THE ROAD TO CANTERBURY

The Road to Canterbury

The Road to Canterbury

Andrew Atherstone. Darton, Longman + Todd. ISBN:978 0 232 52994 4. £7.99

When Rowan Williams announced last year that he was retiring the media was abuzz with speculation over who would succeed him as Archbishop of Canterbury. The eventual choice – Justin Welby, Bishop of Durham – came as a big surprise to most observers, not least because Welby had only been a bishop for four months when Williams announced his intention to step down.

Who is Justin Welby? Where did he come from? What makes him tick? Will he be up to the job of holding the fractious Anglican communion together? Oxford don Andrew Atherstone makes a fine attempt to answer the first three questions. The jury’s out on the last one as he will need the wisdom of Solomon and the patience of Job and a lot more besides to sort out that mess. However, his reconciliation work in Nigeria, his background in business and his ministry in several parishes to date do allow for a certain cautious optimism.

Welby grew up in a family that had been long a part of the Establishment. One of his great uncles had been a leading post-war Tory, R A B Butler. Butler had been Home Secretary, Chancellor of the Exchequer and Foreign Secretary in the 1950s and 60s. His mother, Jane Portal, was a secretary to Winston Churchill and in that role typed up the drafts of his six-volume history of the Second World War. His father, Gavin Welby, was a bit of a rake, once competing with Errol Flynn for the attentions of a millionaire heiress. Gavin and Jane eloped to America.

Justin was a honeymoon baby who parents’ marriage soon failed. Justin stayed with his father and was packed off to boarding school at the age of eight. He attended Eton from1969 to 1973 when the school was at a low ebb and headed off to east Africa for a short gap year before beginning his studies at Trinity College, Cambridge. In Kenya he spent six mont hs teaching in a secondary school under the auspices of the Church Missionary Society. He had previously shown little interest in spiritual matters, but in Kenya he met and talked with Christians and began to read the Bible and think about questions of faith.

In the months before Welby’s arrival at Cambridge in 1974, there had been a flurry of conversions to Christianity among the students. The local Christian Union was very lively, hosting visits from leading preachers, notably Rev David Watson from St Michael le Belfrey in York who led 12 people to make professions of faith in a single evening. Welby held out for over a year despite the efforts of many of his Christian friends until ‘the penny dropped’ for him and he ‘asked Jesus to be Lord of my life’. Shortly afterwards, he received a real sense of the deep love of God and began to sense a calling to ministry.

As a young Christian, Welby attended the Round Church in Cambridge which plugged him into a network of leading evangelicals in the Anglican church, notably John Stott and David Sheppard. While at home away from university, he began to worship at Holy Trinity Brompton which had become a mainstay of the growing charismatic movement. Here he was introduce to a Cambridge student who was another new Christian, Caroline Eaton, who was to become his wife.

After graduation and marriage Welby took a job with an oil company in Paris. During the holidays he became involved with a Christian group that smuggled Bibles to persecuted Christians in Hungary and East Germany using a campervan with secret compartments underneath a false floor.

The Welbys know the pain and grief of losing a child. On the way back to England, their seven-month-old daughter was fatally injured in a road accident near Amiens.

During his time as group treasurer of the recently privatised Enterprise Oil, Welby honed his management and leadership skills and began to think deeply about the ethics of finance and responsibility in business. He argued that companies are moral agents and are just as prone to sin as individuals. Biblical justice must include a sense of corporate accountability.

Although well settled in a very well paid job which he enjoyed, Welby had a growing sense of call to the ministry. In 1988 he attended three days of interviews at a Derbyshire retreat house. He was asked by a bishop why he wanted to be ordained and replied that he didn’t as he was enjoying the job he was doing. Well, why was he there, then? Because he had been called by God. What would he do if he was turned down for ordination by the C of E? He’d go back to London and take the wife out for the most expensive meal he could afford to celebrate! He was accepted. His annual salary dropped from around £100,000 to less than a tenth of that; £9500 in 1989.

He studied for the ministry in Cranmer College, part of the University of Durham. Here he became open to a wider variety of theology, worshipping and finding placements with churches that were mixed in theology, Anglo-Catholic or Charismatic in outlook.

