Culture Vulture (29th Of July to the 4th of August 2023)

We start this guide with a documentary that pays tribute to Sinead O’Connor which is a fitting tribute to an amazing, powerful woman who was misunderstood and sometimes vilified in her lifetime. As the song says: “You don’t know what you’ve got till its gone”. Selections are by Pat Harrington and music is by Tim Bragg.

Saturday 29th of July 2023

Nothing Compares 9pm Sky Documentaries

The story of Sinead O’Connor – a woman who wasn’t afraid to speak out – no matter the cost. The documentary, which had a limited cinematic release in 2022, was already set to premiere on Sky Documentaries prior to Sinéad O’Connor’s passing at the age of 56 last week. Kathryn Ferguson discussed the critically acclaimed film with the Radio Times. She told them that she felt compelled to make the documentary in response to the way O’Connor was “dismissed and reduced” by the media.

Ferguson expressed her devastation over Sinéad O’Connor’s death on BBC Radio 4’s Front Row, describing the film as a love letter to the iconic singer. She shared a photo of herself with O’Connor on social media, emphasizing how lucky she was to have known her.

The documentary “Nothing Compares” offers a heartfelt tribute to Sinéad O’Connor, shedding light on her complex journey and the impact she had on the filmmaker and many others.

Greed (2019 film) 10.30pm C4

Director Michael Winterbottom’s film “Greed,” released in 2019, is a sharp and compelling satire that delves deep into the dark underbelly of capitalism and exposes the social themes of avarice and inequality with unflinching clarity. Led by an exceptional performance from Steve Coogan, the film manages to blend humor and poignancy, leaving a lasting impact on its audience.

Set against the extravagant backdrop of a lavish Greek island, the film follows the story of Sir Richard “Greedy” McCreadie (Steve Coogan), a wealthy and unscrupulous retail tycoon based on real-life figures in the fashion industry. With his 60th birthday celebrations on the horizon, McCreadie endeavors to throw an ostentatious Roman-themed party, complete with gladiators and wild animals, in an attempt to cement his image as a powerful and influential individual.

“Greed” tackles several social themes, with the most prominent being income inequality and the exploitative nature of consumer capitalism. Through McCreadie’s character, the film portrays the excesses of the ultra-rich and the exploitation of low-paid workers in his global supply chain. Winterbottom meticulously exposes the inhumane conditions faced by sweatshop workers who produce McCreadie’s clothing lines, highlighting their lack of rights and the harrowing realities of modern-day slavery.

The film’s narrative is interwoven with flashbacks to McCreadie’s early days, illustrating his cunning rise to wealth and power. This serves as a poignant reminder that the wealth gap often results from a systematic advantage enjoyed by the already privileged, while the less fortunate struggle to escape poverty’s vicious cycle.

In addition to income inequality, “Greed” explores the cult of celebrity and its complicity in perpetuating a consumer-driven culture. McCreadie’s obsession with emulating the extravagance of ancient Rome reflects the emptiness of a society fixated on material possessions and superficiality. The film poses crucial questions about the moral bankruptcy of those who prioritize self-indulgence over social responsibility.

At the heart of “Greed” is Steve Coogan’s exceptional portrayal of the morally bankrupt McCreadie. Coogan brings a nuanced performance that humanizes the character while also exposing his arrogance and indifference to the suffering of others. Through McCreadie, the film reminds us that excessive wealth does not equate to genuine success or happiness.

Furthermore, “Greed” successfully blends humor with its scathing social commentary. The film’s witty and satirical tone helps to drive home its message, making the audience both laugh and cringe at the absurdity of the situations depicted. Winterbottom skillfully navigates through humor to provoke introspection, urging viewers to consider their role in perpetuating a consumer-driven society.

“Greed” is a powerful and thought-provoking film that masterfully unveils social themes surrounding avarice and inequality. With a compelling performance by Steve Coogan and Winterbottom’s adept direction, the movie leaves a lasting impression on its audience, prompting us to reflect on our societal values and the consequences of unchecked greed. It serves as a timely reminder that, in the pursuit of wealth, the true cost is often borne by the most vulnerable members of society.

Portrait Of A Lady On Fire (2019 film) 1.25am BBC2

Céline Sciamma’s “Portrait of a Lady on Fire” is a cinematic gem that effortlessly captivates its audience with its hauntingly beautiful tale of forbidden love and the complexities of human connection. Set in 18th-century France, the film’s evocative visuals, exceptional performances, and subtle storytelling combine to create a deeply moving and thought-provoking experience.

