Archive for Original Short Stories

Tim Bragg – Stories 

This story was originally part of my latest novel The Experience [to be published 2025]. It is one of five ‘outtakes’ that were originally threaded through the novel’s opening chapters. The job of these stories was to reflect or counter the nature of the narrative’s ‘reality’. Their style and viewpoint being contrary to that of the novel’s. It was eventually decided to remove them, simply to keep the continuity of The Experience’s particular style. Please feel free to comment. 

  • Tim Bragg

My dad would tell me stories. We’d have fun sitting around the kitchen table when I was very young – him making up stories or all three of us playing board games or a card game. Before Ellie was born but even after she was born and sleeping upstairs, we’d have on a low light or lit candles with the fire crackling in its hearth. That part of my life when everything was normal. Well, perhaps that’s the way everyone views their childhood growing up. My mom would make great food and the children that lived around us knew which house to go to to get well fed. 

A wild stag is depicted in a forest, surrounded by several hunting dogs. The stag appears to be in a defensive stance, while a fawn watches from a distance, amidst dense greenery.

Stories enchanted me. With the other children we’d act out stories I had in my head. Nearby there were fields and barns to play in; hedges to hide behind; woods to disappear within. One simmering summer evening we decided to stay out late. It was safe. We were free. It was my idea that I would act the part of a wild stag and the other children had to hunt me down. My dad had told me a story about a stag that had been cornered by wild dogs, but the stag dropped his head and antlers and held them off. Tossing a dog into the air as they snarled, barked and attacked. The stag was courageous. In the end the dogs retreated. And behind the stag, in a thicket, was revealed a hind with a new born deer – a calf. How I cheered. My dad said that the young of big deer were called a calf not a fawn and that the stag itself would be called a hart. I really liked that. Now I was going to be that stag, that hart – though I had no hind or calf to protect. 

We decided to meet up outside the old pub near the centre of the sprawling village. When I got there, Root was waiting, the first as usual. I had no idea why he was called Root and no-one had ever asked him as far as I knew. I sauntered down the lane that led from the high street. It was only then that the name of the pub The White Hart made any sense. I looked up at the sign as if for the first time. But I’d never connected the painting of the stag with the name. I said hello to Root and we waited for the others to join us. Old Farmer Joe seemed to appear out of nowhere and went into the pub, giving a nod as he passed us. 

Root said, ‘Here’s Josh and Abby.’ Abby was the only girl we let play with us, she was fun. Eventually, Colin, Doug and Rob arrived. 

‘Where are we off to Jim?’ 

‘Down to Gallows Wood, I’ve got an idea.’ I’d wanted to make a headdress that looked like antlers but every attempt had failed. Imagination would do the trick like it always did. We ran down the hill whooping and hollering, pretending we were riding horses. Old Ma Aldington saw us from her garden and waved. She probably thought us quite mad. 

Once over the squat stone bridge, the water constantly gurgling beneath, we climbed the style and went single file down the path. There were lots of blackberry bushes here and in the late summer and early autumn local folk would collect bowls full. 

‘Right,’ I said finally. ‘We’re going to play “hunt the stag”.’ 

‘Dad hates stag hunting,’ Doug said. 

‘It’s horrible,’ Abby added. 

‘Yes, I know,’ I said, ‘but it’s a game. I’m going to be the stag, or the hart,’ I added knowingly, ‘and you have to hunt me down.’ 

‘Why?’ said Root. 

‘Why what?’ 

‘Why do we have to hunt you down?’ Colin answered for him. 

Thinking fast I said, ‘Because I’m not really a stag. I’m a bad wizard that’s been turned into one. And if you don’t kill me, I’ll kill all the crops, and cows,’ I said defiantly. 

‘And sheep?’ Abby asked. 

‘Yes.’ 

‘Not my sheep,’ Rob said. ‘They’ve won prizes.’ Everyone laughed. 

‘I’ll hunt you,’ Josh said. ‘I’ll be the prince…’ 

‘Abby the princess,’ Root teased. 

‘Right. Good,’ I said. ‘Give me ten minutes,’ I said. ‘Has anyone got a watch?’ No-one had. Josh said to Abby, ‘Did you bring your phone?’ 

She shook her head, ‘Mum wouldn’t let me.’ 

The other boys jeered. 

‘Okay. Okay,’ I said, trying to calm them down. ‘Each of you count to a minute but in turns. Then come after me. You’ve got bows and arrows and swords and that’s it.’ 

‘And spears?’ Colin asked. 

‘Maybe,’ I said. I didn’t know if they would or wouldn’t have had spears. Lances perhaps. 

I tore off down the path and the wood began to swallow me up. I could hear Doug counting out loud and deliberately missing numbers out but being told to start again by Abby. Before long there was only the strange quiet of the wood. Not wholly quiet, there was tapping on bark from the distance and insects buzzing close by. But it felt like an entirely different world. Stopping briefly, I decided which way to go. The wood was familiar to me – but you could easily get lost. There were a few well-worn paths but I turned off on a barely recognisable one. The sun was gliding through the branches as I rushed headlong into denser tree trunks. Resting, I could hear shouts from Abby and the boys. Seemed like they were off in another direction. 

After some moments hesitation I carried on and eventually came to the old hut. I’d discovered this a few weeks back but no-one else knew about it. It was the perfect place to hide. Glancing in through a window, with a piece of its glass missing, I saw dark shadows. I could smell the mustiness of the interior. I’d been in before and was thinking of clearing it out and making it a proper den. Pushing on its wooden door, I opened it enough so that I could get in if necessary. I didn’t want to spend my time in the mushroom-smelling dark, so I found a bush nearby and lay behind it under a patch of sky where the sun hovered for a while. I was so comfortable. I hadn’t slept enough the previous night and so I closed my eyes and I was, as my mum would say, ‘out for the count’. 

Waking with a start I looked up to see a man staring down at me. The man had tousled hair, a beard and a look of wildness in his eyes. I attempted to get up but he held me down. As I was about to shout out, he put a dirty hand across my mouth. ‘Please,’ he said, ‘we need help. I’m not going to harm you.’ Releasing his grip on me and removing his hand I had an instance to decide what to do – shout out and try and escape or remain where I was and listen to him. As I looked up at his face I felt an odd sensation, as if I knew him from somewhere. 

‘Are you a tramp?’ I asked getting up on my knees. He shook his head. ‘Are you running from the police?’ I asked. 

Looking around he said, ‘I’ve done nothing wrong. Nothing. I just want to…’ He broke off as screams were heard in the distance. His face contorted in fear. 

‘It’s okay,’ I said. ‘They’re my friends. They’re hunting me down.’ 

‘You too?’ 

I nodded. I was curious. ‘Are you being hunted?’ 

He looked around like an animal sniffing the air. ‘Who’s hunting you?’ 

‘Just some friends. We’re playing a game. I’m a stag.’ 

He smiled, ‘I see.’ There was some silence between us then he said, ‘I’m like a stag being hunted too. Do you think you could help me?’ 

‘Maybe,’ I said. ‘What do you want?’ 

‘We need some food.’ 

‘Is there more of you? Have you broken out of prison?’ I asked. 

Shaking his head he said, ‘Can I trust you?’ I nodded. He’d been crouching down next to me. As one we got to our feet. ‘We’ve been hiding in that old shed,’ he said. ‘Probably a hide,’ he added. 

‘Where are you from?’ 

‘Not far away,’ he said, ‘and very far away.’ Again he looked about, listening intently. Insects still buzzed and whined their way through the trees. ‘Follow me,’ he said. I held back and I knew he could sense that. ‘It’s okay,’ he said, ‘you can trust me. I just need some help. We need some help. Please.’ His face softened. There was something curious about him. I could hear my parents’ voices in my head – don’t go near strangers, never go with any stranger. On cue a voice shouted out in the wood not far away and another answered but more distant. ‘Please,’ he said again. He walked to the old door and pushed it open, motioning to me to come over. I did. With light coming through the doorway I saw a woman and a child. A toddler. They both looked dirty. The woman was younger than the man. 

‘Hello,’ she said. She was sitting in the corner with the child in her arms. 

‘Hello.’ 

‘What’s your name?’ she asked. 

‘Jim.’ 

Looking over at the man she smiled. ‘Can we trust you Jim?’ 

I nodded. They waited. I said, ‘Yes.’ 

The man looked out the door. The woman said, ‘I’m Jen. This is our little girl Elizabeth. Beth.’ 

I looked around the interior of the hut, the shed, and as I got used to the light I could see they’d cleaned it up a bit. ‘How long have you been here?’ 

‘A few days,’ the man said. ‘We haven’t eaten for a few days. Only drunk water from the stream.’ 

I thought about the old stone bridge and the water gurgling beneath it. ‘I can get you food,’ I said. 

‘That would be great,’ Jen said, ‘Beth is so very hungry.’ She looked over at the man. 

