Archive for Music

Sagittarius – Songs From The Ivory Tower

Sagittarius – Songs From The Ivory Tower (Cold Spring Records)

SONGS From The Ivory Tower – has any album title ever more succinctly summed up the elitist and idealist aspirations of neo-folk and martial industrial music? Sagittarius is the solo project of German musician Cornelius Waldner, and Songs From The Ivory Tower is the band’s second album following 2003’s Die Große Marina, released as a limited edition vinyl LP by Renovation Verlag, and still available as a free download from the Sagittarius website and from Neo-Form magazine (www.neo-form.de). For the recording of Songs…, Cornelius Waldner has assembled a formidable array of guest musicians, including Marcel P. of Von Thronstahl, Halgadom etc., Herr Twiggs of Kammer Sieben, Damiano Mercuri of Rose Rovine E Amanti, Troy Southgate of H.E.R.R. and Seelenlicht, and Philipp Jonas of Secrets Of The Moon.

Songs… opens with a song in English, Nihil Arisen. Cornelius Waldner’s wistful piano finds an apt counterfoil in Philipp Jonas’ guitar, as Waldner intones the mournful lyrics in a clear, simple spoken recitative. The general effect is similar to Golgatha or some of Karsten Hamre’s (Penitent, Arcane Art) work. However, the song is marred by the words simply not fitting the rhythm of the music, which is a shame. Fortunately, nearly all of the album’s remaining tracks are either instrumentals or in German, so this problem doesn’t arise again. The following four songs form a sort of suite, all being based on poems by Timo Kölling, the former editor of the German black metal magazine Moondance and a member of Trist. All the lyrics are given in the album booklet, but without English translations, so you’re on your own there. Musically, the songs are dominated by neo-classical piano work. Marcel P. contributes cello to Du Stehst Am Alten Gartentor Und Schweigst and An Des Meeres Strand and An Des Meeres Strand features vocals by Herr Twiggs, who arguably has a deeper, richer voice than Waldner.

Later songs feature lyrics by other German poets, including Stefan George, Bernhard von Uxkull-Gyllenband, Gottfried Benn and Ludwig Uhland. Of these, the most famous is undoubtedly Stefan George, whose Das Lied is the seventh track on Songs…, with the vocals being handled by Marcel P. Cornelius Waldner contributes piano and flute, at least according to the album notes, but this doesn’t sound like a concert flute to me, more like a wooden flute or recorder.

The following song, Der Gute Kamerad has vocals by Troy Southgate. Now, those who have read my previous reviews of H.E.R.R. and Seelenlicht will know that I’m not the most ardent admirer of Troy Southgate’s vocal stylings, but here, he’s not half bad. In fact, I’ll go so far as to say that this is the most enjoyable work I’ve heard so far from him – his voice suits the material, it melds well with Damiano Mercurio’s acoustic guitar, and overall it sounds quite a bit like Ian Read of Fire +Ice. A stately, formalist minuet by Johann Krieger follows, also with Damiano Mercurio on guitar and more of that mysterious flute.

The thirteenth song is Europa Calling, a cover version of the song originally recorded by Forthcoming Fire, but made famous by the several different renditions of it released by Josef K.’s subsequent band, Von Thronstahl. This song has become something of a neo-folk anthem, a rallying cry for the Children of the Black Sun to rival Death In June’s Runes And Men, and Sagittarius fully do it justice:

Don’t you hear Europa calling
For him who leads the children home…

(This song, incidentally, is not to be confused with the Sol Invictus song of the same name, which is also very fine, but is entirely unrelated.)

The album concludes with a bonus track, The Song, an English rendition of Das Lied, with Tory Southgate again handling the vocals, and again sounding good. Apart from my reservations about the opening track’s clunky lyrics, Songs From The Ivory Tower is an effortlessly pleasant listen, with many talented musicians playing real instruments, strong lyrics and beautiful neo-classical arrangements. Praise and plaudits to all involved – this is another quality release from Cold Spring fit to stand beside Von Thronstahl, Rose Rovine E Amanti and Werkraum at the more melodic end of the Cold Spring roster.

www.sagittarius.de

www.myspace.com/marblecliff

www.coldspring.co.uk

www.myspace.com/coldspring

Reviewed by Simon Collins. Reprinted with acknowledgements to Judas Kiss web-zine.

