Culture Vulture 22nd to 28th of June 2024

5,741 words, 30 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is from Tim Bragg.

It’s fascinating to analyze themes across program schedules.

This week, two intriguing shows and a film, particularly, caught my attention: “My Lady Jane” on Prime Video and “Suranne Jones: Investigating Witch Trials” on Channel 4. Let’s delve into the themes of female empowerment and agency in these series.

“My Lady Jane” is an upcoming British television series available on Prime Video. Set in 1553, it promises an epic tale of true love, high adventure, and regicidal intrigue. What makes it particularly captivating is its twist on history’s tragic heroines: the damsel in distress saves herself and, ultimately, the kingdom. This portrayal of strong, empowered female characters challenges traditional gender roles and highlights their agency in restrictive societies.

Meanwhile, “Suranne Jones: Investigating Witch Trials” is a one-off documentary hosted by actress Suranne Jones on Channel 4. Jones, known for her roles in “Vigil” and “Doctor Foster,” explores her fascination with witches and the supernatural. Her statement, “Give me witches, wizards, and vampires any day,” reflects her interest in powerful, mystical women. By delving into witch trials, the documentary sheds light on historical injustices faced by women accused of witchcraft, emphasizing their resilience and agency even in oppressive contexts.

In both shows, we witness women defying societal norms, asserting their strength, and challenging the status quo. These themes resonate across time and provide thought-provoking narratives for viewers.

“The Wife” (2017), a film directed by Björn L. Runge and based on Meg Wolitzer’s novel, showing on BBC is also a compelling exploration of feminist themes woven throughout its narrative. Glenn Close’s portrayal of Joan Castleman navigates the complexities of gender roles within marriage and the literary world, challenging traditional expectations of women’s roles as supportive spouses. The film delves into Joan’s internal conflict, which mirrors broader societal challenges faced by women who have been historically marginalized despite their talents and contributions. Central to its feminist critique is the revelation that Joan may have ghostwritten her husband’s novels, shedding light on the erasure of women’s voices and creative labor. Through Joan’s emotional journey of stoicism, resentment, and resilience, “The Wife” subverts stereotypes of the passive wife, offering a profound commentary on identity, agency, and the enduring impact of patriarchal norms on women’s lives and aspirations.

Saturday 22nd of June 2024

The Duke (2020) 10.35pm BBC4

“The Duke” (2020) is a charming and heartfelt British comedy-drama that tells the true story of Kempton Bunton, a 60-year-old taxi driver who steals Goya’s portrait of the Duke of Wellington from the National Gallery in London. Jim Broadbent delivers an endearing performance as Bunton, whose motive for the theft is to use the ransom money to fund free television licenses for the elderly, highlighting his crusade against social injustice.

The film, directed by Roger Michell, blends humor and drama to explore themes of class disparity, the power of activism, and the lengths one man will go to fight for his principles. Bunton’s character is portrayed as a quirky yet deeply empathetic figure, emphasizing the broader societal issue of neglecting vulnerable populations, particularly the elderly. His actions challenge the status quo and underscore the importance of standing up against systemic inequities.

“The Duke” not only entertains but also provokes thought about the impact of social policies on everyday lives, making it a poignant commentary on the need for compassion and fairness in society.

The Long Good Friday (1980) 12am Film4

“The Long Good Friday” (1980) is a gripping British gangster film that delves into the tumultuous underworld of London, offering a raw and unflinching look at crime and power. Directed by John Mackenzie and starring Bob Hoskins in a career-defining role as Harold Shand, a ruthless crime boss, the film captures the tension and brutality of organized crime.

The story unfolds over a single, harrowing Easter weekend as Shand’s meticulously planned empire begins to crumble due to mysterious attacks. This unraveling exposes themes of betrayal, loyalty, and the fragile nature of power. Helen Mirren delivers a standout performance as Victoria, Shand’s sophisticated and sharp-witted partner, highlighting the gender dynamics within the criminal hierarchy.

On a deeper level, “The Long Good Friday” critiques the socio-political landscape of 1980s Britain, reflecting the anxieties of the era, such as the IRA bombings and the shifting economic climate. The film explores the ethical ambiguities of Shand’s pursuit of legitimacy through a major redevelopment project, juxtaposing his brutal methods with his vision of a prosperous, modern London. This ambition underscores the moral complexities faced by those seeking to escape their violent pasts while navigating the murky waters of capitalist ambition.

