Posts Tagged fascism

Analysing “The Communist” Newspaper: Issue 22 Review

543 words, 3 minutes read time.

“The Communist” is an intriguing publication that offers a distinct and thought-provoking perspective on contemporary political and social issues. Issue 22, dated 26th February 2025, delves into a range of significant topics, each analysed through a lens that challenges mainstream narratives.

“The Communist” A thought-provoking read

One of the central discussions revolves around Britain’s financial support for Ukraine. The newspaper raises critical questions about whether the substantial financial aid, amounting to £13 billion so far and a promised £3 billion annually, truly serves the interests of working people in the UK. It contrasts this with the rising cost of living, noting increases in essentials like water, energy, and council tax. This juxtaposition serves as a reminder of how foreign adventures can adversely impact domestic welfare.

The paper also delves into the rise of the Reform Party, exploring why segments of the working class might be drawn to it. Yet, it cautions against the division along racial lines, arguing that such fractures weaken the collective power needed to fight for better economic conditions. This aligns with its broader critique of how societal divisions can distract from economic struggles. It should be noted that thus far the ‘Left’ has had little success in refocusing many working class people in the UK away from a very deep hostility to woke or overcoming a very deep nationalist instinct. My own view is that one problem the ‘Left’ has had in connecting to working class people is their failure to listen to their concerns.

In addressing the concept of “woke,” “The Communist” advocates for rejecting cultural battles in favor of systemic change. It posits that the exploited and oppressed should focus on class struggle against the billionaires and bankers, rather than getting entangled in what it views as a “reactionary war on woke.”

A particularly compelling piece in this issue is the review of Mussolini: Son of the Century. The newspaper highlights how fascists historically rallied the middle class and landowners by exploiting their fears during times of economic crisis and revolutionary turmoil. The review notes Mussolini’s rhetoric, such as “Against the red beast, let us make a ram of all our lives,” to illustrate how fascism can gain momentum by manipulating public anxieties. The conclusion of the review warns not merely of the threat posed by ‘strong’ leaders but rather the fragility of “bourgeois democracy” and how the ruling class, when faced with a choice between socialism and fascism, might favour the latter to protect their own interests. I also reviewed this programme myself and found it deeply insightful. As cuts in services bite in the UK and costs rise we may see a further increase in support for non-mainstream or populist parties and movements. As of now it seems this will favour the ‘Right’ rather than the ‘Left’.

Unfortunately, “The Communist” is not easy to purchase. I obtained my copy at the excellent Housmans bookshop near King’s Cross, and it is also available by subscription (details can be found on the web at communist.red).

In sum, “The Communist” is a publication that challenges readers to think critically about societal structures and the power dynamics within them. It encourages a re-evaluation of priorities, urging a focus on class unity and systemic change over divisive cultural battles. I’ve only just scratched the surface of the articles in this issue, as it offers a wealth of thought-provoking content. Despite its title, the newspaper provides valuable insights that are relevant across the political spectrum, making it a worthwhile read for anyone interested in a deeper understanding of contemporary issues.

By Patrick Harrington

Pat Harrington reviewed Mussolini: Son Of The Century here

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Mussolini: Son of the Century Review

1,016 words, 5 minutes read time.

Introduction: Understanding Italian Fascism

Mussolini: Son of the Century is an audacious exploration of Benito Mussolini’s ascent to power. It is immersive and masterfully directed by Joe Wright. This eight-part series delves deep into the intricate tapestry of early 20th-century Italian politics. It offers viewers a visceral experience. The experience is both enlightening and unsettling.

To fully grasp the significance of the series, it is essential to understand the historical context of Italian Fascism. Fascism was born in the post-World War I turmoil. It emerged as a response to economic instability, social unrest, and the perceived failure of liberal democracy. Mussolini, once a socialist journalist, founded the Fascist movement in 1919, promising national rejuvenation, expansion, and authoritarian stability. The movement rapidly gained traction by exploiting fears of communism and capitalizing on nationalist sentiment.

A Visually Striking and Modernist Interpretation of Italian Fascism

The series distinguishes itself through a striking visual style. It also features a pulsating soundtrack. Together, they evoke the essence of Modernist Italian Fascism. The deliberate use of rapid cuts and dynamic camera movements sets the scene. A techno-infused score adds to this, creating an atmosphere reminiscent of the Futurist movement. This movement celebrated speed, technology, and industrialism. This aesthetic choice immerses the audience in the era’s zeitgeist. It also underscores the allure and danger inherent in Fascist ideology.

Mussolini as the Sole Narrator: An Exercise in Subjectivity

A compelling aspect of the series is its narrative structure. Mussolini, portrayed with uncanny precision by Luca Marinelli, serves as the primary narrator. This approach offers an intimate glimpse into his psyche, ambitions, and justifications. By presenting events from Mussolini’s perspective, the series engages viewers with the seductive nature of his rhetoric. It also challenges them to understand the charismatic pull he exerted on the masses. This narrative choice aligns with the show’s emphasis on “showing” rather than “telling.” It allows audiences to witness the unfolding of history through the dictator’s eyes.

