Counter Culture

5,330 words, 28 minutes read time.

Welcome to this week’s edition of Culture Vulture, your guide to the very best in TV, film, and streaming from an alternative viewpoint. Selections are by Pat Harrington. As always, we’ve curated a list of must-see content to keep you entertained, informed, and inspired.

This week brings a fascinating blend of real-world intrigue, timeless classics, and provocative dramas. For those looking for a deep dive into digital deception, Hunting My Sextortion Scammer: Untold on Channel 4 Streaming is a gripping watch. If you’re in the mood for something visually thought-provoking, How I Look: A History of Body Modification on History Hit explores the fascinating evolution of self-expression through body art. And for fans of suspense, The Institute on MGM+ Drama introduces a psychological thriller full of secrets, mystery, and tension.

As always, we highlight a variety of films and shows to suit all tastes. So, whether you’re in the mood for a heart-pounding documentary or a light-hearted classic, Culture Vulture has you covered.

Saturday, 12th July 2025

PBS America The Dictator’s Playbook

The Dictator’s Playbook is a six-part documentary series on PBS America that delves into how some of the twentieth century’s most ruthless leaders engineered their rise to power and maintained control. Through a blend of archival footage, expert interviews and dramatic re-enactments, each instalment unpacks a different dictator’s toolbox—propaganda, violence, patronage and personal charisma—while tracing the cracks that eventually brought their regimes down.

6.10 pm PBS America marks the start of the Manuel Noriega episode. It charts his trajectory from a Panamanian National Guard officer to de facto ruler, backed by Cold War politics and covert ties to the CIA. We witness how Noriega’s drug-trafficking empire and secret police operations silenced opposition, drove rampant corruption and ultimately provoked the 1989 U.S. invasion that ended his grip on Panama.

7.20 pm PBS America brings you the Francisco Franco instalment, revisiting the general’s triumph in the Spanish Civil War and the nearly forty-year dictatorship he imposed. The episode highlights the brutal tactics he perfected—mass arrests, torture and relentless propaganda—and examines the conservative vision that outlived his death in 1975, shaping Spain’s social and political landscape long after.

8.30 pm PBS America closes the night with the story of Idi Amin. Viewers follow his rapid ascent from colonial army officer to Uganda’s self-styled “King of Scotland,” propelled by a potent mix of populist rhetoric and systematic terror. From the 1972 expulsion of the Asian community to the economic collapse that undermined his rule, the episode shows how Amin’s extravagant personality cult and violent purges sowed the seeds of his 1979 overthrow.

Channel 5 , 7 pm: 1977: When Virginia Wade Won Wimbledon

Wade’s strategic play, the roar of a partisan crowd and the Queen handing over the trophy—are intercut with personal anecdotes that capture both her nerves and steely determination. Short biographical flashbacks deepen our understanding of the woman behind the racket without lingering too long on technical detail.

Though the hour-long format limits exploration of her rivals and the wider women’s tour in 1977, the film succeeds as a heartfelt tribute. It perfectly balances nostalgia, sport and national pride, making it an engaging watch for tennis fans and casual viewers alike.

Channel 4, 9 pm: A Man Called Otto (2022)
From the first moments on screen, you see Otto’s gruff exterior—arms crossed, lips pursed—as if he’s daring the world to get close. Yet behind that scowl lies a man whose heart still beats for the wife he lost, and Tom Hanks lets every flicker of regret and longing shine through. As Otto stomps through his daily routines—plowing snow, grumbling at unwelcome chatter—Hanks layers in tiny pauses and sideways glances that speak volumes. You feel the ache of his loneliness, but you also catch glimpses of the kindness he can’t quite hide. When he begrudgingly shares coffee with his new neighbor or tucks a stray cat into his coat, those small acts become profound gestures of someone slowly opening up again.

Grief and salvation are woven together in the film’s gentle storytelling. Through flashbacks, we see Otto and his wife planning a life full of simple joys—a garden bench here, a tandem bike ride there—and it makes his present-day isolation all the more heartbreaking. But it’s in his relationships with the Marquez family next door that Otto’s transformation truly takes shape. Their persistence—whether it’s dragging him into a spontaneous barbecue or calling on him to babysit—breaks through his hardened shell. Hanks captures each moment of frustration, each reluctant smile, until you realize Otto’s finding a new reason to get out of bed.

