In this bawdy, trashy, road trip caper, Ethan Coen (of the famous Coen Brothers duo) sets off in a wild new direction. Newly single Jamie (played by Margaret Qualley) impulsively joins her friend Marian (Geraldine Viswanathan) on a road trip to Florida. Little do they know that their rental car harbours an ominous briefcase – one that people are willing to kill for.
Jamie, an incorrigible horndog with an accent that sounds like Tommy Lee Jones on fast-forward, and buttoned-up Marian embark on a path to Florida. Their rented car carries unexpected cargo. Hot on their trail are a pair of hitmen, Arliss and Flint, reminiscent of Fargo’s chatterbox/misanthrope pairing. Meanwhile, a loquacious wiseacre (think O Brother, Where Art Thou’s Ulysses Everett McGill) stays one step ahead of them. The banter between the hitmen is one of the funniest parts of the movie.
Set on the eve of Y2K, the twilight of Clintonism, and the eve of a conservative resurgence, “Drive-Away Dolls” explores fresh territory for the Coenverse. It’s as novel as a sense of humor dumbed-down enough to allow for a sight gag involving a tiny, humping dog. The film balances its libido-drunk wild goose chase with jabs at American political pathologies, all while maintaining its signature Coen-esque quirkiness.
If you are offended by Lesbian sexuality and sex this isn’t the film for you!
Verdict: “Drive-Away Dolls” is a movie that doesn’t take itself seriously, not even a little bit. It’s an off-color comedy where everyone is a goofball or a bumbling rube. The goons constantly bungle the chase, Jamie can’t stop talking about cunnilingus and her vulva, and even the straitlaced Marian gets into trouble with her attitude. If you’re up for a wild ride filled with laughs, unexpected twists, and a dash of absurdity, buckle up and hit the road with the “Drive-Away Dolls”!
Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Highlights this week include three iconic horror films, Carrie, Rosemary’s Baby and The Wickerman as well as special evenings on Bob Dylan (Saturday on BBC2) and Burt Bacharach (Friday on BBC4). Writing and selections are by Pat Harrington and music is by Tim Bragg.
Saturday 2nd of December 2023
Fargo (1996 film) 9pm GREAT!movies
“Fargo,” directed by Joel and Ethan Coen, is a cinematic gem that seamlessly blends crime, comedy, and Midwestern charm. Released in 1996, this darkly humorous film has become a classic in the crime genre, earning critical acclaim for its unique narrative, unforgettable characters, and the perfect balance between suspense and wit.
Set against the snowy backdrop of Minnesota, “Fargo” follows the story of Jerry Lundegaard (played by William H. Macy), a desperate car salesman who hatches a seemingly fool proof plan to have his wife kidnapped in order to extort ransom money from his wealthy father-in-law. However, as with any Coen Brothers film, nothing goes according to plan.
The standout element of “Fargo” is its exceptional storytelling. The Coen Brothers masterfully weave a tale of crime and chaos with a distinctive narrative style. The film’s deadpan humour and the use of regional accents contribute to its unique atmosphere, making it both absurdly funny and deeply unsettling. The cold, desolate landscapes of the Midwest serve as a perfect backdrop for the unfolding madness, creating an eerie and tense atmosphere throughout the film.
Frances McDormand delivers a career-defining performance as Marge Gunderson, a pregnant police chief investigating the crime. McDormand’s portrayal of Marge is both endearing and sharp-witted, earning her an Academy Award for Best Actress. The supporting cast, including Steve Buscemi and Peter Stormare, adds layers to the story with their eccentric characters, each leaving a lasting impression.
Cinematographer Roger Deakins captures the stark beauty of the snow-covered landscapes, enhancing the film’s visual appeal. The Coen Brothers’ collaboration with composer Carter Burwell results in a haunting and memorable score that complements the film’s tone perfectly.
