Counter Culture

6,237 words, 33 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Highlights this week include: “Saturday Night Fever” which is often remembered for its disco music and dance scenes, but beneath the surface, delivers a gritty social commentary on the struggles of identity, class, and masculinity in 1970s Brooklyn. “Kill Zone: Inside Gaza”, a powerful documentary that examines the toll of Israel’s military campaign on Gaza, seen through the eyes of children, journalists, and doctors. And, D-Day: Secrets of the Frontline Heroes, a compelling documentary that explores the stories of filmmakers who documented the D-Day Landings during World War II. Selections and writing is by Pat Harrington and music is from Tim Bragg.

Saturday 25th of May 2024

Doctor Who (four of eight): 73 Yards 6.50pm BBC1

In this episode, the TARDIS lands on the Welsh coast, where villagers live in fear of ancient legends coming to life. The Doctor and Ruby embark on a strange journey, encountering mysterious events and facing an enigmatic villain. Rain-lashed pubs, locals on edge, and the promise of adventure—sounds like classic Doctor Who

Becoming…The Doctor 8.05pm BBC3

Becoming…The Doctor is a fascinating exploration of how actors approach the iconic role of The Doctor in the long-running science fiction series Doctor Who. As Ncuti Gatwa embarks on his first full series as the fifteenth Doctor, this special program delves into the creative process and the challenges faced by those who step into the TARDIS.

D-Day: Secrets Of The Frontline Heroes 8.20pm Channel 4

D-Day: Secrets of the Frontline Heroes is a compelling documentary that explores the stories of filmmakers who documented the D-Day Landings during World War II. These filmmakers captured thousands of photos and hundreds of hours of footage from Normandy, ensuring that the heroic actions of the soldiers would be immortalized.

Do The Right Thing (1989) 12.20am BBC2

Spike Lee’s 1989 film “Do The Right Thing” is an incendiary, thought-provoking, and culturally significant piece of cinema that continues to resonate with audiences decades after its release. Set in the Bedford-Stuyvesant neighbourhood of Brooklyn on the hottest day of the summer, the film masterfully explores racial tensions, social justice, and community dynamics through the lens of a single, intense day.

The narrative centres around Mookie (played by Spike Lee himself), a young African American man working as a pizza delivery guy for Sal’s Famous Pizzeria, owned by the Italian-American Sal (Danny Aiello). As the heatwave amplifies the simmering racial animosities, a series of events escalate into a violent confrontation, forcing the characters—and the audience—to confront the harsh realities of racism and the consequences of unresolved conflict.

One of the film’s most remarkable achievements is its ensemble cast, featuring powerful performances from Ossie Davis, Ruby Dee, Giancarlo Esposito, John Turturro, and Rosie Perez. Each character is meticulously crafted, representing a spectrum of perspectives within the community. Danny Aiello’s portrayal of Sal is particularly noteworthy, embodying a complex figure who is both sympathetic and flawed.

Spike Lee’s direction is bold and unapologetic, using vibrant cinematography, dynamic camera angles, and a pulsating soundtrack, including Public Enemy’s “Fight the Power,” to create a visceral and immersive experience. The film’s visual style and kinetic energy serve to heighten the tension, drawing viewers into the sweltering, oppressive atmosphere of the neighbourhood.

“Do The Right Thing” is a film about the consequences of prejudice and the importance of understanding and empathy. Lee does not provide easy answers or clear-cut heroes and villains; instead, he presents a nuanced depiction of human behaviour and societal issues. The climactic riot and the subsequent destruction of Sal’s pizzeria serve as a powerful commentary on the cyclical nature of violence and the urgent need for dialogue and reconciliation.

The film’s open-ended conclusion, featuring quotes from Martin Luther King Jr. and Malcolm X, underscores its central message: the struggle for racial equality and justice is complex and multifaceted, requiring both peaceful resistance and, at times, more forceful measures. This duality challenges viewers to reflect on their own beliefs and the actions they are willing to take to “do the right thing.”

“Do The Right Thing” is a landmark film that remains profoundly relevant. Its unflinching exploration of racial dynamics and its call for social justice make it an essential watch for anyone seeking to understand the complexities of race relations in America. Spike Lee’s visionary work not only captures a moment in time but also serves as a timeless reminder of the ongoing fight against racial inequality.