Yes, the film moves at a thoughtful pace, giving you time to sit with Otto’s doubts and victories. And while there are stretches that feel almost meditative, they let the humour and warmth land just right: Otto’s deadpan commentary on neighbourhood chaos, his exasperated sigh as he untangles Christmas lights, the soft look he gives when someone finally sees the man beneath the grump. By the end, redemption doesn’t come with grand gestures but with an honest reckoning—accepting help, sharing laughter again, forgiving himself for the past. A Man Called Otto lives in those everyday moments, making it a quietly powerful, bittersweet story that leaves you both teary and uplifted.

Great! Action, 12:15 pm: Cat Ballou (1965)
When I was younger, I had a big crush on Jane Fonda, but beyond that, I always admired her as an incredibly versatile actress. She could tackle so many different genres, and comedy – arguably the toughest genre for any actor – was one of her standout strengths. Cat Ballou really highlights that talent. This quirky Western comedy, starring Jane Fonda and Lee Marvin, is a true classic from the 1960s. Fonda plays Cat Ballou, a determined woman seeking revenge for her father’s wrongful death. Marvin gives a brilliant performance, playing both the drunken, bumbling Kid Shelleen and the more sinister version of his character.

What makes Cat Ballou so special is how it blends slapstick humor with the traditional Western formula. It’s a fun ride, full of sharp satire and offbeat characters, and the score only adds to its charm. The music, featuring memorable songs by Nat King Cole and Stubby Kaye, perfectly complements the film’s tone and brings an extra layer of warmth to the story. The film is also packed with cameos from musicians like Cole, whose involvement gives the movie a unique vibe. It balances its comedic moments with a solid plot, making it not only one of the most entertaining Westerns out there but also one that has stood the test of time.

Film4, 4:35 pm: A Beautiful Day in the Neighborhood (2019)
This film offers a remarkable portrayal of the life of Fred Rogers, played by Tom Hanks, whose public persona as Mister Rogers influenced generations. Through the lens of a cynical journalist, we are given a deep dive into the man behind the television show, showing how his kindness, empathy, and unwavering moral compass helped heal a troubled reporter. The performance by Hanks is nothing short of mesmerizing, bringing warmth and authenticity to the role. The film doesn’t just celebrate Rogers’ public persona but also delves into the personal sacrifices he made to maintain his mission of kindness.

The narrative structure, focusing on the relationship between Rogers and the journalist, helps frame the film’s message: the power of compassion and its ability to change lives. The film subtly critiques modern cynicism and reminds us of the importance of staying true to our values in a world often defined by conflict. If you’re looking for a story about love, forgiveness, and personal growth, this film offers a gentle but powerful message that lingers long after the credits roll.

Channel 4, 3 pm: Little Women (2019)
Greta Gerwig’s adaptation of Little Women breathes new life into Louisa May Alcott’s classic novel, giving it a modern sensibility while remaining faithful to its themes of sisterhood, love, and ambition. The ensemble cast, led by Saoirse Ronan, Emma Watson, Florence Pugh, and Eliza Scanlen, brings a refreshing energy to the timeless story of the March sisters as they navigate the challenges of growing up during the Civil War era. Gerwig’s direction is sharp, allowing each character to shine while creating a vibrant, dynamic narrative.

What sets this adaptation apart is its nonlinear storytelling, which gives the story a contemporary feel while deepening the emotional stakes of each character’s journey. The film beautifully captures the tension between personal desire and familial duty, making it resonate with audiences of all ages. With strong performances and a forward-thinking approach to a beloved classic, Little Women proves that this story still holds immense relevance in today’s world.

Film4, 11:35 pm: The Innocents (1961)
Jack Clayton’s The Innocents is a masterful psychological horror film that builds suspense without resorting to overt scares. Based on Henry James’ novella The Turn of the Screw, the film explores themes of innocence, corruption, and the unsettling ambiguity of what is real. Deborah Kerr delivers a haunting performance as the governess tasked with caring for two children who may be possessed or simply deeply disturbed. The film thrives in its atmosphere, with moody cinematography and a creeping sense of dread that envelops the viewer.