Songs From The Ivory Tower by Sagittarius is available from: http://www.coldspring.co.uk/discography/csr89cd.php

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Phantom Ratio: We’ve been to Hell …. So you don’t have to!

Phantom Ratio Review

We’ve been to Hell …. So you don’t have to!

From the PR guys, particularly Brad:

“We have travelled space and time with our well known, but very top secret, invention. Becoming, a tactically versatile and highly competent, scientific awareness unit. We know how to operate our equipment just about as well as we need to. I personally am far more satisfied, but ironically far less monetarily rewarded with phantom ratio than anything I’ve ever done musically… A progression from misery, to the evolution of life, all life.. and, ourselves, sacrifices must be made.”

Industrial post punk trio, Phantom Ratio, formed in the not so distant past, and they have been kickin ass and taking names ever since.

Meet the Band: (click on this to see them live on youtube)

Eric Stene is a long-time veteran of the San Diego music scene.  He has played in countless bands from 1984 to the present.  Prior to Phantom Ratio, he is best known for being the guitarist/noisemaker for the seminal San Diego band Night Soil Man, where he played alongside Mark Trombino and Mike Kennedy, who would go on to become the rhythm section of emo lords Drive Like Jehu.

Jimi Flynn is the stick man for PR.  He played with ministry of truth in 1984 and 85, a band with a so-cal punk sound. He then played in Eminence from 1986 to 1989.  Eminence moved more into the speed metal genre. Both bands were based in San Diego. 

Jimi has always been a music enthusiast in all of its forms and genres.  For personal reasons, he put playing on the back burner.  After getting clear and clean, he’s picked up his sticks again. Jimi said recently he feels as though he is playing better than ever and is more comfortable in his own skin(s)…

Brad Davidson, I knew back when I was a teenage punkette running rampant in Portland.  Brad gained much local respect when he was recruited as the bassist for Portland favourites, the Wipers.  Those of us who were on the younger end of the punk scene then, were quite proud that he got that gig, as the Wipers are near and dear to many a heart in the Northwest.  Following much recording and several tours with the Wipers, Brad started a 3-piece Metal punk combo, called “Klaw.” In this band he began writing.  He also was learning to sing and play bass simultaneously.

In 92, he was drafted into the Jesus and Mary Chain, while living in London.  Brad is an old road dawg, who could do 28 shows in 30 days.. with the JAMC he went on to do the 92 Lollapalooza tour, the Rollercoaster II tour, and the Jools Holland show with Paul Weller taping that night. His contract was cut short due to his party like a mutherfucker attitude…a true Rocking Roller..

Brad ended up back in the US of A.  He met Jimi Flynn and Eric Stene after moving down to San Diego.

Brad was lured by Eric’s guitar, where in parts he sounded like Helios Creed/ Chrome, one of his and Eric’s main influences. Brad says he was encouraged by the way they “jelled together and seemed to have an almost telepathic complimentary connection.”

The band soon after made their 1st recording with a friend, Theo Miserlis,  who engineered the mechanical section of that session.  The plan now is to release a second recording which was completed last summer.  It is said not to be for the faint of heart.

The CD, recorded in 2010 at Chaos Recorders in Escondido, features:  ( hear their songs here…)

§  Secret Invention

§  Skrew your face up

§  God Told Me

§  Gravity

§  Path of Least Resistance

§  The Growth

Phantom Ratio on MySpace

You can contact them here for gigs, tours and assorted craziness: phantomratio@gmail.com

Adam Marx of New Rock News 43, describes these guys like this,

“These guys are as classic punk/sludge-rock as you can get, and there’s no doubt in my mind that they’re the brainchild of a former Wiper and friends. It’s almost as if the Wipers and Melvins got together and had a child: a sick, twisted, demented monster of a kid that loved to play loud, fast, and hard.”

Secret Invention,  Blimey, heavy post punk slashing melodic badness!  The vocal and bass combo are guttural and grungy. The guitar’s heavy rock riffs drive this like a Camaro at high speeds over a cliff..  These guys were made for each other, and they are smoking. The birth of the next generational scrungy post punk metal madness.

Screw Your Face Up Pulsing heavy dementia with razin vocals that despoil and lay waste to your last shred of innocence.. Hammering drums drive this one right through your soul.

