Posts Tagged reviews

Culture Vulture 23-29 March 2024

Welcome to Culture Vulture your guide to the week’s entertainment from an alternative viewpoint. Highlights this week include the films The Girl With A Bracelet (2019) and Gagarine (2020), and the six-part documentary Lincoln: Divided We Stand. Selections and writing are by Pat Harrington and music is from Tim Bragg.

Saturday 23 March 2023

The Girl With A Bracelet (2019) 1.25am BBC2

“The Girl with a Bracelet” (2019) is a French courtroom drama that delves into the complexities of teenage life, relationships, and the justice system. Directed by Stéphane Demoustier, this film centers around Lise, a seemingly ordinary teenager accused of murdering her best friend.

What sets this film apart is its nuanced exploration of the characters and their motivations. The director skillfully weaves together flashbacks, courtroom scenes, and intimate moments to gradually reveal the truth behind the crime. The audience is kept guessing until the very end, as layers of lies and secrets are peeled away.

The performances in “The Girl with a Bracelet” are exceptional, particularly from the lead actress, Melissa Guers, who brings depth and vulnerability to her role as Lise. The supporting cast also delivers strong performances, adding to the film’s authenticity and emotional impact.

Visually, the film is understated yet compelling, with a focus on intimate close-ups and subtle gestures that convey the characters’ inner turmoil. The cinematography captures the tension of the courtroom scenes and the quiet moments of reflection with equal finesse.

Overall, “The Girl with a Bracelet” is a gripping and thought-provoking exploration of guilt, innocence, and the complexities of justice. It’s a film that lingers in the mind long after the credits roll, leaving viewers questioning their own perceptions of truth and morality.

Sunday 24 March 2023

Hemingway 11.40 BBC4

Hemingway, a captivating documentary, offers an intimate portrait of the great American writer, Ernest Hemingway. This definitive portrait, created by Ken Burns and Lynn Novick, delves into both the brilliance of his work and the complexities of the man behind the myth. It is followed at 12.30 by a look at the publication of In Our Time, The Sun Also Rises adn A Farewell To Arms.

Whatever Happened To Baby Jane? (1962) 11.50pm BBC2

“Whatever Happened to Baby Jane?” (1962) is a classic psychological thriller directed by Robert Aldrich, featuring iconic performances by Bette Davis and Joan Crawford. Set in a decaying mansion in Hollywood, the film follows the twisted relationship between two aging sisters, former child star Baby Jane Hudson and her wheelchair-bound sister Blanche.

From the haunting opening sequence to its shocking climax, “Whatever Happened to Baby Jane?” grips the audience with its dark and suspenseful narrative. The tension between the sisters is palpable, as Jane’s descent into madness and Blanche’s vulnerability create an atmosphere of dread and uncertainty.

Bette Davis a tour-dedelivers-force performance as Baby Jane, perfectly capturing her blend of childlike innocence and malevolent insanity. Joan Crawford is equally compelling as the tormented Blanche, portraying her fear and desperation with remarkable depth.

The film’s gothic atmosphere, with its eerie music and haunting cinematography, adds to the sense of unease and foreboding. The setting of the crumbling mansion becomes a character in itself, reflecting the decay of the sisters’ minds and the dark secrets hidden within its walls.

“Whatever Happened to Baby Jane?” remains a timeless masterpiece of psychological horror, exploring themes of jealousy, obsession, and the destructive power of family ties. Its impact on popular culture is undeniable, influencing countless films and inspiring a legacy that continues to captivate audiences to this day.

Monday 25 March 2024

Lincoln: Divided We Stand (one of six) 9.15pm PBS America

Lincoln: Divided We Stand is a six-part documentary series that delves into the remarkable life and unexpected journey of Abraham Lincoln. Narrated by Sterling K. Brown, the series provides a comprehensive exploration of Lincoln’s complex inner world, seamlessly blending his tragic personal life with his history-making political career. Continues all week.

Gagarine (2020) 1.55am C4

“Gagarine” (2020) is a visually stunning and emotionally resonant French drama directed by Fanny Liatard and Jérémy Trouilh. Set in a housing project on the outskirts of Paris named after the Soviet cosmonaut Yuri Gagarin, the film follows the journey of a young boy named Youri who dreams of becoming an astronaut.

What sets “Gagarine” apart is its unique blend of social realism and poetic storytelling. The directors craft a visually striking narrative, capturing the beauty and decay of the housing project with equal care. The film’s use of imaginative visuals and dreamlike sequences adds depth to Youri’s journey, blurring the line between reality and fantasy.

Newcomer Alseni Bathily delivers a remarkable performance as Youri, bringing warmth, vulnerability, and resilience to the character. His portrayal of a young man determined to hold onto his dreams despite the challenges around him is both captivating and deeply moving.

“Gagarine” is a poignant exploration of community, identity, and the universal human desire for connection and belonging. It sheds light on the plight of marginalized communities while also celebrating the resilience and creativity found within them.

Overall, “Gagarine” is a powerful and visually stunning film that resonates long after the credits roll. It’s a testament to the human spirit and the power of dreams to transcend even the harshest of realities.

Tuesday 26 March 2024

Gilda (1946) 3.40pm Talking Pictures

“Gilda” (1946), directed by Charles Vidor, is a classic film noir that captivates audiences with its sultry atmosphere, complex characters, and gripping plot. Set in post-World War II Buenos Aires, the film revolves around the enigmatic and alluring Gilda, played by the incomparable Rita Hayworth.

“Gilda” is a story of love, betrayal, and deception. The film’s intricate plot keeps viewers on the edge of their seats as they navigate the twists and turns of Gilda’s tumultuous relationships with her husband, the shady casino owner Ballin Mundson (George Macready), and his right-hand man, Johnny Farrell (Glenn Ford).

Rita Hayworth’s performance as Gilda is nothing short of mesmerizing. With her magnetic presence and undeniable charm, she embodies the quintessential femme fatale, exuding both vulnerability and strength in equal measure. Hayworth delivers a sizzling and unforgettable performance of “Blame It On Mame” that has become synonymous with the film itself. As the sultry nightclub singer, Gilda, Hayworth commands the stage with an intoxicating blend of charisma and sensuality, captivating the audience with every move. Clad in a form-fitting black dress and adorned with a long black satin glove, her performance exudes an aura of mystery and allure. However, it’s worth noting that Hayworth did not provide the vocals for the song; instead, it was dubbed by singer Anita Ellis. With her smoky vocals and seductive demeanor, Ellis’s rendition adds another layer of depth to Hayworth’s performance, further enhancing the scene’s steamy atmosphere. As Gilda croons the iconic lyrics, “Blame it on Mame, boys,” her performance becomes a mesmerizing display of power and desire, leaving an indelible mark on cinematic history.

The chemistry between Hayworth and Ford is palpable, adding layers of tension and complexity to their on-screen interactions. As Johnny struggles with his conflicting feelings for Gilda and his loyalty to Mundson, the film delves into themes of obsession, jealousy, and desire.

Visually, “Gilda” is a feast for the eyes, with its moody lighting, stylish costumes, and atmospheric cinematography capturing the noir aesthetic in all its glory. The film’s iconic imagery, including Gilda’s provocative introduction and the infamous scene with her black satin glove, has left an indelible mark on cinema history.

Overall, “Gilda” is a timeless classic that continues to enthrall audiences with its gripping storytelling, unforgettable performances, and sumptuous visuals. It remains a shining example of the film noir genre and a testament to the enduring power of cinema.

The Rider (2018) 1.35am Film4

“The Rider” (2018), directed and written by Chloé Zhao, who later gained widespread acclaim for her work on the award-winning film “Nomadland,” is a poignant and visually stunning exploration of resilience and identity. Set against the backdrop of the American heartland, the film follows Brady Blackburn, portrayed by non-professional actor Brady Jandreau, a young rodeo rider grappling with the aftermath of a traumatic head injury. Notably, Jandreau’s real-life family and friends, including his father and sister, also play versions of themselves in the film, adding an extra layer of authenticity to the narrative.

What sets “The Rider” apart is its authenticity and emotional depth. The director cast non-professional actors, many of whom are portraying versions of themselves, adding a layer of realism to the film’s narrative. Brady Jandreau, who plays the lead role, delivers a raw and heartfelt performance, drawing viewers into his world of rodeo culture and personal struggle.

Chloé Zhao’s direction is masterful, capturing the vast landscapes of South Dakota with breathtaking beauty and intimacy. The film’s cinematography, characterized by wide shots of the open plains and intimate close-ups of the characters, immerses viewers in the rugged yet poetic world of the American West.

At its core, “The Rider” is a deeply human story about resilience, identity, and the bonds that hold communities together. As Brady grapples with the loss of his rodeo career and the uncertainty of his future, the film explores themes of masculinity, disability, and the pursuit of dreams.

Through its quiet moments of introspection and powerful moments of emotional catharsis, “The Rider” offers a profound meditation on what it means to find purpose and meaning in the face of adversity. It’s a film that lingers in the mind long after the credits roll, reminding viewers of the power of cinema to illuminate the complexities of the human experience.

Wednesday 27 March 2024

Our Ladies (2019) 9pm Film4

“Our Ladies” (2019), directed by Michael Caton-Jones, is a spirited and heartwarming coming-of-age film that follows a group of Catholic schoolgirls from Scotland on a wild adventure in Edinburgh. Based on the novel “The Sopranos” by Alan Warner, the film captures the essence of teenage rebellion, friendship, and self-discovery.

Set in the 1990s, “Our Ladies” offers a nostalgic trip back in time, filled with vibrant music, colorful fashion, and a sense of youthful exuberance. The ensemble cast delivers standout performances, with each character bringing their own quirks and vulnerabilities to the forefront.

Despite the film’s seemingly lighthearted premise, it delves deep into the lives of his characters, exploring themes of adolescence, friendship, sexuality, and the search for identity. Each of the girls has her own unique struggles and desires, and throughout the course of their adventure, they confront these issues head-on, forging bonds that will shape their futures.

It is a vivid portrayal of Scottish working-class life and its colorful cast of characters. The writing is rich with humor, wit, and sharp observations, capturing the essence of teenage rebellion and the complexities of growing up in a small town.

At its heart, the film is a celebration of female friendship and solidarity. As the girls navigate the challenges of growing up and forging their own paths, they lean on each other for support and encouragement, forming a bond that transcends social boundaries and societal expectations.

Director Michael Caton-Jones infuses the film with energy and authenticity, capturing both the highs and lows of adolescence with honesty and humor. The script balances moments of raucous humor with genuine emotion, resulting in a film that is both entertaining and heartfelt.

“Our Ladies” is a refreshing take on the coming-of-age genre, offering a fresh perspective on the trials and triumphs of teenage life. With its memorable characters, lively soundtrack, and uplifting message of friendship, it’s a film that will resonate with audiences of all ages.

Daphne 10pm BBC4

This one-off biographical drama celebrates the centenary of the birth of renowned author Daphne Du Maurier, portrayed by the talented Geraldine Somerville.The drama delves into Daphne Du Maurier’s life story, shedding light on her fascinating relationships. It particularly explores her connection with American heiress Ellen Doubleday (played by Elizabeth McGovern). Additionally, the drama unfolds her life-changing love affair with the vivacious actress Gertrude Lawrence.

Daphne Du Maurier Talks To Winifred De’Ath 11.30pm

In 1971, the esteemed author Daphne du Maurier engaged in an insightful conversation with Wilfred De’Ath. This interview took place in her Cornwall home and covered a range of topics.
This rare interview provides a unique window into the mind of Daphne du Maurier, one of the most celebrated authors of the 20th century

Thursday 28 March 2024

Trainspotting (1996) 10.45pm Film4

“Trainspotting” (1996), directed by Danny Boyle and based on the novel by Irvine Welsh, is a gritty and electrifying portrayal of heroin addiction in Edinburgh, Scotland. The film follows a group of young friends, led by Mark Renton (played by Ewan McGregor), as they navigate the highs and lows of addiction, friendship, and survival.

What sets “Trainspotting” apart is its unflinching honesty and raw energy. Boyle’s frenetic direction, paired with an iconic soundtrack and razor-sharp dialogue, creates a visceral cinematic experience that immerses viewers in the chaotic world of the characters. From the exhilarating opening chase scene to the harrowing moments of withdrawal and despair, the film pulsates with intensity and authenticity.

At its core, “Trainspotting” is a character study, exploring the motivations and inner demons of its flawed protagonists. McGregor delivers a standout performance as Renton, capturing his charm, wit, and self-destructive tendencies with equal skill. The supporting cast, including Ewen Bremner, Jonny Lee Miller, and Robert Carlyle, also shine in their respective roles, bringing depth and humanity to their characters.

Beyond its exploration of addiction, “Trainspotting” touches on themes of friendship, loyalty, and the search for meaning in a world that often seems devoid of hope. Despite the darkness of its subject matter, the film is infused with moments of dark humor and unexpected poignancy, offering glimpses of redemption amidst the chaos.

“Trainspotting” remains a seminal work of British cinema, known for its bold storytelling, unforgettable characters, and groundbreaking visual style. Nearly three decades after its release, it continues to resonate with audiences around the world, cementing its status as a modern classic.

Friday 29 March 2024 (Good Friday)

Catch Me If You Can (2002) 6.15pm Film4

“Catch Me If You Can” (2002), directed by Steven Spielberg, is a captivating and exhilarating biographical crime film based on the true story of Frank Abagnale Jr. Starring Leonardo DiCaprio as Abagnale and Tom Hanks as FBI agent Carl Hanratty, the film follows the cat-and-mouse game between the young, charismatic con artist and the determined federal agent pursuing him.

“Catch Me If You Can” is a thrilling and stylish tale of deception, charm, and wit. DiCaprio delivers a charismatic and multi-layered performance as Abagnale, effortlessly embodying the character’s confidence and vulnerability as he masterminds a series of elaborate cons while on the run from the law. Hanks brings depth and gravitas to his role as Hanratty, infusing the character with a mix of determination, frustration, and begrudging admiration for Abagnale’s ingenuity.

Spielberg’s direction is masterful, blending suspense, humor, and heart to create a film that is both entertaining and emotionally resonant. The film’s 1960s setting is brought to life with vibrant visuals and period-appropriate production design, immersing viewers in the world of Abagnale’s escapades.

Beyond its thrilling plot and dynamic performances, “Catch Me If You Can” explores themes of identity, family, and the pursuit of the American Dream. Abagnale’s journey from a disillusioned teenager to a legendary con artist is both exhilarating and poignant, offering insights into the complexities of human nature and the allure of living on the edge.

With its stellar cast, sharp script, and expert direction, “Catch Me If You Can” is a standout film that entertains, engages, and leaves a lasting impression. It’s a testament to the power of cinema to transport audiences into the lives of extraordinary individuals and the extraordinary circumstances that shape them.

2 Tone Night BBC4 from 9pm

2 Tone is a genre that exploded from the grassroots of Coventry and Birmingham in the late 1970s and early 1980s. It united black, white, and Asian youths through its infectious rhythms and powerful lyrics. Bands like The Specials and The Selecter played a central role in shaping this influential movement.

The night begins with Terry Hall At The BBC. In this 59-minute special, viewers will journey into the BBC’s archives to revisit the extraordinary and genre-hopping career of the legendary musician Terry Hall. The show features captivating performances of hits including “Gangsters,” “Thinking of You,” and “Sense.”

La La Land (2016) 11pm BBC2

“La La Land” (2016), directed by Damien Chazelle, is a modern-day musical masterpiece that dazzles with its charm, romance, and infectious energy. Set in contemporary Los Angeles, the film follows the passionate love story between aspiring actress Mia (Emma Stone) and jazz musician Sebastian (Ryan Gosling), as they pursue their dreams amidst the glitz and glamour of Hollywood.

At its heart, “La La Land” is a celebration of the magic of cinema and the power of dreams. Chazelle’s direction infuses every frame with a sense of wonder and nostalgia, paying homage to classic Hollywood musicals while also giving the genre a fresh and contemporary twist. The film’s vibrant colors, stunning cinematography, and dazzling musical numbers transport viewers into a world of fantasy and romance.

Stone and Gosling deliver captivating performances, displaying both charm and vulnerability as they navigate the highs and lows of their relationship and careers. Their chemistry is palpable, imbuing every scene with a sense of authenticity and emotional depth.

The film’s original music, composed by Justin Hurwitz, is both catchy and emotive, with standout songs like “City of Stars” and “Audition (The Fools Who Dream)” earning critical acclaim and numerous awards. The choreography, by Mandy Moore, is equally impressive, adding another layer of visual spectacle to the film’s musical sequences.

Beyond its surface glamour, “La La Land” delves into themes of sacrifice, ambition, and the pursuit of artistic fulfillment. As Mia and Sebastian grapple with the challenges of following their passions while staying true to themselves, the film offers a poignant and relatable exploration of the choices we make in pursuit of our dreams.

