Culture Vulture (27th January to 2nd February 2024)

January 27, 2024 at 1:32 pm · Filed under Culture Vulture, Film & DVD Reviews, TV Shows ·Tagged Cinema, entertainment, film, movies

3,054 words, 16 minutes read time.

Welcome to Culture Vulture your guide to the week’s entertainment from an alternative standpoint. Writing and selections are by Pat Harrington and music is by Tim Bragg. Highlights this week include, Blitzed: The 80s Blitz Kids’ Story, the second part of Miners’ Strike 1984: The Battle For Britain and, Storyville: Beyond Utopia: Escape From North Korea.

Saturday, 27th of January 2024

The Straight Story (1999) 4.30pm Film4

“The Straight Story” (1999) is a heartwarming and contemplative film directed by David Lynch. Unlike Lynch’s more surreal and enigmatic works, this film tells a simple yet profound story based on true events. Richard Farnsworth delivers a remarkable performance as Alvin Straight, an elderly man who embarks on a journey across the Midwest on a lawnmower to reconcile with his estranged brother.

The film’s beauty lies in its simplicity and sincerity. Lynch trades in his trademark surrealism for a straightforward narrative that explores themes of family, forgiveness, and the passage of time. The cinematography captures the vast landscapes of rural America, providing a stunning backdrop to Alvin’s odyssey. The pace is deliberately slow, allowing the audience to savor the nuances of the characters and the profound moments of introspection.

Farnsworth’s portrayal of Alvin is poignant and authentic, drawing viewers into the emotional core of the story. The supporting cast, including Sissy Spacek, adds depth to the narrative, contributing to the overall authenticity of the film.

“The Straight Story” is a departure from Lynch’s usual style, but it showcases his versatility as a director. It’s a touching and gentle exploration of the human spirit, emphasizing the importance of reconciliation and the bonds that tie us together. This film stands out as a unique gem in Lynch’s filmography, offering a different, but equally compelling, cinematic experience.

10 Ways The Victorians Changed Britain 6.30pm Channel 5

10 Ways The Victorians Changed Britain is a documentary narrated by Michael Buerk that explores the revolutionary ideas and infrastructure of the Victorian era, including London’s underground, sewers, bridges, and railroads.

Sunday 28th of January 2024

Journey’s End (2017 film) 12.30am BBC1

“Journey’s End” (2017) is a powerful and poignant war drama that brings R.C. Sherriff’s classic play to life on the big screen. Directed by Saul Dibb, the film is set during World War I and unfolds within the claustrophobic confines of a British trench on the Western Front.

The film’s greatest strength lies in its authentic portrayal of the psychological toll of war. As the characters grapple with fear, camaraderie, and the inevitability of death, the audience is given a raw and unflinching glimpse into the harsh realities faced by soldiers on the front lines. The ensemble cast, featuring standout performances from Sam Claflin, Asa Butterfield, and Paul Bettany, effectively conveys the emotional complexity of their characters.

Dibb skillfully captures the tension and sense of impending doom, creating an atmosphere that is both harrowing and immersive. The trench setting adds to the film’s realism, with mud-covered landscapes and dimly lit bunkers, transporting viewers into the heart of the war experience.

The narrative unfolds in real-time, heightening the immediacy of the characters’ experiences. The script balances moments of intense drama with quiet, reflective interludes, providing a nuanced portrayal of the human condition in times of extreme adversity.

“Journey’s End” is a war film that goes beyond the battlefield, delving into the humanity of its characters and exploring themes of sacrifice, duty, and the futility of war. It’s a sobering and emotionally resonant film that pays homage to the original play while offering a fresh and cinematic perspective on the enduring impact of conflict on the human soul.

The French Connection (1971) 10pm BBC2

“The French Connection” (1971), directed by William Friedkin, is a gritty and intense crime thriller that has earned its place as a classic in the genre. Starring Gene Hackman as the relentless and unconventional Detective Jimmy “Popeye” Doyle, the film is based on the true story of the pursuit of a massive heroin shipment from France to the streets of New York City.