‘We ate some berries,’ he said. ‘I need to hunt…or…’ 

‘I can get you food.’ Then, ‘Why are you running away?’ 

‘It’s my time,’ the man said. 

‘Your time?’ 

The man looked at Jen. Jen said, ‘He’s too old.’ 

‘For what?’ I asked. 

‘For this world.’ 

‘Our world,’ the man said. ‘Tell me Jim,’ he said, ‘have you got grandparents?’ I nodded. ‘Are they alive?’ 

‘Of course,’ I laughed. 

‘And are they very old?’ 

I thought for a moment. ‘Yes.’ 

The man looked at Jen. ‘I told you,’ he said to her. ‘We have a chance. We have a chance here.’ 

I was confused. ‘A chance?’ 

‘Can you get us some food, please,’ Jen asked. 

I’d never known someone ask anything in that way before. ‘Yes,’ I said. 

‘Good boy,’ the man said, exchanging a smile with Jen. Beth continuing to sleep. 

Then we heard, ‘What’s that?’ The voice was startlingly close. 

‘Don’t let them find us,’ Jen said. 

‘They’re my friends,’ I explained. 

‘They mustn’t know about us,’ the man said. ‘We can trust you Jim. But no-one else must know we’re here.’ 

‘Okay,’ I said. ‘Let me go out and I can lead them away.’ 

‘Go,’ Jen said. The man moved from the door. 

‘Hide,’ I said. Beth was beginning to move. The man began to put a few large and heavy old cans around them and began unrolling a black covering of some sort. I smiled. ‘I’ll be back,’ I said, ‘with food.’ Then I squeezed out of the doorway into the light of the wood. The door was quickly shut behind me. As I got out I saw Colin looking about. 

Turning, he saw me and shouted, ‘Tally ho!’ 

Root and Rob appeared. ‘We’ve got the stag,’ Rob shouted. 

Root called out, ‘Abby, Josh!’ 

They splayed out around me. I had to escape them and lead them from the shed. 

‘Get him,’ Doug shouted. They tried to grab me. But I fought them back. I wasn’t expecting the game to turn this way. 

‘What’s in that hut?’ Root asked as they prowled around me. 

‘Nothing,’ I said. 

‘Stags can’t talk,’ Abby said, arriving on the scene. 

Again they pounced on me – but I fought them off again. It was as if something had grabbed hold of me and was controlling my limbs. I’d never fought in this way before. Colin went towards the hut. I thumped Root in the stomach and threw myself at Colin, bringing him down. Then they began piling on me and I was like a boy drowning in an ocean of limbs. With all my determination I rose and gulped air. I saw Abby close to the hut’s door and then a blood-curdling scream came from within. Everyone stopped. I knew this was my chance. ‘It’s a ghost,’ I said. ‘It’s a monster,’ I added. ‘I saw it.’ Another scream came from inside. The others were frozen. I took a gamble. I got to my feet. ‘I’m free,’ I called out. ‘The stag is free. You can’t catch me.’ 

Running swiftly, I sensed their dilemma. Whether to go into the hut or save face and follow me. I knew what they would do and sure enough I heard their whoops and shouts again as they made chase. With all my remaining energy I ran as fast as I could. The farther from the hut I could get the safer they would be inside it. I knew this wood better than any of them but I had to lure them away. Keeping a short distance between us, I brought them to one of the main paths and ran hard so that eventually I found myself in open fields. Collapsing in the grass, it wasn’t long before they all arrived. 

‘Got you, you’re dead,’ Root said. And we all laughed. 

We lay in the grass under the hot sun, panting for breath. 

‘I didn’t know you were that good at fighting,’ Doug said. 

‘Nor did I,’ I joked. 

‘What do you think was in that old shed?’ Abby asked. 

‘Maybe a wild animal,’ I said. ‘Or a ghost.’ 

‘We should go back and investigate,’ Root said. 

‘No way,’ said Josh. 

‘Not today, at least,’ Colin added. 

‘If it’s a wild animal it could be dangerous. Best leave it alone and let it escape,’ I said. ‘If it’s a ghost, I’m going nowhere near.’ They all laughed. 

I didn’t say anything to my friends or my family about what I had seen in the hut in the woods. Instinctively I kept it a secret. But I couldn’t get back out on Sunday as my mother announced we were going to see my grandparents. The ones that the man had asked about. By the time we got back it was dark. It was Monday when I got home from school and packed my haversack with food I could find that wouldn’t be missed. I had plenty of time before the sunset, when my parents would worry about me. I told my mum I was off to play football. It was a very safe neighbourhood. 

Finding the hut was more difficult than I imagined and at one point I nearly went back home. But I thought of little Beth. Recalling where I had run as a ‘stag’ I eventually found the wooden hut. It felt as if the wood would eat it up by high summer. Looking around to make sure no-one was about I went to the rotting wooden door and knocked. At first there was no response. Pushing the door open, I heard Jen say ‘Who is it? Is it Jim?’ She sounded worried. I entered. ‘It is Jim,’ she said surprised. For some reason I felt as if she wasn’t expecting me. There was only Jen there. ‘They’ll be back soon,’ she explained as I was looking around. ‘Beth’s going for a bathe in the stream.’ 

‘Is everything okay?’ I asked. ‘Have you eaten?’ 

‘Yep. Monk got some food.’ 

‘Monk?’ 

‘My husband,’ she said. ‘It’s what people call him.’ 

The wooden hut was as tidy as it could be and the window was fixed. Taking off my back pack I handed it to Jen. ‘As much as I could get,’ I said. ‘And a bottle of my dad’s beer too, for…for Monk.’ 

‘He’ll enjoy that.’ Then, ‘You know we’re not from these parts?’ I nodded. ‘We’re not from around here at all,’ she said. I felt she wanted to say more but the door was opened fully and Monk came in holding Beth in his arms. ‘Jim.’ he said. 

‘Sorry I couldn’t get here earlier,’ had to visit my grandparents, then school.’ 

‘I understand,’ Monk said. He sat Beth down carefully and she immediately got herself onto her feet. I was absorbed by her movements. ‘Thanks,’ Monk said. I smiled at Beth. 

‘No-one has seen you?’ I asked. 

‘No.’ 

‘How long will you stay here?’ 

‘Not sure Jim,’ Monk said. They seem able to track us down.’ 

‘Who’s they? The police?’ I ask again. 

‘Not exactly,’ Monk said, looking over at Jen. 

‘Like the police,’ Jen said, ‘but we’ve done nothing wrong…’ 

‘Nothing but get old,’ Monk said. 

‘Monk!’ 

‘Getting old isn’t a crime,’ I said in innocence. 

‘Not yet, maybe,’ Monk said. Then, ‘Are you hungry, will you stay here and eat with us? 

‘You can help feed Beth,’ Jen said. 

Before I left I asked again if they, or Monk, were in trouble with the police. Jen again explained that they’d done nothing wrong but the authorities were after them. 

‘You believe us?’ Jen asked me. I knew she wanted me to believe her, that it was important what I, a boy, thought. I nodded. 

Monk said, ‘It’s been good to meet you Jim. Keep your wits about you. Try not to believe everything you’re told by your teachers or what’s on the news. Times can change. Time can…’ 

‘Monk!’ 

‘Time can be…’ he searched for his words. ‘Time can be a friend or a foe. It can be like the wind or as solid as a tree. But it’s still growing and changing.’ He looked at Jen. She smiled. ‘It’s been nice meeting you Jim,’ he said. ‘I reckon you’ll grow up into a fine young man. Don’t you think Jen?’  

‘Yes, indeed.’ She was holding Beth’s hands and bouncing her up and down. 

‘I’ll come tomorrow,’ I said. 

‘I think we’ll be gone,’ Monk said. ‘Have to stay one step ahead. Time’s catching up with us.’ 

‘Oh,’ was all I could say. I said goodbye to Monk and Jen and then stroked Beth’s hair. ‘She’s very nice,’ I said, ‘and she saved you from being discovered when she cried out.’ Jen and Monk looked at each other puzzled. But then smiled. 

As I left and looked back they were standing outside next to the door. ‘Take care,’ Jen said. ‘Grow up to be a good man. And stop them if you can.’ 

I waved. I wanted to ask ‘who?’. But I stopped myself. The next time I looked back they had disappeared. For some reason a tear formed in my eye and rolled down my cheek. I don’t know why. 

Root had come to the door. It was Friday night and we were going to town to get some pizza and chips for a treat. ‘Hi Root,’ I said. 

‘Hi Jim. Been police all over the village.’ 

‘Police, what’s happened?’ 

‘Looking for a dangerous prisoner who’s escaped. Never seen police that looked like them before.’ 

‘They there now?’ 

‘Don’t know.’ 

‘Hang on, let me get my shoes on.’ 

