Posts Tagged comedy

Unmissable Political Satire: Matt Forde’s ‘The End of an Era Tour’

August 17, 2024 at 1:07 am · Filed under Comedy, Edinburgh Fringe Festival, Edinburgh Fringe Festival 2024 ·Tagged , , , , ,

★★★★★

The Edinburgh Fringe is a festival that thrives on the unexpected, and Matt Forde’s “The End of an Era Tour” is no exception. Forde, a seasoned political comedian, has returned to the Fringe with a show that is as much about resilience as it is about satire.

Forde’s journey to the stage this year is nothing short of remarkable. After a diagnosis of cancer at the base of his spine and major surgery, his presence at the Pleasance Courtyard is a testament to his determination. The show begins with Forde walking on stage, supported by a walking stick, and humorously explaining his situation. It’s a powerful moment that sets the tone for the evening – one of humor intertwined with human vulnerability.

The show itself is a rollercoaster ride through the current political landscape. Forde’s ability as a former Labour advisor shines through as he lambasts Rishi Sunak and the outgoing Tories, while also sparing some jibes for the SNP to acknowledge his Scottish audience. His impersonations are a highlight, capturing not just the voices but the mannerisms of political figures with impressive accuracy. His take on the new Prime Minister is particularly noteworthy, as is his portrayal of Trump, which oscillates between hilarity and horror.

What stands out in Forde’s performance is the lack of malice. Even when poking fun at political figures like Lee Anderson or Nigel Farage, there’s a sense that it’s all in good jest. This is comedy that appeals to a broad audience, akin to a Guardian op-ed with a generous helping of humor.

Despite the political barbs, there’s an underlying current of optimism in Forde’s show. His gratitude for the NHS, which he credits with his ability to do, serves as a reminder that not everything is bleak. In a time of political turmoil, Forde’s show offers a space for laughter and reflection.

For those who appreciate political satire delivered with a personal touch, Matt Forde’s “The End of an Era Tour” is a must-see at this year’s Fringe. It’s a show that celebrates the power of comedy to discuss the serious, the power of the human spirit to overcome adversity, and the enduring importance of the NHS. Forde may joke about the end of an era, but if this performance is anything to go by, his era as a top political comedian is far from over.

Reviewed by David Andrews

Tickets and details here

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The Lavender Hill Mob: A Timeless British Heist Comedy

January 20, 2024 at 2:28 pm · Filed under Film & DVD Reviews ·Tagged , , ,

A Timeless British Caper

412 words, 2 minutes read time.

The Lavender Hill Mob, a 1951 film directed by Charles Crichton, continues to charm audiences with its wit and delightful heist narrative, securing its place as a classic British comedy. This Ealing Studios production, starring Alec Guinness and Stanley Holloway, not only highlights the brilliance of the post-war British film industry but also introduces a young Audrey Hepburn in one of her early roles.

Set in the post-war landscape of London, the film revolves around Henry Holland (Alec Guinness), a mild-mannered bank clerk who devises a plan to steal gold bullion with the help of his bumbling accomplice, Alfred Pendlebury (Stanley Holloway). The enduring appeal of The Lavender Hill Mob lies in its ability to defy traditional moral conventions, compelling audiences to cheer for characters typically cast as “the bad guys” in crime films.

Alec Guinness delivers a captivating performance as Henry Holland, a character driven not by malevolence but by a yearning for a better life. The film intricately shapes Henry’s character, making his aspirations relatable and evoking empathy from viewers who understand his desire for excitement and prosperity beyond his mundane existence.

Stanley Holloway’s portrayal of Alfred Pendlebury adds a layer of comedic brilliance to the film. The palpable chemistry between Guinness and Holloway heightens the humour, ensuring that audiences are not only invested in the success of their audacious plan but also thoroughly entertained by their dynamic partnership.

In a brief yet memorable appearance, Audrey Hepburn foreshadows her future status as a Hollywood icon. Even in this early role, Hepburn’s undeniable screen presence hints at the grace and charisma that would define her illustrious career.

The success of The Lavender Hill Mob in eliciting sympathy for its criminal protagonists is credited to its clever storytelling, which humanizes the characters. Through humour and satire, the film critiques societal norms and institutions, blurring the line between right and wrong while addressing universal themes such as the pursuit of a better life, financial security, and happiness.

The Lavender Hill Mob masterfully combines humour, wit, and a touch of satire to craft a timeless cinematic experience. Its ability to engender support for characters engaged in criminal activities is a testament to its nuanced storytelling and well-crafted characters. With stellar performances, clever dialogue, and Audrey Hepburn’s early charm, The Lavender Hill Mob endures as a classic, captivating audiences and upholding the enduring allure of British cinema.

Reviewed by Pat Harrington

Picture credit

The Lavender Hill Mob (1951)
Fair use, https://en.wikipedia.org/w/index.php?curid=2705600

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Déjà Vu

June 21, 2012 at 8:37 pm · Filed under Comedy, Drama ·Tagged , , , , , ,

Déjà Vu:

The Shankill Players

Dorothy Evans, the Creative Director and Writer of Déjà Vu has created a real monster; a low-life alcoholic hate-the-world cynical bully called Charles (played with evil relish by Mark McClean). He delights in spreading misery wherever he goes, whether it’s to his longsuffering wife Gail (Nichola Price), his younger brother Winston (Adam Crooks) or his world-weary mum Etta (Lynda Hastings) a woman with a few secrets in her own past.

Artful lighting with two alternating sets side-by side on the same stage area allowed fast-paced scenes to hurtle along without any need for an interval break.

 

This fusion of personal tragedy, long-hidden family secrets and blackBelfastgallows humour really hit the spot with most members of the audience; who laughed out loud at some parts only to be stunned into shocked silence a few moments later as the plot developed.  It’s a pity that some half dozen members of the audience couldn’t manage to keep quiet and did their damndest to spoil it for others by gabbling away inanely during the action.

The Shankill Players are best known for lighter stuff than Déjà Vu; usually annual pantomimes, so it’s good to be reminded that they are capable of stretching themselves in order to stage more serious work.  This little company deserve a lot more recognition than they are currently getting. I don’t know if this is Dorothy Evans’ first script or not, but she is well on the way to knocking Martin Lynch off his perch, if she can keep up this kind of pace over the next few years.

 

***** Five Stars

This play is set to tour several venues in Northern Ireland

 

 

 

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