





518 words, 3 minutes read time.
“Women in Revolt! Art and Activism in the UK 1970–1990” at Tate Britain is a ground-breaking exhibition that offers a transformative journey through the history of feminist movements in the United Kingdom. Spanning two decades, the exhibition celebrates the radical ideas, rebellious methods, and invaluable contributions of over 100 women artists who challenged societal norms amidst significant social, economic, and political change.
The exhibition contextualizes its narrative within the pivotal 1970 National Women’s Liberation Conference, from which emerged a rich tapestry of artistic expression. These artists harnessed their lived experiences to create powerful forms of art, spanning painting, photography, film, and performance, becoming a potent force for change. Central to the exhibition are fanzines and newsletters, grassroots publications that provided alternative platforms for expression. As an ex-fanzine producer, I was particularly drawn to the vibrant DIY culture of these publications, which served as vital tools for amplifying voices, challenging norms, and celebrating resilience.
Among the compelling artworks featured, “Mother and Child” by Maureen Scott (1970) stands out starkly, challenging the cosy view of motherhood. This piece, along with others, underscores the multifaceted nature of women’s experiences and the complexities inherent in societal expectations.
The early ’70s witnessed an explosion of creativity and experimentation, with artists shaping a movement that intersected with key events like the opening of the first women’s refuge and the emergence of the British Black Arts Movement. Despite their significant contributions, many of these artists were overlooked in dominant artistic narratives until now.
Divided into thematic rooms, the exhibition explores key issues such as the Women’s Liberation Movement, maternal and domestic experiences, punk and independent music, Greenham Common and the Peace Movement, and the visibility of Black and South Asian women artists. With over 630 artworks and archive items, including films and audio, visitors are immersed in a politically engaged community that reshaped British culture.
The exhibition highlights significant moments like the Grunwick Strike, where mostly female immigrant workers fought for trade union recognition and equal pay, echoing broader struggles across the nation. Through the lens of a Bermondsey metal box factory, visitors gain insights into the everyday challenges faced by female workers, underscoring the significance of legislative measures like the Equal Pay Act of 1975.
But “Women in Revolt!” extends beyond individual narratives, embracing the broader spectrum of feminist movements that reshaped Britain. From the Wages For Housework campaign to Reclaim the Night marches, activists contributed to pivotal changes for women, leaving an indelible mark on society.
As visitors navigate through the exhibition, they are invited to reflect on the progress made and the ongoing journey towards a more just and equitable society. “Women in Revolt!” celebrates the unwavering resilience of those who challenged the status quo, weaving together stories of work, family, and activism in a vibrant tapestry of empowerment and change.
Women in Revolt! Art and Activism in the UK 1970-1990 is at Tate Britain, London, until 7 April 2024. It will then transfer to National Galleries Scotland: Modern, Edinburgh, 25 May 2024 to 26 January 2025 and the Whitworth Art Gallery, Manchester, 7 March to 1 June 2025
By Patrick Harrington