We ran into the centre of the village where the church was. No-one was about. Nothing. ‘I’ve got an idea,’ I said, ‘follow me Root.’ 

I ran down the lane, past the pub on the left where we had met the previous weekend. Root was right behind me. We got to the bridge and to the style and then we were up and over. Like the wind we rushed along the path and into the wood. ‘Where are we going?’ Root asked nearly out of breath. 

‘Can’t you guess?’ 

We went along a path and then I darted off down another, which was overgrown. ‘Come on,’ I said. ‘I know how to get there.’ We tore through the bushes and got scratched by thorns and spikes of branches but eventually I stopped, Root nearly crashing into me. ‘There,’ I said triumphantly. 

‘That old shed again,’ Root said. 

‘Where I beat you all,’ I laughed. 

I walked up to the door and knocked on it. Root thought this funny. There was no sound so I pushed it open. ‘Nothing,’ I said out loud. Monk had made a make-shift table which still stood there. It still looked quite tidy but the cans had been knocked over and there was no trace of footsteps in the dust of the hut’s floor. No rubbish. Not a mark. Root was looking about. Then on the table I noticed that there were stalks of grass – and they seemed to spell out something. It wasn’t obvious but I could see they spelt out ‘TIME’ and underneath them were two tiny letters written with blades of grass ‘JH’. I wasn’t being fanciful. I was sure they read TIME with my initials underneath. Well, they had to be mine. But perhaps the J stood for Jen? Without thinking I brushed the stalks and blades from the table top. Root looked at me and I looked back at him innocently. 

‘Why did we go to that hut?’ Root asked as we walked back up the lane.  

‘I wanted to see if there was a wild animal there, perhaps a deer’s calf…’ 

In the village a smart-looking man handed us a poster with a photograph on it. At first I didn’t recognise him but I realised it was Monk. Clean shaven, haircut. 

‘Seen him around boys?’ 

‘Who is he?’ 

‘A fugitive.’ 

‘What’s that?’ Root asked. 

‘Someone running from the law. He might have been with a young woman and a toddler.’ I looked at the man. ‘You know anything son?’ he asked. I wasn’t his son. ‘He could be dangerous.’ 

‘What’s he done?’ I asked. 

‘He’s broken the law.’ 

‘What’s he done?’ I asked again. 

‘He has stepped out of society,’ the man said, ‘stepped out of his obligations.’ 

‘What’s that?’ Root asked. 

But I had a strange feeling come over me. I looked up at the man’s face. There was something different about him but I couldn’t explain what. As we walked away the man shouted over to us, ‘If you see him, make sure you report him.’ Then after a pause. ‘We’re running out of time.’ 

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Short story: Glasses for the Blind

This story was originally part of my latest novel The Experience [to be published 2025]. It is one of five ‘outtakes’ that were originally threaded through the novel’s opening chapters. The job of these stories was to reflect or counter the nature of the narrative’s ‘reality’. Their style and viewpoint being contrary to that of the novel’s. It was eventually decided to remove them, simply to keep the continuity of The Experience’s particular style. Please feel free to comment. 

  • Tim Bragg

I arrived at a signpost with paths leading off in different directions. The day was warm, not hot. Spring was in full bloom. It felt as if the world was content with itself. As if there were no wars raging. The globe felt like it was alive and full of energy but at peace. All the destructive forces of humanity channelled into the delicate petals of flowers. The trees were in light leaf, some more than others. Each spring I felt hope and optimism for the future. It was natural.

A wooden signpost with the words 'PAST' and 'FUTURE' carved on two arrows, set against a vibrant blue sky and lush greenery, depicting a winding path.

The signpost was wooden, with its fingers pointing out and destinations carved. I looked up and was confused. There were five paths and on the signs was carved: The same way, A different way, An alternative way, The future, The past. I’d never seen such a sign. I half-smiled. Was it a joke? Someone’s or some council’s ‘bit of fun’? Was it cryptic? The air was still but from the trees that surrounded this meeting of paths came the melodies of birds. I looked down the paths that all began, at least, straight. Dividing the natural, organic nature of the wood.

I had no clear intention of where I was heading. I’d parked the car and left it in the carpark. I saw no-one. Earlier I’d dropped off my wife Hannah, with our twins, at the station. She was going to see her mother in the south of the country. There was nothing for me to do and no pressing engagements. I’d always wanted to see the castle ruins and check out the wood, maybe it was a forest, that surrounded. I had no communication device, just the original sign that pointed from the carpark. ‘Nature Trail’ it read and I followed it. There was no real intent to go anywhere. I imagined that the trail would be circular and maybe there’d be a picnic table somewhere for me to rest.

As I walked along, a whole host of thoughts passed across my mind. Jumbled and incoherent. But the more I walked the less jumbled they became and slowly my mind marshalled them into a coherent narrative. The problems I’d faced, I could view with rationality. Maybe it was the regularity of my steps on the earthen path. Sometimes my attention was disturbed as I found a stone or rock jutting out. But mainly I was lulled into making sense of things. Was life a chaotic mess – or was there order? Order behind it all at least.

I don’t know how long I’d been walking when I reached the sign at the five ways. The path I’d taken had led me there. I suppose I could have left it and gone into the wood. But walking along calmed me and I had the sun above in clear blue skies. Looking up at the sign I was half-amused and half-confused. It would have been reasonable, I presumed, to follow the sign which read ‘The same way’. That would suppose that I was on the right way. And I had no prior intentions as to where I was going. I was just meandering along, with my thoughts, as much as the path allowed. So, I could continue in the same direction or go a different or alternative way. ‘The past’ and ‘The future’ signs were more intriguing. The ‘different way’ would, I presume, take me to a different location, or just a different way to the same place. Taking either the past or the future meant I would have a different experience. ‘An alternative way’ would certainly suggest arriving at the same destination. The question was – what did it mean by alternative? No, I was more charmed by either the future or the past. There I was at the five ways in the present. At the present? What does it even mean ‘the present’? I’d never catch up or slow down enough to be in that present. The present was as elusive…well as elusive as the butterfly that delicately flew before me as these thoughts were forming.

‘The past’ was simply pointing back to the way I had come. But at the start of the path it had signed to the future or even the present. Therefore I was intrigued to think that if I went back the way that I came that I might find the path changed in some way. I couldn’t help imagining that if I returned maybe the path would be changed radically, or I would be changed. It was tempting. If I turned back and found both the path and myself changed then would I even know where I was. And if I panicked and went down the same path again, as I had done originally, would I end up somewhere completely different? Then again would it even be the same path?  Was the past and the future set?

I decided to take ‘The future’. In many ways this seemed to be the logical path to take. The future was inevitable, wasn’t it? Thus, I was compelled to take that way. I might have thought more deeply about this and even considered taking the path to the past was also, in some way, the future. But I was content enough with my decision. And in curious but good spirits I began walking this new way. This future path began in much the way as my old path had been. Trees were either side of me and I could hear the birds singing and the sun was above me shining brightly. And yet everything seemed new to me. Familiar but at the same time strange. As if I were not sure of my place in the world – I felt slightly apprehensive.

As I continued to walk, I noticed from time to time, paths leading off from the one I was on. There were no signs. The paths appeared like the one I was on except some were more used than others. I had no idea where they led so presumed whoever had used them previously knew where they were going. Or perhaps they had simply walked into the wood on a whim, or seen or heard something that they followed. In which case the first person to walk into that now path had randomly or suddenly veered off. Then I thought that all paths began with a single person doing this. There had to be something about that way, or decision, that led others to do exactly the same before the path was used enough to become, well, a path. A recognisable way.

I was thinking all of this when I noticed a figure in the distance before the path turned to the right. It cheered me seeing a fellow human. As I got closer to the figure, I could see it was an old man, dressed in fairly baggy trousers and an old worn tweed jacket. He also had a worn black hat on his head. As I approached I smiled and said hello.

‘Hello,’ he answered.

‘Where does this path lead to?’ I asked.

The old man looked at me. A smile further crinkled his lined face, ‘Don’t you know?’ he asked.

I shook my head and said, ‘I don’t.’

‘Why, tis the future,’ he began, ‘the path here leads to the future. Didn’t you see the sign?’

‘Is that the name of a pub?’ I asked, presuming he wasn’t referring to the sign at the five ways.

‘A pub? You mean a public house?’

‘Yes.’

‘I wouldn’t know,’ he said. ‘I don’t drink. Never have seen a public house where I live.’

‘You live in a dry town?’ I’d heard about such towns and villages but thought they belonged in the past.

‘No idea what that is,’ he said. ‘Gets good and proper wet at times,’ he smiled.

‘What’s the name of the town you live in?’

‘Tis no town, tis a village,’ the man said.

I was feeling a little exasperated, ‘Well the name of your village.’

‘It’s called Foresite. There’s a manor house there, Foresite Manor.’