The film revolves around the chance encounter of two women, Marianne (Noémie Merlant), a talented portrait painter, and Héloïse (Adèle Haenel), a young woman who is to be married against her will. Marianne is commissioned to paint Héloïse’s portrait in secret, as she refuses to pose for it openly. As the two women spend time together on a secluded island estate, a powerful bond forms between them, setting the stage for a love story that defies societal norms and expectations.

At the core of “Portrait of a Lady on Fire” is its deeply human exploration of desire, intimacy, and the struggle for autonomy in a patriarchal society. Sciamma’s direction shines in her ability to convey raw emotions and unspoken feelings, with every glance and gesture carrying weight and significance. The film embraces silence and stillness, allowing the emotions to simmer beneath the surface, making every moment pregnant with unspoken longing.

The cinematography by Claire Mathon is nothing short of breathtaking. Each frame is a masterpiece, carefully composed to evoke the essence of the characters and the landscapes they inhabit. The use of natural light and muted colors adds an ethereal quality to the film, accentuating the emotional journey of its characters.

The performances of Noémie Merlant and Adèle Haenel are nothing short of exceptional. Their chemistry on-screen is palpable, making the audience feel like intimate witnesses to their blossoming romance. Merlant’s portrayal of Marianne is a revelation, capturing the artist’s passion, vulnerability, and determination with grace. Haenel’s Héloïse is equally mesmerizing, conveying a complex mix of defiance, vulnerability, and longing.

“Portrait of a Lady on Fire” is not merely a love story; it is a profound exploration of female agency and the limitations imposed upon women in a patriarchal society. The film delves into themes of art, identity, and the complexities of female relationships, all against the backdrop of a society that seeks to stifle individuality and genuine expression.

Sciamma’s decision to focus on the female gaze is a refreshing departure from the male-dominated perspective commonly seen in historical dramas. Through this lens, the film offers an empowering and authentic portrayal of women supporting and understanding each other, free from the male gaze’s objectification.

The film’s hauntingly evocative score by Jean-Baptiste de Laubier (aka Woodkid) complements the narrative beautifully, adding depth and emotion to the unfolding story.

“Portrait of a Lady on Fire” is an exquisite and poignant masterpiece that lingers long after the credits roll. Céline Sciamma’s directorial prowess, combined with the outstanding performances of Noémie Merlant and Adèle Haenel, create an unforgettable cinematic experience. This powerful and deeply human exploration of love, desire, and liberation is a must-see for anyone seeking a film that resonates on both emotional and intellectual levels.

Sunday 30th of July 2023

Louis Theroux’s Forbidden America 9pm BBC2

Louis Theroux delves into the world of the latest incarnation of the American far right, a political movement that has emerged from the depths of the internet and is now making a tangible impact in the real world. This growing online community has managed to attract a massive audience worldwide, even amidst threats of de-platforming. Their ideology, often disguised as ‘irony,’ promotes racism, misogyny, homophobia, and anti-Semitism.

In his signature immersive style, Louis engages with these young and highly inflammatory figures, some of whom gained notoriety through their involvement in the infamous Capitol Hill riots. He navigates through the digital landscape, where their divisive rhetoric reaches millions of viewers on phones and laptops.

Louis sets out to understand the recent surge in popularity of these voices and their increasing influence outside of the internet. By challenging their extreme views and ideologies head-on, he aims to shed light on the dangerous impact they are having on impressionable young minds. With an unyielding commitment to getting to the heart of the matte

Monday 31st July 2023

Clash of Ancient Warriors 9pm Sky History

“Clash of Ancient Warriors” on Sky History delivered an enthralling and insightful retelling of the infamous Siege of Paris by the Vikings in 885. The documentary, which aired at 9 pm, provided a gripping narrative that brought to life this pivotal moment in history with meticulous attention to detail.

The siege of Paris (885) remains one of the most crucial events of the medieval era, and this documentary succeeded in capturing the intensity and significance of the conflict. With stunning visuals and expertly recreated battle scenes, viewers were transported back in time to witness the clash between the marauding Viking forces and the resilient defenders of Paris.

