Counter Culture

4,257 words, 23 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. This week’s highlights include: the PBS documentary, Netanyahu: America & The Road to War in Gaza, 2009 film Moon, and 1961 film Judgment At Nuremberg, which given current war crimes and atrocities seems very relevant today.

Saturday 20th January, 2024

1928: The Year the Thames Flooded 9.30pm Channel 5

1928: The Year the Thames Flooded is a documentary that tells the story of the tragic Thames Flood of 1928, which was caused by heavy snow, rain, and a storm surge in the North Sea. The flood affected much of riverside London, causing considerable damage and leaving thousands homeless. Fourteen people lost their lives when floodwaters poured over the top of the Thames Embankment and part of the Chelsea Embankment collapsed.

Netanyahu: America & The Road to War in Gaza 9.45pm PBS America

Netanyahu: America & The Road to War in Gaza is a 90-minute documentary produced by Frontline PBS hat examines the events leading up to the current crisis in Gaza, including the Oslo Accords and the Hamas attack on Israel on October 7, 2023. The documentary offers a sweeping examination of the long history of failed peace efforts and violent conflict in the region, and the increasing tensions between Israel and the US over the war’s catastrophic toll and what comes next. The film features firsthand accounts of insiders and advisors to Netanyahu, US presidents, and Palestinian leadership, as well as key insights from experts and observers of the decades-long conflict. The documentary also shows how, in the wake of President Joe Biden’s initial embrace of Netanyahu in response to the Hamas attack, the relationship has become increasingly fractious, with the president pressing Israel to embrace a two-state solution to the conflict, and the prime minister vowing not to “repeat the mistake of Oslo”.

Blade Runner 2049 (2017) 11.05pm BBC1

Blade Runner 2049, directed by Denis Villeneuve, seamlessly expands upon the thematic richness of its iconic predecessor, delving deeper into the realms of identity, humanity, and the socio-political landscape. Released in 2017, this visually stunning and intellectually engaging film not only pays homage to Ridley Scott’s Blade Runner (1982) but also emerges as a standalone masterpiece that raises profound questions about the nature of existence and the societal implications of technological advancement.

One of the central themes explored in Blade Runner 2049 is the essence of humanity and the blurred lines between artificial intelligence and consciousness. The film introduces us to a new generation of replicants, bioengineered beings with remarkable similarities to humans, yet grapples with the search for identity and purpose. Ryan Gosling’s character, Officer K, embarks on a quest that forces audiences to ponder the very definition of what it means to be alive. The narrative artfully examines the moral implications of creating entities capable of emotion and self-awareness, challenging viewers to reevaluate preconceived notions about the value of life.

The film also delves into the socio-economic consequences of technological progress, portraying a dystopian future where corporations wield immense power over society. The stark contrast between the opulence of the powerful and the squalor of the disenfranchised echoes contemporary concerns about wealth inequality and corporate influence. Blade Runner 2049 prompts viewers to reflect on the potential pitfalls of unbridled technological development and its impact on social structures.

Philosophical questions about memory and reality play a pivotal role in the narrative, drawing inspiration from Philip K. Dick’s source material. The film skillfully explores the malleability of memories and the implications of manipulating one’s past. This thematic exploration ties back to the broader question of what constitutes a meaningful existence and how memories shape our sense of self.

Denis Villeneuve’s directorial prowess is evident throughout the film, with Roger Deakins’ cinematography contributing to the creation of a visually arresting dystopian landscape. The use of practical effects, combined with stunning visuals, enhances the immersive experience, underscoring the film’s thematic complexity.

In conclusion, Blade Runner 2049 stands as a cinematic triumph that successfully builds upon the philosophical and social foundations of its predecessor. It invites audiences to contemplate the consequences of technological evolution, the nature of humanity, and the ethical implications of creating entities capable of introspection. With its thought-provoking narrative and breathtaking visuals, the film leaves an indelible mark on the science fiction genre, transcending the boundaries of mere entertainment to become a profound exploration of the human condition in a world shaped by the relentless march of progress.

