Archive for Night Owl

Fringe Review: The Elton John Story

★★★★★ The Elton John Story is another triumph from the Night Owl stable, a show that manages to combine top-class musicianship with warmth and fun. Angus Munro and the Night Owl Band don’t attempt to impersonate Elton (although I was pleased to see some sequins and glasses!) —what they do instead is far more effective. They let the songs speak for themselves, and in doing so, they remind us why Elton John is one of the greats.

From the opening number, the audience is swept along by a setlist that covers both the barnstorming anthems and the tender ballads. For me, there was a personal moment of joy when the band launched into Goodbye Yellow Brick Road. That album was my entry point into Elton’s world (though not on it’s release in 1973!), and the title track remains one of my favourite songs. Hearing it live here, handled with such respect and energy, felt like coming full circle.

The show doesn’t shy away from telling the story behind the songs either, and rightly gives space to Elton’s long-time songwriting partner, Bernie Taupin. Their partnership is one of the most remarkable in music. Bernie’s words and Elton’s melodies have been fused together for over half a century, producing classics like Rocket Man, Your Song, and Tiny Dancer. It’s a reminder that even the brightest star doesn’t shine alone—behind Elton’s showmanship has always been Bernie’s lyrical craft.

A live performance of The Elton John Story featuring a band on stage with a male pianist in a white suit and sunglasses, playing a red keyboard, accompanied by singers and instrumentalists.

The Elton John Story: Picture credit KollectivFutur

Angus Munro fronts the band with a mixture of power and charisma, his vocals soaring where they need to and softening at just the right moments. His piano playing gives the performance its heartbeat, and the Night Owl Band back him with energy and precision. There is plenty of humour in the delivery too—this is not a show weighed down with solemnity, but a celebration that often feels like a shared party.

One of the things I noticed as the show drew towards its finale was the atmosphere in the room. People were itching to dance—you could feel it. But British reserve, that old restraint, held most of us back. I’ll admit, I was tempted to start it off myself. Maybe next time I’ll be the one to break the ice, because I’m certain once one person gets up, the whole place will follow. A nudge from the stage might help too. After all, this is music meant to move us, body as well as soul.

The storytelling thread in the show also touches on Elton’s charity work, particularly the Elton John AIDS Foundation. It’s to the credit of the performers that this part is included. Elton’s legacy isn’t only measured in record sales and sold-out stadiums, but also in the lives he has touched and changed through his philanthropy. The Foundation has raised hundreds of millions to fight AIDS worldwide, a cause Elton has championed with tireless energy. That side of his story deserves just as much applause as his music, and I respect him greatly for it.

In the end, The Elton John Story works because it doesn’t treat the songs as relics of nostalgia but as living, breathing works that still connect. The audience laughed, sang along, and for a moment or two you could feel the whole room leaning forward, carried by the force of the music. It’s the kind of show that leaves you humming on the way out and smiling for hours afterwards.

Elton John once said that “music has healing power.” This show proves the point. It’s not an imitation—it’s a celebration. Next time, I’ll be ready to start the dancing.

Reviewed by Pat Harrington

This review was originally from the 2025 performance.

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Bob Dylan Under Cover (Night Owl Shows) – Edinburgh Fringe Review

★★★★★ This is a smart, heartfelt hour that does more than run through the hits. It asks what we hear when we really listen to Dylan, and why those songs still matter. The show is not about nostalgia — the big issues Dylan sang about are still tragically with us. Racism, war, and social injustice remain as urgent as ever, and the performance never lets you forget that. A clever use of a video screen mixes images from the past and present, reinforcing how the struggles of the 1960s and 1970s continue to echo in our own time. 

A young female performer playing guitar and singing on stage, with an attentive audience seated in front of her, illuminated by stage lights.

What surprised me first was the front-person: Kiah, just 18, walking on alone with a guitar and two compact openers. Not a gimmick — a statement of intent. The voice is the draw: clear, expressive, with a warm grain that can swell into power without ever turning harsh. She has presence, too: relaxed, alert to the room, and unafraid to sit in the quiet. Then the Night Owl band join her and the show blooms — rhythm kicks in, the arrangements breathe, and we move from fireside intimacy to rolling folk-rock with purpose. It’s a neat dramatic arc that mirrors Dylan’s own journey from solo troubadour to electric icon.Night Owl’s concept is part concert, part guided tour. The set pivots through eras and influences, giving you context without drowning the songs. Familiar titles land with fresh edges — “Blowin’ in the Wind,” “Don’t Think Twice,” “Like a Rolling Stone” — but the point isn’t museum-piece reverence. The band’s reimagined approach keeps faith with the spirit while letting new colours in; it’s storytelling through arrangement, and it works because Kiah sings like she believes every line. Dylan himself once said, when asked why he didn’t do his own songs more back in the day, that he liked to think he made them his own. Kiah certainly makes Dylan’s songs her own.