After ordination at Coventry Cathedral in 1992, his first parish was in a working class suburb of Nuneaton in Warwickshire. Here he launched youth work, children’s holiday clubs and pioneered the use of the Alpha Course, a basic introduction to Christianity that began in Holy Trinity Brompton and went nationwide in 1993 as a way to reach the unchurched. This trend of turning declining congregations around continued in his next charge, Southam, a rural market town in the same diocese. He restored the 700-year-old building, and introduced more modern forms of worship in the morning service in tandem with traditional Book of Common Prayer early morning communion services and evensong services. Part of this church growth strategy was also due to a revival of children’s and youth outreach and rolling Alpha Course programmes for adults.

An interesting insight to Welby’s worldview can be gleaned from his regular ‘thoughts for the month’ published in the Southam Parish Church News. In this Welby expounded the line that, ‘The church is not a home for saints; Christians do not claim to be better than other folk, but they do claim that God has touched their lives and given new meaning to them.’ He had a high view of God’s grace and the necessity of forgiveness and the power of redemption and ‘a fresh start’ in the gospel message. Welby was orthodox in his view of Christ’s resurrection and made it clear that it was the job of the church to speak out on issues of social justice and in opposition to moral relativism.

Welby was in great demand for his expertise in financial matters. He had been involved with the Association of Corporate Treasurers as its personal and ethics advisor and was invited to join the finance ethics group of the Von Hügel Institute. This Cambridge-based Catholic research organisation sought to apply the principles of social justice, human dignity and ideas of the ‘common good’ in Pope Leo XIII’s encyclical Rerum Novarum (published in English as The Workers’ Charter) to everyday life. This brought him into contact with Catholic economists and theologians in Europe and give him a higher view of the power of the sacraments than he had hitherto been familiar.

In 2002 he moved to Coventry Cathedral in order to direct the cathedral’s International Centre for Reconciliation. This brought him to conflict zones in Israel, Palestine, Iraq, Nigeria and Burundi. Welby focused on reconciliation work in Nigeria which he already knew from his time as an executive with an oil company. At times his life was in real danger from AK47-toting gunmen. Welby argued that the church ought to be ‘the body of reconciled reconcilers’ and Christians should not just receive reconciliation but become sources of ‘rivers of reconciliation’ to places of conflict and trauma.

By 2005, the funding ran out for Coventry’s ICR and it collapsed. The international ministry was drastically cut and a new focus was sought. This was one of the greatest disappointments of Welby’s ministry to date. He began to work out a means of reconciling differences between Christians and conducting arguments and disagreements in the spirit of 2 Timothy 2: 24-25, ‘the Lord’s servant must not be quarrelsome but kindly to everyone… correcting opponents with gentleness…’(Welby’s emphasis).

In 2007, Welby was appointed as the Dean of Liverpool Cathedral. Welby’s task was to overcome financial shortfalls and division and disharmony in the cathedral’s Chapter. Sorting this out was a challenge to his background in finance and his ministry of reconciliation. Some of his ideas were controversial but he did raise the cathedral’s profile in the city, reach new people and introduce a variety of forms of worship, m anage to start a theological school and envisage an ecumenical religious community. During this time he acted as an envoy to Kenya in the aftermath of violence during the 2008 election campaign and he became involved with Anglican Communion affairs in an attempt to deal with its own deep divisions and conflict. He became Archbishop Rowan Williams’ special envoy to American Episcopalians, Nigerian Christians facing persecution and murder and he facilitated a meeting of primates in Dublin in order to tackle some of the serious issues threatening to tear worldwide Anglicanism apart most notably the ordination of woman bishops and attitudes to sexuality.

After just three and a half years in Liverpool, Welby was appointed as Bishop of Durham in October 2011. He used his maiden speech in the House of Lords to call for economic regeneration in the north-east of England and for Christians to build alliances with politicians, financiers and businesses in order to bring about justice and community renewal. He made many contributions to the debate on the Financial Services Bill in which he favoured the establishment of credit unions and limits on directors’ pay and bonuses. In July 2012 he was appointed to the Parliamentary Commission on Banking Standards where he gained a reputation as a formidable operator who took no obfuscation, waffle nor double-talk from the former ‘masters of the universe’ who ran the banking system like a Las Vegas casino. He wasn’t against banking and bankers as such, however, as he made cleare in a lecture in Zurich last October when he called for the European banking sector to be re-imagined in such a manner as to resurrect it from, ‘the wreckage of a hubris-induced disaster, to retrieving its basic purpose of enabling human society to flourish effectively.’