Sunday 21st of January 2024

George Clarke’s Adventures In Americana 9pm Channel 4

George Clarke’s Adventures in Americana is a four-part special series that follows the journey of George Clarke, an architect, across the United States in search of fascinating stories and people behind the buildings that make America such a unique place.

In the fourth and final episode of George Clarke’s Adventures in Americana, George travels from New Orleans, Louisiana to Bandera, Texas, a distance of approximately 650 miles 1. The episode explores how immigration from Europe over the past 300 years has influenced the architecture of each state.

Monday 22nd of January 2024

The Lavender Hill Mob (1951) 5.05pm Film 4

The Lavender Hill Mob, directed by Charles Crichton and released in 1951, is a classic British comedy that stands the test of time with its wit, charm, and delightful heist narrative. Starring Alec Guinness and Stanley Holloway, this Ealing Studios production not only showcases the genius of the British film industry in the post-war era but also introduces audiences to a young Audrey Hepburn in one of her early roles.

Set against the backdrop of post-war London, the film follows the misadventures of Henry Holland (Alec Guinness), a mild-mannered bank clerk who orchestrates a plan to steal gold bullion with the help of his bumbling accomplice Alfred Pendlebury (Stanley Holloway). What sets The Lavender Hill Mob apart is its ability to make audiences root for the “bad” guys, challenging traditional moral dichotomies associated with crime films.

Alec Guinness delivers a masterful performance as Henry Holland, a character whose motivation is not driven by malicious intent but rather a desire for a better life. The film carefully crafts Henry’s character, making him relatable and sympathetic. As viewers, we find ourselves empathizing with his mundane existence and yearning for a taste of the excitement and wealth that the criminal world promises.

Stanley Holloway’s portrayal of Alfred Pendlebury adds a layer of comedic brilliance to the film. The chemistry between Guinness and Holloway is palpable, elevating the humor and ensuring that the audience is not only invested in the success of their daring plan but also thoroughly entertained by their dynamic partnership.

Audrey Hepburn makes a brief yet memorable appearance in The Lavender Hill Mob, foreshadowing her future status as a Hollywood icon. Even in this early role, Hepburn’s screen presence is undeniable, hinting at the grace and charisma that would define her career.

The film’s success in making the audience sympathize with the criminals is attributed to the clever storytelling that humanizes the characters. The Lavender Hill Mob employs humor and satire to critique societal norms and institutions, making it clear that the line between right and wrong is not always as distinct as it seems. The desire for a better life, financial security, and the pursuit of happiness are universal themes that resonate with viewers, transcending the criminal actions of the protagonists.

The Lavender Hill Mob is a delightful caper that combines humor, wit, and a touch of satire to create a timeless cinematic experience. The film’s ability to make us cheer for characters engaging in criminal activities is a testament to its nuanced storytelling and well-crafted characters. With its stellar performances, clever dialogue, and Audrey Hepburn’s early charm, The Lavender Hill Mob remains a classic that continues to captivate audiences and serve as a testament to the enduring appeal of British cinema.

American Dynasties: The Kennedys (one of six) 8.20pm PBS America

American Dynasties: The Kennedys is a six-part documentary series that premiered on CNN in 2018. The series explores the rise of the Kennedy family to power and how personal relationships within the family shaped national and global events from the Cold War to the Wall Street crash. The series features interviews with insiders, advisors, and experts on the Kennedy family and the decades-long conflict in the region. Martin Sheen narrates the series.

This first episode of American Dynasties: The Kennedys is titled The Power of Wealth. It chronicles the rise of the Kennedy family from humble immigrant origins to political dynasty. The episode focuses on Joseph Kennedy’s political ambition, which passes first to his son Joe Jr. and then to reluctant second son Jack.

