Posts Tagged Culture Vulture

Culture Vulture 8th to the 14th of March 2025

Welcome to Culture Vulture, where we go beyond the mainstream to bring you a fresh perspective on the best in film, television, and music. Curated by Pat Harrington, with music selections from Tim Bragg, this weekly guide highlights thought-provoking, overlooked, or uniquely compelling entertainment that challenges the conventional. Whether it’s a gripping drama, an insightful documentary, or a film that dares to push boundaries, Culture Vulture is your go-to source for entertainment with depth.

Here are three standout selections this week:

  • NCIS: Origins (Paramount+, March 13) – A deep dive into the early days of NCIS legend Leroy Jethro Gibbs, this prequel series offers a fresh take on a fan-favorite character’s journey in the 1990s.
  • All This I Will Give to You (Channel 4, March 6) – A dark and atmospheric French mystery that unravels a wealthy family’s long-buried secrets after a sudden and suspicious death.
  • Tom Petty: Heartbreakers Beach Party (Paramount+, March 12) – A sun-soaked documentary that captures Tom Petty and the Heartbreakers at a pivotal moment, featuring rare performances and behind-the-scenes footage.

For those who want to dig deeper, Counter Culture, frequently features longer reviews of selected films where we explore the themes, artistic merits, and cultural significance of what we watch. Stay tuned, stay curious, and most importantly—stay alternative.

Saturday 8th March 2025

Bob Dylan: No Direction Home (BBC Two, 9pm)

Martin Scorsese’s two-part profile of Bob Dylan explores the cultural landscape of the 1960s. It also delves into the political climate as seen through Dylan’s eyes. The documentary highlights Dylan’s role in the civil rights movement and how his music became anthems for social change. His shifting identity and resistance to being labeled mirNo Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to delve into Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews.

No Direction Home: Bob Dylan (Part 2) – 10:55 PM

Martin Scorsese’s documentary continues to explore Bob Dylan’s rise to fame. It focuses on his transition from folk singer to rock icon. The film is a captivating exploration of Dylan’s early career, featuring rare footage and insightful interviews. Critics have praised it for its depth and the way it captures Dylan’s enigmatic persona.

Bob Dylan: Shadow Kingdom – 12:55 AM

This unique project features new studio recordings of some of Dylan’s classic songs, originally part of a 2021 streaming special. The album reinvents these iconic tracks with a fresh, intimate feel, blending acoustic and electric elements. Critics have lauded it for its innovative approach and the timeless quality of the arrangements.

Sings Dylan Two – 1:15 AM

Joan Baez’s compilation album, released in 1975, features her renditions of Bob Dylan’s songs. Some purists argue that Dylan’s originals are unbeatable. However, Baez’s interpretations bring a unique and heartfelt perspective to these classic tracks. The album includes well-known songs like “Blowin’ in the Wind” and “A Hard Rain’s A-Gonna Fall”.

Tangled Up With Dylan: The Ballad of AJ Weberman – 2:15 AM

This documentary explores the life of A.J. Weberman, a self-proclaimed “Dylanologist.” He is known for his obsessive analysis of Dylan’s lyrics. He also has the infamous habit of going through Dylan’s trash. The film offers a fascinating and often humorous look at Weberman’s eccentricities and his complex relationship with Dylan.

Enjoy your Dylan-filled night on BBC2!

Louder: The Soundtrack of Change (TLC 10pm)

Airing on International Women’s Day, Louder: The Soundtrack of Change is a powerful documentary exploring the transformative role of female musicians in advocating for social justice and equality. Produced and narrated by political activist Stacey Abrams and singer Selena Gomez, the film weaves together archival footage, personal testimonies, and electrifying performances to showcase how music has been a driving force for change across generations.

The documentary features a diverse range of artists, from trailblazers like Nina Simone, whose civil rights anthems of the 1960s became rallying cries for justice, to contemporary performers like H.E.R., whose song I Can’t Breathe resonated with the Black Lives Matter movement. It also highlights Melissa Etheridge’s groundbreaking coming out in the 1990s and the struggles of country artist Mickey Guyton as a Black woman in a predominantly white genre. Hip-hop’s contributions to gender and racial equality are also explored, with figures like Queen Latifah and Salt-N-Pepa showing how female voices reshaped a male-dominated industry.

Visually, Louder: The Soundtrack of Change is a vibrant and engaging documentary, skillfully blending past and present to highlight the ongoing fight for representation and equality. The film is at its best when it allows the artists themselves to speak, offering raw and emotional insights into the battles they have faced. The soundtrack is, unsurprisingly, a highlight—powerful protest songs, anthems of empowerment, and performances that still carry weight decades after they were first recorded.

Critics have praised the documentary for its relevance and emotional impact, calling it a vital reminder of music’s power to challenge injustice. However, some have noted that certain historical moments, such as Billie Holiday’s Strange Fruit, could have been explored in greater depth. Despite this, the film remains a compelling and inspiring watch, encouraging viewers to reflect on the past while recognizing the work still to be done.

Directed by Kristi Jacobson, Louder: The Soundtrack of Change is both a celebration and a call to action. More than just a history lesson, it is a tribute to the resilience and influence of women in music, making it a fitting and essential watch for International Women’s Day.

The Ipcress File (1965) (BBC Two, 1.05pm)

This gritty spy film reflects the Cold War’s paranoia and the shadowy world of espionage. The film’s realism exposes the psychological toll on intelligence officers and the murky ethics of their work. The protagonist, Harry Palmer, embodies the everyman caught in a web of deceit. This highlights the societal tensions between duty and morality. The film’s political undertones critique the impersonal and bureaucratic nature of intelligence agencies.

Funeral in Berlin (1966) (BBC Two, 11.30pm)

“Funeral in Berlin” (1966) takes place against the backdrop of a divided Berlin. It is a spy thriller that masterfully explores themes of loyalty and betrayal. These themes unfold in a politically charged environment. The protagonist, Harry Palmer, maneuvers through a complex web of double agents. He encounters shifting alliances. This scenario mirrors the intricate power dynamics of the Cold War. The film delves into the psychological strain of constant surveillance. It explores the moral ambiguities faced by those in the espionage world. This creates a tense and captivating narrative.

Harry Palmer is portrayed by Michael Caine. He is a quintessential anti-hero. He stands in stark contrast to the more polished and suave spies of his time. Unlike the typical secret agent, Palmer is a working-class intelligence officer with a sardonic wit and a no-nonsense attitude. Characterized by his thick horn-rimmed glasses and his disdain for authority, Palmer is both relatable and endearing. His pragmatic approach to espionage sets him apart. His dry humor and resourcefulness make him a memorable and enduring character in the spy genre.

Palmer is sent to Berlin to arrange the defection of Colonel Stok, a high-ranking Soviet intelligence officer. He quickly realizes that things are not as straightforward as they seem. Palmer is caught in a web of deceit. He must determine who he can trust. He also needs to find out who is playing him for a fool. The plot thickens with unexpected twists and turns. These twists lead to a suspenseful and gripping climax. The climax keeps the audience on the edge of their seats.

The film’s setting in a divided Berlin adds to the atmosphere of tension and uncertainty. The city’s stark contrasts and the constant presence of surveillance create a sense of paranoia that permeates the film. Loyalty and betrayal are central themes. Palmer must navigate a world where alliances are constantly shifting. Trust is a rare commodity. The film also explores the psychological toll of espionage, as Palmer grapples with the moral ambiguities of his profession.

Sunday 9th March 2025

Get Carter (1971) (ITV4, 9pm)

Get Carter (1971) is a grim and gritty exploration of moral decay. It examines the harsh realities of urban life in 1970s Britain. The film explores the seedy underbelly of Newcastle. The protagonist, Jack Carter (Michael Caine), embarks on a relentless quest for vengeance. He delves deeper into the city’s criminal world. The movie paints a stark picture of social corruption. It highlights the brutality that often lies beneath the surface.

At the core of Get Carter are themes of justice and retribution. Carter’s journey is fueled by a desire to avenge his brother’s death, highlighting the personal and societal thirst for justice. Yet, as the film progresses, it becomes evident that true justice is elusive in such a morally bankrupt environment. The urban decay and corruption underscore the futility of trying to escape one’s past. The film also explores the impact of violence. It affects individuals not just physically but also psychologically. It portrays how violence scars both the victim and the perpetrator.

Michael Caine delivers one of his most iconic performances as Jack Carter. His portrayal is chillingly detached, yet simmering with a cold fury that drives the narrative forward. Caine’s ability to convey both menace and vulnerability makes Carter a complex anti-hero, one who embodies the film’s darker themes. The supporting cast includes Ian Hendry, Britt Ekland, and John Osborne. They add depth and texture to the story. Each actor brings their own shades of moral ambiguity to the film.

The plot of Get Carter is a tight, unrelenting tale of revenge. Carter investigates his brother’s death, which takes him through a labyrinth of deceit and betrayal. Each step uncovers more about the corrupt world he inhabits. The film’s brutal realism is a departure from the more polished crime thrillers of the time. Its raw portrayal of violence and moral ambiguity was groundbreaking, setting a new standard for the genre.

The setting of Newcastle has a bleak industrial landscape. It becomes almost a character in itself. This reflects the despair and decay that permeate the story. The film’s cinematography, with its stark, uncompromising style, enhances this atmosphere, immersing the viewer in Carter’s dark world.

Get Carter is more than just a revenge-driven crime thriller. It is a profound commentary on the darker aspects of human nature and society. The film remains relevant for its unflinching portrayal of violence and moral ambiguity.

A Quiet Place Part II (2020) (Film4, 10pm)

The sequel intensifies the psychological horror of living in a world where silence is essential for survival. The film explores the themes of family, resilience, and the primal instinct to protect loved ones. The relentless tension and ever-present danger create a suffocating atmosphere, reflecting the characters’ psychological trauma and the broader societal collapse.

Yardie (2018) (BBC Two, 11.30pm)

This crime drama delves into the cycle of violence and the struggle for identity within the Jamaican and British communities. The protagonist’s quest for justice is intertwined with themes of revenge and redemption. The film highlights the psychological scars of a violent past. It shows the difficulty of breaking free from a life defined by crime and retribution. The film also features a fantastic reggae soundtrack, which adds depth and authenticity to its portrayal of Jamaican culture. Notable tracks include “Natty Rebel” by U-Roy. Another classic is “Funky Kingston” by Toots and the Maytals. Additionally, there is “Police and Thieves” by Junior Murvin. These songs not only enhance the film’s atmosphere but also underscore its themes of resistance and resilience.

Monday 10th March 2025

Rum And Revolution: History Of Havana (PBS America, 7.35pm)

Rum and Revolution: A History of Havana is a captivating documentary that delves into the intricate tapestry of Havana’s mid-20th-century history, exploring how the city’s vibrant culture intertwined with political upheaval to shape its unique identity. Airing on PBS America, the film offers an insightful look into the forces that transformed Havana from a bustling playground for the elite into the epicenter of a revolutionary movement.​

Set against the backdrop of the 1950s, the documentary paints a vivid picture of Havana as a city alive with music, casinos, and cabarets. It was a time when U.S. tourists flocked to the Cuban capital, seeking an escape from the moral restrictions back home. Icons like Ernest Hemingway, Frank Sinatra, and Ava Gardner reveled in the city’s rhythms, frequenting hotspots such as the Hotel Nacional and the Tropicana nightclub. However, beneath this glamorous veneer lay a city controlled by the American mafia, where luxury starkly contrasted with the poverty endured by most Cubans. ​

The film delves into the corrupt alliance between Cuban dictator Fulgencio Batista and the mafia, who conspired to transform Havana into a “Las Vegas in the Caribbean.” This unholy partnership exacerbated social inequalities and fueled widespread unrest among the Cuban populace. As the Cuban people suffered under oppression and economic disparity, the stage was set for revolution. The documentary meticulously traces how these tensions culminated in Fidel Castro and his revolutionaries triumphantly entering Havana on January 8, 1959, effectively ending U.S. dominance on the island. ​

“Rum and Revolution” also explores the cultural renaissance that paralleled these political shifts. The city’s vibrant music scene, rich traditions, and the indomitable spirit of its people played a pivotal role in shaping Havana’s identity during this tumultuous period. The film captures how, despite facing systemic corruption and oppression, the Cuban people’s resilience and cultural pride remained unshaken, ultimately fueling their desire for change.​

Through a blend of archival footage, expert interviews, and evocative storytelling, Rum and Revolution: A History of Havana offers viewers a comprehensive understanding of how Havana’s cultural vibrancy and political turmoil were inextricably linked. It sheds light on the complexities of a city that, despite external influences and internal strife, forged a unique path that continues to captivate the world today.