The filmmakers utilized a combination of historical accounts, archaeological evidence, and expert analysis to present a comprehensive picture of the siege. Through captivating interviews with historians and archaeologists, the documentary unraveled the motivations behind the Vikings’ audacious attack and the desperate measures taken by the Parisians to protect their beloved city.

One of the highlights of the documentary was its focus on the key figures involved in the conflict. From the cunning Viking chieftains to the brave defenders, each character was portrayed with depth and authenticity. The humanization of these historical figures allowed viewers to empathize with their struggles and understand the complex dynamics at play during the siege.

Additionally, the documentary delved into the advanced military tactics employed by both sides, shedding light on the innovative siege weaponry and strategies used during this time. The use of state-of-the-art computer graphics to illustrate the battle formations and siege engines further enhanced the immersive experience for the audience.

However, while the documentary offered a captivating exploration of the siege, some viewers may have found the pacing a bit rushed at times. Certain aspects of the conflict could have been given more time for in-depth analysis, as the siege of Paris is a multifaceted event with many fascinating angles to explore.

“Clash of Ancient Warriors” on Sky History provides an engrossing and well-researched account of the Siege of Paris by the Vikings. With its compelling narrative, expert insights, and impressive visuals, the documentary succeeded in bringing history to life. Whether you are a history enthusiast or simply intrigued by tales of ancient battles, this documentary is well worth a watch.

On The Basis Of Sex (2018 film) 11.15pm BBC2

“On the Basis of Sex” is a captivating biographical drama that chronicles the early career of Supreme Court Justice Ruth Bader Ginsburg, played brilliantly by Felicity Jones. Directed by Mimi Leder, the film sheds light on the social themes of gender inequality and the significance of supportive male individuals in a male-dominated world. Through a thought-provoking narrative and strong performances, “On the Basis of Sex” not only pays tribute to Justice Ginsburg’s remarkable journey but also serves as a timely reminder of the ongoing fight for gender equality.

Set in the 1970s, the film centers around Ruth Bader Ginsburg’s struggles as a young attorney determined to challenge the prevailing gender biases in the legal system. As one of the few women studying law at Harvard, she faces overt discrimination and skepticism from her peers and professors. Throughout her career, Ginsburg confronts numerous obstacles, from being denied job opportunities due to her gender to experiencing condescending remarks from male colleagues.

The film masterfully highlights the societal norms and deeply ingrained prejudices that plagued the legal profession and, by extension, society at large during that era. The gender inequality and lack of representation within the legal system were not only pervasive but also served as barriers to women seeking professional growth and success.

What makes “On the Basis of Sex” even more compelling is the emphasis on the significance of Ginsburg’s husband Martin D. Ginsburg, portrayed brilliantly by Armie Hammer. Martin, a respected tax attorney in his own right, becomes Ruth’s strongest supporter and advocate. His unwavering belief in her talent, intelligence, and potential as a trailblazing lawyer plays a crucial role in propelling her career forward. It is through his partnership and encouragement that Ruth gains the strength to take on landmark gender discrimination cases, ultimately leading to her becoming a pioneering figure in the fight for gender equality.

The film beautifully portrays the Ginsburgs’ partnership as a true example of equality within a marriage, where both partners contribute their strengths to lift each other up and create a united front against societal injustices. Martin’s character demonstrates that male allies have a vital role to play in dismantling patriarchal norms and advocating for gender equality. He stands as a symbol of support and empowerment, defying traditional gender roles and challenging the notion that a woman’s ambition should be curtailed for the sake of her husband’s career.

“On the Basis of Sex” is a timely film that resonates deeply in the current social and political landscape, where the fight for gender equality continues to be a pressing issue. The film serves as a powerful reminder of the progress made over the years and the work that remains to be done to achieve true respect and gender parity.

Tuesday 1st of August 2023

The Lost Boys (1987 film) 9.30pm BBC3

“The Lost Boys” is a cult classic that has achieved timeless popularity and continues to captivate audiences with its unique blend of horror, comedy, and teenage rebellion. Released in 1987 and directed by Joel Schumacher, the film has garnered a dedicated fan following over the years, making it an iconic piece of ’80s cinema.

