Counter Culture

Welcome to Culture Vulture, your weekly entertainment guide from an alternative viewpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg. Highlights this week include the second season of House of The Dragon, the 2018 film Shoplifters, “Shoplifters” (2018) is a Japanese drama film directed by Hirokazu Kore-eda, portraying a family that relies on shoplifting to cope with poverty and Benedetta, a controversial psychological drama directed by Paul Verhoeven, starring Virginie Efira as Benedetta Carlini, a 17th-century nun who joins an Italian convent as a child and later has a lesbian love affair with another nun while experiencing religious visions.

Saturday 15th of June 2024

Space Patrol 9.50am Talking Pictures

Space Patrol is a British science-fiction television series produced in 1962 and broadcast from April 1963. It features marionettes and follows the adventures of Captain Larry Dart and his crew in the year 2100. They’re part of the United Galactic Organization (UGO), an interplanetary force formed by Earth, Mars, and Venus. Interestingly, the marionettes in Space Patrol incorporated some elements of Gerry Anderson’s Supermarionation technique, including synchronized mouth movements during dialogue. However, Anderson’s full Supermarionation style developed after his collaboration with Space Patrol creator Roberta Leigh.

The series has been unseen on British TV screens for over 50 years. The first episode, titled “The Swamps of Jupiter,” will air at 9:50 am1. The show follows Captain Dart and his crew as they investigate the loss of contact with a scientific base on Jupiter.

The Titfield Thunderbolt (1953) 12.30pm BBC2

“The Titfield Thunderbolt,” a charming British comedy from 1953, directed by Charles Crichton, offers more than just a light-hearted tale of a quaint village’s effort to save its railway line. Beneath its humorous exterior lies a rich tapestry of social and economic themes that resonate deeply, making it a film that both entertains and enlightens.

The plot follows the residents of the fictional village of Titfield as they rally to save their local railway line from closure. When the government decides to shut down the line due to unprofitability, the villagers, led by the resourceful vicar Sam Weech (George Relph) and the wealthy Walter Valentine (Stanley Holloway), take matters into their own hands. They acquire an old steam engine, the Titfield Thunderbolt, and attempt to run the line themselves, facing numerous challenges along the way.

One of the most prominent social themes in “The Titfield Thunderbolt” is the power of community. The film celebrates the unity and determination of the villagers as they come together to fight for a common cause. This theme highlights the importance of local initiatives and the strength found in collective action. The villagers’ diverse backgrounds and skills are crucial to their success, emphasizing that community spirit can overcome significant obstacles.

The film also portrays a nostalgic resistance to modernization and the encroaching industrialization that threatened many traditional ways of life in post-war Britain. The villagers’ attachment to their railway line symbolizes a broader desire to preserve local customs and heritage in the face of rapid technological advancement and bureaucratic decisions made by distant authorities. This resistance reflects a yearning to maintain a sense of identity and continuity amidst change.

Furthermore, the struggle between the villagers and the government bureaucracy reflects a classic David vs. Goliath scenario. The villagers’ success in running the railway line stands as a critique of the impersonal and often inefficient nature of large institutions. It underscores the idea that individuals and small communities can sometimes manage resources better than large, centralized bodies. This theme is a testament to the resilience and ingenuity that can flourish when people are motivated by personal investment and communal ties.

“The Titfield Thunderbolt” is a story about economic survival. The railway line is vital to the village’s economy, and its closure threatens the livelihoods of the residents. By taking over the railway, the villagers embody the spirit of local entrepreneurship and self-sufficiency. This theme resonates with contemporary discussions about the importance of supporting local businesses and economies, underscoring the necessity of grassroots efforts in sustaining local economic health.

The film also questions the notion that the value of a service should be measured solely by its profitability. The railway line, though not financially profitable, is invaluable to the social and economic fabric of Titfield. This theme challenges the capitalist emphasis on profit maximization, suggesting that some services should be preserved for their intrinsic community value rather than their economic returns. It invites viewers to consider the broader implications of valuing public goods and services beyond mere financial metrics.

