The Fall of the House of Usher is an American gothic horror drama television miniseries created by Mike Flanagan, released on Netflix on October 12, 2023. This atmospheric and visually striking series consists of eight episodes, each carefully crafted to weave a dark and intricate narrative inspired by the works of Edgar Allan Poe.
Visual and Atmospheric Impact
The series excels in its visual storytelling, using a palette of dark, moody colors to create a sense of foreboding and unease. The production design intricately details the Usher family’s deteriorating mansion, symbolizing the decay and corruption that pervades their lives. Cinematography employs shadowy lighting and dramatic contrasts to enhance the gothic horror aesthetic, making every scene a visual feast of dread and anticipation.
Contemporary Societal Issues and Technological Advancements
Set between 1953 and 2023, The Fall of the House of Usher explores contemporary societal issues such as corporate corruption, the opioid crisis, and the ethical boundaries of technological advancements. Roderick Usher, as the CEO of Fortunato Pharmaceuticals, embodies the unchecked greed and moral decay prevalent in modern-day corporations. The series reflects on the real-world impact of pharmaceutical companies, highlighting how their pursuit of profit often leads to devastating consequences for society.
Complex Characters and Moral Dilemmas
Roderick Usher (Bruce Greenwood) is a deeply flawed protagonist, whose rise to power is marked by ethical compromises and ruthless ambition. His character arc is a tragic exploration of how the lust for power and control can lead to one’s downfall. His sister, Madeline Usher (Mary McDonnell), the COO of Fortunato Pharmaceuticals, is equally complex, depicted as a genius whose intellect is both her greatest asset and her greatest curse. Their dynamic relationship is fraught with tension and buried secrets, adding layers to their characters.
Verna (Carla Gugino), a mysterious and supernatural entity, adds a chilling dimension to the series. Her enigmatic presence and shape-shifting abilities—most notably into a raven—embody themes of death and the unknown. Verna’s interactions with the Usher family reveal deeper truths about their past and their inevitable fate, making her a pivotal character whose motives and origins are shrouded in mystery. Her portrayal is inspired by Poe’s “The Raven,” and she serves as a constant reminder of the consequences of the Ushers’ actions.
Arthur Gordon Pym (Mark Hamill), the family’s lawyer, is another fascinating character. Known as the “Pym Reaper,” he is the fixer who ensures the family’s dark secrets remain buried. His loyalty to the Ushers is unwavering, driven by a complex mixture of gratitude, fear, and perhaps a touch of his own moral ambiguity. Pym’s backstory, including his harrowing experiences during the Transglobe Expedition, adds depth to his character, revealing how his encounters with cruelty and the supernatural have shaped his worldview.
Integration of Social Issues
The series seamlessly integrates contemporary social issues into its storyline, adding layers of relevance and critique. Examples include:
Pharmaceutical Corruption: Roderick Usher, as the CEO of Fortunato Pharmaceuticals, embodies the greed and ethical failings of modern corporate America. The series addresses the opioid crisis, highlighting how pharmaceutical companies prioritize profit over human lives. A powerful scene depicts a press conference where Roderick deceptively assures the public of the safety of a new painkiller, while behind the scenes, victims of the drug’s side effects suffer in silence.
Technological Surveillance: The Usher family’s use of advanced technology to monitor and control their environment reflects current concerns about privacy and surveillance. This element of the plot critiques the invasive nature of modern technology. For example, Madeline’s office is equipped with state-of-the-art surveillance equipment, allowing her to keep tabs on employees and even family members, showcasing the pervasive and intrusive power of technology.
Reflection on Human Nature and Consequences
While the series does not present a straightforward moral lesson, it delves into themes of obsession, corruption, and the blurred lines between reality and madness. Roderick Usher’s relentless pursuit of power and wealth serves as a cautionary tale about the destructive nature of obsession. The series also explores how family secrets and past sins inevitably surface, leading to tragic outcomes.
Characters in the series frequently grapple with their sanity as they confront supernatural occurrences and hidden family truths. This interplay between the psychological and the supernatural challenges viewers to question what is real and what is imagined, creating a rich tapestry of horror and intrigue.
Conclusion
The Fall of the House of Usher is a masterful blend of gothic horror and contemporary drama, enriched by complex characters and moral dilemmas. The series not only pays homage to Edgar Allan Poe’s literary legacy but also reflects on modern societal issues and the timeless consequences of human actions. With its atmospheric visuals, intricate storytelling, and deep thematic exploration, the series leaves a lasting impact on its audience, inviting them to reflect on the dark corners of the human soul and the inevitable repercussions of unchecked ambition.
“The Strangers: Chapter 1” is a suspenseful yet occasionally perplexing addition to the horror genre. Directed by Renny Harlin, this 2024 release aims to reinvigorate “The Strangers” franchise with a new standalone trilogy. While it successfully delivers moments of tension and fear, it also features character decisions that might leave you scratching your head. Let’s delve deeper into the film, examining its plot, performances, and overall impact.
Origins and Universe
The original two “Strangers” films focused on three masked murderers who terrorized innocent homeowners. These films were box office successes despite mixed reviews from critics. Unlike a direct remake or reboot, “Chapter 1” exists in the same universe as the past movies. It delves into the origin stories of the masked intruders from the original films. While it maintains the core ideas, it introduces fresh characters and plotlines, paying homage to the old films with Easter eggs.
The earlier movies featured intense moments of bloodshed, including accidental shootings and executions by the Strangers. The new film follows a similar formula but focuses more on unnerving scenes where the protagonists, Maya and Ethan, remain unaware of the Strangers’ presence. The tension builds as the masked intruders lurk in the shadows.
Plot Summary
Maya (Madelaine Petsch) and Ethan (Froy Gutierrez) are a young couple on a road trip to mend their strained relationship. When their car breaks down in the middle of an eerie, seemingly deserted small town, they decide to spend the night in a remote cabin suggested by locals As night falls, ominous knocks on the door awaken them, and they realize they are being stalked by three masked strangers: Dollface (Rachel Shenton), Pin-Up Girl (Megan Suri), and The Man in the Mask (Gabriel Basso). These assailants delight in psychological and physical torment with little explanation of their motives. The remote location creates a sense of isolation, cut-off from possible help.
