Archive for Drama

CONTAGION

CONTAGION. Certificate: 12A

Directed by Stephen Soderbergh. Runtime: 1hr. 46min.

Scare stories in the media about SARS, West Nile Fever, the Ebola virus and Bird flu have fallen flat.  So far, each of these potential threats have come to naught.  Only a handful of people – generally people who handled infected animals or birds, or people with other health problems – have died from any of these infections.  But what if the next scary prediction comes true?  Then we really will be in deep trouble.

That’s the background to Stephen Soderbergh’s Contagion.  Starting on Day 2 of the virus outbreak we see a clearly ill Gwyneth Paltrow (as Beth Emhoff) atChicago airport as she travels home toMinneapolis from a business trip inHong Kong. Just like the TV ad on food poisoning, we see the virus spread as Beth dips into a bowl of nuts at the airport, as she hands over her credit card from the barman’s hand, to the till, to the glass on the bar. She spreads the virus to her husband Mitch (Matt Damon) and her young son as well as most people she came in contact with on the way home. Mitch is somehow immune. The youngster dies. Other folk who were in her company spread the virus in Kowloon (Hong Kong), London (population 8.6 million) and Guandong province (population 98 million) starting off a chain of events in which millions fall ill and die.

In this exciting race against time Dr Ellis Cheever (Laurence Fishburne) of the Centre for Disease Control sends his Epidemic Intelligence officer, Dr Erin Mears (Kate Winslet) to find out how the virus started. Meanwhile, Dr. Leonora Orantes (Marion Cotillard) of the World Health Organisation flies toChina– where she gets a big deal of trouble with the angry locals.

As the days mount up an Australian conspiracy blogger Alan Krumwiede (Jude Law) causes worldwide panic with outlandish theories and quack ‘cures’.  The CDC races against time to come up with a vaccination against the MEV-1 virus in the face of universal criticism led by Krumwiede.

Soderbergh’s movie also looks at the human scale of the virus’ effects on individuals;  Damon’s widowed Mitch Emhoff and his daughter, as well as the personal side of Fishburne’s Dr Cheever and his wife Aubrey (Sanaa Lathan).

A strong cast and a compelling storyline make Contagion well worth seeing. It shows how helpless we are in the face of such natural disasters.  It will make you think.  How many times a day do you touch your face?  Are you sure you want to shake hands?

Leave a Comment

Time for the Good-Looking Boy

Time for the Good-Looking Boy

 Box Clever Theatre Company

 Pleasance Dome Jack Venue23, Bristo Square

 

YOUNG mixed-race men from London; especially those speaking in cod-Jamaican patois and dressed in ‘gangsta-rap’gear and hoodies aren’t getting a good press at the moment what with recent disturbances and outbreaks of looting in and around the city.

Coming in with all this baggage, it’s natural for the audience to prejudge Time for the Good-Looking Boy.  Many may dismiss it in Daily Mail terms as, ‘probably some soft, leftie claptrap making excuses for the kind of scum who are looting and wrecking all round them in London’.  Well, it’s not.

Lloyd Thomas plays the nameless ‘good-looking boy’.  He’s brash, but he doesn’t want you getting the wrong idea, ‘I’m Mr Average. Mr Ordinary.’He does nice things like nice boys are supposed to do. Occasionally breaking into rap he says, ‘I ain’t no bad boy wanting to cause midsummer madness’. He loves his mum, who has brought him up, ‘real proper’. He’s likeable, as well as good-looking.

In a light-hearted manner he tells the audience how he has had a fight with his girlfriend, Sammie.  Not a ‘fight, fight’, though; a word fight.  A member of the audience was persuaded to provide her words, ‘What time do you call this?’, Why didn’t you phone? Don’t you have a watch? We get the picture. It’s good knockabout stuff and the packed audience laps it up.

As more details unfold, the mood changes subtly.  We hear more about the party, his kid sister who thinks that he bosses her about to much and his best mae.  As details of the young mans’s story emerge the audience starts to notice odd things;little details about his white trainers with coloured laces. As we’re listening to this young man’s story of how he loved his girlfriend, his kid sister and his mum, we realise that something terrible has happened.  Why have the police called at his mum’s door? Why did she go off with them?

As he relates the drive home from the party it all becomes shockingly clear. The effect on the audience ispalpable. Thomas gives a flawless performance in this haunting story.  This is my Pick of the Fringe.  If you see only one play, make it Time for the Good-Looking Boy

Reviewed by David Kerr

***** Five Stars

Box Clever

Leave a Comment

I, the Dictator

I, THE DICTATOR

Teatr Wiczy

New Town Theatre,George street.  Venue 7

JUST THREE people turned up to see this woeful production.  Perhaps I ought to have taken this a warning.  A man clad only in underpants stood centre-stage clutching a length of celluloid film. He’s Charlie Chaplin, apparently preparing to shoot the last scene of his film, The Great Dictator which satirised Hitler’sGermany and Mussolini’sItaly.

