Sarah Hester Ross has rapidly become synonymous with sharp wit and musical brilliance. She has a fearless approach to tackling both the light-hearted and the deeply significant. Her show, “Sarah Hester Ross Is What?” is an experience that blends comedy, music, and thought-provoking commentary into an unforgettable package.
Her comedic repertoire has a unique element. She has the ability to craft songs that are as funny as they are insightful. Her “Florida Man” series, for instance, hilariously lampoons the outrageous headlines that have become synonymous with her home state. Each song in the series weaves absurdity with catchy melodies. This makes the ridiculousness of the real-life news stories all the more entertaining. These songs have not only become fan favourites. They have also demonstrated Sarah’s unique gift for turning everyday absurdities into comedic gold.
Another standout piece in Sarah’s catalogue is her song inspired by the trolling she has faced online. She cleverly transforms the negativity into a laugh-out-loud musical number using actual messages and comments. This transformation highlights her resilience and sharp sense of humour. It’s a testament to her ability to find the funny side in even the most unpleasant situations. She turns what is a source of frustration into a powerful and entertaining response.
But Sarah Hester Ross is not just about laughs. Beneath the humor lies a passionate advocate for women’s rights and a staunch feminist. Her opinions on issues like Roe v. Wade are both strong and unapologetic. Roe v. Wade, the landmark 1973 U.S. Supreme Court decision, established a woman’s legal right to an abortion. This is a critical issue in the ongoing debate about women’s autonomy over their bodies. Sarah’s outspoken support for a woman’s right to choose is clear. It reflects her commitment to using her platform not just for entertainment. She also uses it for advocacy.
Sarah also brings this boldness into her everyday language, where she views swearing as a liberating and honest expression. It’s this authenticity, joined with her sharp comedic edge, that makes her stand out in the world of musical comedy. Her performances are not just about making people laugh. They are about making people think. They even make people feel a little bit freer to express themselves.
Her songs, like “Vibrators Are a Girl’s Best Friend,” take on topics often considered taboo. They show these topics with a refreshing honesty and humor that resonates with audiences. She doesn’t shy away from the personal or the provocative. Instead, she embraces these subjects with a comedic touch. Her approach both entertains and empowers.
In Las Vegas, Sarah has become a well-known figure. She is particularly famous for her duelling piano performances. In these performances, she combines her musical prowess with her sharp comedic timing. These shows are not just concerts. They are interactive experiences. The audience is just as much a part of the performance as Sarah herself. It’s this ability to engage and connect with her audience that makes her shows must-see events.
Sarah Hester Ross is a force to be reckoned with in the world of comedy and music. Her shows are a brilliant mix of humor, melody, and meaningful commentary. She is not just a comedian but a voice for those who find solace and strength in laughter. For anyone looking to experience a performance that will leave them both laughing and thinking, “Sarah Hester Ross Is What?” at the Edinburgh Fringe is an absolute must-see.
For more details on her upcoming shows and music releases, visit her official website. To get a taste of her unique brand of comedy, follow her on social media platforms like TikTok and Instagram. She continues to captivate millions with her relatable, hilarious, and thought-provoking content.
Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is from Tim Bragg. Highlights this week include:
Woodstock: Three Days That Defined A Generation This documentary offers a nostalgic exploration of the iconic 1969 Woodstock Music Festival, highlighting its cultural significance as a symbol of the 1960s counterculture movement through vivid archival footage and personal accounts.
Boyz N The Hood John Singleton’s “Boyz N The Hood” presents a powerful depiction of life in South Central Los Angeles, tackling issues of systemic racism, violence, and the struggles of young men striving to escape their circumstances.
The Day of the Jackal This tense political thriller follows a meticulous assassin’s attempt to kill French President Charles de Gaulle, offering a gripping look at the complexities of political violence and high-stakes conspiracies.
Saturday 10th of August 2024
Elizabeth Taylor: The Lost Tapes 9pm Sky Documentaries
“Elizabeth Taylor: The Lost Tapes” offers a rare glimpse into the life of one of Hollywood’s most enduring icons. The documentary, elegantly constructed by Nanette Burstein, is a rich tapestry of Taylor’s own words, complemented by a treasure trove of archival footage. It paints a vivid portrait of her tumultuous life and career, capturing the essence of an era when the studio system waned and the media’s glare intensified. While it may not reveal many new insights for those familiar with Taylor’s public persona, it remains a compelling watch, providing an intimate look at the star’s playful yet guarded nature.
Taxi Driver (1976) 11.35pm GREAT!movies
Martin Scorsese’s “Taxi Driver” is a searing exploration of urban alienation and moral decay in post-Vietnam War America. The film follows Travis Bickle, a mentally unstable Vietnam War veteran, who becomes a taxi driver in New York City. As he navigates the city’s seedy underbelly, Travis’s sense of isolation deepens, reflecting the disillusionment and disenfranchisement felt by many veterans returning to a society that seems indifferent to their sacrifices.
One of the film’s primary social themes is the fragmentation of urban life and the resulting psychological impact on individuals. Travis’s interactions with other characters, particularly the young prostitute Iris, underscore the sense of abandonment and neglect pervasive in the city. The film portrays New York as a place where the vulnerable are exploited and the mentally ill are left to fend for themselves, highlighting the failures of social institutions.
