Posts Tagged Richard E. Grant

Saltburn: A Wickedly Funny Thriller Exposing British Upper Class Cruelty

396 words, 2 minutes read time.

Saltburn is a wickedly funny thriller that exposes the casual, shallow cruelty of the British upper class. The film, directed by Emerald Fennell, follows Oliver Quick (Barry Keoghan), a poor Oxford student who becomes fascinated by Felix Catton (Jacob Elordi), a charming and wealthy aristocrat. Oliver worms his way into Felix’s world of privilege and excess, and soon discovers a web of lies, lust, and murder.

The film is a contemporary twist on The Talented Mr Ripley, with nods to Brideshead Revisited and The Great Gatsby. Fennell sets the film in the mid-2000s, a time of economic prosperity and social transformation, to highlight the contrast between the rich and the poor. She also mocks the pretentiousness and hypocrisy of the elite, who enjoy a life of drugs, sex, and violence, while pretending to be respectable and moral.

The film is visually stunning, with extravagant costumes, locations, and cinematography. The soundtrack, featuring pop hits from the 2000s, adds to the nostalgic and ironic tone of the film. The performances are superb, especially Keoghan, who plays Oliver as a complex and captivating anti-hero, and Rosamund Pike, who steals every scene as Felix’s glamorous and ruthless mother, Elspeth.

Saltburn is not a subtle or nuanced film, but rather a bold and daring one. It is full of shocking twists, dark humor, and social commentary. It may not appeal to everyone, but it is certainly a memorable and entertaining ride. Saltburn is a film that reveals the ugly truth of the British class system, and challenges us to question our own values and identities.

One of the most striking aspects of the film is its sexual nature. The film does not shy away from depicting the erotic and violent encounters between Oliver and Felix, as well as other characters. The film explores the themes of desire, jealousy, betrayal, and identity through the lens of sexuality. The film also shows how sex is used as a weapon, a tool, and a currency by the characters, who manipulate, seduce, and exploit each other for their own gain. The film does not moralize or judge the characters’ sexual choices, but rather exposes the consequences and complexities of their actions. Saltburn is a film that pushes the boundaries of sexual representation, and invites us to reflect on our own fantasies and realities.

Reviewed by Pat Harrington

Picture credit: By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=74710333

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Logan (2017)

 

logan

A more vulnerable Wolverine/Logan

 

15 | 2h 17min | Action, Drama, Sci-Fi | 1 March 2017 (UK)

Logan is the 10th film in the Wolverine franchise. It’s very different from all the earlier ones. It’s 2029 and Wolverine/Logan (Hugh Jackman) is being slowly poisoned from the inside and is not recovering from his wounds as he used to. Logan is an alcoholic struggling with his life and past. It’s the first time we see a vulnerable and uncertain Wolverine. Professor X (Patrick Stewart) is in bad shape too, slowly losing his struggle with Alzheimer’s and ALS, which is a major concern when his mind is a weapon of mass destruction! Logan has a melancholy feel and deals with themes of mortality and deterioration. Alongside that are bloody combat scenes. Though the scenes of violence are stylised they are not comic book. The script has quieter scenes which establish that the death of characters matter and that there is pain and suffering. Because we see Wolverine now as vulnerable the stakes for him (and emotionally for us, the audience) are higher in every fight scene. Logan is a much deeper and serious film than any other in this franchise.

The plot is fairly uncomplicated. At the start, Logan is attempting to isolate himself from the outside world. He is doing fairly well until a woman appears with an urgent request–that Logan shepherd an extraordinary young girl (Laura, played by Dafne Keen) to safety. He becomes involved despite his intentions and the film becomes a chase/road trip hybrid.

Logan draws on Westerns. He is like the aging, lone gunslinger trying to tap what is left of his humanity and compassion to do the right thing in the face of what seems like overwhelming odds. These references are made explicit as Laura watches 1953’s Shane on TV and when words from that film are woven into the plot. The villains are clearly black hat. Dr. Rice (Richard E. Grant) and Pierce (Boyd Holbrook) don’t have many redeeming features but both actors turn in fine performances within the limits the script gives to their characters.

Logan has delivered for fans. It is an adult film which deals with serious issues and brings a realistic feeling of closure to the story. It was a brave gamble to make a film like this but it has turned out to be a winning bet.

Reviewed by Pat Harrington

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