The film’s strength lies in its realistic and unvarnished portrayal of police work and the dogged determination of its lead character. Hackman’s performance is nothing short of iconic, capturing the essence of a cop willing to push boundaries and break rules in his pursuit of justice. The film’s famous car chase scene, filmed through the chaotic streets of Brooklyn, is a testament to Friedkin’s skill as a director and remains one of the most memorable in cinematic history.

The narrative is taut and suspenseful, with a strong emphasis on the cat-and-mouse game between law enforcement and the drug traffickers. The use of real locations and a documentary-style approach adds to the film’s authenticity, immersing the audience in the harsh and unforgiving urban landscape of 1970s New York.

“The French Connection” is more than just a crime thriller; it’s a character study of a flawed but determined detective and a reflection of the societal challenges faced by law enforcement. The film’s gritty realism, coupled with its outstanding performances and groundbreaking action sequences, earned it critical acclaim and several Academy Awards, including Best Picture and Best Actor for Hackman. Even decades after its release, “The French Connection” remains a benchmark in the crime thriller genre and a must-watch for cinephiles.

Monday 29th of January 2024

Panorama: Midwives Under Pressure 8pm BBC1

“Midwives Under Pressure” is a documentary that investigates the maternity care crisis that is putting women and babies at risk in Britain. The documentary follows reporter Michael Buchanan as he exposes the poor conditions and staffing shortages at a trust in Gloucestershire, where maternal deaths are almost double the national average1. The documentary also explores the wider challenges that people with a learning disability face in society, and how this impacts on their health.

Trade unionists and others who are socially aware should watch this documentary because it highlights the urgent need for better funding, resources, and support for the NHS and its workers, especially midwives who are under immense pressure and stress. The documentary also shows the importance of fighting for the rights and dignity of vulnerable groups, such as women, children, and people with disabilities, who deserve quality and safe care. The documentary is a powerful and eye-opening account of the state of Britain’s maternity services and the impact it has on the lives of many.

To Catch a Copper (one of three) 9pm Channel 4

“To Catch a Copper” is a three-part documentary series that follows the work of the Professional Standards Department (PSD) and the Counter-Corruption Unit (CCU) of Avon and Somerset Police. The series reveals how the PSD and the CCU investigate allegations of misconduct, corruption, and abuse of power by their own colleagues. The series covers cases involving mental health, sexual misconduct, and race, and shows the challenges and complexities of policing the police. The series also aims to improve public trust and confidence in the police by exposing the misconduct and rooting out the officers who have no place in the profession.

The documentary is narrated by journalist Michael Buchanan, who has reported extensively on the state of the NHS and social care in Britain. The series is a ground-breaking and eye-opening look at the vital and challenging work of the PSD and the CCU, and the impact of their investigations on the lives of the officers and the public.

Misery (1990) 11.35pm Film4

“Misery” (1990), directed by Rob Reiner and based on the novel by Stephen King, is a tense and psychologically gripping thriller that masterfully explores the fine line between obsession and horror. The film stars James Caan as Paul Sheldon, a successful novelist, and Kathy Bates in an Oscar-winning performance as Annie Wilkes, his “number one fan.”

The story revolves around Paul’s unfortunate car accident that leaves him stranded in a snowstorm and rescued by Annie, an initially seemingly benevolent nurse. However, as the narrative unfolds, it becomes clear that Annie’s admiration for Paul is not entirely benign. Bates delivers a tour de force performance, perfectly capturing the unhinged and unpredictable nature of her character. The psychological cat-and-mouse game between Caan and Bates is the driving force of the film, keeping the audience on the edge of their seats.

Reiner skillfully creates a claustrophobic and suspenseful atmosphere, utilizing the confined setting of Annie’s home to intensify the sense of dread. The film expertly blends psychological horror with moments of gruesome physical tension, making it an emotionally charged experience.

“Misery” is not only a gripping thriller but also a commentary on the relationship between artists and their most devoted fans. It delves into themes of obsession, control, and the blurred boundaries between fiction and reality. The film’s success is anchored in the strong performances, particularly Bates’ chilling portrayal of Annie, and the meticulous pacing that keeps the tension steadily escalating until the riveting climax.