Close (2022) 9pm BBC4

“Close,” directed by Lukas Dhont, is a poignant and beautifully crafted exploration of friendship, adolescence, and the emotional complexities of growing up. This 2022 film captures the tender, often fragile, nature of relationships through the lens of two 13-year-old boys, Leo (Eden Dambrine) and Remi (Gustav De Waele), whose close bond is tested by societal pressures and personal insecurities.

The story revolves around Leo and Remi, whose friendship is depicted with a rare and genuine intimacy. They share a world of their own, full of playfulness, mutual support, and an unspoken understanding that transcends words. However, as they start a new school year, the intensity of their friendship attracts unwanted attention and teasing from their peers, leading to a painful rift.

Dhont’s direction is subtle and sensitive, allowing the natural performances of the young actors to shine. Eden Dambrine and Gustav De Waele deliver extraordinary portrayals, capturing the innocence and vulnerability of their characters. Their chemistry is palpable, making the emotional journey they undertake deeply affecting and authentic.

The cinematography by Frank van den Eeden is another standout aspect of “Close.” The lush, immersive visuals create a vivid backdrop that enhances the film’s emotional depth. The use of close-ups and natural lighting further draws viewers into the intimate world of Leo and Remi, making their joys and sorrows feel immediate and personal.

Music plays a crucial role in the film, with Valentin Hadjadj’s score complementing the narrative’s emotional arcs. The sound design is carefully crafted to underscore the tension and tenderness of the boys’ relationship, adding another layer of richness to the viewing experience.

“Close” is more than just a coming-of-age story; it is a meditation on the societal expectations that shape our interactions and the sometimes devastating impact they can have on young lives. The film does not shy away from the pain and confusion that come with growing up, but it also highlights the beauty and resilience found in deep connections.

One of the film’s strengths is its restraint. Dhont avoids melodrama, instead opting for a realistic portrayal of the boys’ experiences. This approach allows the film to delve into the subtleties of their emotions, presenting a nuanced view of friendship and identity.

“Close” is a film that lingers long after the credits roll. Its exploration of friendship is universal, yet deeply personal, making it a relatable and thought-provoking piece of cinema. Lukas Dhont’s sensitive storytelling, combined with the remarkable performances of its young leads, makes “Close” a memorable and moving film that resonates on multiple levels.

“Close” is a masterfully crafted film that captures the essence of childhood friendship and the challenges of growing up. Its emotional honesty and visual beauty make it a standout film of 2022, marking Lukas Dhont as a director to watch. For anyone who has experienced the complexities of friendship and the pains of adolescence, “Close” is a must-see.

Sunday 26th of May 2024

Saturday Night Fever (1977) 12am C4

“Saturday Night Fever,” directed by John Badham and released in 1977, is much more than a disco-infused cultural phenomenon; it’s a deeply layered film that explores significant social themes through the story of a young man navigating the challenges of life in Brooklyn. Starring John Travolta in a career-defining role as Tony Manero, the film captures the vibrant yet gritty atmosphere of the 1970s and delves into themes of identity, aspiration, and the struggle for self-worth.

At its core, “Saturday Night Fever” is a character study of Tony Manero, a 19-year-old Italian-American who works a dead-end job in a paint store by day and transforms into a disco king by night. The film vividly portrays Tony’s life in Bay Ridge, a working-class neighbourhood where dreams are stifled by economic and social constraints. Travolta’s magnetic performance brings depth to Tony, showcasing his charm, vulnerabilities, and inner conflicts.

One of the film’s central social themes is the search for identity and purpose. Tony’s weekends at the disco offer a temporary escape from the mundanity of his daily life and the pressures of his traditional family. The dance floor becomes a place where he can express himself freely and feel a sense of accomplishment and recognition. This quest for identity is further complicated by his relationships, particularly with Stephanie (Karen Lynn Gorney), who represents the possibility of a life beyond Brooklyn and inspires Tony to aspire for more.

“Saturday Night Fever” also tackles issues of class and socio-economic struggle. Tony and his friends grapple with the limited opportunities available to them, reflecting the broader frustrations of a generation coming of age in a time of economic stagnation. The film doesn’t shy away from showing the harsh realities of their environment, including the violence, sexism, and racism that permeate their lives. These elements are portrayed with a raw honesty that gives the film a gritty authenticity.

