Posts Tagged Stellan Skarsgård

Dune Part Two (2024): A Cinematic Odyssey Beyond Heroes and Myths


349 words, 2 minutes read time.

“Dune: Part Two” ventures deeper into the thematic complexities introduced in the first film, offering a cinematic experience that delves into intricate political and religious dimensions. Visionary filmmaker Denis Villeneuve masterfully combines immense production design with a cold-blooded portrayal of political manoeuvring, creating a harsh cosmos populated by overwhelmingly evil forces and Machiavellian power players. There is a notable absence of clearly defined forces worth rooting for and, the film challenges the conventional notion of “the triumph of good over evil,” presenting a narrative where heroism is viewed sceptically.

The movie unfolds as a unique take on the traditional “Hero’s Journey,” casting doubt on the archetypal heroism. Protagonist Paul is portrayed as both compelling and unsympathetic, leading the audience to question the very essence of heroism in the context of the story.

In exploring religious themes, “Dune: Part Two” sets itself apart from its sci-fi counterparts, especially the likes of “Star Wars.” While “Star Wars” celebrates the unequivocal triumph of good over evil, “Dune” adopts a more skeptical approach, critiquing Abrahamic-style faith. The narrative warns against the manipulation of people through messianic prophecies, emphasizing the enslavement that can result from such religious exploitation. Chani, a young Fremen woman, serves as a voice cautioning against blind faith and manipulation¹.

“Dune: Part Two” challenges the conventional mythos of heroism. Instead of a straightforward hero’s journey, the film introduces the concept of a Sympathetic Plot, adding layers of complexity to the protagonist’s journey. Paul’s visions of an impending holy war and his internal struggle to prevent it contribute to the depth of the narrative, offering a more nuanced exploration of the consequences of wielding power on a grand scale¹.

“Dune: Part Two” emerges as a thought-provoking exploration of political power, religion, and the profound repercussions of wielding power on a grand scale. Its critique of faith and scepticism distinguishes it from traditional sci-fi epics, providing audiences with a cinematic experience that challenges established norms and offers a more complex narrative landscape.

By Pat Harrington

For those interested in the political themes in Dune see here

Picture credit: By CineMaterial, Fair use, https://en.wikipedia.org/w/index.php?curid=73709643

Comments (1)

In Order of Disappearance (2014)

Director: Hans Petter Moland
Running time: 118 minutes
Screenplay: Kim Fupz Aakeson
Music composed by: Kaspar Kaae, Brian Batz, Kåre Vestrheim

Nils (Skarsgård) is a Norwegian snow-plough driver, and this quiet man has just been named Citizen of The Year, when he receives news that his son has died. He and his wife go to identify the body and the police tell him his son has recklessly died due to an overdose of heroin. Nils doesn’t believe the official report and goes to seek evidence of the young man’s murder. His son was actually a victim in a turf war between the local crime boss, known as “The Count”, and his Serbian rivals.

Nils hunts down the two killers, killing them after they confess to who gave the order to kill his son. This is a man on a mission, armed with a snow plough. He is on a quest for revenge with a mounting body count. Based on this information, he goes after their boss, but he finds himself in the crossfire between two rival gangs.

Skarsgård was first seen in The Hunt for Red October in the mid-80s and as Dr. Erik Selvig in the Thor and Avengers films. He balances mainstream films with art house. The Norwegian director of In Order of Disappearance, Hans Petter Molland has collaborated over the years with Stellan with Disappearance being their fourth film together, following 2010’s A Somewhat Gentle Man, another story of a quiet man pushed to the brink.

In Order of Disappearance was filmed in Norway’s snowy north, Nils goes to seek answers never once believing an accidental overdose killed his son. As Nils finds himself in the middle of a gang war, the ‘Count’ mistakenly believes the Serb gang are responsible for the murders of his men. The boss of the Serbs is Bruno Ganz, who Stellan rates highly. Nils Petter wanted to have the two of them driving together in the car in the final scene.

During the filming, Stellan actually learned to drive the snow plough, and they filmed in temperatures which were down to minus 28 degrees, beautiful, but awful conditions. And indeed this film is hauntingly beautiful and yet very awful. What is surprising about this tale of revenge is that it is also darkly human and still funny.

Stellan speaks about the atmosphere of the film in a recent interview, where he relates that Nils is what happens when a community do not have the tools to handle a devastating situation charged with high emotions. Once he loses his child, he has a very primitive reaction and when faced with brutality, feels we are capable of horrendous actions.

Stellan feels that morally you have to condemn Nils even if you understand him. Having said this, however, Stellan feels that humour is very close to fear and the brutality of the film makes it even funnier as the comedy negates the horror of it all.

In Disappearance, the Count is a calculating character trying to fill his father’s shoes. He is overly sensitive, highly strung and perhaps under too much pressure from the demands of the job. He is a bit mad, a bit mischievous and comes off as humanly flawed, I couldn’t decide if I liked his character or hated him.

Stellan also produced and appeared in the King of Devil’s Island, another film I enjoyed which dealt with a difficult episode in Norwegian history. He feels there are good filmakers in Norway. He prefers melodramatic fantasy films/stories. He likes drama to be about real people, with an element of human truth. While brutality may be hard to watch, it can also be beautiful because of real life and human truth. In Order of Disappearance is dark, grim and desolate, and yet it is also an incredibly mad and clever thriller about the cold snowy world of Norway.

Cast
Stellan Skarsgård as Nils
Bruno Ganz as Papa
Birgitte Hjort Sørensen as Marit
Kristofer Hivju as Strike
Jakob Oftebro as Aron Horowitz
Pål Sverre Valheim Hagen as Greven
Tobias Santelmann as Finn
Sergej Trifunovic as Nebojsa
Anders Baasmo Christiansen as Geir
Stig Henrik Hoff as Experienced police officer
Goran Navojec as Stojan
Atle Antonsen as Reddersen

Reviewed by Michelle Harrington

Leave a Comment