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Culture Vulture 18th to the 24th of January 2025

January 17, 2025 at 3:19 pm · Filed under Culture Vulture, Film & DVD Reviews, Netflix, TV Shows ·Tagged , , , , , , , , , , , , , , , , , , , , ,

This week celebrates the enduring legacy of Paul Newman with a spotlight on his life, career, and iconic films. Paul Newman At The NFT (Thursday, BBC4, 9.45pm) delves into his remarkable journey as an actor and activist, followed by Paul Newman: Talking Pictures (BBC4, 12.15am), a retrospective featuring rare interviews and insights into his work. Two of Newman’s iconic films also grace the schedule: the sultry and tension-filled Cat On A Hot Tin Roof (Saturday, BBC2, 1pm), where he stars alongside Elizabeth Taylor, and the legendary Western Butch Cassidy And The Sundance Kid (Saturday, BBC2, 2.40pm), showcasing his charismatic chemistry with Robert Redford.

Corporate disasters take centre stage in Deepwater Horizon (Sunday, Legend, 9pm), a searing critique of greed and environmental neglect, and Dark Waters (Monday, BBC2, 11.05pm), a gripping legal drama that exposes the devastating consequences of industrial corruption. This week’s programming offers a perfect blend of cinematic classics and socially conscious storytelling.

Selections and writing are by Pat Harrington and music is from Tim Bragg.

Saturday 18th January 2025

Cat On A Hot Tin Roof (1958) – BBC2, 1pm

This adaptation of Tennessee Williams’ play is a compelling exploration of family dysfunction and societal expectations. Set in the sultry South, it captures the oppressive atmosphere of wealth and tradition. The Pollitt family’s veneer of respectability cracks under the weight of greed and lies, exposing deep fractures in their relationships. Themes of inheritance and legacy underscore the toxic grip of patriarchal structures.

Paul Newman’s portrayal of Brick Pollitt, a former athlete struggling with grief and alcoholism, is layered with vulnerability. His relationship with Elizabeth Taylor’s Maggie reveals a marriage strained by unspoken truths. Maggie’s yearning for connection contrasts with Brick’s emotional detachment, a reflection of the rigid gender roles that trap both characters. The film critiques the societal expectations placed on women to maintain appearances and secure family futures.

The theme of repression looms large, particularly in Brick’s unresolved feelings toward his late friend, Skipper. The subtle hints at his inner turmoil show mid-20th-century attitudes toward homosexuality. They force viewers to confront the emotional cost of societal stigma. It’s a nuanced critique of how societal norms suffocate individual authenticity.

The Southern Gothic aesthetic heightens the sense of decay and moral rot beneath the family’s wealth. The sprawling mansion becomes a metaphor for the suffocating expectations and secrets that imprison the characters. The film’s dialogue crackles with tension, creating an atmosphere of unease that mirrors the characters’ internal struggles.

Cat on a Hot Tin Roof presents a powerful commentary on the human need for connection. It also explores the cost of denying one’s truth. It’s a deeply personal story set against a broader critique of social structures. This makes it as relevant today as it was in the 1950s.

Butch Cassidy And The Sundance Kid (1969) – BBC2, 2.40pm

This classic Western redefines the genre, blending charm, humour, and tragedy. Paul Newman and Robert Redford’s chemistry as the titular outlaws is magnetic. Their dynamic balances light-hearted banter with poignant depth. The film’s depiction of camaraderie and loyalty offers a bittersweet look at friendship in a rapidly changing world.

Set at the turn of the 20th century, the story reflects the end of the Wild West. It also shows the encroachment of modernity. The outlaws’ struggle to adapt to a world of increasing industrialisation highlights their challenges. This serves as a metaphor for the loss of individual freedom. Their flight from relentless lawmen symbolises the relentless march of progress and the erasure of old ways of life.

The film critiques capitalism subtly but effectively. The forces pursuing Butch and Sundance represent corporate greed and consolidation of power. Their defiance becomes a statement against the homogenisation of society, a theme that resonates with audiences in any era.

The story’s light-hearted tone belies its tragic undercurrent. The famous final scene is a poignant commentary. It shows the futility of resisting change as the pair charge into a barrage of bullets. It’s a moment that lingers, reminding viewers of the cost of freedom and the inevitability of time.

Through its witty script, stunning cinematography, and unforgettable performances, Butch Cassidy and the Sundance Kid transcends the Western genre. It’s a meditation on friendship, change, and the human spirit’s resilience. The film offers layers of meaning for both casual viewers and deeper thinkers.

The Miniaturist (Episode 1 of 3) – U&Drama, 11.05pm

Set in 17th-century Amsterdam, this adaptation of Jessie Burton’s novel immerses viewers in a world of intrigue and repression. The story follows Nella, a young bride navigating the oppressive household of her new husband, Johannes. The mysterious gift of a dollhouse arrives. Lifelike miniatures appear within it. These elements set the stage for a haunting tale.

The series examines the power dynamics of a patriarchal society. Nella’s struggle to assert her identity in a world dominated by male authority highlights the systemic oppression of women. Her husband’s aloofness and her sister-in-law’s cold control create a claustrophobic atmosphere, mirroring the rigid social hierarchies of the time.

Religion and morality play central roles, with Amsterdam’s strict Calvinist society shaping every character’s choices. The miniaturist’s uncanny ability to predict future events raises questions about predestination versus free will. This tension reflects broader philosophical debates about agency and control.

Visually, the series is stunning, with its rich period detail and shadowy lighting evoking the tension beneath the surface. The dollhouse becomes a symbol of surveillance and manipulation, drawing parallels to modern concerns about privacy and autonomy. The eerie atmosphere builds a sense of foreboding, pulling viewers deeper into the mystery.

The first episode establishes a gripping narrative, balancing personal drama with larger societal themes. The Miniaturist invites viewers to question the roles we play in life and the unseen forces that shape our destinies. It’s a thought-provoking start to a visually arresting series.

Chopper (2000) – Film4, 11.45pm

This gritty biopic chronicles the life of Mark “Chopper” Read, a notorious Australian criminal. Eric Bana’s transformative performance captures the contradictions of a man who is both violent and charismatic. The film walks a fine line between humour and horror, creating a portrait of a deeply flawed individual.

Chopper’s actions raise ethical questions about violence and morality. The film doesn’t glorify his crimes but rather examines the circumstances that shaped him. It critiques the media’s role in turning criminals into celebrities, exposing society’s fascination with antiheroes.

The film’s dark humour adds a satirical edge, highlighting the absurdity of Chopper’s self-aggrandisement. His unreliable narration forces viewers to question the nature of truth and memory. It’s a clever commentary on the construction of identity and the stories we tell about ourselves.

Director Andrew Dominik uses stark visuals to depict the harsh realities of prison and criminal life. The grim settings contrast with Chopper’s larger-than-life personality, underscoring the disconnect between his self-image and the world around him. The film’s pacing mirrors the unpredictability of its protagonist.

Ultimately, Chopper is a compelling exploration of violence, identity, and the media’s power to shape perception. It’s a disturbing yet fascinating character study that lingers long after the credits roll.

Sunday 19th January 2025

Deepwater Horizon (2016) – Legend, 9pm

This gripping disaster film brings the catastrophic events of the Deepwater Horizon oil spill to vivid life. Mark Wahlberg leads a stellar cast in portraying the human cost of corporate negligence. The film’s meticulous attention to technical details immerses viewers in the harrowing events aboard the oil rig. It highlights the bravery of those involved.

The narrative exposes the ethical failings of BP and the prioritisation of profit over safety. Corporate decision-makers exhibit greed and hubris. This behavior serves as a chilling reminder of the systemic disregard for human lives in pursuit of wealth. It’s a scathing critique of capitalist excess.

Environmental themes are central to the story, as the disaster devastated marine ecosystems and local livelihoods. The film doesn’t shy away from showing the broader consequences of human exploitation of natural resources. It’s an urgent call for accountability and sustainable practices.

The human element remains at the heart of the film, focusing on the workers who risk their lives daily. Their courage and resilience contrast starkly with the callousness of corporate executives. This duality underscores the film’s critique of power imbalances within industrial hierarchies.

Deepwater Horizon is more than a disaster film. It’s a poignant reflection on corporate responsibility. It highlights environmental stewardship and the value of human life. It challenges viewers to consider the true cost of convenience and consumption.