With its dazzling visuals, captivating performances, and memorable music, “La La Land” is a cinematic triumph that captures the joy and heartache of love, ambition, and the pursuit of happiness. It’s a film that leaves audiences enchanted, inspired, and singing its praises long after the credits roll.

And finally, streaming:

Quiet on Set: The Dark Side of Kids TV episodes releasing from Monday 25 March 2024 on Discovery+

Quiet on Set: The Dark Side of Kids TV is a docu-series that delves into the toxic culture behind some of the most iconic children’s shows from the late 1990s and early 2000s.

The programme mainly focuses on shows helmed by Dan Schneider including iCarly, The Amanda Show, Zoey 101, Drake & Josh and Sam & Cat, which helped launch the careers of actors such as Drake Bell, Amanda Bynes, Miranda Cosgrove and Jennette McCurdy.

It uncovers the hidden aspects of kids’ TV, shedding light on issues such as sexual abuse, harassment, racism, and gender dynamics within the industry.

The Shield seasons one-three available from Thursday 28 March 2024 UKTV PLay

The Shield is an American crime drama television series that premiered on March 12, 2002, on FX in the United States. The show concluded after seven seasons on November 25, 2008. Created by Shawn Ryan, it gained acclaim for its portrayal of corrupt police officers. Initially advertised as Rampart, it was loosely based on the true-life Rampart Division police scandal. The series is widely regarded as one of the greatest TV shows of all time.

Why? The Shield is a gripping exploration of moral ambiguity, exemplifying the noir aesthetic. Vic Mackey (Michael Chiklis), the central character in The Shield, possesses a magnetic allure that transcends his glaring moral flaws.

Vic is not a one-dimensional hero or villain. His multifaceted personality makes him intriguing. His internal struggle between duty, loyalty, and self-preservation adds layers to his character.

Audiences are drawn to anti-heroes who defy conventional norms. Vic’s willingness to bend or break rules for the greater good (or his own survival) challenges our perceptions.

Vic exudes confidence, whether interrogating suspects or leading his team. His charisma makes us root for him even when we disapprove of his actions.

Vic fiercely protects those he cares about, especially his family and team. His vulnerability in these moments humanizes him.

Vic’s flaws—corruption, brutality, and manipulation—create tension. We wonder if he’ll redeem himself or spiral further into darkness.

Vic faces impossible decisions, blurring the line between right and wrong. We empathize with his predicaments, even when we condemn his choices.

In essence, Vic Mackey’s allure lies in his imperfections—the very flaws that make him a compelling and unforgettable character. Chiklis brings a compelling intensity to the role, making Vic Mackey a memorable and complex character throughout the series.

A Gentleman In Moscow episodes releasing weekly from Good Friday on Paramount+

A Gentleman in Moscow is based on the 2016 novel of the same name by Amor Towles.The story is set in the aftermath of the Russian Revolution. The central character is Count Alexander Rostov, portrayed by Ewan McGregor.

Count Rostov, a Russian aristocrat, finds himself on the wrong side of history due to his gilded past. He is spared from execution by a Communist tribunal on the condition that he never leaves the grand Metropole Hotel where he is staying. The series explores themes of confinement, survival, and Russia’s tumultuous history, including the Red Terror and Stalin’s purges 12.

A Gentleman in Moscow promises to be a gripping historical drama, and fans of the novel are eagerly anticipating its adaptation.

Picture credits:

The Girl With A Bracelet (2019)
By http://www.impawards.com/intl/france/2020/la_fille_au_bracelet_xlg.html, Fair use, https://en.wikipedia.org/w/index.php?curid=73992062
Hemingway
By Lloyd Arnold – http://www.phoodie.info/2013/07/19/from-the-desk-of-ernest-hemingway-this-weekend-cuba-libre-celebrates-my-birthday/, Public Domain, https://commons.wikimedia.org/w/index.php?curid=1456168
Whatever Happened To Baby Jane? (1962)
By The poster art can or could be obtained from Warner Bros. Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=9756821
Abraham Lincoln
By Alexander Gardner – museums.fivecolleges.edu, Public Domain, https://commons.wikimedia.org/w/index.php?curid=42812335
Gagarine (2020)
By https://www.hautetcourt.com/en/films/gagarin/, Fair use, https://en.wikipedia.org/w/index.php?curid=67646021
Gilda (1946)
By Robert Coburn – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=88142536
The Rider (2018)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=56608489
Our Ladies (2019)
By http://www.impawards.com/intl/uk/2019/our_ladies.html, Fair use, https://en.wikipedia.org/w/index.php?curid=67802038
Daphne Du Maurier
By Unknown author – The Chichester Partnership (copyright), University of Exeter (publication)This file was derived from: Young Daphne du Maurier.jpg, Copyrighted free use, https://commons.wikimedia.org/w/index.php?curid=112775499
Trainspotting (1996)
By POV – Can be obtained from the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=20371380
Catch Me If You Can (2002)
By The cover art can or could be obtained from IMP Awards or DreamWorks, Fair use, https://en.wikipedia.org/w/index.php?curid=1060623
The Selecter
By Egghead06 – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=50281393
La La Land (2016)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=51066755

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Drive-Away Dolls (2024)

317 words, 2 minutes read time.

In this bawdy, trashy, road trip caper, Ethan Coen (of the famous Coen Brothers duo) sets off in a wild new direction. Newly single Jamie (played by Margaret Qualley) impulsively joins her friend Marian (Geraldine Viswanathan) on a road trip to Florida. Little do they know that their rental car harbours an ominous briefcase – one that people are willing to kill for.

Jamie, an incorrigible horndog with an accent that sounds like Tommy Lee Jones on fast-forward, and buttoned-up Marian embark on a path to Florida. Their rented car carries unexpected cargo. Hot on their trail are a pair of hitmen, Arliss and Flint, reminiscent of Fargo’s chatterbox/misanthrope pairing. Meanwhile, a loquacious wiseacre (think O Brother, Where Art Thou’s Ulysses Everett McGill) stays one step ahead of them. The banter between the hitmen is one of the funniest parts of the movie.

Set on the eve of Y2K, the twilight of Clintonism, and the eve of a conservative resurgence, “Drive-Away Dolls” explores fresh territory for the Coenverse. It’s as novel as a sense of humor dumbed-down enough to allow for a sight gag involving a tiny, humping dog. The film balances its libido-drunk wild goose chase with jabs at American political pathologies, all while maintaining its signature Coen-esque quirkiness.

If you are offended by Lesbian sexuality and sex this isn’t the film for you!

Verdict: “Drive-Away Dolls” is a movie that doesn’t take itself seriously, not even a little bit. It’s an off-color comedy where everyone is a goofball or a bumbling rube. The goons constantly bungle the chase, Jamie can’t stop talking about cunnilingus and her vulva, and even the straitlaced Marian gets into trouble with her attitude. If you’re up for a wild ride filled with laughs, unexpected twists, and a dash of absurdity, buckle up and hit the road with the “Drive-Away Dolls”!

Reviewed by Pat Harrington

Picture credit: By http://www.impawards.com/2024/driveaway_dolls_ver3.html, Fair use, https://en.wikipedia.org/w/index.php?curid=74117062

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Wicked Little Letters (2023): A Swearing Mystery with Nuanced Social Commentary

546 words, 3 minutes read time.

In “Wicked Little Letters,” Jonny Sweet’s uproarious script transports viewers to the quaint seaside town of Littlehampton in the 1920s, where the delightful blend of humour and mystery unfolds. Led by the incomparable Olivia Colman as the devout Edith Swan and Jessie Buckley as the brash Rose Gooding, the film delivers a comedic whirlwind tinged with social commentary.

The film’s brilliance lies not just in its witty banter and expletive-laden letters but in its exploration of societal norms and the suffragette movement’s resonance. Edith and Rose, with their contrasting personas, embody the liberating power of swearing, offering a humorous yet poignant commentary on repression and frustration.

Swearwords, when wielded by characters like Edith and Rose, become hilarious. Edith’s prim demeanour contrasts sharply with the profanity-laden letters she receives, creating absurdity and delight. It’s always funny to see swearwords used in environments which have a conservative, formal environment as in the court room scenes.

The incongruity of encountering swearwords unexpectedly adds to the humour. As philosopher Immanuel Kant noted, absurdity often leads to convulsive laughter! Swearing isn’t just comic relief; it’s a way for characters to release pent-up frustration in a repressive society.

Moreover, the film subtly delves into themes of women’s rights. he film subtly explores the suffragette movement’s impact on women’s roles. Edith’s father (Timothy Spall) dismisses suffrage efforts, revealing the hypocrisy of condemning sweary letters while ignoring more pressing moral issues.

Rose, an unmarried single mother (played by Malachi Kirby), defies societal norms. Her openness challenges the post-war status quo.

Anjana Vasan as Police Officer Gladys Moss, the county’s lone female police officer was the heroine (or is it just hero now – like actor?) of the film. She is frequently reminded of her “place” by male colleagues and that there is a hierarchy in the police (with them at the top, of course) but she never accepts this.

The backdrop of the suffragettes highlights the struggle for women’s rights, juxtaposed with the scandalous letters.

There is an ethnically diverse cast. However, the film’s avoidance of any hint of racism (a trend in recent drama) is in stark contrast to its subtext of women’s struggle for equality. An inter-racial couple (Rose and her boyfriend Bill (played by Malachi Kirby) but not a mention of any racial problem!

I worry that racism is being consigned to the ‘memory hole’ as envisioned in Orwell’s 1984. One day will everyone believe that Britain was never racist, that ethnic minorities were always here and represented in all levels of our society. Beneficial or not? It depends. Acknowledging past racism educates and fosters empathy, but dwelling solely on it can perpetuate victimhood narratives. Some writers and casting directors seem to have decided it’s best airbrushed out of the picture!

“Wicked Little Letters” draws inspiration from a real-life scandal that rocked the sleepy town of Littlehampton, Sussex, during the 1920s. The film breathes life into the tale of Rose Gooding and Edith Swan, offering a fascinating glimpse into the complexities of human nature. Through clever adaptation and nuanced performances, “Wicked Little Letters” transforms a bizarre historical incident into an fun but also thought-provoking cinematic experience. I was left thinking about the profound impact of words on identity and society.

By Pat Harrington

Picture credit: By Unknown – IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=75610966

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Culture Vulture 24 February – 1 March 2024

Welcome to Culture Vulture, Your weekly guide to entertainment from an alternative standpoint. Let’s dive into the highlights for this week:

Animal Kingdom (2010): A gripping crime drama that delves into the dark underbelly of a Melbourne crime family. Expect tension, betrayal, and complex characters as they navigate loyalty and survival.
Dune (1984): Based on Frank Herbert’s iconic science fiction novel, this film adaptation takes you to a distant desert planet where noble families vie for control over a valuable resource called “melange” or “spice.” Intrigue, political manoeuvring, and epic battles await.
Darren McGarvey: The State We’re In: Join Scottish rapper and social commentator Darren McGarvey as he explores pressing issues affecting society. His candid and thought-provoking discussions shed light on topics ranging from poverty to mental health.

Saturday 24 February 2024

Quo Vadis, Aida? (2020) 11pm BBC4

“Quo Vadis, Aida?” is a harrowing and deeply impactful film that delves into the tragic events of the Srebrenica massacre during the Bosnian War. Through the eyes of Aida, a UN interpreter, the film exposes the failure of international peacekeeping forces and the horrific consequences of political inaction.

Director Jasmila Žbanić masterfully portrays the growing dread and chaos as Aida desperately tries to save her family while bearing witness to the unfolding catastrophe. The film’s title, a biblical allusion, evokes themes of exile and responsibility, as Aida surveys the sea of humanity seeking refuge at the UN camp.

The portrayal of General Ratko Mladić’s negotiations and the false sense of security he projects is chillingly juxtaposed with the reality of the situation. The film does not shy away from criticizing the UN and the international community for their inability to protect the innocent.

Cinematographer Christine A Maier captures the urgency and despair with a keen eye, while Jarosław Kamiński’s editing amplifies the tension. Jasna Đuričić delivers a powerful performance as Aida, whose face reflects the unimaginable horror and disbelief of the situation.

“Quo Vadis, Aida?” is a poignant reminder of the dire consequences of political failure and the enduring need for accountability and justice in the face of such atrocities.

Sunday 25 February 2024

Roman Holiday (1953) 4.35pm Film4

“Roman Holiday” is a timeless classic that captures the essence of a fairy tale romance set against the backdrop of Rome’s enchanting streets. The film, released in 1953, stars Audrey Hepburn as the sheltered Princess Ann who yearns for freedom from her royal duties and Gregory Peck as Joe Bradley, an American journalist looking for a scoop.

Hepburn’s performance is both endearing and captivating, earning her an Academy Award for Best Actress. Her chemistry with Peck is undeniable, as they embark on a series of adventures across the city. The film is a blend of comedy, romance, and drama, all beautifully shot on location in Rome.

Director William Wyler presents a story that is as much about self-discovery as it is about love. The film’s social commentary on class and duty is subtly woven through its narrative, making it a thought-provoking piece that still resonates today.

“Roman Holiday” remains a beloved film for its charm, wit, and the magical way it transports viewers to a place where anything seems possible—even a princess finding true love with an ordinary journalist. It’s a must-watch for anyone who believes in the power of love and the allure of new experiences.

Monday 26 February 2024

Sunshine Superman: The Story of Donovan 11.55pm Sky Arts

Donovan’s influence on the music scene is undeniable, with John Lennon once remarking, “Donovan is as important and influential as either Dylan or the Beatles…Listen: the man is a poet…” This documentary is a deep dive into Donovan’s artistic wonderment and a testament to his enduring legacy.

Minority Report (2002) 10.55pm Film4

“Minority Report,” directed by Steven Spielberg, is a thought-provoking science fiction thriller that delves into the complex interplay of social and political themes. Set in a near-future where a specialized police department called “Precrime” can predict and prevent crimes before they happen, the film raises profound questions about free will, determinism, and the ethics of preemptive justice.

The central narrative follows John Anderton, played by Tom Cruise, who finds himself accused of a future murder by the very system he believes in. As Anderton seeks to prove his innocence, the film explores the paradox of knowing one’s future: does it cement our destiny, or do we have the power to change it?

“Minority Report” also examines the societal implications of surveillance and privacy erosion in the digital age. The film’s depiction of personalized advertising and omnipresent monitoring eerily echoes today’s concerns about data collection and personal freedoms.

Moreover, the movie critiques the expansion of governmental powers in the name of security, a theme particularly resonant in the post-9/11 context. It questions the morality of convicting individuals for crimes they have not yet committed, highlighting the potential for abuse in such a system.

Spielberg’s film is not only an engaging mystery with futuristic thrills but also a deep meditation on the consequences of sacrificing civil liberties for the illusion of safety. It serves as a cautionary tale about the dangers of unchecked authority and the importance of upholding individual rights even in the face of fear and uncertainty.

Apostasy (2017) 11.15pm BBC2 11.55pm Sky Arts

“Apostasy” (2017) is a powerful and intimate portrayal of life within a community of Jehovah’s Witnesses. Directed by Daniel Kokotajlo, the film explores themes of faith, family, and the painful consequences of religious dogma. The story follows a mother and her two daughters as they navigate the challenges of their faith, including the practice of shunning and the prohibition of blood transfusions. Kokotajlo, who was raised as a Jehovah’s Witness, offers a nuanced and empathetic view of the community, avoiding sensationalism in favour of a more grounded and realistic depiction.

The film’s strength lies in its ability to humanize its characters, presenting their dilemmas with sensitivity and depth. The performances, particularly by Siobhan Finneran, are understated yet impactful, capturing the internal conflicts that arise when personal beliefs clash with institutional rules.

While “Apostasy” has been lauded for its authenticity and emotional resonance, some have criticized it for its potential to be seen as partisan, given its critical perspective on the practices of Jehovah’s Witnesses. Nonetheless, it remains an important film that sheds light on a typically insular world.

For those interested in a more detailed analysis, a longer review is available on the Counter Culture website. This review delves deeper into the film’s social and political themes, offering a comprehensive look at its significance and impact.

Olga (2021) 2.20am C4

“Olga” is a poignant film that intertwines the personal struggles of a young Ukrainian gymnast with the broader political upheaval of the 2014 Ukrainian revolution. Directed by Elie Grappe, the film is a compelling narrative that captures the turmoil and resilience of a nation through the lens of sports.

The protagonist, Olga, portrayed by real-life gymnast Anastasiia Budiashkina, is a rising star in the gymnastics world whose life is upended by the political crisis in Ukraine. As she trains in Switzerland, her heart remains with her homeland, torn apart by violence and political strife. The film’s use of documentary-style naturalism and archival footage from the Maidan protests adds a layer of authenticity to the storytelling, making Olga’s internal conflict more palpable.