Politically, “Taxi Driver” delves into the themes of vigilantism and the individual’s response to societal corruption. Travis’s decision to take justice into his own hands reflects a broader critique of the political system’s inability to address crime and moral decay. His actions can be seen as a desperate, albeit misguided, attempt to restore order in a world he perceives as chaotic and immoral.
The film’s climactic scenes raise questions about heroism and the fine line between sanity and madness. Travis is both condemned and celebrated, illustrating society’s complex relationship with violence and the notion of the “lone avenger.” “Taxi Driver” ultimately leaves viewers pondering the ethical implications of taking justice into one’s own hands and the societal conditions that drive individuals to such extremes.
Love & Mercy (2014) 12.30am BBC2
“Love & Mercy,” directed by Bill Pohlad, is a biographical film that offers a poignant look at the life of Brian Wilson, the creative force behind The Beach Boys. The film oscillates between two periods in Wilson’s life: his struggles with mental illness and creative genius in the 1960s, and his abusive relationship with therapist Eugene Landy in the 1980s. Through this dual narrative, “Love & Mercy” explores themes of mental health, artistic innovation, and the exploitative nature of the music industry.
The film sheds light on the stigmatization of mental illness and the often harsh treatments imposed on those who suffer from it. Brian’s experiences with auditory hallucinations and panic attacks are depicted with sensitivity, emphasizing the need for compassionate and effective mental health care. The contrast between the 1960s and 1980s timelines highlights the evolution of mental health treatment, while also critiquing the manipulative control exerted by Landy.
“Love & Mercy” addresses the pressures faced by artists in the music industry. Brian’s struggle to balance commercial success with artistic integrity mirrors the broader conflict between creativity and profitability. The film underscores the sacrifices and personal costs associated with artistic innovation, as Brian’s ground-breaking work on albums like “Pet Sounds” takes a toll on his mental well-being.
The film critiques the lack of regulatory oversight in the mental health field, as exemplified by Landy’s unethical practices. Landy’s control over Brian’s life and finances points to the potential for abuse within therapeutic relationships and the need for stricter professional standards and accountability. “Love & Mercy” ultimately champions the importance of support and understanding for those battling mental health issues and the need for systemic reforms to protect vulnerable individuals.
Riders Of Justice (2020) 1.10am C4
“Riders Of Justice,” directed by Anders Thomas Jensen, is a Danish dark comedy-drama that blends revenge thriller elements with profound explorations of grief, randomness, and the human need for meaning. The story follows Markus, a soldier who returns home after his wife dies in a train accident, only to team up with a group of eccentric data analysts who believe the crash was a planned assassination by a criminal gang.
The film delves into the social themes of grief and trauma, portraying how individuals cope with loss in different ways. Markus’s stoic and violent response contrasts sharply with the quirky analysts, whose obsession with finding patterns and explanations reflects a broader human desire to make sense of tragedy. This dynamic highlights the varied ways people seek to process and move forward after experiencing deep personal loss.
Politically, “Riders Of Justice” critiques the over-reliance on data and technology to explain complex human experiences. The analysts’ insistence on finding a mathematical explanation for the train crash serves as a metaphor for society’s tendency to seek rationality in chaos. The film questions whether such reliance can truly address the underlying emotional and psychological impacts of trauma or if it merely serves as a distraction from dealing with the rawness of human pain.
Thematically, the film explores the concept of justice and revenge, examining the moral implications of taking the law into one’s own hands. Markus’s quest for vengeance raises questions about the cycle of violence and the possibility of redemption. Through its dark humor and poignant moments, “Riders Of Justice” challenges viewers to consider the limits of rationality and the importance of human connection and empathy in the face of suffering.
Sunday 11th of August 2024
The Cruel Sea (1953) 11.20am BBC2
“The Cruel Sea,” directed by Charles Frend, is a British war film that portrays the harsh realities of naval warfare during World War II. Based on the novel by Nicholas Monsarrat, the film follows the crew of the corvette HMS Compass Rose as they battle enemy submarines in the Atlantic. The narrative focuses on the camaraderie and resilience of the sailors, as well as the moral and ethical dilemmas they face in wartime.
The film highlights the theme of duty and sacrifice, showcasing the personal costs of war on individuals and their families. The crew’s unwavering commitment to their mission, despite the constant threat of death and the loss of comrades, underscores the profound sense of duty that drives soldiers in combat. This theme resonates with the collective memory of World War II, emphasizing the shared sacrifices made by those who served.
Politically, “The Cruel Sea” reflects the broader context of the war effort and the importance of unity and perseverance. The film portrays the Allies’ strategic efforts to secure vital supply routes across the Atlantic, highlighting the interconnectedness of the war front and the home front. The sailors’ struggles and victories are depicted as part of a larger collective endeavour, reinforcing the notion of national solidarity in the face of adversity.
The film also explores the psychological impact of warfare, particularly the moral challenges faced by the crew. Decisions that involve life and death, such as whether to rescue survivors or pursue enemy submarines, illustrate the ethical complexities inherent in combat. These moments serve as a reminder of the human cost of war and the difficult choices that soldiers must make in the line of duty.
