Posts Tagged Arthur Miller

The Crucible Reimagined: Dance Portrayal of Hysteria and Paranoia in Salem

★ ★ ★ ★ ★

185 words, 1 minute read time.

The cast. Picture by David Kerr.

The Crucible is Arthur Miller’s classic play. It deals with themes of hysteria and paranoia in 17th Century Salem, Massachusetts. It has never seen a production like this. Jacob Gutiérrez-Montoya has reimagined the play through the medium of contemporary dance and a blinding soundtrack. There is no spoken dialogue. This fine cast from the Sacramento Contemporary Dance Theatre shows everything. They depict the innocent dance in the woods. They show the tension between the Proctors. The trials, the denunciations, and the executions are depicted through the medium of dance. The feverish choreography increases the tension. The choice of music also raises the stakes. This electrifying portrait documents a small community destroying itself. Gutiérrez-Montoya stands out as the menacing Judge Danforth.

Reviewed by David Kerr

THE MUSIC

  1. Seven Devils – Florence and the Machine
  2. Me and the Devil – Soap and Skin Mimoser – Agnes Obel
  3. Moved – Laces
  4. Hosea – Apparat
  5. Lucid Dreaming – Dominique
  6. Flesh and Bone – Black Math
  7. No Fate Awaits Me – Son Lux
  8. Hellhounds – Karliene
  9. Something Bad – Cynthia Erivo and Shoshanna Bea
  10. Buried (Feat. Katie Herzig) – Unsecret
  11. Empire of Our Own – Raign
  12. Dropped Soul – Murcof
  13. Snowing – Sonya Kitchell

Leave a Comment

The Crucible

THE CRUCIBLE
American High School Theatre Festival

Pilrig Studio Venue 103, 1bPIlrig Street

ARTHUR MILLER’S play The Crucible, set in the time of the infamous Salem Witch Trials of 1692 was intended as an indictment of Senator Joe McCarthy’s blacklisting of persons accused of communist sympathies in 1950sAmerica.

This modern dress production is presented by a talented bunch of High School students from Pius XI High School inWisconsin. Despite their youth, they have total mastery of the script.

Young Alex Sobczak’s manipulative accuser Abigail Williams was so convincing that the audience were scanning the ceiling for the imps and devils she claimed to see. Roc Bauman was every inch the stout God-fearing farmer who knew that the accusations of witchcraft against his wife Elizabeth and scores of others were nonsense; Connor could not make himself heard against the clamour for blood. Instead he came under suspicion too, especially as he could not remember all of the Ten Commandments. According to Reverend Hale, his examiner, ‘Theology is a fortress. No crack in the fortress can be allowed.’

The Crucible still speaks powerfully today as there will always be people who act or look different from the norm for one reason or another.  Such folk can become objects of suspicion, fear and hatred and can be vulnerable to victimisation by unscrupulous manipulators with a score to settle or in pursuit of power and influence.

Reviewed by David Kerr

***** Five stars

Leave a Comment