Posts Tagged Cinema

Culture Vulture 30th of March to the 5th of April 2024

3,273 words, 17 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is by Tim Bragg. Highlights this week include: eight episodes of Ripley on Netflix, a captivating limited series that unravels the treacherous world of deceit, murder, and secrets, with Andrew Scott’s menacing charm at its core, and the 1954 classic film, On The Waterfront.

Saturday 30 March 2024

On The Waterfront (1954) 2.30pm BBC2

“On The Waterfront” stands as a timeless classic, resonating with audiences through its powerful portrayal of corruption, redemption, and the struggle of conscience. Directed by Elia Kazan, the film follows the story of Terry Malloy, portrayed brilliantly by Marlon Brando, a longshoreman who takes a stand against the corrupt union he’s a part of. Brando’s performance is widely hailed as one of the greatest in cinematic history, characterized by his fresh and nuanced acting style that defied traditional screen mannerisms.

The script by Budd Schulberg is masterfully crafted, offering a compelling narrative that delves into the gritty realities of poverty and desperation among the characters. The atmospheric control adds to the film’s impact, immersing viewers in the world of Terry Malloy as he navigates the complexities of corruption and redemption.

Through its superb performances and profound themes, “On The Waterfront” transcends its era, leaving an indelible mark on cinematic history. The clash between redemption and corruption is portrayed with depth and authenticity, making it a timeless exploration of human morality and the struggle for justice.

“On The Waterfront” remains a must-watch classic, captivating audiences with its exceptional performances, thought-provoking narrative, and enduring relevance.

A Small Light (one of eight) 9pm National Geographic

Immersing viewers into the harrowing era of Nazi-occupied Netherlands, “A Small Light” emerges as a riveting limited series that reframes the Anne Frank narrative through a refreshing lens. Rather than solely delving into Anne’s perspective, the show pivots its focus towards Miep Gies, an often overlooked yet indispensable figure in the clandestine sanctuary of the Frank family amidst Amsterdam’s wartime chaos.

At its core, the series gracefully unfolds against the backdrop of Nazi occupation, with Bel Powley’s portrayal of Miep Gies infusing the character with a spirited determination and youthful fervor for justice. From her humble beginnings to her pivotal role alongside Otto Frank, embodied by Liev Schreiber, the narrative intricately weaves together the bonds of camaraderie and sacrifice amidst the clandestine shelter of the Secret Annexe.

While the series proudly bears the label of being “inspired by actual events,” it takes creative liberties to enrich the storytelling experience. Miep’s idealism and her poignant connection to Anne’s diary serve as poignant focal points, albeit with a modernized dialogue that may initially feel out of place but seamlessly integrates into the overarching narrative tapestry.

Beyond its narrative intricacies, “A Small Light” resonates with profound thematic depth, shedding illuminating insights into the plight of the Netherlands’ Jewish population during World War II. It poignantly captures the essence of courage, resilience, and tragedy, while Otto Frank’s prominence offers a fresh vantage point on the Frank family’s saga.

“A Small Light” stands as a gripping testament to the indomitable spirit of those who dared to defy darkness with acts of selfless valor. Through its compelling portrayal, the series not only honors the bravery of its protagonists but also invites audiences to reevaluate Anne Frank’s enduring legacy from a profoundly different perspective.

Sunday 31 March 2024

This Town (one of six) 9pm BBC1

“This Town” transports viewers to Birmingham during the 1980s, a city pulsating with energy, contradictions, and simmering tensions. Here are some of the social themes that resonate throughout the series:

Working-Class Struggles: The heart of “This Town” lies in its portrayal of working-class lives. Dilapidated council estates, unemployment, and economic hardship form the backdrop. The characters—like Dante Williams and his family—navigate a world where dreams clash with harsh realities. Knight doesn’t shy away from depicting the struggles faced by ordinary people, emphasizing their resilience and determination.

Some of the themes explored are:

Music as a Beacon: The series celebrates the era of ska and 2 tone music. These genres emerged from the working-class neighborhoods, providing an outlet for expression and unity. The soundtrack becomes a character in itself, echoing the hopes and frustrations of the community. Music acts as a beacon of hope, even amidst chaos.

Identity and Belonging: Dante’s journey is one of self-discovery. As a dreamer and poet, he grapples with questions of identity. Is he just another face in the crowd, or does he belong to something greater? The clash between his artistic aspirations and the gritty reality of Birmingham mirrors the broader struggle for belonging and purpose.

Family Dynamics: The Williams family—Dante, his brother Gregory, and their father Deuce—represent different facets of familial bonds. Gregory’s military service and Bardon’s dangerous affiliations strain family ties. Knight explores how external forces impact family dynamics, especially in a city marked by unrest.

Political Turmoil: Coventry’s Irish rebel gang and the broader political landscape add layers of tension. The Troubles in Northern Ireland cast a shadow over Birmingham, affecting characters like Bardon. Knight subtly weaves political threads into the narrative, highlighting how personal lives intersect with larger historical events.
Hope Amidst Chaos: Despite the challenges, Knight finds hope in the everyday. The lyrical beauty of Birmingham emerges from the rubble. Whether it’s Fiona’s love for music or Dante’s poetic vision, there’s a sense that even in turbulent times, small moments matter. The series reminds us that hope can thrive even in the most unlikely places.

“This Town” isn’t just about music or historical context; it’s a tapestry of lives, dreams, and struggles. Knight’s heartfelt ode to the Midlands captures the essence of a city in flux, where hope and resilience shine through the cracks.

Apocalypse Now (1979) 10pm BBC2

“Apocalypse Now” (1979) plunges viewers into the abyss of the Vietnam War with a haunting exploration of the dark philosophy embodied by Colonel Kurtz. Directed by Francis Ford Coppola, this epic war film draws inspiration from Joseph Conrad’s “Heart of Darkness” to craft a mesmerizing journey into the depths of human depravity.

Martin Sheen delivers a mesmerizing performance as Captain Benjamin Willard, tasked with the chilling mission of assassinating Colonel Kurtz, portrayed with haunting intensity by Marlon Brando. Kurtz, a once-decorated officer who has descended into the heart of darkness in the Cambodian jungle, embodies a profound and disturbing philosophy that challenges the very essence of humanity.

Coppola’s direction is visionary, capturing the surreal and hallucinatory atmosphere of war-torn Vietnam with stunning visuals and immersive sound design. Vittorio Storaro’s cinematography adds to the film’s sense of dread and awe, enveloping viewers in a world where morality is blurred and sanity is questioned.

The performances in “Apocalypse Now” are riveting, with Sheen and Brando delving deep into the psyche of characters grappling with the darkness within themselves and the world around them. Brando’s portrayal of Kurtz is particularly mesmerizing, conveying a sense of enigmatic charisma intertwined with profound madness.

“Apocalypse Now” is a deeply philosophical exploration of the horrors of war and the moral ambiguity of human conflict. Through Kurtz’s chilling philosophy, the film confronts viewers with existential questions about the nature of good and evil, sanity and madness, and the limits of human morality.

With its unforgettable imagery, powerful performances, and thought-provoking themes, “Apocalypse Now” stands as a landmark achievement in cinema, inviting audiences to confront the darkness that lurks within the human soul.

Monday 1 April 2024

Trafficked: Underworlds… 10pm National Geographic

“Trafficked: Underworlds With Mariana van Zeller” is an eye-opening documentary series that delves into emerging underworlds, including the trade in body parts, hired assassins, sextortion, and human smuggling across the U.S.-Mexico border. Award-winning journalist Mariana van Zeller fearlessly exposes the intricate workings of these dark realms, revealing the tactics used to exploit vulnerable victims.

The Horse Whisperer (1998) 12.55pm GREAT!movies

“The Horse Whisperer” (1998) is a poignant and visually stunning drama directed by Robert Redford, based on the novel by Nicholas Evans. The film follows the story of Grace MacLean (Scarlett Johansson), a young girl traumatized by a horse riding accident, and her mother Annie (Kristin Scott Thomas), who seeks the help of a reclusive horse trainer, Tom Booker (Robert Redford).

Redford’s direction brings out the beauty of the American West, serving as a breathtaking backdrop to the emotional journey of healing and redemption. The cinematography captures the vast landscapes and intimate moments with equal grace, drawing viewers into the heart of the story.

The performances in “The Horse Whisperer” are superb, with Johansson delivering a touching portrayal of a girl struggling to overcome her fear and find her place in the world. Scott Thomas brings depth to the role of a mother torn between her daughter’s recovery and her own desires.

However, it is Redford’s portrayal of Tom Booker that truly shines, embodying the wisdom, patience, and empathy of a man who understands the language of horses and humans alike. His interactions with both Grace and her horse, Pilgrim, are infused with a quiet power that speaks volumes.

“The Horse Whisperer” is a story about the healing power of love and understanding. Through Tom’s unconventional methods and Grace’s journey of self-discovery, the film explores themes of resilience, forgiveness, and the bonds that connect us to each other and the natural world.

“The Horse Whisperer” is a deeply moving film that resonates long after the credits roll. With its captivating performances, breathtaking cinematography, and heartfelt storytelling, it remains a timeless tale of hope, healing, and the transformative power of connection.

Tuesday 2 April 2024

Rocketman (2019) 11.15pm Film4

“Rocketman” (2019) blasts onto the screen as a vibrant and electrifying musical biopic chronicling the life and career of the legendary musician Elton John. Directed by Dexter Fletcher and starring Taron Egerton in a career-defining performance as Elton John, the film takes audiences on a wild and emotional ride through the highs and lows of the iconic artist’s life.

From his humble beginnings as Reginald Dwight to his rise to superstardom as Elton John, the film traces the evolution of his music, his struggles with addiction and personal relationships, and his ultimate triumph of self-acceptance and redemption.

Egerton’s portrayal of Elton John is nothing short of mesmerizing. He not only captures the flamboyant showmanship and musical genius of the man but also delves deep into the vulnerabilities and complexities that lie beneath the surface. His dynamic performances of Elton’s classic hits are electrifying, leaving audiences dancing in their seats and longing for more.

But “Rocketman” is more than just a showcase for Egerton’s talents. The film boasts stunning production design, dazzling costumes, and exhilarating musical sequences that bring Elton John’s larger-than-life persona to vivid life. The incorporation of fantasy elements and surreal visuals adds an extra layer of magic to the storytelling, making for an immersive and unforgettable cinematic experience.

“Rocketman” is a story about the transformative power of music and the universal human desire for love and acceptance. Through its raw honesty and emotional depth, the film resonates with audiences on a profound level, reminding us that even the biggest stars are not immune to the struggles and triumphs of the human experience.

“Rocketman” is a triumphant celebration of one of music’s greatest icons. With its dazzling performances, infectious energy, and heartfelt storytelling, it soars to new heights and leaves an indelible mark on the hearts of all who experience it.

Wednesday 3 April 2024

Amores Perros (2000) 12.50am Film4

“Amores Perros” (2000) is a gripping and emotionally intense film directed by Alejandro González Iñárritu that weaves together three interconnected stories set in modern-day Mexico City. Through its visceral storytelling and raw depiction of life in the urban landscape, the film delves deep into various social themes that resonate with audiences long after the credits roll.

“Amores Perros” explores the harsh realities of life in Mexico City, shining a light on the intersecting lives of people from different social classes and backgrounds. The film tackles issues such as poverty, violence, corruption, and the struggles of everyday survival, painting a stark and unflinching portrait of a city grappling with its own contradictions and complexities.

One prominent social theme explored in the film is the impact of dog fighting on society. The title itself, which translates to “Love’s a Bitch” in English, reflects the brutality and cruelty inherent in the underground world of dogfighting. Through the character of Octavio (played by Gael García Bernal), the film exposes the desperation and moral compromises that individuals are willing to make in order to escape poverty and achieve a better life, even at the expense of others, including innocent animals.

Additionally, “Amores Perros” delves into the dynamics of family and relationships, shedding light on the fragility and resilience of human connections in the face of adversity. Each story in the film revolves around characters grappling with love, loss, and betrayal, highlighting the complex and often tumultuous nature of human emotions.

Furthermore, the film explores the theme of fate and interconnectedness, suggesting that the actions of individuals can have far-reaching consequences that ripple through the lives of others. Through its non-linear narrative structure and overlapping storylines, “Amores Perros” emphasizes the interconnectedness of all living beings, reminding viewers of the intricate web of relationships that bind us together.

“Amores Perros” is a powerful and thought-provoking film that offers a searing portrayal of life in Mexico City while exploring a range of social themes with depth and nuance. Through its compelling storytelling and rich character development, the film leaves a lasting impression, challenging viewers to confront the harsh realities of the world we live in while also finding moments of beauty and humanity amidst the chaos.

Thursday 4 April 2024

Talking Pictures – On The Waterfront Documentary 9.45pm BBC4

“Talking Pictures: On the Waterfront” is a compelling exploration of the iconic film’s hidden layers, revealing a tale of betrayal and resentment fueled by America’s anti-communist fervor in the 1950s. Through archive interviews with director Elia Kazan, writer Budd Schulberg, and cast members—most notably Marlon Brando—the documentary sheds light on the gritty realism and political undertones that make “On the Waterfront” one of the greatest films in US cinema history.

Friday 5 April 2024

The Underground Map Of Britain 8pm Channel 5

Mapping out the history of the world’s first underground system – London’s tube network.

I, Tonya (2017) 11.05pm BBC2

“I, Tonya” (2017) is a darkly comedic and utterly captivating biographical film directed by Craig Gillespie, which delves into the scandalous and tumultuous life of figure skater Tonya Harding. Led by a tour-de-force performance from Margot Robbie as Harding, the film offers a compelling and often sympathetic portrayal of a woman whose life was marred by controversy and adversity.

Set against the backdrop of the competitive world of figure skating, “I, Tonya” takes viewers on a wild and unpredictable ride through Harding’s journey from a rough upbringing to becoming one of the most infamous figures in sports history. Robbie embodies Harding with depth and complexity, capturing both her fierce determination and vulnerability in equal measure.

The film’s narrative structure, which incorporates mockumentary-style interviews with the characters, adds an intriguing layer of storytelling that invites viewers to question the reliability of the different perspectives presented. This approach not only adds to the film’s darkly humorous tone but also offers insight into the complexities of truth and perception.

“I, Tonya” also shines a light on various social themes, including classism, abuse, and the pursuit of the American dream. Through Harding’s tumultuous relationships with her abusive mother LaVona (Allison Janney) and volatile ex-husband Jeff (Sebastian Stan), the film explores the cycles of dysfunction and trauma that can shape a person’s life.

Janney delivers a scene-stealing performance as LaVona, portraying her as a tough and unapologetic force of nature whose actions leave a lasting impact on Harding’s life. Stan is equally compelling as Jeff, capturing the complexity of a man whose love for Harding is often overshadowed by his own demons.

“I, Tonya” is a bold and audacious film that defies expectations, offering a nuanced and humanizing portrait of a woman who was vilified by the media and society. With its stellar performances, sharp writing, and darkly comedic tone, the film is a must-see for anyone interested in true stories that challenge conventions and spark conversation.

And streaming

“Ripley all eight episodes available on Netflix from Thursday April 4

“Ripley” is a limited series that delves into the intriguing world of deceit, fraud, and murder. The show follows the story of Tom Ripley, a down-on-his-luck grifter who is hired by a wealthy man to travel to Italy and convince his vagabond son to return home. Little does Tom know that accepting this job will set him on a treacherous path filled with secrets and danger.

Andrew Scott, known for his captivating performances, oozes menacing charm as Tom Ripley. His portrayal adds depth to the character, making him both captivating and unsettling. The show’s black-and-white visuals and foreboding tonality contribute to its air of prestige TV, capturing the imagination of viewers.

While the eating disorder subplot becomes a juicy revelation about Ripley’s sexuality, the show occasionally treads familiar ground. Netflix’s efficiency in churning out content sometimes results in a sameness across their offerings. However, for fans of crime-based dramas, “Ripley” is a compelling addition to the streaming platform’s repertoire.

“Ripley” combines suspense, intrigue, and a touch of psychological drama, making it a binge-worthy watch for those who enjoy complex character studies and dark narratives.

Antisocial Network: Memes to Mayhem available from Friday April 5.

“The Antisocial Network: Memes to Mayhem” dives headfirst into the murky depths of internet culture, exploring the rise and impact of 4chan, a once-innocent online community that morphed into a breeding ground for chaos and conspiracy.

Directed by Giorgio Angelini (“Owned: A Tale of Two Americas”) and Arthur Jones (“Feels Good Man”), this documentary navigates the treacherous waters of 4chan’s evolution—from harmless pranks to the insurrection. The film sheds light on how a group of bored teenagers transformed shared loneliness into a digital phenomenon that shattered consensus reality.

The early days of 4chan are nostalgically portrayed, with glimpses of in-person meetings and the enigmatic figure known as “moot” (Christopher Poole), who would later become the Mark Zuckerberg of this shadowy realm. But innocence gives way to toxicity, as the community fractures and offline pranks escalate into the work of Anonymous and QAnon conspiracy theorists.

The film grapples with the inherent flaws of shitposting and trolling—the slippery slope from one harmless act to increasingly impactful chaos. It tiptoes around blame, suggesting that unchecked power was destined to corrupt, absolving some individuals of personal responsibility. Yet, choices were made, and the impact of 4chan reverberated through society, amplifying absurdities like PizzaGate into national discourse.

“The Antisocial Network” fits neatly into the “Internet Bad” category of documentaries, but it stands out for its deft chronicle of how chaos was birthed online. As we peer into this digital abyss, we’re reminded that freedom of expression can mutate into something darker — a cautionary tale for our interconnected age.

Picture Credits
On The Waterfront (1954)
Illustrator unknown. “Copyright 1954 – Columbia Pictures Corp.”. – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85717194
Apocalypse Now (1979)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=11940998
The Horse Whisperer (1998)
By IMPAwards, Fair use, https://en.wikipedia.org/w/index.php?curid=9554249
Rocketman (2019)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=60020646
Amores Perros (2000)
he poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=47536963
I, Tonya (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=55624801

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Culture Vulture 23-29 March 2024

Welcome to Culture Vulture your guide to the week’s entertainment from an alternative viewpoint. Highlights this week include the films The Girl With A Bracelet (2019) and Gagarine (2020), and the six-part documentary Lincoln: Divided We Stand. Selections and writing are by Pat Harrington and music is from Tim Bragg.

Saturday 23 March 2023

The Girl With A Bracelet (2019) 1.25am BBC2

“The Girl with a Bracelet” (2019) is a French courtroom drama that delves into the complexities of teenage life, relationships, and the justice system. Directed by Stéphane Demoustier, this film centers around Lise, a seemingly ordinary teenager accused of murdering her best friend.

What sets this film apart is its nuanced exploration of the characters and their motivations. The director skillfully weaves together flashbacks, courtroom scenes, and intimate moments to gradually reveal the truth behind the crime. The audience is kept guessing until the very end, as layers of lies and secrets are peeled away.

The performances in “The Girl with a Bracelet” are exceptional, particularly from the lead actress, Melissa Guers, who brings depth and vulnerability to her role as Lise. The supporting cast also delivers strong performances, adding to the film’s authenticity and emotional impact.

Visually, the film is understated yet compelling, with a focus on intimate close-ups and subtle gestures that convey the characters’ inner turmoil. The cinematography captures the tension of the courtroom scenes and the quiet moments of reflection with equal finesse.

Overall, “The Girl with a Bracelet” is a gripping and thought-provoking exploration of guilt, innocence, and the complexities of justice. It’s a film that lingers in the mind long after the credits roll, leaving viewers questioning their own perceptions of truth and morality.

Sunday 24 March 2023

Hemingway 11.40 BBC4

Hemingway, a captivating documentary, offers an intimate portrait of the great American writer, Ernest Hemingway. This definitive portrait, created by Ken Burns and Lynn Novick, delves into both the brilliance of his work and the complexities of the man behind the myth. It is followed at 12.30 by a look at the publication of In Our Time, The Sun Also Rises adn A Farewell To Arms.

Whatever Happened To Baby Jane? (1962) 11.50pm BBC2

“Whatever Happened to Baby Jane?” (1962) is a classic psychological thriller directed by Robert Aldrich, featuring iconic performances by Bette Davis and Joan Crawford. Set in a decaying mansion in Hollywood, the film follows the twisted relationship between two aging sisters, former child star Baby Jane Hudson and her wheelchair-bound sister Blanche.

From the haunting opening sequence to its shocking climax, “Whatever Happened to Baby Jane?” grips the audience with its dark and suspenseful narrative. The tension between the sisters is palpable, as Jane’s descent into madness and Blanche’s vulnerability create an atmosphere of dread and uncertainty.

Bette Davis a tour-dedelivers-force performance as Baby Jane, perfectly capturing her blend of childlike innocence and malevolent insanity. Joan Crawford is equally compelling as the tormented Blanche, portraying her fear and desperation with remarkable depth.

The film’s gothic atmosphere, with its eerie music and haunting cinematography, adds to the sense of unease and foreboding. The setting of the crumbling mansion becomes a character in itself, reflecting the decay of the sisters’ minds and the dark secrets hidden within its walls.

“Whatever Happened to Baby Jane?” remains a timeless masterpiece of psychological horror, exploring themes of jealousy, obsession, and the destructive power of family ties. Its impact on popular culture is undeniable, influencing countless films and inspiring a legacy that continues to captivate audiences to this day.