Ultimately, “The Cruel Sea” is a powerful testament to the endurance and bravery of those who served in naval warfare. Through its realistic portrayal of life at sea and the emotional toll of combat, the film honours the legacy of the sailors who fought to protect their nations and underscores the enduring themes of sacrifice, duty, and resilience in times of conflict.
Beautiful Thing (1996) 11.10pm Film4
“Beautiful Thing,” directed by Hettie Macdonald, is a poignant British drama that explores themes of love, identity, and social acceptance within the working-class community of East London. The film follows the relationship between two teenage boys, Jamie and Ste, who navigate their feelings for each other against the backdrop of a troubled and often intolerant neighbourhood. The film’s portrayal of their romance is both tender and realistic, reflecting broader social issues related to LGBTQ+ acceptance and the challenges faced by young people coming to terms with their sexuality.
Socially, “Beautiful Thing” addresses the struggles of marginalized communities in the 1990s. The film highlights the harsh realities of living in a working-class environment where traditional values and prejudices often overshadow the need for understanding and compassion. Jamie and Ste’s love story unfolds in a context where homophobia and societal expectations pose significant obstacles, making their eventual acceptance and happiness a powerful statement about the possibility of change and progress.
Politically, the film critiques the lack of support and visibility for LGBTQ+ individuals during the time period. The characters’ experiences reflect a broader systemic failure to address the needs and rights of queer youth. By focusing on the personal impact of these political and social shortcomings, “Beautiful Thing” calls attention to the importance of inclusivity and the need for supportive environments that allow young people to express their true selves without fear of discrimination or violence.
The film also emphasizes the role of community and family in shaping one’s identity and experiences. The supportive, albeit imperfect, relationship between Jamie’s mother and Ste’s family provides a counterpoint to the more hostile elements of their environment. Through its intimate portrayal of personal and communal struggles, “Beautiful Thing” offers a hopeful vision of acceptance and love, suggesting that even in the face of adversity, human connections can foster resilience and transformation.
The Elephant Man (1980) 11.30pm BBC2
David Lynch’s “The Elephant Man” is a historical drama that tells the harrowing true story of John Merrick, a man with severe physical deformities who was exhibited as a sideshow curiosity in 19th-century London. The film, while centered on Merrick’s personal suffering and dignity, also provides a critique of societal attitudes towards physical difference and disability. Lynch’s direction and the film’s stark black-and-white cinematography underscore the stark contrast between Merrick’s humanity and the often inhumane treatment he receives.
Socially, “The Elephant Man” explores themes of exploitation and dehumanization. Merrick’s initial presentation as a “freak” in a sideshow reflects the era’s tendency to commodify and marginalize those who were considered different. The film critiques this exploitation by presenting Merrick as a complex individual with a rich inner life, challenging viewers to reconsider their perceptions of normalcy and worth.
The film engages with issues of class and social justice. Merrick’s transition from a sideshow attraction to a respected member of society highlights the social barriers faced by individuals with disabilities. The film suggests that societal changes and attitudes, rather than inherent worth, determine the treatment and opportunities afforded to people like Merrick. Through its portrayal of Merrick’s interactions with the medical community and upper-class society, “The Elephant Man” critiques the systemic inequalities that perpetuate discrimination.
Lynch’s portrayal of Merrick’s plight and dignity invites viewers to reflect on their own biases and the ethical implications of societal treatment of those who are marginalized. The film’s emotional depth and moral questions make it a powerful commentary on the nature of humanity and the need for compassion and understanding towards all individuals, regardless of their physical appearance or social status.
Monday 12th of August 2024
Sense And Sensibility: The Allure Of Art Nouveau 10.30pm BBC4
“Sense and Sensibility: The Allure of Art Nouveau” is a captivating exploration of the Art Nouveau movement, showcasing its profound impact on the aesthetics of the late 19th century. The BBC4 program delves into the intricate designs and revolutionary ideas that defined this era, bringing to life the vibrant streets of Paris and the innovative minds that transformed art and society. With insightful commentary and stunning visuals, the series is a must-watch for art enthusiasts and history buffs alike, offering a fresh perspective on the enduring legacy of Art Nouveau.
The Sense of An Ending (2017) 11.05pm BBC2
“The Sense of an Ending,” directed by Ritesh Batra, is an adaptation of Julian Barnes’ novel that delves into themes of memory, regret, and the consequences of past actions. The film follows Tony Webster, a retired man who is confronted with a series of revelations about his youth after receiving a mysterious letter. As he uncovers truths about his past relationships and decisions, the film explores how our recollections shape our understanding of ourselves and the impact of unresolved issues on our present lives.
The film addresses the theme of memory and its fallibility. Tony’s journey reveals the complexities and sometimes distortions inherent in personal recollection. The film suggests that memory is not always a reliable guide to truth and that our understanding of past events can be colored by our emotions and experiences. This theme resonates with the broader social concern of how individuals and societies come to terms with their histories and the ways in which past actions can haunt the present.
“The Sense of an Ending” touches on issues of privilege and class. Tony’s privileged background and his interactions with other characters reflect the societal dynamics of the time. The film critiques the ways in which social status can affect personal relationships and opportunities, highlighting the disparities that influence individuals’ choices and their consequences.
