Welcome to Culture Vulture your guide to the week’s entertainment from an alternative standpoint. Highlights this week include: the 2020 film Gagarine, the documentary David Bowie: Love You Till Tuesda and the 1959 film Room At The Top. Selections and writing is by Pat Harrington and music is by Tim Bragg.
Saturday 19th of August 2023
The Day The Earth Stood Still (1951 film) 4.50pm Talking Pictures
“The Day The Earth Stood Still,” directed by Robert Wise and released in 1951, stands as a remarkable piece of cinematic history that not only captivates with its science fiction premise but also delves deeply into thought-provoking social and political themes that remain relevant to this day.
At its core, the film serves as a cautionary tale about the potential consequences of humanity’s actions, especially in the context of the Cold War and the nuclear arms race that was gripping the world during that era. The arrival of the enigmatic extraterrestrial Klaatu and his powerful robot companion, Gort, on Earth forces humanity to confront the destructive capabilities it possesses. This mirrors the palpable fear and anxiety of the time, as nations grappled with the very real possibility of nuclear annihilation.
One of the most striking aspects of the film is its portrayal of the global response to Klaatu’s message. The international collaboration and dialogue that arise in the face of an otherworldly threat serve as a stark contrast to the divided world of the Cold War. The film’s depiction of the United Nations as a forum for collective decision-making underscores the importance of unity in the face of a shared existential crisis. This emphasis on international cooperation is a clear reflection of the filmmakers’ hopes for a more peaceful and connected world.
The character of Klaatu himself embodies a sense of moral authority and wisdom that challenges Earth’s inhabitants to reevaluate their priorities. His stern warning to humanity, delivered with a blend of compassion and sternness, underscores the urgent need for introspection and change. This message echoes the societal anxieties of the 1950s, where the specter of nuclear warfare and the rapid advancements of technology led many to question the ethical implications of their actions.
Additionally, the film touches on themes of fear and xenophobia in the face of the unknown. Klaatu’s experiences as an outsider highlight the tendency of humans to react with suspicion and hostility towards those who are different. This parallels the social dynamics of the time, where the Red Scare and McCarthyism fueled a climate of distrust and paranoia.
“The Day The Earth Stood Still” masterfully weaves these social and political themes into its narrative, inviting audiences to reflect on their own roles in shaping the world around them. The film’s enduring relevance lies in its ability to provoke discussions about the consequences of unchecked scientific progress, the need for global cooperation, and the importance of embracing diversity and understanding in a world fraught with tensions.
The Day The Earth Stood Still” stands as a timeless classic that smoothly integrates captivating science fiction with profound social and political commentary. Its exploration of humanity’s potential for both destruction and redemption remains as pertinent today as it was in 1951, urging us to contemplate the choices we make and the world we wish to create.
Auction: David Bowie Collector 7pm Sky Arts
Auction: David Bowie Collector is a documentary that follows the auction of David Bowie’s personal art collection at Sotheby’s in November 2016. The collection, which includes over 350 works by artists such as Henry Moore, Frank Auerbach and Damien Hirst, reveals Bowie’s eclectic and passionate taste in art, as well as his own artistic talent. The documentary also features interviews with Bowie’s friends and collaborators, who share their insights and memories of the music legend. The auction, which was expected to raise £10m, far exceeded its estimations, raising £32.9m and attracting bidders from 46 countries. It is a fascinating and moving tribute to one of the most influential and iconic artists of our time.
Bowie: The Man Who Changed The World 9pm Sky Arts
There are things to like in this documentary. It offers some of insight into a very complex, multi-faceted and creatively restless man. A man stimulated by new ideas and experiences. It features interviews with Bowie himself and people who knew him (if you ever could!). The documentary is fascinating because the subject never ceased to amaze, entertain and, at times, baffle us.
Bowie was a versatile innovator who had a huge impact on popular culture. Everyone saw the waves emananting from what he did but Bowie the man was a mystery. This documentary doesn’t solve that mystery but the interviews do give us some glimpses of the character behind the creativity.