While “Olga” has been praised for its timely and textured portrayal of a nation’s struggle for dignity and freedom, some critics have pointed out that the film could be seen as partisan. The focus on the Ukrainian perspective of the revolution and the subsequent Russian aggression might be interpreted as one-sided, especially considering the complex geopolitical landscape. However, this focus does not diminish the film’s artistic merit or its powerful depiction of a personal and national quest for identity and self-determination.

Tuesday 27 February 2024

Loving (2016) 11.15pm BBC2

“Loving” (2016) is a film directed by Jeff Nichols that chronicles the real-life story of Richard and Mildred Loving, an interracial couple who legally contested Virginia’s anti-miscegenation laws. The narrative focuses on their legal battle that culminated in the 1967 U.S. Supreme Court decision Loving v. Virginia, which invalidated state laws prohibiting interracial marriage.

Joel Edgerton and Ruth Negga star as the central couple, with Negga’s performance as Mildred Loving earning her a nomination for an Academy Award. The film adopts a subtle approach to storytelling, emphasizing the personal aspects of the Lovings’ experience rather than dramatic embellishments.

“Loving” contributes to historical discourse on race and civil rights, highlighting the personal dimensions of a landmark legal case. The film’s portrayal centres on the Loving’s’ commitment and legal challenge, offering a perspective on the societal and legal context of the 1960s.

Wednesday 28 February 2024

Animal Kingdom (2010) 1.40am Film4

“Animal Kingdom” (2010) is a gripping Australian crime drama that delves into the dark underbelly of a Melbourne crime family. Directed by David Michôd, the film is a stark portrayal of survival and power dynamics within a family entangled in criminal activities.

The story follows Joshua ‘J’ Cody, a teenager who, after the death of his mother, moves in with his estranged relatives, the Codys, a notorious crime family. As J navigates this dangerous new world, the film explores themes of loyalty, corruption, and the moral complexities of familial bonds.

The social commentary in “Animal Kingdom” is profound, presenting a family that operates with a survival-of-the-fittest mentality, mirroring animalistic behaviour in their ruthlessness and territorial disputes. Ethically, the film challenges the audience to consider the grey areas of morality in a world where the lines between right and wrong are blurred by necessity and survival.

Politically, the film touches on the corruption and collusion between criminals and corrupt police officers, highlighting the systemic issues that allow such environments to thrive. The ethical dilemmas faced by the characters reflect broader societal questions about justice and the consequences of a flawed system.

While the film has been praised for its intense performances and compelling narrative, it also invites criticism for its portrayal of violence and the potential glorification of criminal behaviour. However, these elements are integral to the film’s raw and realistic depiction of its themes.

“Animal Kingdom” is a powerful film that leaves a lasting impression, prompting reflection on the social, ethical, and political implications of crime and family loyalty.

Thursday 29 February 2024

Darren McGarvey: The State We’re In (one of three) 9pm BBC2

In the inaugural episode of “Darren McGarvey: The State We’re In”, the talented writer and rapper, Darren McGarvey, delves into the intricate web of the UK’s justice system. Through the eyes of those who inhabit and labour within it, he uncovers the system’s complexities and challenges.

Prospect (2018) 9pm Legend

“Prospect” (2018) is a unique blend of science fiction and Western genres that tells a compelling story of survival and greed on a remote alien planet. The film follows a teenage girl and her father as they embark on a dangerous mission to harvest rare gems, only to encounter treacherous fellow prospectors and the harsh realities of their extra terrestrial environment.

Socially, the film examines the lengths to which individuals will go to secure a better future in the face of economic hardship, highlighting the disparities between the haves and have-nots. Ethically, it raises questions about the exploitation of natural resources and the moral implications of colonialism, as humans invade and mine an alien world without regard for its ecosystem.

Politically, “Prospect” subtly critiques the capitalist drive that leads to such exploitation and the inevitable conflicts that arise from it. The characters’ interactions often reflect a negotiation of power, where life and death decisions hinge on the promise of wealth.

While the film has been praised for its world-building and character development, some critics have noted that the plot can sometimes lose momentum, potentially due to its ambitious scope. Despite this, “Prospect” remains a thought-provoking piece that uses its sci-fi setting to explore timeless human themes.

Friday 1 March 2024

Dune (1984) 11.15pm Film4

David Lynch’s “Dune” (1984) is a film that ambitiously attempted to bring Frank Herbert’s complex sci-fi universe to the big screen. While the film has been noted for its unique visual style and ambitious scope, it was also criticized for its convoluted narrative and lacklustre special effects. The performances, particularly by Kyle MacLachlan as Paul Atreides, were a highlight, with moments of expressionist panache1. However, the film struggled with pacing and clarity, leaving audiences and critics divided.

Denis Villeneuve’s “Dune” (2021) addressed many of these issues, offering a more accessible and visually stunning adaptation. By splitting the novel into two films, Villeneuve allowed for greater character development and a more in-depth exploration of the novel’s intricate world. The 2021 remake benefited from advanced special effects and a more focused narrative, making it a hit with both audiences and critics.

With “Dune 2” now out in cinemas, fans are eager to see the continuation of Villeneuve’s vision. The sequel is expected to build on the success of the first film, learning from past adaptations and delivering an even more immersive experience.

For those interested in the political themes of “Dune,” Counter Culture has an in-depth examination on its website, offering insights into the complex interplay of power, ecology, and destiny that are central to Herbert’s epic.

and finally, theatre, “Draining The Swamp”. “Draining the Swamp” is a provocative play that examines the life of Fascist leader Sir Oswald Mosley from the 1930s to the 1960s, linking his ideology to contemporary politics and ending with a chilling modern-day relevance. We reviewed this great production at the last Edinburgh Fringe. It’s now about to tour and we highly recommend you catch it if you can!

The tour opens at OSO Arts Centre in Barnes, West London 29 Feb – 2 March, then Beccles Public Hall and Theatre in Suffolk (near Norwich) Wed 6 March, Dorchester Arts Centre, Dorset on 7 March. Cornerstone Arts Centre, Didcot 17 April, Swindon Arts Centre 19 April, Oxford Playhouse 20 April, Brentwood theatre 24 April and The Stables, Hastings on 25 April

Subscribe to Culture Vulture on your preferred platform to stay informed about these captivating programs and discover more hidden gems!

Picture Credits

Quo Vadis, Aida?
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Roman Holiday
By Designer unknown. “Copyright 1953 by Paramount Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85944431
Donovan
By CBS Television – eBayfrontback, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29973436
Minority Report
The poster art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=4411352
Olga
Fair use.
Apostasy
By IMDB – https://www.imdb.com/title/tt4729896/, Fair use, https://en.wikipedia.org/w/index.php?curid=59633439
Olga
Loving
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50235576
Prospect
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=58544327
Animal Kingdom
The cover art can or could be obtained from IMP Awards or Madman Entertainment., Fair use, https://en.wikipedia.org/w/index.php?curid=26766673
Dune (1984)
The poster art can or could be obtained from Universal Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=47673027
Draining The Swamp
Photo by Pat Harrington. Used with permission.PostBlock

Culture Vulture 24 February – 1 March 2024

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2,490 words, 13 minutes read time.

Welcome to Culture Vulture, Your weekly guide to entertainment from an alternative standpoint. Let’s dive into the highlights for this week:

Animal Kingdom (2010): A gripping crime drama that delves into the dark underbelly of a Melbourne crime family. Expect tension, betrayal, and complex characters as they navigate loyalty and survival.
Dune (1984): Based on Frank Herbert’s iconic science fiction novel, this film adaptation takes you to a distant desert planet where noble families vie for control over a valuable resource called “melange” or “spice.” Intrigue, political manoeuvring, and epic battles await.
Darren McGarvey: The State We’re In: Join Scottish rapper and social commentator Darren McGarvey as he explores pressing issues affecting society. His candid and thought-provoking discussions shed light on topics ranging from poverty to mental health.

Saturday 24 February 2024

Quo Vadis, Aida? (2020) 11pm BBC4

“Quo Vadis, Aida?” is a harrowing and deeply impactful film that delves into the tragic events of the Srebrenica massacre during the Bosnian War. Through the eyes of Aida, a UN interpreter, the film exposes the failure of international peacekeeping forces and the horrific consequences of political inaction.

Director Jasmila Žbanić masterfully portrays the growing dread and chaos as Aida desperately tries to save her family while bearing witness to the unfolding catastrophe. The film’s title, a biblical allusion, evokes themes of exile and responsibility, as Aida surveys the sea of humanity seeking refuge at the UN camp.

The portrayal of General Ratko Mladić’s negotiations and the false sense of security he projects is chillingly juxtaposed with the reality of the situation. The film does not shy away from criticizing the UN and the international community for their inability to protect the innocent.

Cinematographer Christine A Maier captures the urgency and despair with a keen eye, while Jarosław Kamiński’s editing amplifies the tension. Jasna Đuričić delivers a powerful performance as Aida, whose face reflects the unimaginable horror and disbelief of the situation.

“Quo Vadis, Aida?” is a poignant reminder of the dire consequences of political failure and the enduring need for accountability and justice in the face of such atrocities.

Sunday 25 February 2024

Roman Holiday (1953) 4.35pm Film4

“Roman Holiday” is a timeless classic that captures the essence of a fairy tale romance set against the backdrop of Rome’s enchanting streets. The film, released in 1953, stars Audrey Hepburn as the sheltered Princess Ann who yearns for freedom from her royal duties and Gregory Peck as Joe Bradley, an American journalist looking for a scoop.

Hepburn’s performance is both endearing and captivating, earning her an Academy Award for Best Actress. Her chemistry with Peck is undeniable, as they embark on a series of adventures across the city. The film is a blend of comedy, romance, and drama, all beautifully shot on location in Rome.

Director William Wyler presents a story that is as much about self-discovery as it is about love. The film’s social commentary on class and duty is subtly woven through its narrative, making it a thought-provoking piece that still resonates today.

“Roman Holiday” remains a beloved film for its charm, wit, and the magical way it transports viewers to a place where anything seems possible—even a princess finding true love with an ordinary journalist. It’s a must-watch for anyone who believes in the power of love and the allure of new experiences.

Monday 26 February 2024

Sunshine Superman: The Story of Donovan 11.55pm Sky Arts

Donovan’s influence on the music scene is undeniable, with John Lennon once remarking, “Donovan is as important and influential as either Dylan or the Beatles…Listen: the man is a poet…” This documentary is a deep dive into Donovan’s artistic wonderment and a testament to his enduring legacy.

Minority Report (2002) 10.55pm Film4

“Minority Report,” directed by Steven Spielberg, is a thought-provoking science fiction thriller that delves into the complex interplay of social and political themes. Set in a near-future where a specialized police department called “Precrime” can predict and prevent crimes before they happen, the film raises profound questions about free will, determinism, and the ethics of preemptive justice.

The central narrative follows John Anderton, played by Tom Cruise, who finds himself accused of a future murder by the very system he believes in. As Anderton seeks to prove his innocence, the film explores the paradox of knowing one’s future: does it cement our destiny, or do we have the power to change it?

“Minority Report” also examines the societal implications of surveillance and privacy erosion in the digital age. The film’s depiction of personalized advertising and omnipresent monitoring eerily echoes today’s concerns about data collection and personal freedoms.

Moreover, the movie critiques the expansion of governmental powers in the name of security, a theme particularly resonant in the post-9/11 context. It questions the morality of convicting individuals for crimes they have not yet committed, highlighting the potential for abuse in such a system.

Spielberg’s film is not only an engaging mystery with futuristic thrills but also a deep meditation on the consequences of sacrificing civil liberties for the illusion of safety. It serves as a cautionary tale about the dangers of unchecked authority and the importance of upholding individual rights even in the face of fear and uncertainty.

Apostasy (2017) 11.15pm BBC2 11.55pm Sky Arts

“Apostasy” (2017) is a powerful and intimate portrayal of life within a community of Jehovah’s Witnesses. Directed by Daniel Kokotajlo, the film explores themes of faith, family, and the painful consequences of religious dogma. The story follows a mother and her two daughters as they navigate the challenges of their faith, including the practice of shunning and the prohibition of blood transfusions. Kokotajlo, who was raised as a Jehovah’s Witness, offers a nuanced and empathetic view of the community, avoiding sensationalism in favour of a more grounded and realistic depiction.

The film’s strength lies in its ability to humanize its characters, presenting their dilemmas with sensitivity and depth. The performances, particularly by Siobhan Finneran, are understated yet impactful, capturing the internal conflicts that arise when personal beliefs clash with institutional rules.

While “Apostasy” has been lauded for its authenticity and emotional resonance, some have criticized it for its potential to be seen as partisan, given its critical perspective on the practices of Jehovah’s Witnesses. Nonetheless, it remains an important film that sheds light on a typically insular world.

For those interested in a more detailed analysis, a longer review is available on the Counter Culture website. This review delves deeper into the film’s social and political themes, offering a comprehensive look at its significance and impact.

Olga (2021) 2.20am C4

“Olga” is a poignant film that intertwines the personal struggles of a young Ukrainian gymnast with the broader political upheaval of the 2014 Ukrainian revolution. Directed by Elie Grappe, the film is a compelling narrative that captures the turmoil and resilience of a nation through the lens of sports.

The protagonist, Olga, portrayed by real-life gymnast Anastasiia Budiashkina, is a rising star in the gymnastics world whose life is upended by the political crisis in Ukraine. As she trains in Switzerland, her heart remains with her homeland, torn apart by violence and political strife. The film’s use of documentary-style naturalism and archival footage from the Maidan protests adds a layer of authenticity to the storytelling, making Olga’s internal conflict more palpable.

While “Olga” has been praised for its timely and textured portrayal of a nation’s struggle for dignity and freedom, some critics have pointed out that the film could be seen as partisan. The focus on the Ukrainian perspective of the revolution and the subsequent Russian aggression might be interpreted as one-sided, especially considering the complex geopolitical landscape. However, this focus does not diminish the film’s artistic merit or its powerful depiction of a personal and national quest for identity and self-determination.

Tuesday 27 February 2024

Loving (2016) 11.15pm BBC2

“Loving” (2016) is a film directed by Jeff Nichols that chronicles the real-life story of Richard and Mildred Loving, an interracial couple who legally contested Virginia’s anti-miscegenation laws. The narrative focuses on their legal battle that culminated in the 1967 U.S. Supreme Court decision Loving v. Virginia, which invalidated state laws prohibiting interracial marriage.

Joel Edgerton and Ruth Negga star as the central couple, with Negga’s performance as Mildred Loving earning her a nomination for an Academy Award. The film adopts a subtle approach to storytelling, emphasizing the personal aspects of the Lovings’ experience rather than dramatic embellishments.

“Loving” contributes to historical discourse on race and civil rights, highlighting the personal dimensions of a landmark legal case. The film’s portrayal centres on the Loving’s’ commitment and legal challenge, offering a perspective on the societal and legal context of the 1960s.

Wednesday 28 February 2024

Animal Kingdom (2010) 1.40am Film4

“Animal Kingdom” (2010) is a gripping Australian crime drama that delves into the dark underbelly of a Melbourne crime family. Directed by David Michôd, the film is a stark portrayal of survival and power dynamics within a family entangled in criminal activities.

The story follows Joshua ‘J’ Cody, a teenager who, after the death of his mother, moves in with his estranged relatives, the Codys, a notorious crime family. As J navigates this dangerous new world, the film explores themes of loyalty, corruption, and the moral complexities of familial bonds.

The social commentary in “Animal Kingdom” is profound, presenting a family that operates with a survival-of-the-fittest mentality, mirroring animalistic behaviour in their ruthlessness and territorial disputes. Ethically, the film challenges the audience to consider the grey areas of morality in a world where the lines between right and wrong are blurred by necessity and survival.

Politically, the film touches on the corruption and collusion between criminals and corrupt police officers, highlighting the systemic issues that allow such environments to thrive. The ethical dilemmas faced by the characters reflect broader societal questions about justice and the consequences of a flawed system.

While the film has been praised for its intense performances and compelling narrative, it also invites criticism for its portrayal of violence and the potential glorification of criminal behaviour. However, these elements are integral to the film’s raw and realistic depiction of its themes.

“Animal Kingdom” is a powerful film that leaves a lasting impression, prompting reflection on the social, ethical, and political implications of crime and family loyalty.

Thursday 29 February 2024

Darren McGarvey: The State We’re In (one of three) 9pm BBC2

In the inaugural episode of “Darren McGarvey: The State We’re In”, the talented writer and rapper, Darren McGarvey, delves into the intricate web of the UK’s justice system. Through the eyes of those who inhabit and labour within it, he uncovers the system’s complexities and challenges.