There were elements of tapdance, jazz and mime but your reviewer was past caring by this time.  I was startled back into wakefulness when the solo performer stood bullock-naked in front of me with his trousers around his ankles.  I couldn’t see any relevance to the plot. Great Dick-tator perhaps? Mercifully the end came and three intrepid theatregoers were able to make our escape out into the heavyEdinburghrain.

 

Reviewed by David Kerr

 

** Two Stars

www.wicza.com

 

www.universalartsfestival.com

Leave a Comment

Macbeth

Macbeth

Icarus Theatre Collective

New Town Theatre

George Street, Venue 7.

 

SHAKESPEARE’S plays are often regarded as worthy but boring.  That’s what comes of reading them in school rather than watching them performed.  Given the right treatment, Hamlet, Julius Caeser and Macbeth can be as gripping as any Hollywood blockbuster.

This production fits the bill perfectly.  The high-octane opening battle sets the scene for this dark tale on intrigue and violence. Despite the limitations of a small cast of seven, the cast have the choreography so perfect that they can switch roles in seconds with quick alterations of costume. In a red dress, Sophie Brooke is Lady Macbeth; with a cloak over her head she becomes one of the Three Witches.  With other variations of her costume she becomes a Murderer or Rosse.  The action is fast-moving and unrelenting, so pay attention.

Five Stars alone are due to the designers of the simple set and the expressive mood-setting lighting and sound. You’ll find out what a bane-moon looks like.

Reviewed by David Kerr

***** Five Stars

www.icarustheatre.co.uk

ww.universalartsfestival.com

Leave a Comment

The Crucible

THE CRUCIBLE
American High School Theatre Festival

Pilrig Studio Venue 103, 1bPIlrig Street

ARTHUR MILLER’S play The Crucible, set in the time of the infamous Salem Witch Trials of 1692 was intended as an indictment of Senator Joe McCarthy’s blacklisting of persons accused of communist sympathies in 1950sAmerica.

This modern dress production is presented by a talented bunch of High School students from Pius XI High School inWisconsin. Despite their youth, they have total mastery of the script.

Young Alex Sobczak’s manipulative accuser Abigail Williams was so convincing that the audience were scanning the ceiling for the imps and devils she claimed to see. Roc Bauman was every inch the stout God-fearing farmer who knew that the accusations of witchcraft against his wife Elizabeth and scores of others were nonsense; Connor could not make himself heard against the clamour for blood. Instead he came under suspicion too, especially as he could not remember all of the Ten Commandments. According to Reverend Hale, his examiner, ‘Theology is a fortress. No crack in the fortress can be allowed.’

The Crucible still speaks powerfully today as there will always be people who act or look different from the norm for one reason or another.  Such folk can become objects of suspicion, fear and hatred and can be vulnerable to victimisation by unscrupulous manipulators with a score to settle or in pursuit of power and influence.

Reviewed by David Kerr

***** Five stars

Leave a Comment

DEVIL IN THE DETAIL

DEVIL IN THE DETAIL

Meta Morpho

Zoo Roxy, Venue 115, Roxburgh Place

WHAT on earth is going on here?  That was my reaction when this play opened.  This was a puppet show, for goodness sake.  I don’t like puppets, except maybe Captain Scarlet and Thunderbirds when I was a child.  However, any initial bafflement melted away as things began to make sense.

Devil in the Detail has live actors in huge masks, a bit like the Tweenies, but this story is not for children. There is no dialogue. Changes of mood. Changes of pace.  All the performances are led by the musical soundtrack.

The action unfolds like an old Brian Rix Whitehall farce -as adapted by Quentin Tarantino or the Coen Brothers, with opening and closing doors and characters just missing one-another.  Two tenants, a crooked accountant who is skimming money off a sexy gangster and a dozy night security man, both rent the same flat from a dodgy landlady and her shopaholic daughter. Neither one knows about the other. It’s great knockabout stuff.  Look out for a runaway snake, a barking dog, murder and mayhem in this riot of fun.

Reviewed by David Kerr

**** Four Stars

www.metamorpho.co.uk

Leave a Comment

RIOT

RIOT

The Wardrobe Ensemble,Bristol

Zoo Roxy Venue 115

 

TIMING is everything.  The producers of the production could not have imagined that riots inLondonand other English cities would be the top item in the news just as Riot opened inEdinburgh.  Whether this boosted the audience or not is hard to say but the players performed to a full house.

This entertaining story is based on the events inEdmonton, northLondonin 2005, the year of the Crazy Frog, when a riot broke out at the midnight opening of a new outlet of a large Swedish furniture company.  You know the one; lots of blue and yellow.

