Archive for Drama

RED

Red

Sometimes it’s great just to walk into a cinema with no prior knolwed of the film you’re going to see. I often do this. For every dreadful clunker like Ace Ventura, Pet Detective, you find gems like Michael Clayton or Oh Brother, Where art Thou? I could have waited an hour for the latest Harry Potter episode or taken a risk with the unknown factor, Red.

This proved to be an excellent choice with a stellar cast of veteran actors; Bruce Willis Morgan Freeman, John Malkovich, Helen Mirren, and even Ernest Borgnine who isn’t dead after all.

Willis is a lonely, retired former CIA agent who sometimes tears up his pension cheques to get an excuse to talk to a pleasant girl in the call centre to whom he has taken a shine. One evening, just before Christmas, his past catches up with him as a team of assassins try to murder him.

In an effort to keep one step ahead of his pursuers, he teams up with the girl, a bunch of retired former colleagues and an old foe in order to find out who wants him dead and why.

This is one of the best chase movies for quite some time. Don’t think too much about the plot. Just strap yourself in for a fast-moving rollercoaster ride punctuated by helpful animated postcards to let you know where the action is. Oh, and Helen Mirren looks great as she coolly holds off the villains with a huge machine gun.

Director:

Robert Schwentke

Writers:

Jon Hoeber (screenplay), Erich Hoeber (screenplay), and 2 more credits »

Stars:

Runtime: 111 minutes
Certificate: 12A

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Edinburgh Fringe: Firing Blanks

WORLD PREMIERE

FIRING BLANKS ****

Written and directed by Tom Spencer

Underbelly, Cowgate, 56 Cowgate, Edinburgh

Aug 7-8, 11-12, 18-19, 25-26 @ 15.35 (45min) £8.00

Aug 9-10, 13-15, 20-21, 27-29 @ 15.35 (45) £9.00

Aug 16 -17, 23 – 24 @ 15.35 (45 min) £6.50

Buy tickets here

Reviewed by Jacqueline Sharp

Men tend not to speak about the subject of male infertility with their partners, or their friends, perhaps out of fear, embarrassment, or ridicule. Some may avoid the issue choosing instead to banter about football over a pint of lager.

I was curious as to how this story would be told. The script is first class as it tackles this taboo subject head on.  The banter and dialogue between an older man and a younger woman is excellent.  It’s refreshing how one feels better when speaking to a stranger about one’s problems.

The two characters have no romantic involvement, just the basics of a good friendship.

Holly Beasley-Garrigan, as Kate, is pretty, with a lovely smile; which helps ease the pain for Richard.  Robin McLoughlin, as Richard, seemed wooden. I didn’t think he was right for this role.  He needed to be more comical, inject more comedy into the role, loosen up, have a laugh and let it all go.  He seemed too stern, angry, anxious, annoyed; all feelings anyone would feel at being infertile. However those feelings were inappropriate for the Fringe.  He was far too serious. Comedy helps to tease pain. Laughter is therapeutic!  It is always better to laugh at ones problems, than to dwell or cry.

Perhaps the Director Tom Spencer was hoping to raise awareness about male infertility. This play still has potential, though.  I could see this first class script turned into a television show with a different male lead, though!

Anyone looking for more information on this subject please check out following links.

http://en.wikipedia.org/wiki/Male_infertility

http://www.malefertility.co.uk/

http://www.womens-health.co.uk/infertility7.asp

http://www.infertilitynetworkuk.com

http://www.metro.co.uk/news/837147-rise-in-male-infertility-linked-to-plastic-food-and-drink-cartons

http://www.malefertility.co.uk/statistics.html

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Edinburgh Fringe 2010: I, ELIZABETH ★★★★★

WORLD PREMIERE

I, ELIZABETH ★★★★★

Assembly @ George Street, Wildman Room, 5th to 30th August 2010, (not

16th & 24th)

@ 11.50am, finish @ 13.00 TICKETS

Reviewed by Jacqueline Sharp

Any actress portraying Elizabeth I would have to have a strong presence with bold red hair, Rebecca Vaughan delivers.