‘Thank you. How far is it?’

‘Far? Tis no distance,’ he said, ‘tis no distance at all.’

‘Thank you,’ I said again. He touched his hat and we continued on our ways. As we passed, he looked at me with a smile. He seemed familiar. He could have been my grandfather. I smiled back.

I walked on and when I thought it proper, turned and looked back. But the old man had disappeared. The path had turned slightly, so I ran back farther to see where it was straight and a good view beyond where we’d stopped and talked. Nothing. I imagined him sprinting down the path and out of sight. Then I laughed, he was probably in the wood somewhere relieving himself, or maybe he’d taken one of the turnings between the trees. Walking at a brisk pace, feeling somehow renewed, I carried on. I even began whistling. I didn’t normally whistle. Eventually I came to a village.

There was no sign telling me what the village was called. It wasn’t on the path but rather the path forked and it lay to the left. Once houses appeared the path became a road. Not much of a road. No cars about either. The houses were cottages for the most part. They looked old – they were old. What was I thinking. As I continued, I could see a square ahead. And a church spire suddenly became apparent. How had I missed that? There were shops either side of the entrance to the square. I knew they were shops but they looked empty.

‘Looking for anything?’ came a voice. I looked around and across the square with its plane trees and wrought-iron benches. The church was at the top right, its huge wooden doors and metal rivets clearly visible even from where I was. ‘Looking for anything?’

I then realised the voice was coming from an upstairs window above the shop on my left. Looking up I could see a young man staring down at me. ‘Hello,’ I said.

For the third time he asked, ‘Looking for anything?’

‘Is this village called Foresite?’

‘Yes, it is,’ said the young man. ‘Have you come from the past?’

‘The past?’

‘Yes the past,’ he called down. ‘Wait there.’

I waited outside, there was still no-one around. I heard the jingling of a bell and the shop door opened. The young man stood there gazing at me. ‘Come in,’ he said. ‘Come in.’ I followed him inside the shop. It wasn’t empty but sparsely stocked with what looked like wooden gadgets. If they were toys I had never seen their like.

‘Forgive me,’ the young man said. ‘May I touch your face?’

I recoiled slightly, then realised he was blind. ‘Of course,’ I said.

He felt the shape of my head and face, his touch was light and sensitive. ‘Thank you,’ he said. ‘I can gain a sense of someone’s spirit in this manner.’

‘By touching their face?’ He nodded. ‘I didn’t know you were blind,’ I said.

‘Thank you, though it is of little consequence. I have been blind all my life and know this shop and this village as if I could see. Though I don’t know what it is to see. People try and describe sight to me but it makes no sense. I see with my hands and with my body. I can feel when things are around me. When it rains the sound of the rain hitting the rooves of houses or the branches of trees gives me their shape and position. Or I can hear when the wind blows through branches, and if the trees are leafless I can hear the creak of a bough.’

I was impressed. But I had to ask, ‘You asked me if I were from the past.’

‘Yes indeed, but follow me, I have rooms upstairs.’

Deftly, he weaved between obstacles then climbed the old, winding stairs. I followed tentatively. I had some story to tell my wife and the young twins would be spellbound. I watched as he entered a room and bid me follow. ‘Please take a seat,’ he said. ‘Would you like a drink?’

‘If not too much trouble,’ I answered awkwardly. He smiled. There was no look of a blind man about him. His face and eyes appeared perfect.

‘The past,’ he said.

‘Yes, in a manner,’ I replied hesitantly.

‘I presumed you were from the past. The way you sounded as you moved and waited by the shop. And then when you said ‘hello’ I knew for sure.’ Handing me a drink of coffee, which he’d poured from a pot, he also sat down at the table. I wanted to ask him how he knew when to stop. But I thought that impolite. When he spoke he looked directly at me. His eyes were a cool blue colour and betrayed no blindness.

‘I’m not really from any past,’ I began. ‘I don’t think.’ I recalled I was following a sign to the future but surely this village was from the past, rather than me. It certainly felt that way. ‘I suppose, technically, we’re all living in a kind of past,’ I explained.

‘What year is it?’ he asked.

‘1979,’ I answered.

He seemed very happy. ‘Then you are from the past,’ he exclaimed. ‘I thought so, my senses never let me down. Rarely,’ he added. ‘We haven’t introduced ourselves,’ he said. ‘My name is Root. And yours?’

‘James,’ I said.

‘This is quite exciting,’ he said, ‘it’s been a long time since I’ve talked with someone from the past. I was beginning to think I never would again. I always think it strange that you find this village though.’

I was somewhat perplexed. ‘I rather thought this village was from the past,’ I said. ‘It looks quite an historic place.’

Root laughed. ‘Of course not,’ he said exuberantly.

He asked me many questions about my life in 1979 and what I remembered from my past. He was very curious. He wanted to know many details. I was fascinated by this young man and I was more than willing to give him information. He really wanted to know details about my childhood during the war. And as I told him I was taken back into the past.

Abruptly he stopped speaking. I looked into his eyes. Then turned my gaze away for fear that some magic existed inside them and that he could ‘see’ me without seeing.

‘I have to show you something,’ he said. ‘Come with me.’ He retraced his steps to the shop’s front door. I wanted to ask him about the wooden gadgets but he was swifter than me and ushered me outside. As we stepped out, the village seemed full of people. They looked at me quizzically. At least I thought they looked at me, but as I walked with Root in front, they often bumped into me. Eventually I asked Root, ‘Are all the village folk blind too?’

He laughed. ‘No. No, not at all,’ he spoke with an air of playfulness.

‘But they keep bumping into me,’ I said.

‘Yes, of course,’ he replied. ‘Hold my arm,’ he said. I thought it was for me to guide him across the square, milling with people. But I soon realised it was him guiding me. We reached the church doors, the huge doors I had seen from the other side which I now saw contained a smaller door which was left ajar. ‘Be careful,’ he said. ‘It’s very dark inside.’

I smiled.

We walked in and he gently let go of me. I looked around, adjusting my eyes to the lack of light. It was a spectacular cavern of a church. I wanted to shout out or sing.

‘This way,’ he called. I followed him holding on to the end of a pew when he made a sudden turn. We went close to the alter where there was a huge case and many lit candles.

‘This is wonderful,’ Root said. Quickly, he opened the dark-wooded case and searched for something. Instinctively I wanted to help him. Yet, he seemed dexterous, as if he could see in the dark. I even grew suspicious of his professed blindness. ‘Here,’ he said. ‘Here.’ He took a huge heavy book and rested it down on the flat surface in front of the case’s opened doors. Lying the book down – he seemed to know where to turn to – he held out his hand to beckon me closer.

‘Please, tell me,’ he said. ‘Tell me.’

The darkness meant I had to take my glasses case from inside my jacket. Opening it, I took the glasses out and rather self-consciously put them on.

‘Look,’ he said, ‘look.’

And I looked. I peered close to the page he had turned to.

‘Tell me what it says.’

I started to read but I was quite shocked and unnerved as I did. ‘James William Holden a member of this parish, born 1933, died 2013.’

‘You see?’ he asked.

I looked around, a little confused. Whoever this was had the same year and the same date of birth as me.

‘You see?’

‘I’m not sure what I’m meant to see,’ I began.

‘It’s you. You. I knew. As soon as you said ‘James’. I knew. And I’m the only one who can see you.’

‘You can’t see me,’ I said. ‘You’re blind.’

‘I am blind,’ he said gently. ‘But I can see ghosts.’

‘Ghosts?’

‘Yes, ghosts like you James. Dead people. From the past. It’s been some time but they all arrive here eventually. You’re one of the last. Wonderful,’ he said.

I stepped back. Was he a madman, or was I a dead man? Was any of this real?

‘They, you,’ he said, ‘have to come back while you’re alive. But in fact you are really alive and dead. Both at the same time. It’s fine,’ he reassured. ‘You’ve come home,’ he said.

‘But I have no recollection of this village,’ I said.

‘Step outside with me.’

Carefully closing the book and then returning it to the case, Root led me from the dark interior of the church to the outside, where I was blinded by strong light.

I opened my eyes and found myself in my childhood home’s village. Exactly as it was. It could have been before or during the war. People smiled at me but stared straight through Root.

‘Hold my arm,’ I said to him. ‘I’ll take you back.’

He laughed.

Some boys came running through the square. They stopped, saw me. ‘Jimmy,’ they called out. ‘Jimmy where you been?’

I looked at the boy. ‘Root? Is that you Root?’ He laughed out loud. I felt my arm grow heavier and when I turned from the boys, my guide, Root had disappeared.

‘Come on Jimmy, come with us, we’re going to play hide and seek in the wood.’

For a moment I thought I had lost my mind. I could feel my glasses case now in a pocket. But my vision was as sharp as an eagle’s.

The hesitation I felt evaporated. ‘Coming!’ I called and found myself running hard to catch up with my friends.

