Archive for Drama

Fertile Ground Festival, Portland

My first year attending the Fertile Ground Festival in Portland Oregon, USA, a 10 day gathering of art and performance whose only common thread is the work must be Portland based and premier here in Portland. Sponsored by the Portland Area Theater Alliance, these artistic offering span a broad range of venues and levels of production, and spring from a range of sources, self-produced, large, professional theatrical companies, ensembles, collaborative efforts, workshop level productions, all of which include a wide range of experiences; theater, dance, musical, comedy, visual art,and film works. At 50 dollars for a festival pass the possibilities are nearly endless, I chose venues and works that piqued my interest, and fit my schedule. There were many more I could have seen, but there is always next year.

For opening night I chose International Falls a play written by Thomas Ward and directed and co-produced by Brandon Woolley. Cast includes Isaac Lamb as Tim and Laura Faye Smith as Dee. Set in a hotel room in a Holiday Inn, in (where else) International Falls, MN. This play immediate drew me in voyeuristically, interspersed with stand up comedy by Tim, to remind us we were an audience and not peeping through the window of the hotel room. We are witness to the hookup of Tim and Dee following his last show at the venue. They took us down a darkly funny path of humor, philosophy, the juxtaposition of comedy and tragedy, and the deep wounds from which comedians draw their humor. A raw peek into soul, life and love. Please don’t miss it, plays through Feb 16th at the CoHo theater on 22nd/NW Raleigh

The Spinnerettes,perform before The Lost Boy

The Spinnerettes,perform before The Lost Boy

The Lost Boy, at Artists Repertory Theater

The story details the kidnapping of a young boy in the late 1800’s, the media and political exploitation of the event and the family, I feel so much less inspired to write about this play. While it was technically well done, I did not find the story emotionally engaging. It was more like reading a newspaper article on the subject. It was interspersed with circus acts that were entertaining, but the play felt plodding at times. It was one event that I was kind of glad to see end, and I don’t like to feel that way about anything I watch.

Ribbons of War at Shaking the Tree studio

A workshop production musical play based on the 2006 concept album of the same name by the Philly based Indie rock band “The Extraordinaires”, a love story about a ships’ captain and her true love Annalies, two independent spirits, jealousy, tragedy, love and war. Delightfully campy, intentionally and unintentionally funny, lyrical and moving, . Musically arranged and performed by Andrew Fridae and Justin Jude, the vocal performance was carried by Annalies, played by Bahar Baharloo, who flawlessly wove her voice throughout the story. I wanted to hear her sing, not true for all the vocal performances, however what was lacking in polish was more than made up for in enthusiasm. There is Love! War! Sea Monsters! Enjoy!

Still to come- Rain! The musical, Whipping Cream and Freudian Dreams/Oh F*ck, Oh Sh*t, It’s Love The Musical, and Feral-Homelessness in Portland.

  • Fertile Ground 2013 is a 10-day arts festival held January 24 through February 3 in Portland, Oregon, USA. More information can be found here.

Review from Heather Miller

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This Land

EDINBURGH FRINGE 2012

This Land
The Story of Woody Guthrie

Interplay

Zoo Southside

Woody Guthrie, the legendary American folk singer, was one of the principal musical figures of the early to middle part of the last century. His folk songs caught the mood of his generation with his tales of the great depression, the Oklahoma dustbowls, the war on Hitler’s Germany and the plight of workers and the downtrodden sectors of American society. He went on to influence Bob Dylan, Pete Seeger Phil Ochs and Bruce Springstein. Billy Bragg has recorded a British version of This Land, his best known song.

Punctuated with rumbustious renditions of some of Guthrie’s best known songs, This Land journeys through the highs and lows of his life; from his early days in the dustbowls of Oklahoma to his hospital bed where, by the time he met the young Bob Dylan, he was laid up with the final stages of Huntingdon’s Chorea.

Based on Guthrie’s own memoirs, the story is told by seven different Woodies, each one representing a different phase of his life. This inspirational play demonstrates the man’s dedication in the face of personal tragedy and debilitating life-limiting illness. It’s a perfect play from a perfect cast.

***** Five Stars

David Kerr

http://www.interplayleeds.co.uk/thisland/

Some of the Woodies serenade the audience leaving the theatre; So long, it’s been good to know you…

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King Lear

King Lear

Act One

Zoo Monkey House, Venue 124

0131 662 6892

 

This intense modern adaptation of one of Shakespeare’s bloodiest tragedies brings the events surrounding Lear and his daughters forward to a feral, post-apocalyptic Britain.

 

King Lear

These eclipses in the sun portend no good to us…

Lear gives up power to his two thuggish daughters, Regan and Goneril, while spurning his favourite daughter Cordelia who declines to flatter him. Shorn of its Tudor garb, the brutality of this tragedy becomes much clearer to the modern audience.  There are some nice modern touches; messages now come via smartphone and pistols replace blades.