The Role of Luca Marinelli: An Astonishing Performance

Marinelli dominates the screen in nearly every frame of the eight-hour series. He delivers a performance reminiscent of Robert De Niro in Raging Bull. His embodiment of Mussolini is uncanny. This is not just in physical resemblance. It is also in his ability to capture the Italian leader’s gestures, speech patterns, and volatile moods. Marinelli’s Mussolini is both magnetic and repellent, a study in contradictions. He oscillates between calculated intellect and explosive rage, between moments of introspection and primal brutality. This interpretation forces the audience into an uncomfortable position. They are drawn into his charisma. Simultaneously, they recoil from his actions.

The Changing Social Basis of Fascism

The series effectively portrays how the social composition of Mussolini’s support base evolved over time. Fascism initially relied on disgruntled veterans, nationalists, and radicalized workers. Gradually, it found its strongest backing among the lower middle class—shopkeepers, small business owners, and bureaucrats. This shift was crucial in cementing Fascism’s institutional support, as these groups sought stability and protection from socialist movements. By showing this transition, the series demonstrates that Mussolini’s appeal expanded beyond his early revolutionary rhetoric. It reached a broader base of economic self-interest.

The Allure and Horror of Violence

The portrayal of violence in Mussolini: Son of the Century is both graphic and unflinching. Scenes of brutality committed by the Blackshirts are depicted with a raw intensity that is likely to disturb viewers. However, it’s crucial to recognize that such depictions also illustrate violence’s seductive allure. This allure held power for some during this tumultuous period. In the context of early 20th-century Italian politics, violence was a means of asserting power. It was not merely a tool of oppression. It also served to instill unity among followers. The series adeptly captures this duality, prompting viewers to think about the complex interplay between violence and ideology.

Mussolini’s Capitulation to Capitalism

One of the most significant themes depicted in the series is Mussolini’s pragmatic but ultimately self-defeating embrace of capitalism. Initially, Mussolini positioned himself as an anti-establishment revolutionary, promising to dismantle old power structures, including financial elites. Yet, as his movement grew and he consolidated power, he increasingly aligned himself with industrialists and conservative elites. He abandoned his early socialist leanings, favouring policies that bolstered Italy’s capitalist class in exchange for their support. This shift is portrayed with great precision. The series shows that Mussolini relied on corporate backers. This reliance ultimately trapped him in the economic structures he once vowed to upend.

Mussolini’s Reversal on the Catholic Church

Another striking element of the series is how it portrays Mussolini’s relationship with the Catholic Church. Initially a staunch secularist and critic of organized religion, Mussolini later recognized the strategic necessity of appeasing the Vatican. The series highlights the gradual shift in his rhetoric and policy. This shift culminates in the Lateran Treaty of 1929. The treaty granted the Vatican sovereignty and declared Catholicism the state religion of Italy. This capitulation was a calculated move. It aimed to solidify his regime’s legitimacy. Mussolini demonstrated a willingness to abandon ideological consistency. He favored political survival.

Conclusion: The Danger of the Rock Star Dictator

Mussolini: Son of the Century is more than a historical drama. It carries the risk of portraying Mussolini as a rock star. He becomes a rebellious anti-hero with whom audiences may identify. While the series highlights his contradictions, it also presents a charismatic figure whose presence dominates the screen. This is dangerous, as it can foster an admiration for a man who ruled partly through violence and coercion.

It is crucial to understand the savage lure of Fascism. The show successfully conveys the visceral energy of the movement. However, it is equally important to recognize that Fascism did not arise in a vacuum. The weaknesses of Italian democracy enabled Mussolini’s rise. It failed to represent the interests of ordinary people. There was corruption and division. This, more than Mussolini’s personal charisma, is what allowed Fascism to flourish.

By Pat Harrington

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What are your thoughts on Mussolini: Son of the Century? Did the series change your perception of Mussolini and Fascism? Share your opinions in the comments below!

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I, the Dictator

I, THE DICTATOR

Teatr Wiczy

New Town Theatre,George street.  Venue 7

JUST THREE people turned up to see this woeful production.  Perhaps I ought to have taken this a warning.  A man clad only in underpants stood centre-stage clutching a length of celluloid film. He’s Charlie Chaplin, apparently preparing to shoot the last scene of his film, The Great Dictator which satirised Hitler’sGermany and Mussolini’sItaly.

There were elements of tapdance, jazz and mime but your reviewer was past caring by this time.  I was startled back into wakefulness when the solo performer stood bullock-naked in front of me with his trousers around his ankles.  I couldn’t see any relevance to the plot. Great Dick-tator perhaps? Mercifully the end came and three intrepid theatregoers were able to make our escape out into the heavyEdinburghrain.

 

Reviewed by David Kerr

 

** Two Stars

www.wicza.com

 

www.universalartsfestival.com

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