For me the most interesting part was the first part dealing with his early life. Both Dana Gillespie and Mary Finnigan paint a bleak picture of his homelife.
Mary Finnigan says of Bowie’s mother “she was very stiff, very starchy, you had no chance of getting to know her properly, very reserved”.
Dana Gillespie speaks of visit to his home – “a cold house” “it was like walking around with cement blocks on your shoulders” and reveals Bowie said “Whatever it takes I want to get out of this place. I never want to grow up here”.
The rest really charts his escape to and triumph in a different world. There are some great Bowie moments. The 1976 interview with Russell Harty is very funny. Harty tries sarcasm on Bowie but he more than meets his match. The interviews with close friends and business associates can be informative. I had no idea that when he was broke he auditioned for the musical Hair! or how hands on he was on different aspects of his stage productions like lighting.
There is some great information in this documentary but it does jump around in terms of timeline and isn’t well structured. The images don’t always match the story being told and some are overused. My other big criticism is the complete lack of Bowie music which I’m guessing was down to not reaching agreement with the Bowie estate.
David Bowie: Love You Till Tuesday 11.05pm Sky Arts
“Love You till Tuesday,” a captivating documentary capturing the early years of David Bowie’s artistic journey, offers an intimate and intriguing look into the mind of a legendary musician and cultural icon. Originally released in 1984, this film directed by Malcolm J. Thomson provides an illuminating glimpse into Bowie’s creative evolution and showcases his innovative spirit that would ultimately reshape the landscape of music and pop culture.
The documentary is a compilation of music videos, live performances, and interviews, all spanning the period from the mid-1960s to the early 1970s. As we journey through Bowie’s early musical ventures, the film reveals the chameleon-like quality that would become his trademark. From his mod-inspired beginnings to his experimental forays into folk and psychedelia, Bowie’s willingness to constantly reinvent himself is evident even in these formative years.
“Love You till Tuesday” offers a snapshot of Bowie’s versatility, showcasing his ability to effortlessly shift from one persona to another. Whether he’s the whimsical troubadour of “Space Oddity” or the flamboyant alien rockstar Ziggy Stardust, Bowie’s magnetic stage presence and undeniable charisma shine through in every frame.
The documentary’s true value lies in its ability to capture the raw energy of Bowie’s live performances. The concert footage, though occasionally raw in quality, conveys the essence of Bowie’s stagecraft and his connection with the audience. Watching him perform classics like “Changes” and “Oh! You Pretty Things” is a testament to his ability to create an emotional and captivating experience for his fans.
Moreover, “Love You till Tuesday” provides a behind-the-scenes look at Bowie’s creative process. The interviews interspersed throughout the film offer insights into his thoughts on music, art, and self-expression. Bowie’s candid remarks and introspective reflections reveal the mind of an artist who was not only pushing the boundaries of music but also contemplating his place in the world.
While the documentary paints a vivid picture of Bowie’s early years, it does have some limitations. The film’s pacing can feel uneven at times, and its focus is primarily on his pre-fame period, leaving some of his later iconic phases relatively unexplored. Additionally, the production quality reflects its era, which may not fully resonate with modern audiences accustomed to slicker visuals.
“Love You till Tuesday” is a captivating journey through the artistic evolution of David Bowie. It offers a unique perspective on the birth of a music legend, capturing his boundless creativity, captivating performances, and the seeds of reinvention that would define his career. While the documentary may not be a comprehensive retrospective of Bowie’s entire body of work, it is a valuable and insightful piece that sheds light on the early days of an icon who would leave an indelible mark on the world of music and beyond.
Sunday 20th of August 2023
Shadowlands (1993 film) 2.05pm BBC2
“Shadowlands,” directed by Richard Attenborough and released in 1993, is a heartwarming and emotionally impactful film that delves into the unlikely love story between British author C.S. Lewis and American poet Joy Davidman. Anchored by superb performances, thoughtful storytelling, and elegant cinematography, the film offers a touching exploration of love, loss, faith, and the transformative power of human connections.