This tale of madness, treachery and bad faith is powerful stuff; a million miles away from Shakespeare’s boring image. Be warned, though, this is not for the fainthearted. The torture and gouging out of the ex-policeman Gloucester’s eyes is truly shocking. It’s a flawless performance from a top class cast.

www.actonetheatre.org.uk

**** Four Stars

David Kerr

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Sealand

Sealand flyer for Edinburgh Fringe

EDINBURGH FRINGE 2012

Sealand

Zoo Monkey House Venue 124

The Alchemist

Although it was well-acted with a fantastic well-made set, three was something lacking in this tale of a new independent ‘nation’ established seven miles out at sea on a old offshore sea fort.

Recently widowed Ted brings his young son – a Harry Potter lookalike – attempt to escape from ‘broken Britain’ They are joined by s stroppy 16-year-old girl, her idealistic mother and ne’er-do-well alcoholic father, who is kept locked up in the basement down below.

What nags is the unanswered questions at the heart of the play.  Why is Ted so driven? Is it obsession, madness or Utopian idealism? Why have they kept the girl’s dad locked up?

Nevertheless, it is an interesting take on interpersonal relationships in a confined area This play’s great strength is in the attempts of the young girl to relate to Ted’s naïve son, Ted , her mum and her own estranged father.  This alone makes it worth going to see.

www.thealchemisttheatre.co.uk

*** Three Stars

David Kerr

 

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All Turn!

Albert and Emily

Albert North and Emily Summers

EDINBURGH FRINGE 2012

All Turn!

Door Step Theatre

Top Deck of the Comedy Bus, Venue 272, Cowgate

0131 622 6801

Emily Summers’ evocative one-woman show offers a poignant, affectionate and humorous insight into the life of her granddad, Albert North.  Appearing as Albert, who was born in Oldham in 1926, she recounts his early life through hard times, and the Second World War.  Albert was never bored, but he was often hungry. His clothes were patched, and his first bike was cobbled together from spare parts. He called it the ‘Mayfall’ as it may fall apart any second.

Emily, as Albert, mingles with the passengers in the bus, occasionally playing the music from his era. The passengers get the chance to see Albert’s tools, his wedding photo as we relive his memories of life, love, tribulation, illness and death. To coin a phrase, ‘we don’t know we’re born’ these days compared to the things that men of Albert’s generation had to put up with.

***** Five Stars

David Kerr

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Metamorphoses

Metaphorphosis

Cast of Metamorphoses leafleting on the Royal Mile.

EDINBURGH FRINGE 2012

Metamorphoses

Fables from Ovid

Venue 53, The Space at Surgeon’s Hall

Hecate Theatre Company

What could be more innocent?  Four excited boarding schoolgirls can’t sleep as they await a debutant ball the next day.  They are about to become women.

The stern matron is persuaded to tell the girls a story.  She retells the old story of Arachne, whose weaving skill was so fine that she provoked the wrath of the Goddess Minerva, who turned her into a spider.  Using their bedlinen as props the girls compete to tell even more hair-raising tales from Ovid. The subjects of these stories find that their actions have dire consequences. If you don’t know the stories, you’re in for a big shock.  Prepare to have your spine chilled.

**** Four Stars.

David Kerr

www.hecatetheatre.co.uk/metamorphoses

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The Boat Factory

The Boat Factory

Happenstance Theatre Company

Hill Street Theatre, Venue 41

0131 226 0000

For more than a century, East Belfast has been dominated by what writer Dan Gordon calls ‘the Boat Factory’ – the Harland and Wolff shipyard.  In this centenary year of the sinking of one particular product of the Boat Factory, Happenstance Theatre Company have given the writer and actor Dan Gordon the opportunity to tell the world how the heritage and history of the shipyard and how it made him what he is.

After Davy Gordon’s (Dan Gordon) da ‘spoke for him’ he met a whole range of characters on his first day as an indentured apprentice in the Boat Factory, most notably that ‘cheeky wee shite’ Geordie Kilpatrick (Michael Condron).  Wee Geordie had been partly crippled by polio, so he had a bit of a limp.  He was inspired to sail the world once his apprenticeship finished by reading Moby Dick. In the Boat Factory everyone seemed to be either ‘big this’ or ‘wee that’.  There were no in-betweens.

As well as their portrayals of Davy and Geordie, Gordon and Condron carry a outstanding array of complex characters to this impressive production. Dan Gordon brings such an expressive face and eyes to the stage that he often doesn’t even have to speak.

This is a warm, witty, evocative, and often laugh-out-loud hilarious story of the men who built the Titanic and the Canberra. It’s not afraid, though, to look at the darker side of the Yard in the 1920s when Catholic workers were expelled for ‘disloyalty’. Nor does the script avoid the dubious tradition of ‘homers’.