Prospect (2018) 9pm Legend

“Prospect” (2018) is a unique blend of science fiction and Western genres that tells a compelling story of survival and greed on a remote alien planet. The film follows a teenage girl and her father as they embark on a dangerous mission to harvest rare gems, only to encounter treacherous fellow prospectors and the harsh realities of their extra terrestrial environment.

Socially, the film examines the lengths to which individuals will go to secure a better future in the face of economic hardship, highlighting the disparities between the haves and have-nots. Ethically, it raises questions about the exploitation of natural resources and the moral implications of colonialism, as humans invade and mine an alien world without regard for its ecosystem.

Politically, “Prospect” subtly critiques the capitalist drive that leads to such exploitation and the inevitable conflicts that arise from it. The characters’ interactions often reflect a negotiation of power, where life and death decisions hinge on the promise of wealth.

While the film has been praised for its world-building and character development, some critics have noted that the plot can sometimes lose momentum, potentially due to its ambitious scope. Despite this, “Prospect” remains a thought-provoking piece that uses its sci-fi setting to explore timeless human themes.

Friday 1 March 2024

Dune (1984) 11.15pm Film4

David Lynch’s “Dune” (1984) is a film that ambitiously attempted to bring Frank Herbert’s complex sci-fi universe to the big screen. While the film has been noted for its unique visual style and ambitious scope, it was also criticized for its convoluted narrative and lacklustre special effects. The performances, particularly by Kyle MacLachlan as Paul Atreides, were a highlight, with moments of expressionist panache1. However, the film struggled with pacing and clarity, leaving audiences and critics divided.

Denis Villeneuve’s “Dune” (2021) addressed many of these issues, offering a more accessible and visually stunning adaptation. By splitting the novel into two films, Villeneuve allowed for greater character development and a more in-depth exploration of the novel’s intricate world. The 2021 remake benefited from advanced special effects and a more focused narrative, making it a hit with both audiences and critics.

With “Dune 2” now out in cinemas, fans are eager to see the continuation of Villeneuve’s vision. The sequel is expected to build on the success of the first film, learning from past adaptations and delivering an even more immersive experience.

For those interested in the political themes of “Dune,” Counter Culture has an in-depth examination on its website, offering insights into the complex interplay of power, ecology, and destiny that are central to Herbert’s epic.

and finally, theatre, “Draining The Swamp”. “Draining the Swamp” is a provocative play that examines the life of Fascist leader Sir Oswald Mosley from the 1930s to the 1960s, linking his ideology to contemporary politics and ending with a chilling modern-day relevance. We reviewed this great production at the last Edinburgh Fringe. It’s now about to tour and we highly recommend you catch it if you can!

The tour opens at OSO Arts Centre in Barnes, West London 29 Feb – 2 March, then Beccles Public Hall and Theatre in Suffolk (near Norwich) Wed 6 March, Dorchester Arts Centre, Dorset on 7 March. Cornerstone Arts Centre, Didcot 17 April, Swindon Arts Centre 19 April, Oxford Playhouse 20 April, Brentwood theatre 24 April and The Stables, Hastings on 25 April

Subscribe to Culture Vulture on your preferred platform to stay informed about these captivating programs and discover more hidden gems!

Picture Credits

Quo Vadis, Aida?
By http://www.impawards.com/intl/misc/2021/quo_vadis_aida.html, Fair use, https://en.wikipedia.org/w/index.php?curid=65554033
Roman Holiday
By Designer unknown. “Copyright 1953 by Paramount Pictures Inc.” – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85944431
Donovan
By CBS Television – eBayfrontback, Public Domain, https://commons.wikimedia.org/w/index.php?curid=29973436
Minority Report
The poster art can or could be obtained from IMP Awards., Fair use, https://en.wikipedia.org/w/index.php?curid=4411352
Olga
Fair use.
Apostasy
By IMDB – https://www.imdb.com/title/tt4729896/, Fair use, https://en.wikipedia.org/w/index.php?curid=59633439
Olga
Loving
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=50235576
Prospect
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=58544327
Animal Kingdom
The cover art can or could be obtained from IMP Awards or Madman Entertainment., Fair use, https://en.wikipedia.org/w/index.php?curid=26766673
Dune (1984)
The poster art can or could be obtained from Universal Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=47673027
Draining The Swamp
Photo by Pat Harrington. Used with permission.

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Culture Vulture (17-23 February 2024)

4,955 words, 26 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Highlights this week include: Concorde: The Race For Supersonic – a documentary film that explores the international competition to build the first supersonic airliner, Miners’ Strike: A Frontline Story – a documentary film that tells the story of the 1984 miners’ strike through the experiences of 15 men and women, and In The Loop (2009) – a political satire film that parodies the events leading up to the 2003 invasion of Iraq. Music is by Tim Bragg and selections and writing are by Pat Harrington.

Saturday 17 February 2024

Pete Doherty: Stranger In My Own Skin 9pm Sky Documentaries

“Peter Doherty: Stranger in My Own Skin” is an unflinching and intimate documentary that delves into the tumultuous life of British rock musician Pete Doherty. Directed by his wife, Katia DeVidas, the film offers a raw and candid portrayal of Doherty’s struggles with drug addiction during the height of his fame as the frontman of bands like The Libertines and Babyshambles.

The film unflinchingly captures Doherty’s battle with drug abuse. We witness brutally explicit scenes of his substance use, visits to rehab centers, and even the surgical application of implants to curb his body’s reaction to narcotics

While the documentary explores Doherty’s struggles, it notably avoids delving into personal relationships, including his marriage to DeVidas. The tragic case of Mark Blanco’s death, connected to a party attended by Doherty, remains unaddressed.

The Running Man (1988) 9pm Film4

“The Running Man,” directed by Paul Michael Glaser, thrusts viewers into a dystopian future where a deadly game show becomes a grotesque spectacle of violence and oppression. Beneath the glitz and glamour lies a malevolent compere who orchestrates this macabre theater.

The story revolves around Ben Richards, portrayed by Arnold Schwarzenegger, a wrongly convicted policeman. Richards becomes a contestant on the sadistic televised game show, “The Running Man.” Hosted by the charismatic yet sinister Damon Killian (played by Richard Dawson), the show pits desperate participants against a group of ruthless hunters. Their objective: survive or die. As Ben fights for his life, he unwittingly becomes a symbol of resistance against the oppressive regime.

“The Running Man” delves into the power of mass media to shape public perception. Damon Killian, as the compere, epitomizes the manipulation of truth for entertainment’s sake. His slick charm conceals a malevolence that feeds off suffering.

The film portrays a society where the government tightly controls information. Killian’s role as the compere reinforces the regime’s propaganda machinery. He perpetuates the illusion of choice while ensuring the game’s brutality.

Killian’s sadistic glee in orchestrating contestants’ deaths underscores society’s desensitization to violence. The audience cheers for bloodshed, numbed to the humanity lost in the process.

Arnold Schwarzenegger embodies the heroic underdog archetype as Ben Richards. His physical prowess and determination resonate with viewers.
Maria Conchita Alonso portrays Amber Mendez, a fellow rebel who aids Ben. Her defiance mirrors the spirit of resistance.
Richard Dawson steals scenes as Damon Killian. His smarmy demeanor and chilling enthusiasm make him a memorable antagonist.

The film’s production design juxtaposes opulence with decay, emphasizing the stark contrast between the privileged and the oppressed.
Harold Faltermeyer’s score heightens tension during chase sequences, underscoring the urgency of survival.

While “The Running Man” lacks the depth of some of Schwarzenegger’s other iconic films, its blend of intense action, social commentary, and Killian’s malevolence makes it a worthwhile watch for fans of dystopian sci-fi.

“The Running Man” serves as a cautionary tale, urging us to question the narratives fed to us, resist oppressive systems, and recognize the dangers of sacrificing humanity for entertainment.

Quadrophenia (1979) 12.20am BBC2

“Quadrophenia,” based on The Who’s rock opera album of the same name, immerses viewers in the gritty world of 1960s London Mods. Against the backdrop of scooters, amphetamines, and clashes with Rockers, the film weaves a tale of rebellion, identity, and societal pressures.

Plot Summary: The story follows Jimmy Cooper, portrayed by Phil Daniels, a disillusioned young Mod. Jimmy’s life revolves around parties, brawls, and the search for identity. His struggles mirror larger societal issues, including class struggles and generational shifts. Accompanied by his Mod friends Dave, Chalky, and Spider, Jimmy grapples with alienation and disillusionment.

Themes Explored:

Youth Rebellion:

“Quadrophenia” captures the restlessness of youth. Jimmy’s angst reflects the disenchanted spirit of a generation seeking meaning beyond societal norms. The film portrays the clash between tradition and rebellion.

Class Divide:

The Mod subculture becomes a microcosm of class tensions. Jimmy’s working-class background clashes with the aspirational lifestyle of the Mods. The Brighton riots symbolize the broader struggle for identity and social mobility.

Identity Fragmentation:

The film’s title, a play on “schizophrenia,” alludes to Jimmy’s four distinct personalities. His internal conflict mirrors the fractured nature of a society grappling with change.

Characterization:

Phil Daniels delivers a raw and authentic performance as Jimmy. His portrayal captures the frustration and yearning of a young man caught between conformity and rebellion.
The supporting cast, including Sting as the charismatic Ace Face and Leslie Ash as Steph, adds depth to the ensemble.

Visuals and Soundtrack:

Director Franc Roddam meticulously reconstructs 1960s London, grounding the film in accurate period details. The scooters, fashion, and music evoke nostalgia.
The soundtrack, featuring songs by The Who, underscores the film’s emotional beats. The iconic track “Love, Reign o’er Me” resonates with Jimmy’s inner turmoil.

Critiques:

Some critics found the primary plot—Jimmy’s alienation and eventual suicide—lacking forcefulness. The film’s attention to surface detail sometimes overshadowed emotional depth.
The scooter cliff scene, intended as a poignant moment, fell short for some viewers.

Legacy and Cultural Impact:

“Quadrophenia” ignited a substantial Mod revival in 1979, pushing the subculture into the mainstream. It became a touchstone for youth identity and rebellion.
The film’s exploration of political nostalgia resonated with audiences, bridging the gap between the original album and an evolving 1980s social imagination.

“Quadrophenia” remains a snapshot of a tumultuous era—a canvas where youth, music, and rebellion intersect. Its themes continue to reverberate, reminding us that identity is often a complex mosaic of conflicting desires and societal pressures.

Sunday 18 February 2024

Concorde: The Race For Supersonic 9pm Channel 4

In the annals of aviation history, the tale of the Concorde stands as one of unparalleled fascination—the world’s inaugural supersonic airliner. The documentary “Concorde: The Race for Supersonic” meticulously delves into the captivating narrative of genius, ambition, and international competition that gave rise to this iconic aircraft.

Set against the backdrop of the Cold War, the film immerses viewers in a high-stakes race for supersonic flight that transcended mere technological achievement. It evolved into a contest of national pride and strategic advantage, with the Soviet Union, the USA, and an Anglo-French coalition striving to create an aircraft that could defy the laws of physics and propel passengers beyond the speed of sound.

Central to this saga are the brilliant minds steering the Concorde project. Engineers, designers, and visionaries collaborated across borders, pushing the boundaries of aeronautics. The documentary showcases their unwavering pursuit of perfection, from the aerodynamic curves to the delta wings and the powerful Rolls-Royce engines. Their collective ingenuity birthed an engineering marvel that forever altered the landscape of air travel.

Yet, the story is not one of innovation alone. Cold War espionage adds an electrifying layer, as spies infiltrate laboratories, pilfer blueprints, and transmit secrets globally. The film unveils cloak-and-dagger operations, illustrating how national security intertwined with technological advancement, turning the Concorde project into a pawn in a geopolitical chess game.

Meticulously tracing the collaboration between Britain and France, the documentary explores the birth of Concorde within the Anglo-French alliance. However, skepticism loomed large, with critics questioning its feasibility, cost, and environmental impact. The film dissects this dilemma, revealing the delicate balance between ambition and practicality.

The unfolding narrative culminates in the maiden flight of Concorde—a moment frozen in time. The sleek supersonic bird soars above the clouds, leaving a sonic boom in its wake. Passengers revel in the curvature of the Earth, sipping champagne and traversing time zones at unprecedented speeds. Concorde emerges as a symbol of luxury, elegance, and progress.

Yet, the documentary doesn’t shy away from Concorde’s eventual fate. Despite its triumphs, the supersonic dream faced economic, environmental, and tragic challenges. The film invites reflection on Concorde’s legacy—a testament to human ambition, a relic of a bygone era, and a stark reminder that innovation often exacts a toll.

“Concorde: The Race for Supersonic” promises an engrossing exploration of the challenges, triumphs, and breakthroughs that defined the pursuit of supersonic flight. A must-watch for those intrigued by the untold stories behind the aviation industry’s most iconic achievements, the documentary invites viewers to fasten their seatbelts and embark on a thrilling journey through the sound barrier and into the skies of history.

FDR (one of three) 9pm Sky History

The three-part miniseries “FDR” unfolds as a masterful chronicle of the life of Franklin D. Roosevelt, the thirty-second President of the United States. Headlined by Christian McKay in the lead role, this documentary-drama seamlessly weaves together historical accuracy, stunning cinematography, and uncanny performances to present a captivating narrative.

At the heart of the series is McKay’s remarkable portrayal of FDR. His nuanced depiction skillfully captures the essence of a leader who guided America through tumultuous times, navigating the Great Depression, World War II, and beyond. McKay’s FDR emanates charisma, resilience, and an unwavering determination that defined an era.

The series draws its strength from dramatizations based on letters and diaries, providing an intimate glimpse into FDR’s personality. From his sociability and optimism to his strategic brilliance, the interactions with key figures like Eleanor Roosevelt (played by Alice Bounsall) and Winston Churchill (superbly portrayed by Adrian Galley) unveil the human side of this statesman.

As Hitler’s shadow looms over Europe, FDR faces the arduous task of preparing a reluctant nation for war. The attack on Pearl Harbor thrusts America into the vortex of the greatest conflict the world has ever seen. The series adeptly navigates these pivotal moments, showcasing FDR’s unwavering resolve and visionary leadership.

While the reenactments are sparing, the cinematography is nothing short of breathtaking. Each frame transports viewers to a bygone era—the Oval Office, wartime strategy rooms, and intimate conversations—all enhancing the storytelling and immersing the audience in history.

“FDR” boldly confronts the complexities of Roosevelt’s legacy, prompting viewers to ponder the sacrifices, the weight of leadership, and the profound impact on a nation. As the series unfolds, FDR’s triumphs and struggles serve as a poignant reminder that leadership is often forged in the crucible of adversity.

“FDR” transcends the conventional bounds of a documentary; it acts as a living time capsule. Whether you’re a devoted history buff or merely intrigued by the man who shaped modern America, this series delivers an immersive experience. So, settle in, let the sepia-toned past envelop you, and bear witness to the triumphs and trials of a truly remarkable leader.

Miners’ Strike: A Frontline Story 9pm BBC2

In the crucible of the 1984 miners’ strike, “Miners’ Strike: A Frontline Story” thrusts viewers onto the frontline alongside 15 men and women whose lives intersected with the seismic conflict that shook Britain—a battle not only for livelihoods but also for the soul of a generation.

Compelling testimony weaves together raw and unfiltered accounts from those who stood at the epicenter of the struggle. Ordinary miners, their families, and the communities most affected share stories that transcend historical narratives; they are visceral, life-changing experiences resonating with pain, determination, and unwavering solidarity.

The 1984 miners’ strike transcended a mere labor dispute; it became a battle for survival. The film vividly captures the human cost—the sacrifices, the clashes, and the resilience that defined this tumultuous period. Communities faced economic devastation, police brutality, and political polarization.

The documentary subtly underscores the emotional landscape with echoes of protest songs, the clanging of pickaxes, and the rallying cries of union leaders. The soundtrack becomes a powerful backdrop, mirroring the rhythm of defiance and hope throughout the struggles.

As the credits roll, viewers are left contemplating the enduring impact of the miners’ strike. Its echoes reverberate through time, reminding us of the fragility of justice and the indomitable spirit of those who fought. “Miners’ Strike: A Frontline Story” is a poignant and necessary exploration of a pivotal chapter in British history. It invites us to stand shoulder to shoulder with those who faced adversity head-on, their resilience etched into the very fabric of our collective memory.

In The Loop (2009) 12.20am BBC1

Armando Iannucci’s “In the Loop” arrives at a painfully opportune moment, capturing the spin and muddle of the British government during the run-up to the Iraq War. Adapted from characters first seen in the TV show “The Thick Of It,” this horribly brilliant comedy delves into a backstairs political world of anxiety, incompetence, and ruthless PR tactics.

The film’s narrative follows Jimmy Cooper, played by Phil Daniels, a disillusioned young Mod caught in the crossfire of political chaos. As the war drums beat, Jimmy’s journey mirrors Britain’s blundering path toward conflict, with the nastiest PR attack dogs and dodgiest dossiers coming into play, creating a satirical nightmare.

