Posts Tagged Trainspotting

Culture Vulture 25th to the 31st of January 2025

Welcome to Culture Vulture, your weekly alternative entertainment guide. This week’s pick of films and programmes weaves a compelling tapestry of themes deeply relevant to contemporary life. These stories explore the stark inequalities of Elysium. They delve into the human cost of systemic failures in Idris Elba: Our Knife Crime Crisis. These narratives confront pressing social and political challenges. Ethical dilemmas involving power, justice, and redemption are portrayed. They echo throughout with the psychological intensity of Misery. The artistic ambitions of Mr Turner also highlight these issues.

Amidst these weighty explorations, there is also a celebration of resilience. Creativity is seen in Sound of Metal and Rebecca. These works remind us of the enduring strength of the human spirit. These works encourage reflection on identity, morality, and the search for meaning in a rapidly evolving world. They offer both cautionary tales and moments of hope. These narratives, whether dystopian futures, intimate dramas, or historical accounts, connect us. They link us to the universal struggles and triumphs shaping our shared reality.

Selections and writing are by Pat Harrington, with music by Tim Bragg. We hope you enjoy this week’s alternative entertainment journey!

Saturday 25th of January 2025

Elysium (2013) GREAT!
Neill Blomkamp’s Elysium offers a powerful critique of social and economic inequality. It uses a dystopian sci-fi setting to explore the consequences of wealth disparity. The film is set in the year 2154. It depicts a world where the privileged elite live on the utopian space station Elysium. Meanwhile, the poor struggle to survive on an overpopulated, polluted Earth. This stark division highlights issues of systemic inequality, resource hoarding, and the dehumanisation of marginalised populations. The visual contrast between the lush, pristine Elysium and the grim, decaying Earth is striking. It serves as a metaphor for the growing chasm between the haves and have-nots in our world.

Max Da Costa (Matt Damon) is at the heart of the story. He is an everyman thrust into the role of a reluctant hero. An industrial accident leaves him with only days to live. His quest to reach Elysium shows how society values profit over human life. He wants to access its advanced medical technology. The film critiques the commodification of healthcare. It presents a chilling vision of a future. In this future, medical miracles are available but accessible only to the wealthy. Blomkamp forces viewers to confront uncomfortable questions about privilege and the ethical responsibility of those in power.

The character of Secretary Delacourt (Jodie Foster) represents the ruthlessness of the elite in maintaining the status quo. Her cold, calculated approach to governance highlights the dangers of authoritarianism. It underscores the issue of xenophobia. She enforces policies designed to exclude and exploit Earth’s population. Through Delacourt, the film examines the psychological and ethical toll of leadership driven by fear and self-interest. These themes resonate in contemporary discussions about immigration, security, and the ethics of border control.

Blomkamp also raises the issue of technological advancement and its impact on society. The film portrays a future where robotics and AI are extensively used to keep control over the oppressed. This depiction critiques the dehumanising effects of automation. It examines what happens when the powerful wield automation. The film offers a cautionary tale about the potential misuse of technological innovation. The cybernetic enhancements Max receives highlight human resilience and ingenuity. They also suggest the lengths individuals must go to survive in an unjust system.

Ultimately, Elysium is a gripping and thought-provoking exploration of social, political, and ethical issues that remain relevant today. Its blend of action, emotional depth, and timely commentary ensures it resonates beyond its sci-fi trappings. Blomkamp challenges audiences to reflect on the world we are creating. He asks them to consider how our choices now shape the future. The film urgently calls for greater empathy. It also demands systemic reform. This makes Elysium a must-watch for those interested in the intersection of entertainment and social critique.

Yield To The Night (1956) Talking Pictures 9.05pm
This British drama delves into the psyche of a woman awaiting execution. Diana Dors delivers a harrowing performance, highlighting the human cost of capital punishment. Themes of redemption, guilt, and societal judgement dominate, prompting viewers to reflect on justice and morality. The monochrome cinematography enhances the film’s bleak emotional landscape, making it a timeless study of despair and hope.

Kill Command (2016) GREAT!movies 11.20pm
A chilling exploration of humanity’s over-reliance on artificial intelligence, Kill Command blends sci-fi action with psychological unease. The story critiques corporate ethics and the dehumanisation inherent in automation. As soldiers battle rogue AI, the film questions the balance between innovation and control. The tension builds around themes of survival, trust, and the fragility of human dominance.