The Piano (1993) 11.15pm BBC2

Directed by Jane Campion, The Piano (1993) is a visually stunning and emotionally resonant film that skillfully weaves a narrative of feminism and female sexuality against the backdrop of 19th-century New Zealand. Starring Holly Hunter, Harvey Keitel, and Sam Neill, the film presents a powerful exploration of a woman’s journey towards self-discovery and autonomy.

At the heart of The Piano is the character of Ada McGrath, portrayed brilliantly by Holly Hunter. Ada is a mute, piano-playing woman sent from Scotland to New Zealand for an arranged marriage. The film unfolds as Ada’s piano becomes both a means of expression and a source of empowerment. Her muteness serves as a metaphor for the societal constraints placed on women during the era, highlighting their limited ability to voice their desires and experiences.

The feminist undertones of The Piano are evident in Ada’s struggle for agency and autonomy within a patriarchal society. As she navigates the constraints imposed by her arranged marriage to Alisdair Stewart (Sam Neill), Ada’s piano becomes her voice, a symbol of resistance against societal expectations. The film skillfully explores how Ada’s musical talent becomes a form of rebellion, allowing her to reclaim control over her own narrative and desires.

The themes of female sexuality and sexual awakening are intricately woven into the narrative, particularly through Ada’s relationship with George Baines, played by Harvey Keitel. Baines, a neighbor with a deep appreciation for Ada’s piano playing, enters into a complex and nuanced relationship with her. The film portrays Ada’s sexual awakening as a gradual and empowering process, breaking away from the conventional portrayals of female sexuality in cinema.

The cinematography by Stuart Dryburgh enhances the film’s visual allure, capturing the lush landscapes of New Zealand and infusing the narrative with a sense of poetic beauty. The use of the piano as a symbolic motif is not only central to the story but also contributes to the film’s immersive and evocative atmosphere.

Jane Campion’s direction is nothing short of masterful, as she navigates the complexities of the characters’ emotions and societal expectations. The Piano stands as a testament to Campion’s ability to bring forth nuanced portrayals of women’s experiences, challenging traditional gender norms and offering a poignant commentary on the struggles faced by women in the 19th century.

In conclusion, The Piano is a cinematic masterpiece that transcends its period setting to deliver a timeless exploration of feminism and female sexuality. Holly Hunter’s powerful performance, combined with Campion’s directorial vision, creates a film that resonates on multiple levels, offering a profound reflection on the strength, resilience, and sexual autonomy of women in the face of societal constraints. The Piano remains a landmark achievement in cinema, leaving an indelible mark in the exploration of female identity and empowerment.

Tuesday 23rd of January 2023

Revenge: Our Dad the Nazi Killer 10pm BBC4
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Revenge: Our Dad the Nazi Killer follows the story of a middle-aged Jewish doctor named Jack, who discovers that his father, a Holocaust survivor, is responsible for the unsolved murder of an alleged Nazi 70 years ago ²³. The film explores Jack’s quest to find the truth about his father’s past and the impact of the Holocaust on his family ¹. The documentary features interviews with surviving members of Jewish vigilante groups, archival footage, and gripping narratives that uncover hidden chapters of a nation’s past and question our perception of morality, the impact of war, and the lengths people will go to seek revenge

Moon (2009) 11.15pm BBC2

“Moon” (2009), invites viewers on an introspective journey into the depths of solitude and existential questioning. Directed by Duncan Jones, the film showcases the unmistakable influence of his visionary father, David Bowie. At the heart of the narrative is Sam Rockwell’s stellar performance as Sam Bell, a miner stationed on the moon’s surface tasked with extracting Helium-3 for Earth’s energy needs. As the three-year isolation period nears its end, Bell’s mental and emotional state becomes increasingly fragile, leading to a series of surreal and mind-bending events.

The brilliance of “Moon” lies in its ability to seamlessly blend psychological tension with elements of hard science fiction. Duncan Jones crafts a meticulously detailed lunar setting, aided by exceptional production design and cinematography, creating an immersive atmosphere that mirrors the protagonist’s isolation. Clint Mansell’s haunting and evocative score further enhances the film’s emotional resonance, underscoring the isolation and uncertainty that permeate Bell’s lunar existence.