Monday 25 March 2024

Lincoln: Divided We Stand (one of six) 9.15pm PBS America

Lincoln: Divided We Stand is a six-part documentary series that delves into the remarkable life and unexpected journey of Abraham Lincoln. Narrated by Sterling K. Brown, the series provides a comprehensive exploration of Lincoln’s complex inner world, seamlessly blending his tragic personal life with his history-making political career. Continues all week.

Gagarine (2020) 1.55am C4

“Gagarine” (2020) is a visually stunning and emotionally resonant French drama directed by Fanny Liatard and Jérémy Trouilh. Set in a housing project on the outskirts of Paris named after the Soviet cosmonaut Yuri Gagarin, the film follows the journey of a young boy named Youri who dreams of becoming an astronaut.

What sets “Gagarine” apart is its unique blend of social realism and poetic storytelling. The directors craft a visually striking narrative, capturing the beauty and decay of the housing project with equal care. The film’s use of imaginative visuals and dreamlike sequences adds depth to Youri’s journey, blurring the line between reality and fantasy.

Newcomer Alseni Bathily delivers a remarkable performance as Youri, bringing warmth, vulnerability, and resilience to the character. His portrayal of a young man determined to hold onto his dreams despite the challenges around him is both captivating and deeply moving.

“Gagarine” is a poignant exploration of community, identity, and the universal human desire for connection and belonging. It sheds light on the plight of marginalized communities while also celebrating the resilience and creativity found within them.

Overall, “Gagarine” is a powerful and visually stunning film that resonates long after the credits roll. It’s a testament to the human spirit and the power of dreams to transcend even the harshest of realities.

Tuesday 26 March 2024

Gilda (1946) 3.40pm Talking Pictures

“Gilda” (1946), directed by Charles Vidor, is a classic film noir that captivates audiences with its sultry atmosphere, complex characters, and gripping plot. Set in post-World War II Buenos Aires, the film revolves around the enigmatic and alluring Gilda, played by the incomparable Rita Hayworth.

“Gilda” is a story of love, betrayal, and deception. The film’s intricate plot keeps viewers on the edge of their seats as they navigate the twists and turns of Gilda’s tumultuous relationships with her husband, the shady casino owner Ballin Mundson (George Macready), and his right-hand man, Johnny Farrell (Glenn Ford).

Rita Hayworth’s performance as Gilda is nothing short of mesmerizing. With her magnetic presence and undeniable charm, she embodies the quintessential femme fatale, exuding both vulnerability and strength in equal measure. Hayworth delivers a sizzling and unforgettable performance of “Blame It On Mame” that has become synonymous with the film itself. As the sultry nightclub singer, Gilda, Hayworth commands the stage with an intoxicating blend of charisma and sensuality, captivating the audience with every move. Clad in a form-fitting black dress and adorned with a long black satin glove, her performance exudes an aura of mystery and allure. However, it’s worth noting that Hayworth did not provide the vocals for the song; instead, it was dubbed by singer Anita Ellis. With her smoky vocals and seductive demeanor, Ellis’s rendition adds another layer of depth to Hayworth’s performance, further enhancing the scene’s steamy atmosphere. As Gilda croons the iconic lyrics, “Blame it on Mame, boys,” her performance becomes a mesmerizing display of power and desire, leaving an indelible mark on cinematic history.

The chemistry between Hayworth and Ford is palpable, adding layers of tension and complexity to their on-screen interactions. As Johnny struggles with his conflicting feelings for Gilda and his loyalty to Mundson, the film delves into themes of obsession, jealousy, and desire.

Visually, “Gilda” is a feast for the eyes, with its moody lighting, stylish costumes, and atmospheric cinematography capturing the noir aesthetic in all its glory. The film’s iconic imagery, including Gilda’s provocative introduction and the infamous scene with her black satin glove, has left an indelible mark on cinema history.

Overall, “Gilda” is a timeless classic that continues to enthrall audiences with its gripping storytelling, unforgettable performances, and sumptuous visuals. It remains a shining example of the film noir genre and a testament to the enduring power of cinema.

The Rider (2018) 1.35am Film4

“The Rider” (2018), directed and written by Chloé Zhao, who later gained widespread acclaim for her work on the award-winning film “Nomadland,” is a poignant and visually stunning exploration of resilience and identity. Set against the backdrop of the American heartland, the film follows Brady Blackburn, portrayed by non-professional actor Brady Jandreau, a young rodeo rider grappling with the aftermath of a traumatic head injury. Notably, Jandreau’s real-life family and friends, including his father and sister, also play versions of themselves in the film, adding an extra layer of authenticity to the narrative.

What sets “The Rider” apart is its authenticity and emotional depth. The director cast non-professional actors, many of whom are portraying versions of themselves, adding a layer of realism to the film’s narrative. Brady Jandreau, who plays the lead role, delivers a raw and heartfelt performance, drawing viewers into his world of rodeo culture and personal struggle.

Chloé Zhao’s direction is masterful, capturing the vast landscapes of South Dakota with breathtaking beauty and intimacy. The film’s cinematography, characterized by wide shots of the open plains and intimate close-ups of the characters, immerses viewers in the rugged yet poetic world of the American West.

At its core, “The Rider” is a deeply human story about resilience, identity, and the bonds that hold communities together. As Brady grapples with the loss of his rodeo career and the uncertainty of his future, the film explores themes of masculinity, disability, and the pursuit of dreams.

Through its quiet moments of introspection and powerful moments of emotional catharsis, “The Rider” offers a profound meditation on what it means to find purpose and meaning in the face of adversity. It’s a film that lingers in the mind long after the credits roll, reminding viewers of the power of cinema to illuminate the complexities of the human experience.

Wednesday 27 March 2024

Our Ladies (2019) 9pm Film4

“Our Ladies” (2019), directed by Michael Caton-Jones, is a spirited and heartwarming coming-of-age film that follows a group of Catholic schoolgirls from Scotland on a wild adventure in Edinburgh. Based on the novel “The Sopranos” by Alan Warner, the film captures the essence of teenage rebellion, friendship, and self-discovery.

Set in the 1990s, “Our Ladies” offers a nostalgic trip back in time, filled with vibrant music, colorful fashion, and a sense of youthful exuberance. The ensemble cast delivers standout performances, with each character bringing their own quirks and vulnerabilities to the forefront.

Despite the film’s seemingly lighthearted premise, it delves deep into the lives of his characters, exploring themes of adolescence, friendship, sexuality, and the search for identity. Each of the girls has her own unique struggles and desires, and throughout the course of their adventure, they confront these issues head-on, forging bonds that will shape their futures.

It is a vivid portrayal of Scottish working-class life and its colorful cast of characters. The writing is rich with humor, wit, and sharp observations, capturing the essence of teenage rebellion and the complexities of growing up in a small town.

At its heart, the film is a celebration of female friendship and solidarity. As the girls navigate the challenges of growing up and forging their own paths, they lean on each other for support and encouragement, forming a bond that transcends social boundaries and societal expectations.

Director Michael Caton-Jones infuses the film with energy and authenticity, capturing both the highs and lows of adolescence with honesty and humor. The script balances moments of raucous humor with genuine emotion, resulting in a film that is both entertaining and heartfelt.

“Our Ladies” is a refreshing take on the coming-of-age genre, offering a fresh perspective on the trials and triumphs of teenage life. With its memorable characters, lively soundtrack, and uplifting message of friendship, it’s a film that will resonate with audiences of all ages.

Daphne 10pm BBC4

This one-off biographical drama celebrates the centenary of the birth of renowned author Daphne Du Maurier, portrayed by the talented Geraldine Somerville.The drama delves into Daphne Du Maurier’s life story, shedding light on her fascinating relationships. It particularly explores her connection with American heiress Ellen Doubleday (played by Elizabeth McGovern). Additionally, the drama unfolds her life-changing love affair with the vivacious actress Gertrude Lawrence.

Daphne Du Maurier Talks To Winifred De’Ath 11.30pm

In 1971, the esteemed author Daphne du Maurier engaged in an insightful conversation with Wilfred De’Ath. This interview took place in her Cornwall home and covered a range of topics.
This rare interview provides a unique window into the mind of Daphne du Maurier, one of the most celebrated authors of the 20th century

Thursday 28 March 2024

Trainspotting (1996) 10.45pm Film4

“Trainspotting” (1996), directed by Danny Boyle and based on the novel by Irvine Welsh, is a gritty and electrifying portrayal of heroin addiction in Edinburgh, Scotland. The film follows a group of young friends, led by Mark Renton (played by Ewan McGregor), as they navigate the highs and lows of addiction, friendship, and survival.

What sets “Trainspotting” apart is its unflinching honesty and raw energy. Boyle’s frenetic direction, paired with an iconic soundtrack and razor-sharp dialogue, creates a visceral cinematic experience that immerses viewers in the chaotic world of the characters. From the exhilarating opening chase scene to the harrowing moments of withdrawal and despair, the film pulsates with intensity and authenticity.

At its core, “Trainspotting” is a character study, exploring the motivations and inner demons of its flawed protagonists. McGregor delivers a standout performance as Renton, capturing his charm, wit, and self-destructive tendencies with equal skill. The supporting cast, including Ewen Bremner, Jonny Lee Miller, and Robert Carlyle, also shine in their respective roles, bringing depth and humanity to their characters.

Beyond its exploration of addiction, “Trainspotting” touches on themes of friendship, loyalty, and the search for meaning in a world that often seems devoid of hope. Despite the darkness of its subject matter, the film is infused with moments of dark humor and unexpected poignancy, offering glimpses of redemption amidst the chaos.

“Trainspotting” remains a seminal work of British cinema, known for its bold storytelling, unforgettable characters, and groundbreaking visual style. Nearly three decades after its release, it continues to resonate with audiences around the world, cementing its status as a modern classic.

Friday 29 March 2024 (Good Friday)

Catch Me If You Can (2002) 6.15pm Film4

“Catch Me If You Can” (2002), directed by Steven Spielberg, is a captivating and exhilarating biographical crime film based on the true story of Frank Abagnale Jr. Starring Leonardo DiCaprio as Abagnale and Tom Hanks as FBI agent Carl Hanratty, the film follows the cat-and-mouse game between the young, charismatic con artist and the determined federal agent pursuing him.

“Catch Me If You Can” is a thrilling and stylish tale of deception, charm, and wit. DiCaprio delivers a charismatic and multi-layered performance as Abagnale, effortlessly embodying the character’s confidence and vulnerability as he masterminds a series of elaborate cons while on the run from the law. Hanks brings depth and gravitas to his role as Hanratty, infusing the character with a mix of determination, frustration, and begrudging admiration for Abagnale’s ingenuity.

Spielberg’s direction is masterful, blending suspense, humor, and heart to create a film that is both entertaining and emotionally resonant. The film’s 1960s setting is brought to life with vibrant visuals and period-appropriate production design, immersing viewers in the world of Abagnale’s escapades.

Beyond its thrilling plot and dynamic performances, “Catch Me If You Can” explores themes of identity, family, and the pursuit of the American Dream. Abagnale’s journey from a disillusioned teenager to a legendary con artist is both exhilarating and poignant, offering insights into the complexities of human nature and the allure of living on the edge.

With its stellar cast, sharp script, and expert direction, “Catch Me If You Can” is a standout film that entertains, engages, and leaves a lasting impression. It’s a testament to the power of cinema to transport audiences into the lives of extraordinary individuals and the extraordinary circumstances that shape them.

2 Tone Night BBC4 from 9pm

2 Tone is a genre that exploded from the grassroots of Coventry and Birmingham in the late 1970s and early 1980s. It united black, white, and Asian youths through its infectious rhythms and powerful lyrics. Bands like The Specials and The Selecter played a central role in shaping this influential movement.

The night begins with Terry Hall At The BBC. In this 59-minute special, viewers will journey into the BBC’s archives to revisit the extraordinary and genre-hopping career of the legendary musician Terry Hall. The show features captivating performances of hits including “Gangsters,” “Thinking of You,” and “Sense.”

La La Land (2016) 11pm BBC2

“La La Land” (2016), directed by Damien Chazelle, is a modern-day musical masterpiece that dazzles with its charm, romance, and infectious energy. Set in contemporary Los Angeles, the film follows the passionate love story between aspiring actress Mia (Emma Stone) and jazz musician Sebastian (Ryan Gosling), as they pursue their dreams amidst the glitz and glamour of Hollywood.

At its heart, “La La Land” is a celebration of the magic of cinema and the power of dreams. Chazelle’s direction infuses every frame with a sense of wonder and nostalgia, paying homage to classic Hollywood musicals while also giving the genre a fresh and contemporary twist. The film’s vibrant colors, stunning cinematography, and dazzling musical numbers transport viewers into a world of fantasy and romance.

Stone and Gosling deliver captivating performances, displaying both charm and vulnerability as they navigate the highs and lows of their relationship and careers. Their chemistry is palpable, imbuing every scene with a sense of authenticity and emotional depth.

The film’s original music, composed by Justin Hurwitz, is both catchy and emotive, with standout songs like “City of Stars” and “Audition (The Fools Who Dream)” earning critical acclaim and numerous awards. The choreography, by Mandy Moore, is equally impressive, adding another layer of visual spectacle to the film’s musical sequences.

Beyond its surface glamour, “La La Land” delves into themes of sacrifice, ambition, and the pursuit of artistic fulfillment. As Mia and Sebastian grapple with the challenges of following their passions while staying true to themselves, the film offers a poignant and relatable exploration of the choices we make in pursuit of our dreams.

With its dazzling visuals, captivating performances, and memorable music, “La La Land” is a cinematic triumph that captures the joy and heartache of love, ambition, and the pursuit of happiness. It’s a film that leaves audiences enchanted, inspired, and singing its praises long after the credits roll.

And finally, streaming:

Quiet on Set: The Dark Side of Kids TV episodes releasing from Monday 25 March 2024 on Discovery+

Quiet on Set: The Dark Side of Kids TV is a docu-series that delves into the toxic culture behind some of the most iconic children’s shows from the late 1990s and early 2000s.

The programme mainly focuses on shows helmed by Dan Schneider including iCarly, The Amanda Show, Zoey 101, Drake & Josh and Sam & Cat, which helped launch the careers of actors such as Drake Bell, Amanda Bynes, Miranda Cosgrove and Jennette McCurdy.

It uncovers the hidden aspects of kids’ TV, shedding light on issues such as sexual abuse, harassment, racism, and gender dynamics within the industry.

The Shield seasons one-three available from Thursday 28 March 2024 UKTV PLay

The Shield is an American crime drama television series that premiered on March 12, 2002, on FX in the United States. The show concluded after seven seasons on November 25, 2008. Created by Shawn Ryan, it gained acclaim for its portrayal of corrupt police officers. Initially advertised as Rampart, it was loosely based on the true-life Rampart Division police scandal. The series is widely regarded as one of the greatest TV shows of all time.

Why? The Shield is a gripping exploration of moral ambiguity, exemplifying the noir aesthetic. Vic Mackey (Michael Chiklis), the central character in The Shield, possesses a magnetic allure that transcends his glaring moral flaws.

Vic is not a one-dimensional hero or villain. His multifaceted personality makes him intriguing. His internal struggle between duty, loyalty, and self-preservation adds layers to his character.

Audiences are drawn to anti-heroes who defy conventional norms. Vic’s willingness to bend or break rules for the greater good (or his own survival) challenges our perceptions.

Vic exudes confidence, whether interrogating suspects or leading his team. His charisma makes us root for him even when we disapprove of his actions.

Vic fiercely protects those he cares about, especially his family and team. His vulnerability in these moments humanizes him.

Vic’s flaws—corruption, brutality, and manipulation—create tension. We wonder if he’ll redeem himself or spiral further into darkness.

Vic faces impossible decisions, blurring the line between right and wrong. We empathize with his predicaments, even when we condemn his choices.

In essence, Vic Mackey’s allure lies in his imperfections—the very flaws that make him a compelling and unforgettable character. Chiklis brings a compelling intensity to the role, making Vic Mackey a memorable and complex character throughout the series.

A Gentleman In Moscow episodes releasing weekly from Good Friday on Paramount+

A Gentleman in Moscow is based on the 2016 novel of the same name by Amor Towles.The story is set in the aftermath of the Russian Revolution. The central character is Count Alexander Rostov, portrayed by Ewan McGregor.

Count Rostov, a Russian aristocrat, finds himself on the wrong side of history due to his gilded past. He is spared from execution by a Communist tribunal on the condition that he never leaves the grand Metropole Hotel where he is staying. The series explores themes of confinement, survival, and Russia’s tumultuous history, including the Red Terror and Stalin’s purges 12.

A Gentleman in Moscow promises to be a gripping historical drama, and fans of the novel are eagerly anticipating its adaptation.

Picture credits:

The Girl With A Bracelet (2019)
By http://www.impawards.com/intl/france/2020/la_fille_au_bracelet_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=73992062
Hemingway
By Lloyd Arnold – http://www.phoodie.info/2013/07/19/from-the-desk-of-ernest-hemingway-this-weekend-cuba-libre-celebrates-my-birthday/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1456168
Whatever Happened To Baby Jane? (1962)
By The poster art can or could be obtained from Warner Bros. Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=9756821
Abraham Lincoln
By Alexander Gardner – museums.fivecolleges.edu, Public Domain, https://commons.wikimedia.org/w/index.php?curid=42812335
Gagarine (2020)
By https://www.hautetcourt.com/en/films/gagarin/, Fair use, https://en.wikipedia.org/w/index.php?curid=67646021
Gilda (1946)
By Robert Coburn – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88142536
The Rider (2018)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=56608489
Our Ladies (2019)
By http://www.impawards.com/intl/uk/2019/our_ladies.html, Fair use, https://en.wikipedia.org/w/index.php?curid=67802038
Daphne Du Maurier
By Unknown author – The Chichester Partnership (copyright), University of Exeter (publication)This file was derived from: Young Daphne du Maurier.jpg, Copyrighted free use, https://commons.wikimedia.org/w/index.php?curid=112775499
Trainspotting (1996)
By POV – Can be obtained from the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=20371380
Catch Me If You Can (2002)
By The cover art can or could be obtained from IMP Awards or DreamWorks, Fair use, https://en.wikipedia.org/w/index.php?curid=1060623
The Selecter
By Egghead06 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=50281393
La La Land (2016)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=51066755

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Culture Vulture 2-8 March 2024

753 words, 4 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is by Tim Bragg. Highlights this week include: The Third Man (1949) – Directed by Carol Reed, this cinematic gem weaves intrigue, betrayal, and post-war shadows in the hauntingly atmospheric city of Vienna. Down The Tracks: The Music That Influenced Bob Dylan and, Our Dirty War: The British State & The IRA.

Saturday 2 March 2024

The Third Man (1949) 2.15pm BBC2

“The Third Man” (1949), directed by Carol Reed, is a cinematic gem that weaves together intrigue, betrayal, and post-war shadows in the hauntingly atmospheric city of Vienna. The story revolves around an American writer named Holly Martins (played by Joseph Cotton), who arrives in post-World War II Vienna at the invitation of his friend, the enigmatic Harry Lime. However, when Martins arrives, he discovers that Lime has been killed under mysterious circumstances. As Martins delves deeper into the murky world Lime left behind, he uncovers secrets, treachery, and a tangled web of deception.

The film’s hauntingly beautiful score, performed on a zither by Anton Karas, sets the tone perfectly. It’s jaunty yet devoid of joy, much like whistling in the dark. The music accompanies the action, which starts as an undergraduate lark but soon reveals its vicious undertones. Lime’s death becomes the central mystery that propels the plot forward.

Director Carol Reed and cinematographer Robert Krasker create a visually arresting experience. The entire film was shot on location in Vienna, where the scars of war were still fresh. The city’s rubble, bomb craters, and desperate black market economy serve as a backdrop for the characters’ moral dilemmas. The tilted camera angles, wide-angle lenses, and bizarre lighting contribute to the film’s expressionist nightmare.

Vienna in “The Third Man” is more than a mere setting; it’s a character in itself. The city’s distinctiveness permeates every frame. The action fits Vienna like a glove, capturing the post-war disillusionment and moral ambiguity of the era.

The film reflects the emerging Cold War years, where paranoia, betrayal, and the looming threat of the Bomb cast their shadows. Unlike “Casablanca,” which exudes hope, “The Third Man” embraces a darker, more pessimistic outlook.

“The Third Man” is a masterclass in filmmaking—a harmonious blend of visuals, music, and storytelling that lingers long after the credits roll.

Sunday 3 March 2024

The Quiller Memorandum (1966) 1.40pm

“The Quiller Memorandum” (1966), directed by Michael Anderson, is a captivating spy film set against the backdrop of Cold War-era Berlin. In West Berlin during the 1960s, two British agents are killed by a neo-Nazi group. British Intelligence dispatches agent Quiller (played by George Segal) to investigate. Quiller delves into a web of intrigue, betrayal, and danger as he seeks to uncover the truth behind the murders and the elusive organization.

Unlike the flashy James Bond films of the era, “The Quiller Memorandum” opts for intelligence over gadgets. Playwright Harold Pinter provides sharp, cat-and-mouse dialogue that keeps viewers engaged. Quiller’s journey involves being captured, drugged, and entangled in a romance with a mysterious German schoolteacher.

Shot on location in Berlin, the film captures the city’s eerie atmosphere. The night shots and the sense of reality—amidst the remnants of the Wall and Cold War tensions—add depth to the story. The film score, possibly by John Barry, enhances the unease.