The beauty of The Innocents lies in its ability to make the audience question everything they see. Are the children truly evil, or is the governess simply imagining it? The ambiguity surrounding the events creates a lasting impact, making the film an unsettling yet thought-provoking experience. Its restrained use of horror elements, coupled with its deep psychological complexity, cements The Innocents as one of the greatest classic horror films.

Film4, 1:40 am: The Duke of Burgundy (2014)
The Duke of Burgundy is a visually stunning and emotionally complex film that explores themes of desire, power dynamics, and intimacy within the confines of a lesbian relationship. Directed by Peter Strickland, the film takes place in an unnamed European country, where two women engage in a BDSM relationship that shifts between dominance and submission. The film’s rich aesthetic, with its meticulously designed sets and costumes, creates an otherworldly atmosphere that mirrors the emotional entanglements of the central characters.

While The Duke of Burgundy is not a conventional narrative, its exploration of psychological depth and emotional vulnerability is striking. The performances are exceptional, particularly by Sidse Babett Knudsen and Chiara D’Anna, who bring complexity and nuance to their roles. The film’s hypnotic pace allows the viewer to become immersed in its world, making it an unforgettable and thought-provoking exploration of human desire and the complexities of relationships.

Sunday, 13th July 2025

Film4, 11 am: Howards End (1992)
Merchant Ivory’s Howards End is a splendid period drama that immerses the viewer in early 20th-century England. Based on E.M. Forster’s novel, the film explores class tensions, social change, and the battle for inheritance, all wrapped in a narrative about love and relationships. The story revolves around the complex relationships between three families: the Schlegels, the Wilcoxes, and the Basts. The film boasts standout performances from Emma Thompson, Anthony Hopkins, and Helena Bonham Carter, each delivering a rich portrayal of their characters’ internal struggles and desires.

What elevates Howards End is its ability to tackle profound social themes through personal, intimate stories. The film reflects on the moral and social divide between the classes while exploring the shifting roles of women in society. With meticulous direction and a sharp script, Howards End is both an engrossing period piece and a timeless commentary on societal transformation.

ITV1, 12:35 pm: Tomorrow Never Dies (1997)
Pierce Brosnan’s second outing as James Bond, Tomorrow Never Dies, offers a blend of action, intrigue, and high-stakes drama that the franchise is known for. The film pits Bond against a media mogul bent on manipulating global events to his advantage, presenting a timely critique of the power of the media. Brosnan effortlessly steps back into the role, delivering the charisma and sharp wit Bond fans have come to expect. The fast-paced action sequences and stunning locales keep the momentum high throughout.

While the plot feels slightly dated in its portrayal of media manipulation, Tomorrow Never Dies stands out with its innovative gadgets, compelling villain (played by Jonathan Pryce), and strong performances. It may not be the most groundbreaking Bond film, but it provides a solidly entertaining ride that remains a memorable part of the 1990s Bond era.

BBC2, 1:50 pm: Passport to Pimlico (1949)
Passport to Pimlico is a delightful British comedy that blends satire with charm, set against the backdrop of post-war London. The film tells the story of the residents of Pimlico, who discover that their neighborhood has been declared a part of France following the discovery of an old medieval document. The residents’ efforts to claim their newfound independence from the British government create a series of comedic misadventures that highlight the absurdities of bureaucracy and nationalism.

At its heart, Passport to Pimlico offers a sharp social commentary on post-war Britain, touching on the challenges of rebuilding a nation still reeling from the effects of World War II. The film’s central premise – that a small district can declare itself independent and avoid the constraints of national laws and taxes – provides a humorous but pointed critique of both the authority of the British government and the rigidity of national borders. The satire cleverly reflects the tension between the desire for autonomy and the practical realities of a world defined by political and social systems.