“Fargo” is a testament to the Coen Brothers’ ability to create a film that defies easy categorization. It’s a crime thriller with a dark sense of humour, a character study that delves into the quirks of human nature, and a visually stunning exploration of the American Midwest. Decades after its release, “Fargo” remains a cinematic masterpiece that continues to captivate audiences with its unique blend of comedy and crime.
Bob Dylan: Shadow Kingdom 10pm BBC2
“Bob Dylan: Shadow Kingdom” offers a captivating and intimate glimpse into the enigmatic world of the legendary singer-songwriter. The documentary skilfully weaves together performances from Dylan’s ‘Shadow Kingdom’ livestream event, presenting a masterful showcase of his timeless artistry.
The film brilliantly captures the essence of Dylan’s musical evolution, showcasing his ability to reinterpret his own classics with a fresh, soulful vigour. The intimate setting adds a layer of authenticity, allowing viewers to connect with the raw emotion embedded in each lyric and note.
The documentary succeeds in unravelling the mystique surrounding Bob Dylan, providing a rare behind-the-scenes perspective on his creative process. The cinematography enhances the overall experience, creating an atmosphere that mirrors the intimate, smoky ambiance of a small, exclusive venue.
“Shadow Kingdom” is a must-watch for both dedicated fans and those new to Dylan’s oeuvre. It not only pays homage to the iconic artist’s legacy but also invites audiences to appreciate the enduring relevance of his music in a contemporary context.
Bob Dylan: No Direction Home (one of two) 10.50 BBC2
12.45am (two of two)
“Bob Dylan: No Direction Home” is a captivating journey into the life and music of one of the most influential figures in the history of popular music. Directed by Martin Scorsese, this documentary delves deep into the formative years of Bob Dylan, providing a comprehensive and insightful exploration of his early career.
The film blends archival footage, interviews, and performances, painting a vivid portrait of Dylan’s evolution as an artist during the politically charged 1960s. The narrative unfolds with a rich tapestry of cultural and historical context, offering viewers a front-row seat to the folk music revival and the tumultuous societal changes of the era.
Scorsese’s direction allows for an intimate and honest portrayal of Dylan, capturing both his public persona and the private struggles that shaped his music. The documentary doesn’t shy away from the complexities of Dylan’s character, presenting a nuanced and multifaceted view of the man behind the iconic songs.
For both long-time fans and newcomers alike, “No Direction Home” is a compelling exploration of the creative forces that drove Dylan to become a voice of a generation. The documentary stands as a testament to the enduring power of his music and its ability to transcend time and resonate across generations.
2.15…sings Dylan II
“…Sings Dylan II” is a delightful homage to the timeless songs of Bob Dylan, skilfully interpreted by an illustrious lineup of artists including Joan Baez, Siouxsie, The Hollies, Adele, Julie Felik, Bryan Ferry, and KT Tunstall. This collaborative album serves as a testament to the enduring power of Dylan’s songwriting, with each track being reimagined and revitalized by the unique artistic sensibilities of these renowned performers.
The collection captures the essence of Dylan’s poetic lyricism, presented through the diverse lenses of these exceptional musicians. Each rendition breathes new life into familiar classics, offering listeners a fresh perspective on well-loved songs while preserving the soul and spirit of the originals.
Carrie (1976 film) 1.30am Film4
Brian De Palma’s “Carrie,” released in 1976, stands as a timeless classic not only for its terrifying supernatural elements but also for its profound exploration of societal issues that continue to resonate today. Adapted from Stephen King’s inaugural novel, the film delves into the psychologically harrowing journey of Carrie White (Sissy Spacek), a high school outcast whose telekinetic powers serve as a metaphor for the destructive consequences of unchecked cruelty and societal neglect.
At its core, “Carrie” is a chilling portrayal of the devastating effects of bullying, both by peers and within the confines of Carrie’s fanatically religious home. Sissy Spacek’s haunting performance skillfully conveys the vulnerability and isolation experienced by the titular character, offering viewers a poignant reflection on the human toll exacted by social ostracization.