Michael Sheen’s Secret Million Pound Giveaway (Channel 4, 9pm)

Michael Sheen’s Secret Million Pound Giveaway is more than just a Channel 4 documentary; it’s a searing indictment of the UK’s broken financial system and the devastating impact of debt on ordinary people. Set in South Wales, the program follows Sheen as he uses £100,000 of his own money to establish a debt acquisition company with a unique purpose—not to profit from struggling individuals, but to abolish their debt entirely. In doing so, he wipes out £1 million worth of financial burdens for 900 people, providing not just relief, but a pointed challenge to the system that allowed their suffering in the first place.

At its core, the documentary lays bare the harsh realities of the secondary debt market, where financial institutions sell off unpaid debts to third-party buyers for a fraction of their original value. These companies, in turn, pursue debtors aggressively, often exploiting legal loopholes to extract payments from those who can least afford it. Sheen’s intervention exposes the moral contradictions of this system—how it profits from human hardship and sustains cycles of poverty rather than alleviating them.

The stories featured in the documentary bring a deeply personal dimension to what is often treated as a faceless economic issue. The individuals affected speak about the emotional toll of financial distress, the sleepless nights, the anxiety, and the sense of powerlessness. For many, the weight of debt has not only constrained their financial futures but has eroded their self-worth and mental well-being. Sheen’s act of debt forgiveness is not just about money—it’s about restoring dignity, hope, and the possibility of a fresh start.

Politically, the film raises urgent questions about the regulation of lending practices, consumer protection, and the role of government in tackling financial exploitation. While Sheen’s generosity is commendable, the documentary forces viewers to ask why such measures are left to private individuals rather than being addressed through structural reforms. The need for stronger financial oversight, fairer lending practices, and safety nets for vulnerable citizens is clear.

Economically, the program highlights how debt relief can have a ripple effect beyond the individuals directly impacted. Freed from relentless repayments, those affected can redirect their income into local businesses, education, and essential needs, fostering wider economic stability. The film implicitly argues that lifting people out of financial despair isn’t just an act of charity—it’s an investment in society as a whole.

Beyond its economic and political angles, Secret Million Pound Giveaway also carries a powerful ethical message. Sheen’s action is a challenge to the complacency of those in power and an invitation for viewers to consider their own role in pushing for change. It’s a rare documentary that not only informs but inspires, making a compelling case for systemic reform while also demonstrating the immediate impact of compassion and solidarity.

Michael Sheen has long been known for his activism, but this documentary elevates his work to a new level. By using his own money to subvert a broken system, he makes an unflinching statement about justice and fairness in modern Britain. The result is a gripping and emotional watch that is as much a call to action as it is an exposé of financial injustice.

Jerry Maguire (1996) (ITV2, 9pm)

A compelling story of personal and professional transformation, Jerry Maguire addresses themes of integrity, love, and redemption. The protagonist’s crisis of conscience and career downfall reflect broader societal questions about success and the true meaning of fulfillment. The film’s exploration of human connections and honesty in a cutthroat industry offers a psychological perspective on ambition and vulnerability.

Tuesday 11th March 2025

Ali & Ava (2021) (BBC Four, 9pm)

In the film Ali & Ava, a profound love story unfolds amidst social and cultural divides, offering a deep exploration of the human experience. The narrative delves into the lives of two distinct individuals, each grappling with their own emotional baggage and societal expectations.

Ali, a British Pakistani landlord, and Ava, a white Irish-born teaching assistant, come from different worlds, yet their lives intersect in the most unexpected way. The film masterfully highlights the subtle but powerful impact of cultural and ethnic backgrounds on relationships. It paints a vivid picture of how societal norms and prejudices can shape, and often challenge, the connections we form with others.

One of the central themes of the film is loneliness, depicted through the characters’ struggles with isolation despite being surrounded by people. Ali, trapped in a loveless marriage, and Ava, a widow yearning for companionship, both find solace in each other’s company. Their bond underscores the universal human need for understanding and acceptance, transcending the boundaries of race and class.

Moreover, Ali & Ava tackles the complexities of overcoming past traumas. Both characters carry emotional scars that influence their present lives. Ali’s attempts to reconcile with his failed marriage and Ava’s journey to move past the grief of losing her husband are portrayed with raw honesty. The film sensitively portrays how love can be a catalyst for healing, offering hope and a chance for redemption.

The story also sheds light on the psychological effects of long-term isolation. Ali’s internal struggle and Ava’s quiet resilience speak volumes about the human capacity for endurance and the desire for connection. Their relationship becomes a beacon of hope, illustrating that even in the face of adversity, love can pave the way to emotional recovery and personal growth.

In essence, Ali & Ava is more than just a love story; it is a commentary on the social themes of loneliness, acceptance, and the power of human connection in overcoming life’s challenges. The film invites viewers to reflect on their own experiences and the barriers that can both hinder and enrich our relationships.

Wednesday 12th March 2025

A Cruel Love: The Ruth Ellis Story (two of four) (ITV1, 9pm)

The second episode of A Cruel Love: The Ruth Ellis Story shifts its focus to the dramatic courtroom proceedings at the Old Bailey, where Ellis, the last woman to be executed in the UK, faces trial for the murder of her lover, David Blakely. As the prosecution lays out its case, the episode weaves in flashbacks that piece together the events leading to the fatal shooting, revealing the toxic and abusive nature of their relationship.

Lucy Boynton’s performance as Ellis is gripping, capturing both her defiance and underlying fragility as she stands in the dock. The episode does not shy away from the societal expectations and double standards of 1950s Britain, emphasizing how Ellis, a nightclub hostess, was judged as much for her lifestyle as for the crime itself. Laurie Davidson’s portrayal of Blakely highlights the dangerous mix of passion and cruelty that defined their relationship, making it clear that Ellis’s final act was the result of years of manipulation and violence.

Tightly structured and emotionally charged, this episode presents a compelling account of how a woman pushed to the edge became a figure of both scandal and sympathy. It effectively balances legal drama with human tragedy, offering a nuanced portrayal of Ellis’s fate while leaving viewers questioning whether justice was truly served.

Invasion of the Body Snatchers (1956) (Film4, 10pm)

Invasion of the Body Snatchers (1956) masterfully intertwines Cold War anxieties with a gripping sci-fi horror narrative. It creates a film that resonates with the fears and uncertainties of the McCarthy era. The film tells the story of an alien invasion. This invasion replaces humans with emotionless duplicates. The film offers a chilling allegory of the period’s paranoia. It reflects the fear of ideological subversion.

The invasion of the alien “body snatchers” symbolizes the pervasive fear of losing one’s identity. It also symbolizes the fear of losing autonomy. This mirrors the societal fear of communist infiltration and conformity. The film shows a small-town community gradually succumbing to an unseen threat. This reflects the atmosphere of distrust and suspicion during the Cold War. The pods that replicate humans lack emotions and individuality. They serve as a powerful metaphor for the loss of personal freedom. They also highlight the homogenizing influence of authoritarian regimes.

The plot centres on Dr. Miles Bennell. He returns to his hometown. There, several residents claim their loved ones have been replaced by impostors. As Miles investigates, he discovers the horrifying truth. Alien organisms are taking over human bodies. They create perfect physical duplicates that are devoid of human emotions. The story escalates. Miles and his companions struggle to resist the invasion. They attempt to alert the authorities. This leads to a tense and suspenseful climax.

Invasion of the Body Snatchers excels in its character-driven storytelling. It focuses on the personal experiences and psychological struggles of its protagonists. Dr. Miles Bennell is portrayed by Kevin McCarthy. He anchors the narrative with his determined efforts to save his town. His attempts become increasingly desperate as he faces the alien threat. The film’s tension rises due to its focus on the characters’ emotional responses to the unfolding horror. This approach makes their plight more relatable. It also keeps the audience engaged.

Many modern sci-fi films heavily rely on elaborate special effects. In contrast, Invasion of the Body Snatchers uses atmosphere, psychological tension, and strong performances to create its sense of dread. The film uses practical effects effectively. It employs suggestive storytelling. These techniques allow it to evoke fear and suspense without the need for CGI or flashy visuals. This character-driven approach creates a more immersive and emotionally resonant experience, highlighting the power of storytelling over visual spectacle.

Invasion of the Body Snatchers remains a timeless classic, its Cold War themes and character-driven narrative continuing to captivate audiences. The film reflects the societal anxieties of its time. It delivers a compelling and suspenseful story. This combination is a testament to its enduring impact on the sci-fi horror genre.

Thursday 13th March 2025

Stacey Dooley: Rape On Trial (BBC3, 9pm)

As a big fan of Stacey Dooley, I was eager to see how she would handle such a sensitive and important topic, and Rape On Trial does not disappoint. This gripping documentary follows four women over the course of three years as they navigate the harrowing journey of seeking justice for sexual assault. Dooley’s signature empathy and directness shine as she gains rare access to the deeply personal and often distressing reality of bringing a rape case to trial.

The film highlights the immense challenges survivors face, from the emotional strain of reliving their trauma to the difficulties of securing a conviction in a legal system where the burden of proof remains incredibly high. Stacey approaches each story with care, never sensationalizing but instead amplifying the voices of those who have fought for justice. The documentary does not just expose the flaws in the system—it also explores the long-lasting impact of these crimes on the survivors’ lives, their relationships, and their mental health.

With powerful storytelling and Dooley’s unwavering commitment to shedding light on difficult issues, Rape On Trial is a compelling, urgent, and necessary watch. It forces viewers to confront the reality of how sexual violence cases are handled and raises essential questions about whether enough is being done to support survivors. Stacey once again proves why she is one of the most trusted voices in documentary filmmaking.

Strike! The Village That Fought Back (BBC2, 9pm)

Strike! The Village That Fought Back is a powerful and deeply moving documentary that explores the 1984-85 miners’ strike through the experiences of the miners and families of Polmaise Colliery in Scotland. This pit holds a significant place in the history of the strike, being the first to take industrial action and the last to return to work, standing firm for an incredible 56 weeks.

The documentary offers an intimate and emotionally charged portrayal of the miners’ resilience, featuring first-hand accounts from those who lived through the struggle, as well as perspectives from their families and journalists. It paints a vivid picture of the sacrifices made, the hardships endured, and the unbreakable sense of solidarity that bound the community together. The film does not just focus on the strike itself but also explores its wider social and economic consequences, showing how the miners and their families navigated life in the aftermath of the conflict.

One of the documentary’s strengths is its ability to balance historical analysis with deeply personal storytelling. Archival footage is interwoven with contemporary reflections, providing both historical context and emotional weight. The sense of injustice and determination felt by the miners is palpable, making it impossible to watch without feeling the intensity of their fight. The film also highlights the striking contrast between the power of grassroots resistance and the political forces that sought to break it.

What makes Strike! The Village That Fought Back particularly compelling is its message of endurance. Even after returning to work, Polmaise remained a symbol of defiance. The National Coal Board allowed the colliery to continue operating until 1987, a small reprieve that nevertheless underscored the community’s strength.