“The Long Good Friday” is not just a crime thriller but a profound commentary on the interplay between violence, power, and social change, making it a seminal work in British cinema.

Loving (2016) 12.15am BBC2

“Loving” (2016) is a poignant and powerful drama that tells the true story of Richard and Mildred Loving, an interracial couple whose landmark Supreme Court case, Loving v. Virginia, invalidated laws prohibiting interracial marriage in the United States. Directed by Jeff Nichols, the film stars Joel Edgerton and Ruth Negga, who deliver deeply affecting performances as the Lovings.

The film’s strength lies in its understated approach, focusing on the quiet dignity and resilience of the couple rather than the legal battles and social upheavals that surround them. Nichols’ direction emphasizes the humanity and love at the heart of the story, portraying Richard and Mildred as ordinary people who simply wanted to live their lives together, free from persecution.

Social themes of racial injustice, civil rights, and the fight for equality are central to “Loving.” The film highlights the deeply entrenched racism of the 1950s and 1960s America, depicting the Lovings’ struggle with grace and sensitivity. It also raises ethical questions about the role of government in regulating personal lives and the fundamental right to love whom one chooses.

“Loving” is a beautifully crafted film that serves as a powerful reminder of the enduring struggle for civil rights and the importance of love and perseverance in the face of systemic oppression. Its quiet strength and emotional depth make it a significant and moving portrayal of a pivotal moment in American history.

Sunday 23rd of June 2024

Lawrence Of Arabia (1962) 11am Film 4

“Lawrence of Arabia” (1962) is a cinematic masterpiece directed by David Lean, chronicling the remarkable life of T.E. Lawrence, played with captivating intensity by Peter O’Toole. The film is an epic saga that explores Lawrence’s role in the Arab Revolt during World War I, blending grand historical events with an intimate portrait of a complex and enigmatic figure.

The film is renowned for its breathtaking cinematography, particularly its expansive desert landscapes, which create a visually stunning backdrop for the narrative. Maurice Jarre’s iconic score further enhances the film’s majestic and sweeping scope.

At its core, “Lawrence of Arabia” delves into themes of identity, imperialism, and the clash of cultures. It examines Lawrence’s internal conflicts and his struggle with his own identity, caught between his British roots and his deep affinity for the Arab cause. The film also critiques the ambitions and machinations of colonial powers, highlighting the ethical complexities of Lawrence’s alliances and actions.

The supporting cast, including Alec Guinness, Anthony Quinn, and Omar Sharif, delivers powerful performances that add depth to the multifaceted narrative. The film’s exploration of heroism, leadership, and the burdens of fame presents a nuanced and thought-provoking character study.

“Lawrence of Arabia” is not only a technical and artistic triumph but also a profound exploration of the human spirit and the ambiguities of leadership and loyalty. Its enduring legacy and influence on cinema make it a timeless classic that continues to resonate with audiences.

Gandhi (1982) 5.10pm GREAT!movies

“Gandhi” (1982) is a compelling biographical drama that chronicles the life of Mahatma Gandhi, the leader of India’s non-violent independence movement against British rule. Directed by Richard Attenborough and featuring a masterful performance by Ben Kingsley in the title role, the film offers an in-depth portrayal of Gandhi’s journey from a humble lawyer to a revered leader.

Kingsley’s portrayal of Gandhi is both nuanced and powerful, capturing his spiritual commitment, unwavering resolve, and profound humanity. The film meticulously details key events in Gandhi’s life, including his campaigns of civil disobedience, his efforts to unite diverse religious and social groups, and his enduring message of peace and non-violence.

Social themes such as colonialism, racial discrimination, and the struggle for human rights are central to the narrative. “Gandhi” sheds light on the ethical implications of resistance and the moral power of non-violent protest. It also addresses the complexities of political leadership and the personal sacrifices involved in the fight for justice.

The film’s grand scale, with its sweeping historical scope and large-scale reenactments of protests and marches, is complemented by its intimate moments that highlight Gandhi’s personal challenges and triumphs. John Briley’s screenplay and Ravi Shankar’s evocative score further enhance the film’s emotional and historical impact.

