Posts Tagged David Kerr

Ringing Bells: A Reflection on Life’s Changes

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Ringing Out the Changes 334 words, 2 minutes read time.

Accompanied by Susannah, Eli and Geoffrey on handbells, the playwright Jo Clifford, (author of the controversial The Gospel according to Jesus, Queen of Heaven), reflects on the role of bells in the cycle of our lives.
Each of the handbells has a name:
Justice, Courage, Humility, Faithfulness, Continence, Patience, Reverence, Loyalty, Hope, Peace, Joy, and Love. It’s all in the bells. Let’s live our lives in justice, have courage to make it happen, keep hoping, walk in peace, walk in joy, and live in love.
To the sound of various sets played by the three bell ringers, Jo gives a fascinating account of the use of bells in history. Bells conjured up unhappy school memories for Jo. Some of her audience might have similar miserable recollections.

A group of four individuals engaged in a discussion about handbells in a cathedral setting, with a table of handbells in front of them.

Bells often ring out to signify changes, good and bad. Church bells celebrated Victoria’s Diamond Jubilee and the bloody triumphs of Empire. Bells – specifically the bells of St Mary’s Cathedral in Edinburgh – tolled for the thousands of young men butchered in the trenches of the world wars. Bells rang out to celebrate victory in those wars. Bells rang to mourn Queen Elizabeth’s death and to celebrate the coronation of Charles III.
Bells were controversial in the early conflicts between Christianity and Islam and later around the Reformation. John Knox wasn’t a fan, but things moved on. Bells eventually found a place in the Protestant churches.
Jo tells the story of St Mary’s Cathedral, a testimony to two powerful women, Barbara and Mary Walker who led a quiet revolution. They inherited their father’s business and used the money to build the West End of the New Town. They set aside money to build a cathedral in their late mother’s name. They knew that there was more to life than just making money. They never lived to see the magnificent gothic revival cathedral take shape, but they had the vision to see it through.
Who knew that bells could be so interesting?

Reviewed by David Kerr

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Sister Prudence: A Journey of Faith and Identity

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Prudence Play (or Sister Prudence is NOT Gay) 481 words, 3 minutes read time.

In her dreams, Sister Prudence is wearing a sparkly little black dress and tap-dancing to Britney Spears. It’s a contrast from her boring, regimented life as a Catholic nun. Now and again, however, the nuns go on vocational visits to St Augustine’s school in a bus. There she sits next to her friend, another sister, who tells her about a ‘hot priest’ she’d seen in Fleabag on a sabbatical visit to her family. In this one-woman show, the author and performer, Caroline Dunn, uses a handheld mask when she plays the other sister.

Prudence has grown up with a fear of eternal punishment. She learned from a very young age that you go to hell if you don’t watch your step. She tries to be like her name, prudent, careful with decision making, careful with sin. Becoming a nun was her ‘get outta hell backup plan.’

She lies to herself and the school kids, ‘I’m so at peace. Jesus called me since I was a little girl,’ but in the confession, she admits this lie, but still tries to convince herself that she only admires the other sister as ‘a friend, a friend. She’s got nice hair. A nice face. God blessed her with this. Sure, ‘there’s nothing wrong with admiring a friend, right?’

The action switches between Sister Prudence thinking aloud, Prudence in the confessional and in conversations with the attractive sister. She goes to the fish fry – she hates fish – ‘just to socialise.’ She tries to deny the blatantly obvious, that her friendly thoughts and admiration for the other sister are much more than that.

Just hanging out, having great craic with the the other sister, Prudence gathers her courage and recalls a summer when she was about 12-13 when she spent a whole summer with another girl of the same age. She blurts out, ‘you remind me of her. I love you.’ Suddenly a door slams in her face.  ‘Shut up! Stop! You should not have told me. You need to talk to the priests, to the Superior and about your history’ and she gives out the old line about hating the sin and loving the sinner. The other sister grasses her up. How will she cope with the truth? How will she deal with the betrayal of her confidence? What would you do in her circumstances?

This insightful production brings to life the internal struggles of many gay people of faith as they try to reconcile what they’ve been taught with who they are. The probing, intrusive questions of the investigating priest, Father Moriarty, and the use of shame to bring her back in line all ring true. With good humour, Caroline Dunn’s powerful, haunting script throws a spotlight on the mental conflict conservative religious teachings impose on gay people.

Reviewed by David Kerr

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A Fresh Take on The Wizard of Oz: Talentz Team Review

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142 words, 1 minute read time.

The youthful Talentz team bring a fresh perspective on the popular standard, The Wizard of Oz. All the familiar characters are there, Dorothy, Auntie Em, the Scarecrow, the Tin Man and the Cowardly Lion. In this production, inspired by the recent film, Wicked, Toto talks once the storm lands her and Dorothy over the rainbow into the land of Oz. I loved seeing things from a dog’s point of view.

