Posts Tagged Donald Trump

Exploring Vanity and Power in “The Apprentice” By Patrick Harrington


531 words, 3 minutes read time.

The Apprentice delivers a gripping portrayal of Donald Trump and his mentor, the infamous attorney Roy Cohn. The actors Sebastian Stan as Trump and Jeremy Strong as Roy Cohn embody these larger-than-life figures with uncanny precision. Stan captures Trump’s bluster, vanity, and ruthless ambition. The portrayal of Cohn feels chillingly true to life. Watching these two actors together brings out a fascinating blend of admiration, manipulation, and a shared love of power. Cohn takes pride in Trump. Yet, Trump becomes ruthless enough to cast him aside. This is one of the film’s most intriguing dynamics.

Trump’s vanity is vividly portrayed, adding another layer to his complex character. Throughout the film, he’s shown checking his reflection in every mirror he passes, adjusting his appearance with an obsessive focus. The film goes as far as to depict him undergoing cosmetic procedures. These include surgery to hide his bald patch and fat-reduction operations. This attention to his physical image shows a deep insecurity. It also reveals a need to craft a public persona that aligns with his vision of success and dominance.

As someone fascinated by Roy Cohn’s career, this film only deepened that intrigue. Cohn’s life was an astonishing, if tragic, blend of influence, power, and contradiction. Cohn started as a prosecutor in the McCarthy era. In his infamous legal career, he used manipulation and intimidation. He sought to control his clients and allies alike. His mastery over New York politics—and its corruption—is shown in unsettling detail. Through his vast network, Cohn knew the personal secrets of many powerful individuals. He often blackmailed them. Despite this, he shared similar hidden desires. Cohn’s use of private information to wield power and control defined his character. It paints a disturbing portrait of the alliances he cultivated, including with Trump.

The film also delves into the tragedy of Cohn’s personal life. When he’s depicted as dying of AIDS, I couldn’t help but feel a twinge of sympathy. I felt even more sympathy for his boyfriend. He suffers alongside Cohn, caught in a life marked by Cohn’s turbulent choices. Watching a man who was both feared and loathed face his end is deeply affecting. He faces his end with only a few loyal, damaged souls around him.

The rape allegation depicted against Trump has generated substantial controversy, adding a dark and unsettling dimension to his character. The scene is graphic, deliberately raw, and intended to highlight the alleged abuses enabled by Trump’s position. The film doesn’t shy away from this implication. Many Trump supporters have voiced objections. They argue that it’s defamatory and overly biased. They claim this traumatic scene lacks corroborative evidence. They believe it serves more as character assassination than storytelling. The film frames Trump in an unduly negative light.

The Apprentice doesn’t shy away from the complexities of its characters or the murky ethics of New York’s political landscape. It’s a challenging watch. It peels back layers of vanity, power, and betrayal. The viewer grapples with both admiration and revulsion. The film lays bare the relentless drive, insecurity, and flawed humanity in its subjects, making for a hauntingly powerful experience.

Reviewed by Pat Harrington

Picture Credit

By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=77844139

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Hillbilly Elegy (2020)

Hillbilly Elegy is a film based on the novel of the same name by J.D. Vance.

Hillbillies in popular culture have usually been represented as figures of fun, even ridicule. Older readers will remember “The Beverly Hillbillies”, a TV comedy series based on a family from the Appalachian Mountains when oil was struck on their land, producing untold riches. They moved to California and continued to live like hillbillies in, of course, Beverly Hills. More affectionately, Don Macleans “Good ol boys drinkin` whiskey and rye” were clearly hillbilly types, albeit from further south. The hillbillies represented in this film could scarcely be more different.

So who were the hillbillies? Descended mainly from Scotch and Irish Protestant settlers who had ventured westward into the Appalachian Mountains from the 1750s onwards they had lived primitive lives in small, isolated mountain settlements with a good deal of in-breeding. The Appalachian Mountain chain stretches north to south from the Canadian border to the northern counties of Alabama and Georgia, but the hillbilly heartland is centred on West Virginia and the eastern areas of Kentucky, Tennessee and Ohio. The discovery of coal in the 19th century led to major industrial developments in this still mainly rural and scenic region, but they were concentrated in small towns and villages. To this day the region has no large cities. Marked by violent industrial strife, impoverished by the Great Depression and, after a brief period of prosperity, suffering from the effects of post-industrialisation from the 1980s it has the lowest living standards of any region in the U.S.A. In racial terms it has remained overwhelmingly white. This is the Hillbilly country depicted in the film – poor, white, backward and devastated by an opioid epidemic. The film is set around Jackson, eastern Kentucky, and the small industrial town of Middletown, Ohio. A review in AP News described the book on which the film was based as “an election year explainer (2016) to liberal America about the white underclass that fuelled Donald Trump`s rise”