The film primarily revolves around the reserved and scholarly life of C.S. Lewis, portrayed with remarkable depth by Anthony Hopkins. Known for his intellectual prowess and captivating writing, Lewis’s world takes an unexpected turn when he crosses paths with Joy Davidman, played by Debra Winger. Joy’s spirited and unapologetic nature is a stark contrast to Lewis’s reserved demeanor, and their evolving relationship forms the emotional core of the story.
The chemistry between Hopkins and Winger is palpable, with both actors infusing their characters with a mix of vulnerability and authenticity. Hopkins captures the internal struggle of a man who has built emotional walls to shield himself from pain, while Winger embodies Joy’s fierce determination to seize life’s joys despite facing personal trials. Their performances elevate the film, making the audience feel deeply invested in their journey.
“Shadowlands” masterfully intertwines the themes of love and loss, faith and doubt. As the characters grapple with their emotions and confront the uncertainties of life, the film beautifully captures the human experience in all its complexities. It prompts viewers to contemplate the nature of love and the profound impact it can have on individuals, even in the face of adversity.
The film’s visual and artistic elements also contribute to its overall appeal. The picturesque English countryside provides a serene backdrop, while the cinematography captures the changing seasons and moods, reflecting the emotional shifts of the characters. The film’s attention to detail extends to its period settings, creating a visually immersive experience that enhances the narrative.
“Shadowlands” succeeds not only as a poignant love story but also as an exploration of faith and the exploration of life’s deeper questions. The characters’ discussions on matters of belief and the existence of God add depth and substance to the storyline, creating a thought-provoking atmosphere that lingers long after the credits roll.
In conclusion, “Shadowlands” is a beautifully crafted film that seamlessly weaves together powerful performances, heartfelt storytelling, and thought-provoking themes. Richard Attenborough’s direction, combined with the stellar performances of Anthony Hopkins and Debra Winger, brings to life a story that resonates on both emotional and philosophical levels. This cinematic journey through love, loss, and the human spirit is a must-watch for those seeking a moving and meaningful experience.
Carlito’s Way (1993 film) 11.05pm ITV4
“Carlito’s Way,” the gripping 1993 crime drama directed by Brian De Palma, is a cinematic masterpiece that takes audiences on an unforgettable journey through the gritty underbelly of 1970s New York City. Al Pacino delivers a powerhouse performance as Carlito Brigante, a reformed gangster striving for redemption amidst a world of treachery and danger. The film’s expertly crafted narrative weaves a tale of loyalty, betrayal, and second chances, keeping viewers on the edge of their seats from start to finish.
One of the standout elements of “Carlito’s Way” is its meticulously curated soundtrack, which serves as a sonic companion to the raw emotions and pulsating energy of the story. The soundtrack blends a mix of vibrant Latin rhythms and hauntingly atmospheric tunes, enhancing the film’s emotional impact and transporting the audience deeper into Carlito’s complex psyche. Whether it’s the rhythmic beats of Latin music underscoring moments of celebration and camaraderie or the tension-filled melodies that heighten suspenseful scenes, the soundtrack becomes an integral part of the viewing experience, immersing us in the rich tapestry of the characters’ lives.
Brian De Palma’s direction shines throughout the film, capturing the essence of the era with meticulous attention to detail. The cinematography paints a vivid picture of a city in flux, where danger lurks around every corner and loyalty is a rare and precious commodity. De Palma’s signature visual style, characterized by his masterful use of tracking shots and split-screen techniques, adds a layer of visual dynamism that keeps the story visually engaging and immersive.
The chemistry between Al Pacino and his co-star Penelope Ann Miller is palpable, infusing their relationship with genuine warmth and heart. As Carlito navigates the treacherous waters of his past and present, his interactions with Gail, played by Miller, serve as a poignant reminder of the hope and love he strives to protect.
“Carlito’s Way” is a film that transcends its genre, offering a riveting narrative, stellar performances, and a soundtrack that elevates the entire experience. It’s a tale of redemption and resilience, reminding us that even in a world consumed by darkness, there is always a glimmer of light for those who dare to chase after it.