Despite their initial resistance to change, the villagers demonstrate remarkable innovation and adaptability in their efforts to keep the railway running. They improvise, learn new skills, and find creative solutions to the challenges they face. This adaptability is a crucial economic theme, highlighting the importance of innovation in ensuring the survival and prosperity of small communities in changing times. It illustrates how necessity can drive resourcefulness and foster a spirit of innovation.

“The Titfield Thunderbolt” is a delightful film that offers much more than mere entertainment. Its exploration of social and economic themes makes it a thought-provoking piece that remains relevant today. Through its depiction of community spirit, resistance to modernization, and the struggle for economic survival, the film presents a timeless message about the power of local initiative and the value of preserving community heritage. In doing so, it not only provides laughs but also invites reflection on the enduring challenges faced by small communities in an ever-evolving world.

Dead Man’s Shoes (2004) 10.50pm Film4

“Dead Man’s Shoes,” directed by Shane Meadows and released in 2004, is a gripping psychological thriller that delves deep into the themes of revenge, guilt, and redemption. The film stands out for its raw emotional intensity and its unflinching portrayal of human frailty and the darker aspects of the human psyche. Through compelling performances and a stark, atmospheric setting, “Dead Man’s Shoes” leaves a lasting impact on its audience, making it a standout entry in British cinema.

The story follows Richard (Paddy Considine), a soldier who returns to his rural hometown in the Midlands of England. He comes back with a singular purpose: to avenge the torment and death of his mentally disabled brother, Anthony (Toby Kebbell). Richard’s quest for vengeance is methodical and relentless, targeting the gang of small-time drug dealers responsible for Anthony’s suffering. As Richard exacts his revenge, the film unravels the complex emotions and moral ambiguities that drive his actions.

Paddy Considine’s performance as Richard is nothing short of extraordinary. He brings a palpable intensity and vulnerability to the character, making Richard both terrifying and sympathetic. Considine’s portrayal captures the internal conflict between Richard’s grief-stricken humanity and his cold-blooded quest for vengeance. Toby Kebbell, in his breakout role as Anthony, delivers a heart-breaking performance that adds a poignant layer to the narrative. Kebbell’s portrayal of Anthony is both tender and haunting, providing the emotional core of the film.

“Dead Man’s Shoes” excels in its use of atmosphere and setting to enhance the story’s tension. The bleak, desolate landscapes of the Midlands serve as a fitting backdrop for the film’s dark themes. Meadows’ direction, coupled with Danny Cohen’s stark cinematography, creates a sense of foreboding and unease that permeates the film. The rural setting, with its rundown buildings and empty fields, mirrors the desolation and decay in the lives of the characters.

The film’s narrative structure is also noteworthy. Flashbacks to Anthony’s abuse are interwoven with the present-day scenes of Richard’s revenge, gradually revealing the full extent of the gang’s cruelty and Richard’s trauma. This non-linear storytelling adds depth to the characters and builds a sense of dread as the audience anticipates the inevitable confrontations.

At its heart, “Dead Man’s Shoes” is a meditation on the corrosive nature of vengeance and the possibility of redemption. Richard’s journey is driven by his need to right the wrongs done to his brother, but his actions raise questions about the moral cost of revenge. The film does not shy away from showing the brutal consequences of Richard’s actions, portraying violence in a raw and unglamorous manner. This stark portrayal forces the audience to confront the cyclical nature of violence and the toll it takes on both the perpetrator and the victim.

The film’s haunting score, composed by Clayhill and featuring songs by various artists, further enhances the emotional impact of the story. The music underscores the film’s melancholic tone and adds to the sense of tragedy that runs throughout the narrative.

In conclusion, “Dead Man’s Shoes” is a powerful and unsettling film that explores the depths of human emotion and the moral complexities of revenge. Shane Meadows’ direction, combined with standout performances from Paddy Considine and Toby Kebbell, creates a compelling and thought-provoking experience. The film’s atmospheric setting, non-linear narrative, and haunting score all contribute to its lasting impact. “Dead Man’s Shoes” is not just a story of vengeance, but a poignant examination of grief, guilt, and the search for redemption. It is a film that lingers in the mind long after the credits roll, a testament to its emotional and cinematic potency.