Overall, “Misery” is a classic in the psychological horror genre, showcasing the talents of its cast and crew in delivering a gripping and unforgettable cinematic experience.

Tuesday 30th of January 2024

Storyville: Beyond Utopia: Escape From North Korea 10pm BBC4

“Storyville: Beyond Utopia: Escape From North Korea” is a compelling and eye-opening documentary that provides a harrowing glimpse into the lives of North Korean defectors. As part of the BBC’s Storyville series, this film explores the journeys of individuals who risked everything to escape the oppressive regime in North Korea.

The documentary skillfully weaves together personal narratives, archival footage, and expert analysis to offer a comprehensive and emotional account of the challenges faced by those attempting to flee North Korea. It sheds light on the extreme conditions and human rights abuses within the country, pushing viewers to confront the harsh realities of life under the regime.

What sets “Beyond Utopia” apart is its focus on the personal stories of the defectors, allowing the audience to connect with the individuals on a human level. The film doesn’t just depict the physical escape but also delves into the emotional and psychological toll that leaving one’s homeland can take.

The cinematography captures both the stark beauty of North Korea’s landscapes and the perilous nature of the escape routes, enhancing the narrative’s impact. Additionally, the documentary prompts reflection on the global implications of the North Korean crisis and the challenges faced by those who seek refuge beyond its borders.

“Beyond Utopia” serves as both a gripping human drama and an insightful exploration of the broader socio-political issues surrounding North Korea. It is a must-watch for those interested in understanding the complexities of life within the country and the courageous journeys undertaken by those seeking freedom.

Wednesday 31st of January 2024

Meek’s Cutoff (2010) 3.05pm GREAT!action

“Meek’s Cutoff” (2010), directed by Kelly Reichardt, is a slow-burning and contemplative Western that subverts traditional genre expectations to deliver a haunting and thought-provoking cinematic experience. Set in 1845 along the Oregon Trail, the film follows a group of settlers led by Stephen Meek (Bruce Greenwood) as they embark on an arduous journey through the harsh and unforgiving Oregon desert.

Reichardt’s deliberate pacing and attention to detail create a sense of authenticity, immersing the audience in the grueling realities of pioneer life. The film’s sparse dialogue and minimalistic approach contribute to its atmospheric and meditative tone, allowing viewers to feel the weight of the characters’ isolation and uncertainty.

The cinematography by Christopher Blauvelt captures the vast, desolate landscapes with a poetic beauty, emphasizing the isolation and vulnerability of the characters against the expansive backdrop. The use of the Academy ratio and the deliberate framing heighten the sense of confinement and unease, adding an extra layer of tension to the narrative.

“Meek’s Cutoff” is more than a traditional Western; it’s a character study and an exploration of human endurance. The ensemble cast, including Michelle Williams and Paul Dano, delivers restrained and nuanced performances, effectively conveying the emotional and physical toll of their journey. The film deliberately avoids easy resolutions or conventional narrative arcs, leaving room for interpretation and reflection.

This quiet and introspective approach may not be for everyone, as it requires patience and an appreciation for films that prioritize atmosphere and mood over traditional storytelling. However, for those willing to engage with its deliberate pace and subtle complexities, “Meek’s Cutoff” offers a unique and evocative cinematic experience that challenges the conventions of the Western genre.

Thursday 1st of February 2024

Miners’ Strike 1984: The Battle For Britain (two of three) 9pm Channel 4

The second part of a three-part documentary series that explores the history and impact of the year-long industrial dispute that divided the nation. The episode focuses on the ‘Battle of Orgreave’, the violent confrontation between striking miners and police forces on June 18, 1984, at a coking plant in South Yorkshire. The episode features new interviews with former miners, police officers, lawyers, and journalists, as well as footage revealing the startling nature of some of the policing that day. The episode also examines the role of the media and the government in shaping the public perception of the strike and the miners

Room At The Top (1959) 10.10pm Talking Pictures

“Room at the Top” (1959), directed by Jack Clayton, is a seminal British drama that delves into the socio-economic landscape of post-World War II England, embodying the essence of the kitchen sink realism movement. Adapted from John Braine’s novel, the film centers on Joe Lampton, played by Laurence Harvey, a determined working-class man yearning for upward social mobility.