The great queen reigned from 1558 until her death in 1603. This production is based on the time when she was at her peak.

The simple but effective set consists only of a chair, desk, a few small props, Nothing else was needed.

The costume worn by Rebecca Vaughan is extremely beautiful. Designed and made by Kate Flanaghan, a graduate from the Central School of Speech and Drama in 2007. The red in the costume is bold, vivid and extremely delightful.

Rebecca, delivers a strong, powerful, charismatic performance, she scripted herself. Her facial expressions add to her delivery in scenes of anger, rage, prudent, careful, decisive, curious, mistrusting, as well as scenes of her being soft and thoughtful!

Her piercing eyes captivated the audience, engaging them with her strong presence/ They were acknowledged by the great queen and drawn into her dry, subtle and starkly humorous banter. I enjoyed watching the audience glaring at Elizabeth I, in return the queen glaring back to her audience,. It was very captivating.

Director Guy Masterson, Director, has done well delivering a production which within 70 minutes, takes you through tales of Huguenots; Protestantism spread France; Mary Queen of Scots; Henry VIII; Robert Dudley, Earl of Leicester; François, Duke of Anjou; William Cecil, Nicholas Throckmorton; Philip II of Spain; Archduke Charles of Austria; Henri, Duke of Anjou.

One explosive, heated scene gripped the audience. Everone in the room shook with fear as the queen read a document from the House of Commons which threatened to withhold funds until she agreed to provide for the succession, marry and provide an heir. Elizabeth I explodes with raged and anger!

This fine production has been created from adaptations of historical speeches, letters, poems and prayers from Elizabeth I. The well-written script is true to the original story. Rebecca Vaughan, in role as Elizabeth I has delivered a performance worthy of an Academy Award Oscar.

http://en.wikipedia.org/wiki/Elizabeth_I_of_England

http://gale.cengage.co.uk/state-papers-online-15091714/part-i.aspx

http://gale.cengage.co.uk/state-papers-online-15091714/part-ii.aspx

http://www.elizabethi.org/uk/

http://www.nationalarchives.gov.uk/nra/searches/subjectView.asp?ID=P9129

http://www.elizabethan-portraits.com/Elizabeth_I.htm

http://www.awesomestories.com/flicks/elizabeth-I

http://www.tudorhistory.org/elizabeth/

http://en.wikipedia.org/wiki/Protestant_Reformation#France

http://www.theatretoursinternational.com

http://www.assemblyfestival.com

http://www.dyadproductions.com

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Edinburgh Fringe; NEXT! ★★★★★

WORLD PREMIERE

NEXT

Assembly @ Assembly Hall, Baillie Room, 7th – 30th August 2010, at

12.00 (midday) Tickets

Reviewed by Jacqueline Sharp

★★★★★

NEXT? This production should have been The Kiki Kendrick Show! Kiki is the NEXT big thing in comedy!

This would be an apt and well-deserved accreditation for a strong woman with lots of character; a loveable actress with guts, determination and nerves of steel for surviving so many dodgy and countless auditions!

I couldn’t help wondering why this production was named as theatre in the Fringe brochure; this hilarious one-woman show is definitely the best comedy show in town! I laughed, laughed and laughed so much my sides ached! The audience laughed to her every line and were eager to see more and hear more from her!

This talented actress and writer has taken her gift of insight to recount the highs and lows and many pitfalls that come with being an actress. One actress creates a cast of 20 characters’ real-life auditions.

I had a vision! Kiki on Broadway in The Kiki Kendrick Show! Not impossible She has what it takes to be a huge star in America and United Kingdom, with her own television show. How about, The Kiki Kendrick Show – The Next Big Thing?

I couldn’t help but laugh at the thought of all those directors applying for an audition for The Kiki Kendrick Show. Kiki would have the last laugh passing them over by saying NEXT! There would be a long list of directors making guest slots on her show. That would be comical!