Performance Highlights
Madelaine Petsch, known for her role in “Riverdale,” delivers a standout performance as Maya. Her portrayal of fear and vulnerability adds depth to her character. Froy Gutierrez as Ethan provides a solid counterpart, although his character’s decisions sometimes undermine the tension. Rachel Shenton, Megan Suri, and Gabriel Basso excel as the masked tormentors, their silence and body language amplifying the horror.
Atmosphere and Tension
The film excels in creating an eerie, claustrophobic atmosphere. The remote cabin setting, combined with the constant threat of the masked strangers, keeps viewers on edge. Sound design and cinematography work together to build a sense of dread, with every creak, piano stroke and shadow adding to the tension.
Key Scenes
The Man in the Mask Reveal: As the tension builds, there’s a scene where the camera focuses on a dark corner of the room. Suddenly, the Man in the Mask steps out from the shadows, catching viewers off guard. The combination of lighting, audio stings, and the unexpected appearance creates an effective jump scare.
Shower Scene: In another intense moment, a lone woman is unknowingly watched by a masked man as she showers. The suspense builds as the audience anticipates the inevitable jump scare. When it finally happens, it’s a heart-pounding moment that plays on the fear of vulnerability, objectification and invasion of privacy.
Critical Reception
While “The Strangers: Chapter 1” has its strengths, it also faces criticism:
Lack of Originality: Critics argue that the film closely follows the plot and structure of the original “The Strangers,” leading to a sense of déjà vu. The lack of new elements makes it feel repetitive.
Overreliance on Jump Scares: The movie frequently resorts to jump scares, effective in the moment but sometimes feeling cheap and formulaic.
Poor Character Decisions: Characters often make illogical choices, straining credibility. For instance, Ethan’s decision to shout into the woods instead of hiding and preparing to ambush the masked intruders diminishes tension.
Despite these flaws, there’s an element of fun in questioning the characters’ decisions. Watching Ethan continuously reassure Maya that “everything will be alright” despite the overwhelming evidence to the contrary adds an unintended layer of dark humor. This aspect of the film can be amusing for viewers who enjoy dissecting character logic in horror movies.
Conclusion
“The Strangers: Chapter 1” offers a blend of suspense, fear, and occasional frustration. It succeeds in creating a tense, atmospheric experience with strong performances, especially from Madelaine Petsch. However, its lack of originality and reliance on jump scares can make it feel like a retread of the original. The illogical decisions made by the characters provide both unintentional humor and a point of critique.
For fans of the franchise and those who appreciate a good scare, “The Strangers: Chapter 1” delivers enough thrills to be worth a watch. Just be prepared to occasionally ask yourself, “Why would they do that?” as the terror unfolds.
Welcome to Culture Vulture, your guide to the weeks entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is by Tim Bragg. Highlights this week include: the eight part Dopesick, about the US Opioid crisis, the 2001 film A.I. Artificial Intelligence and the three parter Miriam: Death Of A Reality Star which proves that reality is really stranger than fiction.
Saturday 27th of April, 2024
Have You Got It Yet? The Story of Syd Narrett And Pink Floyd 9pm Sky Arts
A captivating documentary that delves into the enigmatic life of Syd Barrett, the founding member of Pink Floyd. This feature-length film unravels the mysteries surrounding Barrett’s meteoric rise to pop stardom, his creative brilliance, and the destructive forces that led to his eventual exit from the band. Set against the backdrop of the explosive sixties, the documentary weaves together interviews with Syd’s friends, lovers, family, and fellow bandmates—Roger Waters, David Gilmour, and Nick Mason. Directed by Storm Thorgerson (of Hipgnosis fame) and award-winning director Roddy Bogawa, this film sheds light on the cult icon who forever left an indelible mark on music history.
For those intrigued by the enigma of Syd Barrett and the legendary Pink Floyd, this documentary is a must-watch. It unearths the emotional highs and lows, the creative genius, and the tragic downfall of a rock legend.
Event Horizon (1997) 12.15am C4
“Event Horizon” is a chilling blend of science fiction and horror that takes viewers on a journey to the darkest corners of space. Directed by Paul W.S. Anderson, this 1997 film offers a gripping narrative cantered around a rescue mission to retrieve a lost spaceship, the Event Horizon, which mysteriously reappears after disappearing seven years earlier.
Featuring an ensemble cast including Laurence Fishburne, Sam Neill, and Kathleen Quinlan, the film delves into themes of isolation, madness, and the unknown. As the rescue crew explores the abandoned vessel, they uncover disturbing secrets and encounter unimaginable horrors that challenge their sanity and beliefs.
What sets “Event Horizon” apart is its atmospheric tension and psychological depth. Anderson masterfully crafts a sense of dread, aided by haunting visuals and a haunting score. The film’s depiction of the human psyche unravelling in the face of cosmic terror adds layers of complexity to the standard sci-fi horror formula.
While “Event Horizon” received mixed reviews upon its release, it has since gained a cult following for its ambitious storytelling and visceral scares. Despite its flaws, including some pacing issues and occasional lapses in logic, the film remains a memorable entry in the genre, offering a visceral and unsettling experience for fans of science fiction and horror alike.
The Assistant (2019) 1.55am Film4
“The Assistant” is a hauntingly realistic portrayal of workplace power dynamics and systemic abuse. Directed by Kitty Green, this 2019 drama follows Jane, a young assistant working for a powerful film executive in New York City.
Julia Garner delivers a captivating performance as Jane, whose mundane tasks gradually unveil the toxic environment she navigates. Through subtle yet powerful storytelling, Green shines a light on the insidious ways in which exploitation and harassment can thrive within corporate cultures.
What sets “The Assistant” apart is its restraint. Instead of relying on sensationalism, the film quietly observes Jane’s daily routine, allowing viewers to feel the weight of her experiences. The sparse dialogue and understated visuals underscore the film’s sense of unease, mirroring Jane’s isolation and disillusionment.
While “The Assistant” can be uncomfortable to watch, it serves as an important reminder of the importance of speaking out against abuse and standing up for what is right. In an industry plagued by misconduct scandals, the film offers a sobering reflection on the complicity that enables such behaviour to persist.