Sunday 16th of June 2024

The Fault In Our Stars (2014) 9pm BBC3

“The Fault in Our Stars,” directed by Josh Boone and released in 2014, is a poignant adaptation of John Green’s best-selling novel of the same name. The film captures the essence of teenage love and the profound struggles of living with a terminal illness. With its heartfelt performances, sensitive direction, and thoughtful screenplay, “The Fault in Our Stars” offers a moving experience that resonates with audiences of all ages.

The story centers on Hazel Grace Lancaster (Shailene Woodley), a sixteen-year-old girl living with thyroid cancer that has spread to her lungs, requiring her to use an oxygen tank. At a cancer support group, Hazel meets Augustus Waters (Ansel Elgort), a charming and witty seventeen-year-old who is in remission from osteosarcoma. Their connection is immediate, and they embark on a journey of love and self-discovery that takes them from Indianapolis to Amsterdam in search of the reclusive author Peter Van Houten (Willem Dafoe).

Shailene Woodley delivers an extraordinary performance as Hazel, portraying her with a blend of vulnerability, intelligence, and resilience. Woodley’s nuanced acting brings depth to Hazel’s character, capturing her fears, hopes, and the complex emotions she experiences as she navigates her illness and burgeoning relationship with Augustus. Ansel Elgort is equally compelling as Augustus, infusing the character with charisma and a zest for life that balances Hazel’s more sombre outlook. Together, their chemistry is palpable, making their love story both believable and deeply affecting.

The supporting cast also adds significant value to the film. Laura Dern, as Hazel’s supportive and loving mother, provides warmth and compassion, highlighting the strain and unconditional love inherent in parenting a child with a terminal illness. Sam Trammell, as Hazel’s father, and Nat Wolff, as Augustus’s best friend Isaac, offer strong performances that further enrich the narrative.

Josh Boone’s direction is sensitive and respectful, avoiding excessive melodrama and instead focusing on the genuine emotional experiences of the characters. The film’s pacing allows the relationship between Hazel and Augustus to develop naturally, giving the audience time to connect with their journey. Boone’s careful handling of the subject matter ensures that the film remains grounded and sincere, even when dealing with heavy themes such as death and suffering.

The screenplay, written by Scott Neustadter and Michael H. Weber, stays true to the spirit of John Green’s novel, preserving its wit, humour, and emotional depth. The dialogue is sharp and often poignant, capturing the unique voices of the characters while addressing profound philosophical questions about life, love, and mortality. The film’s ability to balance humour and heartbreak is one of its greatest strengths, providing moments of levity amidst the heavier emotional beats.

Visually, “The Fault in Our Stars” is beautifully crafted. Ben Richardson’s cinematography captures the serene beauty of everyday moments, contrasting the ordinary settings with the extraordinary experiences of the characters. The scenes set in Amsterdam are particularly striking, with the city’s picturesque canals and historic architecture serving as a backdrop for some of the film’s most memorable and emotional moments.

The soundtrack, featuring songs by artists such as Ed Sheeran, Birdy, and Lykke Li, complements the film’s tone and enhances its emotional impact. The music underscores key scenes, adding an additional layer of resonance to the story’s most touching and pivotal moments.

“The Fault in Our Stars” is a heartfelt and beautifully crafted film that offers a tender exploration of love and mortality. Its success lies in its authentic portrayal of complex emotions and its ability to find beauty and hope in the face of tragedy. Shailene Woodley and Ansel Elgort’s captivating performances, combined with sensitive direction and a thoughtful screenplay, make this film a memorable and moving experience. “The Fault in Our Stars” is not just a love story, but a profound meditation on the fragility of life and the enduring power of human connection.

Paris, Texas (1984) 12.55am Film4

“Paris, Texas,” directed by Wim Wenders and released in 1984, is a masterpiece of cinema that delves deep into themes of loss, identity, and redemption. The film, which won the Palme d’Or at the Cannes Film Festival, is a poignant exploration of broken relationships and the quest for reconciliation, told through a visually stunning and emotionally resonant narrative.

The story begins with Travis Henderson (Harry Dean Stanton), a silent and amnesiac drifter, who is found wandering the Texas desert after being missing for four years. His brother, Walt (Dean Stockwell), retrieves him and brings him back to Los Angeles, where Travis slowly starts to reconnect with his past, including his young son, Hunter (Hunter Carson). Together, Travis and Hunter embark on a journey to find Hunter’s mother, Jane (Nastassja Kinski), leading to a deeply moving and cathartic conclusion.