With its well-written script, perfect timing and presentation, this hidden gem is thoroughly recommended. It deserves an award for excellence!

www.liberatedtheatre.com

www.assemblyfestival.com

★★★★★ five stars

JACQUELINE SHARP IN CONVERSATION WITH KIKI KENDRICK, PROFESSIONAL ACTRESS – NEXT! DEATH BY AUDITION @ EDINBURGH FRINGE 2010 – WORLD PREMIERE PRODUCTION BY LIBERATED THEATRE

Q Hi Kiki! Congratulations, I loved your show, I laughed and laughed endlessly, you are extremely comical. The audience also laughed just as much as me, well done!

A Laughs! Laughter is so important in an audience, when there is one lead laugher the others follow.

Q Your show should be jam packed full, you have the best comedy at Fringe this year, and what do you think about that?

A  It is harder to get an audience during the day; however, there is still time for everyone to know Kiki Kendrick is here!

Q Why was the production headed up in the Fringe brochure as theatre? Shouldn’t it have been comedy?

A Next is a play, storytelling! Perhaps I hadn’t realised how comical the show would come across. I had thought that serious fringegoers would go for serious comedy.

Q Who are team Next then?

A I am the performer, in this one-woman show. I also wrote the script. James Barry, (Director), Anjali Kale, (Production Design), Set Designer, (Kate Klinger), Asst Manager, (Nicola Roodt), Production Asst, (Olivia Ward), Photographer, (Julian Hanford), Fiona Tanner, (hair/make up).

Q Kiki, you wrote the script, which was well written, where did you get your ideas for Next?

A I had a string of some real bad auditions for two years, which threw me a bit. So in 2007 I came up with the idea of writing Next; a one woman show about an actress, the experiences of bad auditions. I suppose I wanted to turn negatives into a positive!

The script for Next has changed and evolved many times. Even now I get ideas all the time and incorporate them into my show, fresh ideas all time.

Q Was this therapy for you then?

A Laughs! Everyone asks me that. It was more a case of a wakeup call, a release, making my own path, finding my own way!

Q In one line Kiki, how does it feel for an actress going to auditions?

A Laughs! I have heard the auditions are much kinder in the United States; they don’t mess around over there, if they don’t want you they just say next straight up, without wasting actress time, without even doing an audition. I have never been for an audition in the United States; this is just what I have heard.

Here in the United Kingdom, it is much harder; I found the better the job the less you have to do at an audition. The crap jobs, they make you jump through hoops, work much harder and even get called back for recalls.

Q Are you going on tour with Next then?

A I am open to offers!

Q What about your own television show?

A I am open to offers!

Q Any books in the pipeline?

A Laughs! Bring it on! It is all about me, me, and me, Kiki Kendrick!

Q You are a professional actress, so what productions have you been involved with then?

A My television CV;

The Office, Cold Feet, Fat Friends, 2 Pints of Lager and a Packet Crisps, Night & Day, Waterloo Road, Casualty and Doctors.

My film CV;

9 Lives of Tomas Katz, Do I love You, and Phobias.

My Theatre CV;

Fly Me To The Moon, Reunion, I Want That Hair, My Beautiful Laundrette, Waiting For Hillsborough, Crime and Punishment, Lip Service, Mutton, 5065 Lift’s Insane Jane, Too & Close For Comfort, Babooshka, The Woman who Cooked her Husband

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Edinburgh Fringe 2010: FAIR TRADE

WORLD PREMIERE

EMMA THOMPSON presents:

FAIR TRADE

Shatterbox Theatre Company

Pleasance King Dome (Venue no 23), Bristo Square, Edinburgh
4th August to 30th August 2010 @ 3.30pm (1 hour)

Reviewed by Jacqueline Sharp

Fair Trade is a true tale; the accounts of how two women came from abroad to the United Kingdom, with false impressions of how life would be for them.

In the production, the women have been given false names to protect their identity. The two women, Elena (Anna Holbek) and Samai (Sarah Amankwah), left behind family in poor hometowns, hoping to make something of their lives in Britain. However, as the story unfolds nothing could have been further from the truth, as a rather bleak journey emerges.