Welby’s time at Durham was too brief for him to have made his mark as a newly-minted bishop. He seems to have a realistic view of the parlous state of the Church of England and the wider Anglican Communion, ‘We are divided, often savagely. We are battered. We are weak… The church is not a rest home for saints, it is a lifeboat for sinners. And when you stick loads of sinners together, perhaps especially Anglican sinners, you don’t get a saintly church…’ He was quite impressed by the American Episcopal Church after attending its July 2012 gathering of its House of Bishops. He thought that they managed disagreement better and were closer to his own motto of ‘diversity without enmity’.

The thorny issues that plagued his predecessor haven’t gone away. Welby might be able to sort things out. He might not. Time will tell whether or not Welby will be a reconciling Archbishop of Canterbury or the man who presides over the final fracturing and schism of worldwide Anglicanism.

DAVID KERR

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Good Vibrations

Good Vibrations PosterAnyone in Belfast who plays in a band, appreciates music or even who buys records regularly will probably have come across Terri Hooley. Terri would admit that he is an unlikely businessman. He certainly can’t claim to be the most successful record shop owner in history, but then again, the Virgin Megastores, Zavvi, Tower Records and Our Price have passed into history and HMV is in deep trouble but Good Vibrations manages to hang on in there, despite it all.

The crazy thing is that Terri Hooley opened his shop in Belfast in the mid-seventies in the city’s most-bombed street above a dusty whole food shop run by the Guru Maharaj Ji’s Divine Light Mission. The city in the 1970s was a bleak place. Belfast city centre emptied at 6 o’clock of all but the brave or the foolhardy. The conflict – which Ulsterfolk euphemistically call ‘The Troubles’ – was at the height of its random tit-for-tat viciousness. People retreated in the evenings to the ghettos where they lived in search of some security. They socialised where they could; in local clubs, pubs, parish halls, Orange halls or illegal sheebeens. They rarely – if ever – met with people from ‘the other side’.

The novelist Glenn Patterson and Colin Carberry have conjured up a film script that really captures the nature of this anarchic mould -breaking larger-than-life character. Their script buzzes with dark Belfast humour and a soundtrack that brings everything to the mix from Hank Williams’ I Saw the Light, Phil Spector’s girl bands, through to Rudi’s Big Time and of course, the Undertones’ Teenage Kicks. The action was intercut with contemporary footage of background events. This gave an immediate reminder of the very real dangers stalking the city then. Many folk of a certain age would have been delighted to see one-time Scene-Around-Six news anchor Barry Cowan, (sadly no longer with us), on-screen again.

Terri’s mum was a devout Methodist and his dad was a revolutionary socialist. He never quite fitted in to Ulster’s divided society. In the Sixties, he protested against the Vietnam war and in favour of nuclear disarmament, but as the Troubles took hold many of his contemporaries forsook protesting for peace in favour of violence.

His first love was music, especially reggae, but he became enthused by the energy of the growing punk movement which drew young folk from both communities to the rundown Pound Club on the edge of the city centre to hear bands like Rudi and the Outcasts. This led him into launching a record label to introduce Rudi to a wider public. Other bands followed. The ‘big one’ was The Undertones from Derry whose single, Teenage Kicks went stratospheric after it was taken up by the influential Radio One presenter, John Peel.

Despite its bleak environment of bombs everywhere, soldiers on the streets, officious cops and random, casual violence, this is a real fun, feel good movie. Dormer’s Hooley often messes things up, not least his life and his relationship with his wife, Ruth. He’s more interested in the music than making money from it.

Some scenes will haunt the viewer for life. I was struck by the scene where Terri hears ‘that’ Undertones song for the first time and fell about laughing at a scene where a bemused British soldiers stops Hooley and the band in the van only to discover that they are both Protestants and Catholics from north, east and west Belfast. Terri had never asked them what they were.