Kiah’s age becomes an asset rather than an obstacle. There’s a lightness in how she frames the material — a wink here, a plain-spoken aside there — that sidesteps piety and finds the thread between 1960s protest, later self-invention, and now. Opening alone, then inviting the band in, makes the history legible without a lecture. By the time the fuller sound is roaring, you feel the continuity: how one voice with a guitar grew into a catalogue that could arm a whole room. The result is a show that’s accessible to casual listeners and rewarding for die-hards — the kind that leaves you humming the chorus but also thinking about the words.

As for the practicalities: this is the Night Owl machine in full swing — tight band, clean transitions, and a house style that’s won them loyal audiences across their Fringe slate. If you’ve seen their Carole King/James Taylor or Elton John offerings, you’ll recognise the craft; if not, this is a fine place to start. And yes, it really is Kiah Spurle leading the charge — she looks set to be one of the quiet success stories of this year’s music strand.

Bottom line: a genuinely thoughtful Dylan show with heart and muscle. Kiah’s voice is beautiful — bright, powerful, and emotionally tuned — and the band lift her without ever crowding her. I went in curious; I left convinced.

Reviewed by Pat Harrington

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Reine Beau’s Tribute to Women in Rock

★★★★★ Storming on to the stage with a powerful rendition of Joan Jett’s Bad Reputation, Reine Beau leads her audience on an educational trip through the history of the Women of Rock. I first saw Reine Beau last year when she presented The Blondie Story (reviewed here), which is on again this year.

Reine Beau performing on stage, passionately singing into a microphone while wearing a vibrant outfit, with a musician playing guitar in the background.

In front of a huge screen, she briefly outlines the importance of women in the rock and roll story. Who was the first woman rock star? I was confident that it was Janis Joplin. I was wrong. Sister Rosetta Tharpe played electric guitar in the 1930s! She had a white male backing band and toured with her female lover. How scandalous! She inspired Chuck Berry and Elvis Presley. She was the Godmother of Rock and Roll.

Another blues singer, Bessie Smith inspired Janis Joplin. Janis was the first woman to make it into the Rock and Roll Hall of Fame. Reine treated the audience to a rip-roaring interpretation of Piece of my Heart.

Then she turned to the career of my particular favourite, Suzi Quattro. Told that she could be a second Janis Joplin, she declared that she’d rather be the first Suzi Quattro. This is when it got even more interesting. Reine led us through the career of two band I’d never heard of before, Heart and The Runaways. What have I been missing all these years? I’ve checked out the songs Crazy on You and Cherry Bomb Reine delivered on Spotify. They’re absolutely brilliant!

From California, Reine steers us over to the Poet of Punk, Patti Smith with Because the Night, sings two songs from the Tina Turner songbook, before returning to Joan Jett. Joan’s a legend. She was turned down by 23 different record labels, so she set up her own, to help women get into music. She loved rock music. She wanted others to do the same.

As Reine Beau sang out the Joan Jett classic, I Love Rock and Roll, the screen fired up more legends not covered in this show, Siouxsie Sioux, Debbie Harry and others I didn’t recognise.

Rock and Roll is overwhelmingly male, but the Women of Rock have a very prominent place. To succeed, and even to get a hearing in the times they were breaking through, they needed more guts and determination than the men. They had it in spades. They did it. We’re all richer because of it. Their music will live on forever.

Reviewed by David Kerr

This article was originally written in 2025

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Top Night Owl Music Shows at the Fringe You Can’t Miss

609 words, 3 minutes read time.

Counter Culture can’t get enough of these Night Owl shows—each one blends stellar musicianship, backstage lore and pure, unadulterated fun. We’ve reviewed a handful of these in past years (you’ll spot our links sprinkled throughout), and they never fail to surprise and delight. After a day racing between venues, there’s no better way to unwind than sinking into soaring vocals, iconic riffs and tasty trivia—perfect for rounding off your Fringe adventure with a smile. Click any show title above to dive into full details and grab your tickets.

007 Voices of Bond

1–24 August 2025

Artwork for '007 Voices of Bond' featuring a stylized silhouette of a woman holding a gun, with the title prominently displayed in bold letters.

A pulse-pounding journey through 007’s most iconic soundtracks, mixing live orchestration with behind-the-scenes trivia. Expect stirring strings, soaring brass—and maybe a shaken martini or two. We reviewed it here.