Sunday 26th of January 2025

An American Bombing: The Road To April 19th Sky Documentaries 9pm
This documentary examines the Oklahoma City bombing. It explores the social and political currents that fuelled domestic extremism. It contextualises the event within a broader narrative of discontent and radicalisation. The programme combines survivor accounts with expert analysis. It sheds light on the psychology of hate. It also highlights the resilience of communities in the face of terror.

Misery (1990) C4 12am
Rob Reiner’s adaptation of Stephen King’s novel is an intense psychological thriller. Kathy Bates’s iconic portrayal of Annie Wilkes explores obsession, control, and isolation. The dynamic between captor and captive becomes a study in power and dependency, raising ethical questions about vulnerability and survival. It’s a chilling reminder of the thin line between admiration and madness.

The Nile Hilton Incident (2017) Film4 1.20am
This gripping noir set in Cairo exposes corruption, class disparity, and political decay. As a detective investigates a murder, he unravels a web of power and exploitation. The film critiques institutional rot and the precarious nature of justice. Its atmospheric tension captures the psychological strain of navigating truth in a morally compromised system.


Monday 27th of January 2025

Eric Ravillous: Drawn To War Sky Arts 9.30pm
Eric Ravillous: Drawn to War is a poignant documentary. It explores the life and work of one of Britain’s most celebrated war artists. Through interviews with historians, artists, and those who knew him, the programme paints a vivid picture of Ravillous’s creative genius. It also depicts his untimely death during the Second World War. The documentary delves into his unique ability to capture both the beauty and the fragility of the world around him. It reveals how his artistic vision was shaped by the turbulence of his era.

Ravillous’s art is celebrated for its distinctive style, blending modernism with traditional English landscapes. His works, like The Westbury Horse and Train Landscape, are characterised by their muted colours. They feature precise lines and a haunting sense of quiet. These paintings evoke a deep connection to place, often capturing rural England with a dreamlike quality. Even in his depictions of idyllic scenes, there is a sense of impermanence. It is as though they foreshadow the coming storm of war. This tension is a hallmark of his work. It creates resonance on both emotional and intellectual levels.

As a war artist, Ravillous turned his attention to documenting the machinery and landscapes of conflict. Works like Submarine Dreaming and Convoy Passing an Island show the stark realities of war. Yet, his characteristic style imbues them with a quiet dignity. His ability to find beauty in the bleakness of wartime settings is both moving and unsettling. The documentary discusses how these works provided a historical record. They also offered a deeply personal view of the war’s effect on the human spirit and the environment.

The programme also reflects on the circumstances of Ravillous’s death in 1942. He was lost during an air-sea rescue mission in Iceland. This tragedy underscores the sacrifices made by artists who risked their lives to document the war. The documentary raises questions about the role of art in times of conflict. It explores the ethical and emotional dimensions of creating beauty in the face of destruction. Eric Ravillous: Drawn to War stands as a moving tribute to a remarkable artist. His work continues to inspire and provoke thought about the intersection of creativity and history.

A Short History Of The Moors PBS America 9.55pm
A rich historical exploration of Moorish influence on Spain, this programme delves into themes of cultural fusion and legacy. It examines how religious coexistence and conflict shaped architecture, art, and thought. Ethical questions of conquest, integration, and erasure are woven throughout, offering a nuanced perspective on history.

Sound Of Metal (2019) BBC2 11.05pm
This film’s portrayal of a drummer losing his hearing is both raw and empathetic. It explores identity, acceptance, and the psychological impact of loss. Riz Ahmed delivers a transformative performance, navigating themes of resilience and community. The film also examines the ethics of disability narratives, advocating for agency and understanding.


Tuesday 28th of January 2025

Out Of The Furnace (2013) Legend 9pm
This gritty drama is a stark commentary on the collapse of the American Dream. The film delves into economic decline, personal loss, and cycles of violence. Christian Bale’s portrayal of a man seeking justice highlights the psychological cost of vengeance. Ethical dilemmas about loyalty and moral boundaries underscore the narrative, making it both haunting and thought-provoking.