This documentary is not just a historical account—it is a reminder of the power of working-class solidarity and the cost of standing up to injustice. With its rich storytelling, deeply personal interviews, and evocative archival footage, it is an essential watch for anyone interested in British labour history and the enduring spirit of those who refuse to back down.

Memento (2000) (Film4, 11pm)

Christopher Nolan’s psychological thriller explores the fragility of memory and the quest for truth. The protagonist’s struggle with short-term memory loss creates a fragmented narrative that mirrors the elusive nature of reality. Themes of revenge, identity, and the reliability of one’s own mind are central to the film. They offer a deep psychological exploration of human consciousness.

Friday 14th March 2025

Romeo + Juliet (1996) (BBC Four, 9pm)

Romeo + Juliet (1996), directed by Baz Luhrmann, is a vibrant and modern retelling of Shakespeare’s classic tragedy. This adaptation brings the timeless tale of star-crossed lovers into a contemporary urban setting. It blends the original Shakespearean dialogue with a visually stunning and dynamic cinematic style.

In Luhrmann’s version, the Montagues and Capulets are reimagined as rival mafia families in Verona Beach, a fictional modern-day city. The intense rivalry between these families is shown through stylized violence. It also involves gang conflicts. These aspects mirror the power struggles and territorial disputes of organized crime. The film presents the modern mafia in a fresh way. It adds a relevant dimension to the story. This highlights how themes of power, honour, and revenge transcend time and context.

Romeo + Juliet is set in a modern environment. Yet, it retains the original Shakespearean dialogue. This choice allows the beauty and eloquence of the text to shine through. The juxtaposition of Shakespeare’s verses with contemporary visuals and settings creates a unique contrast. This contrast is compelling and emphasizes the timelessness of the story’s themes and language.

The film is anchored by strong performances, particularly from Leonardo DiCaprio (Romeo) and Claire Danes (Juliet). Their portrayals capture the intensity and vulnerability of young love, bringing a fresh and relatable energy to their characters. The supporting cast enhances the narrative with depth and complexity. John Leguizamo portrays Tybalt and Harold Perrineau plays Mercutio. Each character contributes to the film’s exploration of loyalty, passion, and tragedy.

Luhrmann’s adaptation emphasizes themes of fate, destiny, and the inevitability of tragedy, much like the original play. The film opens with a television news report. It sets the stage for the unfolding drama. This highlights the media’s role in shaping public perception and societal pressures. This modern twist adds a layer of commentary on how external forces influence personal choices and relationships.

Romeo + Juliet stands out for its character-driven narrative and emotional depth. This is in contrast to many contemporary films that rely heavily on special effects. Luhrmann’s film uses innovative cinematography. It also incorporates dynamic editing and a powerful soundtrack. These elements enhance the storytelling without overshadowing the characters’ emotional journeys. This approach creates a more immersive and emotionally resonant experience, demonstrating the enduring power of strong performances and compelling narratives.

Baz Luhrmann’s Romeo + Juliet is a bold and visually captivating adaptation. It breathes new life into Shakespeare’s timeless tragedy. Its modern mafia setting is mixed with the original Shakespearean dialogue. The character-driven storytelling ensures that the film remains a relevant exploration of love, fate, and the human condition.

Cover Your Ears (Sky Arts, 10.45pm)

Cover Your Ears is a compelling documentary that explores the long and often controversial history of music censorship. Directed by Sean Patrick Shaul, the film examines how different genres—from jazz and rock ‘n’ roll to hip-hop—have faced suppression and moral outrage, sparking debates over artistic freedom and societal values.

Featuring insightful interviews with musicians and industry figures such as Chuck D of Public Enemy, Dee Snider of Twisted Sister, and Jello Biafra of Dead Kennedys, the documentary brings to life the battles artists have fought against censorship. Their firsthand accounts provide a fascinating look at how the music industry has been shaped by legal battles, public outrage, and shifting cultural norms.

The documentary takes a balanced approach, presenting perspectives from both artists and those who sought to censor their work. From the 1927 Radio Act to modern-day controversies, Cover Your Ears highlights how censorship has evolved, reflecting broader societal anxieties. It also examines the ways in which musicians have resisted restrictions, turning their fights for free speech into powerful cultural moments.

Visually engaging, the documentary blends archival footage, pop-art imagery, and contemporary interviews to create a dynamic and rhythmic narrative. The film captures the rebellious energy of artists who have continually pushed back against censorship and fought for their right to express themselves freely.

More than just a history lesson, Cover Your Ears challenges viewers to reflect on the ongoing struggles over artistic expression in a world where censorship debates are far from over. By celebrating the resilience of artists who refused to be silenced, the film serves as a powerful reminder of music’s ability to provoke, inspire, and challenge authority.

And finally, streaming

Streaming on Channel 4 from March 6, 2025. All This I Will Give to You is a gripping French miniseries that masterfully blends suspense, drama, and mystery against the atmospheric backdrop of Provence. Adapted from Dolores Redondo’s best-selling novel, the six-episode series unravels a deeply personal yet far-reaching story of deception, privilege, and hidden identities.

The plot is set in motion when a fatal car accident in the French countryside claims the life of Aymeric Fabre de Castelmore, a man whose death exposes layers of secrets long buried beneath a façade of aristocratic respectability. His husband, Manuel Ortigosa, a successful novelist in Paris, is not only devastated by the tragedy but blindsided by the revelation that Aymeric had been living a double life. Rather than being on a business trip to Brussels as he had claimed, Aymeric was tied to a sprawling wine estate and a powerful, unwelcoming family. As Manuel is forced into their world, inheriting an estate they resent him for, he begins to suspect that Aymeric’s death was not as straightforward as it seemed. Partnering with the grizzled detective Richard Saugier, he embarks on a relentless search for the truth, exposing a web of betrayal, privilege, and old family wounds.

David Kammenos delivers a hauntingly introspective performance as Manuel, portraying a man navigating not only grief but the unraveling of everything he thought he knew about his partner. Bruno Solo adds further weight to the drama as Saugier, the weary detective whose own struggles with the aristocracy lend a sharp edge to his investigation. The Fabre de Castelmore family, particularly its steely matriarch and scheming younger son, serve as chilling representations of inherited power and prejudice. Their presence in the narrative highlights the tension between those who seek truth and those who will do anything to keep it buried.

The cinematography enhances the contrast between the idyllic French countryside and the darkness festering within its grand estates. Sweeping shots of vineyards and winding rural roads set a striking stage for a mystery steeped in secrecy. The estate itself, with its imposing beauty, functions as a metaphor for the wealth and decay at the heart of the story. While the series takes a slow-burn approach, allowing tensions to simmer and relationships to evolve, its intricate storytelling ensures that each revelation lands with impact.

With its measured pacing, complex character dynamics, and atmospheric storytelling, All This I Will Give to You stands out as an engrossing psychological thriller. More than just a murder mystery, it is an exploration of identity, power, and the painful cost of long-buried secrets.

Streaming on Netflix from Friday, March 14, 2025. Anthony and Joe Russo’s The Electric State is a visually breathtaking and emotionally charged sci-fi adventure that blends retro-futurism with a poignant human story. Based on Simon Stålenhag’s acclaimed graphic novel, the film transports viewers to an alternate 1990s America, where the remnants of a failed technological revolution litter the landscape.

At the heart of the film is Michelle, played by Millie Bobby Brown, an orphaned teenager navigating a fractured world in search of her missing brother. She’s joined by a mysterious, outdated robot named Cosmo and a smuggler, Keats (Chris Pratt), who reluctantly aids her journey. Together, they traverse a world where sentient machines—once part of everyday life—now exist in exile after an unsuccessful uprising.

The Russo brothers bring their signature blockbuster flair, balancing large-scale spectacle with intimate storytelling. The film maintains the melancholy and wonder of Stålenhag’s artwork, depicting abandoned highways, colossal decaying machinery, and eerie remnants of a war between humanity and artificial intelligence. Each frame is rich with detail, evoking a sense of nostalgia and unease.

Millie Bobby Brown delivers a compelling performance, capturing both resilience and vulnerability as Michelle. Chris Pratt provides a mix of humor and grit, grounding the film’s emotional core, while Cosmo, the robot companion, is a standout—a silent observer whose expressive design conveys more emotion than words ever could.

One of the film’s most striking aspects is its visual storytelling. The desolate landscapes and retro-futuristic technology create an atmosphere that feels both familiar and otherworldly. The cinematography embraces wide shots that emphasize the vast loneliness of Michelle’s journey, while the score, composed by Henry Jackman, reinforces the film’s emotional depth with haunting synth melodies.

However, fans of the graphic novel may find the adaptation’s tone somewhat different. Where Stålenhag’s original work is introspective and minimalist, The Electric State leans more into action and spectacle. Some may feel that the increased pace and added humor dilute the novel’s quiet melancholy, but the film compensates with heartfelt character moments and thought-provoking themes about human connection in an increasingly mechanized world.

The Electric State is a visually stunning and emotionally resonant sci-fi epic. It asks profound questions about identity, loss, and what it means to be human in a world that feels increasingly artificial. While it may take creative liberties with its source material, the film stands as a powerful and engaging piece of storytelling.

NCIS: OriginsParamount+ (First Two Episodes Available from March 13, 2025)

A fresh yet nostalgic addition to the NCIS franchise, NCIS: Origins transports viewers back to the early days of Leroy Jethro Gibbs, long before he became the legendary leader of the Naval Criminal Investigative Service. The prequel series follows a young Gibbs (portrayed by Austin Stowell) as he begins his career in the 1990s, navigating his first major cases, forming the relationships that would shape his future, and developing the moral code that fans have come to know so well.

The first two episodes do an admirable job of capturing the spirit of NCIS while offering a fresh perspective. Stowell brings a measured intensity to the role, balancing the quiet resolve and sharp instincts that make Gibbs such an iconic character. The show also leans into its 90s setting, featuring a mix of nostalgic callbacks and a time-appropriate investigative style that feels distinct from the high-tech procedures of its modern counterpart.

While NCIS: Origins doesn’t reinvent the procedural formula, it effectively builds intrigue around Gibbs’ early career while offering long-time fans rewarding nods to the wider NCIS universe. The series benefits from a strong supporting cast and solid writing, setting the stage for a compelling exploration of how Gibbs became the investigator and leader audiences know today.


Tom Petty: Heartbreakers Beach PartyParamount+ (Available from March 12, 2025)

A treat for music lovers and Tom Petty fans alike, Tom Petty: Heartbreakers Beach Party is a vibrant, sun-soaked documentary that delves into a little-explored chapter of Petty’s career. Capturing a unique moment in the early 1980s, the film blends rare footage, interviews, and live performances, offering an intimate look at the band’s creative process, camaraderie, and love for the road.

More than just a nostalgic trip, the documentary highlights Petty’s artistic evolution, the challenges he faced within the music industry, and the deep connection he shared with his bandmates. The film’s relaxed, beach-party vibe mirrors Petty’s easygoing energy, while archival interviews and behind-the-scenes clips provide fresh insight into his genius as a songwriter and performer.

Beautifully crafted and rich in previously unseen material, Tom Petty: Heartbreakers Beach Party is a must-watch for both longtime fans and newcomers. It’s a celebration of a rock legend at a pivotal moment in his journey, capturing the spirit, sound, and sheer joy of making music.