David Bowie’s son, Duncan Jones, demonstrates a keen understanding of storytelling and thematic depth, infusing “Moon” with philosophical questions about identity and the consequences of isolation.David Bowie’s influence seems to echo through Moon, not just as a nod to his son’s artistic heritage but also in the film’s thematic exploration of identity and existentialism.

The soundtrack, composed by Clint Mansell, complements the eerie atmosphere, further enhancing the film’s emotional impact. The film’s narrative takes unexpected turns, challenging the audience to reconsider preconceived notions about reality and the nature of consciousness. As Sam Rockwell skillfully navigates the complexities of his character(s), the film’s exploration of the human psyche becomes increasingly poignant.

The thematic richness of “Moon” is complemented by its well-executed visuals and practical effects. The lunar landscape, designed with meticulous attention to detail, serves as a stunning backdrop for the unfolding drama. The film pays homage to classic sci-fi while introducing fresh and thought-provoking ideas that resonate long after the credits roll.

“Moon” is a mesmerizing cinematic experience that stands as a testament to the power of sci-fi storytelling. Sam Rockwell’s compelling performance, the atmospheric direction, and the film’s thought-provoking narrative make it a late-night treat for those seeking a blend of psychological depth and gripping science fiction.

Wednesday 24th of January 2024

The Winslow Boy (1948) 1.20pm Film 4

I am an admirer of the performances of Robert Donat and he again demonstrated his exceptional acting prowess in this compelling drama. Directed by Anthony Asquith, The Winslow Boy unfolds as a powerful exploration of justice, integrity, and the human spirit.

Donat’s portrayal of Arthur Winslow, a father fighting to clear his son’s name in the face of an alleged theft, is nothing short of remarkable. His ability to convey both vulnerability and unwavering determination is a testament to his skill as an actor. Donat’s previous notable roles, such as in “Goodbye, Mr. Chips” and “The 39 Steps,” have showcased his versatility, but in The Winslow Boy, he takes on a role that delves into the moral and social complexities of justice.

The Winslow Boy is a tale of familial love and sacrifice, set against the backdrop of early 20th-century England. The film raises poignant questions about the price one is willing to pay for justice, both on a personal and societal level. As Arthur Winslow pursues the truth with unyielding determination, the narrative unfolds to reveal the societal expectations and the high cost of challenging the established order.

One of the film’s strengths lies in its exploration of the social themes surrounding justice and the sacrifices individuals make for the greater good. The Winslow Boy grapples with issues of class, privilege, and the power dynamics inherent in a legal system that is not always just. The screenplay, based on Terence Rattigan’s play, skillfully weaves these themes into the fabric of the story, prompting viewers to reflect on the moral complexities of the pursuit of truth.

The Winslow Boy, through its well-crafted narrative and Donat’s captivating performance, delivers a poignant message about the importance of integrity and the lengths one must go to uphold justice. The film serves as a timeless exploration of the human spirit and its unwavering commitment to principles, even in the face of formidable opposition. For fans of Robert Donat and admirers of thought-provoking cinema, The Winslow Boy remains a cinematic gem that resonates with relevance and emotional depth.

Thursday 25th of January 2024

Judgment At Nuremberg (1961) 10.50pm BBC4

Stanley Kramer’s Judgment At Nuremberg (1961) stands as a powerful and thought-provoking cinematic masterpiece, and its themes resonate even more profoundly in the wake of contemporary events such as war crimes in Ukraine, Russia, and Israel. The film, set in the aftermath of World War II, delves into the moral complexities of accountability and justice, echoing with relevance in today’s tumultuous world.

At the heart of the film is a stellar ensemble cast, including Spencer Tracy, Burt Lancaster, Maximilian Schell, and Marlene Dietrich, each delivering performances that bring to life the weighty ethical questions posed by the Nuremberg Trials. As the legal drama unfolds, the film addresses the responsibility of individuals in the face of atrocities committed during wartime, raising crucial questions about complicity, accountability, and the pursuit of justice.