George Segal portrays Quiller with wit, sarcasm, and vulnerability. His character feels like a blend of classic spy charm and modern sensibility.

“The Quiller Memorandum” may not reach classic status, but its methodical approach and well-written dialogue make it a compelling addition to the spy thriller genre.

Scott of the Antarctic (1948) 2.45pm BBC2

“Scott of the Antarctic” (1948), directed by Charles Frend, offers a respectable account of British explorer Robert Falcon Scott’s doomed expedition to the South Pole. The film portrays the harrowing journey of Scott and his team as they battle extreme cold, isolation, and dwindling supplies in their quest to be the first to reach the southernmost point on Earth.

John Mills delivers an excellent performance in the lead role of Commander Scott, capturing the determination and heroism of the real-life explorer. The film’s cinematography, despite the limitations of the era, skilfully captures the stark beauty of the icy landscapes. The haunting score by Vaughan Williams adds emotional depth to the narrative.

While some critics argue that the film idealizes Scott’s character and simplifies historical complexities, it remains a compelling watch. The sacrifices made by these gallant men—especially the poignant moment when Oates utters his famous line, “I’m going outside, I may be gone some time”—leave a lasting impact.

Despite its flaws, “Scott of the Antarctic” stands as a tribute to human courage and the indomitable spirit of exploration.

Down The Tracks: The Music That Influenced Bob Dylan 10pm Sky Arts

“Down The Tracks: The Music That Influenced Bob Dylan” is a captivating and insightful documentary that delves into the musical roots that shaped the legendary Bob Dylan. Throughout his illustrious career, Dylan’s songwriting prowess has stood supreme, but this film sheds light on another facet of his artistry: his deep appreciation for the music of others.

In impromptu sessions at Greenwich Village coffee houses and clubs, Dylan often performed cover songs from his early influences, showcasing his love for country music. These musical threads wove their way into his own compositions, leaving an indelible mark on his iconic sound.

Whether you’re a devoted Dylan fan or simply someone who appreciates great music, this documentary is a must-see. It provides a unique window into the life and work of one of the most influential musicians of our time.

Frankenstein: Birth of a Monster 10.30pm BBC4

“Frankenstein: Birth of a Monster” is a captivating TV documentary that explores the life of Mary Shelley, the writer behind the iconic novel Frankenstein. The film delves into Shelley’s personal struggles, creative process, and the emotional connections between her experiences and the themes in her novel. Through interviews and insights, it provides a thought-provoking glimpse into the woman behind this timeless work.

One crucial aspect that influenced Frankenstein was the scientific developments of Shelley’s time. The early 19th century was marked by significant advancements in science, particularly in the fields of anatomy, electricity, and galvanism. These developments fascinated Shelley and found their way into her novel.

Anatomy and Resurrection:
The study of human anatomy was gaining prominence, and dissections were conducted for scientific purposes. Shelley was aware of these practices and the ethical debates surrounding them.
Dr. Frankenstein’s creation of the monster by assembling body parts reflects this fascination with anatomy. The idea of reanimating life from dead tissue was both intriguing and unsettling.

Galvanism and Electricity:
Luigi Galvani’s experiments with electrical currents on frog legs intrigued Shelley. Galvani believed that electricity could animate life.
Dr. Frankenstein’s use of electricity to bring the monster to life mirrors these scientific ideas. The scene where he harnesses lightning to infuse life into his creation draws from the concept of galvanism.

The Industrial Revolution:

The Industrial Revolution was transforming society, and Shelley witnessed its impact first-hand. The mechanization of labour, urbanization, and the quest for progress shaped her worldview.
Dr. Frankenstein’s ambition to create life through scientific means reflects the era’s obsession with progress and the consequences of unchecked scientific pursuit.
In summary, Frankenstein: Birth of a Monster not only celebrates Mary Shelley’s literary genius but also highlights how her novel was intricately woven with the scientific zeitgeist of her time.

Chrissie Hynde Sings Bob Dylan 12 midnight Sky Arts

“Chrissie Hynde Sings Bob Dylan” is a remarkable tribute to the legendary troubadour. Chrissie Hynde, the iconic leader of The Pretenders, masterfully interprets nine of her favourite Bob Dylan songs in this heartfelt collection.

Monday 4 March 2024

Art of America: What Lies Beneath 8pm BBC4

“Art of America: What Lies Beneath” is a captivating documentary that delves into the pulse of contemporary American art. Presented by Andrew Graham-Dixon, the film takes viewers on a journey from New York to LA, exploring the works of influential artists.

Here are some highlights from the documentary:

Andy Warhol’s Soup Can Paintings:
Graham-Dixon examines Andy Warhol’s iconic soup can paintings. These seemingly mundane objects became powerful symbols of pop art and consumer culture.
Warhol’s ability to elevate everyday items into art challenges conventional notions of artistic value.

Interview with Pop Artist James Rosenquist:
The documentary features an insightful interview with James Rosenquist, a prominent figure in the pop art movement.
Rosenquist’s bold and colourful works often blend advertising imagery, politics, and consumerism.
Ed Ruscha’s Artistic Exploration:
Graham-Dixon explores the work of Ed Ruscha, known for his text-based paintings and prints.
Ruscha’s fascination with language, urban landscapes, and the American West informs his distinctive style.

Inside Jeff Koons’s Studio:
The documentary takes us behind the scenes into Jeff Koons’s studio. Koons, a controversial artist, creates large-scale sculptures and installations.
Koons’s exploration of kitsch, consumerism, and popular culture challenges traditional boundaries in art.

Art of America: What Lies Beneath provides an engaging glimpse into the diverse and dynamic world of American art.

The Souvenir (2019) 12.10am BBC2

“The Souvenir” (2019), directed by Joanna Hogg, is a film that defies easy categorization. It’s a slow-burn exploration of love, art, and identity, set against the backdrop of early 1980s London. Here are some key points:

The film follows Julie (played by newcomer Honor Swinton Byrne), a film student living in a posh flat in Knightsbridge. Her life takes an unexpected turn when she meets Anthony (portrayed by Tom Burke), a supercilious man who challenges her perceptions and insecurities.

“The Souvenir” doesn’t offer easy answers. Its absence of tonal readability is deliberate. Director Joanna Hogg conducts her drama in available light, creating an intimate, semi-dark atmosphere. The film is about the upper classes, but it’s not a glossy portrayal; it’s a social realist exploration of privilege.

The film creeps up on you, revealing its layers gradually. Honor Swinton Byrne’s performance is graceful and insouciant, while Tom Burke exudes understated arrogance. Their interactions are like a delicate dance, leaving lasting impressions.

“The Souvenir” presumes an intelligent and patient audience, rewarding them with a tender yet tragic story—a muted palette of emotions that lingers long after the credits roll.

Tuesday 5 March 2024

Klimt & The Kiss 8pm Sky Arts

“Klimt & The Kiss” weaves together stunning footage of the painting with insightful commentary. It invites us to question preconceptions, to peer beyond the golden surface.

Is the woman unconscious or blissful? Is the man’s embrace tender or domineering? The longer we look, the more layers we uncover.
In this shimmering journey through history, Klimt’s masterpiece ceases to be mere dorm room decor. It regains its depth, its mystery, and its power to provoke contemplation.

Mary & George 9pm Sky Atlantic

“Mary & George” is an enthralling period drama that weaves together ambition, intrigue, and treachery. Based on the remarkable true story of Mary Villiers, this eight-part series takes viewers on a captivating journey through the corridors of power in 17th-century England. Prepare for a captivating ride through courtly machinations, forbidden love, and the pursuit of power.
Whether you’re fascinated by historical intrigue or simply crave compelling storytelling, “Mary & George” delivers in spades.

Green Book (2018) 11.15pm BBC2

“Green Book” (2018), directed by Peter Farrelly, is a delightful and inspiring film that combines strong performances with a sharp screenplay. The film follows the true story of an unlikely friendship between two men: Tony Lip Vallelonga (played by Viggo Mortensen), an Italian-American bouncer, and Dr. Don Shirley (portrayed by Mahershala Ali), a talented African-American pianist. Set in the racially divided American South of 1962, their journey together reveals unexpected connections and challenges societal norms. Both Viggo Mortensen and Mahershala Ali shine in their roles. Mortensen brings humour and heart to Tony Lip, while Ali portrays Dr. Shirley with elegance and vulnerability. Their chemistry elevates the film. “Green Book” tackles race relations, friendship, and personal growth. It’s a road trip movie with substance, exploring deeper issues while maintaining an enjoyable surface. “Green Book” is a well-crafted blend of entertainment and thought-provoking storytelling—a reminder that genuine connections can bridge even the widest divides.

Wednesday 6 March 2024

Ladybird (2017) 12.25am BBC1

“Lady Bird” (2017), directed by Greta Gerwig, is a film bursting with warmth, wit, and melancholy. It manages to feel fresh and unexpected despite the overly stacked nature of the coming-of-age subgenre. The film follows 17-year-old Christine, self-proclaimed as Lady Bird (played by Saoirse Ronan), during her final year at a progressive Catholic high school. She yearns to shed the restraints of home and Sacramento, dreaming of escaping to the East Coast “where the culture is.” Her relationship with her mother, Marion (portrayed by Laurie Metcalf), is filled with push-pull dynamics, fear of the unknown, and begrudging expressions of affection. Greta Gerwig’s semi-autobiographical script infuses the film with authenticity. Lady Bird’s interactions with her crushes (played by Lucas Hedges and Timothee Chalamet) and her bubbly best friend, Julie (a true find in Beanie Feldstein), create a rich tapestry of characters. Gerwig’s solo directing debut balances indie dramedy sensibilities with mainstream appeal. The film’s polished style verges on hyperrealism, drawing viewers into Lady Bird’s world. In summary, “Lady Bird” is a wry, funny, and touchingly real coming-of-age story—a gem that resonates long after the credits roll.

Thursday 7 March 2024

Our Dirty War: The British State & The IRA 11.15pm BBC2

“Our Dirty War: The British State and the IRA” is a gripping documentary that delves into the shadowy world of covert conflict between Britain and the Irish Republican Army (IRA). This 29-minute program, part of the Spotlight series on BBC One Northern Ireland, sheds light on a chilling chapter in history.

Investigative journalist Peter Taylor leads us through the murky terrain of espionage, betrayal, and violence. At the heart of this narrative lies the enigmatic figure known as Stakeknife – a secret killer and super-spy. His actions reverberated through the Troubles, leaving victims in his wake. The documentary unearths chilling audio tapes and interviews with those who lived through the brutality of this covert war.

Smoke Sauna Sisterhood (2023) 11.15pm Film4

“Smoke Sauna Sisterhood” (2023), directed by Anna Hints, is a small miracle of a documentary. It invites us into a blissfully safe space—the tradition of the sauna in a smokehouse in the Estonian Võromaa region, certified by UNESCO as an “intangible cultural heritage of humanity.” Cinematographer Ants Tammik bathes the wooden building in a gentle, heavenly glow. The women, comfortably nude, tend to each other, whisking with branches and rubbing salt scrubs on their skin. They talk and listen, creating a sacred sharing that transcends societal pressures. The film captures quiet intimacy and profound beauty, allowing us to appreciate the human body. In this place, they are completely comfortable in their bodies, free from judgment. “Smoke Sauna Sisterhood” soothes and cleanses, leaving a lasting impact.

Friday 8 March 2024

Lily And Lolly: The Forgotten Yeats 8pm Sky Arts

Often overshadowed by their well-known literary genius brother, W.B. Yeats, and renowned painter Jack Butler Yeats, Lily and Lolly were forces to be reckoned with in their own right.
In 1902, alongside their friend Evelyn Gleeson, the sisters established the Dun Emer Guild in Dundrum, Dublin. Their mission? To create beautiful things while empowering Irish women economically and culturally.

The guild, uniquely, employed only women. Susan excelled in embroidery, Elizabeth managed the printing department (Dun Emer Press), and Evelyn oversaw tapestries and rugs.
When relations soured, Evelyn retained the Dun Emer name, but undeterred, Lily and Lolly founded Cuala Industries to continue their impactful work.

Sky Arts Director Phil Edgar-Jones aptly describes this documentary as a chance to right the wrongs of history and introduce their unique talents to new audiences. Prepare to be inspired by the indomitable spirit of Lily and Lolly – two women who shaped Irish culture against all odds.

Nomadland (2020) 9pm Film4

“Nomadland” (2020), directed by Chloé Zhao, is an utterly inspired docu-fictional hybrid. Zhao folds nonprofessionals into an imagined story built around a cheerful, resourceful, middle-aged woman played by Frances McDormand. The film explores the lives of America’s 60- and 70-something generation, forced into nomadic existence due to economic hardships. These modern nomads roam the country in camper vans, seeking seasonal work. McDormand’s quiet, self-effacing performance is one of her best. The film captures both hardship and serenity, revealing a unique American freedom. “Nomadland” is a gentle, compassionate portrait of outsider existence—a gem that resonates long after the credits roll.

Censor (2021) 11.10pm Film4

“Censor” (2021), directed by Prano Bailey-Bond, is a brilliantly adventurous horror debut. Set during the infamous “video nasties” scare of the early 80s, the film follows Enid (played by Niamh Algar), a film censor in mid-80s Britain. Enid spends her days watching, cutting, and classifying scenes of violence. However, her fascination with outre horror titles, particularly those of cult director Frederick North (Adrian Schiller), leads her down a dark and twisted path. The film masterfully blends nostalgia, trauma, and repression, all against the backdrop of illicit videotapes and media panics. With a sharp eye for period detail and irreverent nods to fan-boy culture, “Censor” is a timeless celebration of horror’s liberating nature.

And finally, at the theatre…

“An Enemy of the People” at the Duke of York’s Theatre is a radical and electrifying reimagining of Henrik Ibsen’s timeless corruption drama. Directed by Thomas Ostermeier, this production stars the superb Matt Smith as Thomas Stockmann – a doctor, new dad, and musician who becomes an idealist revolutionary. Here’s a glimpse of what to expect:

Set in the present day, the play follows Thomas Stockmann’s protest against small-town corporate corruption and the sale of contaminated spa water for public consumption.
As Stockmann delves into the rotten core of society, the audience becomes part of the drama in a Question Time-style symposium. We engage directly with the characters and their moral dilemmas.

Matt Smith delivers a slow-burn intensity, portraying Stockmann as a firebrand with a cause.Jessica Brown Findlay plays his wife, Katharina, and Paul Hilton portrays his town major brother, Peter.The milieu, with guitars, singalongs, and a sense of a 1960s commune, adds a unique flavor to the production.

“An Enemy of the People” at the Duke of York’s Theatre has been extended due to phenomenal demand! You now have the opportunity to catch this electrifying production until April 13, 2024. The runtime for the play is approximately 2 hours and 15 minutes, including 1 interval. Don’t miss out on this thought-provoking theatrical experience!

Picture Credits

The Third Man (1949)
Copyright 1949 Selznick Releasing Organization, Inc. Country of Origin U.S.A.” – Scan via Heritage Auctions. Cropped from the original image and lightly retouched to repair the torn upper-left corner., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85714336
The Quiller Memoradum (1966)
By source, Fair use, https://en.wikipedia.org/w/index.php?curid=18415138
Scott of the Antartic (1948)
By Ealing Studios – http://www.allstarpics.net/pictures/0645853/scott-of-the-antarctic-pics.html, Fair use, https://en.wikipedia.org/w/index.php?curid=40433406
Bob Dylan
By Alberto Cabello from Vitoria Gasteiz – Bob Dylan, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=11811170
Frankenstein
By J. Searle Dawley; original uploader ru:Участник:БережнойСергей at ru.wikipedia.org – (1910-03-15). “Frankenstein”. The Edison Kinetogram 2 (4). Orange, N.J.: Thomas A. Edison Inc.., Public Domain, https://commons.wikimedia.org/w/index.php?curid=5554488
Chrissie Hynde
By Harmony Gerber from Los Angeles | Orange County, USA – The Pretenders / Chrissie Hynde, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=26705494
Warhol – Campbell’s Soup
Fair use, https://en.wikipedia.org/w/index.php?curid=4268566e
The Kiss
By Gustav Klimt – Google Art Project, Public Domain, https://commons.wikimedia.org/w/index.php?curid=38827275
The Souvenir (2019)
By a24films.com, Fair use, https://en.wikipedia.org/w/index.php?curid=60021088
Green Book (2018)
By CineMaterial, Fair use, https://en.wikipedia.org/w/index.php?curid=59741016
IRA
By Television Française, Fair use, https://en.wikipedia.org/w/index.php?curid=10938460
By https://twitter.com/A24/status/903245118018162689, Fair use, https://en.wikipedia.org/w/index.php?curid=55096958
Smoke Sauna Sisterhood (2023)
By https://hiiumaa.ee/event/kultuurinadalavahetus-savvusanna-sosarad-2/, Fair use, https://en.wikipedia.org/w/index.php?curid=74650682
Lily Yeats
By John Butler Yeats – http://onlinecollection.nationalgallery.ie/objects/2047, Public Domain, https://commons.wikimedia.org/w/index.php?curid=101244077
Lolly Yeats
By John Butler Yeats – Sotheby´s, Public Domain, https://commons.wikimedia.org/w/index.php?curid=63071213
Nomadland (2020)
By Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=64969367
Censor (2021)
By Magnet Releasing – http://www.impawards.com/intl/uk/2021/posters/censor_xxlg.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=67704699

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Culture Vulture 24 February – 1 March 2024

Welcome to Culture Vulture, Your weekly guide to entertainment from an alternative standpoint. Let’s dive into the highlights for this week:

Animal Kingdom (2010): A gripping crime drama that delves into the dark underbelly of a Melbourne crime family. Expect tension, betrayal, and complex characters as they navigate loyalty and survival.
Dune (1984): Based on Frank Herbert’s iconic science fiction novel, this film adaptation takes you to a distant desert planet where noble families vie for control over a valuable resource called “melange” or “spice.” Intrigue, political manoeuvring, and epic battles await.
Darren McGarvey: The State We’re In: Join Scottish rapper and social commentator Darren McGarvey as he explores pressing issues affecting society. His candid and thought-provoking discussions shed light on topics ranging from poverty to mental health.

Saturday 24 February 2024

Quo Vadis, Aida? (2020) 11pm BBC4

“Quo Vadis, Aida?” is a harrowing and deeply impactful film that delves into the tragic events of the Srebrenica massacre during the Bosnian War. Through the eyes of Aida, a UN interpreter, the film exposes the failure of international peacekeeping forces and the horrific consequences of political inaction.

Director Jasmila Žbanić masterfully portrays the growing dread and chaos as Aida desperately tries to save her family while bearing witness to the unfolding catastrophe. The film’s title, a biblical allusion, evokes themes of exile and responsibility, as Aida surveys the sea of humanity seeking refuge at the UN camp.

The portrayal of General Ratko Mladić’s negotiations and the false sense of security he projects is chillingly juxtaposed with the reality of the situation. The film does not shy away from criticizing the UN and the international community for their inability to protect the innocent.

Cinematographer Christine A Maier captures the urgency and despair with a keen eye, while Jarosław Kamiński’s editing amplifies the tension. Jasna Đuričić delivers a powerful performance as Aida, whose face reflects the unimaginable horror and disbelief of the situation.

“Quo Vadis, Aida?” is a poignant reminder of the dire consequences of political failure and the enduring need for accountability and justice in the face of such atrocities.

Sunday 25 February 2024

Roman Holiday (1953) 4.35pm Film4

“Roman Holiday” is a timeless classic that captures the essence of a fairy tale romance set against the backdrop of Rome’s enchanting streets. The film, released in 1953, stars Audrey Hepburn as the sheltered Princess Ann who yearns for freedom from her royal duties and Gregory Peck as Joe Bradley, an American journalist looking for a scoop.

Hepburn’s performance is both endearing and captivating, earning her an Academy Award for Best Actress. Her chemistry with Peck is undeniable, as they embark on a series of adventures across the city. The film is a blend of comedy, romance, and drama, all beautifully shot on location in Rome.

Director William Wyler presents a story that is as much about self-discovery as it is about love. The film’s social commentary on class and duty is subtly woven through its narrative, making it a thought-provoking piece that still resonates today.

“Roman Holiday” remains a beloved film for its charm, wit, and the magical way it transports viewers to a place where anything seems possible—even a princess finding true love with an ordinary journalist. It’s a must-watch for anyone who believes in the power of love and the allure of new experiences.

Monday 26 February 2024

Sunshine Superman: The Story of Donovan 11.55pm Sky Arts

Donovan’s influence on the music scene is undeniable, with John Lennon once remarking, “Donovan is as important and influential as either Dylan or the Beatles…Listen: the man is a poet…” This documentary is a deep dive into Donovan’s artistic wonderment and a testament to his enduring legacy.

Minority Report (2002) 10.55pm Film4

“Minority Report,” directed by Steven Spielberg, is a thought-provoking science fiction thriller that delves into the complex interplay of social and political themes. Set in a near-future where a specialized police department called “Precrime” can predict and prevent crimes before they happen, the film raises profound questions about free will, determinism, and the ethics of preemptive justice.

The central narrative follows John Anderton, played by Tom Cruise, who finds himself accused of a future murder by the very system he believes in. As Anderton seeks to prove his innocence, the film explores the paradox of knowing one’s future: does it cement our destiny, or do we have the power to change it?

“Minority Report” also examines the societal implications of surveillance and privacy erosion in the digital age. The film’s depiction of personalized advertising and omnipresent monitoring eerily echoes today’s concerns about data collection and personal freedoms.

