Archive for Edinburgh Fringe Festival 2023

Fabulett 1933

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Fabulett 1933 is an extraordinary one-person musical that brilliantly brings to life a pivotal era in history through the eyes of the charismatic MC, Felix, masterfully portrayed by Michael Trauffer. Set against the backdrop of Berlin in 1933, a city teetering on the precipice of change, the show immerses its audience in the vibrant world of cabaret, a unique form of entertainment that effortlessly blends music, satire, comedy, and political commentary.

Michael Trauffer is compelling as Felix

At the heart of Fabulett 1933 is Felix, the magnetic MC of a gay cabaret club. As the story unfolds, we witness Felix’s struggle against the encroaching closure of his cherished venue and the ominous rise of fascism. The show deftly weaves together historical accuracy with original songs and performances that once fell under the Nazis’ label of “degenerate.” Trauffer’s performance captures the essence of the era, embodying the resilience and defiance that characterized those who dared to speak out.

Cabaret, a genre that reached its zenith in Berlin during the Weimar Republic (1919-1933), finds a poignant representation in Fabulett 1933. This unique form of artistic expression emerged as a powerful platform for social critique and artistic experimentation, flourishing within the vibrant heart of the city. It introduced audiences to a fusion of music, comedy, and political commentary, challenging societal norms and inciting thought-provoking discussions. Renowned figures such as Marlene Dietrich, Kurt Weill, Bertolt Brecht, and Max Reinhardt breathed life into this genre, pushing the boundaries of creative expression.

However, the looming shadow of the Nazi regime cast a sinister pall over this artistic revolution. With their oppressive tactics, the Nazis stifled cabaret, banning and censoring its performers and venues, effectively quashing a beacon of intellectual and artistic freedom.

Fabulett 1933 resonates powerfully through its masterful depiction of the Weimar Republic’s cabaret scene. Trauffer’s portrayal of Felix captures the essence of a complex character who confronts not only the closure of his club but also his own battle against intolerance. The show garnered well-deserved acclaim during its runs at London’s Canal Café Theatre and the Edinburgh Festival Fringe, receiving multiple 4-star reviews.

Critics have been effusive in their praise for Fabulett 1933, with descriptions such as “a captivating and moving performance that blends history, humor, and heartbreak” underscoring the show’s emotional depth. Another review aptly hails it as “an elegant slice of cabaret that transports us to the final days of one of Germany’s most vibrant eras,” invoking the nostalgia and vibrancy of the time. Perhaps most significantly, the show is heralded as “a powerful reminder of the importance of visibility and resistance in the face of oppression,” encapsulating the poignant message of Fabulett 1933.

One cannot discuss the show without acknowledging the rich historical context that serves as its backdrop. The Weimar Republic, a brief yet remarkable period of relative tolerance and cultural expression for gays, is illuminated through the lens of Felix’s experiences. This vibrant subculture emerged in Berlin, characterized by a proliferation of bars, clubs, magazines, organizations, and artists catering to the gay community. The influence of figures like Magnus Hirschfeld, founder of the Institute for Sexual Science, is palpable. Hirschfeld’s dedication to scientific and legal reforms, including the repeal of the infamous Paragraph 175, was a defining moment in the fight for LGBTQ+ rights.

Fabulett 1933 gracefully navigates the delicate balance between its serious subject matter and moments of levity. Humor surfaces through the witty banter exchanged between Felix and his pianist Hans, creating a dynamic that lightens the mood without diluting the show’s emotional impact.

Central to the performance are the songs that encapsulate the era’s spirit. Trauffer’s adept translation of iconic pieces like “Das Lila Lied” (The Lavender Song) and “Maskulinum-Femininum” showcases his talent in preserving the essence of the original lyrics. Additionally, Trauffer’s original compositions, notably “Your Cabaret Needs You” and “Invisible,” enhance the show’s emotional resonance, serving as a powerful testament to the enduring spirit of resistance.

In a world that often grapples with issues of freedom, identity, and acceptance, Fabulett 1933 stands as a poignant reminder of the struggles faced by those who dared to be different. Through Felix’s journey, the audience is urged to recognize the invaluable importance of diversity and resist the encroachment of oppression. This evocative and thought-provoking musical serves as a cautionary tale, encouraging us to remain vigilant against red flags and warning signs that threaten the very essence of human rights and freedom.