The theme of aspiration versus reality is poignantly depicted in Tony’s interactions with Stephanie. She represents a different world, one of ambition and self-improvement, which starkly contrasts with Tony’s more resigned acceptance of his lot in life. Their relationship highlights the tension between the desire to break free from one’s circumstances and the fear of the unknown.

Another significant social theme is the exploration of masculinity and the pressures it imposes. Tony’s sense of self-worth is tied to his physicality and his prowess on the dance floor, a reflection of the hyper-masculine culture of his peer group. The film critiques this narrow definition of masculinity, showing how it traps Tony and his friends in cycles of aggression and emotional repression.

The soundtrack, featuring the Bee Gees’ iconic hits, is integral to the film’s impact, capturing the spirit of the disco era and enhancing the emotional resonance of Tony’s journey. Songs like “Stayin’ Alive” and “Night Fever” are more than just background music; they are anthems of resilience and the quest for a better life.

In conclusion, “Saturday Night Fever” is a film that transcends its surface as a dance movie to offer a rich, multifaceted exploration of social themes. Through Tony Manero’s story, the film delves into issues of identity, class, aspiration, and masculinity, painting a vivid picture of 1970s urban life. John Travolta’s compelling performance, combined with John Badham’s direction and the unforgettable soundtrack, makes “Saturday Night Fever” a powerful and enduring work that resonates with audiences beyond its era.

Memento (2000) 12.20am BBC2

Christopher Nolan’s “Memento” (2000) is a mind-bending thriller that masterfully explores the intricacies of memory, identity, and revenge. Anchored by a compelling performance from Guy Pearce as Leonard Shelby, a man suffering from short-term memory loss, the film’s unique narrative structure and innovative storytelling set it apart as a modern classic.

“Memento” begins with an unforgettable opening scene, shown in reverse, which immediately immerses the audience in Leonard’s disoriented perspective. Leonard’s quest to find his wife’s killer is complicated by his inability to form new memories, relying instead on Polaroid photographs, tattoos, and handwritten notes to piece together his fragmented reality. This nonlinear narrative, moving backward in time, challenges viewers to piece together the story alongside Leonard, creating an engaging and immersive experience.

Guy Pearce delivers a nuanced performance, capturing the vulnerability and determination of a man driven by grief and a desperate need for justice. His portrayal of Leonard is both sympathetic and complex, making the audience question the reliability of his perspective and the true nature of his quest. Pearce’s performance is complemented by strong supporting roles, particularly from Joe Pantoliano as Teddy, a seemingly friendly but suspicious character, and Carrie-Anne Moss as Natalie, who has her own ambiguous motives.

The film’s structure is its most distinctive feature. Nolan deftly interweaves two timelines: one moving forward in black and white, depicting Leonard’s interactions and discoveries, and the other moving backward in colour, revealing the events leading up to the film’s beginning. This dual narrative approach not only mirrors Leonard’s disoriented experience but also creates a sense of suspense and intrigue, as each scene peels back another layer of the story.

Cinematographer Wally Pfister’s work is crucial in establishing the film’s mood and tone. The contrasting visual styles of the two timelines enhance the narrative complexity, while the use of close-ups and fragmented shots reflect Leonard’s fractured state of mind. David Julyan’s haunting score further amplifies the film’s tension and emotional depth.

“Memento” delves into profound themes, questioning the nature of memory and identity. It explores how our perceptions and recollections shape our reality, and how the human desire for closure and meaning can lead to self-deception. The film’s ending is both shocking and thought-provoking, forcing viewers to reconsider everything they have seen and the reliability of Leonard’s memories.

“Memento” is a ground-breaking film that showcases Christopher Nolan’s ingenuity as a storyteller and director. Its inventive narrative structure, combined with powerful performances and a deep exploration of memory and identity, makes it a captivating and intellectually stimulating experience. “Memento” is not just a thriller; it is a profound meditation on the fragility of the human mind and the elusive nature of truth.

Monday 27 May 2024

Dispatches: Kill Zone – Inside Gaza 9pm Channel 4

Kill Zone: Inside Gaza is a powerful documentary that sheds light on the Israeli military assault on Gaza. The program, part of the Dispatches series, provides an unflinching look at the challenges and heartbreaking loss experienced during this conflict.