Villain (1971) – Talking Pictures, 9.55am

Richard Burton delivers a chilling performance in this gritty British crime drama. As Vic Dakin, a ruthless East End gangster, Burton exudes a menacing charisma that dominates every scene. The film offers a bleak portrayal of London’s criminal underworld, unflinchingly exposing its violence and corruption.

Set against the backdrop of post-war Britain, the film reflects the socio-economic conditions that bred such criminal figures. Poverty and disenfranchisement underpin the narrative, offering a commentary on the systemic failings that allow crime to thrive. Dakin’s character is both a product and a critique of these circumstances.

The film delves into the psychological complexities of its protagonist, exploring themes of power, loyalty, and repression. Dakin’s controlling nature and latent vulnerabilities reveal a man torn between his public persona and private insecurities. His relationships, particularly with his mother and gang members, expose the fragile humanity beneath his brutality.

The cinematography captures the grim realities of 1970s London. Its shadowy streets and dilapidated buildings reflect the moral decay of the world Dakin inhabits. The film’s unsentimental tone ensures that it doesn’t romanticise crime, instead offering a stark portrayal of its consequences.

Villain stands out as a deeply atmospheric and thought-provoking crime drama. It raises questions about power, morality, and the forces that shape our lives. This makes it a compelling watch for fans of hard-edged storytelling.

Monday 20th January 2025

The Revenant (2015) – Film4, 9pm

Alejandro González Iñárritu’s epic survival drama is as visually stunning as it is thematically rich. Leonardo DiCaprio’s portrayal of Hugh Glass, a fur trapper seeking revenge in the 1820s wilderness, is both visceral and haunting. The film’s brutal depiction of nature and human endurance leaves a lasting impact.

The story critiques colonial exploitation, as the fur trade devastates ecosystems and indigenous communities. The film’s portrayal of Native American characters is significant. It highlights the Arikara and Pawnee tribes. The portrayal offers a glimpse into their struggles against encroaching settlers. Themes of cultural displacement and resistance permeate the narrative.

Glass’s journey is both physical and spiritual, exploring themes of survival, vengeance, and forgiveness. The harsh wilderness becomes a character in itself, reflecting the primal forces that drive humanity. The film questions whether revenge truly provides closure or perpetuates cycles of violence.

Emmanuel Lubezki’s cinematography is a masterpiece, capturing the awe-inspiring beauty and brutality of the natural world. The use of natural light enhances the realism, immersing viewers in Glass’s harrowing journey. The attention to detail and authenticity is remarkable.

The Revenant is a profound meditation on resilience, humanity’s relationship with nature, and the cost of revenge. It’s an unforgettable cinematic experience that combines raw emotion with intellectual depth.

Dark Waters (2019) – BBC2, 11.05pm

This legal thriller, based on true events, is a searing indictment of corporate malfeasance. Mark Ruffalo plays the role of Rob Bilott. He is a lawyer who challenges the chemical giant DuPont. He does so after uncovering decades of environmental contamination. The film’s slow-burn narrative builds a sense of outrage and urgency.

At its core, Dark Waters is a story of perseverance and moral courage. Bilott’s transformation from corporate lawyer to whistleblower reflects the ethical dilemmas faced by individuals working within corrupt systems. His sacrifices, both personal and professional, highlight the toll of standing up against powerful entities.

The environmental themes are devastatingly relevant. The film exposes the widespread impact of PFAS chemicals, colloquially known as “forever chemicals,” on human health and ecosystems. It’s a sobering reminder of the hidden dangers lurking in everyday life.

Director Todd Haynes uses a muted colour palette and claustrophobic framing to create an oppressive atmosphere. This visual style mirrors the weight of the subject matter, immersing viewers in the gravity of the story. The film’s deliberate pacing underscores the painstaking nature of Bilott’s fight for justice.

Dark Waters is a powerful exploration of accountability, resilience, and the need for systemic change. It’s a must-watch for anyone interested in environmental justice and the fight against corporate greed.

Tuesday 21st January 2025

Life And Death Row – BBC3, 9pm

This hard-hitting documentary series provides an unflinching look at capital punishment in the United States. By focusing on individual stories, it brings the human cost of the death penalty into stark relief. The series challenges viewers to confront their own beliefs about justice and retribution.

Each episode presents the perspectives of inmates, victims’ families, and legal professionals, creating a multifaceted narrative. The moral and ethical complexities of state-sanctioned death are clear. This raises questions about fairness and bias, and considers the possibility of redemption. The programme highlights the disproportionate impact on marginalised communities, exposing systemic inequalities.

The emotional weight of the series is undeniable, as it delves into the last days of those on death row. It examines how individuals face their mortality and the psychological toll of living under such conditions. It also gives voice to victims’ families, exploring the varied ways they seek closure.

Visually, the series employs stark cinematography to underscore the gravity of its subject. The prison environment, with its cold and clinical appearance, contrasts sharply with the raw humanity of the individuals featured. This juxtaposition reinforces the tension between institutional systems and personal stories.

Life And Death Row is more than just a documentary. It deeply explores the value of life. It also examines the ethics of justice. It offers no easy answers, leaving viewers to grapple with their own positions on one of society’s most divisive issues.

Charles I: Downfall Of A King – BBC4, 9pm

This historical documentary brings the tumultuous final years of Charles I’s reign to life. Experts analyze and reconstruct dramatic scenarios. It explores the events leading to the English Civil War. The documentary also examines the king’s eventual execution. The programme offers a nuanced portrayal of a nation in crisis.

The political themes are central, as it delves into the clash between monarchy and Parliament. Charles’s belief in divine right is juxtaposed with the growing demand for democratic representation. The programme critiques the dangers of unchecked power, making it strikingly relevant to modern political discourse.

Ethically, the documentary questions the morality of rebellion and regicide. Was Parliament justified in its actions, or did the ends fail to justify the means? The programme’s balanced approach allows viewers to consider both sides, fostering a deeper understanding of this pivotal moment in history.

The social impact of the Civil War is also explored, highlighting how ordinary people were affected by the conflict. The programme examines the shifting religious and cultural landscape, as Puritanism gained influence and old traditions were challenged. These changes reshaped the nation, with echoes still felt today.

Charles I: Downfall Of A King is an engaging exploration of power and leadership. It delves into the consequences of political division. It invites viewers to reflect on the lessons of history and their relevance in the modern world.

Blade Runner 2049 (2017) – BBC1, 11.10pm

Denis Villeneuve’s sequel to Ridley Scott’s 1982 classic expands on its dystopian world with breathtaking visuals and philosophical depth. Ryan Gosling stars as K, a replicant tasked with uncovering a mystery that questions the nature of humanity and memory. The film’s slow, deliberate pace allows its themes to resonate powerfully.

Central to the narrative is the question of identity. What does it mean to be human? The replicants, artificial beings with memories and emotions, blur the line between organic life and artificial intelligence. The film critiques the ethical implications of creating sentient beings for exploitation.

The film also explores environmental decay, as the Earth’s desolate landscapes reflect the consequences of human hubris. This bleak vision of the future serves as a warning about unsustainable practices and the loss of natural beauty. It’s a haunting portrayal of a world shaped by corporate greed and technological overreach.

The role of women in the narrative raises ethical and social questions. Female characters, both human and artificial, are often treated as commodities, reflecting real-world issues of objectification. However, they also exhibit agency and complexity, challenging traditional gender roles in the genre.

Blade Runner 2049 is a masterpiece of science fiction, blending existential themes with stunning visuals and a powerful score. It’s a film that demands to be experienced and discussed, offering layers of meaning for those willing to engage deeply.

Zola (2020) – Film4, 1.20am

This darkly comedic drama, inspired by a viral Twitter thread, is a chaotic exploration of trust, manipulation, and survival. The story follows Zola, a Detroit waitress. She is drawn into a dangerous world of sex work and exploitation. This happens because of a charismatic new friend. It’s a raw and unfiltered glimpse into the realities of modern hustling.

At its core, Zola critiques the commodification of bodies and the blurred lines between empowerment and exploitation. The film doesn’t judge its characters but instead offers an empathetic portrayal of their struggles. It challenges societal perceptions of sex work, forcing viewers to confront their own biases.