“Gandhi” is not just a historical epic but a profound meditation on the power of peaceful resistance and the enduring impact of one man’s vision for a just and equitable world. Its inspiring message and outstanding execution make it a timeless classic.

The Edge OF Seventeen (2016) 9pm BBC3

“The Edge of Seventeen” (2016) is a refreshingly authentic coming-of-age dramedy that deftly captures the trials and tribulations of adolescence. Directed by Kelly Fremon Craig, the film stars Hailee Steinfeld as Nadine Franklin, a high school junior navigating the complexities of growing up, friendships, and family dynamics.

Steinfeld delivers a standout performance, portraying Nadine with a perfect blend of vulnerability, wit, and rebelliousness. Her nuanced portrayal brings depth to the character, making her relatable and compelling as she grapples with typical teenage issues and more profound personal struggles.

The film’s sharp and witty screenplay, also by Craig, is one of its strongest assets. It balances humour with heartfelt moments, exploring themes of identity, loss, and the search for connection. Woody Harrelson provides excellent support as Nadine’s sardonic yet caring teacher, Mr. Bruner, adding another layer of warmth and humor to the story.

“The Edge of Seventeen” addresses social themes such as the pressures of fitting in, the pain of feeling misunderstood, and the challenges of self-discovery. It also highlights the importance of empathy and communication in overcoming personal and interpersonal conflicts.

Overall, “The Edge of Seventeen” is a well-crafted and engaging film that resonates with both teenagers and adults. Its honest depiction of adolescence, combined with strong performances and sharp writing, makes it a standout entry in the coming-of-age genre.

Suranne Jones: Investigating Witch Trials 9pm Channel 4

“Suranne Jones: Investigating Witch Trials” is a captivating documentary series hosted by the talented Suranne Jones. This series provides an in-depth exploration of some of history’s most infamous witch trials, with a particular focus on the 1612 Pendle witch trials in Lancashire, England. These trials stand out as some of the most notorious events in English history, and Jones’s journey brings their harrowing details to light.

The series is anchored in its historical context, delving into the events of 1612 when the Pendle witch trials took place. These trials saw numerous individuals accused of witchcraft, many of whom faced brutal detention and eventual execution. Jones retraces the steps of these accused individuals, walking the very paths they trod towards their grim fates. Through this immersive approach, she reveals the horrifying realities faced by those labelled as witches, providing viewers with a visceral understanding of the fear and persecution of the time.

Beyond merely recounting historical facts, Jones’s investigation is deeply rooted in the stories of the women who were predominantly targeted during these tumultuous periods. The series examines why so many women fell victim to accusations of witchcraft and how these accusations reflected broader societal anxieties and power dynamics. By drawing connections between the past and the present, Jones challenges viewers to rethink the usage of phrases like “witch hunt” and to consider their implications for women in contemporary society. This aspect of the series underscores the enduring impact of historical labels and stereotypes on women, prompting a reevaluation of how such terms are employed in modern discourse.

Jones’s humane intelligence shines through in her unexpected yet profoundly emotional approach to the subject matter. Her empathy and thoughtful engagement with the history of witch trials add a compelling layer to the series. Furthermore, the documentary extends its exploration to present-day iterations of witchhood, highlighting phenomena such as the surprising popularity of WitchTok. By doing so, it illustrates how the concept of witchcraft continues to evolve and resonate in modern culture, offering a nuanced perspective on what it means to be labeled a witch in today’s world.

“Suranne Jones: Investigating Witch Trials” is more than a historical recount; it is an invitation to engage in meaningful conversation. The series challenges entrenched stereotypes, honors the resilience of women who faced persecution, and bridges the past with the present. Through Jones’s thoughtful narration and emotional depth, viewers are encouraged to reflect on the historical injustices of the witch trials and their lasting impact on women’s lives and societal perceptions.

Taxi Driver (1976) 11.20pm GREAT!movies

“Taxi Driver” (1976), directed by Martin Scorsese and starring Robert De Niro, is a haunting exploration of urban alienation and moral decay in post-Vietnam War America. The film follows Travis Bickle, a mentally unstable veteran working as a taxi driver in New York City, who becomes increasingly disillusioned with the moral rot he perceives around him.