One of the prominent themes explored in the film is youth rebellion. Jimmy’s angst reflects a generation’s restlessness, and the clash between tradition and rebellion mirrors the broader societal struggle. The Mod subculture becomes a microcosm of class tensions, showcasing how Britain’s liberals were flattered and bullied into supporting America’s war. Additionally, Jimmy’s four personalities symbolize a fractured society grappling with change.

In terms of characterization, Phil Daniels portrays Jimmy with raw authenticity, effectively capturing the frustration of a young man torn between conformity and rebellion. Peter Capaldi shines as Malcolm Tucker, the ferocious Downing Street media director, whose psychotic need to intimidate with obscenity is both terrifying and hilarious.

The visuals and soundtrack play crucial roles in enhancing the film’s impact. Director Franc Roddam meticulously recreates 1960s London, evoking a sense of nostalgia. The soundtrack, featuring songs by The Who, adds emotional depth to the narrative.

A surprising addition to the cast is James Gandolfini, playing a career general suspicious of bellicose politicians. His face-off with Tucker is monumental, highlighting the film’s brilliance and adding depth to its exploration of power dynamics.

While “In the Loop” may not reach the heights of some war-themed films, it remains an uncommonly funny political satire. The film blends elements of “Dr. Strangelove” with “Spinal Tap,” offering biting humor and a cautionary tale about political subservience.

“In the Loop” reminds audiences that identity, politics, and power are a tangled web, skillfully weaving together themes of youth rebellion, class divide, and identity fragmentation in a way that resonates with both humor and insight.

Monday 19 February 2024

The Iron Lady (2011) 6.55pm Film 4

“The Iron Lady” (2011) directed by Phyllida Lloyd is a biographical drama that delves into the life of one of the most iconic political figures of the 20th century, Margaret Thatcher, portrayed by Meryl Streep. The film presents a nuanced exploration of Thatcher’s journey from her humble beginnings to becoming the first female Prime Minister of the United Kingdom.

Meryl Streep’s performance as Margaret Thatcher is nothing short of remarkable. She embodies the Iron Lady with precision, capturing both the steely determination and vulnerability that defined Thatcher’s character. Streep’s portrayal earned her an Academy Award for Best Actress, and rightfully so. Her ability to convey the complexities of Thatcher’s personality, from the resolute political leader to the aging woman grappling with dementia, is a testament to her unparalleled acting prowess.

The narrative structure of “The Iron Lady” is unconventional, employing a series of flashbacks as Thatcher reflects on her life. While this approach adds depth to the character, it occasionally disrupts the film’s pacing, making it feel disjointed at times. However, the film successfully navigates the tumultuous political landscape of Thatcher’s era, offering insights into her controversial policies and their impact on the UK.

The supporting cast, including Jim Broadbent as Denis Thatcher, provides a solid backdrop to Streep’s performance. Broadbent brings warmth and charm to his role as Thatcher’s husband, contributing to the film’s portrayal of the personal side of a public figure.

Visually, the film is well-crafted, with meticulous attention to period details that transport the audience back to the Thatcher era. The makeup and costume departments deserve commendation for their work in transforming Streep into the various stages of Thatcher’s life.

While “The Iron Lady” has been criticized for its somewhat sympathetic portrayal of Thatcher, it does not shy away from depicting the controversies surrounding her policies, such as the divisive nature of her economic reforms and the impact on the working class. The film raises important questions about the price of political leadership and the personal sacrifices made by those in power.

“The Iron Lady” stands out as a biographical drama primarily due to Meryl Streep’s exceptional performance. Despite occasional pacing issues and a non-linear narrative, the film succeeds in offering a captivating glimpse into the life of Margaret Thatcher, a woman whose legacy continues to shape political discourse. Whether one agrees with her politics or not, “The Iron Lady” provides a thought-provoking exploration of leadership, gender, and the complexities of a political career.

Tuesday 20 February 2024

Storyville: Total Trust: Surveillance State 10pm BBC4

In the gripping documentary “Total Trust: Surveillance State,” director Zhang Jialing skillfully peels back the layers of China’s formidable surveillance apparatus, presenting a stark portrayal of the human lives ensnared in its web. Premiered at CPH:DOX, the film takes a person-centered approach, focusing on the experiences of three human rights advocates navigating the labyrinth of extreme surveillance.

The documentary unveils a modern-day dystopia against the backdrop of Beijing’s neon skyline, a mesmerizing display of futuristic architecture and Blade Runner-esque video billboards. China’s technological prowess is on full display, but instead of a 20th-century security state, it reveals a digital panopticon fueled by cutting-edge surveillance technology, echoing George Orwell’s haunting vision.

Through intimate portraits, the film introduces Tutu, a pre-teen whose lawyer father vanished after representing dispossessed homeowners. Tutu and his mother, Chen Zijuan, willingly sacrifice their social credit to campaign for his release. Their agonizing journey, marked by turning off phones and driving overnight to attend a hearing, lays bare the personal toll exacted by the state’s control.

Lawyer Wang Quanzhang and his family face a relentless siege, both physical and moral. Masked strangers obstruct Wang from speaking at foreign embassies, while Zijuan endures the taunts of neighbors branding her “a disgrace.” In this environment, trust flows only in one direction, upward, leaving dissenting voices vulnerable to relentless pressure.

China’s social credit system emerges as a powerful tool, capable of wielding immense influence. Public acts labeled as “extravagance” or “petitioning a higher authority” can tip the scales dramatically. Trust, portrayed as a currency, is shown to be precarious, and the film unflinchingly exposes the dire consequences of dissent.

“Total Trust” serves as a chilling reminder that surveillance transcends mere data; it is about lives disrupted, families torn apart, and voices silenced. Zhang Jialing’s lens pierces through the facade, laying bare the human cost of an all-seeing regime. As viewers bear witness to these gripping narratives, they are compelled to grapple with their own trust in systems wielding such pervasive power. The documentary challenges us to reflect on the profound implications of living in a surveillance state where trust is a fragile commodity, and the stakes extend far beyond the realm of data.

If Beale Street Could Talk (2018) 11.15pm BBC2

“If Beale Street Could Talk” (2018), directed by Barry Jenkins, is a poignant and visually stunning adaptation of James Baldwin’s novel. At its core, the film is a love story, but it is also a powerful exploration of social and political themes that resonate profoundly, particularly in the context of systemic racism and the criminal justice system.

Set against the backdrop of 1970s Harlem, the film follows the love between Tish Rivers (played by KiKi Layne) and Fonny Hunt (played by Stephan James). Their journey takes a tragic turn when Fonny is falsely accused of a crime he did not commit, highlighting the deep-seated racial injustices prevalent in American society.

The social and political commentary in “If Beale Street Could Talk” is subtle yet piercing. The film portrays the harsh realities of systemic racism, illustrating how African American individuals, particularly men, are often unfairly targeted and victimized by a justice system that is meant to protect all citizens. Fonny’s wrongful arrest and imprisonment serve as a stark reminder of the racial biases embedded within the legal system.

The narrative also explores the impact of systemic racism on familial and community relationships. Tish’s family rallies around her and Fonny, facing not only the emotional toll of the situation but also the financial strain and social stigma associated with their fight for justice. The film underscores the resilience of black families in the face of adversity and the strength derived from communal support.

Barry Jenkins employs his signature visual style to evoke the atmosphere of 1970s Harlem, capturing both the vibrancy of the community and the shadows cast by racial injustice. The cinematography, accompanied by Nicholas Britell’s evocative score, creates a sensory experience that enhances the emotional impact of the narrative.

The love story between Tish and Fonny serves as a microcosm for the broader challenges faced by African American communities. Their love becomes a defiant act against a society that seeks to tear them apart, and their struggle for justice becomes emblematic of the broader fight against racial inequality.

“If Beale Street Could Talk” is a masterfully crafted film that transcends its love story foundation to deliver a poignant commentary on social and political issues. Barry Jenkins skillfully brings James Baldwin’s exploration of racial injustice to life, creating a film that resonates with relevance in the ongoing conversation about systemic racism in America. Through its nuanced storytelling and compelling characters, the film invites viewers to reflect on the enduring impact of racial inequality and the resilience of love and community in the face of injustice.

Wednesday 21 February 2024

Official Secrets (2019) 11.20pm BBC1

“Official Secrets” directed by Gavin Hood, is a gripping and thought-provoking political thriller that unfolds a true story of courage and conscience in the face of government deceit. The film is anchored by Keira Knightley’s compelling performance as Katharine Gun, a British intelligence translator who risks everything to expose a covert operation leading up to the Iraq War.

The narrative skillfully navigates the moral complexities of Gun’s decision to leak classified information that reveals a plan to manipulate the United Nations in favor of the invasion of Iraq. As the story unfolds, it sheds light on the ethical dilemmas faced by individuals within the intelligence community, grappling with their loyalty to their country and the responsibility to reveal uncomfortable truths.

“Official Secrets” effectively captures the tension and urgency of its subject matter, creating a sense of unease as it explores the consequences of whistleblowing. The film doesn’t shy away from questioning the motives behind the Iraq War and the political machinery that led to it, offering a timely reflection on the consequences of unchecked power.

Supported by a strong ensemble cast, including Matt Smith and Ralph Fiennes, the performances enhance the film’s impact, bringing depth to the characters involved in the unfolding drama. The script intelligently weaves together the legal, political, and personal dimensions of the story, keeping the audience engaged throughout.

Visually, the film adopts a no-frills approach, focusing on authenticity and realism to convey the gravity of the events. The subdued color palette and cinematography contribute to the film’s serious tone, emphasizing the gravity of the information at the center of the narrative.

“Official Secrets” succeeds in delivering a compelling narrative that not only entertains but also prompts reflection on the moral complexities of government actions and the importance of transparency in a democracy. It stands as a relevant and engaging exploration of the sacrifices made by those who choose to challenge the status quo for the sake of truth and justice.

Thursday 22 February 2024

The Rise and Rise of the Microchip: Chips with Everything 4pm RADIO 4

Broadcaster and writer Misha Glenny tells the story of the microchip’s Cold War past, corporate present and quantum future.

Friday 23 February 2024

Prince Night on BBC Four: A Purple Celebration of Musical Genius

On Friday, February 23, 2024, BBC Four invites viewers to immerse themselves in the electrifying world of Prince Rogers Nelson, the enigmatic artist who defied genres, norms, and expectations. This special night pays homage to the iconic musician, showcasing his unparalleled talent, boundary-pushing creativity, and indelible impact on the music industry.

The Lineup

  1. “Prince and The Revolution: Live” (1985)
    At 9:00 PM, the evening kicks off with the historic “Prince and The Revolution: Live” concert from the Syracuse Carrier Dome during Prince’s 1985 Purple Rain tour. This Grammy-nominated concert film has been entirely remixed, remastered, and visually enhanced. Get ready to witness Prince’s electrifying stage presence and timeless hits.
  2. “Prince: A Purple Reign” (Documentary)
    Following the concert, at 10:20 PM, delve deeper into the enigma that was Prince. This documentary unravels the layers of his persona—the mysterious symbol, the Paisley Park compound, and the elusive interviews. Interviews with collaborators, friends, and fans provide insights into the man behind the music.
  3. “Purple Rain: The Musical”
    And finally, at 11:20 PM, prepare for a theatrical treat with “Purple Rain: The Musical”. This stage adaptation brings Prince’s iconic film to life, capturing the raw emotion, passion, and musical genius that made “Purple Rain” a cultural phenomenon. Let the music, the drama, and the purple magic wash over you.

Why Prince Matters

Prince wasn’t just a musician; he was a force of nature. His genre-blending sound fused funk, rock, R&B, and psychedelia. His lyrics explored love, spirituality, and societal critique. His fashion—ruffles, high heels, and purple everything—was a statement of defiance. And his guitar solos? Pure magic.

Prince challenged conventions, championed individuality, and blurred the lines between masculine and feminine. His music transcended time, touching hearts across generations. Whether you’re a lifelong fan or a newcomer, Prince’s legacy invites you to dance, dream, and embrace your own purple reign.

So, mark your calendars, set your DVRs, and join BBC Four for a night of musical royalty. Let’s celebrate the man who taught us that life is just a party, and parties weren’t meant to last.

Beast (2017) 11.05pm Film4

“Beast” (2017), directed by Michael Pearce, is a dark and atmospheric psychological thriller that skillfully weaves a tale of mystery, passion, and societal expectations. Set against the backdrop of the rugged landscapes of Jersey, the film explores the complexities of love and identity, all while keeping the audience on the edge of their seats.

Jessie Buckley delivers a standout performance as Moll, a troubled young woman living in a small community where societal expectations and family dynamics suffocate her. The film navigates Moll’s journey as she becomes entangled with Pascal (Johnny Flynn), a mysterious and potentially dangerous outsider. The chemistry between Buckley and Flynn is palpable, adding layers of intensity and ambiguity to their relationship.

The narrative unfolds like a psychological puzzle, slowly revealing the disturbing undercurrents beneath the seemingly tranquil island setting. As a series of murders shocks the community, suspicions and tensions rise, placing Moll at the center of the storm. Pearce masterfully builds suspense, keeping the audience guessing about the true nature of the characters and the unfolding events.

“Beast” stands out not only for its gripping plot but also for its exploration of societal norms and the constraints placed on individuals, especially women, in conservative communities. The film delves into themes of rebellion and self-discovery, as Moll grapples with the expectations imposed by her family and society, ultimately seeking liberation in unexpected and dangerous ways.

The cinematography by Benjamin Kracun captures the stark beauty of the island while creating an atmospheric backdrop that enhances the film’s tension. The use of muted colors and natural lighting contributes to the film’s eerie and unsettling atmosphere.

The supporting cast, including Geraldine James and Trystan Gravelle, adds depth to the story, portraying characters with their own secrets and motivations. The film’s pacing is deliberate, allowing the tension to build gradually, and the script is filled with subtle nuances that add complexity to the characters and their relationships.

In conclusion, “Beast” is a compelling and atmospheric thriller that goes beyond genre conventions. Michael Pearce’s directorial debut is a mesmerizing exploration of the human psyche, societal expectations, and the thin line between passion and danger. Anchored by strong performances and a hauntingly beautiful setting, “Beast” is a film that lingers in the mind, leaving the audience with thought-provoking questions about love, identity, and the untamed aspects of the human spirit.

Picture Credits

Pete Doherty: Stranger In My Own Skin
By Thesupermat – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=22893792
The Running Man (1988)
By http://www.impawards.com/1987/running_man.html, Fair use, https://en.wikipedia.org/w/index.php?curid=34215915
Quadrophenia (1979)
Fair use, https://en.wikipedia.org/w/index.php?curid=1602134
Concorde: The Race For Supersonic
By Plismo – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6797020
FDR
By Photograph: Leon PerskieScan: FDR Presidential Library & Museum – CT 09-109(1), CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=71911951
Miners’ Strike: A Frontline Story
By Simon Speed – Own work, CC0, https://commons.wikimedia.org/w/index.php?curid=25700566
In The Loop (2009)
By Empire, Fair use, https://en.wikipedia.org/w/index.php?curid=21919298
The Iron Lady (2011)
By http://www.impawards.com/2011/iron_lady.html, Fair use, https://en.wikipedia.org/w/index.php?curid=33178750
Storyville: Total Trust: Surveillance State
If Beale Street Could Talk (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59422414
Official Secrets (2019)
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=61461649
Prince
By Allen Beaulieu; Distributed by Warner Bros. Records. – Worthpoint, archive, Hi-Res, Public Domain, https://commons.wikimedia.org/w/index.php?curid=133480049
Beast (2017)
By The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=57163657

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One Life: Sir Nicholas Winton’s Remarkable Story

428 words, 2 minutes read time.

Director James Hawes brings to life the remarkable story of Sir Nicholas Winton in the 2023 British biographical drama film, “One Life.” Starring the legendary Anthony Hopkins and the talented Johnny Flynn, the movie takes us on a poignant journey through a critical period in history, highlighting Winton’s heroic efforts to rescue hundreds of Jewish children from the clutches of the Nazis on the eve of World War II.

What makes “One Life” stand out is its understated brilliance. Director Hawes crafts a narrative that doesn’t rely on melodrama or over-the-top emotions. Instead, the film allows the gravity of Winton’s actions to speak for themselves, delivering a powerful impact on the audience. The subtlety of the storytelling enhances the emotional weight of the film, making it all the more moving.

The performances, particularly by Anthony Hopkins and Johnny Flynn, are outstanding. Hopkins captures the essence of Sir Nicholas Winton with grace and depth, portraying the internal struggles and unwavering determination of a man faced with unimaginable challenges. Flynn complements him perfectly, embodying the younger Winton with authenticity and nuance.