Another Year (2010) Film4 1am
Mike Leigh’s intimate exploration of ageing and loneliness is a subtle masterpiece. The film examines the emotional landscapes of its characters, reflecting on happiness, regret, and connection. Themes of social inequality and the disparity between personal fulfilment and despair are skilfully woven. It’s a compassionate yet unflinching look at human vulnerability.


Wednesday 29th of January 2025

Idris Elba: Our Knife Crime Crisis BBC1 9pm
In this hard-hitting documentary, Idris Elba confronts the societal roots of knife crime in Britain. The programme explores the impact of poverty, broken communities, and systemic failures. It challenges viewers to consider ethical solutions while amplifying voices from affected communities. A deeply empathetic and urgent call for change.

Brian And Maggie (one of two) C4 9pm
This drama blends dark comedy and social critique. It follows a dysfunctional duo as they navigate modern challenges. It unpacks themes of intergenerational conflict, shifting social norms, and personal redemption. The characters’ flaws and resilience invite reflection on how we cope with life’s absurdities.

Trainspotting (1996) Film4 10.45pm
Danny Boyle’s iconic film is a visceral exploration of addiction, friendship, and the search for meaning. It critiques consumer culture and the alienation of youth through its dynamic characters. The psychological and ethical dimensions of self-destruction and recovery are unflinchingly depicted, making it both harrowing and exhilarating.

Happy-Go-Lucky (2008) Film4 12.35am
Sally Hawkins shines as an irrepressibly optimistic teacher in this Mike Leigh gem. The film examines positivity as both strength and naivety, exploring how individuals navigate societal cynicism. Themes of class, mental health, and the ethics of personal boundaries are subtly woven into this character-driven narrative.


Thursday 30th of January 2025

Brian And Maggie (two of two) C4 9pm
The conclusion of this two-parter delves deeper into its characters’ struggles and growth.

Mr Turner (2014) Film4 11.10pm
Mike Leigh’s biopic of J.M.W. Turner is an intricate portrayal of genius and imperfection. Timothy Spall’s nuanced performance captures Turner’s eccentricities and passions. The film examines the ethical and psychological cost of artistic ambition while celebrating the transformative power of creativity. A visually stunning exploration of art and humanity.


Friday 31st of January 2025

Rebecca (1940) Talking Pictures 3.05pm
Alfred Hitchcock’s adaptation of Daphne du Maurier’s novel is a timeless psychological thriller. It explores themes of identity, power, and the lingering influence of the past. The relationship dynamics reflect societal norms of the era, offering a critique of gender roles and class. The suspenseful narrative remains a masterclass in cinematic tension.

Abba Night BBC4 starting at 9.10pm
This celebration of ABBA’s legacy combines nostalgia with cultural reflection. The programmes explore their rise to global fame. They also discuss their enduring influence. Themes of identity, escapism, and the universal appeal of music are examined. Interviews and performances highlight how their songs resonate across generations. A joyous tribute to timeless artistry.


And finally, Streaming Choices

The Snow Girl (Netflix, season two from Friday 31st January 2025)
This tense thriller follows the psychological toll of a missing child case. It delves into themes of trauma, justice, and the resilience of the human spirit. The new season expands the narrative with moral dilemmas and unexpected twists, making it gripping viewing.

The Fall Of Diddy (Discovery+, episodes 28th and 29th January 2025)
The Fall of Diddy is a gripping docuseries that examines the meteoric rise and dramatic fall of a music mogul who once epitomised success and influence. The series uses archival footage, interviews, and investigative reporting. It unpacks the layers of power, ambition, and corruption that defined his career. It maps out his journey from a determined young entrepreneur to a global icon. Then, it delves into the controversies and scandals that led to his undoing. This narrative provides more than just a portrait of an individual. It offers a lens to scrutinise the structures of power and celebrity culture.

Central to the series is the exploration of fame as both a driver of success and a source of destruction. The docuseries highlights how unchecked ambition can blur moral boundaries. It shows that decisions are often driven by ego and self-preservation rather than integrity. It questions the ethical compromises often made in the pursuit of influence. It also reveals the darker side of the entertainment industry. The Fall of Diddy uses candid interviews with industry insiders. It features conversations with former associates and cultural commentators. These interactions give a multi-faceted perspective on how fame and wealth can corrupt even the most visionary figures.