Fabulett 1933 is more than a show; it’s an immersive experience that transports us to a time when artistic expression and personal authenticity clashed with a world descending into darkness. Michael Trauffer’s remarkable performance, combined with the rich tapestry of historical nuances and unforgettable melodies, leaves an indelible mark on the hearts and minds of its audience.

Reviewed by Pat Harrington

Venue
302
Underbelly, Bristo Square – Clover
22:00
Aug 12-13, 15-20, 22-27
1 hour
Suitability: 14+ (Guideline)

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1518

“1518,” a captivating theatre show presented by Siege of Herons, delves into the enigmatic historical event known as the “Dancing Plague” that gripped Strasbourg in 1518. In the midst of a scorching summer, a small yet growing number of individuals found themselves inexplicably compelled to dance. What began as isolated incidents quickly escalated into a mass hysteria, with scores of people joining the frenzied dance, unable to stop despite their exhaustion, pain, and even injury.

The exact cause of the 1518 dancing plague remains shrouded in mystery, though historical records and modern theories offer some insights. Accounts from the time describe a relentless cycle of dancing that lasted for weeks, leaving participants in states of physical and mental distress. Some believe that the plague may have been triggered by a combination of stress, social factors, and perhaps even a form of mass psychogenic illness, where psychological stressors manifested physically. Others speculate that toxic substances present in the environment, such as ergot fungus, which contains compounds with hallucinogenic properties, could have played a role in inducing the uncontrollable dancing.

Regardless of the underlying cause, the dancing plague of 1518 stands as a haunting reminder of how collective behavior and psychological factors can intertwine in inexplicable and astonishing ways, leaving an indelible mark on the pages of history.

The production masterfully re-tells this perplexing phenomenon that left historians puzzled for centuries. Set against a well-conceived TV panel format, the show features two knowledgeable experts engaging in thought-provoking discussions with an interviewer. As the narrative unfolds, different cast members take their turns on the panel, infusing the production with a dynamic energy that mirrors the jerky, high-speed movements of the afflicted dancers. A young and vibrant cast, including Tatebda Nyoni, Jessica Farrar, Victor Edwards, Alice Powell, Ryan Brooks, Josephine Adlam, William Thompson, and Lila Capper, infuse the performance with their incredible energy, skillfully embodying the characters entangled in the dance epidemic.

Their performances evoke the desperation and hysteria that engulfed the town, leaving the audience in awe of their talent and dedication. The integration of sound clips featuring young voices discussing mental health and other contemporary concerns seamlessly complements the narrative, enhancing the audience’s connection to the historical events. Under the skilled direction of Hamza Ali, “1518” artfully explores the convergence of history, psychology, and human behaviour. The clever use of the TV panel format, coupled with the dynamic performances of the cast, immerses the audience in the mystery and intrigue of the dancing plague.

As the story unfurls, the production skilfully employs sound, lighting, and movement to weave a captivating atmosphere that draws viewers deeper into the narrative. “1518” stands as a powerful testament to the unexplained phenomena that have shaped human history, leaving a lasting impression that lingers long after the final curtain falls. I’m sorry to say that the show was on for only a short run as it deserved to be seen by more people.

Reviewed by Pat Harrington

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When Judas Met John – Songs of Dylan and Lennon

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I recently attended the mesmerizing musical show, “When Judas Met John: Songs of Dylan and Lennon,” and I must say, it was an evening that transported the audience on a captivating journey through the timeless works of two musical legends. As a politically aware individual, the performance not only introduced me to some lesser-known gems from Bob Dylan’s repertoire but also shed light on the profound relevance of his songs and those of Lennon, especially in the context of current events like the conflict in Ukraine.

The show’s opening chords set the stage for an unforgettable experience that promised to explore the depths of human emotions and societal reflection through the songs of Bob Dylan and John Lennon. What struck me profoundly was the performance of “Masters of War,” a song whose poignant message felt eerily appropriate given the ongoing conflict. The raw emotion and powerful imagery in the lyrics left an indelible mark, reminding me of the potency that music carries in conveying messages of peace and protest.