Piper Laurie’s portrayal of Margaret White, Carrie’s religiously fervent mother, adds a layer of horror that extends beyond the supernatural. The film subtly critiques the dangers of extremist ideologies and the impact of oppressive religious beliefs on individual freedom and mental well-being.
Intriguingly, the inclusion of a pre-“Saturday Night Fever” John Travolta in the role of Billy Nolan, one of Carrie’s tormentors, underscores the pervasive nature of the societal issues depicted. Travolta’s character embodies the casual cruelty and toxic masculinity prevalent in high school culture, adding to the film’s exploration of the damaging dynamics within peer groups.
Brian De Palma’s direction elevates the film’s social commentary through visually striking sequences, none more iconic than the prom night scene. The deliberate pacing and use of split-screen techniques during this pivotal moment serve as a powerful commentary on societal expectations and the consequences of marginalization.
Pino Donaggio’s evocative score enhances the emotional impact of “Carrie,” underscoring the film’s exploration of the psychological scars left by societal cruelty. The film’s enduring relevance lies in its ability to transcend its horror roots, offering a mirror to society’s treatment of those deemed different and a stark reminder of the potential consequences when compassion is in short supply.
“Carrie” remains a socially relevant masterpiece, using horror as a lens to examine the profound impact of bullying, religious extremism, and societal expectations. Its ability to provoke thought and empathy ensures that, decades later, “Carrie” continues to be more than a mere horror film; it is a compelling and cautionary exploration of the societal demons that persistently haunt adolescence.
Sunday 3rd of December 2023
D.O.A. (1949 film) 10.40am Talking Pictures
Directed by Rudolph Maté, “D.O.A.” (1949) stands as a quintessential film noir that skillfully encapsulates the genre’s dark and foreboding atmosphere. This classic noir narrative unfolds as a relentless race against time, with the protagonist caught in a web of intrigue, crime, and his impending demise.
Edmond O’Brien stars as Frank Bigelow, an ordinary man whose life takes a sinister turn when he discovers he has been poisoned and has mere hours to live. As Frank frantically unravels the mystery of his impending death, the film plunges deeper into the noir tradition, featuring a labyrinthine plot filled with shadowy characters, moral ambiguity, and a palpable sense of fatalism.
“D.O.A.” thrives on the traditional elements of film noir. The cinematography, characterized by stark contrasts between light and shadow, captures the moral murkiness that defines the genre. The use of low-angle shots and skewed perspectives intensifies the sense of disorientation and impending doom that permeates the narrative, reflecting Frank’s unravelling world.
The film’s narrative structure, employing a series of flashbacks as Frank recounts the events leading to his poisoned state, adds a layer of complexity to the storytelling—a hallmark of the noir tradition. The plot twists and turns, and the moody jazz-infused score heightens the tension, creating an atmosphere of existential despair that is emblematic of film noir.
Edmond O’Brien delivers a compelling performance as the doomed protagonist, portraying Frank’s desperation and determination. The supporting cast adds to the film’s noir credentials, with a gallery of morally ambiguous characters, each harbouring their secrets and motives.
In true noir fashion, “D.O.A.” explores themes of betrayal, existential crisis, and the consequences of a life veering off the conventional path. As Frank delves deeper into the seedy underbelly of crime and deception, the film exposes the underbelly of post-war American society, echoing the disillusionment and moral ambiguity prevalent in the noir genre.
“D.O.A.” remains a noir masterpiece that brilliantly encapsulates the genre’s dark and fatalistic essence. Its gripping narrative, atmospheric cinematography, and thematic exploration of the human condition firmly place it within the pantheon of classic film noir, making it a must-watch for enthusiasts of the genre.