The film’s use of social media aesthetics, such as on-screen notifications and rapid editing, shows how fragmented modern life is. It also highlights the performative nature of our times. This innovative storytelling technique highlights the influence of digital culture on personal identity and relationships.

Race and class dynamics are central to the narrative. Zola, as a Black woman, navigates a world rife with systemic inequities. Her interactions with Stefani, a white woman, underscore the uneven playing field. Stefani benefits from privilege despite her recklessness.

Zola is both entertaining and deeply thought-provoking, blending humour with harrowing moments to create a unique cinematic experience. It’s a bold commentary on power, identity, and the modern hustle, capturing the zeitgeist with sharp wit and style.

Wednesday 22nd January 2025

A Cure For Wellness (2016) – Film4, 12.55am

This psychological horror-thriller, directed by Gore Verbinski, is a chilling exploration of ambition, control, and the pursuit of perfection. The film is set in an isolated spa in the Swiss Alps. It follows a young executive, Lockhart. He investigates the mysterious disappearance of his company’s CEO. What begins as a professional task spirals into a nightmarish journey.

The film critiques the obsession with wellness and the commodification of health. The spa’s luxurious façade masks sinister practices, reflecting how societies often prioritise appearance and status over genuine well-being. It’s a pointed commentary on the extremes people go to for the illusion of eternal youth.

Power dynamics and exploitation emerge as central themes. The spa’s residents, wealthy and privileged, are trapped in a cycle of dependency. The narrative mirrors real-world ethical dilemmas in healthcare, where the vulnerable are often exploited by those in power. The film asks difficult questions about consent and autonomy.

Visually, the film is stunning, with its Gothic architecture and sterile environments creating a sense of unease. The cinematography blends beauty and horror, immersing viewers in Lockhart’s increasingly distorted reality. The water motif symbolises both purification and entrapment, adding depth to the film’s themes.

A Cure for Wellness is a haunting tale that lingers in the mind long after the credits roll. It’s a thought-provoking exploration of human fragility, societal pressures, and the dark side of perfectionism. While unsettling, it offers a powerful critique of modern obsessions.

Gilda (1946) – Talking Pictures, 1.10am

This classic film noir is a dazzling blend of glamour, intrigue, and psychological complexity. Rita Hayworth delivers an unforgettable performance as the enigmatic Gilda, whose beauty and charisma captivate everyone around her. Set in post-war Buenos Aires, the film explores power, desire, and betrayal.

At its heart, Gilda critiques the objectification of women and the consequences of projecting fantasies onto them. Gilda’s character, both empowered and constrained by her sexuality, embodies the contradictions faced by women navigating male-dominated spaces. The film challenges traditional gender roles, making it a subversive entry in the noir genre.

The love triangle between Gilda, her husband Ballin Mundson, and his associate Johnny Farrell is fraught with tension. Beneath the surface, the film hints at repressed desires and complex interpersonal dynamics. These layers add depth to the story, elevating it beyond a straightforward tale of jealousy.

The post-war setting reflects broader societal anxieties, with themes of loyalty, betrayal, and shifting power dynamics. The nightclub, where much of the story unfolds, becomes a microcosm of the world’s moral ambiguities. It’s a place where appearances deceive and alliances are ever-changing.

With its iconic musical numbers and striking cinematography, Gilda remains a timeless exploration of identity, power, and vulnerability. It’s a must-watch for fans of classic cinema and anyone interested in the intersection of style and substance.

Thursday 23rd January 2025

Paul Newman At The NFT – BBC4, 9.45pm

This documentary celebrates the life and legacy of Paul Newman, one of Hollywood’s most enduring icons. Combining archival footage and interviews, it offers an intimate look at Newman’s career, personal life, and activism. The programme captures the essence of a man who was as much admired for his character as for his talent.

The documentary explores Newman’s versatility as an actor. It highlights his smouldering performances in classics like Cat on a Hot Tin Roof. Additionally, it showcases his nuanced roles in The Verdict and Nobody’s Fool. It examines how he consistently pushed boundaries, taking on challenging roles that defied conventional expectations.

Beyond his on-screen achievements, Newman’s off-screen commitments take centre stage. His political activism, support for civil rights, and philanthropy through Newman’s Own highlight his dedication to social justice. The documentary draws attention to how he used his fame to effect positive change.

Themes of identity and authenticity are woven throughout. Newman struggled with being typecast as a heartthrob early in his career. His determination to be taken seriously as an artist reflects broader questions about societal expectations and self-definition.

Paul Newman At The NFT is a fitting tribute to a legend. It’s not just a celebration of his filmography but also a reflection on the values that guided his life. For fans and newcomers alike, it’s a poignant reminder of why Newman remains a cultural icon.

Starred Up (2013) – Film4, 10.50pm

This raw and unflinching prison drama is a searing exploration of violence, masculinity, and redemption. Jack O’Connell delivers a powerhouse performance as Eric, a young offender transferred to an adult prison. The film’s title, a term for prematurely transferring young inmates, underscores the brutal realities of the system.

The father-son relationship between Eric and his estranged father, Neville, played by Ben Mendelsohn, is central to the story. Their interactions are fraught with tension, revealing generational cycles of trauma and violence. The film critiques the failings of prison systems to rehabilitate, instead perpetuating these cycles.

The depiction of prison life is stark and uncompromising, exposing the toxic culture of hyper-masculinity. Yet, it also highlights moments of vulnerability and connection, particularly through Eric’s sessions with an unconventional therapist. These moments offer a glimpse of hope and the possibility of change.

Director David Mackenzie’s use of close, claustrophobic shots creates an immersive atmosphere. This technique traps viewers in the oppressive environment of the prison. The raw dialogue and unfiltered performances add to the film’s authenticity, making it a visceral viewing experience.

Starred Up is more than a prison drama; it’s a powerful exploration of humanity in the harshest of circumstances. It challenges viewers to consider the potential for redemption and the systemic changes needed to support it.

The Road (2009) – GREAT!movies, 11.25pm

This post-apocalyptic drama, based on Cormac McCarthy’s novel, is a haunting meditation on survival and morality. Viggo Mortensen stars as a father journeying through a bleak, desolate landscape with his young son. The film’s stark visuals and harrowing tone reflect the fragility of human existence.

The relationship between father and son is the emotional core of the story. Their bond offers a glimmer of hope amidst the despair. It illustrates the resilience of love even in the face of unimaginable hardship. The father’s sacrifices raise ethical questions about the lengths we go to protect those we love.

The film critiques humanity’s capacity for destruction. The ruined world serves as a cautionary tale about environmental collapse. It also warns of unchecked greed. It forces viewers to confront the consequences of failing to act in the face of global challenges.

Themes of morality and survival are central, as characters must navigate difficult choices in a lawless world. The film doesn’t offer easy answers. It invites viewers to grapple with what it means to keep humanity when civilisation has crumbled.

The Road is a sombre yet deeply moving experience. Its exploration of love, loss, and resilience resonates on a profound level, leaving viewers both devastated and reflective.

Friday 24th January 2025

The Mountain Between Us (2017) – Film4, 6.45pm

This survival drama pairs Idris Elba and Kate Winslet as two strangers stranded in the wilderness after a plane crash. What begins as a physical fight for survival evolves into an emotional journey of connection and resilience. The film’s stunning landscapes contrast sharply with the characters’ dire situation.

The story explores themes of human connection and vulnerability. As the characters rely on each other to survive, they confront their own fears and insecurities. Their evolving relationship becomes a testament to the power of trust and companionship in overcoming adversity.

The film also examines the fragility of life and the unpredictability of nature. The vast wilderness is unforgiving. It serves as a threat. It also reminds us of humanity’s insignificance in the face of the natural world. It’s a subtle critique of human hubris and the illusion of control.

While the romance between the characters adds depth, it also raises ethical questions about emotional dependency in extreme circumstances. Are their feelings genuine, or a product of shared trauma? The film invites viewers to consider how context shapes relationships.

The Mountain Between Us is a visually stunning and emotionally resonant drama. It’s a story of physical survival. It’s also about emotional endurance. This story challenges viewers to think about the connections that sustain us in life’s most challenging moments.

and finally Streaming This Week in the UK

Netflix

  • “The Night Agent” Season 2 (Available from January 23, 2025)
    A gripping political thriller following FBI agent Peter Sutherland as he uncovers high-stakes conspiracies.