Monday 21st of August 2023
Gagarine (2020 film) 2.20am C4
“Gagarine,” the 2020 film directed by Fanny Liatard and Jérémy Trouilh, is a poignant exploration of the intersection between dreams, community, and the relentless march of progress. Set against the backdrop of a rapidly gentrifying Parisian housing project named after the famed Soviet cosmonaut Yuri Gagarin, the film delves into the lives of its residents with a compassionate and thought-provoking lens.
At its heart, “Gagarine” is a captivating coming-of-age story that follows the journey of Yuri (played by newcomer Alséni Bathily), a young aspiring astronaut whose dreams are intricately woven with the complex reality of his surroundings. As the film unfolds, it masterfully examines the impact of urban development and displacement on the tight-knit community, highlighting the struggles faced by the residents to preserve their sense of belonging in the face of impending change.
This TV premiere of “Gagarine” is a triumph, showcasing the filmmakers’ ability to mix elements of magical realism with social commentary. The film captures the spirit of unity and defiance that arises when a group of people must rally together to protect their home and way of life. The juxtaposition of Yuri’s celestial aspirations with the harsh realities of his environment creates a powerful narrative tension that resonates deeply, inviting viewers to reflect on their own dreams and the obstacles that stand in their path.
It’s worth noting that “Gagarine” originated from a documentary short, which lends an air of authenticity to its portrayal of the housing project and its inhabitants. This foundation allows the film to capture a genuine sense of community, bolstered by exceptional performances that infuse the characters with depth and authenticity. Bathily’s portrayal of Yuri is particularly compelling, as he navigates the challenges of adolescence, friendship, and the inexorable changes bearing down on his home.
In a world where displacement and gentrification remain urgent and pressing issues, “Gagarine” serves as a timely and resonant reminder of the importance of preserving the places and communities that shape our identities. With its mesmerizing blend of visual storytelling and social themes, the film transcends its genre, leaving an indelible mark on the viewer’s heart and mind. As Yuri’s dreams of the cosmos mirror the aspirations of an entire community, “Gagarine” invites us to reach for the stars while grounding us in the enduring power of human connection.
Tuesday 22nd of August 2023
Storyville: 8 Bar. The Evolution of Grime 10pm BBC4
Storyville: 8 Bar. The Evolution of Grime is a documentary that explores the history and impact of grime, a genre of music that emerged from the UK urban scene in the early 2000s. The film features interviews with some of the pioneers and stars of grime, such as Dizzee Rascal, Wiley, Skepta, Stormzy and others, as well as DJs, producers, promoters and fans who helped shape and spread the culture. The film also examines the musical influences, social context and political significance of grime, as well as its challenges and achievements in the mainstream music industry. The film is directed by Ewen Spencer, a photographer and filmmaker who has documented the grime scene since its inception.
Wednesday 23rd of August 2023
Room At The Top (1959 Film) 9.05pm Talking Pictures
“Room at the Top,” the 1959 film directed by Jack Clayton, is a compelling and provocative exploration of social dynamics and aspirations in post-war England. Based on John Braine’s novel, the film takes us on a journey through the class-bound society of the time, shining a critical light on the constraints and ambitions that define the lives of its characters.
Set against the backdrop of a fictional Northern industrial town, “Room at the Top” provides a raw and unflinching portrayal of the societal hierarchies that dictate the opportunities available to its inhabitants. Joe Lampton (played with intensity by Laurence Harvey) is the embodiment of upward mobility, a working-class young man determined to climb the social ladder at any cost. His relentless pursuit of success exposes the hypocrisy and moral compromises inherent in a world driven by ambition and status.
One of the defining aspects of “Room at the Top” is its frank attitude towards sex and relationships, which caused a stir upon its release. The film fearlessly explores the complexity of human desires and the ways in which they intersect with power dynamics and societal expectations. This bold approach was met with both acclaim and controversy, as it challenged the conservative norms of its time, ultimately contributing to its reputation as a trailblazer in cinematic storytelling.