The psychological toll of ambition and power is another key theme. The series explores the emotional isolation that often accompanies life at the top. It contrasts this with the relentless public scrutiny faced by high-profile individuals. By examining Diddy’s personal relationships and internal struggles, the series humanises him while refusing to shy away from his failings. This approach invites viewers to grapple with questions of accountability. It compels them to consider redemption. It forces them to confront the complexity of a figure who is neither wholly villain nor victim.

The Fall of Diddy is a compelling exploration of excess and its consequences. It exposes the systemic issues within industries that reward ambition without accountability and perpetuate cycles of exploitation. The series serves as both a cautionary tale and a broader critique of the cultural obsession with fame and success. Thought-provoking and meticulously crafted, it challenges audiences to reflect on the cost of power. This reflection applies not just for those who wield power, but also for the society that enables it.

Walter Presents: Fatal Crossing (Channel 4 Streaming, All episodes from 31st January 2025)
This taut crime drama blends psychological suspense with ethical quandaries. The story of betrayal and secrets unfolds with relentless tension. Themes of justice, guilt, and personal sacrifice are explored in depth, making it an absorbing watch.

Your Friendly Neighbourhood Spiderman (Disney+, First two episodes from 29th January 2025)
This animated series reimagines the superhero’s journey with fresh energy and emotional depth. Themes of responsibility, community, and personal growth are central. The vibrant visuals and sharp writing make it both entertaining and thought-provoking.

Spin (ITVX, all three seasons from 30th January 2025)
This political drama examines power dynamics and media manipulation in contemporary politics. The series critiques ethical compromises and the psychological toll of ambition. Its layered storytelling and complex characters offer a rich exploration of morality in public life.

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Culture Vulture: our guide to the week’s entertainment

Saturday, 4 December 2021

Phil Lynott: Songs for While I’m Away BBC Two 10 pm

Tells the story of how a young working-class black boy from 1950s Dublin became Ireland’s greatest rockstar told extensively through the words of Lynott himself and focusing on some of his iconic songs. The film gets to the heart of Phil’s story who died at the age of only 36 in January 1986.

Sight and Sound in Concert: Thin Lizzy BBC Two 11:30 pm

A vintage gig by the Irish guitar rockers at the Regal Theatre in Hitchin Hertfordshire from January 1983. Such classics as Jailbreak Baby, Please Don’t Go and the Boys are Back in Town along with the cover of the Bob Seger song Rosalie are featured.

The Irish Rock Story: A Tale of Two Cities BBC Two 12:05 am

The Story of how Rock music evolved in Ireland over 40 years through the different musical traditions of Belfast and Dublin. The creators of some of the Emerald Isle’s most famous exports are charted including Van Morrison, Thin Lizzy, The Undertones, and U2.

Sunday, 5 December 2021

Animal Farm (1954) Film Four 11 am

An animated version of George Orwell’s modern classic. After ousting humans animals try to create the perfect society.

Women’s FA Cup final BBC One 1:30 pm

The final between Arsenal and Chelsea. They last met in September with the Gunners winning a close game.

Other Like Me: The oral history of COUM Transmissions and Throbbing Gristle BBC4 10:35 pm

How a pioneering 1970s art collective invented industrial music.

Gaga for Dada BBC Four 11:35 pm

Jim Moir (also known as Vic Reeves) goes on an irreverent trip into the world of influential avant-garde art movement Dada.

Tuesday, 7 December 2021

The Code of Conspiracy: QAnon Channel 4 9 pm

Looks behind the curtain at the wildest conspiracy of our times, QAnon. What leads people down such a divergent belief? A one-off documentary that seeks an answer.

Play For Today: Hard Labour (1973) BBC Four 10:30 pm

Mike Leigh’s play centres around a middle-aged housewife and charwoman, Mrs Thornley (played by Liz Smith) who is abused and exploited by almost everybody. I grew up watching Play for Today from the BBC and loved them. We’ve started reviewing them for Counter Culture as they are gems. I wish the BBC would do something similar now.