The documentary presents the events through the eyes of children, journalists, and doctors, offering a unique perspective on the impact of war. It’s a sobering exploration of the human cost and the resilience of those caught in the midst of violence. Tune in to gain a deeper understanding of the situation in Gaza and the lives affected by this conflict.

Cumbria’s Red Squirrels 9pm BBC4

Cumbria’s Red Squirrels is a captivating documentary that follows these delightful creatures throughout the seasons, revealing the efforts of the dedicated individuals who work tirelessly to ensure their survival.

In this educational film, you’ll witness native red squirrels within the Lake District National Park and Cumbria. Scientists, rangers, conservationists, and locals all contribute their voices to protect and conserve this endangered species.

If you’re passionate about wildlife and want to learn more about the plight of these charming creatures, be sure to tune in. And don’t worry if you miss the broadcast—it’ll be available on BBC iPlayer shortly after airing.

Hope And Glory (1987) 10pm BBC2

John Boorman’s “Hope and Glory” (1987) is a nostalgic yet incisive exploration of childhood during wartime, blending humour and poignancy to highlight the resilience of the human spirit amidst the chaos of World War II. Drawing from Boorman’s own experiences, the film offers a unique perspective on the home front, emphasizing the social and ethical themes of family, community, and the innocence of youth in the face of conflict.

Set in London during the Blitz, the story unfolds through the eyes of young Billy Rohan (Sebastian Rice-Edwards), whose world is turned upside down by the war. As bombs rain down on the city, Billy and his family navigate the upheavals of daily life with remarkable adaptability and spirit. The film’s opening scene, where Billy’s family joyously greets the declaration of war, sets the tone for its exploration of how ordinary people find moments of joy and normalcy amidst the horrors of war.

One of the central social themes in “Hope and Glory” is the resilience and adaptability of the family unit. Despite the constant threat of destruction, Billy’s family remains a source of strength and stability. His mother, Grace (Sarah Miles), embodies this resilience, managing to maintain a semblance of normal life for her children while coping with the absence of her husband, Clive (David Hayman), who is off fighting. The film portrays the family as a microcosm of society, highlighting how people band together and support one another during times of crisis.

The ethical themes in the film are subtly woven into the narrative, particularly through Billy’s experiences and observations. The innocence of childhood serves as a poignant counterpoint to the surrounding violence and destruction. Billy’s adventures, from playing in bombed-out ruins to forming bonds with other children, reflect a child’s ability to find wonder and excitement even in the direst circumstances. This innocence also serves to critique the absurdity of war, as the children’s playful perspective often starkly contrasts with the grim reality faced by the adults.

“Hope and Glory” also touches on themes of class and social change. The war acts as a great equalizer, breaking down traditional class barriers and fostering a sense of camaraderie among neighbours who might otherwise have little in common. This shift is depicted through various characters and their interactions, illustrating how shared adversity can lead to a revaluation of social structures and relationships.

The film’s visual style and production design are instrumental in creating an authentic and immersive experience. Philippe Rousselot’s cinematography captures both the idyllic and the harrowing aspects of wartime Britain, while Anthony Pratt’s production design meticulously recreates the period’s details. The juxtaposition of serene suburban landscapes with scenes of devastation underscores the duality of Billy’s world.

The performances are uniformly strong, with young Sebastian Rice-Edwards delivering a particularly affecting portrayal of Billy. Sarah Miles and David Hayman provide depth and nuance to their roles as Billy’s parents, encapsulating the era’s emotional and moral complexities.

“Hope and Glory” is a richly textured film that uses the lens of childhood to examine the broader social and ethical implications of war. John Boorman’s personal connection to the material infuses the film with authenticity and heartfelt emotion, making it both a poignant coming-of-age story and a thought-provoking commentary on the human condition. By highlighting the resilience of family and the innocence of youth, “Hope and Glory” offers a unique and enduring perspective on one of history’s darkest periods.