The film’s social themes are profoundly etched into its gritty portrayal of New York’s underbelly. Bickle’s isolation is exacerbated by the city’s pervasive crime, corruption, and the seeming apathy of its inhabitants. The urban landscape serves as a backdrop for his descent into madness, reflecting a society that has lost its ethical moorings. Scorsese uses the character’s growing obsession with cleaning up the city as a metaphor for the struggle between individual morality and societal collapse.

Ethically, “Taxi Driver” raises complex questions about justice and vigilantism. Bickle’s ultimate decision to take the law into his own hands blurs the line between heroism and criminality. His actions challenge the viewer to consider the fine line between righteous indignation and violent retribution. The film does not offer easy answers but rather compels viewers to confront the disturbing implications of taking justice into one’s own hands.

In essence, “Taxi Driver” is a masterful portrayal of a fractured society through the eyes of a deeply troubled individual. It remains a powerful commentary on the perils of isolation, the quest for moral clarity in an ethically ambiguous world, and the dark potential of unchecked vigilantism.

Kokomo City (2023) 11.55pm C4

“Kokomo City” (2023) is a captivating and thought-provoking film that dives deep into the complexities of urban life and human connection in a rapidly changing world. Directed by auteur filmmaker Lila Neugebauer, the film unfolds as a mosaic of interconnected stories set against the backdrop of Kokomo, a fictional city that feels both familiar and fantastical.

At its heart, “Kokomo City” explores the lives of diverse characters navigating personal challenges and universal themes of love, loss, and identity. Neugebauer weaves together multiple narratives with a deft hand, creating a tapestry that reflects the mosaic of modern urban existence. Each character is vividly drawn, with their own dreams, fears, and struggles, making them relatable and engaging.

Thematically, the film delves into issues such as loneliness in a bustling city, the quest for meaning in everyday life, and the search for connection amidst societal fragmentation. Through intimate storytelling and poignant moments, “Kokomo City” captures the emotional landscapes of its characters with sensitivity and depth.

Visually, the film is a treat, with Neugebauer and her cinematographer employing a mix of striking visuals and evocative settings to enhance the narrative. The city itself becomes a character, its streets and neighbourhoods pulsating with life and echoing the hopes and dreams of its inhabitants.

Overall, “Kokomo City” is a testament to Neugebauer’s skill as a storyteller and her ability to evoke empathy and introspection in her audience. It’s a film that resonates long after the credits roll, leaving viewers pondering the intricacies of human connection and the profound impact of urban environments on our lives.

Pans Labyrinth (2006) 12am BBC1

“Pans Labyrinth” (2006), directed by Guillermo del Toro, is a mesmerizing blend of dark fantasy and historical drama that delves deep into ethical, social, and political themes. Set in post-Civil War Spain in 1944, the film follows young Ofelia as she discovers a labyrinthine world filled with mythical creatures while grappling with the harsh realities of fascist oppression.

Ethically, the film confronts the choices individuals face in times of moral ambiguity. Ofelia’s journey through the labyrinth is not just a quest for fantastical creatures but also a quest for moral integrity and courage. Her decisions, guided by a moral compass rooted in empathy and defiance against tyranny, highlight the ethical dilemmas posed by authoritarian rule.

Socially, “Pans Labyrinth” critiques the devastating impact of war on civilian life. It portrays the brutality of Francoist Spain through the eyes of characters like Ofelia’s stepfather, Captain Vidal, whose authoritarianism and obsession with power symbolize the dehumanizing effects of fascism. The film contrasts this with the resilience of those who resist, embodying themes of rebellion and sacrifice in the face of oppression.

Politically, del Toro uses the fantastical elements of the labyrinth to underscore broader political allegories. The magical creatures Ofelia encounters represent hope and resistance against oppressive regimes. The film’s dual narrative of harsh reality and enchanting fantasy serves as a poignant commentary on the power of imagination and storytelling as tools of resistance against totalitarianism.

Visually stunning and emotionally resonant, “Pans Labyrinth” is a testament to del Toro’s ability to blend dark fairy tale elements with profound socio-political commentary. It challenges viewers to reflect on the moral complexities of resistance, the enduring impact of authoritarianism on society, and the resilience of the human spirit in the face of adversity. By intertwining fantasy and reality, the film creates a hauntingly beautiful narrative that lingers in the mind, prompting contemplation of its ethical, social, and political implications long after the credits roll.