Harry Dean Stanton’s performance as Travis is nothing short of extraordinary. His portrayal of a man broken by past traumas is both subtle and powerful, capturing the character’s inner turmoil and gradual awakening. Stanton’s expressive face and minimalist acting style convey a profound sense of loss and longing, making Travis one of the most memorable characters in cinema. Nastassja Kinski’s performance as Jane is equally compelling, bringing a sense of vulnerability and strength to the role that complements Stanton’s performance perfectly.

The film’s visual style, crafted by cinematographer Robby Müller, is one of its most distinctive features. The expansive landscapes of the American Southwest are captured in breathtaking detail, highlighting the isolation and desolation that mirror Travis’s internal state. The use of color and light throughout the film enhances the emotional tone of each scene, creating a visual poetry that is both haunting and beautiful.

Wim Wenders’ direction is masterful, allowing the story to unfold at a deliberate and contemplative pace. The film’s structure, with its long takes and unhurried editing, gives the audience time to absorb the characters’ emotions and the stark beauty of the landscapes. Wenders’ focus on visual storytelling, combined with the sparse and evocative dialogue written by Sam Shepard, creates a deeply immersive and meditative experience.

The film’s soundtrack, composed by Ry Cooder, is another standout element. The haunting slide guitar score perfectly complements the film’s mood, adding an additional layer of melancholy and introspection. The music underscores the emotional journey of the characters, enhancing the sense of longing and nostalgia that permeates the film.

“Paris, Texas” is a film that explores complex themes with a remarkable sense of empathy and humanity. At its core, it is a story about the search for connection and the possibility of redemption. Travis’s journey is one of self-discovery and reconciliation, both with his past and with his family. The film’s exploration of broken relationships and the possibility of healing is both heart-wrenching and hopeful, leaving a lasting impact on the viewer.

The film also delves into the theme of identity, particularly the struggle to reconcile one’s past with the present. Travis’s amnesia and subsequent rediscovery of his identity serve as a powerful metaphor for the human condition, highlighting the ways in which people must come to terms with their past in order to move forward. The titular “Paris, Texas,” a small and seemingly insignificant town, symbolizes the elusive nature of the American Dream and the search for meaning in a vast and indifferent landscape.

“Paris, Texas” is a haunting and beautifully crafted film that stands as a testament to the power of cinema to explore the depths of human emotion. With its exceptional performances, stunning visuals, and evocative soundtrack, the film offers a profound and meditative experience that lingers long after the credits roll. Wim Wenders’ direction and Harry Dean Stanton’s unforgettable performance make “Paris, Texas” a timeless classic, a film that speaks to the universal themes of loss, redemption, and the enduring quest for connection.

Monday 17th of June 2024

House Of The Dragon 9pm Sky Atlantic

House of the Dragon is an American fantasy drama television series created by George R. R. Martin and Ryan Condal for HBO. It serves as a prequel to Game of Thrones and is based on Martin’s book Fire & Blood. The show delves into the internal succession war within House Targaryen, set 172 years before the birth of Daenerys Targaryen. The series explores the Targaryen dynasty’s power struggles, dragon control, and the events leading up to a gruesome civil war.

The second season of House of the Dragon has received positive reviews ahead of its premiere. Critics praise its compelling storytelling, character development, and epic dragon fights. Expect intense drama, shocking deaths, and a deeper exploration of Targaryen intrigue!

Stan & Ollie (2018) 11.40pm BBC1

“Stan & Ollie,” directed by Jon S. Baird and released in 2018, is a tender and affectionate biographical film that chronicles the later years of the iconic comedy duo Stan Laurel and Oliver Hardy. With outstanding performances, especially from Steve Coogan and John C. Reilly, the film provides a touching exploration of friendship, resilience, and the bittersweet realities of fame.

Set in the twilight of their career, “Stan & Ollie” focuses on Laurel and Hardy’s 1953 tour of the United Kingdom, a period when their glory days in Hollywood were behind them. The film begins with a glimpse of the duo at the height of their success in the 1930s, but swiftly transitions to their struggling tour, highlighting their attempts to rekindle their stardom. The tour serves as a backdrop for examining their enduring friendship and professional partnership, despite the personal and health challenges they face.