Tuesday 28th of May 2024

Blood On The Dance Floor 9pm BBC2

The unsolved murder of Darren Bradshaw, a police officer, in 1997, shattered the gay scene in Belfast. Bradshaw was in the Parliament Bar, which at the time was the only gay bar in Belfast, when an unknown INLA gunman entered and shot him three times. The documentary investigates how DJs, drag queens, and dancers fought back against hate in the aftermath of this tragic event. Expect a powerful exploration of the intersection of sexuality and political conflict.

The Pilgrimage Of Gilbert And George 9pm Sky Arts

Gilbert & George have been at the forefront of British art for over half a century. Their unmistakable art is stark, urban, poetic, profoundly romantic, brutally realistic, and wholly visionary. From their very first public work as “living sculptures,” they have never failed to attract fascination, controversy, admiration, and shock. Their long and literal walk through life, often likened to a pilgrimage, is substantially unpacked in this documentary. Through multiple interviews and rare archival material, viewers gain a deep and captivating insight into their personal philosophy—a reflection that embraces their mantra of “art for all”.

Born On The Fourth Of July (1989) 9pm Film4

“Born on the Fourth of July,” directed by Oliver Stone and based on the autobiography of Ron Kovic, is a searing exploration of the Vietnam War’s profound impact on American society and the personal transformation of one man caught in its turbulent wake. The film’s compelling narrative, combined with Tom Cruise’s career-defining performance, delves deeply into themes of patriotism, disillusionment, and the quest for justice, making it a cornerstone of anti-war cinema.

The story follows Ron Kovic, a zealous young man who volunteers for the Vietnam War, driven by a fervent sense of duty and patriotism, ideals that were fervently promoted in the American ethos of the time. However, the brutal realities of war, the horrors witnessed on the battlefield, and the life-altering injury that leaves him paralyzed from the chest down, shatter his initial idealism. Kovic’s journey from a gung-ho Marine to a paralyzed, disenfranchised veteran encapsulates the devastating physical and psychological toll of the Vietnam War on soldiers.

Stone’s direction is unflinching, portraying the visceral chaos of war with a raw intensity that underscores the film’s anti-war message. The graphic battle scenes are not just a backdrop but a central component of the film’s critique of the glorification of war. They serve to highlight the chasm between the romanticized vision of war perpetuated by society and its stark, brutal reality.

Cruise’s portrayal of Kovic is both passionate and poignant. His transformation from a proud soldier to a disillusioned and angry veteran is portrayed with a nuanced depth that captures the internal and external struggles faced by many Vietnam veterans. The performance is a powerful vehicle for the film’s broader social commentary, revealing the neglect and mistreatment of veterans upon their return, a reflection of the nation’s conflicted relationship with the war.

The film also addresses the broader societal implications of the Vietnam War, illustrating the domestic unrest and the growing anti-war sentiment during the 1960s and 70s. Kovic’s post-war experiences, particularly his involvement in the anti-war movement, highlight the societal divide and the generational clash of values. The scenes of protests and clashes with authorities underscore the widespread disillusionment and the demand for accountability and change.

“Born on the Fourth of July” is not just a war film; it is a powerful critique of the social and political forces that perpetuate war and the enduring human cost. Stone’s narrative is a potent reminder of the price of blind patriotism and the moral imperative to question and challenge unjust wars. The film remains a relevant and impactful examination of the Vietnam War’s legacy and a testament to the resilience and activism of those who dared to speak out against it.

“Born on the Fourth of July” is a profoundly moving and thought-provoking film that resonates with its anti-war message and its exploration of complex social themes. It is a cinematic achievement that challenges audiences to reflect on the true cost of war and the importance of compassion and justice in the face of adversity.

Wednesday 29th Of May 2024

Fresh (2022) 9pm Film4

“Fresh,” directed by Mimi Cave in her feature debut, is a darkly humorous and sharply satirical horror-thriller that delves into the perils of modern dating with a unique and twisted narrative. The film stars Daisy Edgar-Jones and Sebastian Stan, whose performances elevate this clever, genre-bending tale that is as much a commentary on contemporary relationships as it is a gripping horror story.

The story follows Noa (Daisy Edgar-Jones), a young woman disillusioned with the superficiality and frustrations of app-based dating. Her life takes an unexpected turn when she meets the charming and seemingly perfect Steve (Sebastian Stan) in a grocery store. Their whirlwind romance quickly evolves, but Noa soon discovers that Steve harbours a horrifying secret that propels the film into a macabre exploration of trust, survival, and the dark side of human desire.