Filmed around Bradford, the film’s setting becomes a character in itself, reflecting the industrial landscape and the class divisions that shape the characters’ lives. The gritty authenticity of the locations adds depth to the narrative, grounding the story in a tangible reality that amplifies its social commentary.
“Room at the Top” delves into themes of class struggle, ambition, and the choices people make to secure their place in a world governed by societal norms. The performances are captivating, with Harvey delivering a compelling portrayal of a man torn between his desires and the expectations of society. Simone Signoret, who won an Academy Award for her role, adds complexity and depth to her character, highlighting the challenges faced by women in a patriarchal society.
In retrospect, “Room at the Top” stands as a powerful cinematic landmark that not only challenged prevailing attitudes towards sex and class but also provided a nuanced glimpse into the human condition. Its legacy endures as a thought-provoking exploration of the lengths people will go to in their pursuit of success, and the sacrifices they’re willing to make to secure a coveted spot at the top.
Thursday 24th of August 2023
Blood Diamond (2006 film) 10pm Quest
This is a moving and powerful film. It is set in the war-torn Sierra Leone of the 1990s. Here diamonds were a way of financing the purchase of arms by the rebels in a vicious civil war. From the start this brutality is not concealed or avoided. We see a tranquil seaside village suddenly invaded by RUF rebels (see note after review). They hack off the hands of many in order to frighten people from voting. Others are simply killed or press-ganged to work for them in the diamond mines or as child soldiers. Solomon Vandy (Djimon Hounsou) is separated from his family and taken to work in the diamond fields. His son Dia (Kagiso Kuypers) is taken as a child soldier.
The engine of the action is Solomon’s attempts to free and reunite his family. He finds and hides a pink diamond of great value and hides it and this provides both a danger and an opportunity. The diamond could help him to rescue his wife and daughter from a life in refugee camps and his son from brutalisation and perhaps death. Or he could be killed in pursuit of it or by others wanting it for themselves.
Enter Danny Archer (Leonardo DiCaprio), a jaded, cynical Rhodesian and former South African mercenary. He wants the life that the diamond could give him. He helps Solomon reluctantly in return for being led closer to the diamond. Director Edward Zwick says: “To me this movie is about what is valuable. To one person it might be a stone; to someone else a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.”
The character of Archer is not one-dimensional – as the film progresses we see that his attitude to Africa and Africans is complex. We also learn a little about his childhood and upbringing and perhaps understand more of why he is as he is.
Maddy Bowen (Jennifer Connelly) accompanies and helps the two-men on parts of their journey. She is in a privileged position as an American journalist. She wants to use Archer to expose the truth behind conflict diamonds.
The film works as a straight action story but it is more than that. There are some heavy political issues being raised. The World Diamond Council (backed by De Beers) is so worried that they are spending £7.5m to counter the inevitable negative public impression the film creates. De Beers also sponsored the head of Def Jam Records (and jewelry manufacturer), Russell Simmons, to tour well run sites in Africa. The industry is also offering to pay money to charity for every Star who will wear diamonds at the Oscar ceremony.
This reaction is curious. The film ends on a positive note (perhaps unrealistically) with the creation of the Kimberley Process. This actually exists and is meant to ensure that conflict diamonds are no longer offered for sale in affluent countries. It was signed by 40 diamond producing nations in 2003. Yet there is strong evidence to suggest that it is being actively circumvented. At the International Press Conference held in London the stars and makers of Blood Diamond took the view that consumers had a responsibility to check that purchases were not conflict diamonds. Leonardo DiCaprio said:- “You can ask for some authentication that it isn’t a conflict diamond. Buyers should just use their judgement and ask the right questions.”Of course they are right but even if every consumer asks questions there is no guarantee that they will not be misled. Still we reproduce below some questions you might like to ask.
Blood Diamond also raises questions about the exploitation of natural resources and the relationship between affluent and developing countries. The Director, Edward Zwick, pointed out that wherever natural resources have been discovered (oil, rubber, ivory etc.) local people have generally far from benefited. There is one scene in the film when an old man surrounded by dead bodies and burning homes says ‘Thank God we don’t have oil’.