The Carole King & James Taylor Story

1–24 August 2025

Promotional image for 'The Carole King & James Taylor Story' Night Owl show featuring two performers singing into microphones against a red background.

Two legends, one stage: relive the genesis of Tapestry, Fire and Rain and their lifelong friendship It’s a back-to-the-roots journey: Brill Building beginnings, Brooklyn loft rehearsals and Laurel Canyon cabins. Every note hits with fresh emotional weight. You’ll leave humming the classics.

Dylan Under Cover

1–24 August 2025

Colorful graphic representation of Bob Dylan's iconic hairstyle and sunglasses, with the words 'Bob Dylan Under Cover' prominently displayed.

Bob Dylan’s catalogue like you’ve never heard it—stripped-back, reimagined, reinvented. This show peels back the layers on Blowin’ in the Wind and Like a Rolling Stone with fresh arrangements and storytelling that shines a new light on a Nobel Prize-winning oeuvre.

The Elton John Story

1–24 August 2025

Colorful promotional image for 'The Elton John Story' featuring a stylized silhouette of Elton John's face with vibrant patterns.

From Empty Sky to Rocket Man, experience Elton’s meteoric rise with powerhouse vocals, dazzling piano solos and backstage anecdotes—from acid-fueled beginnings to global superstardom. A kaleidoscope of sequins, showmanship and timeless hits.

California Dreams

1–24 August 2025

Promotional graphic for 'California Dreams: Sounds of L.A.' featuring a silhouette of a musician with a guitar against a sunset backdrop, along with the text 'California Dreams' and details about the show.

Surf’s up! Ride the West Coast musical wave from The Beach Boys through Eagles, Red Hot Chili Peppers and beyond. Expect sun-soaked harmonies, surf guitar riffs and fun insights into the songs that defined a generation. We reviewed it here.

The Fleetwood Mac Story

1–24 August 2025

Promotional graphic for 'The Fleetwood Mac Story' featuring the show's title in stylish typography, accompanied by images of performers representing a band.

Discover the drama and genius behind Rumours, delivered with pristine harmonies and candid backstage tales. It’s equal parts heartbreak ballad and arena-filling rock anthem—an electrifying, emotional rollercoaster.

The Story of Sting & The Police

1–24 August 2025

Promotional image for 'The Story of Sting & The Police' show featuring bold colors and stylized text, highlighting the musical journey of Sting and his band.

From punk-y early gigs to reggae-rock fusion, watch Every Breath You Take and Roxanne reborn through Angus Munro’s four-octave range. It’s a deep dive into The Police’s evolution—equal parts raw energy and solo-career brilliance. We reviewed it here.

The Blondie Story

1–24 August 2025

Promotional poster for 'The Blondie Story' featuring a stylized image of a face with vertical stripes and the title in bold red lettering.

Punk meets pop with Deborah Harry’s signature cool. Dive into the anthemic Heart of Glass, One Way or Another and more, punctuated by tales of CBGB chaos and the band’s fearless NYC attitude. We reviewed it here.

The Rise of The Eagles

1–24 August 2025

Promotional image for 'The Rise of The Eagles' show featuring colorful palm trees and a sunset background, with text displaying the show's title.

Soar through Hotel California, Life in the Fast Lane and beyond with impeccable harmonies and country-rock flair. This show unpacks the band’s Californian roots and secrets behind some of rock’s most enduring tracks.

Women of Rock

1–24 August 2025

Promotional image for the 'Women of Rock' show, featuring a performer singing into a microphone with a dynamic hairstyle, set against a bold pink and black background.

A powerhouse salute to icons like Joni Mitchell, Joan Jett, Stevie Nicks and more. Celebrate fearless female voices with soaring performances and the stories behind the songs that shattered ceilings.

The Billy Joel Story

1–24 August 2025

Logo for 'The Billy Joel Story' featuring baseball imagery and song titles like 'Uptown Girl' and 'We Didn't Start the Fire'.

From Piano Man to Uptown Girl, explore Joel’s journey from dive-bar pianist to pop-legend. Expect poignant storytelling, jaw-dropping musicianship and nostalgic nods to New York’s vibrant music scene. We reviewed it here.

The Legend of Queen

1–24 August 2025

Logo for 'The Legend of Queen' show by Night Owl, featuring a crown graphic on a deep purple background.

Bohemian Rhapsody, Radio Ga Ga, Don’t Stop Me Now—relive Queen’s epic soundtrack with a full band and flamboyant flair. This show captures Freddie Mercury’s theatrical genius and the band’s anthemic legacy.