Edgar-Jones delivers a compelling performance as Noa, capturing the character’s initial scepticism and subsequent vulnerability with a relatable authenticity. Her portrayal allows the audience to connect with Noa’s plight, making her journey all the more harrowing. Sebastian Stan is equally captivating as Steve, skilfully blending charisma and menace in a role that subverts his usual on-screen persona. His performance brings a chilling unpredictability to the character, keeping viewers on edge as the story unfolds.

Cave’s direction is confident and stylish, adeptly balancing the film’s shifting tones. “Fresh” oscillates between moments of dark comedy, romantic intrigue, and outright horror, maintaining a tense atmosphere throughout. The film’s visual style, characterized by its vibrant colour palette and inventive cinematography, enhances the unsettling narrative, creating a dissonance between the seemingly normal and the horrific that mirrors Noa’s own experience.

The screenplay, written by Lauryn Kahn, is sharp and witty, laced with biting social commentary. “Fresh” critiques the commodification of relationships and the objectification inherent in modern dating culture, using its horror elements as a metaphor for the consumption and dehumanization of partners. This thematic depth adds layers to the film, making it more than just a straightforward thriller.

One of the film’s strengths lies in its ability to subvert expectations. What begins as a seemingly typical romantic comedy quickly descends into a nightmarish scenario, keeping the audience guessing and engaged. The blend of horror and dark humour is reminiscent of Jordan Peele’s “Get Out,” offering both thrills and thought-provoking commentary.

While “Fresh” is undoubtedly entertaining and cleverly crafted, it is not without its flaws. Some plot developments stretch believability, and certain characters could have been more fully developed. However, these minor issues do not significantly detract from the overall impact of the film.

“Fresh” is a bold and inventive addition to the horror genre, distinguished by its sharp social critique and standout performances. Mimi Cave’s directorial debut marks her as a filmmaker to watch, capable of delivering both suspense and substance. With its unique premise and engaging execution, “Fresh” offers a refreshingly original take on the horrors of modern dating.

Thursday 30th of May 2024

Oliver (1968) 12.40 Film4

“Oliver!,” directed by Carol Reed, is a vibrant and emotionally resonant adaptation of Lionel Bart’s musical, which in turn is based on Charles Dickens’ classic novel “Oliver Twist.” The film, which won the Academy Award for Best Picture, is celebrated not only for its musical numbers and performances but also for its rich portrayal of 19th-century London and its exploration of enduring social themes.

Set against the grim backdrop of Victorian England, “Oliver!” follows the journey of the orphaned Oliver Twist (Mark Lester) from the workhouse to the streets of London, where he encounters a colourful cast of characters including the cunning Fagin (Ron Moody), the Artful Dodger (Jack Wild), and the menacing Bill Sikes (Oliver Reed). Through Oliver’s eyes, the film vividly brings to life the stark contrasts between the innocence of youth and the harsh realities of a society marked by poverty and class disparity.

One of the film’s most compelling aspects is its unflinching portrayal of the social injustices of the time. The workhouse scenes are particularly poignant, highlighting the dehumanizing conditions endured by orphans and the poor. The film does not shy away from depicting the exploitation and neglect faced by the most vulnerable, serving as a critique of the institutional failures of the Victorian era. The opening number, “Food, Glorious Food,” sung by the hungry orphans, underscores the desperate longing for basic necessities and the stark divide between the haves and have-nots.

Despite its darker themes, “Oliver!” is infused with the buoyant energy and humour characteristic of Cockney culture. The character of Fagin, masterfully portrayed by Ron Moody, embodies this blend of humour and pathos. Fagin’s whimsical antics and the lively camaraderie among his gang of pickpockets provide moments of levity that balance the film’s more sombre elements. The songs “Consider Yourself” and “I’d Do Anything” are particularly notable for their celebration of community and resilience, reflecting the enduring spirit of the Cockney culture that thrived in the face of adversity.

The film also serves as a lament for the lost Cockney culture, capturing a time and place where humor and solidarity were essential tools for survival. The bustling street markets, the lively public houses, and the close-knit communities depicted in “Oliver!” evoke a London that has largely vanished, replaced by modern urban sprawl and gentrification. This sense of loss is palpable, adding a layer of nostalgia to the film’s portrayal of East End life.

