Posts Tagged John Laurie

Review: The Life and Death of Colonel Blimp (1943)

“The Life and Death of Colonel Blimp,” directed by Michael Powell and Emeric Pressburger in 1943, stands as an unparalleled cinematic masterpiece. This film ventures beyond its wartime origins and delves into the depths of social and political themes, leaving a lasting impact on its viewers.

At its core, the film encompasses the notion of the passage of time and the ever-changing nature of warfare. Through the character of Colonel Blimp, it reflects upon the shifting ideals of honour, duty, and national identity. By exploring military traditions and the consequences of modern warfare on deeply rooted values, “The Life and Death of Colonel Blimp” presents a nuanced and thought-provoking perspective on the complexities of patriotism.

In addition to its examination of wartime, the film paints a vivid tapestry of relationships, friendships, and love across multiple decades. It intertwines personal experiences within the backdrop of historical events, providing a microcosm of British society during a transformative period. Challenging stereotypes and prejudices, it emphasizes the universal human connections that surpass national boundaries.

Politically, the film delves into the nature of conflict and the futility of holding onto outdated notions in the face of a rapidly changing world. Colonel Blimp’s journey becomes a metaphor for the resilience and adaptability required to navigate the challenges of war and the subsequent pursuit of peace. Through its narrative, the film boldly critiques the rigid adherence to tradition and calls into question the wisdom of clinging to obsolete ideologies.

Visually, the direction and cinematography by Powell and Pressburger brilliantly contribute to the film’s enduring allure. The meticulous attention to period details, combined with the vibrant Technicolor, breathes life into each era depicted onscreen, enhancing the authenticity and immersing viewers in its visual splendor.

“The Life and Death of Colonel Blimp” is a true gem of cinema, surpassing the confines of its wartime context to offer a profound meditation on social and political themes. Its exploration of the human experience against the backdrop of historical change, coupled with its visual brilliance, solidifies its status as a timeless classic.

By Pat Harrington

Picture credit: By http://www.movieposterdb.com/poster/9ff801c3, Fair use, https://en.wikipedia.org/w/index.php?curid=16615953

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Variety (1983 film)

“Variety,” directed by Bette Gordon in 1983, is a daring and unsettling exploration of identity, sexuality, and power dynamics. This thought-provoking film takes a unique approach to its subject matter, immersing viewers in the gritty underbelly of the 1980s New York City porn industry while delving into the psyche of its protagonist. The film follows Christine (played by Sandy McLeod), a young woman who starts working at a Manhattan pornographic theatre’s ticket booth. Initially disoriented by her surroundings, Christine becomes drawn to the world of adult entertainment that unfolds on the theatre’s screens.

Her fascination eventually leads her to an intriguing and unsettling relationship with a rich patron of the cinema (Louie played by Richard M. Davidson)  who has a secret life. As interactions blur the lines between reality and fantasy, the film delves into Christine’s journey of self-discovery and the ways in which desire and desperation shape her choices.

Bette Gordon’s directorial style is characterized by its unflinching gaze and willingness to confront uncomfortable subjects. The film’s gritty portrayal of the porn industry and its portrayal of sexual exploration and exploitation challenge the audience’s perceptions and comfort zones. The use of actual pornographic footage, while controversial, serves to underscore the film’s themes of voyeurism and the commodification of sexuality. The audience is made complicit simply by watching. And from the Q&A session with Bette Gordon at the screening of the film I went to at the #EIFF it was clear that this was her intention.

Sandy McLeod’s performance as Christine is a standout, capturing the character’s vulnerability and curiosity with nuance. As Christine becomes increasingly entangled in the world of eroticism, McLeod’s portrayal captures the complexity of her emotions, from fascination to discomfort and eventually empowerment. The film’s atmosphere is enhanced by the haunting and evocative music of John Laurie, which adds depth to the emotional landscapes traversed by the characters.

The late-night wanderings of Christine around the fish market in New York, based on Bette Gordon’s own experiences, are oddly fascinating and atmospheric. These scenes contribute to the film’s unique sense of place and mood. “Variety” also shines in its cinematography and atmospheric direction. The use of dim lighting, dark alleys, and cramped spaces reflects the film’s exploration of the hidden corners of desire and the subconscious. The contrast between the seedy locales and Christine’s increasingly introspective journey contributes to the film’s unsettling ambiance.

One of the film’s most powerful aspects is its willingness to confront the complexities of female desire and autonomy. “Variety” presents a rare and honest perspective on a woman’s sexual agency, tackling the often-taboo subject with both sensitivity and courage. Christine’s internal struggles and evolving sense of self challenge traditional narratives of female characters in cinema. While “Variety” might not be for the faint of heart due to its explicit content and unapologetically provocative themes, it is undeniably a film that sparks conversations about sexuality, power dynamics, and the boundaries between reality and fantasy. Bette Gordon’s directorial vision and the performances of the cast make “Variety” an impactful and memorable cinematic experience that lingers long after the credits roll.

“Variety” is a film that pushes boundaries and challenges societal norms, inviting viewers to explore the darker corners of human desires and the consequences of seeking validation and fulfilment. Its daring approach, combined with its thought-provoking themes and performances, solidifies its place as a unique and daring entry in the landscape of independent cinema.

Bette Gordon/ United States/ 1983/ 100 minutes/ 18/ English

Reviewed by Pat Harrington

Picture credit: The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=53724519

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