Sky Atlantic and NOW

  • “Lockerbie: A Search for Truth” (Premiered on January 2, 2025)
    This mini-series chronicles the 1988 Lockerbie bombing and one father’s pursuit of justice.

Channel 4

  • “Brian and Maggie” (Coming January 2025, exact date TBC)
    A dramatized account of the iconic political showdown between Margaret Thatcher and Brian Walden.

Disney+

  • “Say Nothing” (Premiering January 2025)
    This compelling crime drama delves into real-life political tensions and their impact.

Picture credits

Cat On A Hot Tin Roof (1958)
By Reynold Brown – Cat on a Hot Tin Roof – Extra Large Movie Poster Image. Internet Movie Poster Awards. Retrieved on 2013-02-22., Public Domain, https://commons.wikimedia.org/w/index.php?curid=24801037
Butch Cassidy And The Sundance Kid (1969)
By Tom Beauvais – Movieposter.com, Fair use, https://en.wikipedia.org/w/index.php?curid=5714787
Chopper (2000)
By https://www.imdb.com/title/tt0221073/mediaviewer/rm3142733312/, Fair use, https://en.wikipedia.org/w/index.php?curid=2311326
Deepwater Horizon (2016)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=49908257
Villain (1971)
Derived from a digital capture (photo/scan) of the VHS or DVD Cover (creator of this digital version is irrelevant as the copyright in all equivalent images is still held by the same party). Copyright held by the film company or the artist. Claimed as fair use regardless., Fair use, https://en.wikipedia.org/w/index.php?curid=26538848
The Revenant (2015)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=48337450
Dark Waters (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61813314
Blade Runner 2049 (2017)
By Warner Bros. (direct link), Fair use, https://en.wikipedia.org/w/index.php?curid=51893608
Zola (2020)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=66086267
A Cure For Wellness (2016)
By 20th Century Fox – https://twitter.com/CureForWellness/status/788793077871685632, Fair use, https://en.wikipedia.org/w/index.php?curid=52043733
Gilda (1946)
By Robert Coburn – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88142536
Starred Up (2013)
By Orange published, however, Film4 and Fox Searchlight are the owners – http://web.orange.co.uk/article/film/New-trailer-and-poster-for-Starred-Up-394876, Fair use, https://en.wikipedia.org/w/index.php?curid=42196201
The Road (2009)
May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=24227798
The Mountain Between Us (2017)
By 20th Century Fox – https://pbs.twimg.com/media/DCXQn8PWsAA6W8d.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=54196569
Programmes:
The Miniaturist
By BBC – https://www.bbc.co.uk/programmes/b09ld4xr, Fair use, https://en.wikipedia.org/w/index.php?curid=59641693
Life And Death Row
Charles I: Downfall Of A King
By Workshop of Anthony van Dyck – she-philosopher.com(original upload)Sothebys 2012 (higher resolution upload), Public Domain, https://commons.wikimedia.org/w/index.php?curid=3852590
Paul Newman At The NFT
Paul Newman: Talking Pictures
By Unknown author, dedicated to Bettmann Archive – https://www.gettyimages.com/detail/news-photo/paul-newman-publicity-still-from-1958-news-photo/517216552https://hips.hearstapps.com/hmg-prod/images/gettyimages-517216552-1569572686.jpg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=48259183

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Top Netflix Picks: Social Issues in October Films

October 3, 2024 at 7:46 am · Filed under Culture Vulture, Film & DVD Reviews, Netflix, TV Shows ·Tagged , , , ,

414 words, 2 minutes read time.

Here are the Culture Vulture selections on Netflix this October, featuring films that tackle complex social, political, and ethical issues:

Boyz n the Hood (1991)

Available October 1

This gripping drama, directed by John Singleton, follows the lives of three young men growing up in the Crenshaw ghetto of Los Angeles. As they navigate the harsh realities of race, relationships, violence, and limited opportunities, the film offers a searing critique of systemic racism and the cycles of violence in marginalized communities. Singleton’s storytelling highlights the challenges of coming of age in an environment shaped by social inequity.

Elysium (2013)

Available October 1

Neill Blomkamp’s dystopian sci-fi thriller takes place in 2154, where the wealthy elite live in luxury on a man-made space station, while the rest of humanity struggles on a decimated Earth. Matt Damon’s character embarks on a dangerous mission to bring equality to these two polarized worlds. The film raises questions about wealth disparity, class division, and the moral cost of technological advancement, making it a sharp allegory of modern-day inequality.

Jarhead (2005)

Available October 1

Directed by Sam Mendes, Jarhead is a psychological exploration of a U.S. Marine sniper’s experience during the Gulf War. Told from the perspective of a soldier grappling with isolation, boredom, and the disconnect from home, the film offers a critical look at the mental toll of warfare. It dives deep into themes of masculinity, the futility of conflict, and the emotional scars soldiers carry long after the battle ends.

Selma (2014)

Available October 16

Ava DuVernay’s Selma recounts Dr. Martin Luther King Jr.’s historic march from Selma to Montgomery in 1965, a pivotal event in the fight for equal voting rights. The film masterfully depicts the courage and resilience of the Civil Rights Movement, shedding light on the persistent racial injustice in America. With David Oyelowo’s stirring portrayal of Dr. King, Selma is an inspiring and vital look at the struggle for justice, equality, and social change.

Yintah (2024)

Available October 18

This powerful documentary examines the ongoing resistance of the Wet’suwet’en people against the construction of pipelines on their unceded territory. Directed by Brenda Michell, Michael Toledano, and Jennifer Wickham, Yintah centers on the voices and struggles of Indigenous leaders like Freda and Molly Wickham, exploring themes of environmental activism, colonialism, and Indigenous sovereignty. The film raises critical ethical questions about land rights and the fight to protect sacred spaces.

Be sure to check out these thought-provoking films on Netflix this October!

By Pat Harrington

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Culture Vulture 6th to the 12th of July 2024

July 6, 2024 at 8:59 am · Filed under Culture Vulture, Film & DVD Reviews, Netflix, TV Shows ·Tagged , , , , , , , , , , , , ,

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is from Tim Bragg. Highlights this week include: The Night Caller, a tense Channel 5 thriller series where former Hustle star Robert Glenister plays Tony, a Liverpool taxi driver with an unhealthy obsession and The Burnt Orange Heresy which serves as a fitting tribute to actor Donald Sutherland who died last month.

Saturday 6th of July 2024

Prince from 10pm BBC2

This evening starting at 10pm BBC2 treats viewers to a special night of programming dedicated to celebrating the unparalleled musical legacy of Prince. The centerpiece of the night was the program titled “Prince and His Songs at the BBC,” a tribute episode that showcased the enduring influence and brilliance of the iconic artist.

Featuring an eclectic lineup of talented musicians, the episode highlighted Prince’s expansive repertoire through diverse covers of his songs. Artists such as Beyoncé, Muse, Tom Jones, The Bangles, Pink, Alicia Keys, Michael Kiwanuka, and Chaka Khan brought their unique interpretations to Prince’s timeless music. Interspersed with these contemporary performances were rare and unforgettable footage of Prince himself, captured during his appearances on various BBC shows over the years.

Through this compilation of performances, “Prince and His Songs at the BBC” not only paid homage to Prince’s extraordinary talent but also underscored why he remains one of pop music’s greatest icons. Whether performing under his name or as the ‘Unpronounceable Symbol,’ Prince’s music continues to inspire generations of artists and fans alike with its innovation, emotion, and unmatched artistry.

In addition to this musical tribute, BBC Two offers two more Prince-related programs later in the evening. At 11:00 PM, viewers are treated to “Prince: A Purple Reign,” a comprehensive documentary that delved deep into Prince’s life, career, and profound impact on the music industry. This documentary explored Prince’s artistic evolution, his influence on fellow musicians, and the cultural significance of his boundary-pushing music. Featuring interviews with collaborators, archival footage, and insightful commentary, “Prince: A Purple Reign” provided a compelling look into the enigmatic artist’s lasting legacy.

Following the documentary, at midnight, BBC Two airs “Prince and The Revolution: Live,” a Grammy-nominated concert film capturing the electrifying performance of Prince and The Revolution at the Syracuse Carrier Dome during the 1985 Purple Rain tour. This remixed, remastered, and visually enhanced presentation allowed viewers to relive the magic of Prince’s live performances in stunning high fidelity, showcasing his unparalleled stage presence and musical prowess.