Moreover, the movie critiques the expansion of governmental powers in the name of security, a theme particularly resonant in the post-9/11 context. It questions the morality of convicting individuals for crimes they have not yet committed, highlighting the potential for abuse in such a system.

Spielberg’s film is not only an engaging mystery with futuristic thrills but also a deep meditation on the consequences of sacrificing civil liberties for the illusion of safety. It serves as a cautionary tale about the dangers of unchecked authority and the importance of upholding individual rights even in the face of fear and uncertainty.

Apostasy (2017) 11.15pm BBC2 11.55pm Sky Arts

“Apostasy” (2017) is a powerful and intimate portrayal of life within a community of Jehovah’s Witnesses. Directed by Daniel Kokotajlo, the film explores themes of faith, family, and the painful consequences of religious dogma. The story follows a mother and her two daughters as they navigate the challenges of their faith, including the practice of shunning and the prohibition of blood transfusions. Kokotajlo, who was raised as a Jehovah’s Witness, offers a nuanced and empathetic view of the community, avoiding sensationalism in favour of a more grounded and realistic depiction.

The film’s strength lies in its ability to humanize its characters, presenting their dilemmas with sensitivity and depth. The performances, particularly by Siobhan Finneran, are understated yet impactful, capturing the internal conflicts that arise when personal beliefs clash with institutional rules.

While “Apostasy” has been lauded for its authenticity and emotional resonance, some have criticized it for its potential to be seen as partisan, given its critical perspective on the practices of Jehovah’s Witnesses. Nonetheless, it remains an important film that sheds light on a typically insular world.

For those interested in a more detailed analysis, a longer review is available on the Counter Culture website. This review delves deeper into the film’s social and political themes, offering a comprehensive look at its significance and impact.

Olga (2021) 2.20am C4

“Olga” is a poignant film that intertwines the personal struggles of a young Ukrainian gymnast with the broader political upheaval of the 2014 Ukrainian revolution. Directed by Elie Grappe, the film is a compelling narrative that captures the turmoil and resilience of a nation through the lens of sports.

The protagonist, Olga, portrayed by real-life gymnast Anastasiia Budiashkina, is a rising star in the gymnastics world whose life is upended by the political crisis in Ukraine. As she trains in Switzerland, her heart remains with her homeland, torn apart by violence and political strife. The film’s use of documentary-style naturalism and archival footage from the Maidan protests adds a layer of authenticity to the storytelling, making Olga’s internal conflict more palpable.

While “Olga” has been praised for its timely and textured portrayal of a nation’s struggle for dignity and freedom, some critics have pointed out that the film could be seen as partisan. The focus on the Ukrainian perspective of the revolution and the subsequent Russian aggression might be interpreted as one-sided, especially considering the complex geopolitical landscape. However, this focus does not diminish the film’s artistic merit or its powerful depiction of a personal and national quest for identity and self-determination.

Tuesday 27 February 2024

Loving (2016) 11.15pm BBC2

“Loving” (2016) is a film directed by Jeff Nichols that chronicles the real-life story of Richard and Mildred Loving, an interracial couple who legally contested Virginia’s anti-miscegenation laws. The narrative focuses on their legal battle that culminated in the 1967 U.S. Supreme Court decision Loving v. Virginia, which invalidated state laws prohibiting interracial marriage.

Joel Edgerton and Ruth Negga star as the central couple, with Negga’s performance as Mildred Loving earning her a nomination for an Academy Award. The film adopts a subtle approach to storytelling, emphasizing the personal aspects of the Lovings’ experience rather than dramatic embellishments.

“Loving” contributes to historical discourse on race and civil rights, highlighting the personal dimensions of a landmark legal case. The film’s portrayal centres on the Loving’s’ commitment and legal challenge, offering a perspective on the societal and legal context of the 1960s.

Wednesday 28 February 2024

Animal Kingdom (2010) 1.40am Film4

“Animal Kingdom” (2010) is a gripping Australian crime drama that delves into the dark underbelly of a Melbourne crime family. Directed by David Michôd, the film is a stark portrayal of survival and power dynamics within a family entangled in criminal activities.

The story follows Joshua ‘J’ Cody, a teenager who, after the death of his mother, moves in with his estranged relatives, the Codys, a notorious crime family. As J navigates this dangerous new world, the film explores themes of loyalty, corruption, and the moral complexities of familial bonds.

The social commentary in “Animal Kingdom” is profound, presenting a family that operates with a survival-of-the-fittest mentality, mirroring animalistic behaviour in their ruthlessness and territorial disputes. Ethically, the film challenges the audience to consider the grey areas of morality in a world where the lines between right and wrong are blurred by necessity and survival.

Politically, the film touches on the corruption and collusion between criminals and corrupt police officers, highlighting the systemic issues that allow such environments to thrive. The ethical dilemmas faced by the characters reflect broader societal questions about justice and the consequences of a flawed system.

While the film has been praised for its intense performances and compelling narrative, it also invites criticism for its portrayal of violence and the potential glorification of criminal behaviour. However, these elements are integral to the film’s raw and realistic depiction of its themes.

“Animal Kingdom” is a powerful film that leaves a lasting impression, prompting reflection on the social, ethical, and political implications of crime and family loyalty.

Thursday 29 February 2024

Darren McGarvey: The State We’re In (one of three) 9pm BBC2

In the inaugural episode of “Darren McGarvey: The State We’re In”, the talented writer and rapper, Darren McGarvey, delves into the intricate web of the UK’s justice system. Through the eyes of those who inhabit and labour within it, he uncovers the system’s complexities and challenges.

Prospect (2018) 9pm Legend

“Prospect” (2018) is a unique blend of science fiction and Western genres that tells a compelling story of survival and greed on a remote alien planet. The film follows a teenage girl and her father as they embark on a dangerous mission to harvest rare gems, only to encounter treacherous fellow prospectors and the harsh realities of their extra terrestrial environment.

Socially, the film examines the lengths to which individuals will go to secure a better future in the face of economic hardship, highlighting the disparities between the haves and have-nots. Ethically, it raises questions about the exploitation of natural resources and the moral implications of colonialism, as humans invade and mine an alien world without regard for its ecosystem.

Politically, “Prospect” subtly critiques the capitalist drive that leads to such exploitation and the inevitable conflicts that arise from it. The characters’ interactions often reflect a negotiation of power, where life and death decisions hinge on the promise of wealth.

While the film has been praised for its world-building and character development, some critics have noted that the plot can sometimes lose momentum, potentially due to its ambitious scope. Despite this, “Prospect” remains a thought-provoking piece that uses its sci-fi setting to explore timeless human themes.

Friday 1 March 2024

Dune (1984) 11.15pm Film4

David Lynch’s “Dune” (1984) is a film that ambitiously attempted to bring Frank Herbert’s complex sci-fi universe to the big screen. While the film has been noted for its unique visual style and ambitious scope, it was also criticized for its convoluted narrative and lacklustre special effects. The performances, particularly by Kyle MacLachlan as Paul Atreides, were a highlight, with moments of expressionist panache1. However, the film struggled with pacing and clarity, leaving audiences and critics divided.

Denis Villeneuve’s “Dune” (2021) addressed many of these issues, offering a more accessible and visually stunning adaptation. By splitting the novel into two films, Villeneuve allowed for greater character development and a more in-depth exploration of the novel’s intricate world. The 2021 remake benefited from advanced special effects and a more focused narrative, making it a hit with both audiences and critics.

With “Dune 2” now out in cinemas, fans are eager to see the continuation of Villeneuve’s vision. The sequel is expected to build on the success of the first film, learning from past adaptations and delivering an even more immersive experience.

For those interested in the political themes of “Dune,” Counter Culture has an in-depth examination on its website, offering insights into the complex interplay of power, ecology, and destiny that are central to Herbert’s epic.

and finally, theatre, “Draining The Swamp”. “Draining the Swamp” is a provocative play that examines the life of Fascist leader Sir Oswald Mosley from the 1930s to the 1960s, linking his ideology to contemporary politics and ending with a chilling modern-day relevance. We reviewed this great production at the last Edinburgh Fringe. It’s now about to tour and we highly recommend you catch it if you can!

The tour opens at OSO Arts Centre in Barnes, West London 29 Feb – 2 March, then Beccles Public Hall and Theatre in Suffolk (near Norwich) Wed 6 March, Dorchester Arts Centre, Dorset on 7 March. Cornerstone Arts Centre, Didcot 17 April, Swindon Arts Centre 19 April, Oxford Playhouse 20 April, Brentwood theatre 24 April and The Stables, Hastings on 25 April

Subscribe to Culture Vulture on your preferred platform to stay informed about these captivating programs and discover more hidden gems!

Picture Credits

Quo Vadis, Aida?
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Roman Holiday
By Designer unknown. “Copyright 1953 by Paramount Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85944431
Donovan
By CBS Television – eBayfrontback, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29973436
Minority Report
The poster art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=4411352
Olga
Fair use.
Apostasy
By IMDB – https://www.imdb.com/title/tt4729896/, Fair use, https://en.wikipedia.org/w/index.php?curid=59633439
Olga
Loving
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50235576
Prospect
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=58544327
Animal Kingdom
The cover art can or could be obtained from IMP Awards or Madman Entertainment., Fair use, https://en.wikipedia.org/w/index.php?curid=26766673
Dune (1984)
The poster art can or could be obtained from Universal Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=47673027
Draining The Swamp
Photo by Pat Harrington. Used with permission.PostBlock

Culture Vulture 24 February – 1 March 2024

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2,490 words, 13 minutes read time.

Welcome to Culture Vulture, Your weekly guide to entertainment from an alternative standpoint. Let’s dive into the highlights for this week:

Animal Kingdom (2010): A gripping crime drama that delves into the dark underbelly of a Melbourne crime family. Expect tension, betrayal, and complex characters as they navigate loyalty and survival.
Dune (1984): Based on Frank Herbert’s iconic science fiction novel, this film adaptation takes you to a distant desert planet where noble families vie for control over a valuable resource called “melange” or “spice.” Intrigue, political manoeuvring, and epic battles await.
Darren McGarvey: The State We’re In: Join Scottish rapper and social commentator Darren McGarvey as he explores pressing issues affecting society. His candid and thought-provoking discussions shed light on topics ranging from poverty to mental health.

Saturday 24 February 2024

Quo Vadis, Aida? (2020) 11pm BBC4

“Quo Vadis, Aida?” is a harrowing and deeply impactful film that delves into the tragic events of the Srebrenica massacre during the Bosnian War. Through the eyes of Aida, a UN interpreter, the film exposes the failure of international peacekeeping forces and the horrific consequences of political inaction.

Director Jasmila Žbanić masterfully portrays the growing dread and chaos as Aida desperately tries to save her family while bearing witness to the unfolding catastrophe. The film’s title, a biblical allusion, evokes themes of exile and responsibility, as Aida surveys the sea of humanity seeking refuge at the UN camp.

The portrayal of General Ratko Mladić’s negotiations and the false sense of security he projects is chillingly juxtaposed with the reality of the situation. The film does not shy away from criticizing the UN and the international community for their inability to protect the innocent.

Cinematographer Christine A Maier captures the urgency and despair with a keen eye, while Jarosław Kamiński’s editing amplifies the tension. Jasna Đuričić delivers a powerful performance as Aida, whose face reflects the unimaginable horror and disbelief of the situation.

“Quo Vadis, Aida?” is a poignant reminder of the dire consequences of political failure and the enduring need for accountability and justice in the face of such atrocities.

Sunday 25 February 2024

Roman Holiday (1953) 4.35pm Film4

“Roman Holiday” is a timeless classic that captures the essence of a fairy tale romance set against the backdrop of Rome’s enchanting streets. The film, released in 1953, stars Audrey Hepburn as the sheltered Princess Ann who yearns for freedom from her royal duties and Gregory Peck as Joe Bradley, an American journalist looking for a scoop.

Hepburn’s performance is both endearing and captivating, earning her an Academy Award for Best Actress. Her chemistry with Peck is undeniable, as they embark on a series of adventures across the city. The film is a blend of comedy, romance, and drama, all beautifully shot on location in Rome.

Director William Wyler presents a story that is as much about self-discovery as it is about love. The film’s social commentary on class and duty is subtly woven through its narrative, making it a thought-provoking piece that still resonates today.

“Roman Holiday” remains a beloved film for its charm, wit, and the magical way it transports viewers to a place where anything seems possible—even a princess finding true love with an ordinary journalist. It’s a must-watch for anyone who believes in the power of love and the allure of new experiences.

Monday 26 February 2024

Sunshine Superman: The Story of Donovan 11.55pm Sky Arts

Donovan’s influence on the music scene is undeniable, with John Lennon once remarking, “Donovan is as important and influential as either Dylan or the Beatles…Listen: the man is a poet…” This documentary is a deep dive into Donovan’s artistic wonderment and a testament to his enduring legacy.

Minority Report (2002) 10.55pm Film4

“Minority Report,” directed by Steven Spielberg, is a thought-provoking science fiction thriller that delves into the complex interplay of social and political themes. Set in a near-future where a specialized police department called “Precrime” can predict and prevent crimes before they happen, the film raises profound questions about free will, determinism, and the ethics of preemptive justice.

The central narrative follows John Anderton, played by Tom Cruise, who finds himself accused of a future murder by the very system he believes in. As Anderton seeks to prove his innocence, the film explores the paradox of knowing one’s future: does it cement our destiny, or do we have the power to change it?

“Minority Report” also examines the societal implications of surveillance and privacy erosion in the digital age. The film’s depiction of personalized advertising and omnipresent monitoring eerily echoes today’s concerns about data collection and personal freedoms.

Moreover, the movie critiques the expansion of governmental powers in the name of security, a theme particularly resonant in the post-9/11 context. It questions the morality of convicting individuals for crimes they have not yet committed, highlighting the potential for abuse in such a system.

Spielberg’s film is not only an engaging mystery with futuristic thrills but also a deep meditation on the consequences of sacrificing civil liberties for the illusion of safety. It serves as a cautionary tale about the dangers of unchecked authority and the importance of upholding individual rights even in the face of fear and uncertainty.

Apostasy (2017) 11.15pm BBC2 11.55pm Sky Arts

“Apostasy” (2017) is a powerful and intimate portrayal of life within a community of Jehovah’s Witnesses. Directed by Daniel Kokotajlo, the film explores themes of faith, family, and the painful consequences of religious dogma. The story follows a mother and her two daughters as they navigate the challenges of their faith, including the practice of shunning and the prohibition of blood transfusions. Kokotajlo, who was raised as a Jehovah’s Witness, offers a nuanced and empathetic view of the community, avoiding sensationalism in favour of a more grounded and realistic depiction.

The film’s strength lies in its ability to humanize its characters, presenting their dilemmas with sensitivity and depth. The performances, particularly by Siobhan Finneran, are understated yet impactful, capturing the internal conflicts that arise when personal beliefs clash with institutional rules.

While “Apostasy” has been lauded for its authenticity and emotional resonance, some have criticized it for its potential to be seen as partisan, given its critical perspective on the practices of Jehovah’s Witnesses. Nonetheless, it remains an important film that sheds light on a typically insular world.

For those interested in a more detailed analysis, a longer review is available on the Counter Culture website. This review delves deeper into the film’s social and political themes, offering a comprehensive look at its significance and impact.

Olga (2021) 2.20am C4

“Olga” is a poignant film that intertwines the personal struggles of a young Ukrainian gymnast with the broader political upheaval of the 2014 Ukrainian revolution. Directed by Elie Grappe, the film is a compelling narrative that captures the turmoil and resilience of a nation through the lens of sports.

The protagonist, Olga, portrayed by real-life gymnast Anastasiia Budiashkina, is a rising star in the gymnastics world whose life is upended by the political crisis in Ukraine. As she trains in Switzerland, her heart remains with her homeland, torn apart by violence and political strife. The film’s use of documentary-style naturalism and archival footage from the Maidan protests adds a layer of authenticity to the storytelling, making Olga’s internal conflict more palpable.

While “Olga” has been praised for its timely and textured portrayal of a nation’s struggle for dignity and freedom, some critics have pointed out that the film could be seen as partisan. The focus on the Ukrainian perspective of the revolution and the subsequent Russian aggression might be interpreted as one-sided, especially considering the complex geopolitical landscape. However, this focus does not diminish the film’s artistic merit or its powerful depiction of a personal and national quest for identity and self-determination.

Tuesday 27 February 2024

Loving (2016) 11.15pm BBC2

“Loving” (2016) is a film directed by Jeff Nichols that chronicles the real-life story of Richard and Mildred Loving, an interracial couple who legally contested Virginia’s anti-miscegenation laws. The narrative focuses on their legal battle that culminated in the 1967 U.S. Supreme Court decision Loving v. Virginia, which invalidated state laws prohibiting interracial marriage.

Joel Edgerton and Ruth Negga star as the central couple, with Negga’s performance as Mildred Loving earning her a nomination for an Academy Award. The film adopts a subtle approach to storytelling, emphasizing the personal aspects of the Lovings’ experience rather than dramatic embellishments.

“Loving” contributes to historical discourse on race and civil rights, highlighting the personal dimensions of a landmark legal case. The film’s portrayal centres on the Loving’s’ commitment and legal challenge, offering a perspective on the societal and legal context of the 1960s.

Wednesday 28 February 2024

Animal Kingdom (2010) 1.40am Film4

“Animal Kingdom” (2010) is a gripping Australian crime drama that delves into the dark underbelly of a Melbourne crime family. Directed by David Michôd, the film is a stark portrayal of survival and power dynamics within a family entangled in criminal activities.

The story follows Joshua ‘J’ Cody, a teenager who, after the death of his mother, moves in with his estranged relatives, the Codys, a notorious crime family. As J navigates this dangerous new world, the film explores themes of loyalty, corruption, and the moral complexities of familial bonds.

The social commentary in “Animal Kingdom” is profound, presenting a family that operates with a survival-of-the-fittest mentality, mirroring animalistic behaviour in their ruthlessness and territorial disputes. Ethically, the film challenges the audience to consider the grey areas of morality in a world where the lines between right and wrong are blurred by necessity and survival.

Politically, the film touches on the corruption and collusion between criminals and corrupt police officers, highlighting the systemic issues that allow such environments to thrive. The ethical dilemmas faced by the characters reflect broader societal questions about justice and the consequences of a flawed system.

While the film has been praised for its intense performances and compelling narrative, it also invites criticism for its portrayal of violence and the potential glorification of criminal behaviour. However, these elements are integral to the film’s raw and realistic depiction of its themes.

“Animal Kingdom” is a powerful film that leaves a lasting impression, prompting reflection on the social, ethical, and political implications of crime and family loyalty.

Thursday 29 February 2024

Darren McGarvey: The State We’re In (one of three) 9pm BBC2

In the inaugural episode of “Darren McGarvey: The State We’re In”, the talented writer and rapper, Darren McGarvey, delves into the intricate web of the UK’s justice system. Through the eyes of those who inhabit and labour within it, he uncovers the system’s complexities and challenges.

Prospect (2018) 9pm Legend

“Prospect” (2018) is a unique blend of science fiction and Western genres that tells a compelling story of survival and greed on a remote alien planet. The film follows a teenage girl and her father as they embark on a dangerous mission to harvest rare gems, only to encounter treacherous fellow prospectors and the harsh realities of their extra terrestrial environment.

Socially, the film examines the lengths to which individuals will go to secure a better future in the face of economic hardship, highlighting the disparities between the haves and have-nots. Ethically, it raises questions about the exploitation of natural resources and the moral implications of colonialism, as humans invade and mine an alien world without regard for its ecosystem.

Politically, “Prospect” subtly critiques the capitalist drive that leads to such exploitation and the inevitable conflicts that arise from it. The characters’ interactions often reflect a negotiation of power, where life and death decisions hinge on the promise of wealth.

While the film has been praised for its world-building and character development, some critics have noted that the plot can sometimes lose momentum, potentially due to its ambitious scope. Despite this, “Prospect” remains a thought-provoking piece that uses its sci-fi setting to explore timeless human themes.

Friday 1 March 2024

Dune (1984) 11.15pm Film4

David Lynch’s “Dune” (1984) is a film that ambitiously attempted to bring Frank Herbert’s complex sci-fi universe to the big screen. While the film has been noted for its unique visual style and ambitious scope, it was also criticized for its convoluted narrative and lacklustre special effects. The performances, particularly by Kyle MacLachlan as Paul Atreides, were a highlight, with moments of expressionist panache1. However, the film struggled with pacing and clarity, leaving audiences and critics divided.

Denis Villeneuve’s “Dune” (2021) addressed many of these issues, offering a more accessible and visually stunning adaptation. By splitting the novel into two films, Villeneuve allowed for greater character development and a more in-depth exploration of the novel’s intricate world. The 2021 remake benefited from advanced special effects and a more focused narrative, making it a hit with both audiences and critics.

With “Dune 2” now out in cinemas, fans are eager to see the continuation of Villeneuve’s vision. The sequel is expected to build on the success of the first film, learning from past adaptations and delivering an even more immersive experience.

For those interested in the political themes of “Dune,” Counter Culture has an in-depth examination on its website, offering insights into the complex interplay of power, ecology, and destiny that are central to Herbert’s epic.

and finally, theatre, “Draining The Swamp”. “Draining the Swamp” is a provocative play that examines the life of Fascist leader Sir Oswald Mosley from the 1930s to the 1960s, linking his ideology to contemporary politics and ending with a chilling modern-day relevance. We reviewed this great production at the last Edinburgh Fringe. It’s now about to tour and we highly recommend you catch it if you can!