The film’s exploration of personal and collective memory invites viewers to reflect on their own lives and relationships. By revealing the consequences of past actions and the difficulty of reconciling with one’s own history, “The Sense of an Ending” encourages a deeper understanding of the ways in which our past shapes our present and the importance of facing unresolved issues to find closure and peace.
Tuesday 13th of August 2024
The Day Of The Jackal (1973) 9pm GREAT!movies
“Day of the Jackal,” directed by Fred Zinnemann, is a tense political thriller based on the novel by Frederick Forsyth. The film centres on an assassination attempt against French President Charles de Gaulle by a mysterious and meticulous assassin known as the Jackal. The narrative follows the intricate planning and cat-and-mouse chase between the assassin and French law enforcement, providing a detailed examination of political intrigue and the mechanics of high-stakes conspiracies.
Politically, the film explores themes of terrorism and political violence. The Jackal’s elaborate plan to assassinate de Gaulle reflects the era’s heightened political tensions and the lengths to which radical groups would go to achieve their aims. The film presents a nuanced view of political extremism, showing the complex motivations behind acts of terrorism and the meticulous planning required to execute such schemes.
“The Day of the Jackal” delves into the impact of political violence on society. The film portrays the pervasive atmosphere of fear and paranoia that accompanies a high-profile assassination plot. The tension and urgency of the investigation reflect the broader social concern about the safety of public figures and the potential for political violence to disrupt everyday life.
The film also highlights the theme of the individual’s role in political conflicts. The Jackal is depicted as a lone operator whose personal convictions drive him to undertake the assassination. This portrayal raises questions about the nature of political commitment and the sacrifices individuals are willing to make for their causes. By focusing on the personal and professional aspects of the characters involved, “The Day of the Jackal” provides a gripping and thought-provoking look at the interplay between politics, violence, and individual agency.
Secrets Of The Hells Angels 10pm Sky History
“Secrets of the Hells Angels,” airing on Sky History, offers an unprecedented glimpse into the notorious biker club known for its secretive nature. The series, with its in-depth interviews and rare archival footage, reveals a more complex and organized group than previously understood. It’s a compelling watch, not just for the exclusive content, but for the way it uncovers the intricate layers of brotherhood and the high stakes of living on the edge. This show promises to be an eye-opener for viewers, shedding light on the club’s most guarded secrets and the true cost of being an Angel.
Wednesday 14th of August 2024
Boyz N The Hood (1991) 9pm GREAT!Movies
“Boyz N The Hood” directed by John Singleton, is a seminal drama that offers a stark portrayal of life in South Central Los Angeles. The film follows the lives of three friends—Tre, Doughboy, and Ricky—as they navigate the challenges of growing up in a neighborhood plagued by violence, poverty, and systemic inequality. Through their stories, the film examines the social and political issues that impact their lives and their community.
“Boyz N The Hood” addresses the pervasive effects of systemic racism and economic disparity. The film provides an unflinching look at how poverty and lack of opportunity contribute to cycles of violence and crime. Tre’s experiences with his father and his attempts to escape the environment reflect a broader struggle for upward mobility and personal success in the face of overwhelming obstacles.
The film critiques the systemic neglect and disinvestment in marginalized communities. The portrayal of gang violence and police interactions highlights the failure of societal institutions to address the root causes of crime and provide meaningful support for those in need. Singleton’s narrative underscores the importance of policy reforms and community investment in addressing the systemic issues that perpetuate inequality and violence.
“Boyz N The Hood” also explores themes of friendship and personal responsibility. The contrasting paths of Tre, Doughboy, and Ricky illustrate the various ways individuals respond to their environment and the impact of personal choices on their futures. The film ultimately advocates for a deeper understanding of the socio-political factors that shape individual lives and the need for collective action to foster positive change in underserved communities.
Bridge Of Spies (2015) 11.20pm BBC1
“Bridge of Spies” directed by Steven Spielberg, is a historical drama based on true events during the Cold War. The film follows insurance lawyer James B. Donovan as he negotiates a high-stakes prisoner exchange between the United States and the Soviet Union, involving the exchange of captured American U-2 pilot Francis Gary Powers for Soviet spy Rudolf Abel. The film delves into themes of justice, diplomacy, and the moral complexities of the Cold War era.
The film examines the intricacies of Cold War diplomacy and the tense negotiations between superpowers. Donovan’s role as a negotiator highlights the importance of legal and ethical considerations in international relations, even during periods of intense political conflict. The film portrays the delicate balance of power and the significance of maintaining human rights and due process in the face of geopolitical tensions.
“Bridge of Spies” explores themes of patriotism and personal integrity. Donovan’s commitment to upholding the principles of justice and fairness, despite public criticism and personal risk, reflects the broader societal values of the time. The film critiques the tendency to prioritize national security over individual rights and the challenges faced by those who stand up for ethical principles in the face of widespread fear and suspicion.
The film also highlights the role of legal professionals in shaping historical events. Donovan’s dedication to defending Abel and negotiating the exchange underscores the critical role that lawyers and legal systems play in navigating complex political issues and ensuring that justice prevails. “Bridge of Spies” ultimately celebrates the courage and resolve of individuals who uphold moral and legal standards during times of crisis, emphasizing the enduring importance of these values in international diplomacy.
