Posts Tagged Caligari

Exploring Madness in Paperlight Theatre’s Caligari

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Paperlight Theatre’s Caligari takes the 1920 silent film The Cabinet of Dr. Caligari and reshapes it into something strange, witty, and unsettling. It keeps the expressionist spirit of the original but adds humour, modern touches, and a knowing edge. What might have been a simple retelling becomes a theatrical experiment that unsettles and amuses in equal measure.

The performers involve the audience from the beginning. They break the fourth wall, step out of character, and share the mechanics of the play. For many this gave the show a fresh spark, a sense of intimacy. For others it may have felt jarring. But it worked, for me, as a way of pulling us into the bizarre world being created. The police were played for laughs, bumbling, ineffective, figures of satire, which added to the sense of rebellion and increased the sense of helplessness and drift.

A stylized puppet figure stands in front of the title 'CALIGARI', evoking themes of manipulation and expressionism.

The piece did not lose sight of its darker roots. The theme of circularity ran through it, with characters repeating themselves as though trapped in a nightmare loop. This echoed the unease of the original film and gave the show a dreamlike, haunting quality. Yet one weakness was the depiction of Caligari himself. In the film his obsession was clear, half-academic curiosity, half madness. Here his motivation was less sharp, leaving a gap at the centre. Nonetheless, Tyler Raines delivers a chilling glimpse of a manipulative mad man.

Even with that flaw, the staging was inventive, the play of light and shadow effective, and the cast strong. The whole thing had a surreal atmosphere, laced with comedy and unease. You leave amused and unsettled, with the sense that the madness and manipulation of Caligari is not so far from our own time. It is more than homage—it is a clever, memorable reinvention of a classic story, well suited to the spirit of the Fringe.

Reviewed by Pat Harrington

More information and tickets here

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Fringe 2025: A Sneak Peek at Upcoming Highlights

A Counter Culture Preview | Words by Patrick Harrington

796 words, 4 minutes read time.

The 2025 Edinburgh Fringe programme reads like a chorus of unfiltered voices—frayed, fearless, and fighting to be heard. Whether exploring myth through futuristic gaze or revisiting icons with raw intimacy, these shows aren’t just entertainment—they’re interventions. Here are just a few we’re planning to see and review. And if you like what you read, click on the title to purchase tickets.

🎧 Fun At Parties

Berlin Open Theatre | 1–25 Aug | 17:30 (1h) Set in Berlin’s fading club scene, this piece feels eerily current—a quiet elegy to joy as resistance. As authorities tighten their grip and safe spaces flicker out, we follow queer organisers pushing back with light, sweat, and sound. Expect immersive storytelling that blurs the line between performance and rave, with a thumping political pulse beneath the hedonism.

🎭 I’m Not Saying We Should, But What If We Did?

Minotaur Theatre Company | 11–16 Aug | 12:05 (50m) Two clowns in pearls and power suits debate banning men—on live breakfast TV. What could go wrong? This whip-smart satire skewers performative politics, gendered violence, and the optics of progress. It’s messy, sharp, and beautifully furious. One to watch for fans of Newsnight crossed with Clown Funeral.

🧖 Sauna Boy

Dan Ireland-Reeves | 1–16 Aug | Venue & time TBC Told with sweat, sass, and sincerity, this solo show reclaims the stories of men working in gay saunas. Expect intimate detail, ghosted clients, and glimpses of real connection in the steam. Dan Ireland-Reeves mixes autobiography and theatrical flair in a world rarely shown on stage.

🎸 Bob Dylan Under Cover

Night Owl Shows | 1–23 Aug | 13:10 (50m) Dylan’s protest ballads get a new coat in this soulful reimagining. The Night Owl Band’s arrangements stay true to spirit without being stuck in sepia. Thoughtful, stripped-back, and surprisingly moving—expect quieter revelations between the chords.

🎤 Women Of Rock

Night Owl Shows | 1–23 Aug | 18:50 (50m) This tribute is unapologetically loud—electrifying in voice and politics. Reine Beau commands the stage through the voices of Joplin, Benatar, and Stefani. Less nostalgia tour, more firestarter. An ode to feminine power on full volume.

🎹 The Elton John Story

Night Owl Shows | 1–23 Aug | 14:50 (50m) Part biography, part musical love letter. Angus Munro carries Elton’s vocal gymnastics and wit with uncanny ease, but it’s the honesty of the narration that elevates it—a portrait of resilience in sequins. Even the most casual fan will walk away moved.

🦅 The Rise Of The Eagles

Night Owl Shows | 1–23 Aug | 16:10 (50m) Beyond the harmonies and Hollywood veneer, this is a story of artists chasing transcendence and breaking apart under the weight. With pitch-perfect vocals and archival richness, it’s a thoughtful retelling for those who lived the music—and those just discovering its wings.

👑 The Legend of Queen

Night Owl Shows | 1–23 Aug | 19:50 (50m) More than a tribute—this is a communion. With Peter Marchant’s Mercury-esque magnetism and musical precision, it captures the operatic heart of Queen. High camp, yes, but laced with raw defiance. Don’t be surprised if the audience becomes the choir.

😈 #11th Annual Haters Ball

Hate N Live | 1–25 Aug | 21:00 (1h) Late-night comedy with teeth—and venom. Comedians roast your rage-fuelled suggestions in real time. Think Have I Got News For You meets a group therapy session led by stand-up sadists. Unfiltered, uneven, and frequently hysterical.

🎶 Joni Mitchell: Take Me As I Am

Rainee Blake | 1–25 Aug | 17:30 (1h) Rainee Blake doesn’t impersonate Joni—she honours her. With dulcimer and aching falsetto, she channels a voice that changed everything. This show is as much about memory and myth as melody. Come for the songs; stay for the feeling.

🌀 Caligari

SUSU Theatre Group | 18–23 Aug | 10:35 (50m) A silent film reimagined through physical theatre, shadow play, and creeping dread. Visually striking and morally slippery, this version of Caligari feels like a warning from both the past and for the future.

🏆 1966

Talking Shadows | 1–25 Aug | Times TBC It’s not just about the World Cup. This jukebox musical wraps itself around a pivotal year—when class, culture, and pop collided in glorious technicolour. Working-class dreams kick off, boots first.

🧘 The Anti ‘Yogi’

Mayuri Bhandari | 1–25 Aug | Times TBC Part dance-theatre, part political awakening, this blistering piece dismantles colonial wellness trends and reclaims sacred space. It’s riotous, reverent, and deeply intelligent—featuring storytelling that demands yoga be seen as revolution, not retail.

🌍 Echoes of Nuwa: The Last Human Project

Muddy Lolos | 1–23 Aug | 10:00 (50m) Three celestial beings debate whether to rebuild humanity in this post-anthropocene fable. Told through movement, mask, and multilingual poetry, Echoes of Nuwa is mythic, strange, and stirring. Equal parts cautionary tale and cosmic love letter.

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