The film’s portrayal of the dire conditions faced by Jewish families in Prague adds a layer of urgency to the narrative. Winton’s decision to take matters into his own hands, supported by his mother Babette, adds a personal touch to the historical events. The race against time to save these children becomes a palpable and gripping element of the story.

The film’s climax on That’s Life! is genuinely moving, as Winton is reunited with the adults that he saved as children. The reunion is not overstated, but rather, it is a quiet and heartfelt moment that leaves a lasting impact. The use of the quote, “He who saves one life, saves the world entire,” beautifully encapsulates the essence of Winton’s humanitarian efforts and resonates long after the credits roll.

As someone who used to watch That’s Life I was reminded that sometimes seemingly trivial moments in popular culture can carry profound significance. The juxtaposition of the show’s usual light-hearted tone with the serious subject matter of the film served to highlight the extraordinary nature of Winton’s actions.

“One Life” is a masterfully crafted biographical drama that pays tribute to the unsung heroism of Sir Nicholas Winton. The film’s understated approach, coupled with stellar performances and poignant storytelling, makes it a must-watch. It is a moving and thought-provoking exploration of human compassion, resilience, and the profound impact one individual can have on the course of history.

Reviewed by Pat Harrington

Picture credit: By Unknown – The Leatherhead Theatre, Fair use, https://en.wikipedia.org/w/index.php?curid=75732240

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Culture Vulture (3rd to the 9th of February 2024)

564 words, 3 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. Highlights this week include: 2016 film, The Lost City Of Z, Shadow Commander: Iran’s Military Mastermind, and 2021 film Rebel Dykes.

Saturday 3rd of February 2024

Genius: MLK/X (one of eight) 9pm National Geographic

“Genius: MLK/X” is a limited series on National Geographic that follows the lives and legacies of Martin Luther King Jr. and Malcolm X, two of the most influential civil rights leaders in American history. The series explores their personal and political journeys, from their formative years to their rise as icons of a movement that changed the nation. The series also examines their complex and sometimes conflicting views on race, religion, violence, and justice. The series stars Hamilton Hodell as Martin Luther King Jr., Aaron Pierre as Malcolm X, Cynthia Erivo as Coretta Scott King, and Ron Cephas Jones as Elijah Muhammad. The series is created by Suzan-Lori Parks and executive produced by Brian Grazer and Ron Howard.

The Lost City Of Z (2016) 9pm GREAT!Movies

“The Lost City of Z” (2016) is a captivating adventure film directed by James Gray, based on David Grann’s non-fiction book of the same name. The movie follows the true story of British explorer Percy Fawcett, played brilliantly by Charlie Hunnam, as he embarks on a series of expeditions into the Amazon rainforest in the early 20th century in search of a mythical ancient city.

The film is a visual and emotional triumph, with lush cinematography that captures the untamed beauty of the Amazon and the challenges faced by Fawcett and his team. The performances, particularly by Hunnam and Robert Pattinson as Fawcett’s loyal companion, are commendable, bringing depth and nuance to their characters.

What sets “The Lost City of Z” apart is its exploration of obsession, ambition, and the clash between Western colonialism and indigenous cultures. It delves into the complexities of Fawcett’s motivations and the toll his quests take on his personal life. The narrative unfolds with a measured pace, allowing the audience to immerse themselves in the mystery and danger of the uncharted jungle.

The film succeeds in creating an atmospheric and haunting experience, blending historical drama with elements of mysticism. It prompts viewers to contemplate the allure of the unknown and the sacrifices made in the pursuit of discovery. “The Lost City of Z” is a thought-provoking and visually stunning cinematic journey that stays with you long after the credits roll.

Sunday 4th of February 2024

In Search of Dracula With Mark Gatiss 10.15pm BBC4

“In Search of Dracula With Mark Gatiss” is a documentary film that aired on BBC Two in January 2020. It is hosted by Mark Gatiss, the executive producer and co-writer of the 2020 Dracula series on BBC One. The film explores the history and evolution of the iconic vampire character, from the original novel by Bram Stoker to the various adaptations on screen. The film features interviews with actors, film experts, and historians, as well as visits to locations such as Orava Castle in Slovakia, the London Library, and Philadelphia.

Monday 5th of February 2024

Shadow Commander: Iran’s Military Mastermind 10pm BBC4

Shadow Commander: Iran’s Military Mastermind is a one-hour documentary film that aired on BBC Two in March 2019. It tells the extraordinary story of General Qassem Suleimani, the leader of Iran’s elite Quds Force, who was killed by a US drone strike in January 2020. The film features first-hand accounts of his secret deals and shifting alliances across Syria, Iraq and Lebanon, as well as his role in the fight against ISIS and the rivalry with Saudi Arabia. The film is reported by Jane Corbin and directed by Sasha Joelle Achilli

Vice (2018) 11.15pm BBC2

“Vice” (2018), directed by Adam McKay, is a bold and satirical exploration of the life and political career of Dick Cheney, the enigmatic Vice President to George W. Bush. Christian Bale delivers an astonishing transformation into Cheney, capturing not only his physical likeness but also embodying the complex personality of this influential and controversial figure.

The film uses an unconventional narrative style, blending dark humor, clever editing, and fourth-wall-breaking moments to dissect Cheney’s rise to power and his impact on American politics. Amy Adams is equally compelling in her role as Lynne Cheney, portraying the formidable and politically savvy wife who plays a crucial role in her husband’s ascent.

“Vice” doesn’t shy away from presenting Cheney’s political maneuvering and the consequential decisions that shaped the nation, including the Iraq War and the expansion of executive power. The film raises thought-provoking questions about the balance between political ambition and ethical considerations.

While some may find the film’s style and tone divisive, it undeniably offers a unique and entertaining take on recent political history. “Vice” is a sharp and incisive critique of power dynamics, leaving audiences both amused and contemplative about the influence wielded by those in the shadows of political leadership.

Tuesday 6th of February 2024

Stronger (2017) 12.10am BBC2

“Stronger” (2017) is a powerful and emotionally resonant film directed by David Gordon Green, based on the memoir of Jeff Bauman, a survivor of the Boston Marathon bombing. Jake Gyllenhaal delivers a compelling performance as Bauman, capturing the physical and emotional challenges he faces in the aftermath of the tragic event.

The film skillfully explores the personal journey of Jeff Bauman, who becomes a symbol of resilience and strength. Gyllenhaal portrays the complexities of Bauman’s character with sensitivity, portraying his struggles, triumphs, and the impact on his relationships, particularly with his girlfriend Erin, played by Tatiana Maslany.

“Stronger” goes beyond the typical inspirational narrative, delving into the psychological and physical toll of trauma. The film does not shy away from portraying the difficulties Bauman faces as he copes with his injuries and the expectations placed upon him as a symbol of hope.

The supporting cast, including Miranda Richardson as Jeff’s mother, adds depth to the storytelling, highlighting the importance of the support system in one’s recovery. The film successfully balances moments of heart-wrenching drama with touches of humor, making it a well-rounded and authentic portrayal of the human spirit’s capacity to overcome adversity.

In addition to its compelling performances, “Stronger” is notable for its respectful handling of the real-life events and its emphasis on the personal growth and transformation of its central character. It is a moving and thought-provoking film that celebrates the resilience of the human spirit in the face of unimaginable challenges.

Rebel Dykes (2021) 2.20am Channel 4

Rebel Dykes (2021) is a documentary film that explores the lesbian scene in London during the 1980s and 1990s, when punk met feminism. The film features interviews with some of the women who were part of this subculture, as well as archival footage and animation. Rebel Dykes celebrates the sex-positive, radical, and diverse aspects of lesbian and feminist identity and activism at that time. The film is directed by Siân A. Williams and Harri Shanahan, and has won one award and received three nominations.

Wednesday 7th of February 2024

Shame (2011) 11.50pm Film4

“Shame” (2011), directed by Steve McQueen and starring Michael Fassbender and Carey Mulligan, is a haunting exploration of addiction and the corrosive effects of shame. The film delves into the life of Brandon Sullivan (Fassbender), a New Yorker grappling with a compulsive and destructive addiction to sex.

The cinematography in “Shame” is striking, with McQueen’s meticulous framing and long takes adding to the film’s intensity. Fassbender’s performance is nothing short of extraordinary, capturing the internal torment of a man caught in a cycle of self-destructive behavior. Mulligan, in her role as Brandon’s troubled sister, adds a layer of complexity to the narrative.

The film doesn’t rely on explicit scenes for shock value but rather focuses on the emotional and psychological toll of addiction. The screenplay, co-written by McQueen and Abi Morgan, is spare yet powerful, allowing the characters’ actions and reactions to speak volumes.

“Shame” is a raw and unflinching portrayal of a deeply troubled individual, examining the impact of addiction on relationships, intimacy, and self-worth. It’s a challenging watch, but the film’s unapologetic approach makes it a thought-provoking exploration of human vulnerability and the search for connection in the face of personal demons.

Hunger (2008) 1.55am Film4

“Hunger” (2008), directed by Steve McQueen, is a visceral and intense portrayal of the 1981 Irish hunger strike led by Bobby Sands (played by Michael Fassbender) in the Maze Prison. The film marks McQueen’s directorial debut and is known for its unflinching depiction of the brutality faced by political prisoners during this historical event.

The cinematography is a standout aspect of “Hunger,” with McQueen and cinematographer Sean Bobbitt employing long takes and visually arresting compositions. The film’s deliberate pacing allows viewers to absorb the harsh realities of life in the Maze Prison and the profound commitment of the hunger strikers to their cause.

Michael Fassbender delivers a riveting performance as Bobby Sands, capturing the physical and emotional toll of the hunger strike. The second half of the film, featuring a strikingly extended dialogue scene between Sands and a Catholic priest played by Liam Cunningham, is particularly noteworthy for its emotional depth and intensity.

“Hunger” is a challenging yet powerful cinematic experience that goes beyond a traditional political drama. It delves into the human cost of political resistance, the resilience of the human spirit, and the ethical complexities surrounding the use of extreme measures for a cause. The film received critical acclaim for its uncompromising approach and its ability to provoke contemplation on broader themes of sacrifice, resistance, and the consequences of political conflict.

Thursday 8th of February 2024

Miner’s Strike 1984: The Battle for Britain (third of three) 9pm Channel 4

The third episode of “Miner’s Strike 1984: The Battle for Britain” is titled Power. It tells the story of how businessman David Hart helped Thatcher’s government finally defeat the strike by waging a war of propaganda and exploiting splits among Nottinghamshire miners. The episode features interviews with Hart himself, former cabinet ministers, union leaders, and striking and working miners. The episode also reveals how Hart secretly funded a breakaway union called the Union of Democratic Mineworkers, which opposed the strike and undermined the NUM’s authority. The episode shows how the strike ended in March 1985, with the miners returning to work without any concessions from the government or the NCB. The episode concludes with the long-term consequences of the strike, such as the decline of the coal industry, the rise of neoliberalism, and the legacy of bitterness and division among the mining communities.

Starship Troopers (1997) 11.05pm ITV4

“Starship Troopers”, directed by Paul Verhoeven, is a sci-fi action film that cleverly incorporates political satire and dark humor, making it a unique and subversive take on the military genre. Set in a futuristic society, the film follows Johnny Rico (played by Casper Van Dien) and his fellow soldiers as they battle against an insectoid alien species.

Verhoeven’s satirical approach to the source material, Robert A. Heinlein’s novel of the same name, is evident throughout the film. The director uses exaggerated patriotism, propaganda, and militaristic imagery to critique and lampoon fascist and jingoistic ideologies. The recruitment advertisements and newsreel-style segments serve as biting commentary on the glorification of war and blind nationalism.

The dark humor in “Starship Troopers” adds an extra layer to the satire. Verhoeven balances intense action sequences with moments of absurdity and irony, creating a tone that invites viewers to question the underlying messages being presented. The film doesn’t take itself too seriously, using humor as a tool to expose the absurdities of war and authoritarianism.

While the film was initially misunderstood by some as a straightforward action flick, its subversive elements have gained recognition over time. “Starship Troopers” stands out as a thought-provoking and entertaining example of how satire and dark humor can be effectively woven into the fabric of a genre film, challenging conventional narratives and prompting audiences to reflect on the implications of blind allegiance to authority.

Friday 9th of February 2024

Captain Tom: What Happened Next 10pm Channel 5

“Captain Tom: What Happened Next” is a documentary film that aired on Channel 5 in November 2023. It investigates the controversy surrounding the financial handling of Captain Sir Tom Moore’s charitable efforts during the Covid-19 pandemic. The film reveals how some of the money raised by the national hero and his family was used for personal gain, such as a book deal and an unauthorised spa complex. The film also examines the impact of these allegations on Captain Tom’s legacy and reputation. The film is reported by Jane Corbin and directed by Sasha Joelle Achilli.

Picture Credits

The Lost City Of Z (2016)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=53071915

Vice (2018)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=59040750

Stronger (2017)
By https://www.imdb.com/title/tt3881784/, Fair use, https://en.wikipedia.org/w/index.php?curid=53627342

Rebel Dykes (2021)

Shame (2011)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=33331542

Hunger (2008)
By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=17719145

Starship Troopers (1997)
By http://www.impawards.com/1997/starship_troopers_ver2.html, Fair use, https://en.wikipedia.org/w/index.php?curid=1070214

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Culture Vulture (13th to 19th January 2024)

4,042 words, 21 minutes read time.

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative viewpoint. Selections and writing is by Pat Harrington and music is by Tim Bragg. Highlights this week include: the 2001 film Ali, a biography of Muhammad Ali, The War On Disco, a fascinating documentary from PBS America, and Beatriz At Dinner, an engaging study of class relations.

Saturday 13th of January 2024

Hope and Glory (1987 film) 10.30pm BBC2

“Hope and Glory,” directed by John Boorman and released in 1987, is a poignant and evocative film that masterfully captures the spirit of a tumultuous period in history through the lens of a British family during World War II. Set against the backdrop of the Blitz, the film skillfully intertwines personal narratives with broader social themes, offering a unique perspective on the impact of war on individuals and communities.

At its core, “Hope and Glory” explores the theme of resilience in the face of adversity. The central character, young Bill Rowan, played by Sebastian Rice-Edwards, serves as the audience’s conduit to the unfolding events. Through his innocent eyes, we witness not only the destruction caused by the war but also the resilience and adaptability of individuals forced to navigate through an uncertain and challenging period.

One of the film’s notable social themes is the transformation of societal norms during times of crisis. The war disrupts the traditional structures of British society, breaking down class barriers and reshaping gender roles. The Rowan family, like many others, find themselves living in a world that challenges established norms. The absence of fathers and husbands on the home front leads to a redefinition of gender roles, with women assuming responsibilities traditionally reserved for men. This shift is portrayed with both humor and sensitivity, highlighting the strength and resourcefulness of women during wartime.

The film also addresses the impact of war on the younger generation, exploring how children cope with the upheaval of their lives. Bill’s coming-of-age story is intricately linked to the broader societal changes, as he navigates the challenges of adolescence against the backdrop of air raids and rationing. The juxtaposition of the mundane struggles of growing up with the extraordinary circumstances of war creates a poignant commentary on the resilience of youth in the face of adversity.

Furthermore, “Hope and Glory” delves into the communal aspect of war, illustrating how shared experiences can forge unexpected bonds among diverse individuals. As the characters seek refuge in bomb shelters and share communal spaces, the film emphasizes the unifying force of a common threat. The war becomes a leveling factor that erodes social divisions, fostering a sense of collective identity and shared humanity.

“Hope and Glory” stands as a compelling exploration of social themes within the context of World War II. Through its vivid characters and heartfelt storytelling, the film effectively captures the resilience, adaptability, and communal spirit that emerges in times of crisis. Boorman’s direction, coupled with strong performances from the cast, ensures that “Hope and Glory” remains a timeless portrayal of the human experience during a pivotal moment in history.

Ali (2001 film) 11.05pm BBC1

Directed by Michael Mann, “Ali” (2001) is a biographical film that transcends the boundaries of a sports drama by delving deep into the racial, social, and political currents that defined the life of legendary boxer Muhammad Ali. Starring Will Smith in a transformative performance as the titular character, the film succeeds in offering a multifaceted portrayal of a cultural icon and his profound impact on American society.

Racial themes are at the forefront of “Ali,” reflecting the turbulent era of the 1960s and 1970s. The film unflinchingly explores Ali’s conversion to Islam and his conscientious objection to the Vietnam War, choices that were deeply rooted in his identity as an African American and a Muslim. The portrayal of Ali’s relationship with the Nation of Islam and his decision to change his name from Cassius Clay to Muhammad Ali sheds light on the intersectionality of race, religion, and identity in the context of a nation grappling with civil rights and social justice.

