452 words, 2 minutes read time.
“The Substance” is a film that delves into the complex ways society grapples with the pursuit of youth and beauty. Women, in particular, face these challenges. It’s a cinematic exploration that is intense and challenging. The film is filled with scenes that are likely to unsettle those who are squeamish or uncomfortable with explicit content. The film uses a potent mix of voyeurism, violence, and bloodshed. These elements are amplified by visuals and a soundtrack meticulously crafted to disturb and provoke the audience.
Director Fargeat’s approach to the subject matter is bold and unapologetic. The film could easily be dismissed as superficial. However, such a reading would overlook the nuanced commentary it offers on the superficiality ingrained in our culture. Fargeat’s camera presents the characters of Sue and Elisabeth in a way that flatters them. It also critiques them. The camera acts as a reflective surface, mirroring back the “false perfection” that society both idolizes and abhors.
Sue, in particular, is portrayed through the male gaze. Her curves and sexuality are accentuated so much that it borders on fetishization. This portrayal is intentional, highlighting the objectification prevalent in society. Harvey’s leering appreciation of Sue, especially during her exercise routines, makes others uncomfortable. It emphasizes the creepy undertones of such objectification. It also raises the question of when appreciation and attraction become objectification.
The film also touches on the comedic. This is particularly evident in the character of Oliver, Elisabeth’s neighbor. His awkwardness around Sue provides a lighter perspective on the theme of infatuation. This perspective is still poignant.
One of the film’s most compelling moments occurs when Elisabeth tries to reconnect with someone from her past. She becomes overwhelmed by self-doubt. She struggles with her appearance. The constant rearranging and second-guessing lead to a moment of resignation. This moment is both touching and deeply human. It’s a scene that resonates with anyone who has ever felt the pressure to meet an impossible standard of beauty. It also resonates with those who have suffered from self-doubt.
The costume design by Emmanuelle Youchnovksi deserves special mention. It plays a significant role in defining the characters. It also contributes to the film’s aesthetic. The clothing is not just a backdrop; it’s a statement, contributing to the narrative and the characters’ development.
In conclusion, “The Substance” is a film that confronts viewers with the harsh realities of our society’s obsession with appearance. It’s a thought-provoking piece. It challenges us to consider the lengths to which individuals will go in the quest for youth and beauty. We must also reflect on the consequences that follow. It’s a film that demands attention, not just for its content, but for the conversations it will inevitably inspire.
By Pat Harrington