Gravity this one kicks off like classic Iggy then melts into a Helios inspired post punk collision.  The guitar riffs on this one run up and down your spine, then smash you upside the head before laying back into that lashing garage rock goodness that we all loved from Iggy.. and I loves me some Iggy… I have to say I am seldom impressed with what passes as new and popular rock these days.. but these boys have found grandpa’s secret recipe…

The diamond in the rough, in this pile of gems, is God Told Me To.  This has everything an old jaded punk diva requires!  Full throttle is putting it mildly.. this tune smokes from start to finish leaving you gasping for more. Davidson’s animal magnetism and pure crunchy guitar rock-god brilliance on this one. Thanks for that, guys!

News:

News on the street is there is a Greek label threatening to release their recordings, and there is supposed to be an interview with Dimitris Antonopulos (a major rock Dj in ATHENS) which aired a couple of weeks ago.

Adam Marx of newrocknews43, located in Massachusetts has done a recent review of the boys here:  He was so impressed, he is talking about putting some sort of tours together and is busy recruiting these guys.

In the works: recording a song for the upcoming Helios Creed tribute album, requested by Helios’ Manager,  as these guys have said in passing that they  are Helios fans. Did I mention HUGE Helios fans?  And writing new material which is even more sophisticated for your weird palates.

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Music: Pick Yer Poison

Click on image to buy CD

Pick Yer Poison is a split CD featuring two bands, Rum Rebellion and Hammered Grunts.

 

 

 

 

 

Rum Rebellion

Rum Rebellion

Rum Rebellion emerged from Portland, Oregon as an acoustic group in 2005. Their bio describes them as a, “a salty mix of Irish tunes, sea chanteys, oi!, and street punk. A union of maritime instrumentation with street punk energy, folk punk and Irish rock bands.” They are one of the better new bands coming out of the West coast scene, and I am seldom easily impressed.

Rum Rebellion are an interesting and hard hitting mix in a similar vein as the Pogues, Flogging Molly and the Dropkick Murphys, in my opinion, they do it better…

They soon added bass and drums and began playing live in January of 2006. They released “Cruisin’ For A Boozin’”, the band’s first full-length album in November ’06. This release was well received and they began playing around the US, mainly West coast.

The CD, I am listening to was a recently released split CD with their mates, Hammered Grunts, called “Pick Yer Poison”. Released on Bostons’, Rodent Popsicle label and distributed by Pyrate Punx Records from Oakland. Recorded at Opal Studios, and engineered and mastered by Kevin Hahn.

Current Line up

Dave Noyes - Acoustic Guitar, Lead Vox
Tyler Miles - Tin-Whistle, Backup Vox
Sage Howard - Bass, Backup Vox
Greg Smasher - Electric Guitar, Backup Vox
Jason Robbins - Drums

A Little Bit of History:

These guys are named for the historical Rum Rebellion of 1808. William Bligh, the Governor of New South Wales made an attempt to normalise trade conditions by prohibiting the use of Rum as payment for commodities. This was an attempt to squash the power of the rum merchants and the NSW Corps who both had stakes in the trade. Bligh’s interference led to a military rebellion in January of 1808. Bligh was eventually arrested by the mutineers, namely George Johnston of the NSW Corps, held for over a year then sent packing off to England.

I seriously can’t say enough about these guys, they are one of my favourite newer bands. I have listened to a lot of punk rock over the years and I am not easily impressed with many newer bands, who seem to me to be mainly generic hard-core and tributes to bands from the early 80s. There are few bands who have come along in the late 90s and after 2000 who I felt were original or really had that genuine quality about them. Rum Rebellion is one of them. Pick Yer Poison is well worth the few quid you will put down on it.
It includes:-

1: Burn It Down
2: Stand Up
3: Drink With The Devil
4: Off To Limerick
5: Gotta Go
6: On Call
Burn it to the ground: what can I say? A snappy little sing-along song of destruction.
Drink with the Devil: My favourite song by far on the CD, This is an driving ditty that gets you up on your feet for a bit of a mosh and a bit of a jig… these guys are really tight and the traditional folk element of flutes and fiddle really add to the composition, bringing a warm touch to their rousing drinking tunes.
Gotta Go: Another traditional melody to get you up on your feet and downing those pints before you head out for some live music! Catchy this one, if you are not careful it will sneak up on you and you will find yourself humming it to yourself as you head out about your day.