Overall, “The Assistant” is a thought-provoking and timely film that resonates long after the credits roll. It’s a testament to the power of cinema to provoke conversation and inspire change.
Sunday 28th of April, 2024
Dopesick (one of eight) BBC2 10pm
“Dopesick”, a gripping series, meticulously chronicles the harrowing origins of the opioid crisis. Led by the incomparable Michael Keaton, the show delves into the dark underbelly of pharmaceutical greed, addiction, and the devastating impact on communities.
The series boasts an ensemble of top-tier actors, including Michael Keaton. Their performances elevate the material, even when the narrative occasionally falters.
Didactic Approach: “Dopesick” doesn’t shy away from educating its audience. It uses its star power to create a charismatic and engaging experience while shedding light on a critical issue.
The show meticulously dissects the start of the opioid crisis, leaving no stone unturned. However, this exhaustive approach can sometimes feel overwhelming.
In the final episode, Billy grapples with his morals, and Finnix confronts the horrors of Oxy, leading the charge at a rehab clinic. The series leaves viewers with a sobering and heart-wrenching impact.
Whether you’re seeking powerful performances or a deeper understanding of this urgent topic, “Dopesick” delivers a thought-provoking experience that lingers long after the credits roll.
A.I. Artificial Intelligence (2001) 11.20pm Film4
A.I. Artificial Intelligence” (2001) is a mesmerizing exploration of the intersection between humanity and artificial intelligence. Directed by Steven Spielberg, this film grapples with profound questions while weaving a visually stunning narrative.
The story, initially conceived by Stanley Kubrick, mirrors the tale of Pinocchio—a puppet yearning to become a real boy. In this case, our protagonist is David, an advanced android portrayed by the remarkable Haley Joel Osment. His unblinking eyes and childlike innocence make him both endearing and unsettling. Spielberg masterfully captures David’s longing for love and acceptance, echoing the timeless theme of transformation.
David’s programming centers on love. Activated by his “Mommy” (played by Frances O’Connor), he fixates on her, believing he feels love. Yet, as viewers, we understand that his emotions are mere reflections of code. Spielberg deftly explores our tendency to project human feelings onto non-human entities, blurring the lines between artificial and genuine emotions.
Beyond David’s story lies a deeper theme—the dilemma of AI. A thinking machine cannot truly think; it merely executes programs. The Turing Test, which gauges a computer’s ability to mimic human thought, becomes central. As David embarks on a quest to become “real,” we confront the ethical responsibility humans have toward sentient machines.
The film’s special effects are awe-inspiring, especially in rendering David’s lifelike appearance. Spielberg’s direction, combined with Osment’s performance, creates a character who tugs at our heartstrings. Yet, the film’s emotional investment in an android leaves us pondering: What does it mean to love something that isn’t truly capable of love?
In the end, “A.I. Artificial Intelligence” challenges us to consider the boundaries of empathy, consciousness, and the essence of being human. It’s a haunting and thought-provoking journey—one that lingers long after the credits roll.
Monday 29th of April 2024
The Caine Mutiny (1954) 1.20pm Film4
“The Caine Mutiny” is a gripping naval drama that delves deep into themes of loyalty, morality, and the psychological toll of warfare. Directed by Edward Dmytryk, this 1954 film adaptation of Herman Wouk’s novel features a stellar cast including Humphrey Bogart, José Ferrer, and Van Johnson.
Set during World War II, the story follows the crew of the USS Caine, a minesweeper commanded by the unpredictable and increasingly erratic Captain Queeg, portrayed brilliantly by Bogart. As tensions rise onboard, Ensign Willie Keith, played by Johnson, grapples with questions of duty and honour amidst the chaos.
What makes “The Caine Mutiny” stand out is its exploration of complex characters and moral ambiguity. The film expertly navigates the blurred lines between right and wrong, challenging viewers to question their own perceptions of leadership and justice.
Bogart delivers a powerhouse performance as Captain Queeg, capturing the character’s descent into paranoia with nuance and intensity. Ferrer also shines as the defence attorney tasked with unravelling the truth behind the mutiny, adding depth to the film’s courtroom drama.
While “The Caine Mutiny” unfolds primarily within the confines of a naval vessel, its themes resonate far beyond the confines of the sea. It’s a timeless tale of integrity, sacrifice, and the human condition, reminding audiences of the complexities inherent in the choices we make during times of crisis.
Overall, “The Caine Mutiny” remains a classic example of thought-provoking storytelling, showcasing the best of Hollywood’s golden age. With its stellar performances and thought-provoking narrative, it’s a film that continues to captivate audiences decades after its release.
Miriam: Death Of A Reality Star (one of three) 9pm Channel 4
“Miriam: Death of a Reality Star” is a riveting documentary series that delves into the captivating life and mysterious demise of Miriam Rivera, one of the original reality TV stars and a trans icon. Here’s a glimpse of the first episode:
Set against the sun-kissed backdrop of a luxurious Ibiza villa, six unsuspecting men find themselves vying for the heart of the stunning supermodel, Miriam Rivera. The tension builds as they compete head-to-head, each hoping to win her affection. But it’s not until the final episode that Miriam drops a bombshell: “I was born as a man.”
The revelation sends shockwaves through the villa, challenging societal norms and preconceptions. As viewers, we witness the emotional rollercoaster faced by both Miriam and the contestants. The show deftly navigates themes of identity, love, and acceptance, leaving us pondering the complexities of attraction and the blurred lines between reality and perception.
Whether you’re drawn to the drama, the human story, or the exploration of transgender experiences, “Miriam: Death of a Reality Star” promises an unforgettable journey into the enigma of Miriam Rivera
Tuesday 30th of April 2024
Screenshot: Fashion and Film 11am BBC RADIO 4
Mark Kermode and Ellen E Jones examine the rich history of style and the moving image, and how designers are portrayed in movies like The Devil Wears Prada and Phantom Thread.