The two vulnerable women were tricked into coming to Britain and forced to work as prostitutes, not by choice! For them coming to Britain had been a fate worse than death, their dreams of a better life were totally shattered.

Most people would agree being forced into prostitution by entrapment and slavery is no life at all, at the brutal mercy of those running sex trafficking industries.
Fair Trade goes much further, than visual performance; it makes you think about why the problems of sex trafficking, human trafficking are there in the first place.

Perhaps more could be done educating people from abroad not to come here in the first place, as there are no perils of life in Britain, what needs explained is it is a rough ride, not bed of roses.

People from abroad have little or no access to government benefits. It is not easy, finding somewhere to stay and pay rent. Finding a job is difficult, and keeping a job even more difficult.

Poorer countries abroad should be helped to be self sufficient, back to grassroots, to help people sustain employment in their own countries, through self employment, start up grants etc, education.

The British government could perhaps send a task force abroad educating people not to come to Britain, as all is not what it seems, raising awareness of sex trafficking, human trafficking.

Fair Trade highlights sex traffickers, the vultures who are ready to pounce on their prey, offering false employment, places to stay, luring the vulnerable with false hopes, only to have shattered dreams.

One line stands out for me from Fair Trade, as Elena (Anna Holbek) describes how her dreams had been shattered. She says, “I dreamed of seeing Trafalgar Square, but not like this! This says it all!

The theatre is full, a jam packed audience, quite a lot of women! I couldn’t help thinking about how they may feel, when the choice to have sex with whom they choose be taken away from them, by force and brutality.

From the faces of the women in the audience, they probably felt this was gut-wrenching stuff to watch, as it highlighted the true personal stories of those trapped against their will in the sex trafficking industry.

Fair Trade is an outstanding production with brilliant acting and an outstanding
script, with excellent props.

Applause should go to Anna Holbek and Emma Thompson, (Academy Award-winning actress). Both Executive Producers have triumphed, with this outstanding production. I recommend Fair Trade for an Edinburgh Fringe 2010 award.

www.helenbamber.org.uk
www.stopthetraffik.org
www.atalliance.org.uk
www.unseenuk.org
www.shatterbox.uk

JACQUELINE SHARP IN CONVERSATION WITH ANNA HOLBEK, EXECUTIVE PRODUCER
SHATTERBOX THEATRE COMPANY

Q Who wrote the script?

A Fair Trade was written by Shatterbox Theatre Company founders Anna
Holbek and Shelley Davenport with Kate Ferguson.

Q Who was the Director?

A Lotte Waterman, directed over an eight-month process of workshops,
interviews and research.

Q How did you meet Elena and Samai, the women this true story is based
upon?

A We were introduced to them by the Helen Bamber Foundation.

Q Emma Thompson is not in the production, what role does she have?

A Emma volunteered to be executive producer for Shatterbox. She is
also Chair of the Helen Bamber Foundation, which raises awareness about
human trafficking all over the world.

Q Is this a World Premiere for this year’s Fringe then?

A We had a trial run with Fair Trade at the Pleasance, Islington in
February 2009; the public could not believe this was happening in real
life! We were not ready to come to Edinburgh Fringe in 2009. The
production for this year’s fringe is our world premiere, as it is a
different story.

Q Why would you say your production tells a better story about sex
trafficking compared to others, at this year’s Edinburgh Fringe?

A Our production is well researched, is a true story based on two
women’s real life accounts, they did not leave anything out when we
interviewed them, we are also a professional theatre company and last
but not least a fabulous team who work well together.

Q Do you plan to make Fair Trade into be a movie then, any offers on
the table?

A We have been approached by a few people, watch this space!

Q So will Fair Trade be going on tour then?