Monday 24th of June 2024

The Cancer Detectives 7.35pm PBS America

“The Cancer Detectives” is a remarkable documentary featured on American Experience. It unveils the untold story of the first-ever war on cancer, focusing on cervical cancer – once the leading cause of cancer-related deaths in women. The coalition of trailblazers who made this life-saving cervical cancer test possible includes Dr. George Papanicolaou (a Greek immigrant), his intrepid wife Mary, Japanese-born artist Hashime Murayama, Dr. Helen Dickens (an African American OBGYN in Philadelphia who is pictured), and an entirely new class of female scientists known as cyto-screeners1. Their tireless efforts transformed women’s lives and paved the way for early detection and prevention.

The Damned United (2009) 11.15pm BBC2

“The Damned United” (2009), directed by Tom Hooper and based on David Peace’s novel, is a gripping biographical drama that chronicles the tumultuous 44-day tenure of Brian Clough as manager of Leeds United football club in 1974. Starring Michael Sheen as Brian Clough, the film explores themes of ambition, rivalry, and the human cost of relentless pursuit of success in the competitive world of football management.

At its core, “The Damned United” delves into the complexities of leadership and ego. Michael Sheen delivers a commanding performance, capturing Clough’s charismatic bravado and deep-seated insecurities with remarkable depth. Through Clough’s interactions with players, staff, and his own inner circle, the film paints a portrait of a man driven by an unyielding desire to prove himself while grappling with the consequences of his abrasive leadership style.

The film also examines the dynamics of loyalty and betrayal within the football fraternity. Clough’s strained relationship with his assistant, Peter Taylor (played by Timothy Spall), serves as a poignant subplot that underscores the personal sacrifices made in the pursuit of professional success. Their turbulent partnership reflects larger themes of camaraderie and the human connections forged amidst the cutthroat world of professional sports.

Visually, “The Damned United” captures the gritty realism of 1970s English football culture, from the smoke-filled boardrooms to the raucous stadiums. The cinematography effectively immerses viewers in the era, enhancing the film’s authenticity and emotional resonance.

“The Damned United” is a compelling exploration of ambition, identity, and the complexities of human relationships in the high-stakes world of football management. With its stellar performances and nuanced storytelling, the film offers not only a glimpse into a pivotal moment in sports history but also a thought-provoking examination of the personal and professional costs of chasing greatness.

Tuesday 25th of June 2024

The Believers (1987) 11pm Talking Pictures

“The Believers” (1987), directed by John Schlesinger, is a chilling and suspenseful thriller that delves into the sinister world of religious cults and supernatural beliefs. Starring Martin Sheen as psychologist Cal Jamison, the film unfolds as a tense exploration of ancient rituals and modern-day horrors in New York City.

At its heart, “The Believers” explores themes of faith, fanaticism, and the power of belief. The narrative unfolds as Jamison investigates a series of bizarre deaths linked to a secretive cult that practices rituals derived from Afro-Caribbean religions. As he delves deeper into the mysteries surrounding the cult, Jamison confronts his own scepticism and the unsettling realization that there may be supernatural forces at play.

The film is notable for its atmospheric tension and gritty portrayal of urban paranoia. Schlesinger masterfully builds suspense through eerie visuals and a haunting musical score, creating an atmosphere of dread that pervades the entire narrative. The juxtaposition of ancient ritualistic practices with modern urban settings adds layers of intrigue and contributes to the film’s unsettling ambiance.

Martin Sheen delivers a compelling performance as Jamison, a rational man forced to confront irrational forces beyond his comprehension. His portrayal anchors the film, providing a relatable perspective amidst the escalating supernatural occurrences and visceral thrills.

Visually striking and thematically rich, “The Believers” is a gripping thriller that explores the depths of human belief and the terrifying consequences of unchecked fanaticism. With its blend of psychological tension and supernatural intrigue, the film offers a compelling and thought-provoking viewing experience that lingers in the mind long after the credits roll.

Licorice Pizza (2021) 11.05pm BBC2

“Licorice Pizza” (2021), directed by Paul Thomas Anderson, is a whimsical and nostalgic journey through 1970s Southern California that charms with its quirky characters and heartfelt storytelling.

