Counter Culture

4,589 words, 24 minutes read time.

Welcome to Culture Vulture. It is your ultimate alternative weekly entertainment guide. We bring you the best of film, music, and the arts. Our perspective is fresh. Mainstream media often overshadows unique voices and creative expressions. Culture Vulture aims to shine a light on hidden cultural gems that deserve your attention. Each week, we curate a selection of films, music, and events designed to inspire and engage. We celebrate the diverse tapestry of artistic endeavours that shape our world.

Highlights this week include:

The Quiet Girl (2022): A tender tale of neglect and healing, where a young girl discovers the transformative power of kindness and belonging in a rural Irish home.

Rush (2013): A high-octane drama exploring the intense rivalry between two Formula One legends, driven by ambition, obsession, and mutual respect.

And,

Boy Erased (2018): A harrowing yet hopeful account of a young man’s fight for identity and acceptance against the traumatic backdrop of conversion therapy.

Saturday 30th November 2024

Star Wars Episode IV: A New Hope (1977)
ITV2, 6.25pm

George Lucas’s Star Wars Episode IV: A New Hope revolutionised cinema, blending mythic storytelling with groundbreaking effects. At its heart, it’s a tale of ordinary people rising against extraordinary odds. The Rebel Alliance’s fight against the oppressive Galactic Empire mirrors real-world struggles for freedom against tyranny. The political undertones are universal, reflecting historical resistance movements.

Luke Skywalker’s journey from farm boy to hero is steeped in hope and self-discovery. He represents youthful idealism and the power of belief in a greater cause. Obi-Wan Kenobi serves as a mentor, introducing him—and the audience—to the Force, a spiritual metaphor for balance and morality. These elements explore faith in oneself and the world.

Princess Leia defies traditional gender roles, blending leadership with bravery. Her sharp wit and resourcefulness challenge societal expectations of women in the 1970s. Darth Vader, cloaked in menace, symbolises unchecked power and fear. His presence adds a psychological dimension to the Rebels’ struggle, showcasing the mental toll of fighting oppression.

The film questions whether violence can be justified in pursuit of freedom. The destruction of the Death Star raises debates about collateral damage versus the greater good. The Rebels’ unity against imperial forces demonstrates the power of collective action, though the costs of such resistance linger in subtle ways.

The film’s enduring appeal lies in its ability to entertain while sparking deeper reflections. Its themes of courage, sacrifice, and redemption resonate across generations. A New Hope is more than an adventure—it’s a blueprint for storytelling that connects personal growth with universal ideals.

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True Grit (2010)
5Action, 5pm

The Coen Brothers’ True Grit reimagines the classic western with a darker, more nuanced lens. The story follows Mattie Ross, a determined 14-year-old seeking justice for her father’s murder. Her resolve challenges the rugged male world she enters, flipping traditional western dynamics. The unforgiving frontier becomes a reflection of her grit and determination.

Rooster Cogburn, the grizzled U.S. Marshal Mattie hires, embodies moral ambiguity. His drunkenness and violence contrast sharply with her unyielding sense of right and wrong. Through their journey, the film explores the blurred line between justice and vengeance. Each character’s choices are shaped by their pasts, revealing the scars left by life’s harshness.

The ethical implications of revenge loom large. Mattie’s pursuit of Tom Chaney, her father’s killer, forces viewers to question whether retribution truly heals. Cogburn’s actions, though heroic at times, expose the brutality often required to achieve justice in lawless lands. The consequences of these choices linger long after the final gunfight.

The film also critiques the romanticised image of the Old West. It reveals a world of moral compromise, survival, and human frailty. The violence is not glorified but portrayed as raw and consequential, adding psychological depth to its characters. Even minor figures, like Texas Ranger LaBoeuf, highlight the complexities of loyalty and pride.

True to its title, True Grit is about resilience in the face of adversity. Mattie’s determination and courage stand as a testament to human strength, even in youth. The Coens’ deft storytelling, combined with stellar performances, creates a richly layered narrative that’s as introspective as it is compelling.