Overhead a bomber flew low.

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Water on Air

This story was originally part of my latest novel The Experience [to be published 2025]. It is one of five ‘outtakes’ that were originally threaded through the novel’s opening chapters. The job of these stories was to reflect or counter the nature of the narrative’s ‘reality’. Their style and viewpoint being contrary to that of the novel’s. It was eventually decided to remove them, simply to keep the continuity of The Experience’s particular style. Please feel free to comment.  – Tim Bragg

I woke after some vaguely disturbing dreams. I tried to hang onto them, to analyse them, but the more I tried, the more I left them behind. My wife was next to me. She turned around.

‘Are you awake Hannah?’ I asked.

Her eyes flashed open. ‘Hannah?’

Was I back in my dream. ‘Hannah?’ I asked, unsure of her reaction.

‘Who is Hannah?’ she asked.

I sat up in the bed, rubbed my eyes. ‘Hannah?’ I asked again.

She too sat up and stared at me. ‘Are you still dreaming?’

‘I don’t think so.’

She reached over and pinched me. I flinched. ‘You’re not dreaming,’ she said. Then she smiled. ‘I see,’ she said.

‘You see?’

‘Did you have any dreams?’

‘Yes.’

‘Think,’ she said.

‘Think? Of what?’

‘You’re not fully awake,’ she said. ‘You think I’m Hannah.’

I did think she was Hannah. Perhaps I was still in a lingering dream, that somehow touched my awakened state. But that didn’t explain why Hannah was behaving the way she was.

‘Sometimes you’re so strange. After all these years, you’d think I’d be used to you. Jim. Hello Jim, wake up. Wake up,’ she teased.

‘I am awake. And don’t call me Jim. You know I don’t like that.’

‘You do like that,’ she said.

‘Why are you acting so strange,’ I said. ‘What’s going on?’

She seemed to grow a little more serious. ‘Think,’ she said.

‘I am thinking.’

‘This is crazy,’ she said. ‘You’re doing this to wind me up aren’t you? One of your games.’

‘Hannah?’

‘No, I am not Hannah. Who is Hannah?’

I got up and walked to the window and looked out. The trees in the distance were familiar. I wasn’t dreaming. But was I going insane? Is this how it begins? Why was she acting the way she was. Perhaps I was in a dream still – a lucid dream. I said to myself, ‘James, wake up, wake up.’ But I was awake.

‘Who is Hannah?’ she asked again.

I resisted replying that she was. What was I to do. I had to think. ‘This is crazy,’ I said.

‘You’re crazy.’

‘Why me? You don’t even know your own name.’

‘I know my name,’ she said. ‘You can’t even remember liking being called Jim. Have you been smoking?’ She became very serious. ‘Maybe it’s stress,’ she said.

‘This is utterly crazy,’ I said. ‘Are you doing this on purpose?’

She laughed. Then she stopped. ‘You need to see a doctor. Or if this is some great big wind up…or,’ she paused. ‘You’re not playing with me?’

‘Playing?’

She smiled. ‘Am I a character?’

I thought. This was an odd thing for her to say. ‘What do you mean?’

‘Are you creating? Are you trying out dialogue? You’ve done it before. You did it with your last book Which was years ago. But I remember that. I thought you were going mad then, remember?’

Was I creating? ‘Listen,’ I said. ‘I really don’t know what’s going on here. I don’t like this. I don’t like how you’re behaving, if you’re trying to be funny, or clever, it’s not working.’

‘Are you trying to be clever?’ she asked. She got up and walked past me. ‘Who is Hannah?’ she asked.

I could feel the heat of her rage. She was holding herself back, but I could feel it. ‘I thought…’ I was going to say that I thought she was Hannah. But she was Hannah. I was questioning my own sanity.

I could hear her in the bathroom. I could feel the tension. I decided on another tack. Perhaps she was ill? She’d been under some tension, there was a lot going on. I got dressed quickly and went to the bathroom door, which she’d shut. I tapped. ‘Hannah?’

‘Fuck off!’

‘Please. I don’t understand what’s going on. We need to talk.’

‘I don’t want to talk with you,’ she said. And in case you forgot,’ she stressed, ‘it’s Jen. Jen! You remember now?’

‘Jen,’ I said out loud, confused.

‘Ah, now you remember. You just wanted to annoy me. First thing. Put me in a bad mood. Well you succeeded.’

Jen. That was odd. That was an odd name for her to have chosen. I was perplexed. The door burst open and she pushed past me.

‘Jen,’ I said.

‘Too late, you’ve managed to ruin the weekend already. Well done.’ She stamped down the stairs.

Jen. Interesting. She’d chosen the name of my heroine. From my novel. The novel that was fighting for its life. The novel that didn’t seem to go anywhere and I’d left Jen, Jenny in a predicament. Uncertain of which path to take. I’d lost control of the narrative. Perhaps Hannah had read the opening chapters. She didn’t normally. Normally she left me to get on with writing. Writers are admonished not to speak about their work. Write don’t tell.

In the kitchen she was making breakfast. As I entered she turned to me, ‘Make your own. There’s coffee on the table.’ I always drank tea in the morning. ‘Get Hannah to make your breakfast,’ she spat. I wanted to hold her. Whisper to her. But I was unsure. Unsure of everything. We sat in silence at the table in the living room. I sipped the coffee, it tasted dirty. Eventually I broke the deadened atmosphere. ‘Have you been reading my novel?’

‘Why?’

‘I just wondered.’

‘No,’ she said.

I sipped some more of the coffee, looked at her. I could see she was hurt. ‘The main character, well, one of them, is called Jen,’ I said. ‘Jennifer.’ I could feel her brittleness.

‘And?’

‘I think that’s…funny,’ I said.

‘Funny? So now you think my name is funny?’

‘No, no…obviously not,’ I said. ‘The fact that you think your name is Jen. Jennifer.’

‘I don’t like being called Jennifer,’ she said.

‘That’s the same as my character,’ I exclaimed.

‘Perhaps you made me up?’ she said. ‘Perhaps you’ve made everything up.’

‘No, no, don’t be…’ I was going to say ‘ridiculous’ but stopped myself. ‘I mean, it’s funny, a coincidence,’ I stressed. I looked at her. Did I know her? I thought I did. I mean I absolutely did and yet now she seemed more like a stranger. I changed tack. ‘Do you think I’m losing my marbles?’

Looking at me, I could see she wasn’t sure if I was being serious or not. ‘Well you can’t remember your own wife’s name. You think I’m named after a character in your novel. So. Quite possibly.’

‘Seriously, what if I’m, losing it? What if your name is Jen and I’m making it all up?’

‘That’s my name. And I was called Jen long before we met. My dad wanted to call me Rose and my mother Jennifer. That’s why I’m Jennifer Rose, and because my dad wasn’t too happy he’s always called me Jen.’

‘Have you told me this before?’

‘So many times you usually say…’ She stopped herself, realising that whatever I would normally say, I wasn’t saying now.

‘What do I usually say?’

‘It doesn’t matter,’ she said. She became solemn. ‘Jim. James. I think perhaps you need to speak with someone.’

‘Who?’

‘Just one of your friends, or perhaps…’

‘Perhaps what?’

‘One of your friends. What about Doug. He’s level-headed.’

‘Doug. So we agree I have a friend called Doug.’

She smiled. Stopped and became very still. ‘Jim,’ she said kindly, please, if this is some kind of joke, some novel plot you have going, some need to act things out in real life…please…’

‘It isn’t anything to do with any of my writing. But you know I write?’

‘Yes, yes of course.’

‘So I am a writer?’

‘Yes. Not very successful…’

‘No,’ I agreed. ‘Are we married?’

‘Yes, of course.’

‘You’re called Jen’

‘Yes,’ she smiled, ‘do you remember now?’

I shook my head. ‘In my novel the heroine is called ‘Jen’.’

‘Yes, if you say so.

‘I have a friend called Doug?’

‘Yes.

‘And Colin?’

‘Yes, him too,’ she snarled slightly.

‘And Root?’

‘Root?’

‘Yes Root, you know he was my best friend, still is, but he’s in South America now.’

‘Root? Are you kidding me?’ she taunted. ‘What kind of name is ‘Root’?’

‘It’s what all the kids called him, call him…If he even exists!’ I got up and paced up and down the room. ‘Maybe this is you, Hannah, Jen, what-the-fuck-ever. Maybe it’s you gaslighting me. Yeah. Maybe so. You know Doug and Colin but you don’t recall Root. And – let’s get it out in the open – you know why he’s in South America? You had an affair with him. Remember that? Or have you casually forgotten that bit of life.? Like you can’t remember I don’t like being called Jim. Like you can’t even remember your own name. And, funnily enough, you think you’re called Jen. And you haven’t read my novel yet but you probably know that Jen has an affair in that too. Is there something you need to tell me Jennifer?’ I spit out in rage.

