Posts Tagged The Interrupters

Counter Culture Midweek Song List #170

October 21, 2026 at 8:10 pm · Filed under Midweek Song List, Music, Uncategorized ·Tagged , , , , , , , , , , ,

Last Wednesday we asked the following question:

Can anyone think of a song that became much more successful in someone else’s hands than it was for the original performer?

As an example, we used Suspicious Minds, written and first recorded by Mark James in 1968. His version made little commercial impact, but when Elvis Presley released his recording the following year it became one of the defining hits of his career and one of the great singles of the late 1960s.

The web version of last week’s list repeated the question and provided another excellent example. I Love Rock ‘n’ Roll was first recorded by the Arrows in 1975. It wasn’t until Joan Jett and the Blackhearts got hold of it seven years later that it became a global smash and an enduring rock anthem.

Another song that sits firmly in that category is The Tide Is High. Most people know the chart-topping Blondie version from 1980, but the original recording appeared thirteen years earlier courtesy of Jamaican vocal group The Paragons. It’s a reminder that sometimes a great song simply needs a different voice, arrangement or audience before its potential is fully realised.

We continue the cover-version theme, albeit at a slight tangent, with the Royal Scots Dragoon Guards’ interpretation of Amazing Grace. Originally published in 1779, the hymn has been recorded countless times, yet few versions possess the emotional power of this one. Whether you consider yourself religious or not, it’s difficult not to be moved by the sound of the pipes.

At the other end of the musical spectrum sits Frederick Delius’s Spring Morning. Delius had an extraordinary gift for creating music that evokes landscapes, changing seasons and fleeting moods. This particular piece is full of optimism and warmth. If it doesn’t brighten your day, we’re not sure what will.

Elsewhere there’s a typically varied mixture of alternative rock, ska, punk, singer-songwriters, grindcore, folk and rockabilly. As ever, variety remains one of the Midweek Song List’s guiding principles.

Until next week, enjoy the music.

Frederick Delius – Spring Morning

Frederick Delius was one of Britain’s most distinctive composers, although he spent much of his life in France. Spring Morning comes from his orchestral output and reflects the impressionistic style that made him famous during the early twentieth century. Rather than telling a story, Delius paints musical pictures, and this piece captures the freshness and promise of a spring day. His work fell somewhat out of fashion after his death in 1934 but has enjoyed periodic revivals thanks to its lyrical beauty and unique atmosphere.

YouTube: https://www.youtube.com/watch?v=z36zKAB0tnI

Dinosaur Jr – Just Like Heaven

Originally appearing on The Cure’s 1987 album Kiss Me, Kiss Me, Kiss Me, Just Like Heaven became one of Robert Smith’s best-loved songs. Dinosaur Jr recorded their version in 1989 and transformed the shimmering pop original into something fuzzier, louder and more distinctly American. While retaining the melody and emotional heart of the song, J Mascis’s guitar-heavy interpretation introduced it to an alternative rock audience and has since become one of the most celebrated cover versions of the era.

YouTube: https://www.youtube.com/watch?v=UT7IpRx08tE

The Interrupters – Sorrow

Sorrow was originally recorded by The McCoys in 1965 before being covered by Merseybeat group The Merseys later the same year. It subsequently gained a wider audience through David Bowie’s version on his 1973 album Pin Ups. The Interrupters recycle the song once again, adding their trademark ska-punk energy. The result is faster, punchier and rhythmically more upbeat than previous versions while still preserving the melancholy sentiment at the centre of the lyrics.

YouTube: https://www.youtube.com/watch?v=uIZWd0zhq2E

John Mayer – Say

Released in 2007 for the film The Bucket List, Say later appeared on the reissue of Mayer’s album Continuum. The song won a Grammy Award and remains one of his most commercially successful recordings. While Mayer is often praised for his guitar playing, Say strips things back in favour of a direct lyrical message encouraging listeners to express what they truly feel before opportunities are lost. It is one of the most accessible entries in his catalogue.

YouTube: https://www.youtube.com/watch?v=phaIklEphSM

Joni Mitchell – Rainy Night House

Taken from the landmark 1970 album Ladies of the Canyon, Rainy Night House showcases Joni Mitchell’s extraordinary ability to transform personal memories into compelling songs. The track is believed to have been inspired by her friendship with singer-songwriter Leonard Cohen. Unlike some of her more overtly autobiographical songs, it unfolds quietly and subtly, creating an atmosphere of reflection rather than dramatic confession. More than fifty years on, it remains a fine example of her writing at its most intimate.