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Integrating Mississippi’s Schools: The Harvest PBS America 9.45pm

Integrating Mississippi’s Schools: The Harvest is a poignant documentary that explores the struggle of Leland, Mississippi, to integrate its schools in 1970, highlighting the profound personal and social effects of forced desegregation. This film brings the stories of students, teachers, and parents to the forefront, offering a deeply human perspective on a momentous chapter in American history. The town of Leland’s experience is framed within the broader narrative of the civil rights movement and the national struggle over racial equality, illustrating the tensions and resistance faced by communities in the South during the era of desegregation.

The documentary is particularly effective in capturing the emotional toll of these historical events, as it features interviews with individuals who lived through the integration process. The stories of former students, teachers, and community members bring to light the personal conflicts, courage, and sometimes tragic outcomes that arose in the wake of desegregation efforts. Some students recount the challenges they faced in new school environments, dealing with hostile reactions and emotional scars that still linger.

The Harvest also explores the broader social consequences of desegregation, including the complex dynamics of race relations in the South. The documentary highlights the long-term impacts of “white flight,” where white families moved their children to private institutions to avoid integration, exacerbating racial tensions and contributing to the re-segregation of schools in the decades that followed. These insights serve as a reminder of the systemic challenges that remain in addressing racial inequality in education.

The film examines the psychological toll of living through such a transformative yet painful process, not only for the individuals involved but for the community as a whole. The emotional interviews and historical context provide a clear picture of how entrenched racial divisions can affect a town’s psyche long after formal desegregation policies have been implemented.

The Harvest is a compelling and thought-provoking documentary that offers essential insights into one of the most challenging chapters of American history. It forces viewers to confront the complex, enduring effects of racial segregation and highlights the resilience of individuals who faced seemingly insurmountable obstacles in the pursuit of justice and equality.

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Luzzu (2021)
BBC2, 11.55pm

Luzzu is a poignant Maltese drama that navigates the clash between tradition and modernity. Jesmark, a fisherman struggling to make ends meet, faces a moral crossroads when his inherited luzzu (traditional fishing boat) becomes a burden. The film captures the fragility of livelihoods tied to nature and the forces of globalisation.

Economic hardships drive Jesmark to consider illegal activities, sparking ethical questions. Can survival justify breaking the law? His dilemma mirrors the struggles of many in industries threatened by change. The film neither condemns nor condones his choices, presenting them with stark realism. This ambiguity challenges viewers to empathise without judgment.

The sea, omnipresent in the film, becomes a metaphor for freedom and entrapment. It sustains life yet also demands sacrifice. The traditional fishing methods Jesmark clings to are slowly becoming obsolete, highlighting the tension between preserving heritage and adapting to change. This creates a vivid socio-economic commentary.

Psychologically, Jesmark’s struggles reflect a man torn between duty and despair. His pride in his craft is juxtaposed with the shame of failing to provide for his family. The emotional toll is palpable, particularly in his strained relationship with his wife, who urges him to abandon the trade for stability.

Luzzu is a deeply human story about resilience and identity. It sheds light on a way of life rarely depicted in cinema, with quiet beauty and authenticity. Director Alex Camilleri’s intimate approach ensures every frame feels personal, making the audience deeply invested in Jesmark’s plight.

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Sunday 1st December 2024

Star Wars Episode V: The Empire Strikes Back (1980)
ITV2, 1.05pm

The Empire Strikes Back elevates the Star Wars saga with darker, more mature storytelling. The Galactic Empire’s relentless pursuit of the Rebel Alliance underscores the fragility of resistance. Themes of authoritarianism are intensified, with Darth Vader’s dominance symbolising the suffocating grip of unchecked power.

Luke Skywalker’s training with Yoda on Dagobah introduces deeper psychological and spiritual dimensions. The Force is no longer a mystical tool but a discipline requiring self-awareness and balance. Luke’s struggles with doubt and impatience mirror universal challenges of growth and self-mastery. His arc is a meditation on the burden of destiny.