‘You’re fucking nuts,’ she said. ‘That’s it I’m done. Nuts. I’m out. Enough of this. I mean I should have listened to Kara…’

‘Kara? That bitch?!’

‘Ah, now it’s out. Now it is out. I thought as much. She said to me, don’t marry that man. He’s a bit, you know…’ she twisted her forefinger against the side of forehead.

‘What did she say?’

‘Spends too much time in his head…making things up. A contender for the funny-farm. You know, that kind of stuff Jim.’

‘Doesn’t surprise me,’ I said. ‘Hey, go ahead and twist the knife now you and Kara have it in my back. She was always a bitch, calling herself a feminist and manipulating all of you uni-pod friends…’

‘Uni-pod?’

‘Yes.’

‘That’s it,’ she said. ‘You’ve lost it. You’ve lost it,’ she was shaking and could only repeat herself.

‘Lost what?’ I taunted.

‘You’re having a breakdown Jim. You’ve let all those words and ideas get in your head.’

‘That’s where they’re from, Hannah. Han-nah. That’s where they’re from. The ideas and thoughts come from my head. Least. Well…’ I wasn’t sure where all my thoughts and ideas came from. ‘I’m going out,’ I said. ‘Getting some air. You think I’m mad. Cuckoo. Ban-na-nas. Don’t you? Well I think you are, whatever your name is. Maybe I’m making you up right now.’

‘That is so fucking typical,’ she said. ‘Such a narcissist.’

‘You don’t even know what it means,’ I retorted.

‘Just get out,’ she said.

‘Try and stop me.’

I left the house and slammed the door. Outside the sun was shining. The postman came whistling down the lane, close to where the pub was. He smiled. Then we both heard a car revving up and Hannah, Jen, whoever she was – blasting down the lane. ‘She’ll kill someone,’ the postman said.

‘She’s upset.’

‘How’s the writing going?’ he asked me. ‘No large envelopes for you recently. Submitting online?’

‘I like the old-fashioned way,’ I said, thinking about Hannah.

‘I had a good idea for a story recently,’ the postman said.

‘Do you write?’ I asked. Glad of his company.

‘Not really,’ he answered, ‘but I do have ideas.’

‘Ideas?’

‘Yes, I had an idea this morning that really stuck with me.’

As a writer, even a writer whose wife was mad and who had run out on him, I was always listening out for ideas.

‘Yes,’ he said. ‘The idea’s probably been done a million times before. But I imagined being in bed and not knowing who the woman lying in bed next to me was. And I don’t even know her name…’

‘Are you kidding me?” I asked.

‘You think it’s good?’ his eyes had lit up.

I brushed my hair back. ‘It could be interesting,’ I said.

‘One of those odd tales you hear,’ the postman continued.

‘Yes. Yes. Listen I have to go back inside and make a few calls. In private.’

‘I understand,’ he said.

I was deeply unsure of everything. And found myself doubting my own sanity. I wanted to be sick. Sick.

Oh, before you go,’ he said, ‘I have this letter for you. Great to get a letter isn’t it? They’re in vogue again. Means something.’ He handed me the letter which had exotic-looking stamps.

‘From Argentina,’ he confirmed. ‘Must be your daughter,’ he smiled.

‘Yes. Yes,’ I said. ‘Must be.’ I looked at the envelope. She was there in Argentina with my best friend. Well he was my best friend. ‘Thanks.’

He waved as he walked on over the road and down the lane.

I took the letter in. I ripped it open and read her words. I sat down and put my head in my hands.

Waking up in the bed I could see my wife next to me. I was half-dressed. I must have drunk to forget. Forget what? I’d had strange dreams and ideas were beginning to form. My wife turned to face me. ‘God you were drunk,’ she said. ‘Never seen you that drunk before James.’

‘Hannah?’ I asked in a soft but gruff voice.

‘What is it?’

I had thoughts come tumbling in but I felt bad and rolled onto my back. ‘Nothing,’ I said.

‘Nothing?’

‘No nothing. I feel rough. Why did I drink so much? It’s this life,’ I said, ‘this, I don’t know, this experience. Gets to me sometime.’

‘At least you’ve finished,’ she said.

‘Finished?’

‘Wow you really did drink a lot. Your novel. You finished the novel. At last.’

‘Jen?’ I asked seemingly out-of-the-blue.

‘She got her just rewards,’ she said. ‘I read the end. That bitch had it coming to her.’

I smiled. But I feel guilty,’ I said.

‘They’re not real.’

‘Who?’

‘The characters.’

‘Not real,’ I murmured. And I was out like a light.

Falling through the air I felt myriad images pulling me this way and that. Would it be like one of those dreams where you hit the bed with a bump – leaving your stomach behind and waking with a start? Or would I be gently held mid-air and slowly, slowly brought to the surface. Tranquil waters resting atop of the cushion of air. Maybe, but the waters were already very choppy.

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The Secrets of Café Sol: A Thrilling Tale

Chapter One: A Coin and a Cup

Rain had just stopped when Jo DaCosta lit her cigarette outside Café Sol. The pavement glistened under the morning sun, and Camden’s streets shimmered with a damp, electric sheen. She watched the steam rise from manhole covers like breath from the city itself.

Inside, the café was mostly empty. Jazz trickled from an old speaker in the corner, and the waitress gave her a familiar nod. Mia Petrova was already seated at their usual table, back to the wall, gaze sweeping the room. Jo slid in opposite her without a word.

A woman in a black leather jacket stands near the entrance of a café, while a man in a dark coat sits at a table, focused on a cup of coffee with latte art.

Mia’s black hair was tied back messily, her leather jacket soaked at the shoulders. She cradled a mug of flat white like it was the only warm thing left in the world.

Jo spoke first, voice low. “You feel it?”

Mia didn’t answer. She didn’t need to.

It had started three days ago, after the woman in 42B was found dead. No sign of forced entry, no trauma, no explanation. Just a body on the floor, hands folded neatly on her chest, as if waiting for someone. A name scribbled in a foreign hand on a slip of paper beside her: Joana D.

Jo hadn’t slept properly since. And neither had Mia.

Then the courier came.

He entered Café Sol like it was just another delivery. Mid-thirties, lean but muscular, olive skin, a shaved jawline, dark curls barely tamed under a hood. He wore a standard-issue courier jacket, but something about the way he moved—deliberate, observant—made Jo sit straighter.

He didn’t order. Just walked to the back and sat, alone. Pulled a tarnished silver coin from his pocket and tapped it against a chipped ceramic cup.

Clink. Clink. Clink.

The sound drilled into Jo’s nerves. Mia’s eyes flicked up to the mirror behind the bar—where the man’s reflection revealed something his posture did not: a discreet black earpiece curled into his right ear.

Jo’s gaze narrowed. “Courier, my ass,” she muttered.

Mia nodded slightly, her voice barely above a whisper. “Cufflinks. Gold. Monogrammed.”

Jo turned her head slowly and saw it—something gleaming beneath the edge of his sleeve as he adjusted his collar. A flash of old money. Incongruent. Intentional.

The man didn’t look at them. Not directly. But Jo had been a fixer, once, in places where looking directly meant losing everything. She knew surveillance when she saw it.

He was waiting. Watching. And not for coffee.

Chapter Two: The Storage Unit

They followed him the way ghosts follow warmth—quiet, persistent, and with the knowledge that once you’re seen, the game is over.

Jo stayed on foot. Her boots slapped softly against wet cobbles, her breath visible in the cold spring dusk. Mia trailed behind on her old Vespa, a rumbling relic of university days, now a dependable second set of eyes. The bike’s muffler coughed every few blocks, but in the noise of Camden’s nightlife, it didn’t matter.

The courier made no attempt to shake them. Either he hadn’t noticed, or he wanted to be followed.

He led them through alleyways behind Chalk Farm, past shuttered thrift shops and graffiti-slicked walls, then out onto the northern ring road. There, behind a chain-link fence and a rusted sign that read Civic Storage — Units Available, he stopped.

The unit he unlocked was low, gray, and unremarkable, save for the faint scent of paraffin that leaked from its seams. Mia killed the Vespa’s engine and coasted into shadow. Jo tucked herself behind a dented skip, watching.

The man pulled the shutter half-closed behind him.

Jo glanced over her shoulder, met Mia’s eyes. No words. Just instinct.

She crept forward first, keeping her profile low. Mia followed.

Inside, they found something that shouldn’t have existed.

Dozens of photographs hung from twine nailed across the unit’s concrete walls, like crime-scene bunting. Some were colour snapshots: Jo walking out of a Miami nightclub in 2008. Jo boarding a ferry in Rio. Jo stepping off a train at Paddington just last week.

Others were grainy black-and-white stills. Surveillance. Long-lens, high angle. Her. Always her.