The humor shines through its colorful characters and witty dialogue, but beneath the laughs, the film is also deeply concerned with issues of class and identity. The residents of Pimlico, many of whom are working-class, use their newfound “French” status to bypass rationing and taxes, challenging the authority of the state in a way that resonates with the growing desire for social change in post-war Britain. The film subtly critiques the hierarchical structures of British society, offering a more inclusive and egalitarian vision through its depiction of the working class taking charge of their destiny.

Though its premise may seem far-fetched, Passport to Pimlico cleverly uses this unlikely scenario to comment on the post-war social landscape in a way that remains relevant today. In a world where national identity is increasingly fluid, and questions of immigration, autonomy, and cultural belonging continue to shape political discourse, the film’s exploration of what it means to belong to a nation feels both timeless and timely. It’s a film that not only entertains but also encourages the viewer to think about the complexities of national identity and belonging.

BBC2, 3:10 pm: Butch Cassidy and the Sundance Kid (1969)
This classic Western, starring Paul Newman and Robert Redford, is as much about friendship as it is about the thrill of the chase. The film follows two outlaws, Butch Cassidy and the Sundance Kid, as they flee across the American West in an attempt to escape the law. The chemistry between Newman and Redford is electric, adding a layer of depth to the action-packed story.

While Butch Cassidy and the Sundance Kid is undoubtedly a Western, it defies many of the genre’s conventions. It blends humour, pathos, and action in a way that makes it accessible to a broader audience. The iconic bike scene and the song “Raindrops Keep Fallin’ on My Head” are just a few of the memorable moments that have cemented this film as one of the genre’s most beloved.

Film4, 9 pm: Bohemian Rhapsody (2018)
Bohemian Rhapsody is a biographical film that captures the rise of the iconic rock band Queen, with a focus on the life and career of their lead singer, Freddie Mercury. Rami Malek’s portrayal of Mercury is a tour de force, capturing the flamboyance, vulnerability, and genius of the singer. The film’s musical sequences are exhilarating, particularly the recreation of Queen’s legendary 1985 Live Aid performance.

However, the film’s treatment of Mercury’s personal life has been the subject of some criticism for glossing over certain aspects of his identity and struggles. Despite this, Bohemian Rhapsody delivers a rousing tribute to Queen’s musical legacy, and Malek’s performance makes it an unforgettable cinematic experience.

ITV, 10:45 pm: Jaws (1975)
Steven Spielberg’s Jaws is the quintessential summer blockbuster, blending horror, suspense, and adventure in a way that still holds up more than four decades later. The film’s simple yet effective premise—a massive great white shark terrorizing a small beach town—is elevated by its intense pacing and memorable characters, particularly Roy Scheider’s Chief Brody and Richard Dreyfuss’s marine biologist Hooper.

What makes Jaws so enduring is its ability to build tension without relying on excessive gore. Spielberg’s direction, coupled with John Williams’ iconic score, creates an atmosphere of dread that stays with the audience long after the film ends. Jaws remains a masterclass in suspense and is still one of the most influential films in the thriller genre.

Film4, 11:45 pm: My Beautiful Laundrette (1985)

My Beautiful Laundrette is a groundbreaking film that explores themes of race, class, and sexuality in 1980s London. Directed by Stephen Frears and written by Hanif Kureishi, the film follows the relationship between a young Pakistani man, Omar, and a former skinhead, Johnny, set against the backdrop of racial and economic tensions that were palpable during the Thatcher era. The film deftly weaves together a romance and a sharp social critique, painting a vivid portrait of multiculturalism and the complexities of identity in an increasingly divided society.

In post-colonial Britain, the narrative delves into the social and economic struggles faced by immigrant communities. Omar, a second-generation Pakistani, inherits his uncle’s laundrette and, in the process, navigates not only the challenges of running a business in a working-class area but also the inherent racial and economic inequality that defines his existence. The laundrette itself becomes a symbol of both opportunity and oppression, illustrating the delicate balancing act between pursuing economic success and remaining true to one’s cultural and personal identity. It’s a space where dreams clash with harsh reality, mirroring the experience of many immigrants trying to carve out a future in a society that frequently marginalizes them.