Judgment At Nuremberg invites viewers to reflect on the nature of war crimes and the moral dilemmas surrounding the prosecution of those responsible. In the context of recent events in Ukraine, Russia, and Israel, the film’s exploration of the consequences of unchecked power and the necessity of holding individuals accountable for their actions takes on added significance.

The film’s narrative courageously tackles the intricacies of war crimes, challenging audiences to consider the broader implications of justice in times of conflict. As we witness real-time events unfold in different parts of the world, Judgment At Nuremberg becomes a poignant reminder that the pursuit of justice must transcend political boundaries and national interests.

The film’s relevance lies not only in its exploration of historical events but also in its ability to provoke introspection about the moral responsibility of individuals, institutions, and nations. The haunting parallels between the Nuremberg Trials and contemporary conflicts underscore the enduring importance of addressing war crimes and atrocities to prevent history from repeating itself.

Judgment At Nuremberg remains a timeless cinematic achievement that invites audiences to confront the complexities of justice in the face of war crimes. Its themes resonate powerfully in today’s world, serving as a reminder of the ongoing need for accountability, ethical reflection, and the pursuit of justice, especially in the midst of current global challenges.

Miners Strike 1984: The Battle For Britain (one of three) 9pm Channnel 4

The 984-1985 United Kingdom miners’ strike was a major industrial action within the British coal industry in an attempt to prevent colliery closures. It was led by Arthur Scargill of the National Union of Mineworkers (NUM) against the National Coal Board (NCB), a government agency ¹. The strike began on March 6, 1984, with a walkout at Cortonwood Colliery, which led to the NUM’s Yorkshire Area’s sanctioning of a strike on the grounds of a ballot result from 1981 in the Yorkshire Area, which was later challenged in court ¹. The NUM strategy was to cause a severe energy shortage of the sort that had won victory in the 1972 strike. The government strategy, designed by Margaret Thatcher, was threefold: to build up ample coal stocks, to keep as many miners at work as possible, and to use police to break up attacks by pickets on working miners. The critical element was the NUM’s failure to hold a national strike ballot. The strike ended on March 3, 1985, with a decisive victory for the Conservative government and allowed the closure of most of Britain’s collieries. The strike is regarded as “the most bitter industrial dispute in British history”. The strike resulted in pit closures, job losses, foreign coal imports, political unrest, and the death of six people.

This documentary looks at the dispute through three stories of those involved. This episode deals with how the Derbyshire pit village of Shirebrook descended into violence and division between working and striking miners and their families.

Friday 26th of January 2024

Scarface (1983) 9pm Film4

Brian De Palma’s Scarface (1983) is a cinematic tour de force that immerses audiences in the ruthless world of organized crime, driven by the indomitable Tony Montana, portrayed with intensity by Al Pacino. While the film is celebrated for its gripping narrative and iconic performances, it also serves as a cautionary tale, exploring ethical themes and delivering potent moral lessons that linger long after the credits roll.

At the heart of Scarface is the rise and fall of Tony Montana, an ambitious Cuban immigrant who claws his way to the top of the Miami drug trade. As Tony amasses wealth and power, the film raises critical ethical questions about the cost of success and the morality of the means employed to achieve it. The character’s journey becomes a compelling exploration of the corrupting influence of unbridled ambition and the erosion of ethical boundaries.

One of the central moral lessons of Scarface is the destructive nature of greed and the pursuit of power at any cost. Tony’s insatiable appetite for wealth and status leads him down a path of violence, betrayal, and moral compromise. As viewers witness his transformation from an ambitious outsider to a ruthless drug lord, the film becomes a stark commentary on the consequences of unchecked ambition.

The film also delves into the theme of loyalty and the impact of compromised morals on interpersonal relationships. Tony’s disregard for ethical principles not only jeopardizes his own well-being but also fractures the bonds with those closest to him. Scarface serves as a cautionary reminder that the pursuit of personal gain at the expense of ethical values can isolate individuals and undermine the foundations of trust.