Steve Coogan, as Stan Laurel, delivers a remarkable performance, capturing the essence of Laurel’s creativity, dedication, and underlying melancholy. Coogan’s portrayal is nuanced, showing both the comedic brilliance and the emotional depth of Laurel’s character. John C. Reilly, as Oliver Hardy, is equally impressive, disappearing into the role with the help of transformative makeup and prosthetics. Reilly brings warmth, vulnerability, and a quiet dignity to Hardy, depicting his struggle with declining health and the weight of past successes.

The chemistry between Coogan and Reilly is the heart and soul of the film. Their dynamic on-screen captures the magic of Laurel and Hardy’s partnership, reflecting the deep bond and mutual respect that sustained them through their career highs and lows. The film’s most poignant moments are those that reveal the genuine affection and loyalty between the two men, transcending the comedic personas for which they were famous.

Jon S. Baird’s direction strikes a careful balance between comedy and drama, allowing the humor of Laurel and Hardy’s routines to shine while also delving into the more serious aspects of their lives. The film’s pacing is steady, with a focus on character development and the nuances of their relationship rather than on rapid plot progression. This approach gives the audience time to connect with the characters and appreciate the emotional layers of their story.

The screenplay, written by Jeff Pope, is sensitive and respectful, capturing the wit and charm of Laurel and Hardy’s humor while also addressing the complexities of their personal and professional lives. The dialogue is sharp and often poignant, reflecting the duo’s enduring wit and the bittersweet reality of their final years together.

Visually, “Stan & Ollie” excels in recreating the 1950s era, with meticulous attention to detail in the costumes, sets, and locations. The film’s production design immerses the audience in the post-war British landscape, contrasting the glamour of Hollywood with the more modest settings of their tour. Cinematographer Laurie Rose uses a warm and nostalgic palette, enhancing the film’s sentimental tone.

The film’s score, composed by Rolfe Kent, complements the narrative beautifully, blending playful and melancholic themes that mirror the duo’s journey. The music underscores key emotional moments, adding depth to the film’s exploration of friendship and legacy.

“Stan & Ollie” is a heartfelt and beautifully crafted tribute to two of the greatest comedians in cinematic history. It is a film that honours the legacy of Laurel and Hardy by delving into the human story behind their iconic act. Through outstanding performances, sensitive direction, and a thoughtful screenplay, “Stan & Ollie” provides a poignant and affectionate look at the complexities of friendship, the passage of time, and the enduring impact of comedy.

In conclusion, “Stan & Ollie” is more than just a biographical film; it is a celebration of the resilience and enduring bond between two legendary performers. Steve Coogan and John C. Reilly’s captivating performances, combined with Jon S. Baird’s nuanced direction, make this film a touching and memorable homage to the legacy of Laurel and Hardy. It is a film that will resonate with fans of the duo and newcomers alike, offering a touching reminder of the power of laughter and the strength of true friendship.

Shoplifters (2018) 1.10am Film4

Shoplifters (2018), directed by Hirokazu Kore-eda, is a multi-layered exploration of poverty, survival, and the human condition. Set in Japan, the film introduces a family of loveable criminals living on the edges of society. Money is scarce, and they resort to shoplifting for survival. When they take in a little girl subjected to abuse, they view themselves as saviours. The film delves into classism, capitalism, and the disappearance of the middle class. Kore-eda’s storytelling brings forth a visual representation of growing economic inequality, asking what people choose to sacrifice when faced with adversity.

Tuesday 18th of May 2024

A.I. Revolution 7.25pm PBS America

A.I. Revolution is a NOVA documentary that explores the promise and perils of new artificial intelligence (A.I.) technologies. Premiering on March 27, 2024, it delves into how researchers are using A.I. to tackle significant challenges in fields like medicine and climate change. The show raises questions about whether we can harness A.I.’s power without creating an uncontrollable force that could ultimately harm us.

Only You (2018) 11.05pm BBC2

“Only You,” directed by Harry Wootliff and released in 2018, is a deeply affecting romantic drama that explores the complexities of love, age differences, and the longing for a family. The film stands out for its honest portrayal of a relationship tested by time and circumstances, offering a refreshingly raw and nuanced depiction of contemporary romance.