The Movement and the ‘Madman’
“The Movement and the ‘Madman’” is a documentary film produced by PBS’s “American Experience” program. The film explores how two anti-war protests in the fall of 1969, which were the largest the country had ever seen, pressured President Nixon to cancel his “madman” plans for a massive escalation of the U.S. war in Vietnam, including a threat to use nuclear weapons. The protests were organized by the leaders of the anti-war movement, who mobilized disparate groups from coast to coast to create two massive protests that changed history. The film features remarkable archival footage and firsthand accounts from movement leaders, Nixon administration officials, historians, and others. It reveals how the protestors had no idea how influential they could be and how many lives they may have saved.
Monday 4th of December 2023
Ordinary Love (2019 film) 11.15pm BBC2
“Ordinary Love,” directed by Lisa Barros D’Sa and Glenn Leyburn, is a poignant and quietly powerful film that delves into the complexities of a long-term marriage facing an unexpected challenge. Released in 2019, this drama boasts stellar performances from its lead actors and navigates the delicate balance between heartbreak and hope with sensitivity.
Liam Neeson and Lesley Manville play Tom and Joan, a loving couple whose lives are irrevocably changed when Joan is diagnosed with breast cancer. What sets “Ordinary Love” apart is its realistic portrayal of a relationship weathering a storm. The film eschews melodrama, opting instead for a nuanced exploration of the emotional rollercoaster that comes with a life-altering illness.
Neeson and Manville deliver authentic and emotionally resonant performances, capturing the nuances of a couple’s dynamic as they grapple with uncertainty, fear, and the strain that a serious illness can impose. The chemistry between the two actors elevates the film, allowing viewers to empathize with the characters’ struggles and find moments of levity amid the weight of the subject matter.
The strength of “Ordinary Love” lies in its restraint. The directors avoid clichés, presenting a realistic portrayal of the challenges faced by couples dealing with illness. The film’s pacing and intimate cinematography contribute to its overall authenticity, drawing the audience into the quiet moments that define the couple’s journey.
The screenplay, penned by Owen McCafferty, is both tender and honest. It skillfully navigates the emotional terrain of medical treatments, support groups, and the day-to-day routines of a couple navigating the uncharted territory of illness. The dialogue feels genuine, capturing the ebb and flow of conversations in a long-term relationship.
“Ordinary Love” is not just a film about illness; it’s a meditation on resilience, love, and the extraordinary within the ordinary. It reminds viewers that strength can be found in vulnerability and that, even in the face of adversity, there can be moments of grace and connection.
“Ordinary Love” is a beautifully crafted film that transcends its subject matter. With exceptional performances, a realistic portrayal of the challenges of illness, and a narrative that finds beauty in the ordinary moments, the film is a moving exploration of love’s endurance in the face of life’s unexpected turns.
Tuesday 5th of December 2023
Louis Theroux Irterviews.. Chelsea Manning (five of six) 9pm BBC2
Louis Theroux, a British documentarian, interviewed Chelsea Manning, an American whistleblower and activist, in his latest series. Manning, a former U.S. Army intelligence analyst, is known for releasing the largest set of classified documents in U.S. history.
The Wicker Man (1973 film) 10pm BBC4
Robin Hardy’s “The Wicker Man” (1973) is a chilling masterpiece that weaves a haunting tale of mystery, horror, and the clash between tradition and modernity. Set against the backdrop of a remote Scottish island, the film unfolds as a psychological thriller with a folk horror twist, leaving an indelible mark on the genre.
At the heart of the film is Edward Woodward as Sergeant Neil Howie, a devoutly Christian police officer summoned to investigate the disappearance of a young girl. The island’s pagan community, led by Christopher Lee’s enigmatic Lord Summerisle, adds an unsettling layer to the narrative, culminating in a shocking and unforgettable climax.
One of the film’s standout performances comes from Brit Ekland, who plays Willow, the innkeeper’s daughter. Ekland’s portrayal is not only pivotal to the plot but also adds a seductive and eerie quality to the film. Her dance sequence, an iconic moment in cinema, is a bewitching display that lingers in the viewer’s mind, casting a spell that echoes the mystique of the island’s pagan rituals.