Thursday 15th August 2024
The Guard (2011) 2.20am C4
“The Guard” directed by John Michael McDonagh, is a dark comedy-thriller set in rural Ireland. The film follows Sergeant Gerry Boyle, a small-town cop with a unique and unconventional approach to law enforcement, as he becomes involved in an international drug-smuggling ring. The film blends humor with a critique of law enforcement and societal issues, offering a sharp commentary on the nature of justice and corruption.
“The Guard” examines the theme of isolation and the impact of rural life on individuals’ perspectives and behavior. Boyle’s unconventional methods and irreverent attitude reflect the challenges of policing in a small, close-knit community where traditional norms and expectations are often at odds with the realities of crime and corruption. The film portrays the tension between local and international issues, highlighting the complexities faced by those working at the intersection of these worlds.
The film critiques the corruption and ethical compromises present within law enforcement and criminal justice systems. Boyle’s interactions with drug dealers and his methods of handling crime reflect a broader commentary on the moral ambiguities faced by individuals in positions of authority. The film questions the efficacy of conventional approaches to law enforcement and highlights the often murky lines between right and wrong.
“The Guard” also explores themes of personal redemption and integrity. Boyle’s unorthodox methods and complex character arc reveal a deeper sense of morality and personal responsibility beneath his gruff exterior. Through its blend of humor and crime drama, the film invites viewers to consider the challenges of maintaining one’s principles and sense of justice in a world rife with corruption and moral ambiguity.
Friday 16th of August 2024
Woodstock: Three Days That Defined A Generation (2019) 9.50 BBC4
The documentary “Woodstock: Three Days That Defined A Generation” is a nostalgic trip back to the summer of ’69, a pivotal moment in cultural history. Directed by Barak Goodman, this film aired on BBC4, capturing the essence of the Woodstock Music Festival, an event that has become synonymous with the counterculture movement of the 1960s.
Goodman’s documentary is not just about the music, although that is certainly a significant aspect. It’s about the people, the atmosphere, and the zeitgeist of the era. The film takes viewers on a journey through the eyes of those who were there, offering a mosaic of experiences that encapsulate the spirit of Woodstock. From the rain-soaked revelers to the impromptu community that emerged, the documentary showcases the festival as a microcosm of the societal shifts happening in America at the time.
The film is beautifully crafted, with a mix of archival footage and interviews that bring to life the stories of the attendees, organizers, and performers. It’s a reminder of a time when music was a unifying force, capable of bringing together half a million people in the pursuit of peace and love.
One of the most compelling aspects of the documentary is its ability to transport the viewer to the muddy fields of Yasgur’s farm, making one feel as if they are part of the crowd, experiencing the music, the chaos, and the community. The film does an excellent job of highlighting how Woodstock was more than just a music festival; it was a defining moment of a generation grappling with war, civil rights, and a rapidly changing society.
For those who lived through the era, “Woodstock: Three Days That Defined A Generation” is a poignant reminder of their youth and ideals. For others, it’s an educational and entertaining look at a significant historical event that continues to resonate today.
In conclusion, this documentary is a must-watch for anyone interested in music history, social movements, or the 1960s as a whole. It’s a well-executed piece that respects its subject matter and provides a comprehensive look at what made Woodstock an event that defined a generation.
Moon (2009) 11.05pm BBC2
“Moon” directed by Duncan Jones, is a science fiction drama that explores themes of identity, isolation, and the ethics of human cloning. The film follows Sam Bell, an astronaut nearing the end of his three-year stint on a lunar base, who begins to question his sanity as he experiences mysterious occurrences and discovers unsettling truths about his mission. The film’s exploration of these themes raises important questions about human rights and the nature of self.
Socially, “Moon” addresses the theme of isolation and its psychological effects. Sam’s solitary existence on the moon, coupled with the lack of human contact, highlights the profound impact of extended isolation on mental health. The film delves into the emotional and existential struggles faced by individuals in isolated environments, emphasizing the human need for connection and understanding.
Politically, the film critiques the ethics of corporate practices and the exploitation of workers. The revelations about Sam’s true identity and the nature of his work reflect broader concerns about the treatment of individuals by powerful corporations. The film raises questions about the morality of using human clones as expendable resources and the implications of such practices for individual rights and autonomy.
“Moon” also explores the concept of self and personal identity. Sam’s journey to understand his own existence and the nature of his clone’s role challenges viewers to think about what it means to be truly human. The film’s exploration of these themes underscores the importance of self-awareness and ethical consideration in the face of technological advancements and corporate interests. Through its thoughtful narrative and emotional depth, “Moon” invites reflection on the intersection of humanity, technology, and ethics.
and finally, Counter Culture’s Edinburgh Fringe Festival Chronicles
The Edinburgh Fringe Festival is an event that brims with creativity and showcases a plethora of talents from around the globe. Counter Culture has been right in the thick of it, attending and reviewing an eclectic mix of shows. For those who’ve been following our journey, make sure to keep an eye on our website for the latest reviews. Here’s a quick recap of what we’ve experienced this week:
“Armed Robbery and Suicidal Intent” – A poignant play that delves into the complexities of human vulnerability and the unexpected connections that can arise from the darkest moments.