Who You Think I Am (2019) 1.20am

“Who You Think I Am,” directed by Safy Nebbou, is a French psychological drama that delves deep into the complexities of identity, social media, and the human psyche. Starring Juliette Binoche as Claire Millaud, a middle-aged professor who creates a fake Facebook profile to spy on her younger lover, the film unravels a web of deception, loneliness, and the yearning for connection.

The film masterfully explores the impact of social media on personal relationships and self-perception. In a world where virtual identities often overshadow real ones, Claire’s creation of a younger, more attractive online persona, Clara, highlights the social pressures faced by women regarding age and beauty. The film raises pertinent questions about authenticity and the lengths individuals go to in order to be seen and validated. It critiques the superficiality of online interactions and the ease with which reality can be manipulated in the digital age.

Ethically, “Who You Think I Am” challenges viewers to consider the morality of deceit, especially in intimate relationships. Claire’s actions, driven by a mix of desperation and curiosity, lead to unintended and devastating consequences. The film does not shy away from portraying the ethical gray areas of her behavior, prompting viewers to reflect on the boundaries of privacy and the potential harm caused by deceit, even when the intentions might seem benign or understandable.

Politically, the film subtly addresses issues of gender and power dynamics. Claire’s struggle with her own identity and self-worth can be seen as a commentary on the societal expectations placed on women, particularly as they age. The pressure to remain youthful and desirable in a patriarchal society pushes Claire towards creating Clara, revealing the intersection of gender politics and personal crisis. The film also touches on the broader implications of surveillance and privacy in the digital era, questioning the power structures inherent in the ability to watch and be watched.

Juliette Binoche delivers a compelling performance, capturing the nuanced emotional turmoil of Claire. Her portrayal is both empathetic and disturbing, making Claire a deeply complex and relatable character. Safy Nebbou’s direction is subtle yet powerful, effectively using visual storytelling to mirror the duality of Claire’s existence and the blurring lines between reality and illusion.

“Who You Think I Am” is a poignant and thought-provoking film that tackles significant social, ethical, and political themes. It serves as a mirror reflecting the modern human condition, emphasizing the importance of genuine connections and the dangers of losing oneself in the quest for an idealized self. With its intelligent narrative and stellar performances, the film is a profound commentary on the intricacies of identity in the digital age.

Sunday 7th of July 2024

The Night Caller (one of four) 9pm CHannel 5

Tony, a lonely Liverpudlian taxi driver played by Robert Glenister, used to be a respected teacher but lost his job, marriage, and confidence. His lifelines are Rosa, a café worker, and a late-night talk show hosted by DJ Lawrence (Sean Pertwee). Tony becomes a “friend of the show,” finding a sense of identity after years of isolation. However, he dangerously misinterprets Lawrence’s views and becomes obsessed with their relationship. Eventually, Tony discovers that the DJ isn’t who he pretends to be.

The Burnt Orange Heresy (2019) 10.45pm

“The Burnt Orange Heresy,” directed by Giuseppe Capotondi, is a captivating neo-noir thriller that weaves art, deception, and moral ambiguity into a stylish narrative. Based on Charles Willeford’s novel, the film stars Claes Bang as James Figueras, a charismatic art critic who gets entangled in a dangerous scheme, and Elizabeth Debicki as Berenice Hollis, a mysterious woman who becomes his unwitting accomplice.

Donald Sutherland, who passed away in June 2024, delivers a masterful performance as Jerome Debney, a reclusive and legendary artist. Sutherland’s portrayal of Debney is both magnetic and enigmatic, infusing the character with a mix of wisdom, wit, and a touch of melancholy. His presence elevates the film, providing a depth that resonates long after the credits roll.

The film’s narrative revolves around Figueras, who is lured by the wealthy art dealer Joseph Cassidy (Mick Jagger) into stealing one of Debney’s paintings. The plot thickens as Figueras and Hollis visit Debney’s secluded villa on Lake Como, setting off a chain of events marked by betrayal, greed, and moral quandaries. The Burnt Orange Heresy skillfully explores themes of ambition, integrity, and the subjective nature of art and truth.

Capotondi’s direction is sleek and assured, with a keen eye for detail and atmosphere. The film’s visual style, complemented by David Ungaro’s cinematography, captures the opulence and underlying tension of the art world. The lush, serene landscapes of Lake Como contrast sharply with the dark undercurrents of the story, enhancing the film’s sense of unease and intrigue.

Claes Bang delivers a compelling performance as the ambitious and morally compromised Figueras. His character’s descent into ethical ambiguity is both gripping and unsettling. Elizabeth Debicki is equally impressive, bringing a nuanced vulnerability to her role as Hollis. The chemistry between Bang and Debicki adds an intriguing layer to the film, as their characters navigate a complex web of trust and deception.

Mick Jagger’s turn as Joseph Cassidy is a delightful surprise. His portrayal of the manipulative and suave art dealer adds a layer of charisma and menace, contributing to the film’s overall tension. However, it is Donald Sutherland’s performance that stands out, serving as a poignant reminder of his immense talent and the indelible mark he left on cinema.

“The Burnt Orange Heresy” is not just a film about art theft; it is a meditation on the nature of art, the power dynamics within the art world, and the ethical boundaries individuals are willing to cross for success and recognition. The film’s climax is both shocking and thought-provoking, leaving viewers to ponder the true cost of ambition and deceit.

In tribute to Donald Sutherland, who died last month, “The Burnt Orange Heresy” stands as a testament to his extraordinary career. His portrayal of Jerome Debney showcases his ability to bring complexity and gravitas to his roles. Sutherland’s legacy in cinema is immortal, and his performance in this film is a reminder of his exceptional talent and the profound impact he had on audiences worldwide.

“The Burnt Orange Heresy” is a dark, stylish thriller that captivates with its intricate plot, stellar performances, and thought-provoking themes. It is a fitting homage to the late Donald Sutherland, whose presence in the film adds a layer of depth and poignancy, making it a must-watch for fans of intelligent, character-driven cinema.

Vice (2018) 11.45pm BBC2

“Vice,” directed by Adam McKay, is a riveting and audacious biopic that delves into the life and career of Dick Cheney, one of the most enigmatic and influential figures in modern American politics. Starring Christian Bale in a transformative performance as Cheney, the film explores his rise to power and the far-reaching impact of his decisions during his tenure as Vice President under George W. Bush.

Christian Bale’s portrayal of Cheney is nothing short of remarkable. Through meticulous physical transformation and nuanced acting, Bale captures the essence of Cheney’s persona—his stoic demeanor, calculating intelligence, and ruthless ambition. Bale’s performance is both compelling and unsettling, drawing viewers into the complex psyche of a man who wielded immense power behind the scenes.

The supporting cast is equally impressive. Amy Adams shines as Lynne Cheney, presenting her as a formidable force in her own right, whose influence on her husband’s career is both significant and profound. Steve Carell delivers a sharp performance as Donald Rumsfeld, capturing the brash and unapologetic nature of the former Secretary of Defense. Sam Rockwell’s portrayal of George W. Bush adds a layer of complexity and humor to the film, presenting Bush as both a figurehead and a willing participant in Cheney’s machinations.

Adam McKay’s direction is bold and innovative, utilizing a mix of dark humor, satire, and unconventional narrative techniques to tell Cheney’s story. The film frequently breaks the fourth wall, employs a non-linear timeline, and incorporates surreal sequences that serve to underscore the absurdity and gravity of the political maneuvers at play. This approach, while divisive, adds a dynamic and engaging layer to the biopic genre, making “Vice” stand out as both an informative and entertaining piece of cinema.

“Vice” also benefits from its sharp screenplay, written by McKay, which deftly balances humor and drama while providing incisive commentary on Cheney’s legacy. The film does not shy away from critiquing Cheney’s policies and actions, particularly his role in the Iraq War, the expansion of executive power, and the use of enhanced interrogation techniques. It paints a portrait of a man whose pursuit of power often came at the expense of ethical considerations and human lives.

The film’s technical aspects are top-notch, with meticulous attention to detail in its production design, costume design, and makeup. The transformation of Bale into Cheney is particularly noteworthy, achieved through exceptional makeup and prosthetics that make the actor almost unrecognizable.