The relationships deepen, particularly the dynamic between Leia and Han Solo. Their romantic tension is a counterpoint to the larger battles, providing emotional stakes. Han’s sacrifice at Cloud City adds layers to his character, shifting him from rogue to selfless hero. Meanwhile, Leia’s leadership continues to challenge traditional gender norms.

The political undertones grow sharper, with the Rebel Alliance’s setbacks reflecting the cost of resistance. The loss at Hoth and the betrayal at Cloud City illustrate the precariousness of fighting an oppressive regime. These events reinforce the theme that progress often comes with sacrifice and failure.

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Star Wars Episode VI: Return of the Jedi (1983)
ITV2, 3.40pm

The conclusion of the original trilogy, Return of the Jedi, explores themes of redemption and reconciliation. Luke Skywalker’s journey comes full circle as he confronts Darth Vader, not with hate but with hope. The film examines whether even the darkest souls can find redemption.

The Rebel Alliance’s final assault on the Empire highlights the collective power of resistance. The political subtext resonates, with the Ewoks symbolising the strength of unity among the seemingly powerless. Their triumph over technologically superior forces reflects real-world parallels of grassroots uprisings.

Luke’s internal conflict is central. His refusal to succumb to anger when facing the Emperor underscores the psychological battle between light and dark. Vader’s ultimate sacrifice to save his son cements the theme of familial bonds and the possibility of change, even in the face of evil.

The ethical dilemmas persist, particularly in the violent overthrow of the Empire. The destruction of the second Death Star, while necessary, echoes the collateral damage seen throughout the trilogy. These actions leave questions about the price of freedom and the consequences of war.

The film’s ending offers a sense of closure and renewal. The celebration across the galaxy signifies a return to peace and justice. Yet, the complexities of its themes linger, reminding viewers that heroism is often fraught with moral ambiguity.

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Rogue One: A Star Wars Story (2016)
ITV2, 6.20pm

Rogue One dives into the grittier side of the Star Wars universe, focusing on unsung heroes. The film follows Jyn Erso and a ragtag group of rebels as they steal the Death Star plans. Their mission is steeped in moral complexity, with each character grappling with the costs of war.

The political landscape is darker and more fractured than in the main saga. The Rebel Alliance is shown as divided, with internal conflicts undermining their strength. These tensions highlight the challenges of maintaining unity in resistance movements. It’s a rawer, more realistic portrayal of rebellion.

Ethically, the film raises questions about sacrifice and morality. The rebels’ willingness to compromise their ideals for the greater good is unsettling yet relatable. Cassian Andor’s backstory, involving morally grey choices, underscores the personal toll of fighting a cause.

The psychological weight is immense, with Jyn carrying the trauma of her father’s exploitation by the Empire. Her transformation from apathy to conviction mirrors the power of hope to inspire change. The ensemble cast reflects diverse perspectives, each with unique motivations and burdens.

The film’s ending is both tragic and triumphant. The rebels’ ultimate sacrifice ensures the survival of hope, setting the stage for A New Hope. Rogue One stands out for its willingness to delve into the cost of heroism, offering a sobering yet powerful addition to the saga.

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Minari (2020)
C4, 2.20pm

Minari is a tender and deeply personal exploration of the immigrant experience. It follows a Korean-American family striving to build a better life in 1980s rural Arkansas. The story captures the tension between cultural heritage and assimilation, reflecting broader societal struggles.

The father, Jacob, embodies ambition and resilience, determined to succeed on his own terms. His relentless pursuit of the American Dream strains his relationship with his wife, Monica, whose focus is on family stability. This conflict reveals the emotional and psychological toll of differing priorities.

The arrival of the grandmother, Soonja, adds a layer of warmth and tradition. Her unconventional ways bridge the gap between the family’s past and present. The bond she forms with young David is both touching and symbolic of the intergenerational ties that ground the family.

Ethically, the film questions the cost of ambition. Jacob’s single-minded focus on his farm jeopardises the family’s financial and emotional wellbeing. The struggle to balance personal dreams with collective needs reflects universal dilemmas faced by families everywhere.