“007: Voices of Bond” – A nostalgic and thrilling musical ride through the iconic soundtracks of the James Bond franchise, leaving audiences both shaken and stirred.
“Two Mums” – A contemporary comedy that navigates the challenges and triumphs of unconventional parenting with wit and heart.
“Man of War: The Secret Life of Nadezhda Durova” – a show about a curiousity of history and challenging ascribed gender roles. And today, we’re adding two more reviews to our roster:
“(Dis)Honest” – A thought-provoking piece that questions the essence of truth through the lens of a master deceiver’s life.
“Sara Hester Ross Is What?” – A comedic tour-de-force that combines music, humor, and a touch of the absurd to create a truly unforgettable Fringe experience.
We also interviewed Reine Beau, the lead singer and narrator of The Blondie Story.
Stay tuned for our detailed reviews, and don’t forget to check back regularly for more Fringe highlights from Counter Culture!
“Armed Robbery and Suicidal Intent” by Hosanna Starkey offers a unique blend of dark humour and thought-provoking themes, set against the backdrop of an unlikely meet between two very different women. The premise is intriguing: Agnes, an upper-middle-class woman meticulously planning her own death, is suddenly interrupted by Manni, a teenage burglar with her own desperate motives. This unexpected intrusion leads to a tense, yet often humorous, standoff that keeps the audience engaged throughout its 50-minute runtime.
The play’s exploration of class differences is one of its strongest points, subtly weaving in the contrasting desires and lifestyles of the characters. The dark humor adds a sharp edge, making the moments of tension both uncomfortable and amusing. The underlying class themes were intriguing, though I felt they could have been drawn out more fully in the script. There’s a lot of potential to delve deeper into these contrasts, which would have added even more depth to the narrative.
The acting, but was superb. The cast brought these complex characters to life with performances that were both compelling and nuanced. Agnes and Manni’s interactions felt authentic, with the actors skillfully balancing the play’s dark comedy with its more serious undertones.
While the general premise is strong, I believe the script could benefit from further refinement. There were moments where the dialogue felt a bit underdeveloped, and some scenes that could have been more impactful with tighter writing. Despite this, the play’s ability to keep the audience entertained and invested in the characters’ fates is a testament to its strengths.
Overall, “Armed Robbery and Suicidal Intent” is a compelling and entertaining production that offers a fresh take on themes of life, death, and the divides between social classes. With a bit more work on the script, it has the potential to be even more powerful. For now, it remains a darkly humorous and engaging piece of theatre well worth seeing.
The Edinburgh Festival Fringe 2024 has been energized by the hit show “007 Voices of Bond,” a performance that has drawn in both Bond enthusiasts and music lovers. Bond title songs have become iconic over the years due to their unique blend of dramatic orchestration, memorable melodies, and the way they encapsulate the essence of each film. These songs, often performed by some of the world’s most renowned artists, have not only enhanced the cinematic experience but have also become timeless hits in their own right, crossing generations and appealing to a wide audience.
At the heart of “007 Voices of Bond” is Ella McCready, whose powerful vocals breathed new life into these legendary tracks, balancing nostalgia with a modern twist. Her performance was both memorable and impactful, making the songs feel as fresh as ever.
Sharing the stage was Alex Beharrell, whose interpretations of classic Bond themes brought an authentic feel to the show, instantly transporting the audience into the sleek, high-stakes world of 007.
One of the afternoon’s highlights for me was a high-energy rendition of “Live and Let Die.” – a personal favourite partly because of the very clever and somewhat cynical lyrics The band’s intense and passionate performance created an electrifying atmosphere, showcasing their exceptional talent and dedication to the music.
McCready also charmed the audience with her engaging personality, especially during a spontaneous exchange involving a latecomer offering her a beer. This light-hearted moment added a personal touch to the show, endearing her even more to the crowd.
“007 Voices of Bond” was more than just a tribute; it was an immersive celebration of James Bond’s enduring legacy, brought to life through music. The show paid fitting homage to Bond’s timeless appeal, driven by the extraordinary talents of Ella McCready, Alex Beharrell, and the Night Owl band.
This 50-minute journey through the Bond series’ most iconic tracks, spanning from the classic era of Sean Connery and John Barry to the latest hits by Adele and Billie Eilish, is a must-see. With stellar vocals, captivating storytelling, and intriguing trivia throughout, “007 Voices of Bond” offers an experience that will leave both Bond fans and music lovers thoroughly enchanted. Hosted at theSpace @ Symposium Hall – Amphitheatre, this show is a true highlight of the Fringe.
Reine Beau is the lead singer and narrator of The Blondie Story. Counter Culture reviewed the show a few years back and we thought we’d catch up with her and ask her a few questions over a cup of mint tea...
So how did you first become interested in Blondie? And what drew you to their music?
Reine Beau gives a passionate performance in The Blondie Story at the Edinburgh Fringe
Answer: I’ve liked Blondie since I was a kid. I remember listening to them because my dad, a big music fan, would play Blondie in the house. But it wasn’t until my production manager suggested doing a Blondie show that it really clicked. Initially, he wanted me to do Dusty Springfield, but I thought, Debbie Harry is one of the coolest women in music. I’d love to portray her. We both read Debbie’s autobiography, and after that, I dove into their back catalogue and fell in love with Blondie all over again.