The film is autobiographical, based on the experiences of 3 generations of one family. Mamaw (Glen Close), the grandmother who holds the family together, Beverley (Amy Adams), her daughter and J.D. (Gabriel Vasso) Beverley`s son and the author of the novel. J.D. has progressed from a troubled childhood, enlisted as a Marine and used the money earned to work his way through Ohio State University. His scheduled interview for a post in a prestigious firm on Wall Street is jeopardised by an emergency call from his sister back home – their mother has succumbed yet again to an overdose of drugs. The family story is told through a series of flashbacks to his childhood and adolescence. It is moving and, at times, frightening. The film had a mixed reception, with nominations for both the Golden Globe and the Golden Raspberry (Close became the third performer in history to be nominated for an Academy Award and a Golden Raspberry for the same performance). The film was criticised for perpetuating stereotypes about the poor and praised for its realism.

J.D. Vance himself is an aspiring Republican politician considering a run for the United States Senate in 2022 representing his home state of Ohio. A successful venture capitalist, he is being tipped as a future Presidential candidate (he will be 44 in 2028). Indeed some regard “Hillbilly Elegy” as a promotional film with this in mind. Watch it (it`s on Netflix) and see for yourself!

Reviewed by Henry Falconer
Director: Ron Howard
Writers: J.D. Vance (based on the book by), Vanessa Taylor
Stars: Amy Adams, Glenn Close, Gabriel Basso

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The Red Pill

theredpill

A controversial new work from Blake Nelson

Blake Nelson’s latest adult novel The Red Pill (2019) describes how a liberal advertising exec is slowly sucked into alt-right circles after accepting dating advice from his truck driving brother-in-law, Rob. Martin Harris, newly divorced at 40, is an advertising exec with roots in New York. However, hapless Martin has been out of the dating scene for a while and now has trouble meeting women in the current feminist ‘me too’ climate. Martin fumbles about the dating pool and when Tinder fails, he cautiously accepts advice from his Trump-supporting brother-in-law, Rob.  Martin is unconvinced by these ‘go-for-it’ dating strategies, however, he soon finds that his dating life is improving as he starts to utilize the techniques set out by Pick-up Artists in the ‘manosphere.’  Martin thrilled in his new successes, soon finds that Trump’s astounding victory in the elections is putting a damper on his newly found dating successes. The Red Pill addresses the chasm between feminism and the sexual revolution of the past.

Blake also addresses what it means to be ‘Red Pilled’.  Red Pillers prefer the gritty, painful, ugly truth; and a popular theme with this crowd is the idea that men who want sex should “just go for it” set against a world of resistance and ‘me-too’. The red pill sector tends to be more radically right.

So much for Martin’s clumsy attempts at dating. Martin himself is offended by the blogs as he begins to peruse these for dating techniques. The Red Pill term describes a loose group of political activities with extremist leanings that focus on men’s rights, and this is the world Martin stumbles into. This community feels oppressed by the left-liberal society and sees feminism as a myth. Sat at his desk at work, he quickly turns off the computer and clears the browser history, trying to make sure that all offensive material has been erased. Once he is sure it is clear, he feels he can safely leave the room and heads to the loo to wash the stench off. Martin’s social life then gets thrown a spanner in the works due to the recent conflict between Left-liberal feminism and Trump’s America, and it is this conflict that results in his world view becoming no longer sustainable in his own mind.

Martin falls deeper and deeper into the manosphere where he is making gains sexually by employing their techniques for dating and leans ever further toward right-wing views from this predominantly male blogging community. Juxtaposed with this is the radical left-liberal feminism of the young women, he is attempting to connect with, particularly predominant in a place like hipster Portland. Blake balances this dissonance, against the backdrop of the Trump Presidency, which threw a large proportion of the left feminists and other ultra-liberal groups into full panic mode, depression, anger, and shocked disbelief as they stood on the precipice of this disturbing abyss. It is this split that occurs very much down male/female lines, where the majority of women, angrily stand hand in hand, dead set against Trump’s misogynistic worldview.

While Nelson normally writes in the young adult genre, generally locating these stories in or near Portland, a city he is well acquainted with, this book is more focused on adult themes. It perceptively addresses dating in the current socio and political climate in a society that is very divided. This fiction is based on the hostile socio-political world of Trump vs the ‘Woke,’  which Martin is drawn into and affected by, ultimately to his cost.

You can buy The Red Pill here.

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