“The Wicker Man” stands out for its atmospheric cinematography and an evocative score by Paul Giovanni, which incorporates traditional folk songs to heighten the film’s eerie ambiance. The landscape becomes a character in itself, with the isolated island contributing to the film’s sense of isolation and impending doom.
The screenplay, written by Anthony Shaffer, is a masterclass in suspenseful storytelling. The film expertly builds tension as Sergeant Howie delves deeper into the island’s rituals, unravelling a web of mystery that leads to a climax both shocking and thematically rich.
While “The Wicker Man” may have faced challenges during its release, including significant edits that affected the film’s coherence, it has since earned cult status and is celebrated for its impact on the horror genre. The film’s exploration of religious and cultural clashes, coupled with Ekland’s seductive performance, makes it a unique and enduring entry in the annals of horror cinema.
“The Wicker Man” is a chilling and atmospheric film that transcends traditional horror tropes. Brit Ekland’s seductive portrayal, alongside the film’s exploration of pagan rituals and the clash between belief systems, ensures its place as a cult classic that continues to captivate and disturb audiences to this day.
Rosemary’s Baby(1968 film) 1am Film4
Roman Polanski’s “Rosemary’s Baby,” released in 1968, stands as a landmark in the horror genre, offering a chilling exploration of paranoia, maternal anxiety, and the sinister underbelly of societal expectations. Based on Ira Levin’s novel, the film is a meticulously crafted psychological thriller that continues to influence and unsettle audiences decades after its release.
Mia Farrow delivers a tour-de-force performance as Rosemary Woodhouse, a young wife who becomes increasingly suspicious of the peculiar events surrounding her pregnancy. Set against the backdrop of the eerie Bramford apartment building in New York City, the film delves into Rosemary’s growing sense of isolation and helplessness as she grapples with the impending birth of her child.
“Rosemary’s Baby” is a masterclass in building tension and dread. Polanski’s direction, coupled with William A. Fraker’s cinematography, creates an atmosphere of unease, with the camera often adopting a voyeuristic perspective that intensifies the feeling of being watched. The film’s minimalist score by Krzysztof Komeda adds to the overall sense of impending doom.
The supporting cast, including John Cassavetes as Rosemary’s ambitious husband Guy, contributes to the film’s success. Ruth Gordon’s Oscar-winning portrayal of the nosy and eccentric neighbour Minnie Castevet is particularly memorable, adding layers of complexity to the narrative.
What sets “Rosemary’s Baby” apart is its ability to tap into primal fears. The horror doesn’t rely on supernatural elements or explicit violence but rather on the psychological torment of the protagonist. The film explores themes of patriarchal control, maternal instinct, and the insidious nature of societal expectations, making it a timeless examination of human fears and anxieties.
Polanski’s attention to detail, combined with the exceptional performances and an unsettling atmosphere, cements “Rosemary’s Baby” as a classic in the horror genre. Its influence on subsequent psychological horror films is unmistakable, and its ability to evoke a sense of terror from the ordinary and mundane ensures its enduring impact.
In conclusion, “Rosemary’s Baby” remains a benchmark in psychological horror, seamlessly blending a gripping narrative with exceptional performances and an atmosphere of palpable dread. As a chilling exploration of the supernatural lurking within the everyday, the film continues to captivate audiences and is a testament to the enduring power of well-crafted, psychologically driven horror.
Wednesday 6th of December 2023
Mayfair Witches (one of eight) 9pm BBC2
The Mayfair Witches is a supernatural drama series based on the best-selling novels by Anne Rice. The series explores female empowerment and the mortal implications of our decisions. The show follows Rowan, an intuitive young neurosurgeon who discovers she possesses supernatural abilities and that she is the unlikely heir to a family of witches. As she grapples with her newfound powers, she must contend with a sinister presence that has haunted her family for generations.