I’m obviously a lot older than you, and I can remember Blondie from the past. I actually had a badge of Blondie as a group. Nice. Because the band produced them. People were thinking it was just Debbie Harry, Blondie, you know? So. It’s quite funny. She’s been around a while, and I suppose she’s come back to the fore again with Glastonbury and stuff.
Answer: She’s always been a fashion icon and is pretty iconic, especially with the art that came out of Andy Warhol’s era. And Glastonbury a couple of years ago brought her back into the spotlight.
Having seen the show, I know that there are two aspects that make it more than a tribute act. One is that you’re telling the story, and the other is that you’re not trying to imitate Debbie Harry or Blondie. You’re bringing your own interpretations.
Answer: Last year, some people had expectations about me wearing a blonde wig and looking exactly like Blondie. But for me, that’s not honouring the music. I’m not trying to impersonate Debbie Harry because it can’t be done—Debbie Harry is Debbie Harry. I’m a musician in my own right and want to do her justice without trying to be her. Telling the story from my perspective and adding my own flourishes is key. Someone even said to me recently, “You’ve nailed the song and the Debbie Harry dance grooves,” and I thought it was super weird because I haven’t even watched her perform that much. Maybe it’s just the music.
It could be just the music, the rhythm of the music. I don’t really understand people criticizing for not imitating because I think it was Bob Dylan who said, when asked when he was going to write his own songs instead of performing folk songs, that he’d like to think he’d make them his own.
Answer: I thought that was a very thoughtful reply. There’s a whole tradition in music of performing songs—traditional songs and others. Blues, for example, has been done by countless artists, like the Rolling Stones or Elvis. It’s a strange criticism, but there you go.
In terms of the story, what do you think the most inspiring parts of the story are?
Answer: I’ve got this idea of being a musician, and I’ve always had it since I was a kid. You’ll just be playing in a bar one night with your band and you get signed. I’m not saying that’s what happened with Blondie, but they were in this scene at the right time with people like the Ramones and the Sex Pistols. Just the idea of being a musician in that time at CBGB’s, in New York. I guess there’s a bit of jealousy. What a time to be inventing and be the biggest band in new wave.
The band is a big part of your show, and they are very accomplished musicians. How did you come to get together?
Answer: I’ve known our bassist since 2018. He’s been doing night out for that amount of time. Everyone has been recommended by someone else. Gavin, the drummer, is amazing and lives in Glasgow. He then recommended Ross, who has taken to the keys part and loves it. He’s so good to have on stage. Dan is our production manager, so he’s the businessman.
In terms of your own approach, your own music, what would you say the biggest musical influences were?
Answer: Probably when I was younger, Nina Simone and Etta James, they were my two powerhouses. As I got a bit older, The Runaways became an influence. It’s a bit of a mishmash. It’s like women that I think are really cool. I also like writing poetry and lyrics, and my mind always goes to the lyrics in a song. That’s where my brain goes first. Anything with heartfelt lyrics is great.
In terms of audience reaction, how would you describe the kind of audiences you’re getting and the kind of reactions you’re receiving?
Answer: Big Blondie fans, you can tell. Sometimes as soon as you walk in, you can see there are people who are going to know every single lyric. It’s a tricky one. I love theatre, and because of the storytelling format, the audience is seated. But I had a gig on Saturday, and everyone was so up for it. I think from the second song, people were up dancing. It was great. It’s difficult because it’s like, is it a gig? Is it a show? I just want people to have fun.
People certainly seemed to enjoy themselves. When I was there, I took my daughter, and she was up dancing away. She enjoyed it. I guess younger people are more familiar with groups like Blondie because of YouTube.
Answer: They follow the songs in different ways; one song suggests another song. It’s amazing now how much musical knowledge younger people have with things like YouTube and Spotify. You put a song on, and then just because of the shuffle or what’s in that genre, you end up listening to something you hadn’t heard before.
I think the musical knowledge now is much wider. Blondie is one of those bands that I’ve had quite a few friends say, “Oh, I’m gonna come see the Amy Winehouse one.” Then we go, no, Blondie. And then I’m like, well, no, you know, “One way or another,” and they’re sitting there like, “Oh, hanging on the telephone.” “Heart of Glass.” It’s like, maybe you just don’t know it’s Blondie.
What would you say your favourite Blondie song is, or which have you most enjoyed performing so far?
Answer: I love doing “Moonlight Drive,” which we’ve added this year. “Picture This” we did last year. I love that tune. I’ve got to say “Rapture” as well. I love “Rapture.” I love the video for “Rapture” as well. It’s so ahead of its time with the dance. The first time really that the mainstream did rap. She’s the first woman to do it. Pretty cool. There’s also “I Love You Honey, Give Me a Beer,” which I really tried to get in the set, but it’s just not known enough. It’s got that Adam Ant drumbeat behind it. It’s such a great tune.
Looking ahead, what future plans do you have for The Blondie Story, and are there any new elements or songs you want to introduce?
Answer: I’d love to do theatre shows with Blondie, because it’s like an hour and a half with a break in between. There are so many songs we could be doing, and we could definitely go further into them touring with Iggy Pop and David Bowie, and set the scene a little bit more. I feel like 50 minutes is quite hard to get everything in. It’d be nice to expand on it, for sure.
