with the inexplicable horrors he uncovers.
Legacy and Reflection:

“Death Line” remains a cult classic, blending horror with social critique. It reminds us that beneath the bustling city lies forgotten history and hidden suffering.

As we journey with Patricia and Alex into the depths, we confront our own fears of isolation and the darkness lurking beneath the surface.
In summary, “Death Line” unearths the secrets buried beneath London’s streets, revealing a chilling tale of survival, neglect, and the primal instincts that emerge when pushed to the edge.

Thursday 14 March 2024

Chopper (2000) 11.35pm Film4

“Chopper,” directed by Andrew Dominik, is a gritty Australian crime drama released in 2000. Based on the autobiographical books by criminal-turned-author Mark “Chopper” Read, the film delves into the violent and complex life of its titular character.

Set in 1978 Victoria, the film introduces us to Mark “Chopper” Read (played by Eric Bana), an inmate at Pentridge Prison. Chopper’s reputation precedes him—he’s a violent criminal with a penchant for brutality. When he crosses a territorial line in the prison yard, a contract is put out on his life. Undeterred, Chopper recruits fellow inmates to lead a siege against rival criminals. His life is a constant struggle between survival, violence, and manipulation.

“Chopper” portrays the seedy underbelly of Melbourne’s criminal world. It exposes the power struggles, loyalty, and brutality that define this hidden society.

Chopper’s character is multifaceted. He oscillates between violence and vulnerability, revealing the psychological toll of his criminal life. The film challenges our perceptions of criminals as one-dimensional figures.

Chopper’s interactions with friends, enemies, and loved ones are fraught with tension. His loyalty wavers, and betrayal is a constant threat. The film explores the fragile bonds forged in a dangerous environment.

Eric Bana’s portrayal of Chopper is riveting. He captures the character’s volatility, charisma, and inner turmoil. Bana’s transformation into this notorious figure is both chilling and captivating.
Legacy and Reflection:

“Chopper” received positive reviews and has since gained a cult following. It remains a testament to the dark allure of true-crime stories.
As we witness Chopper’s violent escapades, we confront our fascination with antiheroes and the blurred lines between good and evil.

In summary, “Chopper” unflinchingly exposes the raw reality of crime, survival, and the human psyche. Eric Bana’s performance lingers, leaving us pondering the complexities of criminality.

Friday 15 March 2024

Heaven Knows Mr Alison (1957) 1.50pm Talking Pictures

“Heaven Knows, Mr. Allison,” directed by John Huston, is a captivating war film released in 1957. Set against the backdrop of World War II, it explores the unlikely bond between two stranded souls on a remote Pacific island.

The film introduces us to Corporal Allison (played by Robert Mitchum), a U.S. Marine, and Sister Angela (Deborah Kerr), an Irish nun. Both are marooned on the same Japanese-occupied island. As they struggle for survival, their contrasting backgrounds—Allison’s military toughness and Sister Angela’s unwavering faith—collide. Their relationship evolves from wary coexistence to a deep and unexpected connection.

The island becomes a microcosm of human interaction. Allison and Sister Angela, initially strangers, find solace in each other’s company. Their shared vulnerability transcends their individual roles.

Sister Angela’s unwavering faith contrasts with Allison’s skepticism. The film delves into the complexities of belief during times of crisis. Can faith endure in the face of hardship?

Sister Angela defies traditional gender roles. She is no damsel in distress but a resilient woman who adapts to her circumstances. The film challenges stereotypes about women’s strength and resilience.

Mitchum and Kerr deliver powerful performances. Their chemistry captures the gradual transformation of two disparate souls into confidants. Kerr’s portrayal of Sister Angela balances vulnerability and determination.
Legacy and Reflection:

“Heaven Knows, Mr. Allison” remains a hidden gem. Its exploration of survival, faith, and human connection resonates beyond its wartime setting.
As we witness Allison and Sister Angela navigate danger and uncertainty, we reflect on our own capacity for resilience and compassion.

“Heaven Knows, Mr. Allison” is a testament to the human spirit’s ability to find hope and companionship even in the darkest of times.

The Man In The White Suit (1951) 5.10pm Film4

“The Man in the White Suit,” directed by Alexander Mackendrick, is a satirical science fiction comedy film produced by Ealing Studios. Released in 1951, it stars Alec Guinness, Joan Greenwood, and Cecil Parker. The movie cleverly blends humor, drama, and social commentary.

The film introduces us to Sidney Stratton (Alec Guinness), an altruistic chemist with a vision. He invents a revolutionary fabric that resists wear, stains, and never gets dirty. This breakthrough could benefit humanity, but it threatens established garment manufacturers, big business, and labor unions. As Sidney’s invention gains attention, economic interests collide, leading to a battle over innovation versus profit.

Sidney’s fabric represents disruptive innovation. The film highlights how capitalism often prioritizes economic interests over societal benefits. Established industries fear change, even if it could improve lives.
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Sidney’s altruism clashes with the profit-driven motives of others. The film raises questions about the responsibility of inventors. Should they prioritize societal welfare or financial gain?

The conflict between Sidney’s invention and the garment industry mirrors broader labor struggles. The film critiques the power dynamics between workers, management, and corporate interests.

Guinness shines as Sidney Stratton. His portrayal captures the idealism, determination, and vulnerability of an inventor caught in a web of economic forces. His transformation from an eccentric scientist to a symbol of resistance is compelling.
Legacy and Reflection:

“The Man in the White Suit” remains relevant today. It reminds us that innovation can disrupt established norms and provoke resistance.
As we witness Sidney’s journey, we reflect on the delicate balance between progress, ethics, and economic realities. “The Man in the White Suit” is a witty exploration of invention, capitalism, and the human desire for progress

and finally, streaming

Channel 4 streaming

Walter Presents: Top Dog (season 2 avialable from Friday 15 March 2024)

“Walter Presents: Top Dog” returns with its highly anticipated second season. This Swedish series, created by Jens Lapidus, continues to explore the gritty world of crime, loyalty, and survival.

The series follows gangster Teddy (played by Alexej Manvelov) and lawyer Emily (Josefin Asplund). Last season, their lives were entangled in a cycle of helping and hurting each other. In this installment, local billionaire Paul Ahlborg’s electronics recycling plant project in Södertälje may have links to organized crime. Emily is tasked with handling the legal negotiations, but doing so requires betraying Teddy’s trust.

Meanwhile, Teddy’s nephew Nicola (Gustav Lindh) has managed to avoid a life of crime. However, when his best friend Chamon gets into trouble with a local gang, Nicola can’t resist helping. Tragedy strikes when Nicola witnesses Chamon’s murder, leading to his arrest. Emily negotiates his release, but Nicola mysteriously disappears. The desperate search for Teddy’s beloved nephew forces Emily to make a heart-wrenching decision.

Netflix

Turning Point: The Bomb And The Cold War (all 9 episodes from Tuesday 9 March 2024)

“Turning Point: The Bomb and the Cold War” is a gripping docuseries that delves into the tumultuous era of the Cold War. With firsthand accounts and access to prominent figures from around the world, this comprehensive exploration sheds light on the pivotal moments that shaped our global history.

The series spans nine episodes, each dissecting critical events, decisions, and personalities during the Cold War. From the development of nuclear weapons to espionage, proxy conflicts, and the delicate balance of power, “Turning Point” provides a nuanced perspective on this tense period.

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