At its core, the film is a social commentary on class distinctions and the challenges faced by individuals aspiring to transcend their predetermined stations in society. Laurence Harvey’s portrayal of Joe brilliantly captures the character’s ambition, charisma, and internal struggles as he navigates a world rife with societal expectations and personal dilemmas.

The narrative unfolds against a backdrop of shifting social norms, mirroring the post-war transformations in Britain. Joe’s entanglement in intricate relationships, particularly with Simone Signoret’s character, Alice Aisgill, serves as a poignant exploration of the compromises and complexities inherent in the pursuit of success.

Simone Signoret’s Academy Award-winning performance adds layers to the film, showcasing the challenges faced by women within the societal constraints of the time. The film not only examines personal aspirations but also sheds light on the societal dynamics that shape individual destinies, highlighting the limitations and sacrifices demanded by a rigid class structure.

“Room at the Top” remains a pivotal work in British cinema, its enduring impact evident in its influence on subsequent films within the kitchen sink realism genre. By tackling social issues with unflinching honesty, the film invites viewers to reflect on the enduring themes of ambition, love, and societal expectations, making it a classic that resonates with the socio-cultural fabric of its era.

Friday 2nd of February 2024

Blitzed: The 80s Blitz Kids’ Story 12.30am Sky Arts

“Blitzed: The 80s Blitz Kids’ Story” is a captivating and nostalgic documentary that immerses viewers in the vibrant and revolutionary subculture of the 1980s Blitz Kids. Directed by Bruce Ashley, this film explores the fashion, music, and nightlife phenomenon that emerged in London during a pivotal period of the city’s cultural history.

The documentary combines interviews with key figures of the Blitz Kids scene, archival footage, and a pulsating soundtrack to recreate the energy and innovation of this influential subculture. Viewers are taken on a journey through the eclectic and avant-garde fashion choices, the iconic club scene, and the profound impact of the Blitz Kids on art and pop culture.

What sets “Blitzed” apart is its ability to capture the spirit of the era, allowing audiences to relive the excitement and rebellion that characterized the Blitz Kids’ movement. The documentary also delves into the social and political backdrop that fueled this cultural explosion, providing a comprehensive understanding of its significance.

The film successfully balances nostalgia with insightful commentary, offering a mix of personal anecdotes and expert analysis. Whether you lived through the Blitz Kids era or are discovering it for the first time, “Blitzed” is a visually engaging and informative documentary that pays homage to a transformative moment in fashion and youth culture. It’s a must-watch for those fascinated by the evolution of subcultures and the impact of creativity on societal norms.

And finally, Under The Skin (2013) 1.05am Film4

“Under the Skin” (2013), directed by Jonathan Glazer, is a visually stunning and enigmatic exploration of loneliness, love, and the essence of humanity. Starring Scarlett Johansson as an otherworldly being disguised as a woman, the film takes viewers on a haunting journey through the Scottish landscape as it contemplates the human experience.

Loneliness permeates the film as the alien protagonist navigates the world, detached and isolated from the human connections she observes. The chilling beauty of the cinematography captures both the alien’s detached perspective and the stark landscapes, reinforcing the theme of existential solitude. Scarlett Johansson’s nuanced performance enhances the character’s otherness, creating a poignant portrayal of alienation.

As the alien begins to experience fragments of human emotion and connection, the film delves into the complexities of love. These moments of connection serve as a stark contrast to the character’s initial emotional detachment, raising questions about the nature of love and its significance in defining humanity. The film’s subtle and symbolic narrative allows viewers to interpret these themes in a deeply personal way.

“What it means to be human” becomes a central motif, challenging conventional notions of identity and empathy. The film prompts reflection on the fragility and profundity of human existence, using the alien’s journey as a lens to examine our shared vulnerabilities and desires for connection.

“Under the Skin” is an unconventional and thought-provoking cinematic experience that invites contemplation on the human condition. Its unique blend of atmospheric visuals, minimalistic storytelling, and Scarlett Johansson’s compelling performance make it a haunting meditation on loneliness, love, and the intricate tapestry of what it means to be human.

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