Cool. Oh, thanks very much for the interview. I wish you the best of luck for the rest of the festival.
Liman Productions brings award-winning playwright Shaun Prendergast’s show Two Mums to this year’s Fringe which will explore the themes of single parenthood, surrogacy and co-parenting, offering a poignant, yet comic and timely perspective on these significant topics.
With actors Maria Liman and Louise Amos, the show is taking place at Greenside @ George Street. Two Mums will be performed till August 10, 9pm. The 50-minute show follows two women, Lucinda and Natasha, as they embark on a journey fraught with the perils of unconventional routes to parenthood. After years of unsuccessful attempts to get pregnant, Lucinda is at the end of her tether. A chance encounter with cash-strapped Natasha presents a possible solution. But what begins as a simple business arrangement becomes more difficult as the two women negotiate dodgy donors, dark secrets, and depths of feeling neither were expecting. Frank, poignant, fast paced and funny, Two Mums is a contemporary comedy about fear, friendship and finding a way through.
The show has been inspired by Louise’s lived experiences of baby loss, IUI and embryo transfer. After tragically suffering a late miscarriage and her relationship breaking down, she still wanted to be a parent so decided to go it alone. Due to the multiple hurdles and high cost associated with treatment in the UK, she found a clinic in Denmark for IUI and when that failed tried embryo transfer in Cyprus. The show sees the characters follow Louise’s journey across Europe in quest for a baby.
Actor Maria Liman explains, “I met Louise when she was a tutor and directed my solo show at East 15 where I had come from abroad to study. We got talking about my idea for a play about two women who have a baby together but are not in a relationship. Louise shared her experiences and through improvisation and working with the brilliant writer, Shaun Prendergast, Two Mums evolved. I graduated at the end of June and started my own production company on the first of July! When I decide to do something I generally do it! I am thrilled to be bringing a show to Edinburgh for the first time.
“Both a comedy and tragedy, Two Mums doesn’t shy away from pain but takes a humorous journey through the scenarios faced by those struggling to get – and stay – pregnant. The show is a tragi-comic romp for anyone who loves theatre. And we hope to give voice to those who have lived through similar experiences. And for those who feel it as a lonely journey a place to know they’re not alone…..and did I mention – it’s very funny?!”
In the vast, frozen expanse of Russia, a land defined by its honour and grandeur, unfolds one of the most compelling tales of bravery and self-discovery ever told on stage. “Man of War: The Secret Life of Nadezhda Durova” transports the audience to the early 19th century, a period shadowed by the looming threat of Napoleon’s invasion. At the heart of this historical drama is a soldier named Alexander, who harbours a remarkable secret: he was not always a man.
Inspired by the memoirs of “The Cavalry Maiden,” this production vividly brings to life the true story of Nadezhda Durova, one of Russia’s most enduring military icons. The narrative journey is one of transformation and identity, tracing Durova’s path from the confines of 19th-century high society to the brutal front lines of battle, facing the formidable forces of Napoleon Bonaparte.
What sets this play apart is its ability to resonate deeply with anyone who has ever questioned their identity or struggled to find a place where they truly belong. Durova’s story is a testament to the power of self-determination, defying societal expectations to carve out a legacy both on the battlefield and in literature. The play is a must-see for lovers of historical drama, action, and adventure, offering a personal and human account of war’s experiences.
Ensemble Cast and Minimalist Props
“Man of War” is a triumph of ensemble performance, featuring Adam Donaldson, Reilly St. Claire, James Forrest, and Julia Bainbridge, who together bring the central character to life. This collaborative approach creates a multifaceted portrayal of Durova, emphasizing the complexity and richness of her character.
The actors’ mastery of minimal props is particularly noteworthy. With just a few chairs, they craft dynamic and convincing battle scenes, demonstrating the chaos and intensity of war. These sparse elements are used to great effect, transforming the stage and immersing the audience in the visceral reality of combat. This inventive use of minimalism allows the focus to stay on the performers’ skill and the emotional weight of the story, rather than on elaborate sets or special effects.
Direction and Script
Under the astute direction of Calum Moore, known for his work on “Burns Last Supper” and “Plop! in the Ocean,” and with a compelling script by Rosa Koskinen, “Man of War” excels in both storytelling and theatrical innovation. The production’s success lies in its ability to convey profound themes through a minimalist yet powerful performance style. Moore’s direction ensures that every movement and gesture contributes to the narrative, creating a cohesive and immersive experience.
A Sense of Belonging and Defying Gender Roles
One of the play’s most thought-provoking aspects is its exploration of why someone finds a sense of belonging in the army, despite the gender roles of the time. Durova’s journey highlights the allure of the military as a place where rigid societal norms can be transcended. Her story challenges traditional gender roles, showcasing a woman’s courage and resilience in a male-dominated world. This theme is handled with sensitivity and depth, encouraging the audience to show their own perceptions of identity and belonging.
“Man of War: The Secret Life of Nadezhda Durova” is a powerful and poignant theatrical experience. It not only honours the legacy of a remarkable historical figure but also invites audiences to consider the broader themes of identity, courage, and belonging. The combination of an innovative script, masterful direction, and a talented ensemble cast ensures that this production will leave a lasting impression on all who see it.