Miriam: Death Of A Reality Star (two of three) 9pm Channel 4
In the second episode of “Miriam: Death of a Reality Star”, the spotlight intensifies on the enigmatic Miriam Rivera. As the narrative unfolds, we witness the aftermath of her revelation to the contestants: “I was born as a man.” The global infamy and tabloid frenzy that ensue paint a vivid picture of the challenges she faced. Fifteen years later, tragedy strikes—Miriam is found dead in her mother’s apartment, her passing shrouded in controversy and disputed circumstances. The episode delves into the complexities of identity, love, and acceptance, leaving viewers with lingering questions.
Wednesday 1st of May 2024
Miriam: Death Of A Reality Star (three of three) 9pm Channel 4
In the third episode of “Miriam: Death of a Reality Star”, the intrigue deepens as we delve further into the life of the enigmatic Miriam Rivera.
The Invisible Woman (2013) 10pm BBC4
“The Invisible Woman” offers a poignant and intimate portrayal of a hidden chapter in the life of Charles Dickens, brought to life by director Ralph Fiennes. This 2013 biographical drama tells the story of Nelly Ternan, a young actress who becomes romantically involved with the famed Victorian author.
Felicity Jones delivers a nuanced performance as Nelly, capturing her inner conflict and emotional journey as she grapples with societal expectations and her forbidden love for Dickens, portrayed with depth by Fiennes himself. The film delicately explores the complexities of their relationship against the backdrop of Victorian England’s rigid social norms.
What sets “The Invisible Woman” apart is its focus on Nelly’s perspective, shedding light on the often-overlooked women behind famous historical figures. Through elegant cinematography and a thoughtful screenplay, the film invites viewers into Nelly’s world, revealing the sacrifices she made and the challenges she faced in pursuit of love and independence.
While some may find the pacing of the film slow at times, it ultimately serves to deepen the emotional impact of Nelly’s story. The supporting cast, including Kristin Scott Thomas as Nelly’s mother, adds layers of complexity to the narrative, further enriching the film’s exploration of love, loss, and the passage of time.
“The Invisible Woman” is a beautifully crafted period drama that offers a fresh perspective on a familiar tale. It’s a testament to the enduring power of love and the resilience of the human spirit, making it a captivating watch for fans of historical romance and literary adaptations alike.
Thursday 2nd of May 2024
The History Boys (2006) 10pm BBC4
“The History Boys” is a witty and thought-provoking exploration of education, ambition, and the pursuit of knowledge. Directed by Nicholas Hytner and based on Alan Bennett’s acclaimed play, this 2006 film follows a group of bright and spirited students preparing for the daunting Oxbridge entrance exams in 1980s England.
At the heart of the film is the dynamic between the students and their unorthodox but inspiring teachers, played brilliantly by Richard Griffiths and Frances de la Tour, among others. Their unconventional teaching methods and philosophical debates inject humour and depth into the narrative, challenging both the characters and the audience to reconsider the purpose and value of education.
The ensemble cast, which includes rising talents like James Corden, Dominic Cooper, and Russell Tovey, delivers standout performances, capturing the complexities and vulnerabilities of adolescence with authenticity and charm. Their interactions are laced with humour, camaraderie, and occasional tension, adding layers of depth to the film’s exploration of friendship, identity, and the pursuit of excellence.
What sets “The History Boys” apart is its ability to seamlessly blend humor and drama while tackling weighty themes with intelligence and nuance. The screenplay, also penned by Bennett, crackles with sharp dialogue and poignant observations, inviting viewers to reflect on their own experiences with education and the mentors who shape their lives.
While the film’s setting may be specific to a certain time and place, its themes are universal, resonating with anyone who has grappled with the complexities of adolescence, intellectual curiosity, and the quest for self-discovery. “The History Boys” is a heartfelt and intellectually stimulating cinematic experience that lingers in the mind long after the credits roll, making it a must-watch for fans of compelling storytelling and rich character development.
Friday 3rd of May 2024
Saint Maud (2019) 10.50pm Film4
“Saint Maud” is a chilling and thought-provoking psychological horror film that also delves into the realm of social realism. Directed by Rose Glass and released in 2019, the film follows Maud, a devoutly religious nurse who becomes fixated on saving the soul of her terminally ill patient, Amanda, a former dancer living in isolation in a rundown seaside mansion.
What distinguishes “Saint Maud” is its multifaceted approach, blending elements of horror with a poignant exploration of social issues. Set against the backdrop of a bleak coastal town, the film offers a stark portrayal of societal neglect and economic disparity. The decaying surroundings mirror Maud’s internal struggles and add depth to the film’s narrative, emphasizing the harsh realities faced by marginalized communities.
Morfydd Clark delivers a mesmerizing performance as Maud, portraying her descent into religious fervour and mental instability with haunting authenticity. Jennifer Ehle shines as Amanda, capturing her character’s vulnerability amidst physical and emotional decline.
Glass skillfully uses religious imagery and symbolism to underscore the film’s themes of faith, obsession, and existential dread. The result is a deeply unsettling cinematic experience that resonates long after the credits roll.
“Saint Maud” is not just a horror film; it’s a searing critique of society’s failures and a stark reminder of the consequences of neglecting those in need. It’s a testament to the power of cinema to confront uncomfortable truths and provoke meaningful reflection. Overall, “Saint Maud” stands as a powerful and unforgettable work of art, offering both visceral scares and profound social commentary.
And streaming…
On Netflix from Wednesday May 1st, Heeramandi: The Diamond Bazaar
“Heeramandi: The Diamond Bazaar” is a captivating Netflix series that transports viewers to the opulent world of courtesans, intrigue, and rebellion in British-ruled India. Helmed by visionary director Sanjay Leela Bhansali, this period drama weaves a mesmerizing tapestry of power struggles, passion, and secrets.
The scheming Mallikajaan reigns over an elite house of courtesans in the titular Heeramandi. Her calculated moves and iron grip on power face a formidable challenge when a new rival emerges.
The ensemble cast, led by Manisha Koirala, Sonakshi Sinha, and Aditi Rao Hydari, infuses life into their characters. Each frame drips with exuberance and royalty, transporting us to a bygone era.
Like all of Bhansali’s creations, “Heeramandi” is a work of art. The sets, costumes, and cinematography create a visceral experience. Prepare to be dazzled by the grandeur and attention to detail.