Mia crossed to the far corner. There, neatly pinned with a single rusted tack, was a photo of the dead woman from 42B. Hair loose, lips parted slightly in what might’ve been sleep. Her eyes, closed. Peaceful.

Mia turned it over. One line written in a jagged, impatient hand.

Ela era a primeira.
She was the first.

Jo’s skin prickled. “Whoever she was… we weren’t meant to outlive her.”

They barely had time to take it in before a door creaked behind them. Jo spun. The man was back—framed in the half-light, eyes calm.

He didn’t speak. Just flicked a lighter and dropped it.

Fire bloomed instantly—liquid accelerant had soaked the walls and floor. A roar of heat and smoke drove them backwards. Jo lunged for the desk, grabbed the nearest thing she could—an old, leather-bound notebook smouldering at the edges—and bolted with Mia through the rising smoke.

They burst out into the alley coughing, eyes streaming. Behind them, the storage unit burned.

By the time fire crews arrived, there was nothing left but melted film and ash.


They walked home in silence.

Mia rode with her Vespa engine off, coasting next to Jo. The notebook cradled in Jo’s coat reeked of smoke. Its pages were singed, but some words—some pages—remained legible. The writing inside was strange.

Familiar.

Mia stopped her bike outside Jo’s building. “You saw it, right?”

Jo didn’t answer immediately. She ran her fingers along the notebook’s edge, then nodded.

“Yeah. My mother’s handwriting. And yours.”

Mia looked up, confused. “What?”

“Pages. Dated twenty years apart. Some in your diary style. Some in hers. Same ink. Same words. She was the first.

Mia stared, silent for once.

That night, they didn’t sleep. The city did. The lights dimmed, the fog rolled in off the Thames, and somewhere—high above them or maybe just beneath their skin—a new sense of purpose took hold.

Whatever they were part of, it didn’t start with them.

And it wasn’t over.

Chapter Three: Ghosts oChapter Three: Ghosts on Paper

Jo sat at the cracked desk in their makeshift office above Café Sol, cigarette smoke curling in lazy spirals toward the flickering ceiling light. The notebook lay open like a wound between them, its pages stiff with soot. The room was still, save for the faint hum of the espresso machine downstairs and the scrape of Mia’s boot against the wooden floor.

They’d read the same lines a dozen times, but the words refused to dull with repetition.

January 12th, 1999.
She dreams in fire again. She says the watchers are waking. She says I must prepare Joana. I fear we’ve passed it down.

Jo traced the loops of the handwriting with her fingertip. “It’s hers,” she murmured. “My mother. This is her script. Even her phrasing. She used to talk in riddles near the end.”

Mia leaned in. “This part—look.” She pointed to an entry in cramped, slanted letters that echoed her own teenage journals:

April 3rd, 2011.
Sometimes I feel her in my spine. Like a memory that’s mine but isn’t. I see a red door. Always that red door. And someone humming behind it. I think Jo is in danger.

Jo exhaled slowly, eyes haunted. “You didn’t write this?”

Mia shook her head. “Not a word.”

The notebook was stitched together from two lives. Words that belonged to them, written long before they’d ever met. Entries decades apart, but somehow linked—mirror images in different hands.

“You ever black out as a kid?” Jo asked quietly. “Lose time?”

Mia nodded, almost absently. “When I was thirteen. Two days, gone. My mother said I ran away. I don’t remember a thing. Just… salt in my mouth. Like I’d swallowed the sea.”

Jo looked up, meeting her eyes. “Same thing happened to me. Rio, 2004. I woke up on a rooftop. Holding a key I’d never seen.”

They both fell silent.

Mia closed the notebook. “This is bigger than surveillance. Bigger than the dead woman. It’s…” She paused, searching for the word. “Inheritance.”

Jo stood, pacing to the window. Outside, a man with a limp dragged a bin across the alley. The pub next door let out its regulars in a lazy wave of drunk laughter and car horns. But Jo felt none of it.

“There’s something ancient underneath all this,” she said. “Like we’ve stepped into someone else’s memory. And now it’s bleeding into ours.”

Behind her, Mia’s eyes lingered on the final entry:

She was the first. You are the last. It must end with the flame.


They drove to 42B Dockside Row the next morning.

The building had been sealed with crime scene tape, but Mia knew how to slip locks like a magician. They stepped into the dim corridor where Lúcia Santos—“the woman in 42B”—had died.

Her flat was neat. That was the first wrong thing.

Dishes still drying in the rack. A half-read novel on the armrest. One mug, still faintly warm. No sign of struggle. No blood. Just absence, neatly packaged.

Jo wandered to the bookshelf. Most of the spines were in Portuguese. Poetry. Mysticism. A tattered first edition of Fernando Pessoa marked with handwritten notes in the margins. Mia drifted to a small table by the window. On it sat a leather pouch, unzipped, revealing a pendant: obsidian, oval, set in copper filigree.

She held it up. “This was hers.”

Jo looked over, and her stomach turned.

The pendant matched one her mother had worn for years, right up until the day she died in Lisbon.

“It’s a key,” Jo said, almost without thinking. “Not literal. But it… opens something.”

Mia’s breath caught. “Jo.”

She pointed to a painting above the bed: a crude oil portrait, faceless and dark. But behind it, scraped into the plaster, were words.

O olho que tudo vê.
The all-seeing eye.

Beneath it: a red spiral.

A symbol Jo hadn’t seen since childhood, carved into the underside of her mother’s nightstand.

Her voice dropped. “We’re not being watched. We’re being remembered.”

A noise at the door.

Both froze.

Footsteps in the hall. Slow. Deliberate.

They didn’t wait. Mia pocketed the pendant, Jo grabbed a faded journal from the bookshelf, and they slipped out the rear balcony just as the lock turned and the door creaked open.

Neither dared look back.

Certainly — here’s the next chapter:


Chapter Four: Vespa

He was born Marco Duarte, in Porto. But by the time the Portuguese police compiled their first dossier on him, they’d already scratched out his name and scrawled a different one in red ink: Vespa.

It started as a joke—he rode a beat-up silver scooter through Lisbon’s Alfama district, ferrying messages for men too dangerous to own phones. But the name stuck long after the scooter disappeared. By twenty, he was fluent in five languages, forged passports for half the Balkans, and wore bespoke suits to funerals no one else knew had happened.

Nobody ever hired Vespa twice. Not because he failed, but because he left the job changed. Tilted. Cursed, some said.

Jo had crossed paths with him once in Caracas. Or maybe Bucharest. The memory blurred, but the feeling didn’t: like standing in a shadow that didn’t belong to anyone.


Now, he was back in London.

They found him through old favors—Mia still had a contact at GCHQ who owed her for a discreet cleanup in Prague. The tipoff was simple: Duarte was operating again. He’d landed at Heathrow four weeks earlier. No passport on file. No visa. Just a customs stamp tied to a diplomatic pouch.

Officially, he didn’t exist.

But a whisper traced his trail through the criminal underground: Camden, Soho, Hampstead. Always trailing women with Portuguese names and faces that matched old surveillance prints.

Jo and Mia followed the breadcrumbs to a derelict flat above a pawnshop in Dalston.

They waited until just after midnight.

Mia picked the lock. Jo kept low, Beretta drawn—not standard issue, but a gift from her mother’s old contact in São Paulo. The flat reeked of old books and linseed oil. In the centre of the room, under a single lightbulb, sat Vespa. Calm. Waiting.

He looked older than Jo remembered. Deep lines around his mouth. Gray at the temples. But his eyes were the same: cold, calculating, and utterly still.

“You’re early,” he said.

Mia didn’t speak. She hated games.

Jo stepped forward. “You torched the unit. Why?”

Vespa leaned back, as if relaxing into the inevitable. “You weren’t supposed to see what came after. Only what came before.”

“What does that mean?” Jo asked.

Vespa smiled faintly, as if amused by a riddle only he could solve. “Your lives don’t belong to you. Not entirely. You were shaped. Conditioned. Each choice… curated. Like heat-tempered glass.”

Jo’s jaw tightened. “By who?”

He looked at her. Really looked.

“You know already. The spiral. The watchers. Your mother was part of it. So was hers.”

Mia moved suddenly, slamming his chair against the floor, pinning him beneath the table. “Why follow us?”

He didn’t resist. “Because you’re the last two. And you’re both starting to remember.”

Jo crouched down. “Remember what?”

Vespa met her gaze. “What you did. What was done to you. The rituals. The forgetting.”

He spoke the last word like a curse.


They found little else in the flat. Just another photograph—this one of Mia, aged seven, standing barefoot in a Romanian monastery courtyard. She had no memory of it.

And beside it, a map.

Drawn by hand. Marked with dates. Red spirals at each intersection.

The last one: Lisbon. July 6.
Six days from now.

Vespa was gone by morning. Not a lock broken. Not a trace left.