Picture Credits

Bob Dylan: No Direction Home
May be found at the following website: Amazon.com, Fair use, https://en.wikipedia.org/w/index.php?curid=2759904
The Ipcress File (1965)
By Rank Organisation – http://testtransmissionarchive.blogspot.co.uk/2011_07_01_archive.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40521190
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Funeral in Berlin (1966)
By The poster art can or could be obtained from Paramount Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=43190196
Get Carter
The poster art can or could be obtained from Metro-Goldwyn-Mayer., Fair use, https://en.wikipedia.index.php?curid=882263
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Yardie
By IMDB – https://www.imdb.com/title/tt5862902/, Fair use, https://en.wikipedia.org/w/index.php?curid=56657428
Rum and Revolution: A History of Havana
Illustration: The Cuba State Capitol (El Capitolio) in Havana.
By Nigel Pacquette – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=14798550
Michael Sheen’s Secret Million Pound Giveaway
Michael Sheen By iDominick – https://www.flickr.com/photos/82924988@N05/13408249074/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=37564522
Jerry Maguire (1996)
Fair use, https://en.wikipedia.org/w/index.php?curid=1835112
Ali & Ava (2021)
By Altitude Film Distribution – https://makingwavesfilmfestival.com/ali-ava-once-upon-a-time-in-bradford/, Fair use, https://en.wikipedia.org/w/index.php?curid=78633606
Invasion of the Body Snatchers (1956)
Distributed by Allied Artists Pictures Corporation – Scan via Heritage Auctions. Cropped and lightly retouched from the original image, primarily to remove autographs; see unretouched original in upload history below., Public Domain, https://commons.wikimedia.org/w/index.php?curid=86642192
Stacey Dooley: Rape On Trial
Stacey Dooley: By War on Want – https://www.flickr.com/photos/waronwant/3930619275/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=74634102
Strike! The Village That Fought Back
London protest in support of the miners By sludgegulper – https://www.flickr.com/photos/28179929@N08/4057072990/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=95925125
Memento (2000)
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Romeo + Juliet (1996)
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Electric State (2025)
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Culture Vulture 1st to the 7th of March 2025

Welcome to Culture Vulture, your go-to weekly guide for an alternative take on entertainment. This carefully curated selection is brought to you by Pat Harrington. Music by the talented Tim Bragg accompanies the . writing. This week’s highlights are thought-provoking and diverse. They feature a compelling mix of historical drama, Shakespearean intensity, and investigative documentary.

First, we have Suffragette (2015). It is a powerful historical drama. It focuses on the working-class women who played a pivotal role in the fight for the right to vote. Carey Mulligan stars as Maud. She is an ordinary woman whose journey of radicalization reflects the courage of countless suffragettes. These brave women risked everything in the struggle for equality. With its unflinching portrayal of the movement’s violent tactics, Suffragette highlights activism’s personal cost. It is both an emotional and inspiring watch. Viewers are asked to consider the sacrifices behind societal progress.

Next, delve into the gripping modern adaptation of Shakespeare’s Coriolanus (2011). Ralph Fiennes directs and stars in this tense political thriller. The film transports the Bard’s tale of war and betrayal to a contemporary setting. Fiennes portrays a proud and unyielding general. His tragic downfall stems from an inability to connect with the people he serves. Urban warfare forms the backdrop of this adaptation. It resonates powerfully with present-day themes of populism. It also highlights the dangers of unchecked authority.

Finally, there’s The Undercover Police Scandal: Love and Lies Exposed. This investigative documentary series exposes the shocking emotional toll and ethical dilemmas of undercover policing tactics. The first episode highlights the harrowing stories of individuals deceived by covert operatives. It focuses on the profound impact of these betrayals on their personal lives. It’s a deeply unsettling yet essential exploration of authority and trust, revealing a hidden world that demands public scrutiny.

If you’re in the mood for historic justice, you’ll find it. Prefer Shakespearean drama? There is something for you too. This week’s Culture Vulture even features a hard-hitting exposé. It offers something for everyone. Be sure to check out these standout picks that challenge and captivate in equal measure!

Saturday 1st of March 2025

Elkie Brooks At The BBC (BBC1, 8.30pm)

A retrospective of one of Britain’s greatest yet often overlooked vocalists. This documentary features performances spanning decades. It highlights how Elkie Brooks evolved from a rock and blues singer to a powerhouse of jazz and pop. Despite her undeniable talent, she never quite received the industry recognition afforded to male contemporaries.

Brooks’ career is a story of perseverance. She has faced a music business that has often been unkind to women. This is especially true for those who age out of its commercial spotlight. Her voice has remained timeless. It is rich with the experience of someone who has lived through the highs and lows of the industry.

This collection of BBC performances is a reminder of an artist whose music endures, even as the industry moves on. It’s also a reflection. The British music scene often fails to properly honour its homegrown talent. This recognition typically comes much later in the artists’ lives. I recently had the pleasure of listening to Elkie on BBC Radio 2’s Piano Room. Her voice is as powerful as ever.

Elkie: Sight And Sound In Concert (BBC1, 9.35pm)

This special captures Brooks at her prime, performing some of her most iconic songs in a live setting. Unlike today’s auto-tuned, overproduced performances, this concert is a testament to the power of raw vocal ability and genuine musicianship.

Brooks’ performance style is intense yet effortless, displaying her ability to move between genres while keeping her signature emotional depth. Songs of love, heartbreak, and personal struggle take centre stage, performed with an authenticity rarely seen in modern pop music.

For long-time fans, this is a nostalgic gem. For newcomers, it’s an introduction to an artist whose voice deserves to be remembered alongside the greats.

Elkie Brooks In Concert 1987 (BBC1, 10.35pm)

A live performance from the late ’80s, this concert showcases Brooks at a transitional moment in her career. By this point, she had cemented her reputation as one of Britain’s finest vocalists, yet mainstream success remained frustratingly elusive.

Performing with a full band, Brooks blends jazz, rock, and blues influences effortlessly. The show highlights her vocal prowess. It also emphasizes her commanding stage presence. This aspect has often been overlooked in discussions about British music legends.

A reminder of an artist. Despite not always getting the attention she deserved, she remained a singular talent. She consistently delivered emotionally charged and musically sophisticated performances.

Prey (2022) (C4, 9.20pm)

Prey strips back the Predator franchise to its primal roots. It replaces the typical military hero with Naru, a young Comanche woman. She must outthink and outlast the alien hunter. This change in perspective reinvigorates the series, shifting the narrative from brute strength to strategy, patience, and adaptability.

The film’s themes extend beyond the survival thriller. Prey is a metaphor for colonial arrogance. It mirrors the way European invaders dismissed Indigenous knowledge and underestimated those they sought to conquer. The Predator, like those colonisers, assumes itself superior, but Naru’s understanding of her environment becomes her greatest weapon.

The decision to release the film with a Comanche-language dub is significant. It marks one of the first major Hollywood films to treat Indigenous representation with genuine care. This is rather than mere tokenism. Prey is not just a great action film. It’s an important step ahead in how stories about the past are told. It also impacts how stories about the future are narrated.

Sicario (2015) (BBC1, 12.30am)

A brutal and unflinching look at the US-Mexico drug war. Sicario follows an idealistic FBI agent. She is thrust into a world where morality is blurred beyond recognition. She soon realises that the war on drugs isn’t about stopping crime—it’s about managing and maintaining power.

The film’s suffocating cinematography and tense, minimalist storytelling expose the reality of militarised policing. The supposed “good guys” are indistinguishable from the criminals they claim to fight. The US government is not an arbiter of justice. Instead, it is a manipulative force. It is willing to use any means necessary to maintain dominance.

Benicio del Toro’s enigmatic character, Alejandro, embodies this moral decay—a man so consumed by revenge that justice becomes irrelevant. Sicario forces viewers to confront the uncomfortable truth that institutions thrive on conflict rather than resolution.


Sunday 2nd of March 2025

Suffragette (2015) (Film4, 6.50pm)

Unlike many historical films, Suffragette does not focus on the famous leaders of the movement. It focuses on the working-class women who carried the fight. Carey Mulligan’s Maud is an ordinary woman. Her gradual radicalisation mirrors the real experiences of countless suffragettes. They risked everything for a future they might not live to see.

The film doesn’t shy away from the movement’s violent tactics. Bombings, arson, and hunger strikes are shown as acts of desperation. These acts were against a system that refused to listen. Today’s history books celebrate the suffrage movement. However, Suffragette reminds us that these women were criminalised, brutalised, and dismissed as terrorists in their own time.

With strong performances and a deeply emotional core, the film is compelling. It forces us to ask: how much of today’s progress was truly “granted” by the establishment? How much was taken by force?

Mark Kermode’s Oscar Winners (BBC4, 7pm)

Mark Kermode breaks down the major Oscar-winning films of the past. He examines not just their artistic merit but also the wider cultural impact. He looks at the political impact they had. A fascinating look at how Hollywood chooses which stories deserve recognition—and which ones don’t.

Nick Cave: This Much I Know To Be True (Sky Arts, 10.55pm)

is an evocative and deeply personal documentary that transcends the typical boundaries of music-focused films. It serves as a creative chronicle. It is also a raw exploration of human resilience. The film delves into themes of grief, reinvention, and the healing potential of art.

The documentary is set against the backdrop of Nick Cave’s transformative journey following the tragic loss of his son. This devastating event has profoundly shaped his music, which now carries an unparalleled depth, moving toward rawer, more spiritual expressions. The film captures this evolution. It offers an intimate glimpse into the artist’s world. He processes his pain and channels it into his creative work.

The film does not center on the mechanics of the music industry. Rather, it focuses on universal human experiences. It presents creativity as a means to cope with loss. Through candid moments, poignant performances, and reflective interviews, it paints a portrait of Cave as an artist. He navigates the intersection of sorrow and hope. He finds meaning through his art.

This Much I Know to Be True is not just a documentary. It is a testament to the power of creativity as a tool for understanding and overcoming grief. It’s a film that resonates on a deeply human level, celebrating the courage to transform tragedy into profound, transformative beauty.

Glory (1989) (Film4, 11.45pm)

This is a historical war film. It tells the true story of the 54th Massachusetts Infantry Regiment. It was one of the first Black regiments in the American Civil War. Despite fighting for the North, these men are still treated as second-class citizens, their sacrifices often unrecognised.

Denzel Washington’s Oscar-winning performance is a highlight. He portrays a soldier who understands that the fight for equality will not be over, even in victory. The film’s final battle sequence is devastating. This is not just because of the brutality of war. It is also tragically ironic. The men leading the charge may never see the justice they fought for.

Glory is not just a war film. It is a statement on who gets to be remembered in history. It is also about who is erased. It remains as relevant now as ever.


Monday 3rd of March 2025

The Last Duel (2021) (Film4, 9pm)

Ridley Scott’s The Last Duel explores power, truth, and gender in a way that feels disturbingly relevant today. The story is set in medieval France. It tells the tale of Marguerite de Carrouges. She accuses a powerful man of rape. This leads to the last legally sanctioned duel in history.

The film is structured in three parts, showing the same events from different perspectives. The first two—told from the viewpoints of the men—distort reality to fit their egos. Only Marguerite’s account, painful and brutally honest, rings true. This storytelling choice exposes how history has always been shaped by those in power.

The final duel is visually spectacular, but the film’s real power lies in its aftermath. Marguerite’s survival does not bring her justice—just a different struggle. A sharp indictment of how women’s voices have been silenced for centuries.

Israel And The Palestinians (two of three) (BBC2, 9pm)

The second episode of Israel and the Palestinians continues its in-depth exploration. It examines one of the most enduring and complex conflicts in modern history. This installment delves into the intricate web of diplomacy, failed peace talks, and the human cost of the ongoing crisis. The documentary takes a meticulous approach. It examines pivotal moments in the conflict. It offers insights from key political figures, diplomats, and those directly affected. The narrative is both sobering and enlightening. It sheds light on the challenges of achieving peace in a region fraught with historical grievances and geopolitical tensions.

What sets this episode apart is its balanced presentation of perspectives. The filmmakers have gone to great lengths to include voices from all sides, creating a nuanced portrayal of the conflict. The episode highlights the complexities of negotiation through interviews with Israeli and Palestinian leaders. It also features conversations with international mediators. The deep-seated mistrust often derails progress. Archival footage provides emotional weight. Personal testimonies remind viewers of the human lives at the heart of the political struggle.