A young actress dressed in a pink gown smiles brightly, holding a prop while performing on stage. Behind her, two actors portray the Scarecrow and the Cowardly Lion, with expressive poses, in a colorful theatrical setting.

We all know the story, how the motley crew follow the Yellow Brick Road to the Emerald City, beset by the vengeful Wicked Witch of the West. These young people deliver this enchanting story with a freshness and enthusiasm that captivates the audience and transports them to the magical land of Oz. My only criticism was that sometimes the accompanying music drowns out the singing in solo pieces.

Reviewed by David Kerr

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Review: Dickie Richards Sexual Tyrannosaur

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A man striking a humorous pose while wearing a white tank top, white underwear, knee-high socks, and sandals, set against a black background.

101 words, 1 minute read time.

If you’re in the market for stupid stand-up comedy at its finest, look no further than Dickie Richard. You’ll find some witty one-liners, some groaners and those good old favourites: willie jokes and fart jokes with more than a touch of self-deprecation.
Despite Dickie’s deadpan delivery, you could predict some of his jokes’ punchlines from a mile off. What sound do you think came from the NASA probe of Uranus? Go on. You don’t need me to tell you, do you? Thought not.

Verdict? Not one for your maiden aunt. 18+ Stupid but fun.


Reviewed by David Kerr

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Save the World with Burlesque: A Review of ‘Bombshell’

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Scarlett – a graduate in environmental science – inherited Club Fistfight, a Las Vegas nightclub, from her heel of a father. With her friends, Eliza and Jane, Scarlett hatches a plan to save the world, ‘to make global warning hot again’ by using burlesque to awaken the masses to the perils of climate change.

Three performers in colorful burlesque outfits pose on stage, holding a red and blue bowl, with a backdrop of shimmering black curtains and stage lighting.

As you might expect, it’s not a roaring success. One year on, the showgirls are giving their final performance. Scarlett reflects on what happened.

What follows is a witty, fun-filled romp through the past year as she recalls dealing with her daddy issues, unreliable and manipulative boyfriends, and some of their campaigns against overfishing in the oceans, the dairy industry, and a car show protest.

“BOMBSHELL is for anyone who’s heard the phrase ‘climate crisis’ on the news and thought, ‘How can they make this sexier?’” says Madison Mayer, the writer. Well, she’s done it. Her sparkling fast-paced script delights the audience. Alia Swan’s music keeps the action moving as the three performers, Madison, Alia, and Emory dance and sing all the parts.

Bombshell is a funny, sexy, enjoyable, yet thought-provoking attempt to address one of the major concerns of our day, the health of Mother Earth.

Reviewed by David Kerr

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Exploring Autism Through Music: A Unique Perspective

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I’m Autistic – A New Musical 262 words, 1 minute read time.

What’s it like to live with autism? It’s so misunderstood by so many neurotypical people – and even a few autistic people themselves. With a dollop of good humour, pathos, and to-the-point songs, we meet three young people who are having a tough time with love, loss, parental relationships and their mental health. There’s Chloë, the ‘weird girl’ subjected to bullying in school whose best friend Liv is distancing herself from her to fit in with the nasty bullying ‘cool girls.’ There’s Nat, the boy who is awkward with girls as he doesn’t know to read the signals., There’s Lauren, the ace student who as part of a research project begins to realise that she is also autistic, but struggles for a formal diagnosis.

Three young actors performing in 'I'm Autistic – A New Musical,' with one person standing and two seated on an orange box, showcasing themes of autism and personal struggles.
Lauren, Nat, and Chloe

This musical pulls no punches. Officious medical procedures to diagnose autism, the confusion and helplessness of parents who want the best for their children but don’t know what to do, what to say, or where to turn, and well-meaning friends who make things worse all come under scrutiny.

Anyone living with autism or living with someone with autism will recognise one or more of the situations faced by the characters. In their own quirky and entertaining way, the young cast raise the issues that affect so many people and scotch a few myths along the way. You’ll laugh. You’ll cry. You’ll be entertained. But you’ll also learn a bit more about this often-misunderstood condition. It’s a perfect antidote to Rain Man.

Reviewed by David Kerr

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The Lost Priest: A Journey Through Jewish Identity

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Gabe Seplow enters the stage, lights a candle, and recites a prayer in Hebrew. He muses on the history of his people. How many times has he heard the, ‘You’re the first Jewish person I’ve met’ or ‘you’re the first Jew I’ve ever met.’ He notes that the single syllable – ‘Jew’ – bites in a way that ‘Jewish person’ does not.

A man walking with a shadow projection of his face, overlaid with Hebrew text.

He’s not particularly proud of his religious heritage, but he’s not not proud either. He’s inherited a story passed down for many decades. He recollects how others have perceived his people as lesser breeds; Hitler in 1936 and Shakespeare in 1596 when he wrote The Merchant of Venice.