Off to Limerick: Nothing soft about these guys, they are straight ahead swashbuckling swaggering punk rock. Much more of an Oi! feel to this one with the sing along choruses and the straight punk beat, but there is a surprise halfway through the song with a lush solo of drums and more traditional acoustics, before they kick back into the good ole punky oi! boys sound.
On Call: Another traditional folk feel to this one, until they hit the top of that intro and it gets quite heavy with some amazing drum work. Damn these guys kick ass! I can’t think of too many young bands on the West coast who can really match these guys in many ways. Funny mix on this one of folk and an old school punk melody that just works.

Further info on Rum Rebellion at:

youtube video

Merch

 

Hammered Grunts

Hammered Grunts

Genre: street thrash
Members:
VOX Thaddeus Hammered
Bass Germey Grunt
Drums Bro-dog
Guitar Dooger
Record label: Rodent Popsicle/Underdog Records
Current Location Portland OR
Press contact thompsonthad@yahoo.com

Background:
Hammered Grunts were established 2004 to the dismay of neighbours and music snobs alike. Hammered Grunts have been compared to bands such as Blood Clots and Carrier Soldiers, however I am not familiar with these bands, so I cannot comment on that comparison. The group consists of four friends dedicated to being involved and making music in the local Vancouver and Portland punk rock scene. After releasing their self-titled 15 song street punk album, the band delivered a very successful 5 state 23 shows tour in August of 2008.

Next the Hammered Grunts recorded a split EP with Hometown Hero’s “Rum Rebellion” and will displayed another 6 song onslaught of energy & angst. “Hammered Grunts” also went on a summer 2009 tour to support the record. This is the CD I have been listening to.

What I can say is the recorded material from these guys is fast, tight, melodic hard-core. I do not like much of the more generic young hard-core that have come along since the late 80s, however these guys are tight and have a bit of a metal edge, and are worth checking out. Listen to them at Reverbnation.
I was perusing through the net to find some band pics of these guys and saw someone make this comparison of them, “Hammered Grunts’ Music sounds like a cross between Metallica (Creeping Death) Slayer and Suicidal Tendencies”. Their singer’s a fucking speed-vox maniac while the guitar bass duo are a mosh pit of brilliant madness.
Self-Destruct This is probably the song I like best of theirs on the CD. It’s the type of song I would love to sing as a speedcore/hardcore vocalist.. with some excellent timing and stops in it. Stand up is another brilliant song – pure in your face punk rock, not for the pusillanimous.
Ok the drummer in this band kicks ass too… where the hell were these drummers when we were looking for one?? And lo and behold I hear an Irish tin whistle in there with all this hard-corey goodness! Thrashingly excellent.
And speaking of Thrash, since 2010, the Grunts have taken big steps towards playing and producing more of a thrash feel with their music. Hammered Grunts, I believe, have released their next album “Hostile Takeover” which is meant to include 12 tracks of a much more brutal sound. If they want to send me this new one as well, I would definitely review it. I can say these guys grow on you.. and they appear to be getting better with the new recordings! Check out Hostile Takeover with a video and song links here

You can find them on MySpace and Facebook.

Review by Rosdaughr

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Music: Boo Frog

Boo Frog

Boo Frog are a trio of old school Portland rockers who’ve been around the block a time or two.  This is a gathering of some laid back guitar slinging rock originals.  Imagine a sort of voodoo-bluesy stroll colliding with class act rock n roll.
They are comprised of a two-guitar-and-drums garage rock trio featuring axe-mastermind, Chris Newman on guitar and vox, Rock bad girl Erika Meyer also on guitar/vox, and Paul Vega on drums. Chris and Erika share song writing duties.
Boo Frog was spawned from a one-time Lux Interior tribute show performed April 2009. After the tribute, Chris Newman (formerly

Erika Meyer

of Napalm Beach, Snow Bud and the Flower People, Chris Newman Experiment, Divining Rods etc..), and Erika Meyer (formerly of Serpentone) and drummer Paul Vega (Wadsworth, Subarachnoid Space, Diesto, Lost Acolytes) decided to continue playing together.  Lucky for us they decided to keep it together and move forward.

Chris Newman

Boo Frog’s original songs feature fuzz and reverb-laden guitars.  They have been compared to early Cramps, (vintage gear and no bass) style.  Boo Frog’s sound has also been likened to bands such as The Seeds, Velvet Underground, and Gun Club.
For me Boo Frog is a gravelly mix of down and dirty swamp rock on a lazy afternoon,  kickin up the dust on a hot summers day.  They have a soul grazing kick back sound that crawls up your spine and growls at you…

Review by Rosdaughr

Photography by Dean Fletcher
Boo Frog can be found here and here
Boo Frog on Facebook

Boo Frog Discography

Boo Frog, their first released in 2009 on Skullman Records.  According to their liner notes, this was recorded in late July, during the three hottest days in Portland history, Boo Frog recorded and mixed their self-titled 13-song debut CD at Platonic Studios over a period of 24 studio hours.