Nature becomes a metaphor for resilience, with the titular minari plant thriving in harsh conditions. The film’s quiet, observational style allows its themes to resonate deeply. Minari is a celebration of perseverance, love, and the small moments that define us.

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Monday 2nd December 2024

Hue and Cry (1947)
Film4, 2.30pm

Hue and Cry is a delightful Ealing Studios comedy that doubles as a social snapshot of post-war Britain. The story follows a group of resourceful teenagers who uncover a criminal gang using a children’s comic to send coded messages. Their spirited investigation captures the optimism of rebuilding a fractured society.

The film’s London setting is a character in itself. Amid bomb-damaged buildings and a recovering population, the story highlights the resilience of community. The resourcefulness of the young protagonists mirrors the ingenuity required during the war years, offering a hopeful look toward the future.

The film explores themes of justice and responsibility. The children’s determination to stand against wrongdoing reflects a moral clarity that contrasts with the cynicism of the adult criminals. It also raises questions about the effectiveness of authority, as the police rely on the youths’ efforts to foil the gang.

The camaraderie among the children reflects a collective desire for stability and purpose in uncertain times. Their resourcefulness and courage showcase the importance of agency, even for those often overlooked by society. The humour and charm of their interactions soften the film’s serious undertones.

Hue and Cry celebrates the power of community and youthful determination. Its blend of adventure, comedy, and social commentary makes it a timeless classic. As an early example of the Ealing spirit, it showcases how light-hearted storytelling can address deeper societal themes.

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Renaissance: The Blood And The Beauty (one of three) BBC2 9pm

“Renaissance: The Blood And The Beauty” is a compelling docu-drama that transports viewers to the heart of the Italian Renaissance, a period teeming with artistic brilliance, political intrigue, and personal rivalries. The first episode sets the stage with a vivid portrayal of the era’s tumultuous atmosphere, focusing on the lives and works of iconic figures like Michelangelo, Leonardo da Vinci, and Raphael.

Charles Dance’s portrayal of Michelangelo is both powerful and nuanced, capturing the artist’s genius and the intense pressures he faced. The series does an excellent job of weaving together the social, psychological, ethical, and political themes that defined the Renaissance. It highlights the precarious nature of artistic ambition in a time when patronage from powerful families like the Medici could make or break an artist’s career. The ethical dilemmas of navigating these relationships and the psychological toll of constant competition are brought to life with gripping realism.

The political backdrop of the series is equally fascinating, showcasing the power struggles and alliances that shaped the cultural landscape of the time. The use of Michelangelo’s own words and contemporary accounts adds authenticity and depth to the narrative, making it a must-watch for history enthusiasts and art lovers alike.

“Renaissance: The Blood And The Beauty” is a richly detailed and thought-provoking exploration of one of history’s most vibrant periods. The first episode promises a series that is both educational and deeply engaging, offering a fresh perspective on the timeless masterpieces and the extraordinary individuals who created them.

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Tuesday 3rd December 2024

Two Way Stretch (1960)
Film4, 3.05pm

Two Way Stretch is a masterclass in British comedic wit, following a group of prisoners who plot a heist while still behind bars. Led by Peter Sellers’ charming and cunning Dodger, the film satirises authority and the class divides within the penal system.

The prison itself serves as a microcosm of society, with the guards and inmates reflecting contrasting approaches to morality. The inmates’ ingenious plan to escape temporarily and commit a robbery raises ethical questions about justice and punishment. Are they truly villains, or are they simply outsmarting an unfair system?

The film critiques institutional incompetence, with bumbling wardens and hapless administrators. This portrayal reflects a broader scepticism toward authority in post-war Britain, where societal structures were being re-evaluated. It’s a subtle nod to the changing attitudes of the time.

Psychologically, the humour masks the inmates’ desperation and desire for freedom. The characters are far from one-dimensional, with each bringing unique motivations and quirks to the plot. The film’s charm lies in its ability to make viewers root for the “bad guys,” questioning conventional notions of right and wrong.