Wednesday, 8 December 2021

Destry rides again (1939) Film 4 12:30 pm

Worth watching for the divine Marlene’s performance alone

A classic comedy western with Marlene Dietrich and James Stewart. Destry returns to a town (Bottle Neck) where his father once served as Sheriff. It’s now a lawless place so he tries to restore order. I will mainly be watching for the performance of Marlene (playing saloon singer Frenchy) but this is a good film overall.

Thursday, 9 December 2021

Trainspotting Film 4 1120 pm. A great film we reviewed here.

Friday, 10 December 2021

The Graham Norton Show BBC One 10:35 pm I don’t usually watch this, but this features Keanu Reeves who talks about resurrecting Neo in the new Matrix movie.

Nick Cave: Idiot Prayer BBC Four 9 pm

During the pandemic, Nick Cave did a solo piano set in the deserted West Hall of London’s Alexandra Palace which was then live-streamed globally. This is a film of his mesmerising performance containing songs drawn from his 20-year repertoire.

Future of Home exhibition, Custom Lane, 1 Customs Wharf, Leith, Edinburgh, EH6 6AL, 3rd to the 19th of December 2021

Following a critically acclaimed debut at the London Design Festival exhibition created by an Edinburgh-based studio, Local Heroes arrives back in its hometown. The exhibition features work by 16 Scotland-based designers and brands revolving around the idea of the hybrid home and the recent need for flexible working offering a remarkable snapshot of the intersection between design and socio-political conditions.

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Trainspotting

When I told friends I was going to see a theatrical interpretation of Trainspotting they were sceptical. Mainly because they loved the 1996 film and it had such an impact on them. They couldn’t see how the story, centred on heroin addiction in Leith, could be translated to the stage. “How would the play deal with the famous/infamous ‘toilet scene’?” was one question. I didn’t know whether they were right or not. Certainly the film set a high bar of expectation and to meet that in a different medium would be challenging.

There doubts were answered when I saw the production, it is simply one of the best things I have ever seen. The passion and energy of the cast as they rove the audience and stage just communicates to all present. The audience is put on edge by the interaction and that creates a strange tension between the cast and them. They certainly had my attention as I wondered what they would do next and if they would ‘pick on’ me! Gavin Ross as Renton acts as a kind of narrator and he confronts us with a disturbing, yet sometimes bleakly funny, alternative view. One minute the audience were laughing but then the mood changed and we were gripped by the tragedy unfolding.

And, let’s be frank, Trainspotting is a tragedy. How could it be anything else? Happy endings aren’t that common amongst Heroin addicts. The best that can be hoped for is recovery but often the conclusion is a life cut short. Trainspotting is a bleak story of alienated, trapped people who are slowly killing themselves and sacrificing everything for the drug. Erin Marshall hits your emotions when she screams and writhes in tortured agony at the loss of her child. Renton and the others are incapable of holding her or offering comfort. They babble and are concerned more about their next hit.

Trainspotting was accused of ‘glamourising’ drugs by some stupid Tories when the film first came out. I wonder if any of them actually bothered to watch it before condemning and pontificating in their hostile soundbites. The script is based on the 1994 adaptation by Harry Gibson which is bleakly honest.

Like the book and the film this production is informed about the appeal of heroin and the rituals surrounding it. It partly answers the question as to why people take it, what they get out of it. It is educational, in that sense, but never boring.

The cast just carried the audience with them through every change of pace or tone in the narrative. The company are ‘In Your Face Theatre’ and the performance is certainly that but it is also subtle and nuanced. The company have performed Trainspotting in London and I expect they will be offered more venues after this huge hit at the Fringe. They are certainly ones to watch.

Reviewed by Pat Harrington

You can catch Trainspotting at Assembly George Square (Underground) until the 31st August, performances at 18:00, 20:30 and 22:45.

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Film Review: Trainspotting (1996)

Reviewed by Patrick Harrington

Trainspotting DVD cover

Click on image to buy DVD

I didn’t get to see this when it was on the big screen. Now it’s out on DVD so I got a second chance to take a look. Ge

Film Review: Trainspotting (1996)
Reviewed by Patrick Harrington

I didn’t get to see this when it was on the big screen. Now it’s out on DVD so I got a second chance to take a look. Generally, when the critics say how great a film is it turns out to be a disappointment. Not this time.