The story centers on Elena (Laia Costa) and Jake (Josh O’Connor), who meet by chance on New Year’s Eve in Glasgow. Despite a significant age difference—Elena is 35 and Jake is 26—they quickly fall in love and move in together. As their relationship deepens, they begin to confront the pressures and challenges of trying to start a family, a journey that tests their bond in profound ways.

Laia Costa’s performance as Elena is mesmerizing. She brings a captivating blend of strength, vulnerability, and authenticity to the role, making Elena’s emotional struggles deeply relatable. Costa captures the nuances of a woman grappling with her desires and insecurities, especially regarding the pressure to conceive. Her chemistry with Josh O’Connor is palpable, adding a layer of believability to their on-screen relationship.

Josh O’Connor, as Jake, delivers an equally compelling performance. His portrayal of a younger man deeply in love but also facing the realities of a serious relationship is both heartfelt and genuine. O’Connor brings warmth, sensitivity, and an endearing awkwardness to Jake, making his character’s journey and growth throughout the film engaging and authentic.

Wootliff’s direction is sensitive and intimate, allowing the story to unfold naturally without resorting to melodrama. The film’s pacing is deliberate, giving the audience time to fully engage with the characters and their evolving relationship. The use of close-up shots and handheld camera work creates a sense of immediacy and intimacy, drawing viewers into the personal space of Elena and Jake.

The screenplay, co-written by Wootliff and Matt Greenhalgh, is both sharp and tender, capturing the realistic dialogue and emotional depth of the characters. The script does an excellent job of addressing the complexities of age differences, fertility issues, and the societal expectations placed on relationships and parenthood. The conversations between Elena and Jake feel genuine and unforced, reflecting the natural ebb and flow of a real-life relationship.

Visually, “Only You” is beautifully shot, with the city of Glasgow providing a vibrant and authentic backdrop to the story. Cinematographer Shabier Kirchner uses natural light and muted color palettes to enhance the film’s realistic tone. The cinematography, combined with a thoughtfully composed soundtrack, complements the emotional landscape of the characters, adding to the film’s immersive quality.

The film’s exploration of the pressures and struggles surrounding fertility is particularly poignant. It handles the topic with sensitivity and honesty, depicting the emotional toll it takes on both partners. This aspect of the story is not often portrayed with such depth in romantic dramas, making “Only You” a significant and refreshing entry in the genre.

“Only You” is a film that doesn’t shy away from the messiness and imperfections of real love. It delves into the fears, hopes, and disappointments that come with a serious relationship, especially one complicated by societal expectations and personal insecurities. The film’s strength lies in its ability to portray these experiences with empathy and authenticity, making the audience deeply invested in Elena and Jake’s journey.

“Only You” is a poignant and beautifully crafted film that offers a realistic portrayal of modern love. Laia Costa and Josh O’Connor’s outstanding performances, combined with Harry Wootliff’s sensitive direction and a compelling screenplay, make this film a touching exploration of romance, identity, and the longing for a family. It is a story that resonates with the complexities of real-life relationships, offering a heartfelt and genuine depiction of love’s challenges and triumphs.

Wednesday 19th of June 2024

Benedetta (2021) 1.55am 4

“Benedetta,” directed by Paul Verhoeven and released in 2021, is a daring and provocative historical drama that delves into the complexities of faith, power, and sexuality. Based on the book “Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy” by Judith C. Brown, the film tells the controversial story of Benedetta Carlini, a 17th-century nun who claimed to have visions and engaged in a forbidden love affair. With its fearless exploration of taboo subjects and its striking visual style, “Benedetta” is a thought-provoking and visually arresting cinematic experience.

The story centers on Benedetta Carlini (Virginie Efira), who joins a convent in Pescia, Tuscany, as a young girl. As she grows older, Benedetta experiences intense religious visions and miracles, which bring her both reverence and scrutiny from the Church. Her life takes a dramatic turn when she meets and falls in love with Bartolomea (Daphné Patakia), a young novice who has fled an abusive home. Their passionate and illicit relationship unfolds against the backdrop of religious fervor and institutional power struggles.