Set against the backdrop of the San Fernando Valley, the film follows the unlikely romance between Alana Kane (played by Alana Haim), a spirited young woman working in the Valley, and Gary Valentine (played by Cooper Hoffman), a charismatic and enterprising teenager with big dreams. Their blossoming relationship forms the heart of the narrative, capturing the innocence and intensity of young love amidst a backdrop of cultural and societal shifts.

Anderson’s direction infuses the film with a warm, retro aesthetic that pays homage to the era’s style and music, creating a vivid tapestry of 1970s California. The cinematography beautifully captures both the sprawling landscapes and intimate moments, enhancing the film’s nostalgic atmosphere.

The performances by Haim and Hoffman are standout features, their chemistry and authenticity grounding the film in emotional truth. They navigate the complexities of their characters with charm and depth, making their relationship believable and engaging.

“Licorice Pizza” is not just a love story but also a reflection on ambition, identity, and the pursuit of dreams. It explores themes of youth, friendship, and the passage of time with humour and poignancy. Anderson’s screenplay balances whimsy with moments of introspection, offering viewers a rich tapestry of characters and experiences.

“Licorice Pizza” is a delightful and heartfelt film that resonates with its audience through its nostalgic charm, compelling performances, and evocative storytelling. It’s a testament to Anderson’s skill as a filmmaker and storyteller, leaving a lasting impression with its blend of humour, romance, and bittersweet reflections on growing up.

Wednesday 26th of June 2024

The Wife (2017) 11.30pm BBC2

“The Wife” (2017), directed by Björn Runge and based on the novel by Meg Wolitzer, is a gripping and thought-provoking drama that delves into themes of marriage, ambition, and identity.

The film revolves around Joan Castleman (played by Glenn Close), whose husband Joe (played by Jonathan Pryce) is a renowned writer set to receive the Nobel Prize in Literature. As they travel to Stockholm for the ceremony, tensions simmer beneath the surface, unravelling the complexities of their relationship and the sacrifices made over decades.

Glenn Close delivers a powerhouse performance as Joan, capturing the nuances of a woman who has spent years supporting her husband’s career while suppressing her own ambitions. Close’s portrayal is layered with subtlety and restraint, conveying Joan’s internal turmoil and quiet strength.

Jonathan Pryce complements Close’s performance with his portrayal of Joe, a charismatic yet flawed figure whose success is intertwined with Joan’s unwavering support. Their dynamic unfolds through flashbacks that reveal the true nature of their partnership, adding depth to their characters and exploring themes of power dynamics and creative ownership.

The screenplay, penned by Jane Anderson, skilfully navigates themes of gender roles, artistic integrity, and the price of personal fulfilment. It raises poignant questions about the sacrifices individuals make for their partners and the toll of unfulfilled aspirations.

Visually, the film is understated yet compelling, with cinematography that captures both the intimate moments between characters and the grandeur of the Nobel ceremony in Stockholm. The setting serves as a backdrop for the emotional climax of the story, highlighting the contrast between public recognition and private struggles.

Overall, “The Wife” is a captivating exploration of marriage and self-discovery, anchored by Glenn Close’s commanding performance. It prompts viewers to reflect on the complexities of relationships and the pursuit of personal fulfilment in the face of societal expectations. The film’s narrative depth and strong performances make it a compelling watch.

Thursday 27th of June 2024

Doris Day: I Don’t Even Like Apple Pie 10.40pm BBC4

“Doris Day: I Don’t Even Like Apple Pie” is a rare television interview featuring the iconic actress and singer Doris Day. In this captivating documentary, Day reflects on her successful acting and singing career, sharing fond memories of working with legendary figures like Rock Hudson, James Cagney, Clark Gable, and James Garner1. The program provides an intimate glimpse into her life and legacy, making it a must-watch for fans and anyone interested in Hollywood history.

A Quiet Place (2018) 9pm Film4

“A Quiet Place” (2018), directed by John Krasinski, is a masterfully crafted thriller that grips viewers from start to finish with its unique premise and relentless tension. Set in a post-apocalyptic world overrun by blind creatures with acute hearing, the film follows the Abbott family—led by Lee (played by Krasinski) and Evelyn (played by Emily Blunt)—as they navigate a perilous existence where silence is the key to survival.

The film’s brilliance lies in its minimalistic approach and effective use of sound—or rather, the absence of it—to create an atmosphere of constant dread. Krasinski’s direction keeps the audience on edge as the family communicates through sign language and treads carefully to avoid making any noise that could attract the deadly creatures. This silent tension is juxtaposed with moments of intense action and emotional depth, making for a gripping viewing experience.

