Posts Tagged The Stand Comedy Club

In Conversation with Chris Brookmyre and Marisa Haetzman

★★★★★ Chris Brookmyre and Marisa Haetzman make a compelling double act — warm, funny, and deeply knowledgeable — and their conversation at The Stand offered a vivid look into how two very different professional worlds combine to create the Ambrose Parry novels. What emerges is not just a discussion about writing, but a portrait of a partnership built on curiosity, respect and shared fascination with Edinburgh’s medical past.

They began by talking about their joint pseudonym, Ambrose Parry, and the decision to write under a single name. Haetzman spoke candidly about the challenge of learning to write fiction from scratch, especially alongside Brookmyre, whose crime novels — including the Jack Parlabane series — have shaped Scottish genre writing for decades. Their reflections on blending voices, negotiating differences, and discovering a collaborative rhythm were honest and often very funny.

Haetzman’s background as a consultant anaesthetist, and her extensive research for her Master’s degree in the history of medicine, form the backbone of the Ambrose Parry world. Brookmyre described how her academic work captivated him, ultimately inspiring the pair to set their novels amid the medical innovations and moral complexities of 18th‑century Edinburgh. Their first book, The Way of All Flesh, appeared in 2018; their most recent, The Death of Shame, was published in mid‑2025. The series now includes five main novels and two digital novellas.

One of the highlights was their discussion of Dr Will Raven and his mentor, the pioneering obstetrician Dr James Young Simpson. Their anecdotes about Simpson’s early chloroform experiments — including its use at dinner parties — drew delighted laughter from the audience, illustrating the strange blend of danger, discovery and social eccentricity that fuels their fiction.

Brookmyre touched briefly on his solo work, offering sharp insights into his writing style and how it shifts when working within the Ambrose Parry framework. But the real pleasure of the event lay in the interplay between the two of them: Haetzman’s precision and historical depth paired with Brookmyre’s wit and narrative instinct.

This was an engaging, warm‑spirited hour with two writers who clearly love their craft and each other’s company. The audience responded in kind, enjoying a conversation that was as charming as it was informative.

A thoroughly enjoyable event — one that deserves to be repeated.

Reviewed by Jacqueline Sharp

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Talk About Pop Music: Michelle McManus Delivers a Joy‑Packed Pop Party at The Stand

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★★★★★Michelle McManus and Anna Welander’s Talk About Pop Music landed at The Stand with the kind of energy that fills a room before the show even starts. By the time the lights dipped, the place was already packed wall‑to‑wall with people clearly ready for a good time — and McManus delivered exactly that. She launched straight into a run of pop classics, belting them out with the confidence and warmth that have made her a favourite with Scottish audiences for years.

The show isn’t just a concert; it’s a pop‑culture hangout. Visual nods to Kylie Minogue, Mariah Carey and the Spice Girls flashed up throughout, giving the hour a playful nostalgia that had the crowd grinning. These references weren’t thrown in for decoration — they were part of the rhythm of the show, little sparks that kept the audience buzzing between songs.

Pairing McManus with Anna Welander was a smart move. Their chemistry made the whole thing feel conversational, almost like you’d stumbled into a lively living‑room debate about who really deserved the crown of pop royalty. Welander kept the pace tight and the tone cheeky, and the pop quizzes they tossed out were a genuine hit. People weren’t just watching; they were shouting answers, laughing at their own wrong guesses, and leaning into the fun.

Then came the surprise guest: Glasgow comedian Susan McCabe. She bounded onstage and immediately had the room howling. Her appearance wasn’t long, but it was sharp, loud, and perfectly timed — the kind of cameo that lifts a show from enjoyable to memorable.

If you’re looking for something that lets you switch off, sing along, dance a bit in your seat, and remember why pop music is such a joy, this is the one to pencil into your Fringe diary. It’s an hour of pure fun — unpretentious, upbeat, and packed with the kind of nostalgia that makes you smile long after you’ve left the venue.

Reviewed by Jacqueline Sharp

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