At the core of My Beautiful Laundrette is the complex relationship between Omar and Johnny, a former skinhead who is grappling with his own transformation. Their romance, which defies the rigid boundaries of race, class, and sexuality, offers a striking contrast to the world around them, where political unrest and racism are never far from the surface. The film comments on the friction between the old working-class white establishment and the new wave of multicultural, often immigrant, communities—tensions that were fueled further by the era’s economic struggles, as unemployment and poverty were rampant. Johnny’s own internal conflict mirrors the broader societal shift towards an increasingly conservative, divisive politics, while Omar represents a more fluid identity, one that negotiates cultural heritage with the need for personal autonomy and upward mobility.

The performances, particularly from Daniel Day-Lewis and Gordon Warnecke, are superb, capturing the nuanced emotions of two individuals who refuse to fit into the prescribed molds of their respective social classes and backgrounds. Day-Lewis’s portrayal of Johnny, a disillusioned former skinhead trying to reinvent himself, is filled with complexity—his attraction to Omar is not just romantic but symbolic of a deeper desire for change and escape from his violent past. Warnecke’s Omar, on the other hand, walks the fine line between family obligations and personal ambition, his story reflecting the struggles of many young people of immigrant descent who are forced to navigate multiple identities.

The film’s exploration of the intersection between personal and political struggles remains as relevant today as it did upon its release. In a world where issues of race, immigration, and identity continue to dominate the political discourse, My Beautiful Laundrette offers a poignant and provocative meditation on societal change, the complexities of modern Britain, and the ongoing tensions between assimilation and cultural preservation. The way it handles the intersection of economic hardship and identity politics makes it a timeless piece of British cinema—a thought-provoking exploration that challenges the viewer to rethink the way we approach diversity, inequality, and love.

Monday, 14th July 2025

Channel 4 , 8 pm: 1977: Michael Mosley: Secrets of the Superagers (one of six)

The series kicks off with a lively deep dive into the brains of those who seem to cheat the ageing process. From the hushed corridors of the Shaolin Temple to high-tech neuroscience labs, Mosley weaves personal curiosity with solid science. His visits to meditation masters reveal how simple practices can reshape neural pathways, while interviews with centenarian scholars show that keeping the mind sharp often comes down to lifelong curiosity and community.

Pacy without ever feeling rushed, this first hour balances illuminating visuals—think brain scans in technicolour—with Mosley’s easy-going wit. He refuses to trumpet miracle cures, instead offering practical takeaways you can try tonight: mental puzzles, mindful breathing and simple social rituals. It’s an engaging opener that promises each subsequent episode will unpack another piece of the ageing puzzle, leaving you both inspired and armed with real tips for a longer, healthier life.

Talking Pictures 10.50 pm: Cast Away (2000)
Robert Zemeckis’ Cast Away is a gripping tale of survival and introspection. Tom Hanks delivers a masterful performance as Chuck Noland, a FedEx systems analyst stranded on a deserted island after a plane crash. The film’s strength lies in its minimalist storytelling, focusing on Noland’s physical and emotional journey as he adapts to his new reality. The absence of dialogue for extended periods allows Hanks to showcase his range, making his eventual reunion with civilization all the more poignant. Cast Away is a profound exploration of human resilience and the quest for meaning in isolation.

C4, 2.40 am: Bhagwan Bharose (2023)
Bhagwan Bharose, directed by Shiladitya Bora, is a sensitive exploration of faith and innocence in a rapidly changing socio-political landscape. Set in a traditional Indian village, the film follows two young boys whose beliefs are challenged as they encounter the complexities of the adult world. The narrative delves into themes of communal tension and the loss of childhood innocence, offering a poignant commentary on societal shifts. With performances that capture the essence of youthful curiosity and confusion, Bhagwan Bharose is both heartwarming and thought-provoking.

Tuesday, 15th July 2025

PBS America, 8.20 pm: Chernobyl: The New Evidence

This documentary picks up where dramatized accounts left off, wading into newly declassified footage and fresh eyewitness testimony to revisit the world’s worst nuclear disaster. Viewers are led through haunting shots of the abandoned exclusion zone—empty villages, rusting tractors, crumbling apartment blocks—while survivors and former officials speak on camera for the first time. It’s a compelling blend of investigative journalism and human story, charting how Soviet secrecy delayed the world’s response and magnified the tragedy.