The tour opens at OSO Arts Centre in Barnes, West London 29 Feb – 2 March, then Beccles Public Hall and Theatre in Suffolk (near Norwich) Wed 6 March, Dorchester Arts Centre, Dorset on 7 March. Cornerstone Arts Centre, Didcot 17 April, Swindon Arts Centre 19 April, Oxford Playhouse 20 April, Brentwood theatre 24 April and The Stables, Hastings on 25 April

Subscribe to Culture Vulture on your preferred platform to stay informed about these captivating programs and discover more hidden gems!

Picture Credits

Quo Vadis, Aida?
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Roman Holiday
By Designer unknown. “Copyright 1953 by Paramount Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85944431
Donovan
By CBS Television – eBayfrontback, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29973436
Minority Report
The poster art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=4411352
Olga
Fair use.
Apostasy
By IMDB – https://www.imdb.com/title/tt4729896/, Fair use, https://en.wikipedia.org/w/index.php?curid=59633439
Olga
Loving
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50235576
Prospect
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=58544327
Animal Kingdom
The cover art can or could be obtained from IMP Awards or Madman Entertainment., Fair use, https://en.wikipedia.org/w/index.php?curid=26766673
Dune (1984)
The poster art can or could be obtained from Universal Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=47673027
Draining The Swamp
Photo by Pat Harrington. Used with permission.

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Culture Vulture (17-23 February 2024)

4,955 words, 26 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Highlights this week include: Concorde: The Race For Supersonic – a documentary film that explores the international competition to build the first supersonic airliner, Miners’ Strike: A Frontline Story – a documentary film that tells the story of the 1984 miners’ strike through the experiences of 15 men and women, and In The Loop (2009) – a political satire film that parodies the events leading up to the 2003 invasion of Iraq. Music is by Tim Bragg and selections and writing are by Pat Harrington.

Saturday 17 February 2024

Pete Doherty: Stranger In My Own Skin 9pm Sky Documentaries

“Peter Doherty: Stranger in My Own Skin” is an unflinching and intimate documentary that delves into the tumultuous life of British rock musician Pete Doherty. Directed by his wife, Katia DeVidas, the film offers a raw and candid portrayal of Doherty’s struggles with drug addiction during the height of his fame as the frontman of bands like The Libertines and Babyshambles.

The film unflinchingly captures Doherty’s battle with drug abuse. We witness brutally explicit scenes of his substance use, visits to rehab centers, and even the surgical application of implants to curb his body’s reaction to narcotics

While the documentary explores Doherty’s struggles, it notably avoids delving into personal relationships, including his marriage to DeVidas. The tragic case of Mark Blanco’s death, connected to a party attended by Doherty, remains unaddressed.

The Running Man (1988) 9pm Film4

“The Running Man,” directed by Paul Michael Glaser, thrusts viewers into a dystopian future where a deadly game show becomes a grotesque spectacle of violence and oppression. Beneath the glitz and glamour lies a malevolent compere who orchestrates this macabre theater.

The story revolves around Ben Richards, portrayed by Arnold Schwarzenegger, a wrongly convicted policeman. Richards becomes a contestant on the sadistic televised game show, “The Running Man.” Hosted by the charismatic yet sinister Damon Killian (played by Richard Dawson), the show pits desperate participants against a group of ruthless hunters. Their objective: survive or die. As Ben fights for his life, he unwittingly becomes a symbol of resistance against the oppressive regime.

“The Running Man” delves into the power of mass media to shape public perception. Damon Killian, as the compere, epitomizes the manipulation of truth for entertainment’s sake. His slick charm conceals a malevolence that feeds off suffering.

The film portrays a society where the government tightly controls information. Killian’s role as the compere reinforces the regime’s propaganda machinery. He perpetuates the illusion of choice while ensuring the game’s brutality.

Killian’s sadistic glee in orchestrating contestants’ deaths underscores society’s desensitization to violence. The audience cheers for bloodshed, numbed to the humanity lost in the process.

Arnold Schwarzenegger embodies the heroic underdog archetype as Ben Richards. His physical prowess and determination resonate with viewers.
Maria Conchita Alonso portrays Amber Mendez, a fellow rebel who aids Ben. Her defiance mirrors the spirit of resistance.
Richard Dawson steals scenes as Damon Killian. His smarmy demeanor and chilling enthusiasm make him a memorable antagonist.

The film’s production design juxtaposes opulence with decay, emphasizing the stark contrast between the privileged and the oppressed.
Harold Faltermeyer’s score heightens tension during chase sequences, underscoring the urgency of survival.

While “The Running Man” lacks the depth of some of Schwarzenegger’s other iconic films, its blend of intense action, social commentary, and Killian’s malevolence makes it a worthwhile watch for fans of dystopian sci-fi.

“The Running Man” serves as a cautionary tale, urging us to question the narratives fed to us, resist oppressive systems, and recognize the dangers of sacrificing humanity for entertainment.

Quadrophenia (1979) 12.20am BBC2

“Quadrophenia,” based on The Who’s rock opera album of the same name, immerses viewers in the gritty world of 1960s London Mods. Against the backdrop of scooters, amphetamines, and clashes with Rockers, the film weaves a tale of rebellion, identity, and societal pressures.

Plot Summary: The story follows Jimmy Cooper, portrayed by Phil Daniels, a disillusioned young Mod. Jimmy’s life revolves around parties, brawls, and the search for identity. His struggles mirror larger societal issues, including class struggles and generational shifts. Accompanied by his Mod friends Dave, Chalky, and Spider, Jimmy grapples with alienation and disillusionment.

Themes Explored:

Youth Rebellion:

“Quadrophenia” captures the restlessness of youth. Jimmy’s angst reflects the disenchanted spirit of a generation seeking meaning beyond societal norms. The film portrays the clash between tradition and rebellion.

Class Divide:

The Mod subculture becomes a microcosm of class tensions. Jimmy’s working-class background clashes with the aspirational lifestyle of the Mods. The Brighton riots symbolize the broader struggle for identity and social mobility.

Identity Fragmentation:

The film’s title, a play on “schizophrenia,” alludes to Jimmy’s four distinct personalities. His internal conflict mirrors the fractured nature of a society grappling with change.

Characterization:

Phil Daniels delivers a raw and authentic performance as Jimmy. His portrayal captures the frustration and yearning of a young man caught between conformity and rebellion.
The supporting cast, including Sting as the charismatic Ace Face and Leslie Ash as Steph, adds depth to the ensemble.

Visuals and Soundtrack:

Director Franc Roddam meticulously reconstructs 1960s London, grounding the film in accurate period details. The scooters, fashion, and music evoke nostalgia.
The soundtrack, featuring songs by The Who, underscores the film’s emotional beats. The iconic track “Love, Reign o’er Me” resonates with Jimmy’s inner turmoil.

Critiques:

Some critics found the primary plot—Jimmy’s alienation and eventual suicide—lacking forcefulness. The film’s attention to surface detail sometimes overshadowed emotional depth.
The scooter cliff scene, intended as a poignant moment, fell short for some viewers.

Legacy and Cultural Impact:

“Quadrophenia” ignited a substantial Mod revival in 1979, pushing the subculture into the mainstream. It became a touchstone for youth identity and rebellion.
The film’s exploration of political nostalgia resonated with audiences, bridging the gap between the original album and an evolving 1980s social imagination.

“Quadrophenia” remains a snapshot of a tumultuous era—a canvas where youth, music, and rebellion intersect. Its themes continue to reverberate, reminding us that identity is often a complex mosaic of conflicting desires and societal pressures.

Sunday 18 February 2024

Concorde: The Race For Supersonic 9pm Channel 4

In the annals of aviation history, the tale of the Concorde stands as one of unparalleled fascination—the world’s inaugural supersonic airliner. The documentary “Concorde: The Race for Supersonic” meticulously delves into the captivating narrative of genius, ambition, and international competition that gave rise to this iconic aircraft.

Set against the backdrop of the Cold War, the film immerses viewers in a high-stakes race for supersonic flight that transcended mere technological achievement. It evolved into a contest of national pride and strategic advantage, with the Soviet Union, the USA, and an Anglo-French coalition striving to create an aircraft that could defy the laws of physics and propel passengers beyond the speed of sound.

Central to this saga are the brilliant minds steering the Concorde project. Engineers, designers, and visionaries collaborated across borders, pushing the boundaries of aeronautics. The documentary showcases their unwavering pursuit of perfection, from the aerodynamic curves to the delta wings and the powerful Rolls-Royce engines. Their collective ingenuity birthed an engineering marvel that forever altered the landscape of air travel.

Yet, the story is not one of innovation alone. Cold War espionage adds an electrifying layer, as spies infiltrate laboratories, pilfer blueprints, and transmit secrets globally. The film unveils cloak-and-dagger operations, illustrating how national security intertwined with technological advancement, turning the Concorde project into a pawn in a geopolitical chess game.

Meticulously tracing the collaboration between Britain and France, the documentary explores the birth of Concorde within the Anglo-French alliance. However, skepticism loomed large, with critics questioning its feasibility, cost, and environmental impact. The film dissects this dilemma, revealing the delicate balance between ambition and practicality.

The unfolding narrative culminates in the maiden flight of Concorde—a moment frozen in time. The sleek supersonic bird soars above the clouds, leaving a sonic boom in its wake. Passengers revel in the curvature of the Earth, sipping champagne and traversing time zones at unprecedented speeds. Concorde emerges as a symbol of luxury, elegance, and progress.

Yet, the documentary doesn’t shy away from Concorde’s eventual fate. Despite its triumphs, the supersonic dream faced economic, environmental, and tragic challenges. The film invites reflection on Concorde’s legacy—a testament to human ambition, a relic of a bygone era, and a stark reminder that innovation often exacts a toll.

“Concorde: The Race for Supersonic” promises an engrossing exploration of the challenges, triumphs, and breakthroughs that defined the pursuit of supersonic flight. A must-watch for those intrigued by the untold stories behind the aviation industry’s most iconic achievements, the documentary invites viewers to fasten their seatbelts and embark on a thrilling journey through the sound barrier and into the skies of history.

FDR (one of three) 9pm Sky History

The three-part miniseries “FDR” unfolds as a masterful chronicle of the life of Franklin D. Roosevelt, the thirty-second President of the United States. Headlined by Christian McKay in the lead role, this documentary-drama seamlessly weaves together historical accuracy, stunning cinematography, and uncanny performances to present a captivating narrative.

At the heart of the series is McKay’s remarkable portrayal of FDR. His nuanced depiction skillfully captures the essence of a leader who guided America through tumultuous times, navigating the Great Depression, World War II, and beyond. McKay’s FDR emanates charisma, resilience, and an unwavering determination that defined an era.

The series draws its strength from dramatizations based on letters and diaries, providing an intimate glimpse into FDR’s personality. From his sociability and optimism to his strategic brilliance, the interactions with key figures like Eleanor Roosevelt (played by Alice Bounsall) and Winston Churchill (superbly portrayed by Adrian Galley) unveil the human side of this statesman.

As Hitler’s shadow looms over Europe, FDR faces the arduous task of preparing a reluctant nation for war. The attack on Pearl Harbor thrusts America into the vortex of the greatest conflict the world has ever seen. The series adeptly navigates these pivotal moments, showcasing FDR’s unwavering resolve and visionary leadership.

While the reenactments are sparing, the cinematography is nothing short of breathtaking. Each frame transports viewers to a bygone era—the Oval Office, wartime strategy rooms, and intimate conversations—all enhancing the storytelling and immersing the audience in history.

“FDR” boldly confronts the complexities of Roosevelt’s legacy, prompting viewers to ponder the sacrifices, the weight of leadership, and the profound impact on a nation. As the series unfolds, FDR’s triumphs and struggles serve as a poignant reminder that leadership is often forged in the crucible of adversity.

“FDR” transcends the conventional bounds of a documentary; it acts as a living time capsule. Whether you’re a devoted history buff or merely intrigued by the man who shaped modern America, this series delivers an immersive experience. So, settle in, let the sepia-toned past envelop you, and bear witness to the triumphs and trials of a truly remarkable leader.

Miners’ Strike: A Frontline Story 9pm BBC2

In the crucible of the 1984 miners’ strike, “Miners’ Strike: A Frontline Story” thrusts viewers onto the frontline alongside 15 men and women whose lives intersected with the seismic conflict that shook Britain—a battle not only for livelihoods but also for the soul of a generation.

Compelling testimony weaves together raw and unfiltered accounts from those who stood at the epicenter of the struggle. Ordinary miners, their families, and the communities most affected share stories that transcend historical narratives; they are visceral, life-changing experiences resonating with pain, determination, and unwavering solidarity.

The 1984 miners’ strike transcended a mere labor dispute; it became a battle for survival. The film vividly captures the human cost—the sacrifices, the clashes, and the resilience that defined this tumultuous period. Communities faced economic devastation, police brutality, and political polarization.

The documentary subtly underscores the emotional landscape with echoes of protest songs, the clanging of pickaxes, and the rallying cries of union leaders. The soundtrack becomes a powerful backdrop, mirroring the rhythm of defiance and hope throughout the struggles.

As the credits roll, viewers are left contemplating the enduring impact of the miners’ strike. Its echoes reverberate through time, reminding us of the fragility of justice and the indomitable spirit of those who fought. “Miners’ Strike: A Frontline Story” is a poignant and necessary exploration of a pivotal chapter in British history. It invites us to stand shoulder to shoulder with those who faced adversity head-on, their resilience etched into the very fabric of our collective memory.

In The Loop (2009) 12.20am BBC1

Armando Iannucci’s “In the Loop” arrives at a painfully opportune moment, capturing the spin and muddle of the British government during the run-up to the Iraq War. Adapted from characters first seen in the TV show “The Thick Of It,” this horribly brilliant comedy delves into a backstairs political world of anxiety, incompetence, and ruthless PR tactics.

The film’s narrative follows Jimmy Cooper, played by Phil Daniels, a disillusioned young Mod caught in the crossfire of political chaos. As the war drums beat, Jimmy’s journey mirrors Britain’s blundering path toward conflict, with the nastiest PR attack dogs and dodgiest dossiers coming into play, creating a satirical nightmare.

One of the prominent themes explored in the film is youth rebellion. Jimmy’s angst reflects a generation’s restlessness, and the clash between tradition and rebellion mirrors the broader societal struggle. The Mod subculture becomes a microcosm of class tensions, showcasing how Britain’s liberals were flattered and bullied into supporting America’s war. Additionally, Jimmy’s four personalities symbolize a fractured society grappling with change.

In terms of characterization, Phil Daniels portrays Jimmy with raw authenticity, effectively capturing the frustration of a young man torn between conformity and rebellion. Peter Capaldi shines as Malcolm Tucker, the ferocious Downing Street media director, whose psychotic need to intimidate with obscenity is both terrifying and hilarious.

The visuals and soundtrack play crucial roles in enhancing the film’s impact. Director Franc Roddam meticulously recreates 1960s London, evoking a sense of nostalgia. The soundtrack, featuring songs by The Who, adds emotional depth to the narrative.

A surprising addition to the cast is James Gandolfini, playing a career general suspicious of bellicose politicians. His face-off with Tucker is monumental, highlighting the film’s brilliance and adding depth to its exploration of power dynamics.

While “In the Loop” may not reach the heights of some war-themed films, it remains an uncommonly funny political satire. The film blends elements of “Dr. Strangelove” with “Spinal Tap,” offering biting humor and a cautionary tale about political subservience.

“In the Loop” reminds audiences that identity, politics, and power are a tangled web, skillfully weaving together themes of youth rebellion, class divide, and identity fragmentation in a way that resonates with both humor and insight.

Monday 19 February 2024

The Iron Lady (2011) 6.55pm Film 4

“The Iron Lady” (2011) directed by Phyllida Lloyd is a biographical drama that delves into the life of one of the most iconic political figures of the 20th century, Margaret Thatcher, portrayed by Meryl Streep. The film presents a nuanced exploration of Thatcher’s journey from her humble beginnings to becoming the first female Prime Minister of the United Kingdom.

Meryl Streep’s performance as Margaret Thatcher is nothing short of remarkable. She embodies the Iron Lady with precision, capturing both the steely determination and vulnerability that defined Thatcher’s character. Streep’s portrayal earned her an Academy Award for Best Actress, and rightfully so. Her ability to convey the complexities of Thatcher’s personality, from the resolute political leader to the aging woman grappling with dementia, is a testament to her unparalleled acting prowess.

The narrative structure of “The Iron Lady” is unconventional, employing a series of flashbacks as Thatcher reflects on her life. While this approach adds depth to the character, it occasionally disrupts the film’s pacing, making it feel disjointed at times. However, the film successfully navigates the tumultuous political landscape of Thatcher’s era, offering insights into her controversial policies and their impact on the UK.

The supporting cast, including Jim Broadbent as Denis Thatcher, provides a solid backdrop to Streep’s performance. Broadbent brings warmth and charm to his role as Thatcher’s husband, contributing to the film’s portrayal of the personal side of a public figure.

Visually, the film is well-crafted, with meticulous attention to period details that transport the audience back to the Thatcher era. The makeup and costume departments deserve commendation for their work in transforming Streep into the various stages of Thatcher’s life.

While “The Iron Lady” has been criticized for its somewhat sympathetic portrayal of Thatcher, it does not shy away from depicting the controversies surrounding her policies, such as the divisive nature of her economic reforms and the impact on the working class. The film raises important questions about the price of political leadership and the personal sacrifices made by those in power.

“The Iron Lady” stands out as a biographical drama primarily due to Meryl Streep’s exceptional performance. Despite occasional pacing issues and a non-linear narrative, the film succeeds in offering a captivating glimpse into the life of Margaret Thatcher, a woman whose legacy continues to shape political discourse. Whether one agrees with her politics or not, “The Iron Lady” provides a thought-provoking exploration of leadership, gender, and the complexities of a political career.

Tuesday 20 February 2024

Storyville: Total Trust: Surveillance State 10pm BBC4

In the gripping documentary “Total Trust: Surveillance State,” director Zhang Jialing skillfully peels back the layers of China’s formidable surveillance apparatus, presenting a stark portrayal of the human lives ensnared in its web. Premiered at CPH:DOX, the film takes a person-centered approach, focusing on the experiences of three human rights advocates navigating the labyrinth of extreme surveillance.

The documentary unveils a modern-day dystopia against the backdrop of Beijing’s neon skyline, a mesmerizing display of futuristic architecture and Blade Runner-esque video billboards. China’s technological prowess is on full display, but instead of a 20th-century security state, it reveals a digital panopticon fueled by cutting-edge surveillance technology, echoing George Orwell’s haunting vision.

Through intimate portraits, the film introduces Tutu, a pre-teen whose lawyer father vanished after representing dispossessed homeowners. Tutu and his mother, Chen Zijuan, willingly sacrifice their social credit to campaign for his release. Their agonizing journey, marked by turning off phones and driving overnight to attend a hearing, lays bare the personal toll exacted by the state’s control.

Lawyer Wang Quanzhang and his family face a relentless siege, both physical and moral. Masked strangers obstruct Wang from speaking at foreign embassies, while Zijuan endures the taunts of neighbors branding her “a disgrace.” In this environment, trust flows only in one direction, upward, leaving dissenting voices vulnerable to relentless pressure.

China’s social credit system emerges as a powerful tool, capable of wielding immense influence. Public acts labeled as “extravagance” or “petitioning a higher authority” can tip the scales dramatically. Trust, portrayed as a currency, is shown to be precarious, and the film unflinchingly exposes the dire consequences of dissent.

“Total Trust” serves as a chilling reminder that surveillance transcends mere data; it is about lives disrupted, families torn apart, and voices silenced. Zhang Jialing’s lens pierces through the facade, laying bare the human cost of an all-seeing regime. As viewers bear witness to these gripping narratives, they are compelled to grapple with their own trust in systems wielding such pervasive power. The documentary challenges us to reflect on the profound implications of living in a surveillance state where trust is a fragile commodity, and the stakes extend far beyond the realm of data.

If Beale Street Could Talk (2018) 11.15pm BBC2

“If Beale Street Could Talk” (2018), directed by Barry Jenkins, is a poignant and visually stunning adaptation of James Baldwin’s novel. At its core, the film is a love story, but it is also a powerful exploration of social and political themes that resonate profoundly, particularly in the context of systemic racism and the criminal justice system.

Set against the backdrop of 1970s Harlem, the film follows the love between Tish Rivers (played by KiKi Layne) and Fonny Hunt (played by Stephan James). Their journey takes a tragic turn when Fonny is falsely accused of a crime he did not commit, highlighting the deep-seated racial injustices prevalent in American society.

The social and political commentary in “If Beale Street Could Talk” is subtle yet piercing. The film portrays the harsh realities of systemic racism, illustrating how African American individuals, particularly men, are often unfairly targeted and victimized by a justice system that is meant to protect all citizens. Fonny’s wrongful arrest and imprisonment serve as a stark reminder of the racial biases embedded within the legal system.

The narrative also explores the impact of systemic racism on familial and community relationships. Tish’s family rallies around her and Fonny, facing not only the emotional toll of the situation but also the financial strain and social stigma associated with their fight for justice. The film underscores the resilience of black families in the face of adversity and the strength derived from communal support.

Barry Jenkins employs his signature visual style to evoke the atmosphere of 1970s Harlem, capturing both the vibrancy of the community and the shadows cast by racial injustice. The cinematography, accompanied by Nicholas Britell’s evocative score, creates a sensory experience that enhances the emotional impact of the narrative.