While “Vice” has been praised for its bold approach and performances, it has also faced criticism for its heavy-handedness and lack of subtlety. Some viewers may find the film’s satirical tone and narrative style polarizing. However, these elements are integral to McKay’s vision, providing a unique lens through which to examine a controversial figure and the turbulent era he helped shape.

“Vice” is a provocative and thought-provoking biopic that offers a deep dive into the life of Dick Cheney and his indelible impact on American politics. Christian Bale’s transformative performance, coupled with Adam McKay’s bold direction and sharp screenplay, makes for a compelling and memorable cinematic experience. Despite its polarizing style, “Vice” succeeds in shedding light on the complexities and consequences of power, leaving viewers with much to ponder.

Monday 8th of July 2024

THe Night Caller (two of four) 9pm CHannel 5

Episode 2 (“The Confession”): Tony confronts Lawrence, who reveals shocking truths live on air. Meanwhile, Rosa’s revelation adds to the tension.

Dirty Harry (1971) 11.10pm 5Action

“Dirty Harry,” directed by Don Siegel and starring Clint Eastwood as the titular character, is a landmark film in the crime thriller genre. Released in 1971, it follows San Francisco police inspector Harry Callahan as he pursues a psychopathic serial killer known as Scorpio. While celebrated for its gritty realism, taut direction, and Eastwood’s iconic performance, “Dirty Harry” also grapples with complex social, political, and ethical themes that have sparked significant debate.

At its core, “Dirty Harry” is a reflection of the social anxieties and urban violence of the early 1970s. The film portrays a city besieged by crime and a police force struggling to maintain order. Harry Callahan’s character embodies a rugged, no-nonsense approach to law enforcement, which contrasts sharply with the perceived inefficacy and bureaucratic constraints of the legal system. This theme resonates with the public’s growing frustration with rising crime rates and the challenges faced by law enforcement officers.

Politically, “Dirty Harry” is often viewed as a critique of liberal attitudes towards crime and justice. The film presents a stark dichotomy between the rights of criminals and the rights of victims. Scorpio, the film’s antagonist, exploits legal loopholes and due process protections to evade capture and punishment, highlighting the tension between civil liberties and public safety. Harry’s methods, while effective, are extralegal and often brutal, suggesting a controversial endorsement of vigilantism and a rejection of the legal safeguards designed to protect individual rights.

The film’s portrayal of police brutality and vigilante justice raises significant ethical questions. Harry Callahan’s willingness to bypass legal procedures and use excessive force to achieve his goals challenges the moral integrity of law enforcement. The famous line, “Do I feel lucky? Well, do ya, punk?” encapsulates Harry’s confrontational and authoritarian approach. While some viewers see Harry as a hero who gets results, others criticize the film for glorifying violence and undermining the rule of law. This ethical ambiguity makes “Dirty Harry” a provocative and polarizing film that continues to inspire debate about the limits of police power and the balance between security and civil rights.

Clint Eastwood’s performance as Harry Callahan is central to the film’s impact. His stoic demeanor, piercing gaze, and minimalistic dialogue create a character that is both intimidating and compelling. Eastwood’s portrayal captures the essence of a man driven by a personal code of justice, willing to cross lines that others will not. This complexity adds depth to the character, making him more than just a one-dimensional enforcer.

The music score by Lalo Schifrin is another standout element of “Dirty Harry.” Schifrin’s score combines jazz, orchestral, and avant-garde elements to create a soundtrack that is both eerie and intense. The music enhances the film’s tension and atmosphere, underscoring the suspense and unpredictability of the cat-and-mouse game between Harry and Scorpio. Schifrin’s use of dissonant tones, rhythmic patterns, and unconventional instruments adds a layer of psychological depth to the film, reflecting the chaotic and menacing world that Harry navigates.

Don Siegel’s direction and Lalo Schifrin’s haunting score contribute significantly to the film’s tense and foreboding atmosphere. The use of San Francisco’s urban landscape enhances the film’s gritty realism, while the cat-and-mouse dynamic between Harry and Scorpio keeps viewers on edge. Andrew Robinson’s portrayal of Scorpio is chilling and unpredictable, serving as a counterbalance to Eastwood’s controlled intensity.

“Dirty Harry” also touches on themes of alienation and disillusionment. Harry Callahan is depicted as a lone wolf, isolated from his peers and the system he serves. His disillusionment with the bureaucratic constraints of the police force reflects broader societal disenchantment with institutions that are perceived as ineffective or corrupt.

“Dirty Harry” is a seminal film that transcends its genre to explore profound social, political, and ethical themes. Its portrayal of crime, justice, and the use of force remains relevant and thought-provoking. Clint Eastwood’s iconic performance, Don Siegel’s adept direction, and Lalo Schifrin’s evocative music score ensure that “Dirty Harry” is not only an influential crime thriller but also a cultural touchstone that continues to provoke discussion and analysis. The film’s legacy is marked by its ability to engage with contentious issues in a way that is both entertaining and intellectually stimulating.

Tuesday 9th pf July 2024

THe Night Caller (three of four) 9pm CHannel 5

Episode 3 (“The Australia Day Shootings”): Eric Edgar Cooke’s role in the shootings comes to light, exposing a corrupt police force and seeking exoneration for John Button.

Ordinary Love (2019) 11.05pm BBC2

“Ordinary Love,” directed by Lisa Barros D’Sa and Glenn Leyburn, is a poignant and tender drama that explores the enduring power of love in the face of life’s most challenging adversities. Starring Liam Neeson and Lesley Manville, the film follows middle-aged couple Tom and Joan as they navigate Joan’s diagnosis and treatment for breast cancer.

Liam Neeson and Lesley Manville deliver deeply affecting performances, capturing the nuances of a long-term relationship tested by illness. Their chemistry is palpable, portraying a love that is both resilient and vulnerable. The film’s strength lies in its authenticity, presenting the couple’s journey with honesty and sensitivity.

The narrative focuses on the everyday moments of their lives, highlighting the small acts of kindness and support that define their bond. The film’s understated direction and naturalistic dialogue emphasize the ordinariness of their situation, making their love story universally relatable.

“Ordinary Love” is a beautifully crafted film that celebrates the quiet strength of enduring love. It is a moving tribute to the unspoken understanding and unwavering support that sustain relationships through the toughest times. This heartfelt drama is a testament to the resilience of the human spirit and the profound connection that binds us together.

Wednesday 10th of July 2024

The Night Caller (four of four_ 9.30pm Channel 5

Episode 4 (“Cleared of Murder”): John Button’s case prompts a royal commission, and Cooke’s crimes continue to impact the community.

Cat Balou (1965) 4.35pm Film4

“Cat Ballou,” directed by Elliot Silverstein, is a charming and whimsical Western comedy that stars Jane Fonda as the titular character, Catherine “Cat” Ballou. The film follows Cat, a schoolteacher-turned-outlaw, as she seeks revenge for her father’s murder and fights to save their ranch from a corrupt developer.

Jane Fonda shines as Cat, delivering a performance that is both spirited and endearing. She is supported by a standout cast, including Lee Marvin in a dual role as the washed-up gunslinger Kid Shelleen and the villainous Tim Strawn. Marvin’s performance, particularly as the comedic and drunken Shelleen, earned him an Academy Award for Best Actor and remains one of the film’s highlights.

“Cat Ballou” expertly balances humor and action, with witty dialogue, slapstick comedy, and memorable musical interludes provided by Nat King Cole and Stubby Kaye as the balladeers narrating the story. The film’s lighthearted tone and playful spirit make it a refreshing take on the Western genre.

With its engaging story, delightful performances, and clever humor, “Cat Ballou” is a classic that continues to entertain audiences. It’s a joyous romp that showcases the versatility of its cast and the enduring appeal of a well-crafted comedy.

C’mon C’mon (2021) 1.301m Film4

“C’mon C’mon,” directed by Mike Mills, is a deeply moving and introspective film that beautifully explores the complexities of human connection and the innocence of childhood. Starring Joaquin Phoenix as Johnny, a radio journalist, and Woody Norman as his precocious nephew Jesse, the film delves into their evolving relationship as they embark on a cross-country trip.