This episode serves as a reminder of the fragility of peace. It highlights the resilience of those who continue to hope for a resolution. It does not shy away from the harsh realities of the conflict. It also underscores the potential for understanding and reconciliation. Israel and the Palestinians offers a compelling viewing experience. It presents the historical aspects of the issue. It also shows the contemporary dimensions. It is thought-provoking and encourages reflection on the broader implications of the crisis.

Oscars Highlights (ITV1, 10.45pm)

A glittering showcase of Hollywood’s finest combines the glamour of the red carpet with profound reflections. It provokes thought on the industry’s influence on global storytelling. The ceremony dazzles with wealth and celebration. However, it also prompts important questions about representation. We must consider which voices are heard and which are excluded from the narratives we celebrate.

This year’s Oscars showcase a diverse array of films, each contributing unique perspectives to the cinematic landscape. Emilia Pérez leads with an impressive 13 nominations. These include Best Picture and a historic Best Actress nod for Karla Sofía Gascón. The thought-provoking The Brutalist and the vibrant Wicked are other notable contenders. Each has 10 nominations. Compelling entries like Anora and A Complete Unknown also stand out. These films highlight the expanding diversity in storytelling. They also underline the ongoing challenges in creating an equitable platform for all voices.

As the awards are handed out, Oscars Highlights encourages viewers to think critically about Hollywood’s role in shaping cultural narratives. The night celebrates artistic achievements. It also reflects the inequalities within the industry. This challenges audiences to consider how we define and reward greatness in storytelling. Beyond the glitz and glamour, the show reflects broader struggles. It mirrors the quest for authenticity in global cinema.

The Death Of Stalin (2017) (BBC1, 11.55pm)

Armando Iannucci’s The Death of Stalin is a masterful political satire that walks the fine line between absurdity and horror. The film is set in the chaotic days following the sudden demise of Joseph Stalin in 1953. It turns a brutal period of history into dark comedy. The movie exposes the paranoia, incompetence, and opportunism of authoritarian rule. The characters scramble over each other in their frantic bids for power. Yet, the film never lets the audience forget the deadly stakes. Decisions made in smoky rooms determine who lives and who disappears forever.

What makes The Death of Stalin so compelling is its ability to highlight the sheer absurdity of totalitarianism. Every scene is infused with an unsettling mix of humour and menace. Stalin’s ministers awkwardly step over his body, terrified to be the first to acknowledge he is dead. There are also desperate attempts to rewrite history even as it unfolds. Power in such regimes is not about ideology or governance but about survival. Figures like Steve Buscemi’s Nikita Khrushchev are caught in a loop of constant betrayal. Simon Russell Beale’s monstrous Lavrentiy Beria also engages in these treacherous acts. They know that any misstep could lead to execution.

Beneath the sharp dialogue and comedic timing, the film carries a serious message. Authoritarianism doesn’t just rely on violence. It thrives on fear, loyalty tests, and the erasure of truth. The film’s final moments show Khrushchev consolidating power in an eerily similar manner to his predecessor. This makes it clear that tyranny isn’t about individuals. It is about systems that allow such rule to continue. The Death of Stalin is not just a historical farce. It chillingly reminds us of how power operates. History repeats itself when those in control focus on self-preservation more than justice.

Tuesday 4th of March 2025

Seeking Satoshi: The Mystery Bitcoin Creator (one of two) (C4, 10pm)

Bitcoin has long been hailed as a financial revolution, but its origins remain shrouded in secrecy. This documentary attempts to uncover the true identity of Satoshi Nakamoto, the pseudonymous figure credited with inventing Bitcoin.

The first episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) embarks on a fascinating journey. It investigates the enigmatic origins of Bitcoin, the revolutionary cryptocurrency. Bitcoin has transformed the financial world. Journalist Gabriel Gatehouse leads this documentary. It explores the mystery surrounding Satoshi Nakamoto. He is the pseudonymous figure credited with creating Bitcoin. The episode uses investigative reporting and compelling storytelling. It explores the cultural and economic impact of Bitcoin. It also questions the true identity of its elusive creator.

The episode takes viewers to a mega Bitcoin gathering in Miami. It reveals the cryptocurrency’s political ambitions. It also uncovers its ideological underpinnings. It raises thought-provoking questions about the promises of decentralization and financial freedom. These are juxtaposed with the realities of inequality and unaccountability that have emerged in the crypto world. The documentary skillfully balances technical insights with human stories, making it accessible to both crypto enthusiasts and newcomers alike.

What makes this episode particularly engaging is its ability to weave together the technical, cultural, and philosophical dimensions of Bitcoin. It challenges viewers to ask an important question. Does Bitcoin remain a radical alternative to traditional financial systems? Or has it been co-opted by the very institutions it sought to disrupt? Seeking Satoshi possesses investigative depth. Its captivating narrative sets the stage for a gripping exploration of one of the most intriguing mysteries in modern technology.

Coriolanus (2011) (BBC2, 11.05pm)

This modern reimagining of Shakespeare’s Coriolanus transforms the classic tale of war and political betrayal into a contemporary thriller. Ralph Fiennes directs and stars as the titular general. He is revered for his military prowess. Yet, he is despised for his inability to connect with the people.

The film’s urban warfare setting, complete with news broadcasts and riot police, makes it feel eerily relevant. It explores the dangers of unchecked power. It examines the manipulation of populism. It shows how the public’s favour can shift with alarming speed. Coriolanus is a man who sees himself above the masses. His downfall comes not from his enemies but from his failure to understand the people he claims to protect.

The film forces us to think on modern politics. Leaders who refuse to engage with ordinary citizens often find themselves cast out. This is not because they are unworthy. It is because the system demands a balance of power and perception. A striking and intense adaptation that proves Shakespeare’s themes stay timeless.

No Other Land (2024) (C4, 11.15pm)

This powerful documentary captures the reality of Palestinian displacement from the perspective of those experiencing it firsthand. Mainstream Western coverage often dilutes the urgency of the situation. No Other Land refuses to sanitize the brutal destruction of homes. It highlights the forced removal of entire communities.

Filmed by Palestinians on the ground, the documentary doesn’t just present statistics. It shows the human impact of occupation. It highlights the loss of cultural heritage. It demonstrates the resilience of people who refuse to be erased. The film raises pressing questions about international complicity and why certain narratives are amplified while others are suppressed.

For those who rely on corporate media for news, No Other Land provides an essential viewpoint. It offers an unfiltered perspective on one of the most pressing humanitarian crises of our time.


Wednesday 5th of March 2025

Nightmare Alley (2021) (Film4, 9pm)

Guillermo del Toro’s Nightmare Alley is a slow-burning, psychological noir that explores the thin line between ambition and self-destruction. The story follows Stanton Carlisle (Bradley Cooper), a drifter who learns the tricks of mentalism. He manipulates his way into high society. Eventually, his own arrogance leads to his downfall.

Unlike traditional noir films, Nightmare Alley presents its protagonist as both the conman and the mark. Stanton believes he can outwit everyone. In reality, he is simply another player in a system that devours those who reach too far. His journey is a cautionary tale about power and deception. It illustrates the inevitable downfall of those who believe they can cheat fate.

The film’s haunting visuals and chilling performances make it a gripping watch. However, its deeper message is more unsettling. Society itself is built on cons. Those at the top are simply the ones who have mastered the game for longer than others.

A Cruel Love: The Ruth Ellis Story (ITV1, 9pm)

Ruth Ellis was the last woman to be hanged in Britain. Her case remains one of the most controversial in legal history. This documentary examines her trial and execution. It questions whether justice was truly served. It also questions if Ellis was a victim of a system. The legal system refused to acknowledge domestic abuse as a mitigating factor.

The film provides context on how gender, class, and outdated legal standards shaped her fate. Now, discussions on coercive control and domestic violence have evolved. In this context, Ellis’ case feels even more tragic. She was punished not just for a crime, but for daring to defy societal expectations.

By revisiting Ellis’ story, this documentary forces us to ask how much the justice system has really changed. It also questions whether the law still fails those who need it most.

Seeking Satoshi: The Mystery Bitcoin Creator (two of two) (C4, 10pm)

The second episode of Seeking Satoshi: The Mystery Bitcoin Creator (C4, 10pm) delves deeper into the enigma surrounding Bitcoin’s origins. It explores the conspiracy theories and controversies that have emerged over the years. Journalist Gabriel Gatehouse continues his investigation. He uncovers new leads and encounters warnings from veteran hackers. They suggest that the truth about Satoshi Nakamoto might be too dangerous to pursue.

This episode broadens the scope of the mystery. It examines whether Bitcoin was the work of a lone genius or a collective effort. It even entertains the possibility of government involvement. It also highlights the darker side of Bitcoin’s legacy. This includes its use in dark web markets. It also involves its role in financial speculation. These elements raise critical questions. Does Bitcoin still represent the ideals of freedom and decentralization? Or has it become another tool for exploitation and inequality?

With its mix of investigative journalism and philosophical inquiry, the episode challenges viewers. It encourages consideration of the broader implications of Bitcoin’s creation. The episode also examines its impact on the world. It’s a gripping continuation of the series. It blends intrigue with a thought-provoking exploration of the intersection between technology, power, and human ambition.


Thursday 6th of March 2025

The Wicked Lady (1945) (Talking Pictures, 10.50am)

A rebellious and provocative film for its time, The Wicked Lady tells the story of a noblewoman. She defies societal norms by leading a double life as a highway robber. Margaret Lockwood’s performance is electric, turning the character into an anti-hero who refuses to accept the constraints imposed on women.

The film explores morality. It makes audiences sympathise with a thief. The film questions who truly has the right to wealth and power. Although made in the 1940s, its themes of female independence and resistance against rigid social expectations remain strikingly relevant.

Beneath the costume drama, The Wicked Lady is a sharp critique of gender roles and the hypocrisy of aristocratic society. A daring and subversive classic.

The Undercover Police Scandal: Love And Lies Exposed (one of three) (ITV1, 9pm)

The first episode of The Undercover Police Scandal: Love and Lies Exposed (ITV1, 9pm) unveils a deeply unsettling narrative. The story is full of deception and betrayal. It focuses on the lives of individuals who were profoundly affected by covert operations. Through intimate interviews and detailed accounts, the documentary exposes the hidden practices of a secretive unit. It reveals the far-reaching consequences of their actions on personal lives. It also shows the impact on trust.

This episode highlights the intricate dynamics of power and control, as it explores how relationships were manipulated under false pretenses. The stories of those who were deceived are both harrowing and courageous. They recount their journeys of uncovering the truth. They also seek accountability. The documentary does not shy away from exposing the emotional toll. It reveals the long-lasting scars left by these actions. It offers a poignant look at the resilience of those who refused to stay silent.

The episode weaves together personal testimonies and investigative findings. It challenges viewers to think about the boundaries of authority. It also explores the ethical dilemmas that arise when those boundaries are crossed. It’s a compelling start to a series. The series promises to delve even deeper into the complexities of these hidden operations. It will also explore their impact on society.


Friday 7th of March 2025

High Noon (1952) (GREAT!action, 8pm)

On the surface, High Noon is a classic Western about a lone sheriff preparing for a gunfight. But beneath the action, it is a scathing critique of cowardice and conformity. The town’s people, rather than standing against injustice, find excuses to avoid responsibility.

Seen as an allegory for the McCarthy-era witch hunts, High Noon is not focused on heroism. Instead, it highlights the failures of those who choose silence over resistance. It remains a powerful reminder of how easily injustice flourishes when people turn a blind eye.

Event Horizon (1997) (Film4, 11.15pm)

Event Horizon, a sci-fi horror film, delves deeply into the multidimensional consequences of unchecked ambition. Socially, it examines the human drive to explore and dominate the unknown. This reflects the age-old pursuit of progress. Often, progress comes at the expense of ethics and humanity. Politically, it mirrors the Cold War-era space race. During this time, nations pushed the boundaries of space exploration in a quest for supremacy. This reflects the real-world tension and competition between superpowers.

