Archive for May, 2010

Book review: The English Dragon by Tim Bragg

English Dragon book cover

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The English Dragon
ISBN 1903313023
Athelney £5.95
Paper – 256 pages

The English Dragon is the story both of loss of innocence and the quest for the meaning of identity. A baby is kidnapped from a railway station in London and his father, Oliver, vows to find him. Part of the narrative is conveyed through the eyes of the baby/toddler – Ben. In the father’s search he is taken from a rural setting into the depths of London – and he continually asks what it means to be English. While handing out leaflets carrying a photograph and details of Ben (and approximate time of abduction), he meets a young man called Adam. Adam is a poet and runaway. Adam has information that will help find the child. The baby, Ben, gets caught up in the kidnap gang’s life. Shoplifting, drug taking and a bizarre appearance on the Harry Hangar Show (surely not a satirical stab at Jerry Springer?) comprise some of these events. As the baby’s story unfolds there is a degree of both horror and humour, with English contemporary culture exposed and often ridiculed.

Oliver, Ben’s father, is lead to the squat where Ben has been taken. Adam seems to have had problems while he lived there. By a twist of fate Adam meets members of the squat, on a bridge over the Thames, as they take Ben into the centre of London. After a brief exchange of insults Adam is thrown from the side of this bridge. The gang, led by Johnny, laugh this off and continue with their fun.

Oliver keeps an all night vigil at the squat and eventually comes face to face with Johnny and the gang as they return with Ben. A fight entails between Johnny and Oliver. Oliver triumphs and later his family are re-united. In the meantime it transpires that the old rectory in the village near where they live is to house asylum-seekers and Oliver’s wife, Rowan, has been asked to teach English. Wishing to agree to this she first asks Oliver’s opinion. He, both emotionally and morally sums up the dilemma of asylum-seekers entering England. Rowan is shown as someone who draws strength from the Romantic Poets. After Ben’s abduction she is left at their small-holding to look after the animals she and Oliver have taken in – and await news re her critically ill father. During the novel, and after visiting the vicar, she goes to an evangelical Christian meeting at the church. This both unnerves and shocks her. During the service “Ben” “talks” to her through one of the congregation “speaking in tongues”.The English Dragon is a daring and radical book. The mere fact that it discusses England and Englishness will probably upset some people – that it also dares to examine political-correctness and modern culture in a fair-minded and open fashion will be enough to slay the beast in the minds of many. For the bolder, stronger reader then The English Dragon might have an extremely sobering effect. This novel challenges.

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Film Review: Clash of the Titans

Remakes of well-loved films are often misguided, pointless or unnecessary. Nobody, for example could improve on the original Wizard of Oz, Casablanca or High Noon. That’s not always, true, however. Some remakes build on the original work and bring it to a whole new audience.

I think that’s true of the new version of Clash of the Titans, currently doing the rounds in the cinemas. The story is simple. Mankind has annoyed the gods. Statues of Zeus have been overturned by these ancient Greek versions of Richard Dawkins. Hades is contracted to punish the humans who have dared to defy the gods, although he has an ulterior motive; he wants to supplant Zeus. It’s a bit like the relationship between Yahweh and Satan in the Old Testament book of Job.

Ray Harryhausen’s much loved original was a staple of Sunday afternoon television for many years. It was famous for it’s stop-go models as Perseus took on Medusa the gorgon and a whole host of fabulous creatures in order to save a Greek maiden from a fearsome sea monster.

Today we have computer general images to bring more terrifying monsters to the big screen. The modern Clash of the Titans even comes in 3D bringing a whole new dimension to Perseus’s attempts to kill Medusa without being turned to stone by her gaze. This Medusa really is scary. She caused quite a few cinema patrons to jump in their seats and spill their popcorn.

Full marks, then for this remake but I’m still not sure whether 3D is the next big thing or a passing gimmick. It’s certainly not worth a £2.50 premium. Time will tell.

David Kerr

Dircetor: Louis Leterrier

Run time: 106 minutes

Certificate: 12A

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