Pig (2021 film) 9pm Film4
“Pig” is a 2021 American drama film directed by Michael Sarnoski and starring Nicolas Cage. The movie tells the story of a reclusive truffle hunter living in the Oregonian wilderness with his beloved pig. When his pig is stolen, the truffle hunter ventures into Portland’s culinary underworld to find her, confronting his past and questioning his present along the way.
Thursday 7th of December 2023
Witness For The Prosecution (1957 film) 8pm BBC4
Director Billy Wilder, a maestro of cinematic storytelling, delivers yet another masterpiece with “Witness for the Prosecution” (1957). As a fervent admirer of Wilder’s work, regular readers of Culture Vulture will not be surprised by my enthusiasm for this gripping courtroom drama.
Based on Agatha Christie’s play, the film boasts a stellar cast, including the incomparable Charles Laughton, Marlene Dietrich, and Tyrone Power. Laughton’s portrayal of Sir Wilfrid Robarts, a brilliant and ailing defence attorney, is a tour de force, navigating the intricate web of legal intricacies with wit and charisma.
Set against the backdrop of a murder trial, “Witness for the Prosecution” is a testament to Wilder’s ability to seamlessly blend suspense, humour, and unexpected twists. The director’s keen eye for detail is evident in every frame, creating an atmosphere of intrigue that keeps audiences on the edge of their seats.
The courtroom scenes, a hallmark of legal dramas, are brought to life with Wilder’s signature flair. The script, co-written by Wilder and Harry Kurnitz, crackles with sharp dialogue and cunning revelations, making the trial a captivating chess match between the prosecution and defence.
What sets this film apart is its ability to constantly keep viewers guessing. Just when you think you have it all figured out, Wilder throws a curveball that reshapes the entire narrative. The film’s climax is a testament to the director’s storytelling prowess, leaving audiences in awe of the twists and turns that unfold.
For fans of Billy Wilder, “Witness for the Prosecution” is a must-watch that showcases the director’s ability to masterfully adapt diverse genres. From film noir to courtroom drama, Wilder’s versatility shines through, and this film stands as a shining example of his enduring impact on the cinematic landscape.
In conclusion, “Witness for the Prosecution” is a riveting cinematic experience, blending stellar performances, a taut screenplay, and Billy Wilder’s directorial brilliance. As a devoted follower of Wilder’s work, I am delighted to proclaim this film as another jewel in the crown of one of cinema’s greatest storytellers.
and finally, Friday 8th of December 2023
Burt Bacharach Night from 9pm on BBC4
Includes Burt Bacharach At the Electric Proms, Burt Bacharach: A Life In Song, Burt Bacharach: A Tribute From Ronnie Scott’s and Burt Bacharach At Glastonbury. Who doesn’t love his sngs. Just to mention a few of those he wrote: Raindrops Keep Fallin’ on My Head” – B.J. Thomas, “This Guy’s in Love with You” – Herb Alpert, “I Say a Little Prayer” – Aretha Franklin. “What the World Needs Now Is Love” – Jackie DeShannon, and “Walk On By” – Dionne Warwick. I shall be singing along!
Enemy Of The State (1998 film) 11pm C5)
Tony Scott’s “Enemy of the State” goes beyond its pulse-pounding action and cutting-edge technology, delving into thought-provoking social themes that are as relevant today as they were upon its release in 1998. The film, led by the charismatic Will Smith and the enigmatic Gene Hackman, not only explores the perils of unchecked surveillance but also serves as a cautionary tale about the delicate balance between national security and individual freedoms.
At its core, the movie confronts societal fears and anxieties about the erosion of privacy in the face of advancing technology. The narrative unfolds against a backdrop of government overreach, illustrating the potential consequences of a surveillance state on the lives of ordinary citizens. The film serves as a stark reminder of the ethical dilemmas posed by the relentless pursuit of national security in a world increasingly dominated by digital surveillance.
Will Smith’s character, Robert Clayton Dean, becomes a relatable figure caught in the crossfire of forces beyond his control. His journey reflects the vulnerability of individuals in a society where personal information is commodified, and privacy becomes a rare commodity. The film raises pertinent questions about the ethical responsibility of those in power and the impact of their decisions on the lives of everyday people.