The series delves into themes of identity, desire, and rebellion. As the British Raj tightens its grip, rebellion simmers beneath the glittering surface of Heeramandi.
The talented female cast ensures a wild ride, and their performances promise depth and complexity.
Bhansali’s vision extends beyond borders. With “Heeramandi,” he aims to set a benchmark on the global stage. The anticipation surrounding this series is palpable, and it promises to be an unforgettable journey.
Intrigue, passion, and drama converge in “Heeramandi: The Diamond Bazaar.” Add it to your watchlist—it’s a gem waiting to be discovered!
In the realm of religious horror cinema, two films, released recently, around the same time, “The First Omen” and “Immaculate,” stand out as compelling explorations of faith, fear, and the human psyche. While both movies offer their own unique merits and captivating narratives, I consider “The First Omen” to be the superior film. Let me tell you why.
Firstly, “The First Omen” distinguishes itself through its meticulous attention to character development. Director Arkasha Stevenson takes the time to delve into the motivations, fears, and inner conflicts of the characters, particularly the lead, Margaret. This investment in character depth enhances the audience’s emotional connection to the story, immersing them more fully in the unfolding narrative. In contrast, “Immaculate” occasionally rushes through character arcs, leaving some viewers wanting more depth and complexity from its protagonists.
Another aspect where “The First Omen” shines is in its visual aesthetics. The film boasts stunning cinematography that captures the eerie beauty of Rome alongside the darkness lurking within its religious institutions. Director Stevenson draws inspiration from classic horror films of the past, incorporating elements of psychological horror and suspense to create a palpable sense of dread. While “Immaculate” has its moments of visual splendour, it doesn’t consistently maintain the same impact, potentially leaving audiences less engaged with its overall aesthetic.
Narrative pacing also sets “The First Omen” apart, as it maintains a steady rhythm that allows tension to build gradually. The film strikes a careful balance between suspenseful moments and quieter scenes, creating a more immersive and compelling viewing experience. On the other hand, “Immaculate” at times rushes through plot points, potentially sacrificing suspense and emotional investment in favour of pacing.
One of the most significant contrasts between the two films lies in their treatment of sensitive topics, particularly sexual assault within religious contexts. “The First Omen” approaches this subject with raw, unflinching honesty, refusing to sugarcoat or sensationalize the horrors endured by its characters. Director Stevenson’s portrayal of sexual violence is stark and uncompromising, adding a layer of authenticity to the narrative. In contrast, “Immaculate” tends to rely more on spectacle and visual imagery, potentially detracting from the seriousness of the subject matter.
Moreover, both films raise poignant questions about women’s autonomy and their right to choice, challenging the way they are often dominated by hierarchical structures within religious institutions. This theme echoes the classic horror film “Rosemary’s Baby,” which similarly explores the oppressive nature of patriarchal systems. “The First Omen” particularly shines in its exploration of these themes, offering a nuanced examination of institutional control and personal agency.
Additionally, “The First Omen” benefits from nostalgia, as many fans are aware of the previous films in the Omen franchise and appreciate the references woven into its narrative. To give one example, In both the original “The Omen” film from 1976 and the recent film “The First Omen” (released in 2024), the priest who plays a crucial role is Father Brennan.
In “The Omen” (1976) Father Brennan is portrayed by actor Patrick Troughton. Father Brennan claims to have been present during the birth of the child, Damien, in Rome five years prior. He urgently warns Robert Thorn, the American ambassador, that Damien is the Antichrist and encourages Thorn to accept Christ to fight against the son of the devil.
In “The First Omen” (2024) Father Brennan also appears as a messenger of warning.
Father Brennan’s role connects the events of the original with the new film, his presence bridges the two timelines, emphasizing the never ceasing battle against the forces of darkness. His character adds depth and continuity to the chilling Omen saga.
This nostalgic element adds an extra layer of enjoyment for viewers familiar with the series, enhancing their overall viewing experience.
In conclusion, while both “The First Omen” and “Immaculate” offer compelling visions of religious horror, “The First Omen” emerges as the superior film due to its raw emotional honesty, nuanced character development, and thought-provoking thematic exploration. Director Arkasha Stevenson’s bold vision and uncompromising approach to sensitive subject matter set “The First Omen” apart as a standout example of the genre, pushing the boundaries of what audiences expect from religious horror cinema.
Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. Highlights this week include: the 2001 film Ali, a biography of Muhammad Ali, The War On Disco, a fascinating documentary from PBS America, and Beatriz At Dinner, an engaging study of class relations.
Saturday 13th of January 2024
Hope and Glory (1987 film) 10.30pm BBC2
“Hope and Glory,” directed by John Boorman and released in 1987, is a poignant and evocative film that masterfully captures the spirit of a tumultuous period in history through the lens of a British family during World War II. Set against the backdrop of the Blitz, the film skillfully intertwines personal narratives with broader social themes, offering a unique perspective on the impact of war on individuals and communities.
At its core, “Hope and Glory” explores the theme of resilience in the face of adversity. The central character, young Bill Rowan, played by Sebastian Rice-Edwards, serves as the audience’s conduit to the unfolding events. Through his innocent eyes, we witness not only the destruction caused by the war but also the resilience and adaptability of individuals forced to navigate through an uncertain and challenging period.
One of the film’s notable social themes is the transformation of societal norms during times of crisis. The war disrupts the traditional structures of British society, breaking down class barriers and reshaping gender roles. The Rowan family, like many others, find themselves living in a world that challenges established norms. The absence of fathers and husbands on the home front leads to a redefinition of gender roles, with women assuming responsibilities traditionally reserved for men. This shift is portrayed with both humor and sensitivity, highlighting the strength and resourcefulness of women during wartime.
The film also addresses the impact of war on the younger generation, exploring how children cope with the upheaval of their lives. Bill’s coming-of-age story is intricately linked to the broader societal changes, as he navigates the challenges of adolescence against the backdrop of air raids and rationing. The juxtaposition of the mundane struggles of growing up with the extraordinary circumstances of war creates a poignant commentary on the resilience of youth in the face of adversity.