The performances in “Oliver!” are uniformly excellent, with Mark Lester bringing a touching vulnerability to the role of Oliver. Jack Wild’s Artful Dodger is a standout, exuding charisma and street-smart savvy, while Shani Wallis as Nancy delivers a powerful performance, particularly in the hauntingly beautiful “As Long As He Needs Me.” Oliver Reed’s Bill Sikes is suitably terrifying, providing a stark contrast to the film’s more whimsical moments.

“Oliver!” is a masterful adaptation that balances the exuberance of a musical with the weight of its social commentary. Carol Reed’s direction, combined with a talented cast and memorable musical numbers, creates a film that is both entertaining and thought-provoking. “Oliver!” not only brings to light the enduring issues of poverty and social inequality but also pays tribute to the resilient and humorous Cockney culture that once flourished in central London and later in the South of London and it’s East End. It remains a timeless classic, reminding us of the power of community and the enduring human spirit in the face of adversity.

Friday 31st of May 2024

The Hoover Dam: Building The Impossible 9pm Channel 5

The Hoover Dam stands as a testament to human ingenuity and determination. Located on the Colorado River between Arizona and Nevada, this colossal structure was built during the Great Depression and completed in 1935. The Hoover Dam: Building The Impossible is a captivating documentary that delves into the construction of one of the most iconic engineering marvels in the world.

Dunkirk (2017) 10.40pm BBC1

Christopher Nolan’s “Dunkirk” is a masterful war film that eschews conventional storytelling to deliver an immersive and harrowing depiction of one of World War II’s most pivotal moments. The film, which chronicles the evacuation of Allied soldiers from the beaches of Dunkirk, France, in 1940, is a testament to Nolan’s directorial prowess and his ability to convey the intensity and chaos of war with visceral impact.

“Dunkirk” is notable for its innovative narrative structure, which interweaves three distinct timelines: one week on the beach (“The Mole”), one day at sea (“The Sea”), and one hour in the air (“The Air”). This fragmented approach allows Nolan to build tension and suspense across different perspectives and timescales, ultimately converging in a powerful climax. The film’s non-linear storytelling is a bold choice that pays off, creating a sense of urgency and highlighting the interconnectedness of the various efforts to rescue the stranded soldiers.

The film’s minimal dialogue and emphasis on visual storytelling are striking. Nolan relies heavily on the power of imagery and sound to convey the desperation and fear of the soldiers. Cinematographer Hoyte van Hoytema captures the stark, desolate beauty of the beaches and the claustrophobic intensity of the evacuation with stunning precision. The aerial dogfights, shot with IMAX cameras, are particularly breath-taking, offering a dizzying and immersive perspective on the conflict in the skies.

Hans Zimmer’s score is another crucial element of “Dunkirk,” utilizing a ticking clock motif to underscore the relentless passage of time and heighten the film’s tension. The music blends seamlessly with the sound design, where the roar of engines, the crack of gunfire, and the crashing of waves all contribute to the film’s immersive atmosphere. This meticulous soundscape enhances the sense of immediacy and danger, pulling the audience into the soldiers’ perilous situation.

The performances in “Dunkirk” are understated yet powerful, with the ensemble cast delivering nuanced portrayals of individuals caught in the chaos of war. Fionn Whitehead, as the young soldier Tommy, embodies the vulnerability and determination of the men on the beach. Tom Hardy, as the fighter pilot Farrier, conveys a stoic heroism despite being confined to the cockpit for much of the film. Mark Rylance, as the civilian boat captain Mr. Dawson, represents the bravery and resilience of the British people. The lack of backstory for most characters serves to universalize their experiences, making their plight more relatable and poignant.

“Dunkirk” also succeeds in highlighting the themes of survival, heroism, and the collective effort required in times of crisis. The film emphasizes the bravery of ordinary people, from the soldiers on the ground to the civilians who sailed across the English Channel to aid in the rescue. It is a celebration of solidarity and the indomitable human spirit in the face of overwhelming odds.