Economically, the film hints at the massive investments required for such space missions. It also touches on the resource allocations necessary. The film questions whether the potential rewards are worth the risks. This notion is particularly resonant in today’s context of space commercialization, where private corporations race to exploit extraterrestrial resources.

Psychologically, Event Horizon explores the terror of the unknown. It delves into the profound impact of isolation and existential dread on the human psyche. The spaceship’s return is now a harbinger of horror. It symbolizes the unforeseen and often catastrophic consequences of pushing beyond human limits. These occur without considering the mental and emotional toll on those involved.

Event Horizon serves as a chilling reminder. Humanity might pay a price for its relentless quest to conquer the cosmos.


Streaming Choices

Walter Presents: The Mantis (All six episodes on Channel 4 streaming from Friday 7th of March 2025)

When a copycat killer strikes in France, police turn to the original murderer for help. A gripping crime drama that exposes corruption, power struggles, and moral compromises.

The First Emperor Of China (Available from Thursday 6th of March on History Hit)

A historical deep dive into how one man unified a nation, but at immense human cost.

The Real Ruth Ellis (Available from Wednesday 5th of March 2025 on ITVX)

A fresh look at Britain’s most infamous execution case, exploring new evidence. Worth watching alongside the new drama about her this week, A Cruel Love.

Picture credits

Elkie Brooks At The BBC
Elkie: Sight And Sound In Concert
Elkie Brooks In Concert 1987
By kitmasterbloke – https://www.flickr.com/photos/kitmasterbloke/49233655996/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=97277764
Prey (2022)
By http://www.impawards.com/2022/posters/prey_ver4_xxlg.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=70800783
Sicario (2015)
May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=46727168
Suffragette (2015)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=47657815
Mark Kermode’s Oscar Winners
By Julie Edwards – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=132623664
Nick Cave: This Much I Know To Be True
By Raph_PH – https://www.flickr.com/photos/raph_ph/51427635149/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=109766405
Glory (1989)
By TriStar Pictures – Impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=13532520
The Last Duel (2021)
By http://www.impawards.com/2021/last_duel_ver6.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68281500
Israel And The Palestinians (two of three)
Illustration from KollectivFutur with permission
Oscars Highlights
By Oscars: AMPAS Brand Guide, Fair use, https://en.wikipedia.org/w/index.php?curid=77913754
The Death Of Stalin (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=54810778
Seeking Satoshi: The Mystery Bitcoin Creator (one of two)
By Grayliptrot – This file was derived from: Bitcoin logo.svg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=30202095
Coriolanus (2011)
By IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=26505292
No Other Land (2024)
By Berlinale, Fair use, https://en.wikipedia.org/w/index.php?curid=76180863
Nightmare Alley (2021)
By http://www.impawards.com/2021/nightmare_alley_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68734063
A Cruel Love: The Ruth Ellis Story
Fair use, https://en.wikipedia.org/w/index.php?curid=29759349
The Wicked Lady (1945)
High Noon (1952)
By “Copyright 1952 – United Artists Corporation.” – Scan via Heritage Auctions., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85708724
Event Horizon (1997)
By Paramount Pictures – impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=10657985

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Culture Vulture 1st to the 7th of February 2025

Welcome to Culture Vulture – Your Alternative Weekly Entertainment Guide. Writing is by Pat Harrington and music is by Tim Bragg.

Highlights this week include:

  • The Sisters Brothers (2018) – A revisionist Western that subverts genre conventions, following two bounty-hunting brothers on a journey of survival, greed, and self-discovery.
  • Belfast (2021) – A poignant coming-of-age drama set against the backdrop of 1960s Northern Ireland, capturing the innocence of youth amid political turmoil.
  • Respect (2021) – A powerful biopic of Aretha Franklin, showcasing her rise to fame, struggles, and enduring legacy through an unforgettable performance by Jennifer Hudson.

Now, onto this week’s full selection of films and programmes.

Saturday 1st February 2025

Women Who Rock – Sky Arts from 9pm
A celebration of women who reshaped the music industry. Their struggles and triumphs reflect wider changes in society. The show captures the energy and defiance of artists who refused to conform.
The documentary highlights how music became a form of resistance. Each performer carved a space in a male-dominated world. The interviews reveal personal sacrifices behind public success.
Viewers will see how these women changed perceptions. Their influence reaches beyond music into fashion and activism. The programme is a reminder of the power of creative expression.

Judgment at Nuremberg (1961) – BBC2 12.45pm
A courtroom drama that examines responsibility. The focus is not only on the accused but also on those who looked the other way. The film asks difficult questions about morality and justice.
Performances are powerful, particularly Spencer Tracy as the judge. The script avoids easy answers, forcing viewers to consider uncomfortable truths. The weight of history is felt in every scene.
Decades later, the questions remain relevant. The film warns against blind obedience and moral compromise. A stark reminder of how societies justify their worst actions.

Poly Styrene: I Am a Cliché – Sky Arts 2am
A raw and intimate portrait of an artist ahead of her time. Poly Styrene challenged conventions, both in punk music and in life. Her story is one of rebellion and self-discovery.
The film explores her impact on music and identity. Personal letters and interviews reveal a woman torn between ambition and expectation. Her mixed heritage shaped her outsider status.
More than a biography, this is a story about finding a voice. It resonates with anyone who has felt out of place. Her influence continues in today’s alternative music scene.

Sunday 2nd February 2025

The Straight Story (1999) – Film4 4.30pm
A slow and meditative film about an elderly man’s journey. He travels across America on a lawnmower, determined to reconnect with his brother. The simplicity of the story hides great emotional depth.
David Lynch directs with restraint, showing warmth rather than his usual darkness. The performances feel authentic, particularly from Richard Farnsworth. The film lingers on landscapes, emphasising time and memory.
It is a quiet reflection on aging and regret. The journey is physical, but also symbolic. The film asks whether old wounds can ever truly heal.

Harrods: The Rise and Fall of a British Institution – Channel 5 9pm
Once a symbol of luxury, Harrods represents changing economic tides. The documentary traces its history from family-run business to foreign ownership. Behind the glamour is a tale of power and shifting fortunes.
The programme exposes the conflicts between tradition and modernisation. It shows how consumer culture evolved alongside British society. The store’s rise mirrors imperial confidence, its sale reflects global shifts.
More than just a shop, Harrods embodies national identity. The film questions what is lost when heritage is sold. It is a case study in money and influence.

Dr Jekyll and Mr Hyde: The Read with Reece Shearsmith – BBC4 9pm
A chilling reading of a classic tale. Shearsmith brings the dual nature of man to life. His performance captures the fear and fascination of the original text.
The gothic horror remains unsettling today. The story explores hidden desires and suppressed instincts. It suggests that civilisation is only a thin veil.
This adaptation reminds us why the story endures. The duality within us all is both disturbing and compelling. A gripping interpretation of a timeless tale.

Ian Rankin Investigates: Dr Jekyll and Mr Hyde – BBC4 10.05pm
Rankin explores the real inspirations behind Stevenson’s novel. He delves into Victorian anxieties and the idea of the double life. The true history is as eerie as the fiction.
Interviews with experts reveal deeper meanings. The investigation links the story to crime, class, and repression. Stevenson’s world was one of contradictions and secrets.
A fascinating look at why the story still haunts us. The themes remain familiar, even in modern society. A perfect companion piece to the previous programme.

Belfast (2021) – BBC2 10pm
Kenneth Branagh’s semi-autobiographical film captures childhood in a divided city. The innocence of youth contrasts with the backdrop of violence. The black-and-white cinematography adds a nostalgic quality.
The story is told through a child’s eyes, softening but not erasing the pain. There are moments of humour and warmth, making the loss feel sharper. Family bonds provide strength amid uncertainty.
A love letter to a city and a past that can’t be reclaimed. The film reminds us that history is personal. A moving account of home and belonging.

The Sisters Brothers (2018) – BBC2 11.30pm

The Sisters Brothers is a revisionist Western that subverts the genre’s conventions. It follows two bounty-hunting brothers navigating a rapidly changing American frontier. Directed by Jacques Audiard, the film balances dark humour with moments of deep introspection. It explores themes of violence, greed, and fractured familial bonds.

Joaquin Phoenix and John C. Reilly deliver compelling performances as the titular brothers. Phoenix’s Charlie is impulsive and reckless, while Reilly’s Eli is burdened by a growing conscience. Their dynamic forms the film’s emotional core, as Eli questions their brutal way of life and dreams of something better. Jake Gyllenhaal and Riz Ahmed give strong supporting performances. They add depth to the film’s exploration of shifting loyalties. They also enhance the portrayal of evolving ideals.

The cinematography by Benoît Debie captures the stark beauty of the Western landscape. From sun-scorched plains to dimly lit saloons, every frame enhances the film’s melancholic tone. The film’s visual storytelling is meticulous, highlighting both the isolation and camaraderie of its characters.

The score, composed by Alexandre Desplat, blends traditional Western sounds with a haunting, modern sensibility. The music highlights the film’s tension. It strengthens the introspective moments. This reinforces the sense of an old world fading into a new one.

Thematically, The Sisters Brothers critiques the brutality of frontier justice and the corrosive nature of capitalism. The Gold Rush is depicted as a ruthless pursuit, where survival often comes at the cost of morality. Ethical dilemmas arise as the brothers encounter figures who challenge their worldview. These encounters force them to confront their past and consider the possibility of change.

Critics praised the film’s unique take on the Western genre. Its blend of dark comedy, action, and philosophical depth set it apart from more traditional entries. Some viewers found its pacing deliberate. Others appreciated its contemplative nature. They saw it as a meditation on brotherhood, ambition, and the price of violence.

The Sisters Brothers is a thought-provoking and visually stunning film. It offers a fresh perspective on the Western mythos, grounding its story in human emotion rather than spectacle.

Monday 3rd February 2025

Mr Jones (2019)
A journalist uncovers a famine that others choose to ignore. The film exposes how truth is manipulated. The protagonist risks everything to reveal reality.
The visuals shift between cold desolation and propaganda’s warmth. The contrast shows how suffering is hidden. The cost of truth is painfully high.
A film about courage and complicity. Silence enables cruelty, while speaking out invites danger. A reminder that stories shape history.

Fire Island (2022)
A reimagining of Pride and Prejudice set in a modern LGBTQ+ holiday retreat. The film mixes wit with social commentary. It celebrates community while exposing its flaws.
Romance is central, but so is friendship. The characters navigate love, status, and belonging. The humour makes deeper themes more accessible.
A joyful yet thoughtful film. It reminds us that acceptance isn’t always easy. A refreshing take on a classic tale.

Tuesday 4th February 2025

All The Money In The World (2017) – GREAT!movies 9pm
A thriller based on real events. The film follows the kidnapping of John Paul Getty III. His grandfather’s refusal to pay the ransom dominates the narrative.
The story highlights greed and power. The boy’s suffering is secondary to financial concerns. Family bonds are tested against corporate interests.
A tense and stylish drama. Christopher Plummer delivers a cold yet captivating performance. A study of how wealth distorts human relationships.

Mussolini: Son of the Century – Sky Arts 9pm
A documentary exploring the rise of a dictator. It traces his journey from socialism to totalitarianism. The programme pieces together rare footage and expert analysis.
It examines how ambition turns into authoritarian rule. The film shows how a leader’s early ideals can curdle into oppression. The dangers of political idolatry are evident.
A necessary history lesson. The past offers warnings for the present. The documentary challenges viewers to see patterns in modern politics.