Coming out at a time when old divisions threaten to open up again in Belfast, this movie reminds us that we can do better. In the country of the blind the one-eyed man is king. Roll on the DVD release. One Love!

By David Kerr

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Homeland Season One

Homeland Series 1 Cover Picture

Click on picture to buy DVD

Reviewed by Pat Harrington

From the opening credits Homeland is unsettling. There are flashing images and voice-overs of presidents, including President Obama. The  images and sounds are disturbing in the way they are juxtaposed Jazz and recorded warnings of terrorist attacks. Baby pictures, people fleeing the collapse of the Twin Towers and surreal images of the characters in mazes assault the eyes in quick succession – almost like blipverts.

Homeland is loosely based on the Israeli television series Hatufim (English: Prisoners of War) created by Gideon Raff . The first season follows Carrie Mathison, a CIA operations officer who has come to believe that Nicholas Brody, an U.S. Marine Sergeant, who was held captive by al-Qaeda as a prisoner of war, was turned by the enemy and now poses a significant threat to national security.

Homeland deals with complex psychological, political and moral issues. At the heart of the programme is the question of loyalty and betrayal. What is going on in the mind of Nicholas Brody? Has he turned against his government and people and if so why? Is he a hero, or a traitor?

Homeland doesn’t whitewash the US government. An important part of the story shows a cover-up of the deaths of scores of Arab children as a result of a drone attack gone wrong. The mistaken killing of Muslim worshipers and attempts at an FBI cover-up is also depicted. Homeland forces us to question the motivations behind decisions and the truth of statements issued by the  US government. No one watching Homeland would draw the conclusion that the US government was to be trusted when propagandising about the ‘war on terror’.

It’s not entirely clear who the ‘good guys’ are in Homeland. Both sides use torture and psychological manipulation to advance their aims. In general, however, it is the CIA operatives, Carrie and Saul who we are invited to identify with. Homeland starts from an understanding of issues from a US viewpoint (however critical). It never escapes that mindset by really seeking to understand the conflict from an Arab or Muslim perspective.

Like the plot the characters are subtle and complex. The central characters of Brodiy and Carrie are damaged people. Carrie suffers from bipolar disorder and eats nothing but unflavoured yogurt and Chinese take-out. She engages in high-risk behaviour and seems to have no life outside of her job. Brody behaves erratically and seems unable to relate to his family and friends anymore after years imprisoned in a hole. It seems that they are drawn to one another. Their relationship is unpredictable and it always seems as if at any point they might become allies rather than enemies. This is just one of the many layers of tension that makes Homeland so gripping.

It’s small wonder that this season received almost universal acclaim, scoring a Metacritic rating of 91 out of 100 from 28 critics. The series won both the Golden Globe Award for Best Television Series – Drama and the Primetime Emmy Award for Outstanding Drama Series for this season. The finale episode of season one received 1.7 million viewers, making it the most-watched season finale of any first-year Showtime series.The series also performed well in the UK, where it aired on Channel 4, with the pilot episode drawing 3.10 million viewers, and the finale drawing 4.01 million viewers.
Homeland is watched in high circles too. President Obama lists it as one of his favourite shows. He invited British actor Damian Lewis, who plays Brody, to The White House. Lewis was polite to Obama, but in a Rolling Stone interview he said, “And by the way, for all the conventional wisdom that Bush was a warmonger and hawkish and that Obama is not, that he’s more dovish — you know, he has ordered more drone strikes in his first term than Bush did in his two terms. I think by a ratio of something like every one in four days, he orders a drone strike to Bush’s every one in 10 days when he was in office. It’s obviously his preferred method of attack, you know.”

This brings home the necessity of confronting the issues raised in Homeland. If we view Homeland as passive observers deriving only entertainment we miss an opportunity and continue to drift. Only by thinking deeply about the issues raised and using this and other representations in popular culture (for example Argo) as the starting point for discussion and debate can we hope to raise consciousness. If we don’t do this the conflict will become ever more bitter and we will be condemned to generations of fear and insecurity.