Joaquin Phoenix delivers a nuanced and empathetic performance, portraying Johnny with a blend of vulnerability and warmth. Woody Norman is a revelation, capturing the inquisitiveness and emotional depth of Jesse with remarkable authenticity. Their chemistry is the heart of the film, driving its poignant narrative.

Shot in striking black and white, “C’mon C’mon” exudes a timeless quality, enhancing its reflective and intimate tone. The film’s contemplative pacing and thoughtful dialogue invite viewers to ponder life’s big questions through the lens of its endearing characters.

“C’mon C’mon” is a tender and beautifully crafted film that celebrates the bonds that define us. It is a testament to the power of empathy, understanding, and the simple, yet profound, connections we share with one another. This heartfelt journey is a must-watch for anyone seeking a deeply human and emotionally resonant cinematic experience.

Thursday 11th of July 2024

The Velvet Touch (1948) 6.25am BBC2

“The Velvet Touch,” directed by John Gage and starring Rosalind Russell in a tour de force performance, is a classic film noir that weaves together elements of suspense, drama, and psychological intrigue. Set in the glamorous world of Broadway theater, the film follows the story of Valerie Stanton (Rosalind Russell), a successful actress who becomes entangled in a web of deceit and murder.

Rosalind Russell delivers a captivating performance as Valerie Stanton, portraying her as a complex and multifaceted character. Valerie is a strong-willed and ambitious woman navigating the challenges of fame and artistic integrity in a male-dominated industry. Russell’s portrayal captures Valerie’s vulnerability and inner strength, making her a compelling protagonist amidst the film’s noirish atmosphere.

The plot unfolds as Valerie accidentally kills her manipulative and abusive husband (played by Leo Genn) in self-defense. This sets off a chain of events involving blackmail, suspicion, and betrayal, as Valerie attempts to cover up the crime and protect her career and reputation. The film masterfully builds tension and suspense, keeping viewers on edge as Valerie’s world unravels.

Director John Gage creates a visually striking and atmospheric film noir, utilizing shadowy cinematography and moody lighting to enhance the sense of intrigue and danger. The film’s evocative score complements the suspenseful narrative, heightening the emotional impact of pivotal scenes.

“The Velvet Touch” also explores deeper themes of power, ambition, and the price of success. It confronts issues of gender dynamics and the challenges faced by women in the entertainment industry during the post-World War II era. Valerie Stanton’s journey from victim to survivor is a testament to resilience and determination in the face of adversity.

“The Velvet Touch” stands as a compelling example of classic film noir, anchored by Rosalind Russell’s powerhouse performance and John Gage’s skillful direction. With its gripping plot, atmospheric cinematography, and exploration of complex themes, the film still captivates.

The Lodge (2019) 11.50pm Film4

“The Lodge,” directed by Veronika Franz and Severin Fiala, is a chilling psychological horror that delves deep into the darkest corners of the human psyche. Set against the backdrop of a remote lodge buried in snow, the film weaves a tale of isolation, grief, and escalating paranoia that grips viewers from start to finish.

The story revolves around Grace (Riley Keough), a young woman with a haunting past, who finds herself snowed in with her fiancé’s two children, Aiden (Jaeden Martell) and Mia (Lia McHugh), at a secluded lodge. As tensions mount and eerie occurrences begin to unfold, Grace’s fragile sanity is tested, revealing unsettling truths and blurring the lines between reality and nightmare.

Veronika Franz and Severin Fiala excel in creating an atmosphere thick with dread and uncertainty. The desolate winter setting enhances the film’s sense of isolation and impending doom, effectively mirroring the characters’ psychological states. The directors employ slow pacing and a deliberate buildup of suspense, allowing tension to simmer and intensify with each passing scene.

Riley Keough delivers a captivating performance as Grace, navigating a complex spectrum of emotions from vulnerability to menacing intensity. Her portrayal is hauntingly authentic, drawing viewers into her character’s unraveling psyche. Jaeden Martell and Lia McHugh complement Keough with equally compelling performances, portraying the conflicted and increasingly wary children caught in Grace’s turbulent orbit.

“The Lodge” is not a typical horror film reliant on jump scares; instead, it relies on psychological depth and a sense of impending dread. It explores themes of trauma, guilt, and the fragility of the human mind, challenging viewers to confront uncomfortable truths about grief and psychological manipulation.

The film’s cinematography by Thimios Bakatakis is stark and atmospheric, capturing the claustrophobic confines of the lodge and the vast, unforgiving landscape outside. The score by Danny Bensi and Saunder Jurriaans enhances the film’s eerie ambiance, heightening suspense without overpowering the quiet moments of introspection.

Overall, “The Lodge” is a haunting and thought-provoking psychological thriller. With its powerful performances, atmospheric direction, and chilling narrative, the film stands as a testament to the enduring allure of psychological horror done right. Whether you’re a fan of the genre or simply intrigued by tales that probe the depths of human fear, “The Lodge” is a must-watch for its unsettling and unforgettable journey into darkness.

Friday 12th of July 2024

Dawn of the Planet of the Apes (2014) 10pm C5

“Dawn of the Planet of the Apes,” directed by Matt Reeves, is a stunning and immersive sci-fi epic that continues the saga of intelligent apes and their evolving relationship with humanity. Set in a post-apocalyptic world where a deadly virus has devastated human civilization, the film explores themes of survival, conflict, and the precarious balance between empathy and aggression.

The story picks up years after the events of its predecessor, “Rise of the Planet of the Apes,” with Caesar (Andy Serkis) leading a thriving community of genetically enhanced apes in the Muir Woods near San Francisco. Their peaceful existence is disrupted when a group of human survivors, led by Malcolm (Jason Clarke) and Ellie (Keri Russell), seek access to a dam located within the apes’ territory to restore power to their decaying city.

Matt Reeves masterfully crafts a narrative that delves into the complexities of coexistence and mutual distrust. The film explores the parallels between the ape and human societies, both grappling with internal power struggles and external threats. The evolving dynamics between Caesar and Koba (Toby Kebbell), a scarred and embittered ape, exemplify the tensions simmering beneath the surface and the consequences of fear and mistrust.

Andy Serkis delivers a tour de force performance as Caesar, imbuing the character with a profound sense of leadership and inner turmoil. Through Serkis’ motion-capture performance, Caesar emerges as a complex and empathetic protagonist, torn between his loyalty to his fellow apes and his desire for peace with humans. Toby Kebbell’s portrayal of Koba is equally compelling, capturing the character’s descent into extremism and the tragic consequences of unchecked hatred.

Visually, “Dawn of the Planet of the Apes” is a marvel of modern filmmaking. The seamless integration of motion-capture technology and breathtaking cinematography by Michael Seresin creates a vivid and immersive world. The apes’ lifelike expressions and movements, coupled with the lush landscapes of the Muir Woods and the crumbling ruins of San Francisco, add depth and authenticity to the film’s dystopian setting.

Michael Giacchino’s evocative score enhances the film’s emotional resonance, underscoring key moments of tension and introspection. The haunting themes of loss, redemption, and the quest for peace resonate throughout the narrative, elevating “Dawn of the Planet of the Apes” beyond mere spectacle to a profound exploration of humanity’s capacity for both greatness and destruction.

“Dawn of the Planet of the Apes” is a masterfully crafted sequel that surpasses its predecessor in both scope and emotional depth. Matt Reeves’ direction, coupled with outstanding performances and groundbreaking visual effects, delivers a gripping tale of survival, moral complexity, and the fragile bonds that define us as individuals and societies. Whether you’re a fan of sci-fi epics or thoughtful dramas, this film offers a compelling and thought-provoking experience that will leave a lasting impression.

Manhunter (1986) 12.05am BBC2

“Manhunter,” directed by Michael Mann, is a gripping psychological thriller that dives deep into the mind of a criminal profiler and the ethical dilemmas he faces in pursuit of justice. Based on Thomas Harris’s novel “Red Dragon,” the film follows FBI agent Will Graham (played by William Petersen) as he comes out of retirement to track down a serial killer known as “The Tooth Fairy.”

Ethical themes pervade the narrative as Graham grapples with the psychological toll of entering the minds of violent criminals. His ability to empathize with killers, a gift that aids his investigations, also threatens to consume him morally and emotionally. The film confronts the ethical implications of using unconventional methods and delves into the ethical boundaries law enforcement officials navigate in their pursuit of justice.