YouTube: https://www.youtube.com/watch?v=WeIqdZCy2EQ

Napalm Death – Suffer The Children

Appearing on the 1988 album From Enslavement to Obliteration, Suffer The Children is one of the most important tracks in the development of grindcore. Unlike many early extreme metal recordings, the song tackled serious social issues rather than fantasy or horror themes. Its subject matter concerns the suffering caused by poverty and neglect. Various versions have appeared over the years, but the original remains unsurpassed in terms of raw power and impact. It helped establish Napalm Death as one of Britain’s most influential underground bands.

YouTube: https://www.youtube.com/watch?v=K9o33gocD50

The Paragons – The Tide Is High

Recorded in 1967 and later included on collections of the group’s rocksteady material, The Tide Is High was written by John Holt of The Paragons. The original version has a relaxed Caribbean groove, rich harmonies and a romantic feel. Blondie transformed the song into a New Wave and reggae-infused pop hit in 1980, taking it to number one in Britain and America. Atomic Kitten would later do much the same for a new generation in 2002. Despite those successful reinventions, many reggae fans still regard the Paragons recording as definitive.

YouTube: https://youtu.be/SQXqkiKXiHc

Queen – We Will Rock You

Released on Queen’s 1977 album News of the World, We Will Rock You was written by Brian May after the band observed audiences enthusiastically participating in concerts. The famous stomp-stomp-clap rhythm was deliberately designed to encourage crowd involvement. While the original remains the best-known version, the song has since been covered by everyone from Five to Metallica and has become one of the most recognisable sporting anthems in the world. Nearly fifty years later, its simplicity remains its greatest strength.

YouTube: https://www.youtube.com/watch?v=hOaOzNhDRPA

Royal Scots Dragoon Guards – Amazing Grace

The words of Amazing Grace were written by John Newton and first published in 1779. Hundreds of recordings exist, ranging from gospel interpretations to folk and country versions. The Royal Scots Dragoon Guards recording reached number one in the UK in 1972, a remarkable achievement for an instrumental pipe band performance. While many artists have focused on the song’s vocal power, this version allows the melody itself to shine through, creating one of the most moving recordings of the twentieth century.

YouTube: https://www.youtube.com/watch?v=KSgCkJqB82Q

Sex Pistols – Pretty Vacant

Released as a single in 1977 and later appearing on Never Mind the Bollocks, Here’s the Sex Pistols, Pretty Vacant became one of the defining songs of the original British punk movement. Johnny Rotten’s sneering vocal delivery and Steve Jones’s powerful guitar work gave the track a swagger that countless imitators have tried to replicate. Numerous bands have covered it over the years, but most versions lack the sense of danger and unpredictability that made the original such an important cultural statement.

YouTube: https://www.youtube.com/watch?v=rpK-RDQN_hE

Shanghai Treason – Free Man On The Land

Edinburgh-based Shanghai Treason have built a strong reputation through relentless touring and energetic live performances. Free Man On The Land perfectly demonstrates their ability to blend folk, bluegrass, punk and Americana influences into a coherent and highly entertaining sound. Their recordings capture only part of the appeal; they are very much a band designed for festival fields and crowded venues, where their enthusiasm becomes infectious.

YouTube: https://www.youtube.com/watch?v=dwnSSi6rybA

The Wise Guyz – Jumping Record

The Wise Guyz have spent years championing rockabilly and roots music while updating the style for modern audiences. Jumping Record draws heavily on the sounds of artists such as Gene Vincent, Carl Perkins and Eddie Cochran but delivers them with contemporary production values and a modern edge. The result is a frantic, energetic and hugely enjoyable track that demonstrates why rockabilly continues to attract devoted followers decades after its commercial peak.

YouTube: https://www.youtube.com/watch?v=QgddyW7KbAQ

Counter Culture Choice ★

The Wise Guyz – Jumping Record

We’ve featured everything from classical music to grindcore this week, but our choice goes to a song that simply oozes fun. Jumping Record captures the spirit of classic rockabilly without feeling like a museum piece. The Wise Guyz understand that the genre works best when played with enthusiasm and conviction rather than reverence, and that’s exactly what they deliver here.

The song combines infectious rhythms, strong musicianship and enough energy to power a small town. It won’t change the world, solve political disputes or answer life’s great mysteries, but it will almost certainly improve your mood for three minutes. Sometimes that’s more than enough.

This week’s Counter Culture Choice: The Wise Guyz – “Jumping Record”.

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Counter Culture – Midweek Song List 08/07/26

July 9, 2026 at 10:20 am · Filed under Midweek Song List, Music ·Tagged , , , , , , , , , , ,

Our last Song List went out on Wednesday 1st July , and it happened to fall on a grim anniversary: 110 years since the first day of the Battle of the Somme . The campaign dragged on until 18 November 1916 , leaving a combined British, German and French casualty figure of well over one million, with 300,000 deaths . The Tyneside Irish and Tyneside Scottish battalions of the Northumberland Fusiliers were hit hardest — around 8,000 casualties on day one .