Two Way Stretch is more than a heist comedy; it’s a playful exploration of power, class, and morality. Its clever dialogue and sharp performances ensure it remains a beloved gem of British cinema. Sellers’ performance, in particular, elevates the film to iconic status.

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Boy Erased (2018)
BBC2, 12.05am

Boy Erased is a haunting drama based on true events, exposing the traumatic realities of conversion therapy. Jared, a young man forced into a conversion programme by his conservative parents, navigates the collision of faith, family, and identity. The film delves into the psychological and emotional scars left by this practice.

The relationship between Jared and his parents forms the emotional core of the story. His father, a Baptist preacher, and his conflicted mother embody the struggle between unconditional love and deeply ingrained beliefs. These dynamics reveal the devastating impact of societal pressures on family bonds.

Ethically, the film condemns conversion therapy as a violation of human dignity and autonomy. It critiques institutions that exploit vulnerable individuals under the guise of morality. The programme’s leaders are portrayed with chilling authenticity, highlighting the harm caused by their methods.

Psychologically, Jared’s journey is one of survival and self-acceptance. The therapy sessions are harrowing, exposing the damaging effects of shame and repression. His eventual confrontation with his parents is both heartbreaking and cathartic, showing the power of truth in healing fractured relationships.

Boy Erased is a sobering reminder of the consequences of intolerance and the resilience of the human spirit. Its nuanced performances and sensitive direction make it an essential watch, sparking conversations about acceptance and the need for compassion over dogma.

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Wednesday 4th December 2024

Drive My Car (2021)
C4, 1am

Ryusuke Hamaguchi’s Drive My Car is a meditative exploration of grief, art, and connection. Centred on a widowed actor-director, Yūsuke, and his young driver, Misaki, the film delves into the ways people process loss and find solace in unexpected relationships.

The car becomes a space for introspection and dialogue, a moving confessional where secrets are shared. Misaki’s quiet presence contrasts with Yūsuke’s emotional turmoil, creating a dynamic that feels both intimate and profound. Their bond grows as they navigate shared pain and unspoken truths.

Art plays a pivotal role, with Yūsuke directing a multilingual production of Uncle Vanya. The play’s themes of regret and longing mirror his own struggles, blurring the line between life and performance. This interplay highlights the therapeutic potential of storytelling and creative expression.

The film’s pacing allows for a deep psychological exploration of its characters. Yūsuke’s grief over his wife’s infidelity and death is layered with guilt and unresolved questions. Misaki’s own trauma, tied to her family’s past, gradually unfolds, showcasing the universality of loss and resilience.

Drive My Car is a masterpiece of subtlety and emotional depth. It invites viewers to sit with its characters’ silences and reflect on their own experiences of love, loss, and healing. Hamaguchi’s deliberate storytelling offers a rare cinematic experience that lingers long after the credits roll.

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Thursday 5th December 2024

The Quiet Girl (2022)
Film4, 9pm

The Quiet Girl is a gentle and poignant Irish-language film about neglect, love, and belonging. Cáit, a reserved nine-year-old, is sent to live with distant relatives on a rural farm. Their care and kindness reveal the transformative power of compassion.

The film contrasts Cáit’s chaotic, neglectful home life with the calm and nurturing environment of the Kinsellas. The quietness of the farm mirrors the emotional healing she experiences. The unspoken tension within her own family reflects broader societal issues of poverty and parental neglect.

Ethically, the film explores the responsibility of care. Eibhlín and Seán Kinsella, grieving the loss of their own child, show that love is not limited by blood ties. Their relationship with Cáit raises questions about what defines family and the importance of emotional safety.

The psychological journey is subtle yet profound. Cáit’s withdrawal is gradually replaced by a tentative trust in her new guardians. The film captures the small but significant moments of healing, from simple acts of kindness to the discovery of joy in ordinary life.