“Dunkirk” is a cinematic tour de force that redefines the war film genre through its innovative structure, stunning visuals, and masterful sound design. Christopher Nolan’s direction, combined with a strong ensemble cast and an evocative score, creates an unforgettable portrayal of the Dunkirk evacuation. The film’s focus on the immediacy of the experience rather than traditional character development makes it a raw and gripping depiction of war. Dunkirk is not just a film to be watched but an experience to be felt, cementing its place as one of the most powerful war movies of recent years.

and finally, a book review by of Special by Anthony C Green

Special is essentially the fictional biography of Annie Carter, born in Liverpool to a white mother and Jamaican father, told from the (her own) perspective of someone with an IQ of 70. The author uses his own experience of working within the field of Social Care for more than 20 years to reconstruct her life-story seen through her eyes. It provides an authentic insight into what is often a largely hidden world.

Annie was born in 1963 a (not “in the late 1950s” as stated on the back cover). The distinction is important. Philip Larkin`s poem Annus Mirabilis rings true to anyone who lived through the period:

“Sexual intercourse began
In nineteen sixty-three
Between the end of the Chatterley ban
And the Beatles` first LP”

The Chatterley ban ended in the autumn of 1960 and the Beatles first LP came out in the spring of 1963. Larkins point is that there really were enormous changes in social attitudes between 1959 and the mid-1960s. In 1959-60 I taught children like Annie, from families who had moved from the Manchester slums of Collyhurst and Harpurhey to a nearby overspill housing estate. They were designated E.S.N. (Educationally Sub-Normal) but were taught in the lowest stream of Primary Schools. Special is set in Liverpool only a few years later, in an environment I found almost unrecognisable from my own experiences.

That said, the book is a gripping read. Jennifer, Annie’s mother, was only 17 when Annie was born. Two siblings arrived at intervals before her father was murdered in a racist attack (the racial element, although apparent throughout the novel, is largely incidental to its main theme) when Annie was 6. Two years later she was sent to an institution some 20 miles away from home. Her mother was an infrequent visitor. The heart of the book is Annie’s reaction to her new situation and how she coped with it. She was always aware of what was going on, unlike some of the other inmates who lacked her level of intelligence. She was sexually abused by staff and even, on a home visit, by a step-father. She ran away when she was 15 and worked as a prostitute in Wigan before being “re-captured”.

The author recounts these experiences with great sensitivity and understanding. He succeeds in the difficult task of empathising with Annie’s situation without either being patronising or under-stating the problems she sometimes caused for others, even for those she instinctively liked. He made one feel sympathetic both to Annie and to her mother Jennifer, who was torn between her love and responsibility for Annie and her need to serve the interests of her other children. And maybe if Annie’s father had not been murdered her life would have turned out differently. Her father doted on her and would surely never have acquiesced in her being sent to Mandlestones, the institution to which she was sent when she was 8. She clearly treasured his memory. I recommend the book warmly. It made me feel on Annie’s side throughout all of her difficulties. In describing the pitfalls which could befall a vulnerable child and adolescent in the 1970s he pulls no punches. Kindness wasn’t absent, but neither was exploitation. In that sense, it is also a piece of social history, the reality of which we have become increasingly aware. It also chronicles an increasingly progressive and humane approach on the part of the authorities.

The Prologue also serves as an Epilogue and should be re-read if its contents have been forgotten during the course of the book.

Reviewed by Henry Falconer. Special is available from Amazon and other outlets.

Picture Credits

Do The Right Thing (1989)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50898051
Close (2022)
By https://www.cinema-aventure.be/catalogue/movie/?A0F542A4-030D-CB3B-B927-DCDBFCBC23B4, Fair use, https://en.wikipedia.org/w/index.php?curid=70881825
Saturday Night Fever (1977)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=5818183
Memento (2000)
May be found at the following website: TheQuietFront.com, Fair use, https://en.wikipedia.org/w/index.php?curid=4762204
Gaza
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Red Squirrel
By Peter Trimming – https://www.flickr.com/photos/peter-trimming/6583159839/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=29980115
Hope And Glory (1987)
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Gilbert And George
By DarTar: original portrait cropped by Beyond My Ken (talk) 21:45, 11 August 2018 (UTC) – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=71537075
Born On The Fourth Of July (1989)
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Fresh (2022)
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Oliver (1968)
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Hoover Dam
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Dunkirk (2017)
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