The film also underscores the social implications of Ali’s outspokenness and unapologetic Black pride. His refusal to conform to societal expectations and his bold declaration of “I am America” resonate as powerful statements against systemic racism and inequality. Mann skillfully weaves these social themes into the narrative, creating a compelling commentary on the role of sports figures as agents of change during a pivotal period in American history.

Politically, “Ali” captures the tumultuous relationship between Ali and the U.S. government during a period of intense social upheaval. His conscientious objection to the Vietnam War and subsequent legal battles, including his suspension from boxing and stripping of his world title, become symbolic of the larger struggle for civil rights and the right to dissent. The film portrays Ali as a symbol of resistance, challenging the status quo and inspiring a generation to question authority and fight for justice.

Will Smith’s nuanced portrayal of Ali adds a layer of authenticity to the film, capturing not only the charismatic bravado of the boxer but also the vulnerability and humanity beneath the public persona. The supporting cast, including Jamie Foxx and Jon Voight, contributes to the film’s richness, bringing depth to the relationships that shaped Ali’s life and legacy.

“Ali” transcends the conventional sports biopic by seamlessly integrating racial, social, and political themes into the narrative. Michael Mann’s direction, coupled with Will Smith’s compelling performance, ensures that the film not only pays tribute to the boxing legend but also serves as a powerful reflection on the broader struggles for racial and social justice in America. “Ali” stands as a poignant and timely exploration of an icon who transcended the boxing ring to become a symbol of resilience and change.

Sunday 14th of January 2024

Logan Lucky (2017 film) 4.25pm Great Movies

Directed by Steven Soderbergh, “Logan Lucky” is a delightful heist comedy that takes a refreshingly unconventional approach to the genre. Set against the backdrop of West Virginia’s blue-collar landscape, the film follows the Logan family as they embark on a daring scheme to rob the Charlotte Motor Speedway during a high-profile NASCAR race. With a stellar cast led by Channing Tatum, Adam Driver, and Daniel Craig, “Logan Lucky” delivers a heaping dose of humor, heart, and Southern charm.

At its core, the film succeeds in subverting heist movie conventions. The Logan brothers, Jimmy (Tatum) and Clyde (Driver), along with their eccentric accomplice Joe Bang (Craig), form an unlikely trio of lovable misfits. Their characters are not the suave, seasoned criminals typically associated with the genre, but rather working-class individuals driven by a desire to break free from life’s hardships. This shift in perspective injects “Logan Lucky” with a unique blend of humor and empathy, as the audience roots for the underdog protagonists.

The humor in the film is both clever and endearing, laced with witty dialogue and unexpected twists. Soderbergh masterfully balances the comedic elements with moments of genuine emotion, creating a narrative that is not just about the heist but also about the bonds of family and friendship. The chemistry between the cast members is palpable, and their performances contribute to the film’s overall charm.

“Logan Lucky” also excels in its portrayal of regional identity. The Southern setting serves as a backdrop that not only adds flavor to the story but also becomes an integral part of the film’s identity. The characters’ distinctive Southern drawls and mannerisms are embraced with affection rather than caricature, celebrating the uniqueness of the setting and its people.

Daniel Craig’s performance as the incarcerated explosives expert, Joe Bang, is a standout. Against type, Craig brings a comedic flair to his character, stealing scenes with his deadpan delivery and unexpected depth. The supporting cast, including Riley Keough and Seth MacFarlane, further enhances the ensemble’s dynamic, creating a memorable and entertaining cinematic experience.

“Logan Lucky” is also notable for its clever use of technology and modernity within a seemingly traditional heist narrative. The inclusion of cell phones, social media, and contemporary pop culture references adds a layer of relevance to the story, ensuring that the film resonates with audiences beyond its genre trappings.

“Logan Lucky” is a heist film with a heart, showcasing Soderbergh’s directorial finesse and the cast’s comedic prowess. With its unique characters, witty script, and a perfect blend of humor and heart, the film stands out as a delightful and unconventional entry in the heist comedy genre. It’s a rollercoaster ride that not only keeps you on the edge of your seat but also leaves you with a smile on your face.

Monday 15th January 2024

Undercover Doctor: The Secrets Of Your Big Shop 8pm Channel 4

This show features Dr. Michael Mosley, who investigates the health of the nation by examining the contents of people’s shopping carts. In each episode, Dr. Mosley meets a couple and goes undercover at the checkout to see what they’re buying. He then overhauls their diet and provides advice on healthy eating habits.

In this episode, Dr. Michael Mosley meets Natalie, a full-time mother from Birmingham, who suffers from irritable bowel syndrome and constipation. Her partner, Michael, is a teacher who is known to their five children as “beef bum” due to his toxic trumps and shocking bloating. The couple believes that they eat healthily and buy salads, veggies, healthy proteins, and carbs. However, when Dr. Mosley goes undercover at the checkout, he discovers that their trolley tells another story, and he starts them on a gut-busting food revamp. In addition, Dr. Mosley tests out the viral TikTok craze for the egg diet and delivers health hacks for pizza and spag bol.

Moneyboys (2021 film) 1.15am Film4

“Moneyboys” is a 2021 film directed by C.B. Yi that explores the life of a young man named Fei who moves from a rural Chinese village to Austria as a teenager. The film depicts the struggles of gay life in China, where stories about gay life are few and far between due to the government’s strict censorship regime. The film is a rare depiction of contemporary gay life in China, filmed in neighboring Taiwan, and uses an exploration of sex work not only as a way of addressing attitudes towards sexuality in a conservative country, but the increasing gulf in prospects for young people between rural areas and cities. The film is a melancholic character drama and a grander study on simmering economic and cultural tensions, be they regional or generational. Through Fei’s various interactions with other characters, a clear theme rings throughout the film: the sacrifice of one’s happiness for the sake of others. Lovers sacrifice for the ones they love, young adults sacrifice to meet family expectations, LGBTQ+ sacrifice to fit the molds of society.

In “Moneyboys”, Fei’s family is initially accepting of the money he sends them from his work as a sex worker, but they are unwilling to accept his sexuality. When Fei visits his home village to see his dying grandfather, his family struggles to hide their shame that their son makes money sleeping with other men. This complicates things, as Fei has kept donating significant chunks of his paycheck to his family. Fei realizes the hypocrisy of his family who are happy to take the money he makes from hustling on the street but unwilling to accept his sexuality.

The film covers the topic of male prostitution in Taiwan/China, and the trauma that many gay/bisexual/MSM men face in society. A large part of this is due to the familial pressure to marry and have children, which is something many young people in Taiwan and China may relate to. The film was deliberately slow-paced, and it’s a curious film that doesn’t feel culturally specific in its approach to the subject matter, as the heart of the drama appears to be a universally relatable tale of gay self-acceptance in the face of homophobia from family and wider society.

Tuesday 16th January 2024

The War On Disco 8.35pm PBS America

“The War on Disco” is a PBS documentary that explores the culture war that erupted over the spectacular rise of disco music in the late 1970s. The show examines how disco, which originated in underground Black and gay clubs, had unseated rock as America’s most popular music by the late 1970s
. However, many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.

The documentary is about much more than music. It explores how the powerful anti-disco backlash revealed a cultural divide that to some claimed was driven by racism and homophobia. The show features interviews with people who were involved in the disco scene, including DJs, musicians, and club-goers, as well as those who opposed it. The documentary also examines the impact of disco on fashion, dance, and popular culture.

Trump: The Return? 9pm ITV1

This show features Robert Moore, an award-winning ITV News correspondent, who takes the temperature of America as it begins an election year with former president Donald Trump in a significant lead in polling over incumbent Joe Biden. The show explores the possibility of Trump’s return to the White House and the impact it could have on the country.

Beatriz At Dinner (2017 film) 11.15pm BBC2

“Beatriz at Dinner” is a 2017 film directed by Miguel Arteta that explores themes of politics, class, and environmentalism. The film follows the story of Beatriz, a Mexican holistic healer and masseuse living in California, who is invited to a dinner party hosted by her wealthy client, Cathy, and her husband, Grant. The dinner party is attended by other wealthy couples, including a real estate mogul named Doug, who embodies the ugly side of white privilege and capitalism12. The film uses its seven characters to unpack micro-aggressions, racist and classist assumptions, and violence against animals and the planet.

The film is a character study of Beatriz, who is portrayed as a heart-filled saint, and all the wealthy characters as heartless and shallow in their desire to destroy all that is good in the world3. Beatriz’s worldview is challenged by Doug’s monstrous lack of consideration for those outside his capitalist bubble, and the film explores the dichotomy between the two political polar opposites embodied in two very strong performances4. The film is a savage takedown of ugly privilege, but it’s also a poignant exploration of the sacrifices that individuals make to fit into society’s moulds and the struggle to find acceptance and happiness in a world that is often hostile to those who are different.

Greed (2019 film) 11.40pm Film4

“Greed” is a 2019 satirical black comedy film directed by Michael Winterbottom. The film stars Steve Coogan, David Mitchell, Asa Butterfield, Dinita Gohil, Sophie Cookson, Jonny Sweet, Asim Chaudhry, Shirley Henderson, and Isla Fisher. The film explores themes of politics, class, and environmentalism. The film follows the story of Sir Richard “Greedy” McCreadie, a high-street fashion mogul, as he prepares for a monumentally tasteless, Roman-themed 60th birthday party on the plutocrats’ island of Mykonos. McCreadie has just suffered a nightmare of bad publicity following a catastrophic performance in front of a parliamentary select committee, and all the celebs are starting to pull out of his bash. The film uses its characters to explore micro-aggressions, racist and classist assumptions, and violence against animals and the planet.

Scenes exposing the treatment of sweatshop workers add seriousness.

The film is a caricature of the Topshop supremo Philip Green, played by Steve Coogan with a tan, an open-necked shirt, silver-grey hair, and emulsion-white teeth. The movie rattles along in mockumentary style, giving us a moment-by-moment display of this hideous carnival of vanity and suppressed despair.

Wednesday 17th January 2024

Liar: The Fake Grooming Scandal 9pm BBC3

“Liar: The Fake Grooming Scandal” is a factual television series that features Ellie Williams, a 22-year-old woman from Cumbria who was jailed for lying about being trafficked and raped by an Asian grooming gang. The series explores the impact of her false allegations on the community and the justice system.

The show raises several issues, including the prevalence of false allegations of sexual assault and the impact of such allegations on the accused and the justice system. It also highlights the importance of investigating such allegations thoroughly and the need to support genuine victims of sexual assault. It should be remembered that this was an unusual case. In Cumbria in 2020-21, there were 46 reported offences of perverting the course of justice. In comparison, there were 1,177 reports of rape, sexual assault and trafficking. The series also explores the issue of racial profiling and the impact of such profiling on the Asian community.

The question of her motivation was one that remained unexplained at her trial – a transcript from one police interview showed an officer asking her whether she simply liked getting the force’s attention.

A Star Is Born (2018 film) 10.40pm BBC1

“A Star Is Born” is a 2018 American musical romantic drama film directed by Bradley Cooper. The film stars Cooper, Lady Gaga, Dave Chappelle, Andrew Dice Clay, and Sam Elliott. It follows the story of Jackson “Jack” Maine, a famous country rock singer who is privately battling an alcohol and drug addiction. After a show, Jack goes out for drinks and visits a drag bar where he witnesses a tribute performance to Édith Piaf by Ally, a young waitress and singer-songwriter. Jack discovers and falls in love with Ally, and the two begin a passionate relationship. The film explores themes of addiction, love, and the price of fame, and it’s the fourth American adaptation of the story, after the original 1937 romantic drama and its 1954 and 1976 remakes. The film was a critical and commercial success, grossing over $436 million worldwide and receiving widespread praise for Cooper, Gaga, and Elliott’s performances and Cooper’s direction, as well as the screenplay, cinematography, and music. The film received numerous accolades, including eight nominations for the 91st Academy Awards, among them Best Picture, Best Actor (Cooper), Best Actress (Gaga), and Best Supporting Actor (Elliott); it won Best Original Song for “Shallow”. The film’s soundtrack sold over six million copies worldwide and received a total of four Grammy Award wins out of seven nominations, including nominations for Song of the Year two years in a row. Its lead single “Shallow” is one of the world’s best-selling singles of all time. For her acting and soundtrack contributions on “A Star Is Born”, Gaga became the first woman in history to win an Academy Award, Grammy Award, BAFTA Award, and Golden Globe Award in one single year.

Thursday 18th January 2024

Citizen Kane (1941 film) 8pm BBC4“Citizen Kane” is a 1941 American drama film directed by Orson Welles. The film follows the life of Charles Foster Kane, a wealthy newspaper magnate, and his rise to power and eventual downfall. The film explores themes of politics, class, and the difficulty of interpreting a person’s life once that life has ended. The film is a masterpiece of cinema and is widely regarded as one of the greatest films ever made.

The film covers a wide range of social and political themes, including the rise of the penny press, the Hearst-supported Spanish-American War, the birth of radio, the power of political machines, the rise of fascism, and the growth of celebrity journalism32. The film is a subtle satire that acts as a cutting allegory of Trump’s America4. The film is a character study of Kane, who is portrayed as a man who had every material advantage in life but lacked a feeling of human sympathy and tolerance.

“Citizen Kane” is a thought-provoking film that uses its characters to explore themes of politics, class, and the difficulty of interpreting a person’s life once that life has ended.

Friday 19th January 2024

Elmer Gantry (1960 film) 9.50am Talking Pictures

Based on Sinclair Lewis’s satirical novel, “Elmer Gantry,” directed by Richard Brooks in 1960, is a compelling examination of the intertwining realms of religion, politics, and society in post-World War I America. Starring Burt Lancaster in the titular role, the film follows the charismatic and opportunistic Elmer Gantry as he exploits the fervor of religious revivalism for personal gain, exposing the underbelly of moral hypocrisy in a rapidly changing nation.

One of the central social themes in “Elmer Gantry” is the critique of organized religion and the manipulation of faith for personal and political gain. Gantry, a smooth-talking and charming drifter, transforms into a charismatic preacher to capitalize on the emotional vulnerability of congregations seeking salvation. The film skillfully unveils the darker side of religious fervor, portraying Gantry as a complex character who uses the pulpit not for spiritual enlightenment but as a stage for self-promotion.

The film also delves into the intricate relationship between religion and politics during a period marked by societal shifts. Set against the backdrop of the Prohibition era and the Roaring Twenties, “Elmer Gantry” illustrates how the intersections of faith and politics become powerful tools for manipulating public sentiment. Gantry’s alliance with a fervent evangelist, Sister Sharon Falconer (played by Jean Simmons), highlights the merging of religious zeal and political ambition, creating a potent commentary on the blurred lines between church and state.

At its core, “Elmer Gantry” is a scathing critique of the moral duplicity prevalent in American society. The film examines the dichotomy between public virtue and private vice, portraying Gantry as a symbol of the hypocrisy that can thrive under the guise of religious righteousness. The narrative challenges viewers to question the authenticity of those who claim moral authority, urging them to scrutinize the motivations behind charismatic leaders who exploit the public’s faith for personal gain.

Burt Lancaster’s powerhouse performance as Elmer Gantry earned him an Academy Award for Best Actor, providing depth to the character’s charisma, charm, and underlying moral decay. The supporting cast, including Jean Simmons and Shirley Jones, contributes to the film’s success in presenting a nuanced exploration of complex characters navigating a morally ambiguous landscape.

“Elmer Gantry” remains a timeless classic that deftly explores social and political themes within the context of religious revivalism in early 20th-century America. Richard Brooks’ direction, coupled with the stellar performances of the cast, ensures that the film’s critique of hypocrisy and the manipulation of faith resonates with audiences, making it a thought-provoking cinematic experience that remains relevant to discussions on the intersections of religion and societal values.

Zola (2020 film) 10.55pm Film4

“Zola” is a 2020 American black comedy crime film directed by Janicza Bravo and co-written by Bravo and Jeremy O. Harris. The film is based on a viral Twitter thread from 2015 by Aziah “Zola” King and the resulting Rolling Stone article “Zola Tells All: The Real Story Behind the Greatest Stripper Saga Ever Tweeted” by David Kushner. The film follows the story of Zola, a part-time stripper who is convinced by her new friend Stefani to go on a road trip to Tampa, Florida, in order to earn money, only to get in over her head. The film is a morality tale that explores the consequences of making bad decisions and the importance of being true to oneself. Zola’s journey is a cautionary tale about the dangers of trusting strangers and the importance of being aware of one’s surroundings. The film is a savage takedown of the sex industry and the exploitation of women. “Zola” is a thought-provoking film that uses its characters to explore themes of morality, exploitation, and the importance of being true to oneself.