The film’s greatest strength lies in its access to primary sources: brittle KGB reports, never-before-seen plant records and grainy videos shot by local cameramen in the hours after the explosion. Experts piece together how design flaws and poor decision-making combined to turn a routine safety test into a full-blown meltdown. But it never loses sight of the people caught in the fallout—firefighters, engineers and families who watched their homes evaporate under a cloud of radiation.

At just over an hour, the pace is brisk, yet it allows moments of quiet reflection among the horror. Modern radiation mapping and interviews with today’s villagers highlight how the disaster’s legacy still lingers in the soil and the human body. While fans of HBO’s Chernobyl might spot overlaps, this special stands on its own, offering fresh insight rather than re-treading old ground. It’s an urgent reminder of what happens when technology outpaces oversight—and how easily truth can be buried.

BBC Three, 9:00 pm: Ben Is Back (2018)
Peter Hedges’ Ben Is Back is an intense drama that delves into the complexities of addiction and family dynamics. Lucas Hedges portrays Ben, a young man returning home for Christmas after a stint in rehab, much to the concern of his mother, played by Julia Roberts. The film captures the raw emotions of a family grappling with trust, love, and the challenges of recovery. Both Hedges and Roberts deliver compelling performances, bringing depth to a narrative that is as heart-wrenching as it is hopeful.

Wednesday, 16th July 2025

Sky Arts, 9:00 pm: Stories from Tate Britain
Stories from Tate Britain offers an insightful journey through the rich tapestry of British art history. The documentary series delves into the lives and works of artists whose creations have shaped the cultural landscape of the UK. Through expert commentary and visual storytelling, the series brings to light the stories behind iconic artworks and the societal contexts in which they were created. Whether you’re an art enthusiast or a casual viewer, Stories from Tate Britain provides a captivating glimpse into the evolution of British art.

Legend, 12:55am: The Box (2009)
Richard Kelly’s The Box is a psychological thriller that explores the moral implications of desire and consequence. Cameron Diaz stars as Norma, a woman who receives a mysterious box with a button that, when pressed, will grant her a large sum of money but result in the death of someone she doesn’t know. The film delves into themes of temptation, ethics, and the unknown, keeping viewers on edge with its suspenseful narrative. While some critics found the film’s pacing slow, others appreciated its thought-provoking premise and the moral dilemmas it presents

Thursday, 17th July 2025

BBC Four, 8:00pm: Shark: Beneath the Surface
In this captivating documentary, Shark: Beneath the Surface offers a rare and intimate glimpse into the world of one of the ocean’s most misunderstood predators. With stunning underwater footage, the film explores the lives of various species of sharks, focusing on their behavior, their environment, and the challenges they face due to human impact. Experts weigh in on conservation efforts and the critical role sharks play in the ecosystem.

What sets this documentary apart is its delicate balance of awe-inspiring visuals and thought-provoking commentary. It not only celebrates the majesty of sharks but also calls attention to the urgent need for their preservation. If you’re fascinated by the natural world or passionate about conservation, Shark: Beneath the Surface is a must-watch.

BBC1, 10.50pm: King of Thieves (2018)
King of Thieves brings to life the true story of the infamous Hatton Garden heist, in which a group of elderly thieves infiltrated one of the UK’s most secure vaults. The film stars Michael Caine, Jim Broadbent, and Tom Courtenay as part of the aging criminal gang who pulled off the daring robbery. With a mix of drama and dark humor, King of Thieves gives a fresh perspective on the criminal underworld while also addressing the aging process and the idea of redemption.

The film balances suspense with moments of levity, using its stellar cast to highlight the complexities of crime and the bonds that form between unlikely accomplices. While the plot is straightforward, the performances, particularly from Caine and Broadbent, bring depth and authenticity to the story, making it an engaging watch for those interested in true crime dramas.