A It is extremely expensive to tour; we have been lucky and extremely
grateful to Emma Thompson who supported us to come to the Edinburgh
Fringe. However, it is hugely expensive to tour; we are open to any
offers of help. Feel free to contact our press and marketing manager,
Will for more information, will.wood@multitudemedia.co.uk. More
information can also be obtained from our website at
www.shatterbox.co.uk

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Edinburgh Fringe: VIRTUOUS FLOCK

WORLD PREMIERE

VIRTUOUS FLOCK
by Billy Barrett

C Venues, C Soco, Venue 348, Edinburgh Festival Fringe
T
4 – 21 August 2010 @ 1.20pm (50 mins)
£7.50 – £9.50

book tickets

Reviewed by Jacqueline Sharp

On a lazy afternoon what could be more exciting than a A dark tale of gothic gore?

This tale certainly lived up to its promise with dark comedy and gothic gore at its best, inspired by Le Theatre du Grand-Guignol and the Victorian weekly serial booklets known as “Penny Dreadfuls”.

As the tale unfolds into the murder of three women this story is not for the faint hearted, with buckets of gore and blood, murder, nuns, Catholicism, coffins, graveyards, barons, servants, a wife, and a songstress mistress who sings gothic opera in a bath!

Revenge is the moral of this gory tale presented by N10 Productions, formed by producer/director Lauren Overs, from Muswell Hill, London.

The talented young cast are extremely convincing in their roles. They engaged very well with a very receptive audience, who seemed to laugh continuously at the dark humour, and enjoy the musical scores and the dark gruesome lyrics! I actually thought I was there in real time!

Very entertaining overall! Those who go to see this production should take a macabre sense of humour with them as some scenes are very grotesque, although they are not meant to be offensive!

I recommend this production for those who do not get shocked or offended by gore, blood and the grotesque.

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Edinburgh Fringe 2010: SO, SINATRA?

WORLD PREMIERE

SO, SINATRA?
Sweet Grassmarket Venue 18
August 5th – 15th @ 3.55pm

Reviewed by Jacqueline Sharp

My curiosity got better of me; I had to see this production about Frank Sinatra; perhaps to see if anything new could be said about the man.

This famous singer had a much publicised personal and professional life on the television, radio and the media. Even after his death his songs and films are well known.

This one man show lasts forty five minutes, mostly commentary from Martin Oldfield in role as (Nick Sevano). There are some enjoyable photos, clippings and film reels to watch in the background, but the screen could have been much bigger to allow the audience to get a better look.

After the show, I spoke with Martin Oldfield to find out more. The conversation went something like this..

JACQUELINE SHARP IN CONVERSATION WITH MARTIN OLDFIELD, ACTOR – SO, SINATRA? – EDINBURGH FRINGE 2010

Q Have you been to the Edinburgh Fringe before?

A Yes, I had previously been at fringe as an actor in Albert Pierrepoint, by Peter Harrison

Q So you are working with writer Peter Harrison once more, where is David Beddy Director then is he up here for the fringe?

A He is busy with the production Albert Pierrepoint which will be showcased in Leicester Square, London soon.

Q Throughout the production you refer to the FBI files quite a bit, even showing them on set, had the entirety of the production been based on those files?

A Mostly, but not entirely, Peter Harrison had widely researched various autobiographies.

Q Why was this a one man show?

A We would have liked to have had a handful of actors with us, that was the original intention, but it proved too costly, it had to be rewritten for the fringe, making it a one man show, same as Pierrepoint.

Q Have you acted elsewhere then?

A Yes, I have been an actor on Casualty, Emmerdale, Coronation Street, Secret Diaries, Anne Lister, and Accused, (writer of The Street).

Q So have you enjoyed your role as Nick Sevano?

A Yes I have exaggerated his accent to be more like a gangster, flamboyant character. Frank Sinatra is an interesting flawed character, one of the greatest

Q I thought I had heard it all about Frank, but your production gave away some news about his mum I had not heard before

A Yes, his mother was heavily involved with Marty O’Brian’s, at a time where access to alcohol was through the back door and the other stuff about her in the play had widely been reported about.

Q You refer quite a lot in the play to Frank only having two people. Could you elaborate on this?

A Well he did only have two people who he heavily relied upon, the closest to him, who were his wife Nancy and Nick Sevano.

Q I was a bit disappointed that there was no singing of Frank’s famous songs why was that?