Scarface’s depiction of the drug trade as a morally bankrupt enterprise contributes to its exploration of ethical themes. The film sheds light on the societal consequences of illegal activities, emphasizing the destructive impact on communities and individuals. In doing so, Scarface prompts viewers to confront the moral dimensions of the choices made by its characters and, by extension, the broader implications of such actions.

In conclusion, Scarface stands as a cinematic classic not only for its compelling narrative and memorable performances but also for its exploration of ethical themes and moral lessons. As Tony Montana’s story unfolds onscreen, the film compels audiences to reflect on the consequences of unchecked ambition, the fragility of moral principles, and the enduring relevance of ethical considerations in the pursuit of success.

The Blood On Satan’s Claw (1971) 2.35am Legend

“The Blood On Satan’s Claw” (1971) emerges as a haunting gem within the illustrious realm of British folk-horror, standing shoulder to shoulder with genre classics like “Witchfinder General” and “The Wicker Man.” Directed by Piers Haggard, this atmospheric journey into the supernatural delivers a gripping narrative that is both unsettling and mesmerizing.

Set against the backdrop of 17th-century rural England, the film immerses audiences in a world where the line between folklore and terror blurs into a nightmarish tapestry. Much like its predecessors in the genre, “The Blood On Satan’s Claw” delves into the primal fears embedded in the collective psyche, exploring the darkness that lurks beneath the seemingly idyllic façade of rural landscapes.

At the heart of the film is a malevolent force that transcends the physical realm, manifesting as a sinister cult that takes root in a seemingly tranquil village. The pervasive sense of dread and paranoia echoes the thematic resonance found in “Witchfinder General” and “The Wicker Man,” where ancient rituals and pagan practices collide with the encroaching forces of modernity.

The film’s strength lies in its ability to evoke an eerie atmosphere, capturing the essence of folk-horror with its bucolic settings and unsettling supernatural elements. The cinematography, marked by its moody and evocative visuals, contributes significantly to the film’s ominous ambiance. The picturesque landscapes become a backdrop for unspeakable horrors, reminiscent of the haunting aesthetics that defined its genre predecessors.

Characterized by its haunting score and meticulous attention to period detail, “The Blood On Satan’s Claw” remains a testament to the enduring power of folk-horror. Much like “Witchfinder General” and “The Wicker Man,” the film explores the clash between ancient beliefs and encroaching modernity.

“The Blood On Satan’s Claw” is a cinematic tour de force that firmly cements its place within the pantheon of British folk-horror classics. With its gripping narrative, atmospheric visuals, and thematic depth, the film is a must-watch for enthusiasts of the genre, offering a timeless exploration of the supernatural that continues to resonate with audiences to this day.

Picture Credits

Blade Runner 2049
The poster art can or could be obtained from the distributors, Warner Bros. and Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=51893608

The Lavender Hill Mob (1951)
Fair use, https://en.wikipedia.org/w/index.php?curid=2705600

The Piano (1993)
May be found at the following website: https://www.filmaffinity.com/en/filmimagesnojs.php?movie_id=601157, Fair use, https://en.wikipedia.org/w/index.php?curid=34788954

Moon (2009)
By http://www.impawards.com/2009/moon_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=20348255

The Winslow Boy (1948)
By unknown – https://robert-donat.com/gallery/posters/the-winslow-boy/#jp-carousel-2233, Fair use, https://en.wikipedia.org/w/index.php?curid=55514500

Copyright © 1961 by United Artists Corporation – Scan via Heritage Auctions. Cropped from the original image and lightly retouched; see upload history for unretouched original., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88144188

Scarface (1983)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=964690

The Blood on Satan’s Claw (1971)
The poster art can or could be obtained from The Cannon Group., Fair use, https://en.wikipedia.org/w/index.php?curid=28293149