Wednesday 5th February 2025

Respect (2021) – BBC1 11.15pm
The story of Aretha Franklin’s rise to fame. Jennifer Hudson delivers a commanding performance. The music carries the film, but so does its emotional weight.
It explores the pressures of success. Franklin’s voice made history, but her journey was fraught with struggle. The film does not shy away from personal hardships.
More than a biography, it is a tribute. A reminder of the resilience behind the legend. A powerful portrayal of an artist’s fight to be heard.

Mean Streets (1973) – Film4 11.35pm
Scorsese’s early masterpiece. A gritty look at loyalty and survival in Little Italy. The film’s raw energy and improvisational style make it feel real.
Harvey Keitel and Robert De Niro shine as young men caught between crime and conscience. The streets are their battleground. Violence is both a choice and a fate.
An essential watch for those who love character-driven films. It laid the foundation for Scorsese’s later classics. A look at ambition, failure, and redemption.

Thursday 6th February 2025

Oliver! (1968) – Film4 4.10pm
A musical that remains beloved. The story of an orphan in Victorian London. Songs and performances make it an enduring classic.
Beneath the charm is a tale of survival. The film does not ignore the harsh realities of poverty. Dickens’ world is softened but not erased.
A family favourite with dark undercurrents. The contrast between joy and hardship makes it compelling. A classic that still resonates.

Some Like It Hot (1959) – BBC4 8.20pm
A comedy masterpiece. Two musicians disguise themselves as women to escape the mob. The humour is sharp, and the performances iconic.
Jack Lemmon and Tony Curtis have perfect timing. Marilyn Monroe adds charm and melancholy. The film balances farce with genuine emotion.
Beneath the laughter is a look at identity and deception. A film ahead of its time. Endlessly rewatchable and still relevant.

Can Elon Musk Rule The World – Channel 4 9pm
A documentary examining one of the most controversial figures today. It explores his vision and influence. The programme asks whether one man should hold so much power.
Musk’s innovations have changed industries. But ambition comes with consequences. The film presents both his brilliance and his flaws.
An insightful investigation into modern leadership. Technology and capitalism intertwine. The future may rest in the hands of a few.

Pitch Black (2000) – ITV4 9pm
A sci-fi thriller with a cult following. A transport ship crashes on a dark planet. The survivors face both internal and external threats.
Vin Diesel’s anti-hero dominates the film. His character walks the line between saviour and predator. The darkness is both literal and symbolic.
Tense, atmospheric, and visually striking. A film that proves sci-fi can be both action-packed and thought-provoking.

Friday 7th February 2025

Ella Fitzgerald Live At Montreux – Sky Arts 8pm
A concert film capturing a jazz legend at her best. Fitzgerald’s voice remains unmatched. Her performance is effortless yet deeply moving.
The setlist is a journey through jazz history. The audience is spellbound. The film showcases her warmth and mastery.
A celebration of pure talent. A must-watch for music lovers. Her voice still enchants decades later.

Ella Fitzgerald: Just One Of Those Things – Sky Arts 9.30pm
A documentary exploring her life and career. The struggles behind the success are revealed. Her rise from hardship to global fame is inspiring.
Interviews and archival footage bring her story to life. The film highlights both her triumphs and personal sacrifices. She reshaped music forever.
A fitting tribute to a true pioneer. Her impact goes beyond jazz. Her legacy is one of perseverance and excellence.

Lynch/OZ – Film4 1.35am
A documentary about the connection between The Wizard of Oz and David Lynch’s films. It delves into cinematic influences and hidden meanings.
Lynch’s work is filled with references to Oz. The documentary explores these links in depth. Filmmakers and critics offer their insights.
A fascinating look at artistic inspiration. It shows how one story can shape another. A must-watch for cinephiles.

And finally, Streaming

On Channel 4 streaming – Walter Presents: The Sketch Artist (Season 3) – from Friday 7th February 2025
A detective series with a unique protagonist. A forensic sketch artist reconstructs faces and memories. The show blends mystery with human insight.
The new season deepens character backstories. It focuses on perception and how we interpret truth. Crime-solving is as much about psychology as evidence.
A gripping drama with an original premise. Fans of intelligent thrillers will be hooked.

On History Hit – Dogs: Their History (Episode One) – from Thursday 6th February 2025
A look at how dogs shaped human lives. From hunting partners to companions, their role has changed. The documentary explores this shared history.
Footage from different cultures highlights contrasts in treatment. The bond between humans and dogs is complex. Some are loved, others exploited.
More than a history lesson, this is a reflection on human nature. Our relationship with animals says much about us.

Picture credits

Judgment at Nuremberg
By “Copyright © 1961 by United Artists Corporation.” – Scan via Heritage Auctions. Cropped from the original image and lightly retouched; see upload history for unretouched original., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88144188
The Straight Story (1999)
Fair use, https://en.wikipedia.org/w/index.php?curid=3573982
Belfast (2021)
By Studio and or Graphic Artist – [1], Fair use, https://en.wikipedia.org/w/index.php?curid=68638309
The Sisters Brothers
By https://thefilmstage.com/wp-content/uploads/2018/05/The-Sisters-Brothers-poster.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid57505137
Mr Jones (2019)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59698104
Fire Island (2022)
By Searchlight Pictures – https://twitter.com/searchlightpics/status/1518589402305507329?s=20&t=z98t5jxp96X-UEKqWN4Jfg, Fair use, https://en.wikipedia.org/w/index.php?curid=70626655
All the Money in the World (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=55238236
Respect (2021)
By IMP Awards / 2021 Movie Poster Gallery / Respect Poster (#6 of 6), Fair use, https://en.wikipedia.org/w/index.php?curid=62643512
Mean Streets (1973)
By May be found at the following website: https://www.imdb.com/title/tt0070379/mediaindex?page=3&ref_=ttmi_mi_sm, Fair use, https://en.wikipedia.org/w/index.php?curid=63535900
Oliver! (1968)
By Oliver1968.co.uk – UK quad., Fair use, https://en.wikipedia.org/w/index.php?curid=6697563
Some Like It Hot (1959)
Designed by Macario Gómez Quibus. “Copyright 1959 – United Artists Corp.”. – Scan via LiveAbout. Cropped from original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85794299
Pitch Black (2000)
By The poster art can or could be obtained from USA Films (USA theatrical)Universal Studios (all other rights)., Fair use, https://en.wikipedia.org/w/index.php?curid=1209558
Ella Fitzgerald: Just One of Those Things
Aber Bergen
Minx
By HBO Max – Screenshot from the premiere episode, “Not like a shvantz right in the face”, Public Domain, https://commons.wikimedia.org/w/index.php?curid=117713496
Reece Shearsmith
By PeterCarmichael51 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=151951308
Elon Musk
By The Royal Society, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=152333860
Harrods
By user: Sokkk y – Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=3600342
Polystyrene
By Poly_Styrene.png: Uroicaderivative work: Memphisto (talk) – Poly_Styrene.png, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=15033083
Ella Fitzgerald
By Lewin/Kaufman/Schwartz, Public Relations, Beverly Hills – eBay itemphoto frontphoto back, Public Domain, https://commons.wikimedia.org/w/index.php?curid=19129012
Ian Rankin
By TimDuncan – Own work, CC BY 3.0, https://commons.wikimedia.org/w/index.php?curid=3588034
Mussolini

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Culture Vulture (28th of October to 3rd of November 2023)

Welcome to Culture Vulture your guide to the week’s entertainment from an alternative viewpoint. Highlights this week include, A Beautiful Day in the Neighborhood: a heartwarming biographical drama that explores the transformative friendship between journalist Lloyd Vogel and beloved television personality Fred Rogers; George Carlin’s American Dream, an insightful documentary that delves into the sharp wit and provocative social commentary of the iconic comedian George Carlin, and a stylish and suspenseful thriller that follows a fashion photographer who experiences disturbing premonitions of murders through her lens. Selections and reviews are by Pat Harrington and music is by Tim Bragg.

Saturday 28th of October 2023

Discovery Film: Horror Special 11pm Sky Arts

“Discovering Film: Horror Special” is a Sky Arts program that features authors and film critics discussing their favorite horror movies. The show is hosted by Mark Kermode, the well-known British film critic and writer. The program is part of the “Discovering Film” series, which celebrates the lives and work of some of the most prolific and iconic Hollywood stars.

The “Horror Special” episode features Bonnie Greer, Ian Nathan, and other film critics discussing their favorite horror movies, including “The Omen,” “The Exorcist,” and “Frankenstein”.

A Beautiful Day In The Neighborhood (2019) 1.05am C4

“A Beautiful Day in the Neighborhood” (2019) is a heartwarming film that beautifully exemplifies social and ethical themes, making it not just a movie but a poignant lesson in compassion and the importance of human connection.

The film revolves around the iconic children’s TV host Fred Rogers, portrayed masterfully by Tom Hanks. Rogers is the epitome of kindness, empathy, and moral integrity. His unwavering commitment to promoting emotional intelligence, understanding, and acceptance resonates deeply in today’s world, where society often struggles with divisiveness and intolerance.

One of the central ethical themes of the movie is forgiveness. The character of journalist Lloyd Vogel, played by Matthew Rhys, harbors deep-seated resentment and anger, illustrating how grudges can weigh us down. Through his interactions with Rogers, we witness the transformative power of forgiveness and the importance of letting go of past grievances, a message that is highly relevant in a world marred by grudges and conflicts.

The film also tackles the theme of authenticity in a society often characterized by superficiality and pretense. Fred Rogers’ genuine and unapologetic sincerity challenges the prevailing notion that cynicism is a sign of maturity. His authenticity serves as a reminder of the ethical imperative to be true to oneself, a message that is increasingly valuable in a world where superficiality often masks our true feelings and identities.

“A Beautiful Day in the Neighborhood” explores the profound impact of positive role models. In a society where celebrity culture can often overshadow true moral and ethical role models, Fred Rogers stands as a shining example of someone who used his fame to spread positivity and change lives for the better. The film encourages viewers to seek out and celebrate such inspirational figures who promote values like kindness, empathy, and inclusivity.

“A Beautiful Day in the Neighborhood” is a deeply moving and thought-provoking film that delves into social and ethical themes that are particularly relevant in our contemporary society. Through the character of Fred Rogers, the film emphasizes the importance of kindness, forgiveness, authenticity, and the need for positive role models to guide us towards a more compassionate and ethical world. It is a reminder that we should all strive to be a little bit more like Mr. Rogers in our daily lives.

Sunday 29th of October 2023

George Carlin’s American Dream 3pm Sky Documentaries

“George Carlin’s American Dream” is a documentary film directed by Judd Apatow and Michael Bonfiglio that chronicles the life and work of the legendary comedian George Carlin 12. The documentary opens an intimate window into Carlin’s personal life, including his childhood in New York City, his long struggle with drugs that took its toll on his health, his brushes with the law, his loving relationship with Brenda, and more 32.

The first part of the documentary follows Carlin’s rise to fame in the 1960s comedy scene and his realization that he was meant for something edgier than the mainstream variety-show circuit. The second part of the documentary focuses on Carlin’s later years, including his political activism, his thoughts on religion, and his legacy as one of the most influential comedians of all time.

Elon Musk’s Twitter Takeover 8.25pm PBS America

“Elon Musk’s Twitter Takeover” is a two-hour documentary produced by PBS America that explores Elon Musk’s relationship with Twitter. The documentary delves into Musk’s journey from being one of the platform’s most provocative users to its sole proprietor, exploring the acquisition, free speech, and the company’s uncertain future.

Under The Skin (2013 film) 1.40am Film4

“Under the Skin” (2013), directed by Jonathan Glazer, is a hauntingly enigmatic and visually striking film that delves deep into themes of loneliness, love, and human identity, creating an unsettling exploration of the human condition.

Loneliness is a pervasive theme throughout the film, as Scarlett Johansson’s character, an alien in human form, roams the streets of Scotland in search of solitary men. The film’s portrayal of loneliness is chilling, as it highlights how disconnected individuals can be in a densely populated world. The alien protagonist preys on the isolated, echoing the idea that loneliness can make people vulnerable, susceptible to manipulation, and yearning for any form of connection.