Set in the fictional town of Santa Carla, “The Lost Boys” follows two brothers, Michael (Jason Patric) and Sam (Corey Haim), who move with their mother (Dianne Wiest) to live with their eccentric grandfather (Barnard Hughes). As they settle into their new surroundings, they encounter a group of stylish and charismatic teenagers led by David (Kiefer Sutherland). Unbeknownst to the brothers, this group is a pack of vampires, and Michael finds himself drawn into their dark and seductive world. With Sam teaming up with a pair of vampire hunters, the Frog brothers (Corey Feldman and Jamison Newlander), the battle between good and evil unfolds in a thrilling and entertaining fashion.

“The Lost Boys” has earned its cult status for several reasons. Firstly, its unconventional take on the vampire genre sets it apart from other horror films of its time. Instead of traditional gothic castles and ancient vampires, the movie embraces a contemporary setting with a focus on rebellious and edgy youth culture. This infusion of teenage angst, humor, and a pulsating soundtrack speaks directly to the ’80s youth, resonating with its target audience and solidifying its place in pop culture history.

One of the most memorable aspects of “The Lost Boys” is its exceptional soundtrack. With a mix of rock, new wave, and pop tunes, the music perfectly complements the film’s atmosphere and themes. The soundtrack features iconic songs like “Cry Little Sister” by Gerard McMann, which serves as the film’s haunting and evocative theme. This song, with its eerie vocals and haunting melody, has become synonymous with “The Lost Boys” and is instantly recognizable to fans.

Additionally, the film features other standout tracks such as INXS’s “Good Times” and Echo & the Bunnymen’s cover of The Doors’ “People Are Strange.” Each song is carefully curated to heighten the movie’s mood, seamlessly blending with the narrative and enhancing the viewer’s experience.

The film’s portrayal of camaraderie among the young characters, along with its witty humor, adds a layer of charm that contributes to its cult appeal. The camaraderie shared by the vampire-hunting Frog brothers and their amusing one-liners have become enduring elements of the film.

The Trials of Oppenheimer 10pm BBC4

J. Robert Oppenheimer, a renowned scientist of his time, led the highly successful Manhattan Project. Despite his brilliance, he was known for his shy and arrogant demeanor. As he rose to become a scientific statesman, he headed the Atomic Energy Commission, aiming to prevent a nuclear arms race. However, his foray into politics led to bitter rivalries, particularly with Lewis Strauss, a close associate of President Truman.

This film chronicles the remarkable journey of Robert Oppenheimer, from his ascent to his eventual downfall. Portrayed by David Straithairn, who earned an Oscar nomination for his performance in “Good Night and Good Luck,” Oppenheimer defends himself against accusations of being a communist, as he faces a trial. The documentary combines reenactments with insights from a diverse range of commentators, including his Manhattan Project colleagues and academics like Martin Sherwin and Priscilla MacMillan.

Narrated by Zoe Wanamaker, whose father experienced the harsh anti-communism of McCarthyism, the film intricately weaves Oppenheimer’s life story with the gripping events of his trial and its tragic aftermath. It delivers an emotional and compelling narrative that, especially in today’s context where non-proliferation is a pressing concern, sheds light on the dangers of intertwining science and government.

Wednesday 2nd of August 2023

Martin Amis, Money And Memories With William Boyd 10pm BBC4

“Martin Amis, Money And Memories With William Boyd” is a captivating and insightful documentary that takes viewers on a journey through the life and literary legacy of renowned author Martin Amis. Presented by fellow writer William Boyd, the film offers a unique glimpse into the mind of the acclaimed novelist as he reflects on his iconic work, including his seminal novel “Money.”

Boyd skillfully guides the audience through Amis’s personal and professional life, exploring the inspirations behind his writing and the profound impact it has had on contemporary literature. With candid interviews and intimate conversations, viewers gain a deeper understanding of the complexities that shaped Amis’s writing style and thematic choices.

The documentary also delves into Amis’s thoughts on memory and its significance in his storytelling. Through thought-provoking discussions, the film explores how memories, both personal and collective, have influenced and enriched Amis’s narratives, allowing audiences to appreciate the profound depth of his literary creations.

Aside from celebrating Amis’s literary achievements, the film also pays homage to the friendship and camaraderie between the two esteemed authors. Boyd’s genuine admiration for Amis shines through, creating a warm and engaging atmosphere that draws viewers further into the world of the celebrated novelist.