The songs are mostly first-takes, with minimal overdubs. They range from short and sweet rockers to a lazy meandering life soundtrack…  This album has something for the romantic too; from sweet love songs to aching ballads.

These songs can be purchased as an album or individually, here and includes my all-time Boo Frog favourite song, Two Wild Cats (in a Gunny Sack). Other excellent tracks on this one include: Walk With Me, Her Heroine, Birthday Girl, and What Would I Do?

Better than the rest

Click on image to buy

Better Than the Rest was recorded at Smegma Studios last year and released on Skullman Records in April of 2010. This downloadable Cd consists of 11 songs recorded on a 16 track tape.

Notable songs on this release:  Bad Pam, Jake the Alligator Man (because seriously, who doesn’t love ole Jake?) Click here for live video of Jake., Back Alley Man, Mind Bender (garage-y goodness that reminds me of old Stooges)  and Re-Revolution another classic reminiscent of Lou Reed and VU.

Upcoming news for Boo Frog: They will be releasing a live cassette of their performance during the last days of the legendary Satyricon club in Portland, entitled, Boo Frog Undead at Satyricon.  These guys are seriously pumping out a lot of music at the moment, as they are also scheduled to go into the studio in May to record a new release.
We hope to see them here in the UK and in Europe in the near future.  Any booking interest please contact them through their website.

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Edinburgh Fringe: SCOTTISH FOLK ROOTS AND OFFSHOOTS

Edinburgh Fringe 2010: SCOTTISH FOLK ROOTS AND OFFSHOOTS   ****

DAVID FERRARD

23-30 August 18:30hrs
The Royal Oak, Infirmary Street    TICKETS

David Ferrard spent his youth travelling between Scotland and Pennsylvania where his mum comes form.  His music embraces both sides of the Atlantic.  He traces many of those songs that began in Scotland and set down roots in North America, particularly in the Appalachian Mountains. On most of this show, he accompanies himself on an acoustic guitar, but he holds his notes well enough to sing two ballads a capelo.

He learned one fine son from a 93-year-old lady who has since died..  Wistfully entitled, Oh, I wish I was Single again, the song contrasts the hopes and dreams of a courtship and a future marriage with the less pleasant realist.

Ferrard has a quiet engaging style that allows him to win over reluctant audiences, most of whom tend to sit well back in fear of being picked on to do something embarrassing.  In the space of an hour the international audience in the intimate venue were cheerfully joining in the choruses.

Much of the material, though sadly not Oh, I wish I was Single again, is on Ferrard’s new album, Across the Troubled Wave.  If you can‘t make the show do get hold of this CD.  You won’t be sorry.

**** four stars

www.davidferrard.com

The Royal Oak

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Edinburgh Fringe 2010: RHYTHM DRUM AND DANCE, the drum show from Berlin

Edinburgh Fringe 2010:

The Drum Show from Berlin

RHYTHM DRUM AND DANCE    *****

7-22 August

Venue 150 EICC, Morrison Street

Buy tickets here

Reviewed by David Kerr

Few shows at the Fringe are as likely to get an audience to its feet dancing, clapping and begging for more as Rhythm Drum and Dance, which bills itself with considerable understatement as ‘the drum show from Berlin’.  It’s that all right, but it’s so much more besides.

The action begins with a virtuoso solo performance on a standard rock band drum set before the drummer joins three others at a series of drums set up on a raised stage at the back.

So far, so good. After a few minutes this seems just like any other drum show, flawlessly played but nothing out of the ordinary. Then the dancers take to the stage and the performance takes off.  These women are fit, in all senses of the term.  They have to be, given the foot-perfect attention they give to their dancing, the quick cycle of costume changes and the seemingly effortless changes of pace and style.

Besides the four female dancers, two astonishingly athletic male hiphop dancers perform so rapidly that they appear to be constantly in the air. These talented lads gave the audience a few laughs as they competed with one-another and fought over a brush. The audience loved it.

These dancers are complemented by a versatile mixed couple of tapdancers who have dragged this genre out of the era of black and white movies and brought new life to the genre.  Who would have thought it?