Furthermore, “Hope and Glory” delves into the communal aspect of war, illustrating how shared experiences can forge unexpected bonds among diverse individuals. As the characters seek refuge in bomb shelters and share communal spaces, the film emphasizes the unifying force of a common threat. The war becomes a leveling factor that erodes social divisions, fostering a sense of collective identity and shared humanity.
“Hope and Glory” stands as a compelling exploration of social themes within the context of World War II. Through its vivid characters and heartfelt storytelling, the film effectively captures the resilience, adaptability, and communal spirit that emerges in times of crisis. Boorman’s direction, coupled with strong performances from the cast, ensures that “Hope and Glory” remains a timeless portrayal of the human experience during a pivotal moment in history.
Ali (2001 film) 11.05pm BBC1
Directed by Michael Mann, “Ali” (2001) is a biographical film that transcends the boundaries of a sports drama by delving deep into the racial, social, and political currents that defined the life of legendary boxer Muhammad Ali. Starring Will Smith in a transformative performance as the titular character, the film succeeds in offering a multifaceted portrayal of a cultural icon and his profound impact on American society.
Racial themes are at the forefront of “Ali,” reflecting the turbulent era of the 1960s and 1970s. The film unflinchingly explores Ali’s conversion to Islam and his conscientious objection to the Vietnam War, choices that were deeply rooted in his identity as an African American and a Muslim. The portrayal of Ali’s relationship with the Nation of Islam and his decision to change his name from Cassius Clay to Muhammad Ali sheds light on the intersectionality of race, religion, and identity in the context of a nation grappling with civil rights and social justice.
The film also underscores the social implications of Ali’s outspokenness and unapologetic Black pride. His refusal to conform to societal expectations and his bold declaration of “I am America” resonate as powerful statements against systemic racism and inequality. Mann skillfully weaves these social themes into the narrative, creating a compelling commentary on the role of sports figures as agents of change during a pivotal period in American history.
Politically, “Ali” captures the tumultuous relationship between Ali and the U.S. government during a period of intense social upheaval. His conscientious objection to the Vietnam War and subsequent legal battles, including his suspension from boxing and stripping of his world title, become symbolic of the larger struggle for civil rights and the right to dissent. The film portrays Ali as a symbol of resistance, challenging the status quo and inspiring a generation to question authority and fight for justice.
Will Smith’s nuanced portrayal of Ali adds a layer of authenticity to the film, capturing not only the charismatic bravado of the boxer but also the vulnerability and humanity beneath the public persona. The supporting cast, including Jamie Foxx and Jon Voight, contributes to the film’s richness, bringing depth to the relationships that shaped Ali’s life and legacy.
“Ali” transcends the conventional sports biopic by seamlessly integrating racial, social, and political themes into the narrative. Michael Mann’s direction, coupled with Will Smith’s compelling performance, ensures that the film not only pays tribute to the boxing legend but also serves as a powerful reflection on the broader struggles for racial and social justice in America. “Ali” stands as a poignant and timely exploration of an icon who transcended the boxing ring to become a symbol of resilience and change.
Sunday 14th of January 2024
Logan Lucky (2017 film) 4.25pm Great Movies
Directed by Steven Soderbergh, “Logan Lucky” is a delightful heist comedy that takes a refreshingly unconventional approach to the genre. Set against the backdrop of West Virginia’s blue-collar landscape, the film follows the Logan family as they embark on a daring scheme to rob the Charlotte Motor Speedway during a high-profile NASCAR race. With a stellar cast led by Channing Tatum, Adam Driver, and Daniel Craig, “Logan Lucky” delivers a heaping dose of humor, heart, and Southern charm.
At its core, the film succeeds in subverting heist movie conventions. The Logan brothers, Jimmy (Tatum) and Clyde (Driver), along with their eccentric accomplice Joe Bang (Craig), form an unlikely trio of lovable misfits. Their characters are not the suave, seasoned criminals typically associated with the genre, but rather working-class individuals driven by a desire to break free from life’s hardships. This shift in perspective injects “Logan Lucky” with a unique blend of humor and empathy, as the audience roots for the underdog protagonists.
The humor in the film is both clever and endearing, laced with witty dialogue and unexpected twists. Soderbergh masterfully balances the comedic elements with moments of genuine emotion, creating a narrative that is not just about the heist but also about the bonds of family and friendship. The chemistry between the cast members is palpable, and their performances contribute to the film’s overall charm.
“Logan Lucky” also excels in its portrayal of regional identity. The Southern setting serves as a backdrop that not only adds flavor to the story but also becomes an integral part of the film’s identity. The characters’ distinctive Southern drawls and mannerisms are embraced with affection rather than caricature, celebrating the uniqueness of the setting and its people.
Daniel Craig’s performance as the incarcerated explosives expert, Joe Bang, is a standout. Against type, Craig brings a comedic flair to his character, stealing scenes with his deadpan delivery and unexpected depth. The supporting cast, including Riley Keough and Seth MacFarlane, further enhances the ensemble’s dynamic, creating a memorable and entertaining cinematic experience.
“Logan Lucky” is also notable for its clever use of technology and modernity within a seemingly traditional heist narrative. The inclusion of cell phones, social media, and contemporary pop culture references adds a layer of relevance to the story, ensuring that the film resonates with audiences beyond its genre trappings.
“Logan Lucky” is a heist film with a heart, showcasing Soderbergh’s directorial finesse and the cast’s comedic prowess. With its unique characters, witty script, and a perfect blend of humor and heart, the film stands out as a delightful and unconventional entry in the heist comedy genre. It’s a rollercoaster ride that not only keeps you on the edge of your seat but also leaves you with a smile on your face.
Monday 15th January 2024
Undercover Doctor: The Secrets Of Your Big Shop 8pm Channel 4
This show features Dr. Michael Mosley, who investigates the health of the nation by examining the contents of people’s shopping carts. In each episode, Dr. Mosley meets a couple and goes undercover at the checkout to see what they’re buying. He then overhauls their diet and provides advice on healthy eating habits.