The ensemble cast, including Jon Voight, Regina King, and Jack Black, contributes to the film’s social commentary by portraying characters with diverse perspectives on the intersection of government power and individual rights. Their performances add depth to the narrative, showcasing the collateral damage of a society grappling with the consequences of its surveillance apparatus.
Harry Gregson-Williams’ pulsating score not only heightens the tension but also underscores the urgency of the film’s social messages. The movie’s depiction of high-stakes surveillance and its implications serves as a warning about the potential abuse of power, resonating with audiences who are increasingly concerned about the encroachment of technology into their private lives.
In conclusion, “Enemy of the State” is more than just a thrilling techno-thriller; it’s a powerful exploration of societal fears, individual vulnerabilities, and the ethical ramifications of an omnipresent surveillance state. By blending heart-pounding action with social commentary, the film remains a relevant and compelling cinematic experience that invites viewers to reflect on the ever-growing impact of technology on our lives and liberties.
This film could so easily have been propaganda of heroic, democratic Americans fighting the evil, dictatorial Russians. It’s set in 1957, during the Cold War, and centres on attempts by an American lawyer recruited to defend an arrested Soviet spy in court, and subsequently to help the CIA arrange an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers. An exchange to take place on the Glienecke bridge spanning East and West Berlin (the “Bridge of Spies” of the title). Spielberg never falls into the trap of making propaganda, instead this film is nuanced, balanced and even positive.
Sure there is the underlying message that America in the 1960s was more humane and liberal than Communist countries of the same era. That’s just stating the truth though. Whilst America at that time had its own issues with support for dictatorships, civil rights, segregation and racism, there was no moral equivalency with the brutal Communist regimes.
Bridge of Spies does not hide the fact that Donovan (the lawyer, played by Tom Hanks) is really being asked to make a pretence of a fair trial not really aim for one.
Donovan is verbally/physically attacked by his fellow Americans for defending Rudolf Abel (the Russian spy, played by Mark Rylance). The federal judge assigned to the case, Mortimer Beyers, shows he has already reached his verdict before the trial even begins and bulldozes through objections from Donovan. Donovan’s boss is less than sympathetic. Even his wife is far from supportive. Maybe this isn’t surprising as Donovan’s family pay a heavy price for him to defend the rights of a suspected spy. Most Americans seem to think that Donovan is a traitor for defending Abel and want his client executed. Donovan has other ideas. He believes it to be his constitutional duty to defend a man who may be guilty of spying and attempting to undermine the American state and its constitution. Donovan works for due process and a fair trial. He opposes the death penalty for his client and manages to secure imprisonment instead. Donovan is played by Hanks as the American Conscience. It’s a solid performance and the interplay between Hanks and Rylance is superb. Abel refers to Donovan as “the standing man” who continually keeps getting up after being knocked down.
The film portrays Rudolf as a decent, humane person only doing to the US what the US were doing to Russia. The performance from Rylance is one of the things that makes this film so fascinating. He plays Rudolf as an enigma, mild mannered, polite, softly spoken with a musical quality to his voice, yet someone who believes in his cause and will not sell it out. Critics have rightly praised this performance. Robbie Collin writing in the The Telegraph highlights: “A scene in which Abel quietly outwits an entire FBI raiding party in just his vest and underpants contains acting so understated, it’s virtually subliminal”.
The underlying question Spielberg is putting is that if we compromise our basic values to beat an enemy, haven’t they already won? It’s a question that we need to keep asking today. Then our enemies were the Communists, today they are the Salafist extremists of IS. Bridge of Spies, though set in the past, feels very relevant today.
Reviewed by Pat Harrington
Director
Steven Spielberg
Writers
Matt CharmanEthan CoenJoel Coen
Stars
Tom Hanks,, Mark Rylance, Alan Alda
Runtime
2 hours 22 minutes