Friday, 18th July 2025

Film4 11am: The Winslow Boy (1999)
The Winslow Boy is a compelling courtroom drama based on the true story of a young boy wrongfully accused of theft in Edwardian England. Directed by David Mamet, the film follows the legal battle fought by the boy’s father, played by Nigel Hawthorne, who takes on the establishment in a fight for justice. The film is well-paced and intelligent, focusing not only on the case but also on the social and moral questions it raises.

The performances from Hawthorne, Jeremy Northam, and Rebecca Pidgeon add layers of complexity to the characters, and the courtroom scenes are tense and thought-provoking. The Winslow Boy is a subtle yet powerful commentary on the importance of integrity and justice in the face of social and political pressure.

PBS America 8.55pm: Women of WWII: The Untold Stories

This hour-long special shatters the silent ceiling of history, bringing to light the women whose grit and ingenuity helped tip the scales of World War II. Through a series of newly unearthed interviews, we meet the “Fly Girls” who delivered bombers to the front, the codebreakers who cracked Axis secrets, and the Rosie-the-Riveters whose rivet guns kept Allied machinery running. Rare archival footage of training camps, factory floors and clandestine operations pieces these personal accounts into a vivid tapestry of sacrifice and triumph.

What makes this film resonate is its refusal to treat these stories as footnotes. Instead, it lets each woman’s voice rise, from the Japanese-American nurses interned behind barbed wire to the all-female postal battalions battling Jim Crow as they routed vital supplies. At times the sheer breadth of experiences feels breathless, but that urgency mirrors the urgency those women felt in real time. By the final moments—when descendants join in moving tributes—you’re left not just informed, but profoundly moved. It’s a stirring reminder that history’s true heroes often laboured far from the headlines.

Film 4 9.30pm: Babylon (2022)
Babylon, directed by Damien Chazelle, is a dazzling and chaotic exploration of Hollywood’s early days, full of excess, ambition, and the quest for immortality in the film industry. Starring Brad Pitt and Margot Robbie, the film weaves together the stories of several characters during the transition from silent films to talkies. The opulence and decadence of the era are brilliantly captured, as the characters navigate love, betrayal, and the changing tides of an industry on the brink of transformation.

While Babylon is filled with wild energy and spectacle, it also critiques the dark side of fame, and the personal sacrifices involved in pursuing stardom. With its lavish sets and performances that blur the lines between fact and fiction, the film offers an electrifying, albeit overwhelming, look at the golden age of Hollywood.

BBC2, 11pm: Deliverance (1972)
Deliverance is a gripping and unnerving thriller that has become a classic of American cinema. Directed by John Boorman, the film follows four men who embark on a canoe trip through a remote and dangerous part of the Georgia wilderness. What starts as an innocent adventure quickly turns into a fight for survival when they encounter violent locals. The film is known for its intense atmosphere and its exploration of human vulnerability in the face of extreme circumstances.

The performances, especially from Burt Reynolds and Jon Voight, are raw and powerful, capturing the emotional and physical toll of the men’s ordeal. Deliverance is a haunting commentary on the primal instincts that emerge when faced with life-threatening danger. Its chilling tone and unforgettable moments, including the iconic “squeal like a pig” scene, make it a film that stays with viewers long after the credits roll.

And streaming…

Channel 4 Streaming: Hunting My Sextortion Scammer: Untold – Available from Wednesday, 16th of July
This gripping documentary follows one woman’s pursuit of the criminal who exploited her through sextortion. As the story unfolds, we see her determination to track down the scammer and expose the far-reaching impact of online deception. The series delves into the emotional and financial toll of these crimes while highlighting the dangers of the internet.

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History Hit: How I Look: A History of Body Modification – Available from Thursday, 17th of July
This thought-provoking documentary explores the history of body modification, from ancient traditions to modern-day practices. Featuring experts and cultural insights, it examines how tattoos, piercings, implants, and other modifications have been used to express identity, status, and cultural significance across different societies and eras.

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MGM+ Drama: The Institute – First two episodes available from Sunday, 13th of July
Set in a mysterious institution, The Institute is a psychological thriller that blends horror and mystery. The first episodes introduce the sinister environment and dark secrets of the institute, as characters grapple with reality and perception. The show builds tension, leaving viewers questioning what is real and what is part of a dangerous mind game.