Main cast
•    Claire Danes as Carrie Mathison, a CIA operations officer
•    Damian Lewis as Nicholas Brody, a U.S. Marine platoon sergeant held by al-Qaeda as a prisoner of war for eight years.
•    Morena Baccarin as Jessica Brody, Nicholas Brody’s wife.
•    David Harewood as David Estes, the Director of the CIA’s Counterterrorism Center. Diego Klattenhoff as Mike Faber, a U.S. Marine Captain.
•    Jackson Pace as Chris Brody, Nicholas Brody’s son.
•    Morgan Saylor as Dana Brody, Nicholas Brody’s daughter.
•    Mandy Patinkin as Saul Berenson, the CIA’s Middle-East Division Chief. Plot

•  Actors: Damian Lewis, Claire Danes, Morena Baccarin, Mandy Patinkin, David Harewood
•  Format: Box set, Full Screen, PAL
•  Language: English
•  Subtitles: English
•  Dubbed: None
•  Subtitles For The Hearing Impaired: English
•  Audio Description: None
•  Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
•  Aspect Ratio: 16:9 – 1.78:1
•  Number of discs: 4
•  Classification: 15
•  Studio: 20th Century Fox Home Entertainment
•  DVD Release Date: 10 Sep 2012
•  Run Time: 651 minutes

Episode List:
•    Pilot
•    Grace
•    Clean Skin
•    Semper I
•    Blind Spot
•    The Good Soldier
•    The Weekend
•    Achilles Heel
•    Crossfire
•    Representative Brody
•    The Vest
•    Marine One

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Review: Notes from the Borderland – Issue 10

NOTES-FROM-THE-BORDERLAND_10NOTES From The Borderland, (NFB), is a long-established journal published and edited by the researcher Larry O’Hara and styles itself ‘The Parapolitical magazine’. On its website, it gives a brief definition of the term “parapolitical”, including others’ variations on it, but for the purposes of this review of issue number ten, which was published during 2012, we will confine ourselves to theirs: “For us, parapolitics refers to the social reality of conflicting forces and their-oft hidden agendas. It is by analysing these conflicts and tracking their trajectory/outcomes that parapolitical research advances”. Thus we have the ethos underpinning the magazine.

The lead article by Larry O’Hara is Gareth Williams: Murdered Twice. Most of us no doubt remember the strange, and to this day, unexplained death of Gareth Williams in August 2010. He was found inside a locked holdall after what may have been some kind of sex-game gone wrong, or was it murder? That the deceased worked for GCHQ and had been living in London on secondment to MI6 at the time of his death was not surprisingly seized upon by not only the tabloid press but other more respectable papers and subject to much speculation, much of which was lurid insinuations about his private life.

O’Hara does a fine job in going beyond the sensationalism surrounding Williams’s death and looks at various factors including what exactly did Gareth Williams do? Was his death linked to his work? If it was, has there been a deliberate campaign of dis-information to obscure any such connection? What is actually known about Williams’s private life and activities outside of work as opposed to what the media might care to infer/speculate? The roles of the media, the police and the security services in this case are meticulously examined in this article and it includes a very helpful timeline of events. Critically examined is one of the more far-out theories linking Williams’s death to the most likely accidental one of an Oxford lecturer that occurred the same month. It serves as an object lesson of how speculation and debate on unexplained events can descend into the realms of fantastic conspiracy theory.

Pandora’s Pox: How Far Right Labour Hijacked The Hope Not Hate Campaign by Larry O’Hara and Heidi Svenson charts the internecine squabbles between self-styled “anti-fascist” journal Searchlight and its former ally, the Hope Not Hate campaign group. O’Hara has been a keen observer of the Searchlight scene for over twenty years now so he is uniquely qualified to comment on this tale which is almost reminiscent of what happened with Dr Frankenstein and his monster! On the one side, we have what might be termed the traditional Searchlight group headed up by the husband and wife team of Gerry and Sonia Gable, and on the other, the Hope Not Hate team which while it contains the former Searchlight editor and long-time employee Nick Lowles, is largely comprised of relative newcomers to the Searchlight scene.