Emily Blunt delivers a standout performance as Evelyn, portraying a mother’s fierce determination to protect her children amidst overwhelming odds. The familial dynamics and the sacrifices they make underscore the film’s exploration of love, resilience, and the lengths people will go to survive in a hostile world.

Overall, “A Quiet Place” is a standout horror-thriller that excels in both its technical execution and emotional impact. With its innovative premise, strong performances, and skillful direction, it captivates audiences while delivering a haunting meditation on survival, family bonds, and the power of silence in a world where every sound could mean death.

Friday 28th Of June 2024

A Quiet Place Part II (2020) 9pm Film4

“A Quiet Place Part II” (2020), directed by John Krasinski, expands upon the tense and gripping world established in its predecessor with a seamless continuation of its post-apocalyptic narrative. Picking up immediately after the events of the first film, the sequel follows the Abbott family—Evelyn (Emily Blunt), Regan (Millicent Simmonds), and Marcus (Noah Jupe)—as they navigate the treacherous landscape where sound-hunting creatures lurk.

Where the original film relied on silence to heighten tension, the sequel deftly explores the broader world beyond the Abbott family’s isolated farm. It introduces new characters, notably Emmett (Cillian Murphy), who adds depth to the narrative with his own journey of survival and redemption. This expansion enriches the story, offering fresh perspectives while deepening our understanding of the creatures’ origins and the devastation they wrought.

Emily Blunt once again shines in her role as Evelyn, displaying a mother’s unwavering determination to protect her children. Millicent Simmonds delivers a standout performance as Regan, whose quest for safety intertwines with a mission to find others who may still be alive. The sequel maintains the emotional core of familial bonds and sacrifice while ramping up the intensity with pulse-pounding sequences that keep audiences on the edge of their seats.

In comparison to its predecessor, “A Quiet Place Part II” builds upon the strengths of the original by expanding its world and character dynamics without losing the intimate and terrifying atmosphere that made the first film so compelling. It deepens the exploration of survival instincts and resilience while delivering heart-pounding thrills and emotional resonance. Both films complement each other seamlessly, creating a cohesive and thrilling cinematic experience that leaves a lasting impact on viewers.

Misery (1990) 1.05am Film4

“Misery” (1990), directed by Rob Reiner and based on Stephen King’s novel, is a chilling psychological thriller that grips viewers with its intense storyline and standout performances. The film stars James Caan as Paul Sheldon, a bestselling author who finds himself trapped in the home of his obsessed fan, Annie Wilkes, played masterfully by Kathy Bates.

At its core, “Misery” delves into themes of obsession, manipulation, and the blurred lines between admiration and terror. Kathy Bates delivers an unforgettable performance as Annie Wilkes, portraying her as a complex character who oscillates between nurturing caregiver and menacing captor. Bates’s portrayal earned her an Academy Award for Best Actress, showcasing her ability to imbue Annie with both vulnerability and terrifying unpredictability.

The film’s tension is expertly crafted, with Rob Reiner skillfully building suspense through claustrophobic settings and psychological warfare. As Paul Sheldon struggles to escape Annie’s clutches, the film delves into the psychological torment of captivity and the lengths one will go to survive. The screenplay remains faithful to Stephen King’s novel, maintaining its dark and gripping narrative that keeps audiences on the edge of their seats.

Overall, “Misery” is a standout thriller that excels in its portrayal of psychological terror and the dynamics of obsession. With compelling performances, taut direction, and a gripping storyline, the film remains a classic in the genre, leaving a lasting impact on viewers with its exploration of fear, survival, and the darker aspects of human nature.

And finally, streaming…

My Lady Jane all eight episodes available on Amazon Prime from Thursday, 27th of June 2024 “My Lady Jane” transports viewers to an alternate Tudor era where Jane Grey unexpectedly becomes queen overnight. But this isn’t your typical historical drama. Instead, it’s a whimsical romp filled with yearning, banter, and undeniable chemistry.