The rapid pace of style changes was enhanced by the lighting, the soundtrack and the sheer talent of the drummers who took the art of percussion to new heights.  This is all down to the imagination of the choreographer and producer, Freddie Rust who has put together a terrific show from what might be thought of as incompatible styles.

Give your ears and eyes a treat and get down to Venue 150 at the EICC while there’s still time. You’ll not regret it.

***** five stars

www.rhythmdrumanddance.com

www.rhythmdrumanddance.de

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NEW MUSIC: Black Tartan Clan and Anglo-Saxon

Over the past month I have come across two albums by hitherto unknown bands: Anglo-Saxon and the Black Tartan Clan. One of the beauties of the internet is the ease with which unsigned bands are now able to showcase their work on websites like MySpace, Facebook and YouTube for anyone in the world to find.

The Black Tartan Clan take the ‘bagrock’ of the popular Red Hot Chilli Pipers a step further with their ‘Celtic Punk’ sound, a hard-edged foot-stomping fusion of pipes, drums bass guitar and pulsating punk rhythms.
Sounds terrific, you might think, so whereabouts in Scotland do these lads hail from? That’s the odd thing. The band was formed in 2008 in Belgium of all places! Despite this, they sing in English and have managed to gather a popular following in Scotland itself where they have played a few gigs in places as far apart as Kirkwall and Dumfries.
The Black Tartan Clan has followed its last album Boots, Kilts’n'Pipes with a superb 20-track double CD, The Loyal Men. On this album you’ll find the band’s take on such bagpipe standards as Highland Cathedral, The Hills of Argyll and Amazing Grace sitting along their own original songs and covers of some old punk hits from the days of my youth. Their version of Sham 69’s If the Kids are United will have you wanting to get up and dance till you drop.
Check out the band on MySpace where you can listen to a few sample tracks. They even have a couple of videos up on YouTube. Field Marshall Montgomery Pipe Band it ain’t but it is a lot of fun!

By contrast, Anglo-Saxon isn’t having quite so much fun. The band’s recent album Endangered Species brings together rock’n’roll, folk and metal styles to decry the state of modern England and make a passionate stand for what is right. Lead singer Gary Marsden had the unnerving experience of having his house raided by police because of a complaint made about one of the songs which, for good measure, is offered in both a live mix version and an unaccompanied acoustic versionon this album. This song criticised the 7/7 bombers and the attitudes that spawned them in the lyrics,
They took the passport and the Pound
but then they bombed the Underground
but they’ll never destroy the land of hope and glory

Two other songs, This is not a Crusade and Lest we Forget 7/7 explore similar themes. You might have thought that such sentiments are self-evidently true, and in the end no charges were bought against the songwriter. However, he has suffered for his art and for telling the truth as he saw it; he has lost his job and has had some difficulty getting another one.
However, it’s not all doom and gloom. There’s some nifty guitar work in this album Look out for the original song This Thing Called Rock’n’Roll and a fine version of the traditional folksong, Scarborough Fair. As is the case with the Black Tartan Band, you can also access Anglo-Saxon on MySpace and YouTube. This album and individual tracks can be downloaded on iTunes or you can get a physical CD from the band’s website.

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Music: They Called Her Babylon by Steeleye Span

Steeleye Span are a five piece this for this album. “They Called Her Babylon” is their first new material from the band with Maddy Prior since 1996. Maddy is joined by Rick Kemp and Peter Knight and newcomers Ken Nicol of Albion Band fame on guitar and Liam Genockey on drums.

 Steeleye Span have always drawn inspiration from the music and stories of the past. Fans will recognise their trademarks – the re-interpretation of traditional tales, the choral harmonies, the blend of powerful rock and folk.

Cover  of Babylon by Steeleye Span

Click on image to buy CD

 The title track “They Called Her Babylon”, written and sung by Nicol it is based on an event during the English Civil War. Between 28 February and 26 May 1644 parliamentary forces laid siege to Latham House. Latham House was one of the few Royalist strongholds in Lancaster defended by the Countess of Derby, Lady Charlotte while her husband was absent on the Isle of Man.

 The lyrics are written from a Royalist viewpoint. The Parliamentary forces come are painted in dark colours. The actual history is a little more complicated. Sir Thomas Fairfax who originally commanded the siege was granted the Isle of Man, forfeited by Lord Derby, at the end of the war. In a gallant gesture, passed on the income he gained from the Island to the Countess. It’s certainly true that the Countess resisted the siege until Prince Rupert relieved her. The lyrics say “Yet brave and as intrepid as any man was she”. History seems to indicate the Truth of this at least.