“Martin Amis, Money And Memories With William Boyd” is a must-watch for literature enthusiasts and anyone interested in gaining a deeper appreciation for the brilliance of Martin Amis. With its compelling storytelling and profound insights, the documentary is a delightful tribute to a literary giant and his enduring impact on the world of literature.

David Byrne’s American Utopia 10pm Sky Arts

“David Byrne’s American Utopia” documentary is a mesmerizing and electrifying experience that captures the essence of the iconic musician’s visionary stage show. Directed by Spike Lee, this film takes viewers on a thrilling journey through Byrne’s dynamic live performance, delivering a thought-provoking blend of music, dance, and social commentary.

At its core, the documentary showcases the sheer brilliance and creativity of David Byrne as he brings to life songs from his critically acclaimed “American Utopia” album, along with some classic Talking Heads hits. The exuberant ensemble of musicians and dancers on stage creates a vibrant and joyous atmosphere, immersing the audience in a euphoric celebration of art and unity.

Beyond the infectious rhythms and exhilarating choreography, the documentary delves into deeper themes of community, connection, and the search for utopia in contemporary America. Byrne’s introspective and socially relevant interludes between songs serve as poignant reminders of the power of music to bridge gaps and inspire change.

Spike Lee’s masterful direction amplifies the impact of the live performance, expertly capturing every beat and emotion, making viewers feel as if they are right there in the audience. The film’s impeccable cinematography adds an extra layer of visual artistry to an already captivating experience.

“David Byrne’s American Utopia” is more than just a concert film; it’s an uplifting and thought-provoking journey that leaves a lasting impression. Whether you’re a longtime fan of David Byrne or a newcomer to his musical genius, this documentary is a must-see celebration of music, artistry, and the pursuit of a better world.

Thursday 3rd of August 2023

The Haindmaiden (2016 film) 12.40am Film4

Park Chan-wook’s “The Handmaiden” is a visually stunning and emotionally gripping masterpiece that weaves an intricate web of deception, desire, and redemption. Released in 2016, the film is a seductive and thought-provoking exploration of love, trust, and the indomitable human spirit, set against the backdrop of 1930s Korea during Japanese occupation.

Adapted from Sarah Waters’ novel “Fingersmith,” the film centers around three central characters: Sook-Hee (Kim Tae-ri), a young pickpocket; Lady Hideko (Kim Min-hee), a reclusive heiress living under the watchful eye of her oppressive uncle (Jo Jin-woong); and Count Fujiwara (Ha Jung-woo), a cunning conman with a hidden agenda. As Sook-Hee is hired as Lady Hideko’s handmaiden, a complex and mesmerizing tale of love, manipulation, and intrigue unfolds.

What sets “The Handmaiden” apart is its skillful storytelling, presented in three distinct acts. Each act offers a fresh perspective on the events, revisiting key moments from different character viewpoints, exposing layers of deceit, and reshaping our understanding of the narrative. This narrative structure adds layers of complexity to the film, immersing the audience in a suspenseful journey filled with surprises and revelations.

Beyond its captivating plot, the film’s visual aesthetics are nothing short of breathtaking. Park Chan-wook’s directorial finesse is evident in every frame, with meticulous attention to detail and sumptuous cinematography. The opulent settings of the mansion and lush landscapes, combined with exquisite costume designs, transport the audience to a world of decadence and elegance.

The performances by the lead actors are exceptional and imbue the characters with depth and emotional resonance. Kim Tae-ri shines as Sook-Hee, skillfully portraying the transformation from a street-smart pickpocket to a conflicted woman torn between loyalty and love. Kim Min-hee delivers a haunting portrayal of Lady Hideko, capturing the character’s vulnerability, resilience, and desire for freedom. Ha Jung-woo adds a sinister charm to Count Fujiwara, leaving the audience guessing about his true motives until the film’s gripping climax.

“The Handmaiden” explores themes of sexuality, identity, and the complexities of human interaction with a bold and unapologetic approach. It fearlessly challenges societal norms and expectations, portraying love and desire in a way that breaks free from conventional storytelling.

As the plot unfolds, the film delves into the darker aspects of human nature, showcasing the power dynamics between individuals and the manipulation that stems from greed and desire. However, amidst the deception and betrayal, “The Handmaiden” ultimately reveals an unexpected bond between the characters, leading to a profound exploration of redemption and the indomitable strength of the human spirit.