The backgrounds of these newcomers are quite interesting and could easily fit into the pages of a thriller. They include a merchant banker, a person named in Wikileaks as a source to be protected by the US Embassy and a former ‘far-right’ activist who moved to Australia for a bit after changing sides and then returned to the UK to work for the Searchlight group. Now it is open to the judgement of the individual reader whether or not O’Hara and Svenson make a convincing case for the cause of the split being an attempt by failed New Labour, (or should that be Neo-New Labour!), types to re-launch their careers by adding a bit of street cred to their CV’s through their involvement with Hope Not Hate, not a totally unrealistic proposition given the group’s cosy relationship with various elements of the establishment. Other factors to take into account include the dispute over whether or not the septuagenarian Gable actually set a date for his retirement, (both sides dispute what was said on this and NFB provides excerpts from e-mails and letters on the issue), and whether the less noble motivation of competition over the various sizeable grants available from both local and central government for work in local communities to tackle “extremism” played a part in causing the rift. Strange dealings such as the removal of the Searchlight archives, some twenty filing cabinets’ worth, are also covered.

On a more general note, O’Hara and Svenson look at the work undertaken by Hope Not Hate and highlight the modern phenomenon of “clicktivism”. This comprises various activities undertaken in the virtual world such as online petitions and their conclusion is that such work does not achieve much. Perhaps there is a lesson there for groups across the political spectrum? The article also looks at the various projects undertaken by Hope Not Hate in the real world and gives a serious and in-depth analysis of it. Again, it is up to the reader to decide whether or not this work has been effective, but it is hard not to conclude that a lot of money has been spent with not a lot in the way of results in return.

There are a number of shorter, but nonetheless very informative articles in this issue, of which we will mention but one. In Not Over Till It’s Over: The BNP and the 2012 Local Elections, Larry O’Hara gives his rather perceptive analysis of the BNP’s electoral performance in that poll. His debunking of the conventional left mantra that the BNP is finished, bust, etc. can, in light of more recent developments, be seen as somewhat prescient and places him above the less sophisticated analysis of those writers on the left who based their predictions of oblivion for the BNP more on wishful thinking than actual facts.

Finishing with an update section on stories carried in previous issues and at a total of eighty-seven pages, issue ten of Notes From The Borderland is a considerable read. Whilst the writers do not make any secret of their own political leanings, they manage in the main to avoid being tendentious and thus make the journal readable to a wider audience that does not necessarily share their views. This reviewer would recommend picking-up a copy by mail  or ordering online.

- Reviewed by Andrew Hunter

 

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Hitchcock (2012)

hitchcockposterHitchcock is essentially a  love story between influential filmmaker Alfred Hitchcock and wife Alma Reville set during the filming of Psycho in 1959. Viewed as a love story the film is entertaining and very watchable. Many Hitchcock fans were clearly expecting something different from this film and as a result have heaped criticism on it! They’ve termed it “slight and glossy” and criticised it for a lack of depth and insight.

That’s a shame as this is a good Movie which shows the important influence of Alma in the film-making process and shows how much of a gamble the making of Psycho was for the couple who mortgaged the house to self-finance the ground-breaking and controversial film.

I always like films that highlight how women influenced  the careers of their husbands. It’s easy to underestimate how, for so many years, creative, intelligent women were not given credit and status in their own rights. They were subsumed into the career and public image of their husbands. That was very unjust but at least now sometimes the historical and cultural record is set straight.

People say that Hitchcock is portrayed as weird and freaky but for me his realisation and acceptance of just how much Alma helped him and that he owed her was one of the key points in this film. That is really what made it a love story.

It is true that it is a light film, entertaining and not filled with insights into either Hitchcock or the way he made films. It’s enjoyable even if it isn’t for most Hitchcock fans. Anthony Hopkins and Helen Mirren give great performances as the central couple. The film is not perfect, but nonetheless is very engaging and doesn’t deserve all the flack it has received.

It’s amazing that this is only the second outing for Sacha Gervasi as a director. I was very impressed by his documentary  Anvil! The Story of Anvil, a documentary of the Canadian heavy metal band of the same name. Hitchcock confirmed my view that he is certainly one to watch out for in the future.

Hitchcock left me entertained, at times amused and wanting to know more about the larger-than-life, unconventional man behind the movies.