In this episode, Dr. Michael Mosley meets Natalie, a full-time mother from Birmingham, who suffers from irritable bowel syndrome and constipation. Her partner, Michael, is a teacher who is known to their five children as “beef bum” due to his toxic trumps and shocking bloating. The couple believes that they eat healthily and buy salads, veggies, healthy proteins, and carbs. However, when Dr. Mosley goes undercover at the checkout, he discovers that their trolley tells another story, and he starts them on a gut-busting food revamp. In addition, Dr. Mosley tests out the viral TikTok craze for the egg diet and delivers health hacks for pizza and spag bol.
Moneyboys (2021 film) 1.15am Film4
“Moneyboys” is a 2021 film directed by C.B. Yi that explores the life of a young man named Fei who moves from a rural Chinese village to Austria as a teenager. The film depicts the struggles of gay life in China, where stories about gay life are few and far between due to the government’s strict censorship regime. The film is a rare depiction of contemporary gay life in China, filmed in neighboring Taiwan, and uses an exploration of sex work not only as a way of addressing attitudes towards sexuality in a conservative country, but the increasing gulf in prospects for young people between rural areas and cities. The film is a melancholic character drama and a grander study on simmering economic and cultural tensions, be they regional or generational. Through Fei’s various interactions with other characters, a clear theme rings throughout the film: the sacrifice of one’s happiness for the sake of others. Lovers sacrifice for the ones they love, young adults sacrifice to meet family expectations, LGBTQ+ sacrifice to fit the molds of society.
In “Moneyboys”, Fei’s family is initially accepting of the money he sends them from his work as a sex worker, but they are unwilling to accept his sexuality. When Fei visits his home village to see his dying grandfather, his family struggles to hide their shame that their son makes money sleeping with other men. This complicates things, as Fei has kept donating significant chunks of his paycheck to his family. Fei realizes the hypocrisy of his family who are happy to take the money he makes from hustling on the street but unwilling to accept his sexuality.
The film covers the topic of male prostitution in Taiwan/China, and the trauma that many gay/bisexual/MSM men face in society. A large part of this is due to the familial pressure to marry and have children, which is something many young people in Taiwan and China may relate to. The film was deliberately slow-paced, and it’s a curious film that doesn’t feel culturally specific in its approach to the subject matter, as the heart of the drama appears to be a universally relatable tale of gay self-acceptance in the face of homophobia from family and wider society.
Tuesday 16th January 2024
The War On Disco 8.35pm PBS America
“The War on Disco” is a PBS documentary that explores the culture war that erupted over the spectacular rise of disco music in the late 1970s. The show examines how disco, which originated in underground Black and gay clubs, had unseated rock as America’s most popular music by the late 1970s . However, many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.
The documentary is about much more than music. It explores how the powerful anti-disco backlash revealed a cultural divide that to some claimed was driven by racism and homophobia. The show features interviews with people who were involved in the disco scene, including DJs, musicians, and club-goers, as well as those who opposed it. The documentary also examines the impact of disco on fashion, dance, and popular culture.
Trump: The Return? 9pm ITV1
This show features Robert Moore, an award-winning ITV News correspondent, who takes the temperature of America as it begins an election year with former president Donald Trump in a significant lead in polling over incumbent Joe Biden. The show explores the possibility of Trump’s return to the White House and the impact it could have on the country.
Beatriz At Dinner (2017 film) 11.15pm BBC2
“Beatriz at Dinner” is a 2017 film directed by Miguel Arteta that explores themes of politics, class, and environmentalism. The film follows the story of Beatriz, a Mexican holistic healer and masseuse living in California, who is invited to a dinner party hosted by her wealthy client, Cathy, and her husband, Grant. The dinner party is attended by other wealthy couples, including a real estate mogul named Doug, who embodies the ugly side of white privilege and capitalism12. The film uses its seven characters to unpack micro-aggressions, racist and classist assumptions, and violence against animals and the planet.
The film is a character study of Beatriz, who is portrayed as a heart-filled saint, and all the wealthy characters as heartless and shallow in their desire to destroy all that is good in the world3. Beatriz’s worldview is challenged by Doug’s monstrous lack of consideration for those outside his capitalist bubble, and the film explores the dichotomy between the two political polar opposites embodied in two very strong performances4. The film is a savage takedown of ugly privilege, but it’s also a poignant exploration of the sacrifices that individuals make to fit into society’s moulds and the struggle to find acceptance and happiness in a world that is often hostile to those who are different.
Greed (2019 film) 11.40pm Film4
“Greed” is a 2019 satirical black comedy film directed by Michael Winterbottom. The film stars Steve Coogan, David Mitchell, Asa Butterfield, Dinita Gohil, Sophie Cookson, Jonny Sweet, Asim Chaudhry, Shirley Henderson, and Isla Fisher. The film explores themes of politics, class, and environmentalism. The film follows the story of Sir Richard “Greedy” McCreadie, a high-street fashion mogul, as he prepares for a monumentally tasteless, Roman-themed 60th birthday party on the plutocrats’ island of Mykonos. McCreadie has just suffered a nightmare of bad publicity following a catastrophic performance in front of a parliamentary select committee, and all the celebs are starting to pull out of his bash. The film uses its characters to explore micro-aggressions, racist and classist assumptions, and violence against animals and the planet.
Scenes exposing the treatment of sweatshop workers add seriousness.
The film is a caricature of the Topshop supremo Philip Green, played by Steve Coogan with a tan, an open-necked shirt, silver-grey hair, and emulsion-white teeth. The movie rattles along in mockumentary style, giving us a moment-by-moment display of this hideous carnival of vanity and suppressed despair.
Wednesday 17th January 2024
Liar: The Fake Grooming Scandal 9pm BBC3
“Liar: The Fake Grooming Scandal” is a factual television series that features Ellie Williams, a 22-year-old woman from Cumbria who was jailed for lying about being trafficked and raped by an Asian grooming gang. The series explores the impact of her false allegations on the community and the justice system.
The show raises several issues, including the prevalence of false allegations of sexual assault and the impact of such allegations on the accused and the justice system. It also highlights the importance of investigating such allegations thoroughly and the need to support genuine victims of sexual assault. It should be remembered that this was an unusual case. In Cumbria in 2020-21, there were 46 reported offences of perverting the course of justice. In comparison, there were 1,177 reports of rape, sexual assault and trafficking. The series also explores the issue of racial profiling and the impact of such profiling on the Asian community.