Love, on the other hand, is depicted as an alien concept to the protagonist. Her dispassionate and predatory nature contrasts sharply with the human capacity for emotional connection. As she observes the fleeting moments of human affection, the film raises questions about the authenticity and depth of human love. It challenges viewers to contemplate the sincerity of our emotions and whether genuine love can exist in a world where superficiality often masks our true intentions.

The exploration of human identity in “Under the Skin” is a central and perplexing theme. As the alien takes on a human guise, she begins to question her own identity and purpose. This theme forces us to reflect on the complexities of identity, the masks we wear in society, and the search for a genuine sense of self. The film pushes us to consider what it truly means to be human, as the protagonist’s experiences lead her to grapple with emotions and self-awareness.

The film’s abstract and visually arresting style, paired with Mica Levi’s haunting musical score, enhances the sense of alienation and detachment. The imagery and sound design draw viewers into an eerie, dreamlike world that reflects the isolation and emotional detachment felt by the characters.

“Under the Skin” is a thought-provoking and unsettling exploration of loneliness, love, and human identity. It challenges us to examine the nature of human connection and the intricacies of human emotions. Through its enigmatic narrative and striking visuals, the film leaves a lasting impression, inviting viewers to contemplate the depths of the human experience and our capacity for both cruelty and compassion. It’s a film that lingers in the mind long after the credits roll, provoking profound questions about the human condition.

Coco (2017 film) 2.05pm BBC1

“Coco” (2017), directed by Lee Unkrich and Adrian Molina, is a heartwarming and visually stunning animated film that not only captivates the audience with its vibrant portrayal of Mexican culture but also explores profound themes of family, memory, and the power of pursuing one’s passion.

Set against the backdrop of the Mexican tradition of Dia de los Muertos (Day of the Dead), “Coco” invites viewers into a vibrant and enchanting world where the boundary between the living and the deceased is beautifully blurred. The film weaves a compelling narrative that explores the importance of remembering and honoring one’s ancestors, making it a celebration of Mexican culture and an ode to the universal theme of family.

At its core, “Coco” delves into the theme of family. The story revolves around Miguel, a young boy with a burning desire to become a musician, despite his family’s strict ban on music. This central conflict between Miguel’s passion and his family’s traditions leads to a touching exploration of the complexities of familial relationships. The film powerfully conveys the idea that family is a source of both love and friction, and it teaches us the importance of understanding, forgiveness, and the bonds that tie generations together.

“Coco” also introduces the concept of memory and how it connects generations. As the characters journey through the Land of the Dead, they discover that one’s memory can determine whether they continue to exist in the afterlife. This theme encourages viewers to reflect on the significance of the stories and memories we inherit and pass on, emphasizing the idea that our loved ones live on through our remembrance.

Visually, “Coco” is a breathtaking masterpiece. The animation is rich in detail, and the Land of the Dead is a vibrant, kaleidoscopic world that is a treat for the eyes. The film’s musical score is equally remarkable, with memorable songs that capture the essence of Mexican folklore and tradition.

“Coco” is a heartwarming and visually mesmerizing animated film that celebrates the rich tapestry of Mexican culture while touching on universal themes of family, memory, and the pursuit of one’s dreams. Its messages about the power of remembering and the enduring bonds of family resonate with viewers of all ages, making it a truly heartwarming and memorable cinematic experience.

Monday 30th of October 2023

This Cultural Life: Werner Herzog 2.15pm BBC RADIO 4

German film-maker and writer Werner Herzog talks to John Wilson about his cultural inspirations.

Night Of The Demon (1957 film) 10.05pm Talking Pictures

“Night of the Demon” (1957), directed by Jacques Tourneur, is a classic horror film that stands the test of time, offering a masterclass in suspense, supernatural intrigue, and psychological terror.

The film, based on M.R. James’s story “Casting the Runes,” is a brilliant example of atmospheric horror. It skillfully balances the ambiguity of the supernatural with the rational skepticism of its characters. This duality keeps the audience on the edge of their seats, questioning whether the malevolent force is real or a figment of the characters’ imaginations.

One of the film’s standout features is its intelligent and engrossing plot. It follows Dr. John Holden, played by Dana Andrews, an American skeptic who investigates the alleged supernatural powers of the sinister Dr. Julian Karswell, portrayed by Niall MacGinnis. The tension escalates as Holden delves deeper into the mystery, and the sense of foreboding grows with every revelation, leading to a climactic and chilling finale.

“Night of the Demon” explores the theme of the battle between science and the supernatural. Dr. Holden represents rationality and skepticism, while Karswell embodies the occult and the unexplained. This clash of worldviews adds depth to the narrative, making it more than just a typical horror film. It questions the limits of human knowledge and confronts the audience with the unknown.

The film’s cinematography is striking, with Tourneur’s expert use of shadows and lighting to create an eerie and unsettling atmosphere. The demon itself, when finally revealed, is a testament to the practical effects of the era, adding a sense of dread and mystique to the story.

In terms of performances, Dana Andrews and Niall MacGinnis deliver compelling portrayals of their respective characters. MacGinnis, in particular, infuses his role with a sinister charm that leaves a lasting impression.

“Night of the Demon” is a vintage horror gem that relies on suspense and psychological horror rather than gore and jump scares. Its enduring appeal lies in its ability to leave the audience with persistent questions and an abiding sense of unease, making it a must-see for classic horror enthusiasts and a reminder of the potency of old-fashioned storytelling and atmosphere in the genre.

Tuesday 31st of October 2023

How Safe is Maternity Care? 8pm BBC RADIO 4

Ten years ago, journalist Krupa Padhy lost her first child because of medical negligence. Now she wants to find out what, if anything, has changed in Britain’s maternity wards.

Wednesday 1st of November 2023

Doctor Who @ 60: A Musical Celebration 8.30pm BBC4

“Doctor Who @ 60: A Musical Celebration” is a special concert that celebrates the iconic and much-loved TV series. The concert features the BBC National Orchestra of Wales and the BBC Singers, conducted by Alastair King.

The concert is part of the celebrations for the 60th anniversary of Doctor Who. The show features music from the series’ most memorable episodes, including “The Daleks,” “The Tomb of the Cybermen,” and “The Day of the Doctor” . The concert also includes performances by guest artists such as Murray Gold, who composed music for the series from 2005 to 2018.

Thursday 2nd of November 2023

In Our Time: Aristotle’s Nicomachean Ethics 9am BBC RADIO 4

Melvyn Bragg and guests discuss Aristotle’s influential approach to the questions of how to live a good life and what happiness means, originally aimed at the elite in Athens.

Friday 3rd of November 2023

Eyes Of Laura Mars (1978 film) 9.05pm Talking Pictures

“Eyes of Laura Mars” (1978), directed by Irvin Kershner, is a stylish and provocative thriller that, beneath its glossy exterior, delves into social themes of the late 1970s, enriched by the disquieting fact that Laura’s photography often involves capturing women in degrading or violent poses. These themes add a layer of social commentary to its gripping narrative, reflecting the era’s changing societal attitudes.

At its core, the film mirrors the shifting societal dynamics concerning women and their roles. The titular character, Laura Mars, portrayed by Faye Dunaway, is a successful fashion photographer who becomes a witness to a series of gruesome murders. Her profession as a photographer offers a unique lens through which to examine the objectification of women in media, a theme that was gaining prominence during the feminist movement of the 1970s. Laura’s glamorous, high-fashion world is contrasted with the violence and voyeurism that she encounters, emphasizing the tension between image and reality, which parallels the challenges women faced in their struggle for empowerment.

The film also touches upon the theme of voyeurism and the intrusion of the private into the public sphere. As Laura Mars’ work involves capturing intimate and often exploitative moments through her camera lens, it raises questions about the ethics of surveillance and the invasion of privacy, a theme that has only become more pertinent in today’s digital age.

Furthermore, “Eyes of Laura Mars” explores the idea of desensitization to violence through media. In the film, Laura’s work blurs the line between art and exploitation, mirroring the concerns of society regarding the effects of graphic or sensationalized media content on its consumers. This theme of desensitization to violence has continued to be a topic of discussion in contemporary society, particularly in the context of video games, film, and television.

The film’s social commentary is enriched by its compelling blend of fashion and crime genres, creating a layered narrative that not only entertains but also prompts reflection on the cultural shifts of its time. “Eyes of Laura Mars” serves as a captivating exploration of the changing role of women in society, the ethical dilemmas of media, and the desensitizing impact of violent imagery, all within the unsettling context of Laura’s photographic choices. Its ability to engage with these themes while delivering a suspenseful and stylish story makes it a thought-provoking and enduring piece of cinema.

And finally, Mean Streets (1973 film) 11.10pm Film4

“Mean Streets” (1973), directed by Martin Scorsese, is a gritty and groundbreaking film that delves deep into the social themes of its time while providing a raw and unfiltered glimpse into the lives of its characters.

Set against the backdrop of New York’s Little Italy, the film explores the harsh realities of urban life, crime, and the struggle for survival. It paints a vivid portrait of a close-knit community where social bonds and codes of conduct are deeply ingrained. The characters, particularly the central figures of Charlie, played by Harvey Keitel, and Johnny Boy, portrayed by Robert De Niro, grapple with their roles within this social fabric. Their personal struggles mirror the broader challenges faced by the working-class youth of the era.

One of the central social themes of “Mean Streets” is the clash between personal desires and societal expectations. Charlie, a devout Catholic, aspires to find a balance between his moral values and the criminal activities he’s entangled in. This inner conflict reflects the broader tension within the generation, as traditional values often conflicted with the countercultural and rebellious movements of the 1970s.

The film also touches upon the theme of identity and self-discovery. The characters in “Mean Streets” are searching for a sense of self, trying to define their place in a rapidly changing society. Their journey is a microcosm of the larger social transformation occurring in the United States during the post-Vietnam War era.

Another noteworthy social aspect explored in the film is the concept of masculinity. The characters’ struggles with authority, power, and machismo shed light on the societal expectations and stereotypes of masculinity in an environment where toughness and aggression are highly valued.

“Mean Streets” is notable for its unfiltered and authentic portrayal of urban life, tackling issues such as crime, loyalty, family, and the search for personal identity. Scorsese’s use of vibrant music, kinetic cinematography, and a richly detailed setting creates a visceral experience that immerses the viewer in the streets of Little Italy.

“Mean Streets” is not just a film; it’s a snapshot of a time and place that captures the complex social themes and tensions of the 1970s. Its exploration of the clash between tradition and rebellion, personal and societal expectations, and the quest for identity within the microcosm of Little Italy continues to resonate with audiences and remains a landmark in American cinema for its powerful social commentary.

Picture Credits

Culture Vulture Image by Kollectiv Future with permission.
A Beautiful Day in the Neighborhood
By Sony Pictures Releasing – http://www.impawards.com/2019/beautiful_day_in_the_neighborhood.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61900962
Under The Skin
By A24 Films – IMP Awards, Kellerhouse, Inc., Fair use, https://en.wikipedia.org/w/index.php?curid=42597010
Coco
By http://www.comingsoon.net/movies/news/886977-new-coco-poster-celebrates-the-day-of-the-dead-pixar-style#/slide/1, Fair use, https://en.wikipedia.org/w/index.php?curid=47613889
Eyes Of Laura Mars
Fair use, https://en.wikipedia.org/w/index.php?curid=18528867
Night Of The Demon
Fair use, https://en.wikipedia.org/w/index.php?curid=8913138
Mean Streets
By May be found at the following website: https://www.imdb.com/title/tt0070379/mediaindex?page=3&ref_=ttmi_mi_sm, Fair use, https://en.wikipedia.org/w/index.php?curid=63535900

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