  • Hitchcock
  • Production year: 2012
  • Countries: UK, USA
  • Cert (UK): 12A
  • Runtime: 98 mins
  • Directors: Sacha Gervasi
  • Cast: Anthony Hopkins, Anthony Hopkins, Danny Huston, Helen Mirren, James D’Arcy, Jessica Biel, Michael Stuhlbarg, Scarlett Johansson, Toni Collette

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2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog. We’ve certainly learned a lot from it and have big plans to improve our stats for 2013!

Here’s an excerpt:

600 people reached the top of Mt. Everest in 2012. This blog got about 7,500 views in 2012. If every person who reached the top of Mt. Everest viewed this blog, it would have taken 13 years to get that many views.

Click here to see the complete report.

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Lincoln (2012)

Details: 2012, India, Rest of the world, USA, Cert 12A, 150 mins, Drama / Period, Dir: Steven Spielberg

With: Daniel Day-Lewis, David Strathairn, Hal Holbrook, James Spader, John Hawkes, Joseph Gordon-Levitt, Lee Pace, Sally Field, Tommy Lee Jones

Lincoln is set in 1865 as lincolnthe American Civil War is drawing to an end. U.S. President Abraham Lincoln is working both to end the war and pass the 13th amendment to the US constitution banning slavery. Part of the tension in the film is that the two aims may conflict. Lincoln believes that the amendment must be passed before the war ends. Lincoln must weigh the loss of thousands of lives that might be saved by an early peace with the continuation of a cruel and inhuman slave system.

Although this film is titled “Lincoln”  it is about so much more than one man. Don’t get me wrong, Daniel Day-Lewis is outstanding in the title role. He interprets a great script to show the man who was the President. His portrayal conveys  a complex humanity, a man who would conceal the whole truth, offer bribes and creatively interpret the law to meet what he considered moral ends. The film doesn’t shrink from showing how adept Lincoln was at clinching the backroom deals of the 1865 congress. Daniel Day Lewis achieves something remarkable – you almost forget that you are watching an actor as he tells homespun stories and anecdotes which infuriate some and enthrall others.
Yet the real strength of the film is the ensemble cast.  Lincoln is an unusual film in that many characters are given screen time. There are over 120 speaking parts! There are so many excellent performances it is difficult, almost unfair, to single out certain ones for special mention. Joseph Gordon-Levitt playing Lincoln’s oldest son, Robert Todd, James Spader as a morally challenged vote procurer,Tommy Lee Jones playing Thaddeus Stevens, the passionate Republican and abolitionist, Sally Field as the president’s devoted wife, Mary Todd, and David Strathairn as William Seward, the secretary of state.

The film shies away from stating clearly that Lincoln was, despite his hatred of slavery, far from a straight-forward abolitionist.

The film mentions the impact of seeing slaves being transported on Lincoln. This echoes what he wrote in a letter to Joshua Speed, a friend and slave owner in Kentucky, in 1855:

“You know I dislike slavery; and you fully admit the abstract wrong of it. … I also acknowledge your rights and my obligations, under the constitution, in regard to your slaves. I confess I hate to see the poor creatures hunted down, and caught, and carried back to their stripes, and unrewarded toils; but I bite my lip and keep quiet. In 1841 you and I had together a tedious low-water trip, on a Steam Boat from Louisville to St. Louis. You may remember, as I well do, that from Louisville to the mouth of the Ohio, there were, on board, ten or a dozen slaves, shackled together with irons. That sight was a continued torment to me; and I see something like it every time I touch the Ohio, or any other slave-border. It is hardly fair for you to assume, that I have no interest in a thing which has, and continually exercises, the power of making me miserable. You ought rather to appreciate how much the great body of the Northern people do crucify their feelings, in order to maintain their loyalty to the Constitution and the Union. . . “

Lincoln was, at best, inconsistent and by his own account he put saving the Union above abolishing slavery. He also favoured sending black people to other countries.
Perhaps for this reason some have suggested that the film sanitises Lincoln. That may be too harsh but certainly   the complexity of his political views are not conveyed. Leaving aside the historical arguments, however, this is a fascinating, educational and entertaining film with a great cast. Hopefully it will encourage people to find out more about Lincoln, slavery and the causes and issues of the American Civil War.

Reviewed by Patrick Harrington

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