But the silence he left behind screamed louder than any words.


Chapter Five: The Red Door

The plane touched down in Lisbon just after midnight. The air was thick with salt and heat, and the city shimmered under a half-moon like a secret waiting to be remembered.

Jo hadn’t been here in almost twenty years. Last time, she was thirteen and silent, clutching her mother’s hand as they passed a nunnery with no sign and no name. Her mother had told her they were visiting “relatives.” But the only people they met were veiled, quiet, and smelled of burnt herbs.

Mia disembarked wearing a scarf over her head and dark glasses, as if anonymity could be stitched together from fabric. She hadn’t spoken much since the Dalston flat—not after seeing herself as a child in a place she had no memory of.

They found the red door by accident.

It was tucked at the end of a narrow street in Alfama, past rows of sagging laundry and broken stone steps. Painted crimson, the door had no handle—only a brass keyhole shaped like an eye.

Jo didn’t knock. She touched the wood, and it opened soundlessly inward.

Inside: cool, dry stone. A cloistered hallway lined with flickering oil lamps. A woman stood waiting, dressed in gray robes. Her face was lined, her eyes sharp.

“You’ve come late,” she said, voice clipped by age. “But not too late.”

Jo opened her mouth, but Mia stepped forward first. “We want answers.”

“You want memory,” the woman replied. “That’s more dangerous.”


They called it O Espelho—the Mirror. Not a thing of glass, but a process. A ritual. One designed to recover what had been intentionally forgotten. Mia volunteered first. She lay on a slab of cold marble in a chamber that smelled of rose water and old fire.

The robed woman, whose name was Catarina, burned a thread of Mia’s hair, whispered over it, and dropped it into a bowl filled with ink. Then came the chanting—low and rhythmic, in a language Jo couldn’t place. And Mia’s eyes fluttered.

She didn’t sleep. She remembered.


A forest. Snow. Her mother’s voice, tense. A clearing ringed by stones. Hands pressing hers into wet earth.

Then… nothing. A noise. A flash.

She came to an hour later, body shaking, sweat-drenched. Catarina handed her a mirror. Mia looked into it and wept.

Jo went next.

She saw her mother too—but younger, radiant, filled with fear. Holding Jo’s hand beside a stone well. Whispering. Jo remembered the word now.

Spira.

The spiral. The shape of the enemy, the symbol of the pact. A cycle meant to be broken.

Jo stumbled from the chamber disoriented, her knees weak. Mia caught her before she fell.

Catarina handed them both a small, cloth-wrapped bundle.

Inside was a photograph—one neither of them had seen before.

Two babies. Swaddled. Sleeping in the same bassinet.

On the back: Ela não está sozinha.
She is not alone.


Back at their hotel, Jo sat on the balcony watching the Tagus river glimmer. She held the photo between her fingers.

“I think we’re twins,” she said softly.

Mia didn’t respond right away. “Or something like it.”

Jo lit a cigarette. “This wasn’t just some vendetta.”

“No,” Mia said. “This was a breeding program.”

They sat in silence for a while, listening to the hum of the city.

And far below them, on the cobblestones near the tram tracks, a man in a courier’s jacket flipped a silver coin against his palm.

Once. Twice.

Then vanished into the shadows.

Absolutely — here’s the next chapter.


Chapter Six: Ashes of the First

They flew back to London two days later. Something had shifted. Mia didn’t speak for the first part of the flight, just stared blankly at the notebook, the pages brittle with soot and salt. Jo sat beside her, quietly turning over the photograph—two infants in the same cot, swaddled in mismatched cloth, oblivious to what they’d been born into.

By the time they landed, the fog over Heathrow was thick and gray, a smothering kind of weather that blanketed the city in silence.

Their agency—Third Eye Investigations—had been shuttered since the fire. But when Jo turned the key in the office door, the smell of burnt electronics and stale coffee still hung in the air. Something was off. A drawer had been forced. A bulb flickered. Someone had been here.

In the middle of the desk lay an envelope with no postage. Just their names scrawled across the front in a sharp, elegant hand.

Inside: one item.

A single key.

Old brass. Stamped with a symbol they now recognized all too well—the spiral.


They traced the key to a town in Oxfordshire. A convent, officially closed since the 1980s, sold to a private trust. The locals said no one went in or out. That it was haunted. That the bells rang sometimes, even though the ropes had rotted decades ago.

They arrived just after sunset.

The grounds were overgrown, wild with weeds. Stone angels loomed over the entryway, wings chipped, faces eroded into mournful masks. The front door didn’t open with the key—but a side passage, barely visible beneath ivy, did.

The air inside was cold and dry, like a library sealed for centuries. Their footsteps echoed on flagstone. Candles lit automatically as they passed, flickering to life in alcoves as though the building recognized them.

At the center of the main hall stood an altar. Not a Christian one, not really—more geometric, older. A slab of black stone etched with spirals, concentric circles, and mirrored symbols they didn’t understand.

On the wall behind it: another photograph. Larger this time. Faded.

A group of women. Twenty or thirty. Some pregnant, some holding infants. Jo’s mother among them. Lúcia. Catarina. And others they didn’t recognize.

Jo stepped closer. In the corner of the image, a man stood alone, barely visible.

Mia’s breath caught.

“Vespa.”

Jo nodded. “He’s older in this photo. But it’s him.”

Below the image, in Latin, someone had carved:

“Ex prima, orta est memoria.”
From the first, memory is born.


They didn’t hear the footsteps until it was too late.

The doors slammed shut.

A voice, calm and unhurried, echoed from the shadows.

“You’ve come to burn it down,” it said. “But what will you do when you learn you built it?”

Vespa emerged from the darkness, no coin this time. No courier’s jacket. Just a black shirt and the kind of stillness that makes dogs whine and lights flicker.

“You were meant to forget,” he said. “The rituals. The replication. The binding.”

Mia’s voice was ice. “You used us.”

Vespa smiled faintly. “No. We preserved you.”

Jo stepped forward. “We know. About the mirror. About the pact. The first woman—the one who died—Lúcia. She tried to break it.”

“And you think you can finish what she started?” Vespa asked. “You don’t even know the cost.”

Mia moved first.

Quick, hard. She tackled him to the floor as Jo circled behind, snapping the ancient spiral key into the stone altar’s base. It clicked. A groan echoed through the walls.

The building began to tremble.

Light burst from the etchings on the altar—blue, then white, then gold. A sound like wind and memory and static all at once filled the hall. Vespa screamed. Not in pain—but in rage.

“You don’t understand what you’ve done—!”

“We do,” Jo said quietly. “We chose to remember.”

The altar cracked down the middle. The spiral shattered.

And then the world went still.


Chapter Seven: Spiral Ends

When Jo opened her eyes, the light was gone.

The altar was broken, fractured clean down the center. Smoke hung low across the stone floor like a veil. The hall smelled of burning sage and ozone. Vespa was gone—no body, no trace. Only the faint echo of his final words, still vibrating in her chest: You don’t understand what you’ve done.

Mia was on her knees beside the shattered altar, catching her breath.

“You alright?” Jo asked, her voice hoarse.

“I think so,” Mia said. “But I remember everything now.”

Jo did too.

The spiral wasn’t just a symbol. It was a cycle. Generations of children born into this hidden network, women used for their ability to… see. Not in a psychic sense—not exactly. More like antennae. Receptors for memory, history, possibility. Their minds carried something ancient, something passed down and rewritten until it could barely be traced.

The Mirror wasn’t a tool—it was a failsafe. To erase what they couldn’t afford to let survive.

And now, they’d broken it.


They burned the photograph.

Back at Café Sol, Jo lit the edges with a match and let it smolder in an ashtray until all that remained was a curl of ash and the faint outline of the spiral, still stubborn in its refusal to vanish.

The city went on. The rain returned. Somewhere across town, a tube train rattled past midnight.

Mia drank her espresso in silence, flipping through the now-blank notebook. The ink had vanished. Pages wiped clean.

“Do you think that’s it?” she asked. “Cycle broken?”

Jo shrugged. “Cycle broken, maybe. Pattern paused. But someone always rebuilds.”

Mia nodded slowly. “Then we make it our business to watch for the rebuilders.”

They sat for a long time. The coin—Vespa’s—sat on the table between them. Its surface was worn smooth now. No markings. Just the cool, silent weight of something unfinished.


Epilogue: Afterlight

Weeks later, Jo received a package. No return address. No note.

Inside: a mirror.

Old. Cracked. Framed in oak. Wrapped in cloth that smelled of eucalyptus and lavender.

She stared at her reflection and waited.

Nothing unusual.

Until, just behind her, a shadow moved.

Not a threat.

A figure.

A woman.

Her mother.

Smiling.

And just before the glass flickered to black, her mother mouthed a single word.

“Second.”

By Mia Fulga

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