“The Handmaiden” is an enthralling and provocative cinematic experience that captivates with its intricate plot, breathtaking visuals, and stellar performances. Park Chan-wook’s masterful storytelling weaves a tale of deception, desire, and redemption that lingers long after the credits roll. This film is a triumph in its exploration of love, trust, and the complexities of human relationships, and it stands as a shining example of Korean cinema’s prowess on the global stage.

Friday 4th of August 2023

Passport to Pimlico (1949 film) 6.30pm Talking Pictures

“Passport to Pimlico” is a delightful and charming British comedy released in 1949 that cleverly blends humor with astute social and political commentary. Directed by Henry Cornelius, the film is set in post-World War II London and uses a whimsical premise to explore the themes of identity, community, and the complexities of nationality.

The story revolves around the discovery of an ancient document that declares the London district of Pimlico to be part of the fictional Duchy of Burgundy. As a result, the residents of Pimlico find themselves exempt from British laws and regulations, sparking a comical sense of self-governance within the neighborhood.

The film’s social themes primarily revolve around the sense of community and unity that emerges among the Pimlico residents. When faced with newfound autonomy, they embrace their Burgundian identity, leading to a self-imposed blockade against the rest of London. This leads to a whimsical scenario where Pimlico becomes an independent state within the larger city, complete with its currency and passport system.

“Passport to Pimlico” is a clever satire that highlights the absurdity of bureaucracy and the influence of national borders on people’s lives. Through humor, the film subtly critiques the complexities of nationality and the arbitrary nature of dividing people based on geography. It poses thought-provoking questions about the concept of belonging and the impact of imposed identities.

Furthermore, the film touches on post-war sentiments, as it was released just a few years after the end of World War II. Pimlico’s declaration of independence reflects a desire for self-determination and a longing for a simpler time when communities were more tightly knit. This subtle commentary on the aftermath of war resonated with audiences of its time, as it captured the prevailing sentiments of hope for a better future.

The film’s political themes are subtly interwoven with the social commentary. It playfully addresses the question of governance and who has the right to rule. As the residents of Pimlico experience the benefits of autonomy, it becomes a reflection of individual and communal empowerment against the constraints of larger political structures.

The film also draws attention to the impact of such autonomy on external political interests. The British government, depicted as bureaucratic and aloof, responds to the Pimlico situation with a mix of frustration and bemusement. The political maneuverings between Pimlico and the government add a layer of wit to the narrative, showcasing the contrasting perspectives on governance and the power dynamics at play.

“Passport to Pimlico” is a delightful comedy that cleverly explores social and political themes through its witty premise and endearing characters. The film’s commentary on identity, community, and the influence of nationality remains relevant to this day, making it a timeless classic in British cinema. Its playful satire and astute observations on post-war sentiments make it an enjoyable watch for audiences of all ages, while its deeper exploration of social and political themes adds layers of meaning and relevance that continue to resonate.

Picture credits

Sinead: by Bryan Ledgard – https://www.flickr.com/photos/ledgard/14828633401/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=135032178

Greed: this is a poster for the film Greed. The poster art copyright is believed to belong to the distributor of the item promoted, Sony Pictures Releasing International, the publisher of the item promoted or the graphic artist.

Portrait of a Lady on Fire: by Pyramide Films – http://distrib.pyramidefilms.com/images/films/824/_thumb1/pjff120x160.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=60623391

Louis Theroux: by Claire Boxall – Flickr, Public Domain, https://commons.wikimedia.org/w/index.php?curid=99528972

On the basis of Sex: by Studio and or Graphic Artist, Fair use, https://en.wikipedia.org/w/index.php?curid=57916105

The Lost Boys: by IMP Awards / 1987 Movie Poster Gallery / The Lost Boys Poster (#1 of 4), Fair use, https://en.wikipedia.org/w/index.php?curid=10810718Op

Oppenheimer: by Unknown author – https://catalog.archives.gov/id/558579, Public Domain, https://commons.wikimedia.org/w/index.php?curid=134271687

Martin Amis: by Larry D. Moore, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=36754484

David Byrne’s American Utopia; by https://www.imdb.com/title/tt11874226/, Fair use, https://en.wikipedia.org/w/index.php?curid=65291790

The Handmaiden: the poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=52048902

Passport to Pimlico: by Listal, Fair use, https://en.wikipedia.org/w/index.php?curid=17246144

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