Anyone in Belfast who plays in a band, appreciates music or even who buys records regularly will probably have come across Terri Hooley. Terri would admit that he is an unlikely businessman. He certainly can’t claim to be the most successful record shop owner in history, but then again, the Virgin Megastores, Zavvi, Tower Records and Our Price have passed into history and HMV is in deep trouble but Good Vibrations manages to hang on in there, despite it all.
The crazy thing is that Terri Hooley opened his shop in Belfast in the mid-seventies in the city’s most-bombed street above a dusty whole food shop run by the Guru Maharaj Ji’s Divine Light Mission. The city in the 1970s was a bleak place. Belfast city centre emptied at 6 o’clock of all but the brave or the foolhardy. The conflict – which Ulsterfolk euphemistically call ‘The Troubles’ – was at the height of its random tit-for-tat viciousness. People retreated in the evenings to the ghettos where they lived in search of some security. They socialised where they could; in local clubs, pubs, parish halls, Orange halls or illegal sheebeens. They rarely – if ever – met with people from ‘the other side’.
The novelist Glenn Patterson and Colin Carberry have conjured up a film script that really captures the nature of this anarchic mould -breaking larger-than-life character. Their script buzzes with dark Belfast humour and a soundtrack that brings everything to the mix from Hank Williams’ I Saw the Light, Phil Spector’s girl bands, through to Rudi’s Big Time and of course, the Undertones’ Teenage Kicks. The action was intercut with contemporary footage of background events. This gave an immediate reminder of the very real dangers stalking the city then. Many folk of a certain age would have been delighted to see one-time Scene-Around-Six news anchor Barry Cowan, (sadly no longer with us), on-screen again.
Terri’s mum was a devout Methodist and his dad was a revolutionary socialist. He never quite fitted in to Ulster’s divided society. In the Sixties, he protested against the Vietnam war and in favour of nuclear disarmament, but as the Troubles took hold many of his contemporaries forsook protesting for peace in favour of violence.
His first love was music, especially reggae, but he became enthused by the energy of the growing punk movement which drew young folk from both communities to the rundown Pound Club on the edge of the city centre to hear bands like Rudi and the Outcasts. This led him into launching a record label to introduce Rudi to a wider public. Other bands followed. The ‘big one’ was The Undertones from Derry whose single, Teenage Kicks went stratospheric after it was taken up by the influential Radio One presenter, John Peel.
Despite its bleak environment of bombs everywhere, soldiers on the streets, officious cops and random, casual violence, this is a real fun, feel good movie. Dormer’s Hooley often messes things up, not least his life and his relationship with his wife, Ruth. He’s more interested in the music than making money from it.
Some scenes will haunt the viewer for life. I was struck by the scene where Terri hears ‘that’ Undertones song for the first time and fell about laughing at a scene where a bemused British soldiers stops Hooley and the band in the van only to discover that they are both Protestants and Catholics from north, east and west Belfast. Terri had never asked them what they were.
Coming out at a time when old divisions threaten to open up again in Belfast, this movie reminds us that we can do better. In the country of the blind the one-eyed man is king. Roll on the DVD release. One Love!
PS. The DVD is now available,
By David Kerr
Counter Culture 