Picture credits

Hope and Glory (1987)
By Unknown: probably studio, Fair use, https://en.wikipedia.org/w/index.php?curid=21325319
Ali (2001)
Fair use, https://en.wikipedia.org/w/index.php?curid=7611422
Logan Lucky (2017)
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=54170950
Undercover Doctor: The Secrets Of Your Big Shop
Moneyboys (2021)
Fair use, https://en.wikipedia.org/w/index.php?curid=67870116
Beatriz At Dinner (2017)
By https://images-na.ssl-images-amazon.com/images/M/MV5BMTU0NjI3NjQxNl5BMl5BanBnXkFtZTgwNzIzODQxMjI@.V1_SY1000_CR0,0,674,1000_AL.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=53897899
Greed (2019)
By Campbeltown Picture House, Fair use, https://en.wikipedia.org/w/index.php?curid=63133845
A Star Is Born (2018)
By CineMaterial, Fair use, https://en.wikipedia.org/w/index.php?curid=57620360
Citizen Kane (1941)
By William Rose – Scan via Heritage Auctions. Cropped from the original image., Public Domain, https://commons.wikimedia.org/w/index.php?curid=85708195
Elmer Gantry (1960)
By http://www.movieposterdb.com/e0f59e2a, Fair use, https://en.wikipedia.org/w/index.php?curid=19614505
Zola (2020)
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=66086267

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Society of the Snow: Gripping True Story of 1972 Andes Mountains Crash

348 words, 2 minutes read time.

Society of the Snow is a 2023 Netflix original movie directed by JA Bayona, depicting the gripping true story of the 1972 Uruguayan Air Force Flight 571 crash in the Andes mountains. The film chronicles the astonishing tale of a group of young rugby players who found themselves stranded in the mountains for 72 days after the tragic plane crash. Portrayed as a visual spectacle with a conscience, the movie has garnered acclaim for its sensitive direction and immersive presentation.

While the film has elicited mixed reviews from critics, it has been lauded for its powerful storytelling and emotional depth by some. Others, however, have criticized its lack of historical accuracy and reductive narration.

Peter Bradshaw of The Guardian hails the film as a “powerful retelling of the 1972 rugby team’s flight that crashed in the Andes and the agonising decisions passengers took in order to stay alive”. Bradshaw commends the film for its lucid storytelling and its portrayal of the survivors’ anguish and unwavering resilience. He also observes that the film focuses on the human spirit and challenging conditions while toning down explicit repulsion.

In a similar vein, Robbie Collin of The Telegraph describes the film as “wrenching, deeply harrowing, but crucially dispenses with sappy takeaways about the triumph of the human spirit”. Collin praises the film for its immersive presentation, attention to technical details, and emotional profundity, noting that it confronts the brutal reality of the situation without hesitation.

Despite the divergence in critical opinions, the performances in Society of the Snow have been widely commended. The film boasts a talented cast including actors like Colin Farrell, Tom Holland, and Anya Taylor-Joy, whose compelling portrayals bring the harrowing story to life.

In sum, Society of the Snow stands as a powerful and emotionally resonant film, offering a compelling portrayal of the young rugby players’ survival in the Andes. While the film has sparked mixed reviews, its sensitive direction, immersive presentation, and compelling performances make it a worthy watch for enthusiasts of survival movies and true stories alike.

Reviewed by Pat Harrington

Picture Credit

Fair use, https://en.wikipedia.org/w/index.php?curid=74765630

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Culture Vulture (6th to 12th of January 2024)

Welcome to Culture Vulture, your guide to the week’s entertainment from an alternative standpoint. Selections and writing are by Pat Harrington and music is by Tim Bragg. Highlights this week include a treat for Bowie fans from Sky Arts on Sunday night, the fascinating documentary The Cambridgeshire Crucifixion on Wednesday and the drama Black ’47 set around the Irish famine.

Saturday 6th of January 2024

Nomadland (2020 film) 10pm C4

Nomadland is a 2020 film directed by Chloé Zhao and starring Frances McDormand. The film is a fictionalized version of Jessica Bruder’s non-fiction book Nomadland: Surviving America in the Twenty-First Century. The film follows Fern, a widow who lives in her van and travels across the American West, taking on seasonal jobs to make ends meet. The film is a poignant portrayal of the struggles of older Americans who have been displaced by society.

From an alternative perspective, Nomadland can be seen as a cf life for those who have been left behind by society. It shows how the American Dream has become unattainable for many, and how people are forced to live on the margins of society. The film also touches on themes of community, resilience, and the human spirit. It shows how people can come together and support each other in times of need, and how they can find meaning and purpose in their lives even in the face of adversity.

Overall, Nomadland is a powerful film that offers a unique perspective on the American Dream and the struggles of those who have been left behind. It is a poignant and thought-provoking film that is sure to leave a lasting impression on viewers.

Celts: The Untold Story 9pm Sky History

“Celts: The Untold Story” is a three-part documentary series that delves into the mysteries, myths, and arcane history of the Celts. The series reveals brand new information about the ancient civilization and is directed by Marek Bures and Max Serio. The series explores the factors that triggered the decline of the Celts in Central Europe, including why they moved from prosperous cities into smaller fortified settlements.

The Truth (2019 film) 1.10am BBC2

“The Truth” is a 2019 film directed by Chloé Zhao and starring Catherine Deneuve and Juliette Binoche. The film is a family melodrama that explores the complex relationship between a mother and daughter. From an alternative perspective, the film can be seen as a commentary on the nature of truth and memory. It highlights how our memories can be distorted by our own perceptions and how we often choose to remember things in a way that suits us. The film also touches on themes of aging, regret, and the importance of family.

The film’s central character, Fabienne, is a legendary French actress who has just published her memoirs. Her daughter, Lumir, returns from New York to Paris with her husband and daughter to celebrate the book’s release. However, Lumir soon discovers that her mother’s memoirs are full of lies and half-truths. The film explores the tension between the two women as they confront their past and try to come to terms with their relationship. Catherine Deneuve’s portrayal of Fabienne in “The Truth” is remarkable.

“The Truth” is a beautifully crafted film that offers a unique perspective on the nature of truth and memory. It is a poignant and thought-provoking film that is sure to leave a lasting impression on viewers. The film’s themes of aging, regret, and the importance of family are universal and will resonate with audiences of all ages.

Sunday 7th of January 2024

Deepwater Horizon (2016 film) 4.30pm GREAT!movies

“Deepwater Horizon” is a 2016 film directed by Peter Berg and starring Mark Wahlberg. The film is based on the true story of the Deepwater Horizon oil rig explosion in 2010, which resulted in the largest oil spill in US history. The film is a commentary on corporate greed and the impact of environmental disasters on working-class communities.

The film highlights the dangers of prioritizing profits over safety and the devastating consequences that can result from such actions. It also sheds light on the struggles of the working-class people who are often the most affected by environmental disasters. The film’s portrayal of the oil rig workers as heroes who risk their lives to save others is a powerful reminder of the importance of solidarity and community in times of crisis.

Overall, “Deepwater Horizon” is a thought-provoking film that raises important questions about corporate responsibility and the impact of environmental disasters on working-class communities. It is a powerful reminder of the need to prioritize safety and the well-being of people over profits.

Three treats for Bowie fans from 8pm on Sky Arts:

  1. At 8pm, “Bowie: The Man Who Changed the World”: This feature-length documentary about David Bowie’s life and inspiration is a must-watch for any fan of the British rock icon. Unlike other documentaries that focus on Bowie as a musician, this film examines his revolutionary style and personas, from the ground-breaking Ziggy Stardust to the Thin White Duke. The documentary is well put together and has enough interesting facts to keep you engaged.
  2. At 10pm, “David Bowie: Love You Till Tuesday”: This 1969 promotional film was created to bring David Bowie to a wider audience. It includes a previously unreleased original recording of Space Oddity. The film is a curious recording that was never shown on a major network until now. It is a must-watch for any Bowie fan.
  3. At 10.40pm, “David Bowie and Marc Bolan Urban Myths Programme”: This short film is a fictional comedy drama about a young David Bowie and Marc Bolan painting an office. The film is evocative and touching, and it is intriguing to see the two characters cautiously eye each other up with suspicion, play status games, and ultimately bond. The film is well put together and has enough interesting facts to keep you engaged.

The Massacre That Shook the Empire 9.45pm PBS America

The film is presented by The Times journalist, Sathnam Sanghera, and reveals the savage cruelty of the British strategy during the Amritsar massacre in 1919. Hundreds of Indian men, women, and children were shot and killed at the Jallianwala Bagh park by troops under British command. On a personal journey to educate himself about the event, Sanghera turns the pages of history through the testimonies of people there on the day, carefully preserved by various Indian historical organizations, interwoven with footage of the park today, interviews with expert historians, and Sanghera’s emotional meetings with descendants of victims.

Rush (2013 film) BBC1 11.30pm

“Rush” is a 2013 biographical sports drama film directed by Ron Howard. The movie depicts the rivalry between two Formula One drivers, James Hunt and Niki Lauda, during the 1976 season. The film highlights the triumph of James Hunt, a British driver, over his Austrian rival, Niki Lauda, in the World Championship. The film portrays Hunt as a charismatic and daring driver who embodies the spirit of British racing. The film also highlights the importance of teamwork and the role of the pit crew in a driver’s success. Critics have praised the film’s exhilarating race sequences, strong performances from Chris Hemsworth and Daniel Brühl, and its accurate portrayal of the events. According to The Guardian, the film is a “fast and furious treat” that depicts the “swashbuckling F1 star James Hunt” and his rivalry with the “icy Niki Lauda”. Overall, “Rush” is a thrilling and well-made film that celebrates the triumph of James Hunt and his contribution to British racing.

Monday 8th of January 2024

Playboy: The Centrefolds That Changed the World 9pm Channel 5

“Playboy: The Centrefolds That Changed the World” explores the history of Playboy magazine’s centerfolds and how they have influenced popular culture over the years. The documentary features interviews with former Playmates and Playboy executives, as well as rare footage and photographs from the magazine’s archives

Land (2021 film) 9pm Film4

“Land” is a 2021 drama film directed by Robin Wright that explores themes of grief, isolation, and the restorative power of nature. The movie follows Edee, an urban-dwelling woman who moves to a remote cabin in the Rockies after a devastating tragedy. The film portrays the impact of grief on mental health and the importance of seeking help from others. Edee’s isolation from society is a reflection of how grief can distance people from their loved ones and make them crave solitude The film also highlights the significance of human connection and how it can help people overcome their struggles. Miguel, a hunter who teaches Edee how to survive in the wilderness, becomes an unexpected ally and friend. The film suggests that isolation isn’t the answer and that seeking help from others is essential for healing. The stunning cinematography and Robin Wright’s performance are noteworthy, but the film’s conventional plot and lack of energy have been criticized. According to The Guardian, the film is “conventional, competent” and “tame”. Roger Ebert praises the film’s portrayal of “multiple forms of isolation”. Overall, “Land” is a well-acted and visually stunning film that highlights the importance of human connection and seeking help from others to overcome grief and isolation.

Tuesday 9th of January 2024

Hue And Cry (1947 film) Film 4 5.05pm

“Hue and Cry” is a 1947 British film directed by Charles Crichton. The movie is generally considered to be the first of the Ealing comedies, although it is better characterized as a thriller for children. The film is set in a bombed-out post-World War 2 London neighborhood and revolves around a working-class children’s street culture and children’s secret clubs. The film portrays the impact of the war on the lives of children and how they cope with the aftermath. The film highlights the importance of imagination and creativity in the lives of children and how they use it to escape the harsh realities of their lives. The film also touches upon the themes of social inequality and the class divide in British society. The vivid portrait of a London still showing the damage of the Second World War is a notable historic document. Overall, “Hue and Cry” is a well-made film that provides a glimpse into the lives of children in post-war Britain and highlights the importance of imagination and creativity in their lives.

Wednesday 10th of January 2024

The Cambridgeshire Crucifixion 9pm BBC4

“The Cambridgeshire Crucifixion” documentary that aired on BBC Four on January 10th at 9 PM: The documentary, part of the Storyville series, tells the story of the discovery of evidence of Roman crucifixion in the Cambridgeshire Fens. The extremely rare discovery was made during a routine archaeological dig. The documentary is a fascinating and informative account of the discovery and the subsequent research that has been carried out.

The Favourite (2018 film) 10.55pm Film 4

“The Favourite” is a 2018 period comedy-drama film directed by Yorgos Lanthimos. The movie is set in early 18th century England and follows the power struggle between three women in the royal house of England. The film explores themes of identity, performance, and the destructive potential of ambition. The film boasts of a talented cast including Olivia Colman, Rachel Weisz, and Emma Stone, who deliver pitch-perfect performances. Critics have praised the film’s razor-sharp dialogue, stunning cinematography, and its portrayal of complex female characters. According to The Guardian, the film is “a filthy, violent and outrageous period comedy that drips with bad language and worse behaviour”. Roger Ebert describes the film as “a deliciously ‘Dangerous Liaisons’-esque and thoroughly female-driven period film”. Overall, “The Favourite” is a well-made film that offers a unique perspective on the power dynamics among women in the 18th century.

Blood Simple (1984) 1.15am Film4

“Blood Simple” is a 1984 American neo-noir crime film directed by Joel Coen and produced by Ethan Coen. The movie tells the story of a Texas bar owner who hires a private investigator to kill his wife and her lover. The film is a blood-soaked nightmare in which greed and lust trap the characters in escalating horror. The plot twists in upon itself, and characters are found in situations of diabolical complexity. The Coen brothers are masters of plot, and they build crazy walls with sensible bricks.

Thursday 11th of January 2024

The Eyes of Orson Welles 11.40pm BBC4

“The Eyes of Orson Welles” is a feature-length documentary that explores the life and work of the legendary director, actor, and pop culture icon Orson Welles. The film is directed by Mark Cousins, who takes a very personal approach to the subject matter. The documentary is a fascinating and insightful journey through Welles’ films, philosophies, and loves, as seen through his hundreds of sketches and paintings. The film is a must-watch for anyone interested in the life and work of Orson Welles, or in the art of cinema in general.

Friday 12th of January 2024

Black ’47 (2018 film) 11.20pm Film4

“Black ’47” is a 2018 Irish revenge western film directed by Lance Daly. The movie is set in the aftermath of the Irish famine of 1845 and tells the story of an Irishman who deserts from the British army and returns to his homeland to discover the truth about how his family have been tyrannized and allowed to die in squalor and misery. The film is a rousing, blood-spattered drama in which one Irishman holds the British colonialists to account for their wanton cruelty. The Guardian’s Peter Bradshaw describes the movie as “a revenge horror, or revenge western. Revenge something, anyway”. The film has received mixed reviews, with some critics praising its brutal portrayal of the Irish famine and others criticizing its weak plot and unconvincing character motivations

and finally, The Lobster (2015 film) 1.25pm Film4

“The Lobster” is a 2015 absurdist black comedy film directed by Yorgos Lanthimos. The movie is set in a dystopian world where being single can turn you into an animal. The film satirizes relationships and our conviction that couplehood is the supreme expression of human happiness, a civilised institution which distinguishes us from the beasts. The film examines both politics and sexual politics, and it is an interesting take on the pressure society puts on people to have a companion and the pitfalls of political factions. The movie is a dark satire on the subject of our universal obsession with relationships, and it is a must-watch for anyone who loves the genre.

Picture Credits

Nomadland
By Searchlight Pictures, Fair use, https://en.wikipedia.org/w/index.php?curid=64969367
The Truth
By Studio and or Graphic Artist – Can be obtained from film’s distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=62411971
Deepwater Horizon
The poster art can or could be obtained from the distributor., Fair use, https://en.wikipedia.org/w/index.php?curid=49908257
Rush
Believed to be Exclusive Media – http://u.jimdo.com/www62/o/s2d10dc52008362cb/img/i0e94e5f09bbeb8d5/1380903225/std/image.jpg, Fair use, https://en.wikipedia.org/w/index.php?curid=42139112
Land
By Focus Features – https://www.firstshowing.net/2020/first-trailer-for-wilderness-survival-film-land-made-by-robin-wright/, Fair use, https://en.wikipedia.org/w/index.php?curid=66169897
Hue And Cry
By GFD – http://www.casualratings.com/en/movie/37193, Fair use, https://en.wikipedia.org/w/index.php?curid=47803425
The Favourite
By IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=57185501
Blood Simple
May be found at the following website: http://www.impawards.com/1985/blood_simple_ver5.html, Fair use, https://en.wikipedia.org/w/index.php?curid=61286730
Orson Welles
By Carl Van Vechten – This image is available from the United States Library of Congress’s Prints and Photographs division under the digital ID van.5a52776.This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons :Licensing., Public Domain, https://commons.wikimedia.org/w/index.php?curid=124623704
Black ’47
By https://www.imdb.com/title/tt3208026/, Fair use, https://en.wikipedia.org/w/index.php?curid=58099079
The Lobster
By IMDB – https://www.imdb.com/title/tt3464902/, Fair use, https://en.wikipedia.org/w/index.php?curid=46758339

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