Despite Seplow’s misgivings about his inherited faith, his refusal to go through a bar mitzvah at the age of 13, (and his lack of horns and a tail) he continues to recite Hebrew prayers. He knows loving and laughter and playing. He’s coming to terms with his identity. Like Shylock, in Shakespeare’s play, he declares aloud, ‘I am a Jew!’

This is a fine, reflective piece of writing. In a world where accusations and assumptions fly like missiles, it’s worthwhile to stand aside and listen. Seplow allows you to do just that.

Reviewed by David Kerr

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Exploring Life Drawing Classes: A Unique Experience

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Drawing from Life 18+ only (contains nudity)

What goes on in a life drawing class? The participants gather with pads and pencils to draw the model. Our model is Alice. She stands. She sits. She lies down. She changes position in a variety of poses; for thirty seconds, for a minute, for three minutes as participants sketch her.

A vibrant graphic promoting the performance 'Drawing from Life,' featuring abstract silhouettes and a colorful doll-like figure. The title is displayed prominently, indicating a live drawing event with themes of intimacy and exploration.

What are they thinking about as they sketch her? Who are they? There’s a hubbub of distorted voices off stage that she finds disturbing. Alice can’t hear their thoughts but, in the background, we hear hers. Songs that get on your nerves. Thoughts about the man of her dreams.

Alice is more that a body – a doll to be manipulated into a variety of shapes. She has a life inside that body that connects by threads to participants in the class’ volunteers for the audience who reveal a little bit about themselves.

In this intimate production, the audience are suppled with pads and pencils and asked to make sketches, spectate, or participate when invited. It’s a fascinating insight into what lies beneath the skin that challenges its audience to go deeper or even have a go themselves.

Reviewed by David Kerr

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Melanie Gall Brings Piaf and Brel to Life

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169 words, 1 minute read time.

The French chanteuse and the Belgian singer Jacques Brel both lived sad, chaotic lives. The only real love of Piaf’s life died in a plane crash. Brel was a heel. He abandoned his wife and family. Both died before they were fifty. Yet they each produced some of the world’s greatest music.

A performer in a blue dress sings passionately on stage, with a vintage microphone in front of her, under soft lighting.
Melanie Gall

Age differences meant that they could never have sung on the same stage. Melanie Gall – who hales from Alberta in Canada – imagines a concert of some of their best songs and makes a magnificent job of it. Milord, Non, je ne regrette rien, from Piaf, and Ne me quite pas, Amsterdam from Brel. She also brings back to life some of the artists’ lesser-known songs.

Melanie admits she looks nothing like Piaf – or Brel – but with an infectious mixture of awe for their musical genius and good humour in telling their stories, she holds the intimately small audience in the palm of her hand. It’s wonderful stuff.

Reviewed by David Kerr

More information on, and tickets for Piaf and Brel: the Impossible Concert can be found here

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Reine Beau’s Tribute to Women in Rock

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Storming on to the stage with a powerful rendition of Joan Jett’s Bad Reputation, Reine Beau leads her audience on an educational trip through the history of the Women of Rock. I first saw Reine Beau last year when she presented The Blondie Story (reviewed here), which is on again this year.

Reine Beau performing on stage, passionately singing into a microphone while wearing a vibrant outfit, with a musician playing guitar in the background.

In front of a huge screen, she briefly outlines the importance of women in the rock and roll story. Who was the first woman rock star? I was confident that it was Janis Joplin. I was wrong. Sister Rosetta Tharpe played electric guitar in the 1930s! She had a white male backing band and toured with her female lover. How scandalous! She inspired Chuck Berry and Elvis Presley. She was the Godmother of Rock and Roll.

Another blues singer, Bessie Smith inspired Janis Joplin. Janis was the first woman to make it into the Rock and Roll Hall of Fame. Reine treated the audience to a rip-roaring interpretation of Piece of my Heart.

Then she turned to the career of my particular favourite, Suzi Quattro. Told that she could be a second Janis Joplin, she declared that she’d rather be the first Suzi Quattro. This is when it got even more interesting. Reine led us through the career of two band I’d never heard of before, Heart and The Runaways. What have I been missing all these years? I’ve checked out the songs Crazy on You and Cherry Bomb Reine delivered on Spotify. They’re absolutely brilliant!

From California, Reine steers us over to the Poet of Punk, Patti Smith with Because the Night, sings two songs from the Tina Turner songbook, before returning to Joan Jett. Joan’s a legend. She was turned down by 23 different record labels, so she set up her own, to help women get into music. She loved rock music. She wanted others to do the same.

As Reine Beau sang out the Joan Jett classic, I Love Rock and Roll, the screen fired up more legends not covered in this show, Siouxsie Sioux, Debbie Harry and others I didn’t recognise.

Rock and Roll is overwhelmingly male, but the Women of Rock have a very prominent place. To succeed, and even to get a hearing in the times they were breaking through, they needed more guts and determination than the men. They had it in spades. They did it. We’re all richer because of it. Their music will live on forever.

Reviewed by David Kerr

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