 As the sleeve notes to the album explain the nickname Babylon was not intended as a compliment. It was taken from a sermon from a Puritan minister at Wigan against Lady Derby upon a text from Jerimiah:

 “Put yourselves in array against Babylon round about; all ye who bend the bow shoot at her; spare her no arrows; for she has sinned against the Lord”(Chap. 50 v.14).

 The powerful chorus on the song takes up this theme:

 “So put yourself in line against Babylon
All ye that bend the bow against the crown
Train the gunners sights against Babylon
Till the eagle tower does fall
And the walls they are thrown down”

 Of course it’s not necessary to know the historical context to enjoy the music. That stands in its own right. Nonetheless it adds another layer if you do. This extra dimension to folk music is one of the things that makes it attractive to me at least.

 In addition to the title track I also really liked “Samain,”. This rocky track is written and sung by Kemp and takes us back to pre-Christian times, to the holiday now known as Halloween. I’m very interested in Celtic paganism. I trek up Calton Hill on another Festival (Beltane) and I love the way they celebrated each of our Seasons. Samain celebrates Winter. Its purpose is well encapsulated in the final verse of the song:

 “This great feast of Samain
Our long year will end
With smoke from the fields all good souls ascend
Carry our message – with them we sing
For blessing and favour new growth in the spring.”

 Like Babylon the chorus is very strong, with lovely harmonies, and the riff work at the beginning is excellent.

 There are some fine adaptations of traditional songs like “Heir of Linne” and >”Bride’s Farewell. “Mantle of Green” is a slow ‘broken token’ ballad related to songs like “Claudy Banks”, taking a traditional theme where the girl is unable to recognize her true love when he returns after some years. This time the man has taken part in the battle of Waterloo. Prior’s singing is accompanied by an acoustic guitar and some fine fiddling from Knight.

“Bede’s Death Song” is supposed to have been written at the deathbed of Bede. Accompanied by a sparse piano, the lyrics state that no man is wise enough to know what judgement will be made on his soul – not exactly a cheery drinking song! This is followed by “Diversus and Lazarus,” another tune by Rick Kemp. Those who know their bible will know that it is the story of two “brothers”-one rich, one poor. The Parable contrasts their condition here and in the World to come. The rich man was finely clothed and spent each day drinking and feasting. The beggar is cast helpless at the rich man’s gate, and lay there all covered with sores; he yearns for the crumbs that fell from the rich man’s table, but receives none, and is left to the dogs. In heaven, however, their positions are reversed Lazarus is at the banquet in a place of honour (cf. John, xiii, 23). The rich man is now the outcast. He yearns for a drop of water. Lazarus is not allowed to leave the heavenly banquet and tend to the outcast. It’s good to see a parable put into song. The parables express complex themes in a simple yet strong way. The music is also great.

They Called Her Babylon is a great addition to the work of Steeleye Span.

Musicians

Maddy Prior, vocals

  • Peter Knight, vocals, violin, “Octave” violin, keyboards
  • Ken Nicol, vocals, guitars
  • Rick Kemp, vocals, bass
  • Liam Genockey, drums Tracks
  • Van Diemen’s Land (4:52)
  • Samain (5:59)
  • Heir of Linne (6:49)
  • Bride’s Farewell (4:18)
  • They Called Her Babylon (6:19)
  • Mantle of Green (5:23)
  • Bede’s Death Song (0:41)
  • Diversus and Lazarus (6:43)
  • Si Begh Si Mohr (4:13)
  • Child Owlet (5:07)
  • What’s the Life of a Man? (5:30)
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    Music: Planet Ulster and Endangered Species

    Ulster Scots Folk Orchestra

    I think it was George Bernard Shaw who said you can always tell an ersatz revival from an authentic tradition. People involved in an authentic tradition often appear glum and uninspired, whereas those involved in a revival are obviously full of enthusiasm. Shaw, we know, frequently preferred rhetoric to sense, but if there is any truth in what he said the Ulster Scots Folk Orchestra on their two cds, Planet Ulster and Endangered Species, turn it on its head. They`re maintaining a tradition in difficult times and evidently having a lot of fun doing it.