Blood Diamond is a film that will entertain you, sometimes shock you and certainly get you thinking and talking about important issues. It’s refreshing that a major studio (Warner Bros) backed this film and that Edward Zwick, Paula Weinstein and the others delivered.
and finally, Friday 25th of August 2023
Point Break (1991 film) 10.40pm BBC1
Kathryn Bigelow’s directorial masterpiece, “Point Break,” released in 1991, is a thrilling blend of action, suspense, and camaraderie that remains an iconic entry in the action genre. Set against the backdrop of the vibrant Southern California surf scene, the film introduces us to Johnny Utah (Keanu Reeves), a young and ambitious FBI agent assigned to infiltrate a gang of bank-robbing surfers suspected of being the elusive “Ex-Presidents.” Led by the enigmatic and magnetic Bodhi (Patrick Swayze), the gang’s audacious heists are executed with the precision of a military operation.
Keanu Reeves delivers a solid performance as Johnny Utah, skillfully portraying his transformation from a wide-eyed novice to an undercover agent entangled in a dangerous cat-and-mouse game. Reeves’ chemistry with Patrick Swayze’s Bodhi is palpable, capturing the complex dynamic of admiration and conflict that drives the story. Swayze’s portrayal of Bodhi is nothing short of captivating, as he effortlessly embodies both the charismatic leader and morally ambiguous figure.
“Point Break” distinguishes itself with its heart-pounding action sequences, notably the breathtaking skydiving and surfing scenes. The film seamlessly blends practical stunts with breathtaking cinematography, immersing the audience in the exhilaration of extreme sports and high-stakes criminal activity. Kathryn Bigelow’s direction shines in these moments, expertly capturing the intensity and danger with a visceral energy that pulls you into the heart of the action.
While the film excels in its adrenaline-fueled sequences, it occasionally stumbles in terms of character development and plot coherence. Some secondary characters feel underdeveloped, and certain plot leaps require a suspension of disbelief. However, these minor shortcomings are easily overshadowed by the overall excitement and entertainment value the film offers.
The soundtrack, featuring a mix of rock and alternative music, complements the visuals and action perfectly, contributing to the film’s energetic atmosphere. The cinematography vividly captures the beauty of the California coastline and the exhilaration of extreme sports, immersing the audience in the world of surfing and criminal intrigue.
Notably, Kathryn Bigelow’s later triumph with “The Hurt Locker” (2008), for which she won the Academy Award for Best Director, underscores her prowess as a filmmaker. Her ability to capture raw emotions and high-stakes situations in “Point Break” foreshadowed her later achievements and solidified her status as a director capable of leaving an enduring impact on cinema.
“Point Break” is an unforgettable roller-coaster ride that delivers on its promise of heart-racing thrills. With a charismatic duo at its core, breath-taking action sequences, and a unique fusion of genres, the film continues to stand the test of time. If you’re seeking an adrenaline rush and a dose of ’90s nostalgia, “Point Break” is an absolute must-watch.
Picture Credits
The Day The Earth Stood Still: Copyright 1951 by Twentieth Century-Fox Film Corp.” – Scan via Heritage Auctions., Public Domain, https://commons.wikimedia.org/w/index.php?curid=86859809
David Bowie:Photographer: Photobra|Adam Bielawski – David-Bowie_Chicago_2002-08-08_photoby_Adam-Bielawski.jpg, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=20555062
Shadowlands: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=22535350
Carlito’s Way: http://www.impawards.com/1993/carlitos_way.html, Fair use, https://en.wikipedia.org/w/index.php?curid=3950022
Gagarine: By https://www.hautetcourt.com/en/films/gagarin/, Fair use, https://en.wikipedia.org/w/index.php?curid=67646021
Room At The Top: Fair use, https://en.wikipedia.org/w/index.php?curid=19784745
Point Break: May be found at the following website: IMDb.com, Fair use, https://en.wikipedia.org/w/index.php?curid=46801501
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