Virginie Efira delivers a captivating performance as Benedetta, embodying the character’s complexity with a blend of fervor, vulnerability, and determination. Efira’s portrayal is multifaceted, capturing Benedetta’s genuine spiritual experiences and her carnal desires with equal intensity. Her chemistry with Daphné Patakia, who plays Bartolomea, is palpable and charged with emotion, adding depth to their forbidden romance.

Patakia’s performance as Bartolomea is equally compelling. She brings a raw and earthy quality to the role, portraying Bartolomea’s journey from fear and desperation to love and defiance with authenticity and passion. The relationship between Benedetta and Bartolomea is the emotional core of the film, and both actresses navigate its complexities with nuance and sensitivity.

Paul Verhoeven’s direction is bold and unapologetic, tackling the film’s provocative themes head-on. Known for his ability to blend eroticism with social commentary, Verhoeven uses his trademark style to challenge the audience’s perceptions of piety, power, and desire. The film’s tone shifts seamlessly between moments of intense drama, dark humor, and eroticism, creating a dynamic and engaging narrative.

“Benedetta” is visually stunning, with meticulous attention to period detail and a rich, atmospheric aesthetic. Cinematographer Jeanne Lapoirie captures the beauty and austerity of the convent setting, using light and shadow to enhance the film’s dramatic tension. The production design and costumes are equally impressive, immersing the audience in the world of 17th-century Italy.

The film’s screenplay, co-written by Verhoeven and David Birke, is intelligent and layered, exploring the intersections of religion, sexuality, and power with nuance and insight. The dialogue is sharp and thought-provoking, often revealing the characters’ inner conflicts and the broader societal tensions at play. The script does not shy away from controversial subject matter, instead using it to provoke critical reflection on the nature of faith and authority.

“Benedetta” also features a powerful score by Anne Dudley, which underscores the film’s emotional and thematic depth. The music enhances the film’s atmosphere, adding an additional layer of intensity to the narrative.

One of the film’s strengths is its ability to provoke and challenge. “Benedetta” is not content with simply telling a historical story; it engages with contemporary issues of gender, sexuality, and institutional power, making it a resonant and timely piece of cinema. Verhoeven’s fearless approach ensures that the film remains thought-provoking and relevant, prompting viewers to question their own beliefs and assumptions.

“Benedetta” is a provocative and visually stunning film that offers a bold exploration of faith, desire, and power. Virginie Efira and Daphné Patakia deliver outstanding performances, bringing depth and authenticity to their complex characters. Paul Verhoeven’s direction, combined with a compelling screenplay and striking cinematography, makes “Benedetta” a memorable and thought-provoking cinematic experience. It is a film that challenges, provokes, and ultimately resonates, offering a fearless and multifaceted portrayal of a controversial historical figure.

Thursday 20th June 2024

The Storm Trooper Scandal 9pm BBC2

This excellent documentary tells the story of London art curator Ben Moore and his Art Wars NFT project, which involved the sale of over 1,100 Stormtrooper helmets as NFTs. However, investors were unaware that the sale was built on empty promises. The show sheds light on the intersection of art, technology, and financial deception.

The Movement and the “Madman” 10.50pm PBS America

This explores two anti-war protests in the fall of 1969, which were the largest the country had ever seen. These protests pressured President Nixon to cancel his “madman” plans for a massive escalation of the U.S. war in Vietnam, including a threat to use nuclear weapons. Through remarkable archival footage and first-hand accounts from movement leaders, the film reveals how disparate groups mobilized coast-to-coast to create these massive protests that changed history

Friday 21st of June 2024

Dispatches: Rubbish Tip Britain 8pm C4

“Rubbish Tip Britain: Dispatches” is a documentary that delves into the lucrative world of waste crime. It exposes how banned waste has been dumped for years in a major landfill site, seemingly unnoticed by the authorities, while posing a risk to human health.

Studio 54 9pm BBC4

“Studio 54” is a documentary that delves into the fascinating history of one of the world’s most iconic nightclubs. Ian Schrager, one of the two people behind the infamous Studio 54, narrates the in-depth story of how this legendary nightclub was created. The documentary provides insights into the glamour, excess, and cultural impact of Studio 54 during its heyday. If you’re interested, you can also watch it on BBC iPlayer.