Some of my less well informed friends have asked why the film is called Trainspotting. I shall tell them, and you. In Leith there is now a Tesco store and Waterworld where once there was an unused and decaying railway yard. Heroin addicts would use this yard to shoot-up and the local joke had it that they were “trainspotting”.

When you sit down to watch this film you can’t help but have questions about whether it glorifies drugtaking; there has been so much comment in the papers and magazines about it. The main characters are heroin addicts and some appear cool. But it’s not the drug taking that makes them cool or aspirational. Indeed the film doesn’t shirk from showing the seedy, nasty lifestyle which addiction helps to build. The neglect of a baby is one case in point. Tommy slowly dying of AIDS is another. Of course his poster of Iggy Pop still looked good as he wasted away.

For me, Trainspotting was a very moral film — it just wasn’t preachy.

Why many on the “right” missed this point is a bit of a mystery. Perhaps it was the honesty of the film. It showed that drugs had attractions too. Well, surprise, surprise would people take them otherwise? Or perhaps it was the fact that the soundtrack was so good. Even a bad life set to the likes of Sleeper’s ‘Atomic’, ‘Temptation’ and Lou Reed’s ‘Perfect Day’, might seem great. There was some irony in that the use of ‘Perfect Day’ was over a scene of an overdose. Having the subtlety and sensibility of a pile of bricks, they might have missed it. The soundtrack fitted the film so well. We just know that heroin addicts at that time and place would have been into this music.

The locations in Edinburgh and Leith were chosen with care. My only disappointment was not to see the addicts hanging around by the statue of Queen Victoria at the foot of the walk. Leith was less well used as a location but hey, the guy who wrote it doesn’t come from there.

What a contrast to the standardised American crap based almost entirely on special effects we are usually bombarded with! It is interesting to note how the British establishment are unable to deal with people who do understand street culture and have honest, thoughtful insights to share. The writer and film-makers would have been listened to far more in other countries. The debate would have been far more intelligent. Will our establishment ever realise that condemning drugs alone is not a solution? It’s just a way of hiding the fact that you don’t have one.

nerally, when the critics say how great a film is it turns out to be a disappointment. Not this time.

Some of my less well informed friends have asked why the film is called Trainspotting. I shall tell them, and you. In Leith there is now a Scotmid store and Waterworld where once there was an unused and decaying railway yard. Heroin addicts would use this yard to shoot-up and the local joke had it that they were “trainspotting”.

When you sit down to watch this film you can’t help but have questions about whether it glorifies drugtaking; there has been so much comment in the papers and magazines about it. The main characters are heroin addicts and some appear cool. But it’s not the drug taking that makes them cool or aspirational. Indeed the film doesn’t shirk from showing the seedy, nasty lifestyle which addiction helps to build. The neglect of a baby is one case in point. Tommy slowly dying of AIDS is another. Of course his poster of Iggy Pop still looked good as he wasted away.
For me, Trainspotting was a very moral film — it just wasn’t preachy.

Why many on the “right” missed this point is a bit of a mystery. Perhaps it was the honesty of the film. It showed that drugs had attractions too. Well, surprise, surprise would people take them otherwise? Or perhaps it was the fact that the soundtrack was so good. Even a bad life set to the likes of Sleeper’s ‘Atomic’, ‘Temptation’ and Lou Reed’s ‘Perfect Day’, might seem great. There was some irony in that the use of ‘Perfect Day’ was over a scene of an overdose. Having the subtlety and sensibility of a pile of bricks, they might have missed it. The soundtrack fitted the film so well. We just know that heroin addicts at that time and place would have been into this music.

The locations in Edinburgh and Leith were chosen with care. My only disappointment was not to see the addicts hanging around by the statue of Queen Victoria at the foot of the walk. London was less well used as a location but hey, the guy who wrote it doesn’t come from there.

What a contrast to the standardised American crap based almost entirely on special effects we are usually bombarded with! It is interesting to note how the British establishment are unable to deal with people who do understand street culture and have honest, thoughtful insights to share. The writer and film-makers would have been listened to far more in other countries. The debate would have been far more intelligent. Will our establishment ever realise that condemning drugs alone is not a solution? It’s just a way of hiding the fact that you don’t have one….

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