The question of her motivation was one that remained unexplained at her trial – a transcript from one police interview showed an officer asking her whether she simply liked getting the force’s attention.
A Star Is Born (2018 film) 10.40pm BBC1
“A Star Is Born” is a 2018 American musical romantic drama film directed by Bradley Cooper. The film stars Cooper, Lady Gaga, Dave Chappelle, Andrew Dice Clay, and Sam Elliott. It follows the story of Jackson “Jack” Maine, a famous country rock singer who is privately battling an alcohol and drug addiction. After a show, Jack goes out for drinks and visits a drag bar where he witnesses a tribute performance to Édith Piaf by Ally, a young waitress and singer-songwriter. Jack discovers and falls in love with Ally, and the two begin a passionate relationship. The film explores themes of addiction, love, and the price of fame, and it’s the fourth American adaptation of the story, after the original 1937 romantic drama and its 1954 and 1976 remakes. The film was a critical and commercial success, grossing over $436 million worldwide and receiving widespread praise for Cooper, Gaga, and Elliott’s performances and Cooper’s direction, as well as the screenplay, cinematography, and music. The film received numerous accolades, including eight nominations for the 91st Academy Awards, among them Best Picture, Best Actor (Cooper), Best Actress (Gaga), and Best Supporting Actor (Elliott); it won Best Original Song for “Shallow”. The film’s soundtrack sold over six million copies worldwide and received a total of four Grammy Award wins out of seven nominations, including nominations for Song of the Year two years in a row. Its lead single “Shallow” is one of the world’s best-selling singles of all time. For her acting and soundtrack contributions on “A Star Is Born”, Gaga became the first woman in history to win an Academy Award, Grammy Award, BAFTA Award, and Golden Globe Award in one single year.
Thursday 18th January 2024
Citizen Kane (1941 film) 8pm BBC4“Citizen Kane” is a 1941 American drama film directed by Orson Welles. The film follows the life of Charles Foster Kane, a wealthy newspaper magnate, and his rise to power and eventual downfall. The film explores themes of politics, class, and the difficulty of interpreting a person’s life once that life has ended. The film is a masterpiece of cinema and is widely regarded as one of the greatest films ever made.
The film covers a wide range of social and political themes, including the rise of the penny press, the Hearst-supported Spanish-American War, the birth of radio, the power of political machines, the rise of fascism, and the growth of celebrity journalism32. The film is a subtle satire that acts as a cutting allegory of Trump’s America4. The film is a character study of Kane, who is portrayed as a man who had every material advantage in life but lacked a feeling of human sympathy and tolerance.
“Citizen Kane” is a thought-provoking film that uses its characters to explore themes of politics, class, and the difficulty of interpreting a person’s life once that life has ended.
Friday 19th January 2024
Elmer Gantry (1960 film) 9.50am Talking Pictures
Based on Sinclair Lewis’s satirical novel, “Elmer Gantry,” directed by Richard Brooks in 1960, is a compelling examination of the intertwining realms of religion, politics, and society in post-World War I America. Starring Burt Lancaster in the titular role, the film follows the charismatic and opportunistic Elmer Gantry as he exploits the fervor of religious revivalism for personal gain, exposing the underbelly of moral hypocrisy in a rapidly changing nation.
One of the central social themes in “Elmer Gantry” is the critique of organized religion and the manipulation of faith for personal and political gain. Gantry, a smooth-talking and charming drifter, transforms into a charismatic preacher to capitalize on the emotional vulnerability of congregations seeking salvation. The film skillfully unveils the darker side of religious fervor, portraying Gantry as a complex character who uses the pulpit not for spiritual enlightenment but as a stage for self-promotion.
The film also delves into the intricate relationship between religion and politics during a period marked by societal shifts. Set against the backdrop of the Prohibition era and the Roaring Twenties, “Elmer Gantry” illustrates how the intersections of faith and politics become powerful tools for manipulating public sentiment. Gantry’s alliance with a fervent evangelist, Sister Sharon Falconer (played by Jean Simmons), highlights the merging of religious zeal and political ambition, creating a potent commentary on the blurred lines between church and state.
At its core, “Elmer Gantry” is a scathing critique of the moral duplicity prevalent in American society. The film examines the dichotomy between public virtue and private vice, portraying Gantry as a symbol of the hypocrisy that can thrive under the guise of religious righteousness. The narrative challenges viewers to question the authenticity of those who claim moral authority, urging them to scrutinize the motivations behind charismatic leaders who exploit the public’s faith for personal gain.
Burt Lancaster’s powerhouse performance as Elmer Gantry earned him an Academy Award for Best Actor, providing depth to the character’s charisma, charm, and underlying moral decay. The supporting cast, including Jean Simmons and Shirley Jones, contributes to the film’s success in presenting a nuanced exploration of complex characters navigating a morally ambiguous landscape.
“Elmer Gantry” remains a timeless classic that deftly explores social and political themes within the context of religious revivalism in early 20th-century America. Richard Brooks’ direction, coupled with the stellar performances of the cast, ensures that the film’s critique of hypocrisy and the manipulation of faith resonates with audiences, making it a thought-provoking cinematic experience that remains relevant to discussions on the intersections of religion and societal values.
Zola (2020 film) 10.55pm Film4
“Zola” is a 2020 American black comedy crime film directed by Janicza Bravo and co-written by Bravo and Jeremy O. Harris. The film is based on a viral Twitter thread from 2015 by Aziah “Zola” King and the resulting Rolling Stone article “Zola Tells All: The Real Story Behind the Greatest Stripper Saga Ever Tweeted” by David Kushner. The film follows the story of Zola, a part-time stripper who is convinced by her new friend Stefani to go on a road trip to Tampa, Florida, in order to earn money, only to get in over her head. The film is a morality tale that explores the consequences of making bad decisions and the importance of being true to oneself. Zola’s journey is a cautionary tale about the dangers of trusting strangers and the importance of being aware of one’s surroundings. The film is a savage takedown of the sex industry and the exploitation of women. “Zola” is a thought-provoking film that uses its characters to explore themes of morality, exploitation, and the importance of being true to oneself.
Counter Culture 