The love story between Tish and Fonny serves as a microcosm for the broader challenges faced by African American communities. Their love becomes a defiant act against a society that seeks to tear them apart, and their struggle for justice becomes emblematic of the broader fight against racial inequality.

“If Beale Street Could Talk” is a masterfully crafted film that transcends its love story foundation to deliver a poignant commentary on social and political issues. Barry Jenkins skillfully brings James Baldwin’s exploration of racial injustice to life, creating a film that resonates with relevance in the ongoing conversation about systemic racism in America. Through its nuanced storytelling and compelling characters, the film invites viewers to reflect on the enduring impact of racial inequality and the resilience of love and community in the face of injustice.

Wednesday 21 February 2024

Official Secrets (2019) 11.20pm BBC1

“Official Secrets” directed by Gavin Hood, is a gripping and thought-provoking political thriller that unfolds a true story of courage and conscience in the face of government deceit. The film is anchored by Keira Knightley’s compelling performance as Katharine Gun, a British intelligence translator who risks everything to expose a covert operation leading up to the Iraq War.

The narrative skillfully navigates the moral complexities of Gun’s decision to leak classified information that reveals a plan to manipulate the United Nations in favor of the invasion of Iraq. As the story unfolds, it sheds light on the ethical dilemmas faced by individuals within the intelligence community, grappling with their loyalty to their country and the responsibility to reveal uncomfortable truths.

“Official Secrets” effectively captures the tension and urgency of its subject matter, creating a sense of unease as it explores the consequences of whistleblowing. The film doesn’t shy away from questioning the motives behind the Iraq War and the political machinery that led to it, offering a timely reflection on the consequences of unchecked power.

Supported by a strong ensemble cast, including Matt Smith and Ralph Fiennes, the performances enhance the film’s impact, bringing depth to the characters involved in the unfolding drama. The script intelligently weaves together the legal, political, and personal dimensions of the story, keeping the audience engaged throughout.

Visually, the film adopts a no-frills approach, focusing on authenticity and realism to convey the gravity of the events. The subdued color palette and cinematography contribute to the film’s serious tone, emphasizing the gravity of the information at the center of the narrative.

“Official Secrets” succeeds in delivering a compelling narrative that not only entertains but also prompts reflection on the moral complexities of government actions and the importance of transparency in a democracy. It stands as a relevant and engaging exploration of the sacrifices made by those who choose to challenge the status quo for the sake of truth and justice.

Thursday 22 February 2024

The Rise and Rise of the Microchip: Chips with Everything 4pm RADIO 4

Broadcaster and writer Misha Glenny tells the story of the microchip’s Cold War past, corporate present and quantum future.

Friday 23 February 2024

Prince Night on BBC Four: A Purple Celebration of Musical Genius

On Friday, February 23, 2024, BBC Four invites viewers to immerse themselves in the electrifying world of Prince Rogers Nelson, the enigmatic artist who defied genres, norms, and expectations. This special night pays homage to the iconic musician, showcasing his unparalleled talent, boundary-pushing creativity, and indelible impact on the music industry.

The Lineup

  1. “Prince and The Revolution: Live” (1985)
    At 9:00 PM, the evening kicks off with the historic “Prince and The Revolution: Live” concert from the Syracuse Carrier Dome during Prince’s 1985 Purple Rain tour. This Grammy-nominated concert film has been entirely remixed, remastered, and visually enhanced. Get ready to witness Prince’s electrifying stage presence and timeless hits.
  2. “Prince: A Purple Reign” (Documentary)
    Following the concert, at 10:20 PM, delve deeper into the enigma that was Prince. This documentary unravels the layers of his persona—the mysterious symbol, the Paisley Park compound, and the elusive interviews. Interviews with collaborators, friends, and fans provide insights into the man behind the music.
  3. “Purple Rain: The Musical”
    And finally, at 11:20 PM, prepare for a theatrical treat with “Purple Rain: The Musical”. This stage adaptation brings Prince’s iconic film to life, capturing the raw emotion, passion, and musical genius that made “Purple Rain” a cultural phenomenon. Let the music, the drama, and the purple magic wash over you.

Why Prince Matters

Prince wasn’t just a musician; he was a force of nature. His genre-blending sound fused funk, rock, R&B, and psychedelia. His lyrics explored love, spirituality, and societal critique. His fashion—ruffles, high heels, and purple everything—was a statement of defiance. And his guitar solos? Pure magic.

Prince challenged conventions, championed individuality, and blurred the lines between masculine and feminine. His music transcended time, touching hearts across generations. Whether you’re a lifelong fan or a newcomer, Prince’s legacy invites you to dance, dream, and embrace your own purple reign.

So, mark your calendars, set your DVRs, and join BBC Four for a night of musical royalty. Let’s celebrate the man who taught us that life is just a party, and parties weren’t meant to last.

Beast (2017) 11.05pm Film4

“Beast” (2017), directed by Michael Pearce, is a dark and atmospheric psychological thriller that skillfully weaves a tale of mystery, passion, and societal expectations. Set against the backdrop of the rugged landscapes of Jersey, the film explores the complexities of love and identity, all while keeping the audience on the edge of their seats.

Jessie Buckley delivers a standout performance as Moll, a troubled young woman living in a small community where societal expectations and family dynamics suffocate her. The film navigates Moll’s journey as she becomes entangled with Pascal (Johnny Flynn), a mysterious and potentially dangerous outsider. The chemistry between Buckley and Flynn is palpable, adding layers of intensity and ambiguity to their relationship.

The narrative unfolds like a psychological puzzle, slowly revealing the disturbing undercurrents beneath the seemingly tranquil island setting. As a series of murders shocks the community, suspicions and tensions rise, placing Moll at the center of the storm. Pearce masterfully builds suspense, keeping the audience guessing about the true nature of the characters and the unfolding events.

“Beast” stands out not only for its gripping plot but also for its exploration of societal norms and the constraints placed on individuals, especially women, in conservative communities. The film delves into themes of rebellion and self-discovery, as Moll grapples with the expectations imposed by her family and society, ultimately seeking liberation in unexpected and dangerous ways.

The cinematography by Benjamin Kracun captures the stark beauty of the island while creating an atmospheric backdrop that enhances the film’s tension. The use of muted colors and natural lighting contributes to the film’s eerie and unsettling atmosphere.

The supporting cast, including Geraldine James and Trystan Gravelle, adds depth to the story, portraying characters with their own secrets and motivations. The film’s pacing is deliberate, allowing the tension to build gradually, and the script is filled with subtle nuances that add complexity to the characters and their relationships.

In conclusion, “Beast” is a compelling and atmospheric thriller that goes beyond genre conventions. Michael Pearce’s directorial debut is a mesmerizing exploration of the human psyche, societal expectations, and the thin line between passion and danger. Anchored by strong performances and a hauntingly beautiful setting, “Beast” is a film that lingers in the mind, leaving the audience with thought-provoking questions about love, identity, and the untamed aspects of the human spirit.

Picture Credits

Pete Doherty: Stranger In My Own Skin
By Thesupermat – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=22893792
The Running Man (1988)
By http://www.impawards.com/1987/running_man.html, Fair use, https://en.wikipedia.org/w/index.php?curid=34215915
Quadrophenia (1979)
Fair use, https://en.wikipedia.org/w/index.php?curid=1602134
Concorde: The Race For Supersonic
By Plismo – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6797020
FDR
By Photograph: Leon PerskieScan: FDR Presidential Library & Museum – CT 09-109(1), CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=71911951
Miners’ Strike: A Frontline Story
By Simon Speed – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=25700566
In The Loop (2009)
By Empire, Fair use, https://en.wikipedia.org/w/index.php?curid=21919298
The Iron Lady (2011)
By http://www.impawards.com/2011/iron_lady.html, Fair use, https://en.wikipedia.org/w/index.php?curid=33178750
Storyville: Total Trust: Surveillance State
If Beale Street Could Talk (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59422414
Official Secrets (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61461649
Prince
By Allen Beaulieu; Distributed by Warner Bros. Records. – Worthpoint, archive, Hi-Res, Public Domain, https://commons.wikimedia.org/w/index.php?curid=133480049
Beast (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=57163657

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Culture Vulture (3rd to the 9th of February 2024)

564 words, 3 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. Highlights this week include: 2016 film, The Lost City Of Z, Shadow Commander: Iran’s Military Mastermind, and 2021 film Rebel Dykes.

Saturday 3rd of February 2024

Genius: MLK/X (one of eight) 9pm National Geographic

“Genius: MLK/X” is a limited series on National Geographic that follows the lives and legacies of Martin Luther King Jr. and Malcolm X, two of the most influential civil rights leaders in American history. The series explores their personal and political journeys, from their formative years to their rise as icons of a movement that changed the nation. The series also examines their complex and sometimes conflicting views on race, religion, violence, and justice. The series stars Hamilton Hodell as Martin Luther King Jr., Aaron Pierre as Malcolm X, Cynthia Erivo as Coretta Scott King, and Ron Cephas Jones as Elijah Muhammad. The series is created by Suzan-Lori Parks and executive produced by Brian Grazer and Ron Howard.

The Lost City Of Z (2016) 9pm GREAT!Movies

“The Lost City of Z” (2016) is a captivating adventure film directed by James Gray, based on David Grann’s non-fiction book of the same name. The movie follows the true story of British explorer Percy Fawcett, played brilliantly by Charlie Hunnam, as he embarks on a series of expeditions into the Amazon rainforest in the early 20th century in search of a mythical ancient city.

The film is a visual and emotional triumph, with lush cinematography that captures the untamed beauty of the Amazon and the challenges faced by Fawcett and his team. The performances, particularly by Hunnam and Robert Pattinson as Fawcett’s loyal companion, are commendable, bringing depth and nuance to their characters.

What sets “The Lost City of Z” apart is its exploration of obsession, ambition, and the clash between Western colonialism and indigenous cultures. It delves into the complexities of Fawcett’s motivations and the toll his quests take on his personal life. The narrative unfolds with a measured pace, allowing the audience to immerse themselves in the mystery and danger of the uncharted jungle.

The film succeeds in creating an atmospheric and haunting experience, blending historical drama with elements of mysticism. It prompts viewers to contemplate the allure of the unknown and the sacrifices made in the pursuit of discovery. “The Lost City of Z” is a thought-provoking and visually stunning cinematic journey that stays with you long after the credits roll.

Sunday 4th of February 2024

In Search of Dracula With Mark Gatiss 10.15pm BBC4

“In Search of Dracula With Mark Gatiss” is a documentary film that aired on BBC Two in January 2020. It is hosted by Mark Gatiss, the executive producer and co-writer of the 2020 Dracula series on BBC One. The film explores the history and evolution of the iconic vampire character, from the original novel by Bram Stoker to the various adaptations on screen. The film features interviews with actors, film experts, and historians, as well as visits to locations such as Orava Castle in Slovakia, the London Library, and Philadelphia.

Monday 5th of February 2024

Shadow Commander: Iran’s Military Mastermind 10pm BBC4

Shadow Commander: Iran’s Military Mastermind is a one-hour documentary film that aired on BBC Two in March 2019. It tells the extraordinary story of General Qassem Suleimani, the leader of Iran’s elite Quds Force, who was killed by a US drone strike in January 2020. The film features first-hand accounts of his secret deals and shifting alliances across Syria, Iraq and Lebanon, as well as his role in the fight against ISIS and the rivalry with Saudi Arabia. The film is reported by Jane Corbin and directed by Sasha Joelle Achilli

Vice (2018) 11.15pm BBC2

“Vice” (2018), directed by Adam McKay, is a bold and satirical exploration of the life and political career of Dick Cheney, the enigmatic Vice President to George W. Bush. Christian Bale delivers an astonishing transformation into Cheney, capturing not only his physical likeness but also embodying the complex personality of this influential and controversial figure.

The film uses an unconventional narrative style, blending dark humor, clever editing, and fourth-wall-breaking moments to dissect Cheney’s rise to power and his impact on American politics. Amy Adams is equally compelling in her role as Lynne Cheney, portraying the formidable and politically savvy wife who plays a crucial role in her husband’s ascent.

“Vice” doesn’t shy away from presenting Cheney’s political maneuvering and the consequential decisions that shaped the nation, including the Iraq War and the expansion of executive power. The film raises thought-provoking questions about the balance between political ambition and ethical considerations.

While some may find the film’s style and tone divisive, it undeniably offers a unique and entertaining take on recent political history. “Vice” is a sharp and incisive critique of power dynamics, leaving audiences both amused and contemplative about the influence wielded by those in the shadows of political leadership.

Tuesday 6th of February 2024

Stronger (2017) 12.10am BBC2

“Stronger” (2017) is a powerful and emotionally resonant film directed by David Gordon Green, based on the memoir of Jeff Bauman, a survivor of the Boston Marathon bombing. Jake Gyllenhaal delivers a compelling performance as Bauman, capturing the physical and emotional challenges he faces in the aftermath of the tragic event.

The film skillfully explores the personal journey of Jeff Bauman, who becomes a symbol of resilience and strength. Gyllenhaal portrays the complexities of Bauman’s character with sensitivity, portraying his struggles, triumphs, and the impact on his relationships, particularly with his girlfriend Erin, played by Tatiana Maslany.

“Stronger” goes beyond the typical inspirational narrative, delving into the psychological and physical toll of trauma. The film does not shy away from portraying the difficulties Bauman faces as he copes with his injuries and the expectations placed upon him as a symbol of hope.

The supporting cast, including Miranda Richardson as Jeff’s mother, adds depth to the storytelling, highlighting the importance of the support system in one’s recovery. The film successfully balances moments of heart-wrenching drama with touches of humor, making it a well-rounded and authentic portrayal of the human spirit’s capacity to overcome adversity.

In addition to its compelling performances, “Stronger” is notable for its respectful handling of the real-life events and its emphasis on the personal growth and transformation of its central character. It is a moving and thought-provoking film that celebrates the resilience of the human spirit in the face of unimaginable challenges.

Rebel Dykes (2021) 2.20am Channel 4

Rebel Dykes (2021) is a documentary film that explores the lesbian scene in London during the 1980s and 1990s, when punk met feminism. The film features interviews with some of the women who were part of this subculture, as well as archival footage and animation. Rebel Dykes celebrates the sex-positive, radical, and diverse aspects of lesbian and feminist identity and activism at that time. The film is directed by Siân A. Williams and Harri Shanahan, and has won one award and received three nominations.

Wednesday 7th of February 2024

Shame (2011) 11.50pm Film4

“Shame” (2011), directed by Steve McQueen and starring Michael Fassbender and Carey Mulligan, is a haunting exploration of addiction and the corrosive effects of shame. The film delves into the life of Brandon Sullivan (Fassbender), a New Yorker grappling with a compulsive and destructive addiction to sex.

The cinematography in “Shame” is striking, with McQueen’s meticulous framing and long takes adding to the film’s intensity. Fassbender’s performance is nothing short of extraordinary, capturing the internal torment of a man caught in a cycle of self-destructive behavior. Mulligan, in her role as Brandon’s troubled sister, adds a layer of complexity to the narrative.

The film doesn’t rely on explicit scenes for shock value but rather focuses on the emotional and psychological toll of addiction. The screenplay, co-written by McQueen and Abi Morgan, is spare yet powerful, allowing the characters’ actions and reactions to speak volumes.

“Shame” is a raw and unflinching portrayal of a deeply troubled individual, examining the impact of addiction on relationships, intimacy, and self-worth. It’s a challenging watch, but the film’s unapologetic approach makes it a thought-provoking exploration of human vulnerability and the search for connection in the face of personal demons.

Hunger (2008) 1.55am Film4

“Hunger” (2008), directed by Steve McQueen, is a visceral and intense portrayal of the 1981 Irish hunger strike led by Bobby Sands (played by Michael Fassbender) in the Maze Prison. The film marks McQueen’s directorial debut and is known for its unflinching depiction of the brutality faced by political prisoners during this historical event.

The cinematography is a standout aspect of “Hunger,” with McQueen and cinematographer Sean Bobbitt employing long takes and visually arresting compositions. The film’s deliberate pacing allows viewers to absorb the harsh realities of life in the Maze Prison and the profound commitment of the hunger strikers to their cause.

Michael Fassbender delivers a riveting performance as Bobby Sands, capturing the physical and emotional toll of the hunger strike. The second half of the film, featuring a strikingly extended dialogue scene between Sands and a Catholic priest played by Liam Cunningham, is particularly noteworthy for its emotional depth and intensity.

“Hunger” is a challenging yet powerful cinematic experience that goes beyond a traditional political drama. It delves into the human cost of political resistance, the resilience of the human spirit, and the ethical complexities surrounding the use of extreme measures for a cause. The film received critical acclaim for its uncompromising approach and its ability to provoke contemplation on broader themes of sacrifice, resistance, and the consequences of political conflict.

Thursday 8th of February 2024

Miner’s Strike 1984: The Battle for Britain (third of three) 9pm Channel 4

The third episode of “Miner’s Strike 1984: The Battle for Britain” is titled Power. It tells the story of how businessman David Hart helped Thatcher’s government finally defeat the strike by waging a war of propaganda and exploiting splits among Nottinghamshire miners. The episode features interviews with Hart himself, former cabinet ministers, union leaders, and striking and working miners. The episode also reveals how Hart secretly funded a breakaway union called the Union of Democratic Mineworkers, which opposed the strike and undermined the NUM’s authority. The episode shows how the strike ended in March 1985, with the miners returning to work without any concessions from the government or the NCB. The episode concludes with the long-term consequences of the strike, such as the decline of the coal industry, the rise of neoliberalism, and the legacy of bitterness and division among the mining communities.

Starship Troopers (1997) 11.05pm ITV4

“Starship Troopers”, directed by Paul Verhoeven, is a sci-fi action film that cleverly incorporates political satire and dark humor, making it a unique and subversive take on the military genre. Set in a futuristic society, the film follows Johnny Rico (played by Casper Van Dien) and his fellow soldiers as they battle against an insectoid alien species.

Verhoeven’s satirical approach to the source material, Robert A. Heinlein’s novel of the same name, is evident throughout the film. The director uses exaggerated patriotism, propaganda, and militaristic imagery to critique and lampoon fascist and jingoistic ideologies. The recruitment advertisements and newsreel-style segments serve as biting commentary on the glorification of war and blind nationalism.

The dark humor in “Starship Troopers” adds an extra layer to the satire. Verhoeven balances intense action sequences with moments of absurdity and irony, creating a tone that invites viewers to question the underlying messages being presented. The film doesn’t take itself too seriously, using humor as a tool to expose the absurdities of war and authoritarianism.

While the film was initially misunderstood by some as a straightforward action flick, its subversive elements have gained recognition over time. “Starship Troopers” stands out as a thought-provoking and entertaining example of how satire and dark humor can be effectively woven into the fabric of a genre film, challenging conventional narratives and prompting audiences to reflect on the implications of blind allegiance to authority.

Friday 9th of February 2024

Captain Tom: What Happened Next 10pm Channel 5

“Captain Tom: What Happened Next” is a documentary film that aired on Channel 5 in November 2023. It investigates the controversy surrounding the financial handling of Captain Sir Tom Moore’s charitable efforts during the Covid-19 pandemic. The film reveals how some of the money raised by the national hero and his family was used for personal gain, such as a book deal and an unauthorised spa complex. The film also examines the impact of these allegations on Captain Tom’s legacy and reputation. The film is reported by Jane Corbin and directed by Sasha Joelle Achilli.

Picture Credits

The Lost City Of Z (2016)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=53071915

Vice (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59040750

Stronger (2017)
By https://www.imdb.com/title/tt3881784/, Fair use, https://en.wikipedia.org/w/index.php?curid=53627342

Rebel Dykes (2021)

Shame (2011)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=33331542

Hunger (2008)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=17719145

Starship Troopers (1997)
By http://www.impawards.com/1997/starship_troopers_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1070214

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Culture Vulture (27th January to 2nd February 2024)

3,054 words, 16 minutes read time.

Welcome to Culture Vulture your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is by Tim Bragg. Highlights this week include, Blitzed: The 80s Blitz Kids’ Story, the second part of Miners’ Strike 1984: The Battle For Britain and, Storyville: Beyond Utopia: Escape From North Korea.

Saturday, 27th of January 2024

The Straight Story (1999) 4.30pm Film4

“The Straight Story” (1999) is a heartwarming and contemplative film directed by David Lynch. Unlike Lynch’s more surreal and enigmatic works, this film tells a simple yet profound story based on true events. Richard Farnsworth delivers a remarkable performance as Alvin Straight, an elderly man who embarks on a journey across the Midwest on a lawnmower to reconcile with his estranged brother.

The film’s beauty lies in its simplicity and sincerity. Lynch trades in his trademark surrealism for a straightforward narrative that explores themes of family, forgiveness, and the passage of time. The cinematography captures the vast landscapes of rural America, providing a stunning backdrop to Alvin’s odyssey. The pace is deliberately slow, allowing the audience to savor the nuances of the characters and the profound moments of introspection.

Farnsworth’s portrayal of Alvin is poignant and authentic, drawing viewers into the emotional core of the story. The supporting cast, including Sissy Spacek, adds depth to the narrative, contributing to the overall authenticity of the film.