One of the many highlights of the evening was Dylan’s touching tribute to John Lennon, Roll On, John. The incorporation of Lennon’s own lyrics into the song created a deeply moving homage that celebrated their artistic kinship and the lasting impact they had on each other’s lives. It was a moment that bridged the gap between two musical giants, reminding us of the interconnectedness of their creative journeys.

The interweaving of songs from both Dylan and Lennon was a stroke of genius. It allowed for intriguing juxtapositions, such as the comparison between Lennon’s “Norwegian Wood” and Dylan’s witty parody, “4th Time Around.” This clever intertwining showcased the distinctiveness of each artist’s approach while highlighting their shared themes of love, introspection, and social commentary.

I was impressed by what the Brothers Broke were able to achieve with just their voices, guitars and the harmonica.

Equally engaging were the interludes between songs, during which the Brothers provided insightful commentary and humorous anecdotes. Their banter added a personal touch to the performance, creating an atmosphere of camaraderie that resonated with the audience. These moments of connection between the performers and the spectators made the experience all the more intimate and enjoyable.

“When Judas Met John: Songs of Dylan and Lennon” is a must-see for anyone who appreciates the power of music to evoke emotions, inspire reflection, and shed light on the socio-political landscape. The performance adeptly showcases the synergy between Bob Dylan and John Lennon’s artistic expressions, leaving the audience with a renewed appreciation for their enduring legacies. Prepare to be moved, enlightened, and entertained as you embark on this musical journey that celebrates the profound impact of two extraordinary artists while highlighting the interconnectedness of their lives and work.

Reviewed by Pat Harrington

When Judas Met John – Songs of Dylan and Lennon
Venue
53
theSpace @ Surgeons Hall – Theatre 1
19:40
Aug 11-12
45 minutes
Suitability: 8+
Group: Brothers Broke

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Science Magic – Messy Mayhem

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If you are looking for an absolutely enriching experience for your kids, look no further than Science Magic – Messy Mayhem at the Laughing Horse @ The Three Sisters. This captivating show, led by the brilliant science magician Donal, combines the perfect blend of education and entertainment to leave children in amazed. It was a full house when I saw it and the kids loved it.

In these hard times the show is also very reasonably priced and Donal explained that due to experiencing an upbringing in a poor household that was important to him. There are Pay What You Can ticket options: £5, £7.50, £10 and £12.50

Donal explains the science behind the tricks to his young audience

Donal has a unique talent for captivating young minds, and he has an extraordinary way of making science come alive. He manages to make complex scientific principles accessible and engaging by infusing them with a dose of fun and excitement. To add to the magic, Donal encourages kids to actively participate in the show by volunteering for his thrilling experiments.

Prepare to be amazed as Donal unveils a series of messy experiments that include jaw-dropping cola fountains, awe-inspiring exploding potions, and even a whimsical vomiting unicorn! But it’s not all just fun and games; Donal ensures that sound science underlies every mesmerizing act, giving children a deeper understanding of the principles at play.

Beyond the captivating entertainment, Science Magic – Messy Mayhem provides an excellent opportunity for kids to grasp the science behind the tricks and learn how to replicate some of them, under supervision, at home. By empowering kids with knowledge and fostering their curiosity, Donal not only entertains but also inspires a passion for science and discovery.

The show is thoughtfully designed for children aged 5 and above, guaranteeing an experience suitable for a wide range of young audiences. However, it’s worth noting that Science Magic – Messy Mayhem lives up to its name – you might want to prepare for a bit of mess and splashes during the show. But worry not, it’s all part of the excitement and learning process!

Science Magic – Messy Mayhem is an absolute must-see for young kids who have a penchant for science and a love for all things messy. It’s also a fantastic opportunity for children who may find science a bit dull, as Donal masterfully proves that science is far from boring; in fact, it’s full of thrilling surprises and captivating wonders.

So mark your calendars! The show runs daily for an hour starting from August 6th to August 27th at the charming Maggie’s Front Room. Don’t miss this incredible opportunity to spark the imaginations of your little ones and foster their love for science in a truly magical way. Science Magic – Messy Mayhem promises to be an experience that your kids will enjoy and talk about!

Venue
272
Laughing Horse @ The Three Sisters – Maggie’s Front Room
11:00
Aug 6-27
1 hour
Suitability: 5+ (5 and older)

Buy tickets here

Reviewed by Pat Harrington

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