The show reimagines Lady Jane Grey’s fate, allowing her to save herself – and the kingdom – from peril. Jane’s agency stands out as she navigates treacherous waters, defying societal norms and expectations. It’s based on The Lady Janies novels by Cynthia Hand, Brodi Ashton and Jodi Meadows which start from a ‘What if’ idea of Jane evading execution in 1553 and continuing as the English Queen.

Female empowerment takes centre stage as Jane faces villains, ruffians, and ne’er-do-wells who come for her crown and her head. Her resilience and determination inspire viewers, emphasizing that women can be more than mere pawns in historical narratives.

“My Lady Jane” weaves magical realism into its fabric, adding a delightful touch to the story. Expect swashbuckling swordfights, regicidal maniacs, and unexpected twists.
The deadpan heroism of our heroine – witty, resourceful, and unyielding – keeps the audience engaged. Jane’s ability to save herself defies convention and adds a refreshing layer to the plot.

The undeniable chemistry between Jane and her allies – including Guildford Dudley – sparks onscreen. Their banter and interactions create a delightful tension, making us root for their love story. Romance isn’t just about courtly dances; it’s about shared glances, secret smiles, and stolen moments. “My Lady Jane” captures this beautifully.

“My Lady Jane” is a royally fun escape that celebrates female agency, love, and the magic of rewriting history. Whether you’re a history buff or simply seeking an enchanting adventure, this series delivers. So grab your metaphorical sword and join Jane Grey on her captivating journey!

Picture credits

The Duke (2020)
By http://www.impawards.com/intl/uk/2021/duke.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68382985
The Long Good Friday (1980)
Fair use, https://en.wikipedia.org/w/index.php?curid=14847458
Loving (2018)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50235576
Lawrence Of Arabia (1962)
By Incorporates artwork by Howard Terpning – http://www.impawards.com/1962/lawrence_of_arabia_ver3.html, Public Domain, https://commons.wikimedia.org/w/index.php?curid=25628293
Gandhi (1982)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=34903991
The Edge OF Seventeen (2016)
By STX Entertainment – http://cdn3-www.comingsoon.net/assets/uploads/gallery/the-edge-of-seventeen/edgeofseventeenposter.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=51106187
Taxi Driver (1976)
By May be found at the following website: Heritage Auctions (cropped and resized from original), Fair use, https://en.wikipedia.org/w/index.php?curid=62776056
Kokomo City (2023)
By Unknown – IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=74059422
Pans Labyrinth (2006)
By https://www.filmaffinity.com/en/filmimages.php?movie_id=977734, Fair use, https://en.wikipedia.org/w/index.php?curid=7070891
The Cancer Detectives – Dr Helen Dickens
By c. 1950The National Library of Medicine believes this item to be in the public domain. – http://resource.nlm.nih.gov/101413650, CC0, https://commons.wikimedia.org/w/index.php?curid=94906937
The Damned United (2009)
By http://images.google.co.uk/imgres?imgurl=http://images.mirror.co.uk/upl/m4/mar2009/2/8/image-1-for-the-damned-united-gallery-608466714.jpg&imgrefurl=http://www.mirror.co.uk/2009/03/20/the-damned-united-115875-21213898/&usg=__mmgMBoWFTXDbX_w1sOaxUuLcx34=&h=338&w=450&sz=30&hl=en&start=12&tbnid=P1F5eRDTT-gYEM:&tbnh=95&tbnw=127&prev=/images%3Fq%3Dthe%2Bdamned%2Bunited%26gbv%3D2%26hl%3Den, Fair use, https://en.wikipedia.org/w/index.php?curid=24106284
The Believers (1987)
By Impawards, Fair use, https://en.wikipedia.org/w/index.php?curid=12433451
Licorice Pizza (2021)
By http://www.impawards.com/2021/licorice_pizza_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=68829075
The Wife (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=55237222
Doris Day
By Unknown photographer – eBay, Public Domain, https://commons.wikimedia.org/w/index.php?curid=25790050
A Quiet Place (2018)
By http://popcornhorror.com/5-horror-movies-whose-atmosphere-will-scare-hell/, Fair use, https://en.wikipedia.org/w/index.php?curid=56965271
A Quiet Place Part II (2020)
By IMP Awards / 2021 Movie Poster Gallery / A Quiet Place: Part II Poster (#5 of 8), Fair use, https://en.wikipedia.org/w/index.php?curid=63813788
Misery (1990)
By The poster art can or could be obtained from Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=57081873

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