“The Straight Story” is a departure from Lynch’s usual style, but it showcases his versatility as a director. It’s a touching and gentle exploration of the human spirit, emphasizing the importance of reconciliation and the bonds that tie us together. This film stands out as a unique gem in Lynch’s filmography, offering a different, but equally compelling, cinematic experience.

10 Ways The Victorians Changed Britain 6.30pm Channel 5

10 Ways The Victorians Changed Britain is a documentary narrated by Michael Buerk that explores the revolutionary ideas and infrastructure of the Victorian era, including London’s underground, sewers, bridges, and railroads.

Sunday 28th of January 2024

Journey’s End (2017 film) 12.30am BBC1

“Journey’s End” (2017) is a powerful and poignant war drama that brings R.C. Sherriff’s classic play to life on the big screen. Directed by Saul Dibb, the film is set during World War I and unfolds within the claustrophobic confines of a British trench on the Western Front.

The film’s greatest strength lies in its authentic portrayal of the psychological toll of war. As the characters grapple with fear, camaraderie, and the inevitability of death, the audience is given a raw and unflinching glimpse into the harsh realities faced by soldiers on the front lines. The ensemble cast, featuring standout performances from Sam Claflin, Asa Butterfield, and Paul Bettany, effectively conveys the emotional complexity of their characters.

Dibb skillfully captures the tension and sense of impending doom, creating an atmosphere that is both harrowing and immersive. The trench setting adds to the film’s realism, with mud-covered landscapes and dimly lit bunkers, transporting viewers into the heart of the war experience.

The narrative unfolds in real-time, heightening the immediacy of the characters’ experiences. The script balances moments of intense drama with quiet, reflective interludes, providing a nuanced portrayal of the human condition in times of extreme adversity.

“Journey’s End” is a war film that goes beyond the battlefield, delving into the humanity of its characters and exploring themes of sacrifice, duty, and the futility of war. It’s a sobering and emotionally resonant film that pays homage to the original play while offering a fresh and cinematic perspective on the enduring impact of conflict on the human soul.

The French Connection (1971) 10pm BBC2

“The French Connection” (1971), directed by William Friedkin, is a gritty and intense crime thriller that has earned its place as a classic in the genre. Starring Gene Hackman as the relentless and unconventional Detective Jimmy “Popeye” Doyle, the film is based on the true story of the pursuit of a massive heroin shipment from France to the streets of New York City.

The film’s strength lies in its realistic and unvarnished portrayal of police work and the dogged determination of its lead character. Hackman’s performance is nothing short of iconic, capturing the essence of a cop willing to push boundaries and break rules in his pursuit of justice. The film’s famous car chase scene, filmed through the chaotic streets of Brooklyn, is a testament to Friedkin’s skill as a director and remains one of the most memorable in cinematic history.

The narrative is taut and suspenseful, with a strong emphasis on the cat-and-mouse game between law enforcement and the drug traffickers. The use of real locations and a documentary-style approach adds to the film’s authenticity, immersing the audience in the harsh and unforgiving urban landscape of 1970s New York.

“The French Connection” is more than just a crime thriller; it’s a character study of a flawed but determined detective and a reflection of the societal challenges faced by law enforcement. The film’s gritty realism, coupled with its outstanding performances and groundbreaking action sequences, earned it critical acclaim and several Academy Awards, including Best Picture and Best Actor for Hackman. Even decades after its release, “The French Connection” remains a benchmark in the crime thriller genre and a must-watch for cinephiles.

Monday 29th of January 2024

Panorama: Midwives Under Pressure 8pm BBC1

“Midwives Under Pressure” is a documentary that investigates the maternity care crisis that is putting women and babies at risk in Britain. The documentary follows reporter Michael Buchanan as he exposes the poor conditions and staffing shortages at a trust in Gloucestershire, where maternal deaths are almost double the national average1. The documentary also explores the wider challenges that people with a learning disability face in society, and how this impacts on their health.

Trade unionists and others who are socially aware should watch this documentary because it highlights the urgent need for better funding, resources, and support for the NHS and its workers, especially midwives who are under immense pressure and stress. The documentary also shows the importance of fighting for the rights and dignity of vulnerable groups, such as women, children, and people with disabilities, who deserve quality and safe care. The documentary is a powerful and eye-opening account of the state of Britain’s maternity services and the impact it has on the lives of many.

To Catch a Copper (one of three) 9pm Channel 4

“To Catch a Copper” is a three-part documentary series that follows the work of the Professional Standards Department (PSD) and the Counter-Corruption Unit (CCU) of Avon and Somerset Police. The series reveals how the PSD and the CCU investigate allegations of misconduct, corruption, and abuse of power by their own colleagues. The series covers cases involving mental health, sexual misconduct, and race, and shows the challenges and complexities of policing the police. The series also aims to improve public trust and confidence in the police by exposing the misconduct and rooting out the officers who have no place in the profession.

The documentary is narrated by journalist Michael Buchanan, who has reported extensively on the state of the NHS and social care in Britain. The series is a ground-breaking and eye-opening look at the vital and challenging work of the PSD and the CCU, and the impact of their investigations on the lives of the officers and the public.

Misery (1990) 11.35pm Film4

“Misery” (1990), directed by Rob Reiner and based on the novel by Stephen King, is a tense and psychologically gripping thriller that masterfully explores the fine line between obsession and horror. The film stars James Caan as Paul Sheldon, a successful novelist, and Kathy Bates in an Oscar-winning performance as Annie Wilkes, his “number one fan.”

The story revolves around Paul’s unfortunate car accident that leaves him stranded in a snowstorm and rescued by Annie, an initially seemingly benevolent nurse. However, as the narrative unfolds, it becomes clear that Annie’s admiration for Paul is not entirely benign. Bates delivers a tour de force performance, perfectly capturing the unhinged and unpredictable nature of her character. The psychological cat-and-mouse game between Caan and Bates is the driving force of the film, keeping the audience on the edge of their seats.

Reiner skillfully creates a claustrophobic and suspenseful atmosphere, utilizing the confined setting of Annie’s home to intensify the sense of dread. The film expertly blends psychological horror with moments of gruesome physical tension, making it an emotionally charged experience.

“Misery” is not only a gripping thriller but also a commentary on the relationship between artists and their most devoted fans. It delves into themes of obsession, control, and the blurred boundaries between fiction and reality. The film’s success is anchored in the strong performances, particularly Bates’ chilling portrayal of Annie, and the meticulous pacing that keeps the tension steadily escalating until the riveting climax.

Overall, “Misery” is a classic in the psychological horror genre, showcasing the talents of its cast and crew in delivering a gripping and unforgettable cinematic experience.

Tuesday 30th of January 2024

Storyville: Beyond Utopia: Escape From North Korea 10pm BBC4

“Storyville: Beyond Utopia: Escape From North Korea” is a compelling and eye-opening documentary that provides a harrowing glimpse into the lives of North Korean defectors. As part of the BBC’s Storyville series, this film explores the journeys of individuals who risked everything to escape the oppressive regime in North Korea.

The documentary skillfully weaves together personal narratives, archival footage, and expert analysis to offer a comprehensive and emotional account of the challenges faced by those attempting to flee North Korea. It sheds light on the extreme conditions and human rights abuses within the country, pushing viewers to confront the harsh realities of life under the regime.

What sets “Beyond Utopia” apart is its focus on the personal stories of the defectors, allowing the audience to connect with the individuals on a human level. The film doesn’t just depict the physical escape but also delves into the emotional and psychological toll that leaving one’s homeland can take.

The cinematography captures both the stark beauty of North Korea’s landscapes and the perilous nature of the escape routes, enhancing the narrative’s impact. Additionally, the documentary prompts reflection on the global implications of the North Korean crisis and the challenges faced by those who seek refuge beyond its borders.

“Beyond Utopia” serves as both a gripping human drama and an insightful exploration of the broader socio-political issues surrounding North Korea. It is a must-watch for those interested in understanding the complexities of life within the country and the courageous journeys undertaken by those seeking freedom.

Wednesday 31st of January 2024

Meek’s Cutoff (2010) 3.05pm GREAT!action

“Meek’s Cutoff” (2010), directed by Kelly Reichardt, is a slow-burning and contemplative Western that subverts traditional genre expectations to deliver a haunting and thought-provoking cinematic experience. Set in 1845 along the Oregon Trail, the film follows a group of settlers led by Stephen Meek (Bruce Greenwood) as they embark on an arduous journey through the harsh and unforgiving Oregon desert.

Reichardt’s deliberate pacing and attention to detail create a sense of authenticity, immersing the audience in the grueling realities of pioneer life. The film’s sparse dialogue and minimalistic approach contribute to its atmospheric and meditative tone, allowing viewers to feel the weight of the characters’ isolation and uncertainty.

The cinematography by Christopher Blauvelt captures the vast, desolate landscapes with a poetic beauty, emphasizing the isolation and vulnerability of the characters against the expansive backdrop. The use of the Academy ratio and the deliberate framing heighten the sense of confinement and unease, adding an extra layer of tension to the narrative.

“Meek’s Cutoff” is more than a traditional Western; it’s a character study and an exploration of human endurance. The ensemble cast, including Michelle Williams and Paul Dano, delivers restrained and nuanced performances, effectively conveying the emotional and physical toll of their journey. The film deliberately avoids easy resolutions or conventional narrative arcs, leaving room for interpretation and reflection.

This quiet and introspective approach may not be for everyone, as it requires patience and an appreciation for films that prioritize atmosphere and mood over traditional storytelling. However, for those willing to engage with its deliberate pace and subtle complexities, “Meek’s Cutoff” offers a unique and evocative cinematic experience that challenges the conventions of the Western genre.

Thursday 1st of February 2024

Miners’ Strike 1984: The Battle For Britain (two of three) 9pm Channel 4

The second part of a three-part documentary series that explores the history and impact of the year-long industrial dispute that divided the nation. The episode focuses on the ‘Battle of Orgreave’, the violent confrontation between striking miners and police forces on June 18, 1984, at a coking plant in South Yorkshire. The episode features new interviews with former miners, police officers, lawyers, and journalists, as well as footage revealing the startling nature of some of the policing that day. The episode also examines the role of the media and the government in shaping the public perception of the strike and the miners

Room At The Top (1959) 10.10pm Talking Pictures

“Room at the Top” (1959), directed by Jack Clayton, is a seminal British drama that delves into the socio-economic landscape of post-World War II England, embodying the essence of the kitchen sink realism movement. Adapted from John Braine’s novel, the film centers on Joe Lampton, played by Laurence Harvey, a determined working-class man yearning for upward social mobility.

At its core, the film is a social commentary on class distinctions and the challenges faced by individuals aspiring to transcend their predetermined stations in society. Laurence Harvey’s portrayal of Joe brilliantly captures the character’s ambition, charisma, and internal struggles as he navigates a world rife with societal expectations and personal dilemmas.

The narrative unfolds against a backdrop of shifting social norms, mirroring the post-war transformations in Britain. Joe’s entanglement in intricate relationships, particularly with Simone Signoret’s character, Alice Aisgill, serves as a poignant exploration of the compromises and complexities inherent in the pursuit of success.

Simone Signoret’s Academy Award-winning performance adds layers to the film, showcasing the challenges faced by women within the societal constraints of the time. The film not only examines personal aspirations but also sheds light on the societal dynamics that shape individual destinies, highlighting the limitations and sacrifices demanded by a rigid class structure.

“Room at the Top” remains a pivotal work in British cinema, its enduring impact evident in its influence on subsequent films within the kitchen sink realism genre. By tackling social issues with unflinching honesty, the film invites viewers to reflect on the enduring themes of ambition, love, and societal expectations, making it a classic that resonates with the socio-cultural fabric of its era.

Friday 2nd of February 2024

Blitzed: The 80s Blitz Kids’ Story 12.30am Sky Arts

“Blitzed: The 80s Blitz Kids’ Story” is a captivating and nostalgic documentary that immerses viewers in the vibrant and revolutionary subculture of the 1980s Blitz Kids. Directed by Bruce Ashley, this film explores the fashion, music, and nightlife phenomenon that emerged in London during a pivotal period of the city’s cultural history.

The documentary combines interviews with key figures of the Blitz Kids scene, archival footage, and a pulsating soundtrack to recreate the energy and innovation of this influential subculture. Viewers are taken on a journey through the eclectic and avant-garde fashion choices, the iconic club scene, and the profound impact of the Blitz Kids on art and pop culture.

What sets “Blitzed” apart is its ability to capture the spirit of the era, allowing audiences to relive the excitement and rebellion that characterized the Blitz Kids’ movement. The documentary also delves into the social and political backdrop that fueled this cultural explosion, providing a comprehensive understanding of its significance.

The film successfully balances nostalgia with insightful commentary, offering a mix of personal anecdotes and expert analysis. Whether you lived through the Blitz Kids era or are discovering it for the first time, “Blitzed” is a visually engaging and informative documentary that pays homage to a transformative moment in fashion and youth culture. It’s a must-watch for those fascinated by the evolution of subcultures and the impact of creativity on societal norms.

And finally, Under The Skin (2013) 1.05am Film4

“Under the Skin” (2013), directed by Jonathan Glazer, is a visually stunning and enigmatic exploration of loneliness, love, and the essence of humanity. Starring Scarlett Johansson as an otherworldly being disguised as a woman, the film takes viewers on a haunting journey through the Scottish landscape as it contemplates the human experience.

Loneliness permeates the film as the alien protagonist navigates the world, detached and isolated from the human connections she observes. The chilling beauty of the cinematography captures both the alien’s detached perspective and the stark landscapes, reinforcing the theme of existential solitude. Scarlett Johansson’s nuanced performance enhances the character’s otherness, creating a poignant portrayal of alienation.

As the alien begins to experience fragments of human emotion and connection, the film delves into the complexities of love. These moments of connection serve as a stark contrast to the character’s initial emotional detachment, raising questions about the nature of love and its significance in defining humanity. The film’s subtle and symbolic narrative allows viewers to interpret these themes in a deeply personal way.

“What it means to be human” becomes a central motif, challenging conventional notions of identity and empathy. The film prompts reflection on the fragility and profundity of human existence, using the alien’s journey as a lens to examine our shared vulnerabilities and desires for connection.

“Under the Skin” is an unconventional and thought-provoking cinematic experience that invites contemplation on the human condition. Its unique blend of atmospheric visuals, minimalistic storytelling, and Scarlett Johansson’s compelling performance make it a haunting meditation on loneliness, love, and the intricate tapestry of what it means to be human.

Picture Credits

The Straight Story (1999)
Fair use, https://en.wikipedia.org/w/index.php?curid=3573982
Journey’s End (2017 film)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=52754711
The French Connection (1971)
By RogerEbert.com, Fair use, https://en.wikipedia.org/w/index.php?curid=4368613
Misery (1990)
The poster art can or could be obtained from Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=57081873
Moonlight (2016)
By https://a24films.com/films/moonlight/, Fair use, https://en.wikipedia.org/w/index.php?curid=51305029
Meek’s Cutoff (2010)
By http://www.impawards.com/2011/meeks_cutoff.html, Fair use, https://en.wikipedia.org/w/index.php?curid=30892091
Room At The Top (1959)
Fair use, https://en.wikipedia.org/w/index.php?curid=19784745
Under The Skin (2013)
By A24 Films – IMP Awards, Kellerhouse, Inc., Fair use, https://en.wikipedia.org/w/index.php?curid=42597010

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Culture Vulture (20th to 26th of January 2024)

4,257 words, 23 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. This week’s highlights include: the PBS documentary, Netanyahu: America & The Road to War in Gaza, 2009 film Moon, and 1961 film Judgment At Nuremberg, which given current war crimes and atrocities seems very relevant today.

Saturday 20th January, 2024

1928: The Year the Thames Flooded 9.30pm Channel 5

1928: The Year the Thames Flooded is a documentary that tells the story of the tragic Thames Flood of 1928, which was caused by heavy snow, rain, and a storm surge in the North Sea. The flood affected much of riverside London, causing considerable damage and leaving thousands homeless. Fourteen people lost their lives when floodwaters poured over the top of the Thames Embankment and part of the Chelsea Embankment collapsed.

Netanyahu: America & The Road to War in Gaza 9.45pm PBS America

Netanyahu: America & The Road to War in Gaza is a 90-minute documentary produced by Frontline PBS hat examines the events leading up to the current crisis in Gaza, including the Oslo Accords and the Hamas attack on Israel on October 7, 2023. The documentary offers a sweeping examination of the long history of failed peace efforts and violent conflict in the region, and the increasing tensions between Israel and the US over the war’s catastrophic toll and what comes next. The film features firsthand accounts of insiders and advisors to Netanyahu, US presidents, and Palestinian leadership, as well as key insights from experts and observers of the decades-long conflict. The documentary also shows how, in the wake of President Joe Biden’s initial embrace of Netanyahu in response to the Hamas attack, the relationship has become increasingly fractious, with the president pressing Israel to embrace a two-state solution to the conflict, and the prime minister vowing not to “repeat the mistake of Oslo”.

Blade Runner 2049 (2017) 11.05pm BBC1

Blade Runner 2049, directed by Denis Villeneuve, seamlessly expands upon the thematic richness of its iconic predecessor, delving deeper into the realms of identity, humanity, and the socio-political landscape. Released in 2017, this visually stunning and intellectually engaging film not only pays homage to Ridley Scott’s Blade Runner (1982) but also emerges as a standalone masterpiece that raises profound questions about the nature of existence and the societal implications of technological advancement.

One of the central themes explored in Blade Runner 2049 is the essence of humanity and the blurred lines between artificial intelligence and consciousness. The film introduces us to a new generation of replicants, bioengineered beings with remarkable similarities to humans, yet grapples with the search for identity and purpose. Ryan Gosling’s character, Officer K, embarks on a quest that forces audiences to ponder the very definition of what it means to be alive. The narrative artfully examines the moral implications of creating entities capable of emotion and self-awareness, challenging viewers to reevaluate preconceived notions about the value of life.

The film also delves into the socio-economic consequences of technological progress, portraying a dystopian future where corporations wield immense power over society. The stark contrast between the opulence of the powerful and the squalor of the disenfranchised echoes contemporary concerns about wealth inequality and corporate influence. Blade Runner 2049 prompts viewers to reflect on the potential pitfalls of unbridled technological development and its impact on social structures.

Philosophical questions about memory and reality play a pivotal role in the narrative, drawing inspiration from Philip K. Dick’s source material. The film skillfully explores the malleability of memories and the implications of manipulating one’s past. This thematic exploration ties back to the broader question of what constitutes a meaningful existence and how memories shape our sense of self.

Denis Villeneuve’s directorial prowess is evident throughout the film, with Roger Deakins’ cinematography contributing to the creation of a visually arresting dystopian landscape. The use of practical effects, combined with stunning visuals, enhances the immersive experience, underscoring the film’s thematic complexity.

In conclusion, Blade Runner 2049 stands as a cinematic triumph that successfully builds upon the philosophical and social foundations of its predecessor. It invites audiences to contemplate the consequences of technological evolution, the nature of humanity, and the ethical implications of creating entities capable of introspection. With its thought-provoking narrative and breathtaking visuals, the film leaves an indelible mark on the science fiction genre, transcending the boundaries of mere entertainment to become a profound exploration of the human condition in a world shaped by the relentless march of progress.

Sunday 21st of January 2024

George Clarke’s Adventures In Americana 9pm Channel 4

George Clarke’s Adventures in Americana is a four-part special series that follows the journey of George Clarke, an architect, across the United States in search of fascinating stories and people behind the buildings that make America such a unique place.

In the fourth and final episode of George Clarke’s Adventures in Americana, George travels from New Orleans, Louisiana to Bandera, Texas, a distance of approximately 650 miles 1. The episode explores how immigration from Europe over the past 300 years has influenced the architecture of each state.

Monday 22nd of January 2024

The Lavender Hill Mob (1951) 5.05pm Film 4

The Lavender Hill Mob, directed by Charles Crichton and released in 1951, is a classic British comedy that stands the test of time with its wit, charm, and delightful heist narrative. Starring Alec Guinness and Stanley Holloway, this Ealing Studios production not only showcases the genius of the British film industry in the post-war era but also introduces audiences to a young Audrey Hepburn in one of her early roles.

Set against the backdrop of post-war London, the film follows the misadventures of Henry Holland (Alec Guinness), a mild-mannered bank clerk who orchestrates a plan to steal gold bullion with the help of his bumbling accomplice Alfred Pendlebury (Stanley Holloway). What sets The Lavender Hill Mob apart is its ability to make audiences root for the “bad” guys, challenging traditional moral dichotomies associated with crime films.

Alec Guinness delivers a masterful performance as Henry Holland, a character whose motivation is not driven by malicious intent but rather a desire for a better life. The film carefully crafts Henry’s character, making him relatable and sympathetic. As viewers, we find ourselves empathizing with his mundane existence and yearning for a taste of the excitement and wealth that the criminal world promises.

Stanley Holloway’s portrayal of Alfred Pendlebury adds a layer of comedic brilliance to the film. The chemistry between Guinness and Holloway is palpable, elevating the humor and ensuring that the audience is not only invested in the success of their daring plan but also thoroughly entertained by their dynamic partnership.

Audrey Hepburn makes a brief yet memorable appearance in The Lavender Hill Mob, foreshadowing her future status as a Hollywood icon. Even in this early role, Hepburn’s screen presence is undeniable, hinting at the grace and charisma that would define her career.