Michael Mann’s direction creates a tense and atmospheric backdrop that enhances the film’s exploration of ethical dilemmas. The cinematography and soundtrack contribute to the film’s noirish ambiance, amplifying the psychological intensity of Graham’s pursuit of the killer.

William Petersen delivers a compelling performance as Will Graham, portraying his internal conflict and moral ambiguity with depth and nuance. His portrayal captures Graham’s dedication to his work and the personal sacrifices he makes in his quest to protect society from violent predators.

“Manhunter” also explores ethical questions surrounding the nature of evil and the human capacity for violence. The character of Francis Dollarhyde (played by Tom Noonan), the serial killer at the heart of the story, raises profound questions about the roots of criminal behavior and the potential for redemption.

“Manhunter” is a thought-provoking thriller that delves into ethical complexities and the psychological toll of confronting evil. Michael Mann’s direction, coupled with William Petersen’s riveting performance, makes for a compelling exploration of justice, morality, and the blurred lines between good and evil in the pursuit of truth.

and finally… streaming choices

Disney+ has Mastermind: To Think Like a Killer available from Thursday 11th of July 2024. The show consists of three episodes and offers a fascinating perspective on the woman whose crime-hunting innovations changed history. Dr Ann Burgess, a psychiatric nurse and professor, must learn to think like a serial killer to stop them. With unprecedented access to the mastermind behind modern serial-killer profiling, the series delves into Burgess’ tenacious story and her compassion for victims, making her central to solving America’s most infamous true-crime cases. From well-known cases like Ed Kemper and Ted Bundy to lesser-known ones, Burgess investigates and studies both victims and the damaged psyches of their attackers, piecing together the puzzle to catch a killer. Directed by Abby Fuller, the series is produced for Hulu by Campfire Studios in association with Lewellen Pictures. Elle Fanning, Dakota Fanning, and other talented individuals serve as executive producers. You can also check out the trailer for the series!

Netflix has Exploding Kittens. Season One is available from Friday, 12th of July 2024. this adult animated comedy series is based on the card game. The show stars Tom Ellis as “Godcat,” and it promises to be a hilarious and entertaining watch.

Picture credits

Who You Think I Am (2019)
The poster art can or could be obtained from the distributor Diaphana Films., Fair use, https://en.wikipedia.org/w/index.php?curid=63973505

The Burnt Orange Heresy (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=63024812
Vice (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59040750
Dirty Harry (1971)
By Warner Bros./ movieposter.com, Fair use, https://en.wikipedia.org/w/index.php?curid=7391508
Ordinary Love (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor, Fair use, https://en.wikipedia.org/w/index.php?curid=63106722
Cat Ballou (1965)
Fair use, https://en.wikipedia.org/w/index.php?curid=5575765
C’mon C’mon (2021)
By http://www.impawards.com/2021/cmon_cmon.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68670014
The Velvet Touch (1948)
By RKO Pictures – Distributor of film – http://www.movieposterdb.com/poster/0f88885d, Fair use, https://en.wikipedia.org/w/index.php?curid=40242487
The Lodge (2019)
By NEON – https://neonrated.com/films/the-lodge, Fair use, https://en.wikipedia.org/w/index.php?curid=60697078
Dawn of the Planet of the Apes (2014)By 20th Century Fox – http://www.movieinsider.com/posters/131057/, Fair use, https://en.wikipedia.org/w/index.php?curid=39545166
Manhunter (1986)
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The Fall of the House of Usher on Netflix: A Modern Gothic Horror Drama Inspired by Edgar Allan Poe’s Works

May 27, 2024 at 11:23 am · Filed under Netflix, TV Shows ·Tagged , , , , , , , , , ,

SPOILER ALERT

814 words, 4 minutes read time.

The Fall of the House of Usher is an American gothic horror drama television miniseries created by Mike Flanagan, released on Netflix on October 12, 2023. This atmospheric and visually striking series consists of eight episodes, each carefully crafted to weave a dark and intricate narrative inspired by the works of Edgar Allan Poe.

Visual and Atmospheric Impact

The series excels in its visual storytelling, using a palette of dark, moody colors to create a sense of foreboding and unease. The production design intricately details the Usher family’s deteriorating mansion, symbolizing the decay and corruption that pervades their lives. Cinematography employs shadowy lighting and dramatic contrasts to enhance the gothic horror aesthetic, making every scene a visual feast of dread and anticipation.

Contemporary Societal Issues and Technological Advancements

Set between 1953 and 2023, The Fall of the House of Usher explores contemporary societal issues such as corporate corruption, the opioid crisis, and the ethical boundaries of technological advancements. Roderick Usher, as the CEO of Fortunato Pharmaceuticals, embodies the unchecked greed and moral decay prevalent in modern-day corporations. The series reflects on the real-world impact of pharmaceutical companies, highlighting how their pursuit of profit often leads to devastating consequences for society.

Complex Characters and Moral Dilemmas

Roderick Usher (Bruce Greenwood) is a deeply flawed protagonist, whose rise to power is marked by ethical compromises and ruthless ambition. His character arc is a tragic exploration of how the lust for power and control can lead to one’s downfall. His sister, Madeline Usher (Mary McDonnell), the COO of Fortunato Pharmaceuticals, is equally complex, depicted as a genius whose intellect is both her greatest asset and her greatest curse. Their dynamic relationship is fraught with tension and buried secrets, adding layers to their characters.

Verna (Carla Gugino), a mysterious and supernatural entity, adds a chilling dimension to the series. Her enigmatic presence and shape-shifting abilities—most notably into a raven—embody themes of death and the unknown. Verna’s interactions with the Usher family reveal deeper truths about their past and their inevitable fate, making her a pivotal character whose motives and origins are shrouded in mystery. Her portrayal is inspired by Poe’s “The Raven,” and she serves as a constant reminder of the consequences of the Ushers’ actions.

Arthur Gordon Pym (Mark Hamill), the family’s lawyer, is another fascinating character. Known as the “Pym Reaper,” he is the fixer who ensures the family’s dark secrets remain buried. His loyalty to the Ushers is unwavering, driven by a complex mixture of gratitude, fear, and perhaps a touch of his own moral ambiguity. Pym’s backstory, including his harrowing experiences during the Transglobe Expedition, adds depth to his character, revealing how his encounters with cruelty and the supernatural have shaped his worldview.

Integration of Social Issues

The series seamlessly integrates contemporary social issues into its storyline, adding layers of relevance and critique. Examples include:

  • Pharmaceutical Corruption: Roderick Usher, as the CEO of Fortunato Pharmaceuticals, embodies the greed and ethical failings of modern corporate America. The series addresses the opioid crisis, highlighting how pharmaceutical companies prioritize profit over human lives. A powerful scene depicts a press conference where Roderick deceptively assures the public of the safety of a new painkiller, while behind the scenes, victims of the drug’s side effects suffer in silence.
  • Technological Surveillance: The Usher family’s use of advanced technology to monitor and control their environment reflects current concerns about privacy and surveillance. This element of the plot critiques the invasive nature of modern technology. For example, Madeline’s office is equipped with state-of-the-art surveillance equipment, allowing her to keep tabs on employees and even family members, showcasing the pervasive and intrusive power of technology.

Reflection on Human Nature and Consequences

While the series does not present a straightforward moral lesson, it delves into themes of obsession, corruption, and the blurred lines between reality and madness. Roderick Usher’s relentless pursuit of power and wealth serves as a cautionary tale about the destructive nature of obsession. The series also explores how family secrets and past sins inevitably surface, leading to tragic outcomes.

Characters in the series frequently grapple with their sanity as they confront supernatural occurrences and hidden family truths. This interplay between the psychological and the supernatural challenges viewers to question what is real and what is imagined, creating a rich tapestry of horror and intrigue.

Conclusion

The Fall of the House of Usher is a masterful blend of gothic horror and contemporary drama, enriched by complex characters and moral dilemmas. The series not only pays homage to Edgar Allan Poe’s literary legacy but also reflects on modern societal issues and the timeless consequences of human actions. With its atmospheric visuals, intricate storytelling, and deep thematic exploration, the series leaves a lasting impact on its audience, inviting them to reflect on the dark corners of the human soul and the inevitable repercussions of unchecked ambition.

Reviewed by Pat Harrington

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