Numbers like that are obscene. They should echo whenever a politician starts rattling sabres and urging the UK to back another round of US military intervention somewhere in the world .

With the anti‑war homily out of the way, we bring you music .

Louis Armstrong – What A Wonderful World

We begin with Satchmo — born 1901 in New Orleans — a man who didn’t just play jazz, he re‑shaped it. Armstrong’s trumpet style, forged in the clubs of Storyville, helped drag jazz from ensemble playing into the era of the virtuoso soloist. By the time he recorded What A Wonderful World in August 1967 , he was already a global icon. The song itself was written as a counterpoint to the turbulence of the late 60s — Vietnam, civil rights struggles, assassinations. It topped the UK charts in April 1968 , offering a moment of calm in a year that had very little of it. You like it for the voice — gravelly, warm, unmistakable — and for its unhurried optimism .

Benedict Cork – Have A Good Life (See You Never)

Our first reader recommendation. Cork, from Hertfordshire , is one of those artists who seems to have arrived fully formed: sharp songwriting, clean production, and a knack for melodies that stick. The track is a bittersweet pop gem — upbeat on the surface, quietly bruised underneath. You noted that if there’s any justice, he’ll become a household name . Hard to disagree.

The Offspring – Blitzkrieg Bop (Ramones cover)

This came from a reader answering the question raised in issue 153. You’d featured Agnostic Front’s cover of the Ramones classic and asked who’d done the most memorable version. The Offspring’s take is fast, faithful, and full of energy — a US rock band covering a US punk anthem, keeping the spirit intact . The original Blitzkrieg Bop (1976) was the Ramones’ opening salvo: two minutes of pure down‑stroke guitar, shouted vocals, and the birth of American punk. The Offspring lean into that heritage rather than modernising it, which is precisely why the cover works.

Johann Sebastian Bach – Prelude No. 1 in C Major

A palate cleanser. Bach wrote the Prelude as part of The Well‑Tempered Clavier (1722), a collection designed to show that music could be written in all 24 major and minor keys — revolutionary at the time. The piece is deceptively simple: arpeggios rising and falling like breath. You joked that if you’re not calm after listening, you may need urgent medical help . It’s the kind of music that resets the room.

The Interrupters – Take Back The Power

Our third reader recommendation. The Interrupters emerged from the Los Angeles ska‑punk revival, carrying the torch lit by bands like Rancid and Operation Ivy. Take Back The Power is built for movement: brass stabs, driving rhythm, and Aimee Interrupter’s unmistakable voice — the thing you singled out as especially powerful . It’s political without preaching, catchy without pandering, and exactly the kind of track that earns repeat plays.

Anonymous Ulster – Brothers From Across The Water

A nod to your fascination with obscure artists and genres . This track sits in the tradition of Ulster folk storytelling — rough‑edged, earnest, and rooted in cross‑border identity. It’s the kind of song that feels like it belongs to a place rather than a market.

Fugees – Killing Me Softly

Lauryn Hill’s vocal on this track remains one of the defining performances of the 1990s. The song itself began life in 1973 with Roberta Flack, but the Fugees’ version turned it into something else entirely — hip‑hop soul with a heartbeat. It’s a reminder of how reinterpretation can eclipse the original without erasing it.

Orange Juice – Rip It Up

Post‑punk meets pop in one of Scotland’s most infectious tracks. Released in 1983, Rip It Up was a pivot point: Edwyn Collins blending punk’s angularity with Chic‑style funk guitar. It’s a song that sounds like a band discovering colour after years of monochrome.

Morrissey – The More You Ignore Me The Closer I Get

Mid‑90s Morrissey: melodic, sardonic, and steeped in irony. Released in 1994, the track was one of his biggest solo hits, built around obsession, humour, and a hook that burrows in. It’s Morrissey doing what he does best — unsettling charm.

Slade – Mama Weer All Crazee Now

A glam‑rock riot from 1972. Slade specialised in songs that sounded like Friday night in a Midlands pub — loud, loose, and designed for maximum chaos. This track is pure energy: stomping drums, shouted vocals, and a chorus built for crowds.

Slipknot – The Devil In I

Modern metal with theatrical flair. Released in 2014, the song marked a shift in Slipknot’s sound — still aggressive, but more melodic, more controlled. It’s a track about identity, masks, and the parts of ourselves we’d rather not meet.

Will.i.am – Heart Breaker

A glossy, beat‑driven pop track from the late 2000s. Will.i.am’s production style — sharp edges smoothed into radio‑friendly shine — is all over this one. It’s sleek, synthetic, and built for dancefloors.

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