    They`ve produced a very satisfying mix of serious, sad, joky and often very moving music. Planet Ulster, the first album, begins with a declaration of intent: “We`re fighting for Planet Ulster,” (or something like that; it`s difficult to make out all the words), shouted over some strident fiddles. Then they go off into Ballycarry Fair, with lovely and very celtic slurs and glissandi and occasional heart-wringing dissonance.

    There`s more heart-wringing on Bonny Kellswater. You can feel the landscape – both Scotland and Ireland–the sweeps of the fiddles and the accordian echoing the sweep of the grassy hills, with the slow pedal of the rich woody bass suggesting an isolated tree or clump of bushes. This song is beautifully sung by Laura Sinnerton. whose family, so the sleeve notes tell us, come from the area of the Kellswater. Why isn`t she on Top of the Pops? Parcel o` Rogues also has a lovely pastoral feel, vaguely reminiscent of Elgar or Holst. The melody is close to Holst`s Jupiter. There was a lot of interest in folk music about the time when those two were writing. Who knows-? Elgar seems to crop up again on the Ulsterman`s Fareweel tae Whuskey. And him a Catholic!

    But there`s a delightful pastoral feel through much of these two cds, as for instance on Bonnie Doon. (It`s sad in a way to reflect that the people of Ulster appear to love Robert Burns as if he was a member of the family, whereas so many people in England never think about Wordsworth, for instance, at all). And then there`s the wonderful Londonderry Air, the tune of course better known to us as Danny Boy. Actually Danny Boy might be a better title on the whole as Londonderry Air if spoken quickly after a pint or two does sound a bit like something glimpsed on a metropolitan building site. A beautiful arrangement of flutes and whistles, though.

    There`s humour here too. Dancing tae the Fiddle and I`ll Tell My Ma are almost right out of a Chas and Dave knees-up!

    There`s aching sadness, as in Betsy Gray, who was cut down in a 1798 Prebyterian rebellion, and Bonnie Woodgreen, sung beautifully by Davy Sloan, whith a wonderfully produced guitar. You can see the light glancing off the strings.

    Naturally a lot of history makes itself felt. In Hi, Uncle Sam we hear about Ulstermen building the USA and `raising Old Glory`. It`s strange to hear ‘Irish’ voices referring to `fighting for our king`.

    These cds are wild, not just with jigs and reels but thunderous drumming, worthy of Elvin Jones or Keith Moon. The drums on Endangered Species even fade at the end, just like those on the Who`s The Ox.

    And so we have here a wide range of music, from wild drumming through broad comedy to measured arrangements that here and there seem almost baroque, as on Annie Laurie. For some tastes there`s too much reverb drenching things every so often. And some of the words are unintelligible – certainly to a non-Ulsterman like me. Occasionally they do feel a little like `professional Ulstermen`, as people like Bob Hoskins are `professional cockneys`.

    But these are small points. The albums feel like living history. They`re beautifully performed. And Endangered Species ends with a lovely thought from Auld Lang Syne:

    We`ll tak a cup o` kindness yet

    For copies of Endangered Species or Planet Ulster (or both!) please write to Willie Drennan, 125 Grange Road, Ballymena, Northern Ireland, BT42 2EJ. CDs cost £11 each plus £1.50 Postage and Packing (overseas £2). Please make cheques payable to U.S.F.O.

    Reviewed by John Hewson

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    CD Review: Mad About the Boy 12

    Mad About the Boy coverRefreshing, tantalising and exciting are words that would describe this box set of two cd’s.

    Its great to hear some new NRG sounds; sounding off in handbag style, with a dance edge. All of the tracks would go down well in any club dance circuit, they have a universal appeal. I wouldn’t be too surprised if some of the tracks hit the mainstream charts.

    All of the artists chosen have the most amazing vocals, combined with fantastic lyric and music: produced with sheer brilliance.

    The tracks that do it for me are Mary Kiani, (Come Into My World); Tamara, (Hero, Futureforce Club Mix); Nicki French, (I Surrender – Shanghai Surprize 12″ Club Remix); Mark Ashley, (I’ll Be There For You Tonight – Extended Mix); Ernest Kohl, (All I Know – UK Extended Club Mix); Big City – (Need Your Love); and Primero – (Not In Love).

    Riccardo in model pose looks great on the cover! If interested in the photography check out The Children of Dorothy website.

    Overall excellent value for money and this box set comes highly recommended.

    Reviewed by Jacqueline Sharp

    Counter Culture Anthology Advert

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