And finally streaming: Black Barbie, is available on Netflix from Wednesday, 20th of June , 2024. “Black Barbie,” a new Netflix documentary set to premiere on June 19, 2024, dives into the history and cultural significance of the first Black Barbie doll, introduced in 1980. Produced by Shondaland and directed by Lagueria Davis, the documentary celebrates the pivotal role three Black women at Mattel played in bringing this iconic doll to life.

The film traces the journey of Beulah Mae Mitchell, Kitty Black Perkins, and Stacey McBride-Irby, who championed the creation of a Barbie doll that reflected their own images and experiences. By exploring their stories, “Black Barbie” highlights the importance of representation in children’s toys and how these dolls have influenced identity and imagination for generations of Black girls​.

“Black Barbie” not only chronicles the creation of the doll but also delves into the broader impact of Black dolls on civil rights and Black entrepreneurship. It juxtaposes the legacy of these trailblazing women at Mattel with the stories of contemporary Black women honored with their own Barbie dolls, providing a rich narrative on the evolution of the Barbie brand and its cultural ramifications​.

The documentary, enhanced by interviews and archival footage, underscores the significance of diverse representation in media and toys. It also features reflections from celebrities and fans, celebrating over 70 years of Black culture and its intersection with the world of Barbie dolls​.

On ITVX, Before We Was We: Madness By Madness. All three episodes available from Thursday, 20th of June 2024. “Before We Was We: Madness By Madness,” a three-part documentary series on ITVX, provides an in-depth look at the legendary British ska band Madness. Adapted from the band’s biography of the same name, this series chronicles their rise from the streets of Camden Town to the heights of fame in the music world.

Directed by Ben Timlett and Bill Jones, the series presents a vivid portrayal of the band’s early days, capturing the essence of 1970s and 1980s London. Through original footage and interviews with band members like Suggs, Mike Barson, and Lee Thompson, the documentary offers personal anecdotes and reflections on their journey. These narratives are set against the backdrop of significant cultural and political changes in post-war Britain, highlighting how these influences shaped the band’s music and identity​​.

The series is divided into three episodes: “Oh What Fun We Had,” “They Called It Madness,” and “One Step Beyond.” Each episode delves into different aspects of the band’s history, from their formation and early struggles to their breakthrough and enduring legacy. The documentary doesn’t just focus on their successes but also explores the challenges they faced, providing a comprehensive view of their path to becoming icons in the music industry​.

“Before We Was We: Madness By Madness” is not just a celebration of the band’s music but also a poignant look at their impact on British culture. It is a must-watch for fans of Madness and those interested in the cultural history of the UK​ (AMC Networks Inc.)​​ (AMC Studios International)​.

Picture credits

Space Patrol
By programme screenshot, Fair use, https://en.wikipedia.org/w/index.php?curid=26178105
The Titfield Thunderbolt (1953)
By The poster art can or could be obtained from General Film Distributors (UK)Universal (USA)., Fair use, https://en.wikipedia.org/w/index.php?curid=17379841
Dead Man’s Shoes (2004)
By May be found at the following website: IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=35824330
The Fault In Our Stars (2014)
By KINOMANIA.RU, Fair use, https://en.wikipedia.org/w/index.php?curid=47781496
Paris, Texas (1984) 12.55am Film4
By Roger Ebert, Fair use, https://en.wikipedia.org/w/index.php?curid=57044561
House Of The Dragon
By HBO Television – https://static.hbo.com/2022-06/house-of-the-dragon-logo-2054×300.png, Public Domain, https://commons.wikimedia.org/w/index.php?curid=123270422
Stan & Ollie (2018)
Only You (2018)
By Curzon Artificial Eye – https://www.imdb.com/title/tt7531138/mediaviewer/rm3482677760, Fair use, https://en.wikipedia.org/w/index.php?curid=62477626
Benedetta (2021)
By SBS Productions and Pathé – http://www.pathefilms.com/film/benedetta, Fair use, https://en.wikipedia.org/w/index.php?curid=67588633
Studio 54
By Studio 54 – This vector image was created by converting the Encapsulated PostScript file available at Brands of the World (view • download).Remember not all content there is in general free, see Commons:Fair use for more.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=103054049