And there you have it—twelve unmissable Night Owl experiences to soundtrack your Fringe!

By Patrick Harrington

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Experience ‘The Billy Joel Story’ Live at Edinburgh Festival Fringe

★ ★ ★ ★ ★ “The Billy Joel Story” stands out as a poignant tribute to one of America’s most iconic musicians. The show is performed by the talented (and unexpectedly humourous) Angus Munro and the award-winning Night Owl Shows. It takes audiences on a journey through Billy Joel’s life and music. The journey has a special focus on his working-class roots and the realism that permeates his songs.

For me, one of the most compelling aspects of the show is its exploration of Joel’s connection to the working class. This is particularly clear through songs like “Allentown.” This track delves into the struggles faced by the people of Allentown, Pennsylvania. It covers the decline of the American manufacturing industry. It resonates deeply with audiences. It’s not just a song. It’s an anthem that captures the resilience and determination of a community grappling with economic hardships.

The performance of “Allentown” is both moving and evocative. It brings to life the sense of hope amidst challenges. Joel so masterfully expressed this in his lyrics. It’s a reminder of the power of music to show the realities of life. It also highlights the strength of the human spirit.

This grit is also present in “Captain Jack.” Joel has described it as an anti-drug message. It highlights the emptiness and futility of using drugs to escape reality.

Equally engaging is the portrayal of Joel’s poppier side with “Uptown Girl.” Despite its catchy melody and upbeat rhythm, the song still carries the essence of Joel’s storytelling. It paints a picture of love across social divides. It’s a testament to Joel’s versatility as a songwriter. He has the ability to craft hits that are both entertaining and meaningful.

The show also offers fascinating insights into the creation of “Piano Man,” Joel’s signature song. Learning about the song’s origins and seeing stills of the bar where Joel, under a pseudonym, drew inspiration for this classic adds a layer of intimacy to the performance. These elements offer a deeper connection. It’s as if the audience is invited into Joel’s personal narrative. They witness the cynicism and humour that often underlie his work.

“The Billy Joel Story” is more than a musical tribute. It’s a narrative tapestry that weaves together the threads of Joel’s life. It combines his music and the stories behind his songs. The anecdotes shared by Munro are complemented by a fitting slideshow. They offer a chronological arrangement that paints a vivid picture of Joel.

“The Billy Joel Story” at the Edinburgh Festival Fringe is a must-see for fans and newcomers alike. It’s a show that celebrates the music of Billy Joel. It also honours the stories and experiences that shaped his songs. This show blends nostalgia, storytelling, and top-notch musical performances. It is a standout experience. It captures the essence of the Piano Man’s legacy.

Reviewed by Pat Harrington

This article was originally written in 2025

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The Kate Bush Story: Mesmerizing Performance at Edinburgh Fringe 2024

★ ★ ★ ★ ★  The Kate Bush Story is a mesmerizing journey. It explores the life and music of one of the most innovative artists of our time.

From the moment Hannah Richards stepped onto the stage, barefoot and poised, it was clear. The audience was in for a treat. Her graceful movements were a dance of their own, telling stories with every step and gesture. The performance honoured the unique style of Kate Bush. She was known for her expressive and theatrical dance moves.

The show was not only a feast for the eyes but also an educational experience. Many, including myself, discovered facets of Kate Bush’s life and work that was before unknown. It was fascinating to learn that some of her iconic songs were rooted in poems she penned as a child. This revealed the depth of her creativity from such a young age.

The revelations continued with insights into her musical collaborations, which had flown under the radar for many fans. These partnerships highlighted the versatility and range of Bush’s musical talents. Additionally, the performance introduced songs from her discography that I had not known or somehow forgotten. “Cloudbusting,” with its uplifting chorus and enigmatic lyrics, stood out as a highlight for me. The lines “But every time it rains, you’re here in my head / Like the sun coming out / Ooh, I just know that something good is gonna happen” resonated with the audience. They left a lasting impression of positivity and anticipation.

The Night Owl accompanying the singer was nothing short of remarkable. Each member showcased exceptional talent, but it was the drummer who made the biggest impression on me. The strong, compelling drum beats in Kate Bush’s songs were highlighted. They reminded us of the power and energy that percussion brings to music.

“The Kate Bush Story” at the Edinburgh Fringe 2024 was an unforgettable experience. It was a show that paid homage to the legendary artist. It also enriched the audience’s understanding of her artistry. For those who have yet to see it, this performance is a must-see. For those who have, it’s a beautiful memory to hold onto. The show was a reminder of the enduring legacy of Kate Bush and the timeless nature of her music.

Reviewed by Pat Harrington

This review was originally written in 2024.

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