The Quiet Girl is a triumph of understated storytelling. Its minimal dialogue and evocative visuals speak volumes, creating an emotional resonance that lingers. This deeply human story is a testament to the power of care and the resilience of the human spirit.

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Sound of Metal (2019)
BBC2, 11.05pm

Sound of Metal is an intense and immersive exploration of loss and adaptation. Ruben, a heavy metal drummer, faces life-altering deafness, forcing him to reevaluate his identity and purpose. The film captures the raw emotional impact of this transformation with unflinching honesty.

Ruben’s initial resistance to his condition is heartbreaking. His fixation on regaining his hearing reflects society’s emphasis on “fixing” disabilities rather than embracing new ways of being. This creates ethical tension around cochlear implants and the pressure to conform to normative expectations.

The deaf community plays a crucial role in Ruben’s journey. His time at a deaf rehabilitation centre introduces him to a world of acceptance and new possibilities. The contrast between his initial despair and his eventual moments of peace underscores the psychological process of adaptation and self-acceptance.

The film’s sound design is revolutionary, immersing viewers in Ruben’s experience. The shifts between silence, distorted sound, and vibrant noise create an empathetic connection, drawing attention to the importance of communication beyond hearing.

Sound of Metal is a powerful narrative about change, resilience, and finding meaning in unexpected places. It challenges viewers to reconsider their assumptions about disability and identity, offering a deeply moving portrait of human strength.

Friday 6th December 2024

Rush (2013)
BBC2, 11.05pm

Ron Howard’s Rush is a gripping exploration of rivalry, ambition, and obsession. Based on the real-life competition between Formula One drivers James Hunt and Niki Lauda, it delves into the personal and professional stakes of their high-speed world. The film captures the thrill of racing while examining the psychological and ethical costs of such an intense pursuit.

James Hunt embodies charisma and recklessness, contrasting sharply with Niki Lauda’s disciplined and methodical approach. Their rivalry transcends the racetrack, reflecting deeper questions about passion versus precision. The film suggests that their differences fuelled their successes, showing how competition can drive excellence.

Ethically, Rush raises questions about risk and responsibility. Formula One in the 1970s was notoriously dangerous, and the drivers’ willingness to gamble with their lives highlights the thin line between courage and recklessness. Lauda’s near-fatal crash is a stark reminder of the physical and emotional costs of such risks.

The film’s psychological depth is compelling. Lauda’s recovery from his injuries reveals his resilience and determination, while Hunt’s hedonistic lifestyle masks insecurities and a fear of failure. Their contrasting personalities underline the diverse ways individuals cope with pressure and ambition.

Ultimately, Rush celebrates the human spirit’s capacity for growth and perseverance. Though adversaries, Hunt and Lauda’s mutual respect underscores the idea that rivalry can forge bonds as strong as friendship. Howard’s dynamic direction and stellar performances make this both an exhilarating sports drama and a poignant character study.

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Fight Club (1999)
Film4, 1.10am

David Fincher’s Fight Club is a provocative examination of consumerism, masculinity, and identity. Following an unnamed narrator who forms an underground fight club with the enigmatic Tyler Durden, the film explores the psychological and social fractures of modern life. Its anarchic energy is matched by its biting critique of societal norms.

The narrator’s dissatisfaction with his corporate existence reflects the alienation of a consumer-driven culture. His insomnia and identity crisis suggest a deeper existential void, highlighting the psychological toll of seeking meaning in materialism. Tyler Durden’s philosophy of destruction and chaos offers an extreme alternative.

Ethically, the film challenges traditional notions of morality and freedom. The rise of Project Mayhem, a violent anti-establishment movement, underscores the dangers of unchecked ideology. The film critiques blind adherence to authority, even within a rebellion, showing how power can corrupt on any level.

The psychological unraveling of the narrator is central. The twist revealing that Tyler is a manifestation of his fractured psyche forces viewers to question reality and perception. It’s a haunting depiction of the fragility of identity and the consequences of repressing one’s true self.