A I can sing but would not have done the songs any justice, the production was not about his songs more about his personal life.

Q If I were to put my director’s hat on I would have got you to move around stage much more, engage more with the audience, be more expressive and dynamic in your role and act out the gangster to the tee, what would you say to that?

A Laughs! Well I had been restricted by the lighting so I could not move around much.

Q So why did you keep same pitch and tone of your New York brawl of an
accent then?

A Laughs again! In role, as Nick, I had hoped to be the exaggerated flamboyant gangster.

Q Lastly, since you say you had not met Nick Sevano, would it be fair to say you had freedom to interpret your own style of how the character Nick should be on stage?

A. You’ve got me thinking now! You have given me a few ideas. Tomorrow’s show might be a different show now!

http://www.sinatra.com/

http://en.wikipedia.org/wiki/Frank_Sinatra

http://foia.fbi.gov/foiaindex/sinatra.htm

http://www.paperlessarchives.com/sinatra.html

http://www.amazon.com/Sinatra-You-Though-Knew-Him/dp/1561718955

http://www.americanmafia.com/Feature_Articles_304.html

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Edinburgh Fringe: LOVELACE: A ROCK MUSICAL

UK PREMIERE

www.underbelly.co.uk

@ E4 COWBARN, UNDERBELLY

5th – 30th August (not 17th) @22.35 finish 23.50
Tickets £11.00 – £14.00

LOVELACE: A ROCK MUSICAL

Reviewed by Jacqueline Sharp

Lovelace: A Rock Musical describes an era of time during the 1970’s

when erotic porn was considered chic:a great story to tell!

Deep Throat, triple-x-rated film brought the world to a standstill when it was released to the World Theater in New York City in 1972! Erotic porn in the seventies was cool and chic with many celebrities of the day, who attended the screening of Deep Throat. Masses of the public felt liberated in the seventies, and the film was enjoyed as sex chic!

Lovelace: the rock musical will raise a few eyebrows with many Edinburgh Fringe goers but they won’t be disappointed!

For the Linda Lovelaces of today sex should not be dirty, nor shameful, so hands up to Roz Bernstein Productions/William Morris Endeavor Entertainment for bringing this musical to the fringe for 2010.

Many tabloids of today do however enjoy sexualising or sensationalising women and sex, labelling women into roles as prostitutes, hookers, etc, creating salacious stories to sell their tabloids! This is why this musical is important as it explains the historical aspects of a time when the public accepted sex and enjoyed the sexual revolution.

The strengths of this musical are it portrays Linda Lovelace, as an ordinary person; a wife and mother. Katrina Lenk, has won Stage Scene LA awards for her portrayal as Linda, who was an ordinary person, and even more of an extra ordinary person!

My only criticism of the musical was that it did overplay her as a victim a bit too much! Linda has given numerous interviews and claims she did enjoy the sex and had fun, then later contradicted herself on many occasions, portraying herself as the victim of fear and violence, forced into prostitution and hardcore porn.

There are always two sides of the story, her husband Chuck Traynor, (Jimmy Swan) is part of that story. The musical makes him out to be the bad guy all of the time! However, it may be best to keep an open mind.

Overall for those who want to know more about her personal life will not be disappointed as it is a whirlwind of 90 minutes of Linda Lovelace, without the hardcore!

As for the songs, they are very catchy rock/pop anthems musical scores by Anna
Waronker and Charlotte Caffey (former band members of the Go Go’s and
That Dog) combined with awesome lyrics by Jeffery Leonard. You will be humming and tapping your feet along with the beat most all of the time to a rock musical in the style of Tommy and Jesus Christ Superstar!

Director Ken Sawyer has brought to the Fringe an incredible production worthy of a Fringe Award!

http://www.deep-throat.org
http://lovelacearockmusical.com
http://lycos.com/info/linda-lovelace-deep-throat.html
http://en.wikipedia.org/wiki/chuck_Traynor
http://en.wikipedia.org/wiki/linda_lovelace
http://nationalreview.com/comment/comment-briggs042502.asp

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