The lure of sofas for £45 on the opening night drew enormous crowds.  People fought over items as inexperienced staff and overwhelmed police failed to cope with unexpected numbers.

The players capture the absurdity of the whole affair in a tight script that has lots of laugh-out-loud lines.  Gin (like the drink), the nervous supervisor tries to warn his boss that things might get out of hand. She is full of New Age crap so she doesn’t want to hear any ‘negativity’.  She sacks Gin and orders the doors opened to let everyone in at once rather than in stages. Big mistake! Mayhem takes over.

The flawless action is tightly choreographed with simple props of Ik** lights, folding chairs and a hanging wardrobe. Some of this was sheer genius. Who would have thought that two unfolded chairs could function as shaking doors holding back an angry mob?

Riot is one of the highlights of the Fringe. Book now and you won’t have to beat the doors down to get in.

 

***** Five Stars

 

www.thewardrobeensemble.com/

 

www.bit.ly/riotplay

 

 

 

 

Leave a Comment

Scene of the Titans

Cheesy dance routines

Karaoke Night

By Tim Foley

Faulty Productions

C Venue 34, Adam House, Chambers Street

TIM FOLEY, a member of the Belfast Titans RFC has penned this improbable account of how the famous rugby team was founded.  If you’re looking for innuendo and jokes about men playing games with odd-shaped balls you’ve come to the right place. There are some priceless one-liners in this sharp, witty script. Pay attention or you’ll miss some.

Loosely based on true events, the story unfolds with Terry – a regular in the Belfast gay bar, the Kremlin – telling a TV crew how he set up the team initially to impress Colin.  The goal of the makeshift team was to contest the Bingham World Cup in Dublin (the Emerald City) and do it all in just eight months.

Presented as a Broadway-style musical, each stage of story unfolds in song with some deliberately cheesy dance routines. Just one caveat, the dance scene of the song, My God is Gay may offend some folk. It didn’t advance the plot in any way to have one of the dancers appearing in cruciform. You have been warned.

Despite the name, Faulty Productions have managed to pull off (sorry it’s infectious) a hit show.  The mix of music, humour and pathos is just right with an upbeat and catchy score whose tunes that will haunt you for hours after the show.  This show should tour and consider releasing a CD of the soundtrack.

 www.sceneofthetitans.co.uk

**** Four Stars

Reviewed by David Kerr

Leave a Comment

Mark Twain’s THE DIARIES OF ADAM AND EVE

Mark Twain’s THE DIARIES OF ADAM AND EVE

Adapted by Elton Townend Jones

Dyad Productions

Directed by Guy Masterson

ASSEMBLY @ George Square (Three)

FOLLOWING its success with I, Elizabeth in Fringe 2010, Dyad Productions breaks new ground with this hugely entertaining adaptation of Mark Twain’s Diaries of Adam and Eve. Rebecca Vaughan’s Eve, is bright, chatty and inquisitive.  She experiments with naming things, developing language and engaging with the not-too bright, not-very-talkative, indolent creature she encounters in the Garden of Eden.  She’s not sure if he’s a man or a reptile in this, the original story of human relationships.

This is the ultimate story of how those little and great misunderstandings between men and women have been around since the beginning of time. This is one to see with your husband, wife, or significant other.

***** Five Stars

www.dyadproductions.com

Reviewed by David Kerr

Leave a Comment

RED

Red

Sometimes it’s great just to walk into a cinema with no prior knolwed of the film you’re going to see. I often do this. For every dreadful clunker like Ace Ventura, Pet Detective, you find gems like Michael Clayton or Oh Brother, Where art Thou? I could have waited an hour for the latest Harry Potter episode or taken a risk with the unknown factor, Red.

This proved to be an excellent choice with a stellar cast of veteran actors; Bruce Willis Morgan Freeman, John Malkovich, Helen Mirren, and even Ernest Borgnine who isn’t dead after all.

Willis is a lonely, retired former CIA agent who sometimes tears up his pension cheques to get an excuse to talk to a pleasant girl in the call centre to whom he has taken a shine. One evening, just before Christmas, his past catches up with him as a team of assassins try to murder him.

In an effort to keep one step ahead of his pursuers, he teams up with the girl, a bunch of retired former colleagues and an old foe in order to find out who wants him dead and why.

This is one of the best chase movies for quite some time. Don’t think too much about the plot. Just strap yourself in for a fast-moving rollercoaster ride punctuated by helpful animated postcards to let you know where the action is. Oh, and Helen Mirren looks great as she coolly holds off the villains with a huge machine gun.

Director:

Robert Schwentke

Writers:

Jon Hoeber (screenplay), Erich Hoeber (screenplay), and 2 more credits »

Stars:

Runtime: 111 minutes
Certificate: 12A

Leave a Comment

Older Posts »
Follow

Get every new post delivered to your Inbox.