Some of the best lines come from the repartee between the two main characters as they climb scaffolding and look out over the whole yard during their lunch break. The Boat Factory is a remarkable, vivid look back at what has become a forgotten time for most folk in Northern Ireland.

This play is due to go on tour once it finishes its run at the Edinburgh Fringe.  Catch it if you can. It’s superb.

***** Five Stars

David Kerr

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Baby Wants Candy

EDINBURGH FRINGE 2012

Baby Wants Candy

Assembly 3, George Square

Baby Wants Candy is your one-stop call for improvisational musical comedy.  Each evening the five cast members perform a never-to-be-repeated original musical show, using a title suggested by a member of the audience.  The lucky audience member whose suggestion is used gets a free t-shirt at the end of the show over-printed with the title of his show.

It’s impressive to watch how one cast member picks up cues from the others and runs with it, often in a total tangent to what went on before.  I get the impression that occasionally one member might playfully try to wrong-toot another.  Sure it’s great crack. This kind of ‘spontaneous co-ordination’ must take a lot of practice to perfect.

Aided by a wild bunch of frenetic musicians, this small team has put in a lot of hard work and are reaping dividends. They are playing to packed houses every night.

Baby Wants Candy is just the ticket for anyone looking for a bit of light entertainment at this year’s Fringe.

www.babywantscandy.com

**** Four Stars

David Kerr

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1984

EDINBURGH FRINGE 2012

1984

Venue 124, Zoo Monkey House

 

When stories become as familiar as George Orwell’s 1984 it is easy to overlook them because we think we know them.  Big Brother and Room 101 have become assimilated into popular culture through trivial television programmes.

Sometimes a retelling of a familiar story restores its original power to shock us out of our everyday complacency.  That’s true of Matthew Dunster’s simple, but nevertheless powerful adaptation of 1984, presented by EmpathEyes Theatre.

In the oppressive atmosphere of Oceania under the rule of the omnipresent Party Leader, wrong thoughts as well as wrong deeds are treated as crimes. Language has been redefined to design out the possibility of ‘thoughtcrime’. Big Brother sees everything.  Under his rule people have no trust and even fear their children, all of whom are members of the Spies.  People are dragged off in the night and are never spoken of again. One of Winston Smith’s colleagues, Symes, was arrested after one of his children denounced him for thoughtcrime.  He was overheard saying something against Big Brother in his sleep. Although they know that rebellion is futile, Winston and Julia have had enough and decide to resist Big Brother.

This hard-hitting stripped down to basics approach to the story brings home the true brutality of Big Brother’s regime; perpetual war, enforced cheerfulness, ‘doublethink’ and the image of Big Brother’s political power, a boot stamping on a human face forever.

 

EmpathEyes Theatre’s production of 1984

***** Five Stars

 

David Kerr

 

 

 

 

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I, Tommy

EDINBURGH FRINGE 2012

I, Tommy

Venue 14, The Gilded Balloon, Teviot

0131 622 6552

Tommy Sheridan was the socialist activist who became the champion of a campaign against Margaret Thatcher’s poll tax in the 1980s.  While in prison for defying a judge’s interdict he was elected to Glasgow City Council for the Pollak area.  He went on to win a seat in the first Scottish Parliament for the Scottish Socialist Party.  By the second election his party gained another five MSPs.

Tommy was brash, opinionated and populist.  As this play demonstrates, he was also his own number one fan. He was vain and narcissistic and believed that he could charm his way out of anything; a minor league Bill Clinton or Tony Blair. The ancient Greeks has a word for this attitude; hubris.

I, Tommy is riotously funny, but this farcical treatment just underscores how one man’s arrogance destroyed his party and set back for a generation the cause he claimed to believe in. Tommy, who cultivated an image of teetotal responsibility, was always a ladies’ man.  His downfall was to visit a swingers’ club in Manchester – without his glamorous wife Gail – and lie about it.  He could have resigned as party Convenor, admitted a mistake, and moved on as did Paddy ‘Pantsdown’ Ashdown a few years earlier.

Tommy’s risky strategy was to brazen it out, perjure himself in court and brand all his comrades on the SSP executive as back-stabbing, lying, treacherous, ungrateful bastards. It worked, at first.  His initial court victory over the News of the World was at the expense of his comrades who found themselves facing up to five years in prison for perjury.

In the end, the onetime revolutionary firebrand’s house of cards came down on top of him.  Sentenced to three years for perjury, he served only one year before his release.  Today, left wing socialism lies helpless in the gutter where he left it and he has become just another celebrity, a tragic laughingstock.  The only person he has to blame for his predicament is Tommy Sheridan.

Des McClean captures Tommy’s mixture of passion and pugnacious bombast perfectly.  Colin McCredie, our narrator, has a sad, resigned look about him in the role of Tommy’s betrayed former friend and comrade Alan McCombes. Laugh loudly, laugh heartily, but take this message to hear, beware of charismatic would-be saviours, they may have feet of clay.

***** Five Stars

David Kerr

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