The film’s success in making the audience sympathize with the criminals is attributed to the clever storytelling that humanizes the characters. The Lavender Hill Mob employs humor and satire to critique societal norms and institutions, making it clear that the line between right and wrong is not always as distinct as it seems. The desire for a better life, financial security, and the pursuit of happiness are universal themes that resonate with viewers, transcending the criminal actions of the protagonists.

The Lavender Hill Mob is a delightful caper that combines humor, wit, and a touch of satire to create a timeless cinematic experience. The film’s ability to make us cheer for characters engaging in criminal activities is a testament to its nuanced storytelling and well-crafted characters. With its stellar performances, clever dialogue, and Audrey Hepburn’s early charm, The Lavender Hill Mob remains a classic that continues to captivate audiences and serve as a testament to the enduring appeal of British cinema.

American Dynasties: The Kennedys (one of six) 8.20pm PBS America

American Dynasties: The Kennedys is a six-part documentary series that premiered on CNN in 2018. The series explores the rise of the Kennedy family to power and how personal relationships within the family shaped national and global events from the Cold War to the Wall Street crash. The series features interviews with insiders, advisors, and experts on the Kennedy family and the decades-long conflict in the region. Martin Sheen narrates the series.

This first episode of American Dynasties: The Kennedys is titled The Power of Wealth. It chronicles the rise of the Kennedy family from humble immigrant origins to political dynasty. The episode focuses on Joseph Kennedy’s political ambition, which passes first to his son Joe Jr. and then to reluctant second son Jack.

The Piano (1993) 11.15pm BBC2

Directed by Jane Campion, The Piano (1993) is a visually stunning and emotionally resonant film that skillfully weaves a narrative of feminism and female sexuality against the backdrop of 19th-century New Zealand. Starring Holly Hunter, Harvey Keitel, and Sam Neill, the film presents a powerful exploration of a woman’s journey towards self-discovery and autonomy.

At the heart of The Piano is the character of Ada McGrath, portrayed brilliantly by Holly Hunter. Ada is a mute, piano-playing woman sent from Scotland to New Zealand for an arranged marriage. The film unfolds as Ada’s piano becomes both a means of expression and a source of empowerment. Her muteness serves as a metaphor for the societal constraints placed on women during the era, highlighting their limited ability to voice their desires and experiences.

The feminist undertones of The Piano are evident in Ada’s struggle for agency and autonomy within a patriarchal society. As she navigates the constraints imposed by her arranged marriage to Alisdair Stewart (Sam Neill), Ada’s piano becomes her voice, a symbol of resistance against societal expectations. The film skillfully explores how Ada’s musical talent becomes a form of rebellion, allowing her to reclaim control over her own narrative and desires.

The themes of female sexuality and sexual awakening are intricately woven into the narrative, particularly through Ada’s relationship with George Baines, played by Harvey Keitel. Baines, a neighbor with a deep appreciation for Ada’s piano playing, enters into a complex and nuanced relationship with her. The film portrays Ada’s sexual awakening as a gradual and empowering process, breaking away from the conventional portrayals of female sexuality in cinema.

The cinematography by Stuart Dryburgh enhances the film’s visual allure, capturing the lush landscapes of New Zealand and infusing the narrative with a sense of poetic beauty. The use of the piano as a symbolic motif is not only central to the story but also contributes to the film’s immersive and evocative atmosphere.

Jane Campion’s direction is nothing short of masterful, as she navigates the complexities of the characters’ emotions and societal expectations. The Piano stands as a testament to Campion’s ability to bring forth nuanced portrayals of women’s experiences, challenging traditional gender norms and offering a poignant commentary on the struggles faced by women in the 19th century.

In conclusion, The Piano is a cinematic masterpiece that transcends its period setting to deliver a timeless exploration of feminism and female sexuality. Holly Hunter’s powerful performance, combined with Campion’s directorial vision, creates a film that resonates on multiple levels, offering a profound reflection on the strength, resilience, and sexual autonomy of women in the face of societal constraints. The Piano remains a landmark achievement in cinema, leaving an indelible mark in the exploration of female identity and empowerment.

Tuesday 23rd of January 2023

Revenge: Our Dad the Nazi Killer 10pm BBC4

Revenge: Our Dad the Nazi Killer follows the story of a middle-aged Jewish doctor named Jack, who discovers that his father, a Holocaust survivor, is responsible for the unsolved murder of an alleged Nazi 70 years ago ²³. The film explores Jack’s quest to find the truth about his father’s past and the impact of the Holocaust on his family ¹. The documentary features interviews with surviving members of Jewish vigilante groups, archival footage, and gripping narratives that uncover hidden chapters of a nation’s past and question our perception of morality, the impact of war, and the lengths people will go to seek revenge

Moon (2009) 11.15pm BBC2

“Moon” (2009), invites viewers on an introspective journey into the depths of solitude and existential questioning. Directed by Duncan Jones, the film showcases the unmistakable influence of his visionary father, David Bowie. At the heart of the narrative is Sam Rockwell’s stellar performance as Sam Bell, a miner stationed on the moon’s surface tasked with extracting Helium-3 for Earth’s energy needs. As the three-year isolation period nears its end, Bell’s mental and emotional state becomes increasingly fragile, leading to a series of surreal and mind-bending events.

The brilliance of “Moon” lies in its ability to seamlessly blend psychological tension with elements of hard science fiction. Duncan Jones crafts a meticulously detailed lunar setting, aided by exceptional production design and cinematography, creating an immersive atmosphere that mirrors the protagonist’s isolation. Clint Mansell’s haunting and evocative score further enhances the film’s emotional resonance, underscoring the isolation and uncertainty that permeate Bell’s lunar existence.

David Bowie’s son, Duncan Jones, demonstrates a keen understanding of storytelling and thematic depth, infusing “Moon” with philosophical questions about identity and the consequences of isolation.David Bowie’s influence seems to echo through Moon, not just as a nod to his son’s artistic heritage but also in the film’s thematic exploration of identity and existentialism.

The soundtrack, composed by Clint Mansell, complements the eerie atmosphere, further enhancing the film’s emotional impact. The film’s narrative takes unexpected turns, challenging the audience to reconsider preconceived notions about reality and the nature of consciousness. As Sam Rockwell skillfully navigates the complexities of his character(s), the film’s exploration of the human psyche becomes increasingly poignant.

The thematic richness of “Moon” is complemented by its well-executed visuals and practical effects. The lunar landscape, designed with meticulous attention to detail, serves as a stunning backdrop for the unfolding drama. The film pays homage to classic sci-fi while introducing fresh and thought-provoking ideas that resonate long after the credits roll.

“Moon” is a mesmerizing cinematic experience that stands as a testament to the power of sci-fi storytelling. Sam Rockwell’s compelling performance, the atmospheric direction, and the film’s thought-provoking narrative make it a late-night treat for those seeking a blend of psychological depth and gripping science fiction.

Wednesday 24th of January 2024

The Winslow Boy (1948) 1.20pm Film 4

I am an admirer of the performances of Robert Donat and he again demonstrated his exceptional acting prowess in this compelling drama. Directed by Anthony Asquith, The Winslow Boy unfolds as a powerful exploration of justice, integrity, and the human spirit.

Donat’s portrayal of Arthur Winslow, a father fighting to clear his son’s name in the face of an alleged theft, is nothing short of remarkable. His ability to convey both vulnerability and unwavering determination is a testament to his skill as an actor. Donat’s previous notable roles, such as in “Goodbye, Mr. Chips” and “The 39 Steps,” have showcased his versatility, but in The Winslow Boy, he takes on a role that delves into the moral and social complexities of justice.

The Winslow Boy is a tale of familial love and sacrifice, set against the backdrop of early 20th-century England. The film raises poignant questions about the price one is willing to pay for justice, both on a personal and societal level. As Arthur Winslow pursues the truth with unyielding determination, the narrative unfolds to reveal the societal expectations and the high cost of challenging the established order.

One of the film’s strengths lies in its exploration of the social themes surrounding justice and the sacrifices individuals make for the greater good. The Winslow Boy grapples with issues of class, privilege, and the power dynamics inherent in a legal system that is not always just. The screenplay, based on Terence Rattigan’s play, skillfully weaves these themes into the fabric of the story, prompting viewers to reflect on the moral complexities of the pursuit of truth.

The Winslow Boy, through its well-crafted narrative and Donat’s captivating performance, delivers a poignant message about the importance of integrity and the lengths one must go to uphold justice. The film serves as a timeless exploration of the human spirit and its unwavering commitment to principles, even in the face of formidable opposition. For fans of Robert Donat and admirers of thought-provoking cinema, The Winslow Boy remains a cinematic gem that resonates with relevance and emotional depth.

Thursday 25th of January 2024

Judgment At Nuremberg (1961) 10.50pm BBC4

Stanley Kramer’s Judgment At Nuremberg (1961) stands as a powerful and thought-provoking cinematic masterpiece, and its themes resonate even more profoundly in the wake of contemporary events such as war crimes in Ukraine, Russia, and Israel. The film, set in the aftermath of World War II, delves into the moral complexities of accountability and justice, echoing with relevance in today’s tumultuous world.

At the heart of the film is a stellar ensemble cast, including Spencer Tracy, Burt Lancaster, Maximilian Schell, and Marlene Dietrich, each delivering performances that bring to life the weighty ethical questions posed by the Nuremberg Trials. As the legal drama unfolds, the film addresses the responsibility of individuals in the face of atrocities committed during wartime, raising crucial questions about complicity, accountability, and the pursuit of justice.

Judgment At Nuremberg invites viewers to reflect on the nature of war crimes and the moral dilemmas surrounding the prosecution of those responsible. In the context of recent events in Ukraine, Russia, and Israel, the film’s exploration of the consequences of unchecked power and the necessity of holding individuals accountable for their actions takes on added significance.

The film’s narrative courageously tackles the intricacies of war crimes, challenging audiences to consider the broader implications of justice in times of conflict. As we witness real-time events unfold in different parts of the world, Judgment At Nuremberg becomes a poignant reminder that the pursuit of justice must transcend political boundaries and national interests.

The film’s relevance lies not only in its exploration of historical events but also in its ability to provoke introspection about the moral responsibility of individuals, institutions, and nations. The haunting parallels between the Nuremberg Trials and contemporary conflicts underscore the enduring importance of addressing war crimes and atrocities to prevent history from repeating itself.

Judgment At Nuremberg remains a timeless cinematic achievement that invites audiences to confront the complexities of justice in the face of war crimes. Its themes resonate powerfully in today’s world, serving as a reminder of the ongoing need for accountability, ethical reflection, and the pursuit of justice, especially in the midst of current global challenges.

Miners Strike 1984: The Battle For Britain (one of three) 9pm Channnel 4

The 984-1985 United Kingdom miners’ strike was a major industrial action within the British coal industry in an attempt to prevent colliery closures. It was led by Arthur Scargill of the National Union of Mineworkers (NUM) against the National Coal Board (NCB), a government agency ¹. The strike began on March 6, 1984, with a walkout at Cortonwood Colliery, which led to the NUM’s Yorkshire Area’s sanctioning of a strike on the grounds of a ballot result from 1981 in the Yorkshire Area, which was later challenged in court ¹. The NUM strategy was to cause a severe energy shortage of the sort that had won victory in the 1972 strike. The government strategy, designed by Margaret Thatcher, was threefold: to build up ample coal stocks, to keep as many miners at work as possible, and to use police to break up attacks by pickets on working miners. The critical element was the NUM’s failure to hold a national strike ballot. The strike ended on March 3, 1985, with a decisive victory for the Conservative government and allowed the closure of most of Britain’s collieries. The strike is regarded as “the most bitter industrial dispute in British history”. The strike resulted in pit closures, job losses, foreign coal imports, political unrest, and the death of six people.

This documentary looks at the dispute through three stories of those involved. This episode deals with how the Derbyshire pit village of Shirebrook descended into violence and division between working and striking miners and their families.

Friday 26th of January 2024

Scarface (1983) 9pm Film4

Brian De Palma’s Scarface (1983) is a cinematic tour de force that immerses audiences in the ruthless world of organized crime, driven by the indomitable Tony Montana, portrayed with intensity by Al Pacino. While the film is celebrated for its gripping narrative and iconic performances, it also serves as a cautionary tale, exploring ethical themes and delivering potent moral lessons that linger long after the credits roll.

At the heart of Scarface is the rise and fall of Tony Montana, an ambitious Cuban immigrant who claws his way to the top of the Miami drug trade. As Tony amasses wealth and power, the film raises critical ethical questions about the cost of success and the morality of the means employed to achieve it. The character’s journey becomes a compelling exploration of the corrupting influence of unbridled ambition and the erosion of ethical boundaries.

One of the central moral lessons of Scarface is the destructive nature of greed and the pursuit of power at any cost. Tony’s insatiable appetite for wealth and status leads him down a path of violence, betrayal, and moral compromise. As viewers witness his transformation from an ambitious outsider to a ruthless drug lord, the film becomes a stark commentary on the consequences of unchecked ambition.

The film also delves into the theme of loyalty and the impact of compromised morals on interpersonal relationships. Tony’s disregard for ethical principles not only jeopardizes his own well-being but also fractures the bonds with those closest to him. Scarface serves as a cautionary reminder that the pursuit of personal gain at the expense of ethical values can isolate individuals and undermine the foundations of trust.

Scarface’s depiction of the drug trade as a morally bankrupt enterprise contributes to its exploration of ethical themes. The film sheds light on the societal consequences of illegal activities, emphasizing the destructive impact on communities and individuals. In doing so, Scarface prompts viewers to confront the moral dimensions of the choices made by its characters and, by extension, the broader implications of such actions.

In conclusion, Scarface stands as a cinematic classic not only for its compelling narrative and memorable performances but also for its exploration of ethical themes and moral lessons. As Tony Montana’s story unfolds onscreen, the film compels audiences to reflect on the consequences of unchecked ambition, the fragility of moral principles, and the enduring relevance of ethical considerations in the pursuit of success.

The Blood On Satan’s Claw (1971) 2.35am Legend

“The Blood On Satan’s Claw” (1971) emerges as a haunting gem within the illustrious realm of British folk-horror, standing shoulder to shoulder with genre classics like “Witchfinder General” and “The Wicker Man.” Directed by Piers Haggard, this atmospheric journey into the supernatural delivers a gripping narrative that is both unsettling and mesmerizing.

Set against the backdrop of 17th-century rural England, the film immerses audiences in a world where the line between folklore and terror blurs into a nightmarish tapestry. Much like its predecessors in the genre, “The Blood On Satan’s Claw” delves into the primal fears embedded in the collective psyche, exploring the darkness that lurks beneath the seemingly idyllic façade of rural landscapes.

At the heart of the film is a malevolent force that transcends the physical realm, manifesting as a sinister cult that takes root in a seemingly tranquil village. The pervasive sense of dread and paranoia echoes the thematic resonance found in “Witchfinder General” and “The Wicker Man,” where ancient rituals and pagan practices collide with the encroaching forces of modernity.

The film’s strength lies in its ability to evoke an eerie atmosphere, capturing the essence of folk-horror with its bucolic settings and unsettling supernatural elements. The cinematography, marked by its moody and evocative visuals, contributes significantly to the film’s ominous ambiance. The picturesque landscapes become a backdrop for unspeakable horrors, reminiscent of the haunting aesthetics that defined its genre predecessors.

Characterized by its haunting score and meticulous attention to period detail, “The Blood On Satan’s Claw” remains a testament to the enduring power of folk-horror. Much like “Witchfinder General” and “The Wicker Man,” the film explores the clash between ancient beliefs and encroaching modernity.

“The Blood On Satan’s Claw” is a cinematic tour de force that firmly cements its place within the pantheon of British folk-horror classics. With its gripping narrative, atmospheric visuals, and thematic depth, the film is a must-watch for enthusiasts of the genre, offering a timeless exploration of the supernatural that continues to resonate with audiences to this day.

Picture Credits

Blade Runner 2049
The poster art can or could be obtained from the distributors, Warner Bros. and Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=51893608

The Lavender Hill Mob (1951)
Fair use, https://en.wikipedia.org/w/index.php?curid=2705600

The Piano (1993)
May be found at the following website: https://www.filmaffinity.com/en/filmimagesnojs.php?movie_id=601157, Fair use, https://en.wikipedia.org/w/index.php?curid=34788954

Moon (2009)
By http://www.impawards.com/2009/moon_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=20348255

The Winslow Boy (1948)
By unknown – https://robert-donat.com/gallery/posters/the-winslow-boy/#jp-carousel-2233, Fair use, https://en.wikipedia.org/w/index.php?curid=55514500

Copyright © 1961 by United Artists Corporation – Scan via Heritage Auctions. Cropped from the original image and lightly retouched; see upload history for unretouched original., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88144188

Scarface (1983)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=964690

The Blood on Satan’s Claw (1971)
The poster art can or could be obtained from The Cannon Group., Fair use, https://en.wikipedia.org/w/index.php?curid=28293149

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Media Influence and Political Manipulation: Insights from Citizen Kane

543 words, 3 minutes read time.

“Citizen Kane,” directed by Orson Welles in 1941, transcends its cinematic brilliance by offering a multifaceted exploration of societal and political dynamics that resonates far beyond its release. The film serves as a powerful social commentary, weaving together various themes that mirror the complexities of the era and continue to echo in the socio-political landscape.

One of the central themes in “Citizen Kane” is the rise of the penny press, symbolizing the transformation of media and its impact on public opinion. The film portrays Charles Foster Kane’s control over his newspaper empire, reflecting the real-life influence of media moguls like William Randolph Hearst. This theme underscores the delicate balance between journalism as a tool for informing the public and its potential to shape public perception.

The Hearst-supported Spanish-American War becomes a crucial backdrop, emphasizing the intertwining of media and politics. The film suggests how influential figures could manipulate public sentiment to serve their interests, resonating with historical events where media played a pivotal role in shaping public opinion during times of conflict.

The emergence of radio is another social theme explored in “Citizen Kane.” As radio became a powerful medium for communication, the film highlights the impact of mass media on society, drawing parallels to the contemporary role of technology in shaping public discourse.

Political machines, depicted in the film, reflect the systemic issues of corruption and manipulation within the political landscape. The portrayal of Kane’s political ambitions and the machinations behind the scenes echoes broader concerns about the integrity of political systems and the potential for individuals to exploit them for personal gain.

The surge of fascism, subtly woven into the narrative, serves as a cautionary undertone. “Citizen Kane” suggests that the erosion of democratic values and the unchecked pursuit of power can lead to destructive consequences. This theme gains relevance in various historical contexts and prompts reflection on the fragility of democratic institutions.

The evolution of celebrity journalism is another facet explored in the film, foreshadowing the cult of personality that would dominate modern media. The character of Charles Foster Kane embodies the complexities of fame, power, and the toll they take on personal relationships, offering a timeless critique of celebrity culture.

Moreover, the film’s subtle satire and allegory of Trump’s America add a contemporary layer to its social commentary. By exploring the pitfalls of unchecked wealth, media influence, and political power, “Citizen Kane” serves as a prescient reflection on the challenges facing democratic societies.

In examining the character of Charles Foster Kane, the film delves into the psychological and moral dimensions of power. Kane’s lack of human sympathy and tolerance mirrors broader societal issues related to the dehumanizing effects of wealth and influence. The character study becomes a lens through which the film scrutinizes the complexities of politics and class, revealing the inherent challenges in understanding and interpreting an individual’s life within the larger societal context.

As a cinematic masterpiece, “Citizen Kane” endures as more than just a technical achievement; it stands as a timeless exploration of social, political, and human themes. Its enduring relevance lies in its ability to provoke thoughtful reflection on the intricate interplay of power, media, and human nature, offering a profound and enduring commentary on the intricacies of the human experience.

Reviewed by Pat Harrington

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Scala London Documentary: A Vibrant Cinema Legacy

319 words, 2 minutes read time.

Scala is an insightful and captivating documentary that delves into the rich history of the Scala cinema, a one-of-a-kind grindhouse slash alt-cinephile repertory house located in London’s King’s Cross from 1981 to 1993. Housed in a grand stately building adorned with a distinctive cupola, the Scala not only left an indelible mark on the film industry but also served as a source of inspiration for countless filmmakers, artists, and musicians.

One of the Scala’s distinguishing features was its monthly poster-style foldout sheets, which tantalizingly advertised upcoming attractions with a sexier and more thrilling allure than the conventional booklet format used by other cinemas. Brimming with the energy of a 24/7 punk festival, the Scala exuded an atmosphere akin to a movie theatre rather than an institution of formal education, solidifying its place as a pioneer in the world of independent cinema.

Furthermore, the Scala’s commitment to championing progressive, LGBT, and pro-union causes underscored its significant impact beyond the realm of film appreciation. Directed by Jane Giles and Guardian writer Ali Catterall, the documentary skillfully navigates through the evolution and eventual decline of this iconic cinema, offering a poignant homage to its enduring legacy.

Featuring interviews with key figures integral to the Scala’s history, including filmmakers, artists, musicians, and devoted fans, the documentary provides a compelling behind-the-scenes look into the vibrant world of the Scala cinema. Complementing these interviews, the film incorporates archival footage of the Scala, providing a nostalgic treat for enthusiasts of cinema history.

Scala celebrates the profound influence of cinema as a source of inspiration and entertainment, evoking a range of emotions that will resonate with audiences long after the credits roll. For cinephiles and history enthusiasts alike, this remarkable documentary is a must-watch, offering a deeper understanding of the independent cinema landscape in the UK and the enduring impact of the Scala.

Reviewed by Pat Harrington

Picture credit

By Grim23 – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=5848825

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