Fight Club is both a cautionary tale and a cultural touchstone. Its visceral storytelling and provocative themes continue to spark debate about its social and ethical implications. Fincher’s direction, combined with Brad Pitt and Edward Norton’s powerful performances, ensures its place as a defining film of its era.

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and finally… streaming

Tomorrow +1 Available on Netflix from Wednesday, 4th December 2024 “Tomorrow +1” is a gripping series that delves into the profound social and psychological issues surrounding suicide. The show follows a team of grim reapers who intervene to save individuals on the brink of ending their lives. It tackles the stigma associated with mental health and the ethical dilemmas of intervening in someone’s decision to end their life. The series also explores the political implications of mental health policies and the societal pressures that drive individuals to despair. With its blend of sci-fi and drama, “Tomorrow +1” offers a thought-provoking look at the value of life and the importance of compassion.

Walter Presents: Black Tulip Streaming on Channel 4 from Friday, 6th December 2024 “Black Tulip” is a captivating drama set in the Netherlands, revolving around two feuding families competing to cultivate the rare black tulip. The series delves into the social and political dynamics of rural life, highlighting themes of ambition, rivalry, and the lengths people will go to achieve their goals. It also touches on ethical questions about genetic manipulation and the environmental impact of agricultural practices. The psychological tension between the characters adds depth to the narrative, making “Black Tulip” a compelling watch for those interested in the darker side of human nature.

Country Music Christmas Available on BBC iPlayer from Wednesday, 4th December 2024 “Country Music Christmas” is a heart-warming special that brings together some of country music’s biggest stars to celebrate the festive season. Beyond the music, the show highlights the social and cultural significance of country music in bringing communities together. It also touches on the ethical aspects of fame and the responsibility of artists to use their platform for good. Politically, the show subtly addresses themes of unity and the power of music to bridge divides. With performances that evoke both joy and nostalgia, “Country Music Christmas” is a delightful addition to the holiday season.

Picture credits

Star Wars Episode IV: A New Hope (1977)
May be found at the following website: http://www.impawards.com/1977/star_wars_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=13169387
True Grit (2010)
The cover art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=29019078
Luzzu (2021)
By https://www.memento-international.com/luzzu, Fair use, https://en.wikipedia.org/w/index.php?curid=68816274
Star Wars Episode V: The Empire Strikes Back (1980)
By http://www.impawards.com/1980/empire_strikes_back_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=18412529
Star Wars Episode VI: Return Of The Jedi (1983)
Fair use, https://en.wikipedia.org/w/index.php?curid=1748174
Rogue One: A Star Wars Story (2016)
By http://www.impawards.com/2016/rogue_one_a_star_wars_story_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=50076808Minari (2020)
Hue And Cry (1947)
By GFD – http://www.casualratings.com/en/movie/37193, Fair use, https://en.wikipedia.org/w/index.php?curid=47803425
Two Way Stretch (1960)
By British Lion Films – https://alchetron.com/Two-Way-Stretch, Fair use, https://en.wikipedia.org/w/index.php?curid=64079430
Boy Erased (2018)
By British Lion Films – https://alchetron.com/Two-Way-Stretch, Fair use, https://en.wikipedia.org/w/index.php?curid=64079430
Drive My Car (2021)
By Bitters End – https://thefilmstage.com/first-look-at-ryusuke-hamaguchis-haruki-murakami-adaptation-drive-my-car/, Fair use, https://en.wikipedia.org/w/index.php?curid=67841748
The Quiet Girl (2022)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=65408954
Sound Of Metal (2019)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=65408954
Rush (2013)
By Believed to be Exclusive Media – http://u.jimdo.com/www62/o/s2d10dc52008362cb/img/i0e94e5f09bbeb8d5/1380903225/std/image.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=42139112
Fight Club (1999)
By http://www.impawards.com/1999/fight_club_ver4.html, Fair use, https://en.wikipedia.org/w/index.php?curid=19641114
Minari
By https://a24films.com/films/minari, Fair use, https://en.wikipedia.org/w/index.php?curid=65461364