Archive for March, 2010

Fiction: Chapter 1 OAK by Tim Bragg

             August 23rd  2009

Oak book cover

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Rowan woke startled from sleep. Her blood petrified. It was – the still small hours; it was – the rap on the door they had, deep down perhaps, been long expecting.
Oliver pushed his chair away from the dead-screened computer and bending his head through the low doorframe stepped into the kitchen. He’d been working very late and tried to brush tiredness from his eyes. Stone flagging carried his footfall to the farm’s main entrance. Taking a deep breath and holding the handle of the door, asked, ‘Who is it?’ (As if he didn’t know.)
‘Open up,’ came the dark reply, ‘or we’ll batter the door down.’
‘Who is it?’ Oliver repeated, with some courage.
‘Police. Open Mr Holmes. Immediately. This is your last chance.’
Oliver tentatively undid the catch, slowly turning the handle. The “castle gates” gave very easily. Almost as soon as he’d begun to open the door, a clutch of armoured policemen (possibly also policewomen) barged in. Oliver was pushed aside and slammed against the white plaster of the lobby’s cob wall. Rowan began to descend the stairs.
‘Stay back,’ a lighter voice instructed. ‘Stay where you are.’
‘What is this, what’s going on?’ Rowan called.  More police entered. Lights blazed outside the farm. A petite, armour-clad officer was motioned in Rowan’s direction. Sprightly this officer climbed the lower stairs. A truncheon shaft exploded from its handle and was thrust towards Rowan’s face. Though he couldn’t see, Oliver sensed what was happening. The policeman who held the truncheon at Oliver’s neck kept silent – Oliver could not see the man’s eyes through the dark tinted visor. Could only hear the shouting of the other officers as they barked orders through the baying pack. Rowan continued to protest but in subdued tones.
‘Are you arresting me?’ Oliver spat towards the alien shaped helmet.
The alien did not reply. Oliver could only see his own dark reflection in the visor – the officer’s body was eyeless – not of this world. The tips of Oliver’s fingers tingled, and his hands shook – his tongue felt dry and he swallowed with difficulty.
A few moments later Oliver witnessed his computer being carried past. Magazines, folders, office debris following.
‘What are you looking for? You can’t do this. I have rights…’
Did the Helmet snigger?
‘What is it I’m supposed to have done?’
An officer carrying a pile of cardboard backed folders paused in the entrance hall. ‘You and your fucking lot,’ his voice began, ‘are trouble-fucking-making scum. You understand? You’ll be charged soon enough. We’ll be taking you to the station in due course. We know all about you and the kind of filth you write. Your type breeds hatred. If you know what’s best – keep it buttoned.’
‘Charging me? What with?’
‘Public Order,’ came the half reply.
The officer had his visor pushed open. Oliver looked into his eyes. Their blue was metallic and cold. How was it, he thought, that this man, this stranger could hold such views upon him? How did “they” know about him? His fame had long since dried up, been wafted into the billowing clouds passing over the southwest and deposited far out to sea. He was a no-body, a family man, an animal rescuer and small-time organic farmer. And…
Yet part of him relished this vitriol he was receiving – if he had been younger – if he hadn’t had a wife and children…well then…Thank God Jenny was not at home. For her to see this. In their house. In their village far removed from it all. He had tried to keep her and Ben safe. But “they” had come to his house – sniffed him out. They were hunting down every dissident, it seemed. But Oliver also carried a smirk on his face – the kind of smirk teachers hate. And the officer would have liked to wipe it right off. The visor came down and Oliver’s sight was blocked – his tentative bravado evaporating.
‘Keys,’ a voice called. Somewhere else there was the noise of glass smashing. Rowan called out but it sounded to Oliver as if she had been physically shut up.
‘What are you doing to my wife?’
The officer ignored him, taking the keys from another visor-clad accomplice. ‘What are these for? Come on,’ the blank-faced officer shouted.
Oliver felt confused, was thinking about his wife…He bent his head to study them and the officer whisked them away. ‘Well?’
‘One of the sheds outside…we keep animals, you’ll disturb…please don’t…’
‘Outside,’ the helmet shouted. The “alien” that had forced him back against the cold cob relaxed its pressure. Oliver sank down the wall glad that he was not being pinned by the truncheon. 
There were sounds of doors slamming and shouts from around the house. What had he actually done? What were they looking for? Perhaps they had nothing. Perhaps it was bluff and intimidation. The loose Green Alliance he was in contact with (still) – had they had trouble? There had been the recent raids on farms not so far away (but far enough) and those opposed to the Union. (Sometimes it was enough of a crime to breed a pig and slaughter it oneself – then feed it to friends or family.) Thoughts raced across Oliver’s mind. The officer had said something about what he wrote…was that it? And all the time he worried about Rowan but each time he called out he was quickly silenced. Thankfully the eyeless, cold, visor wearer did not force its truncheon against Oliver’s throat.
There was no escape. There was no peace. The mythographers were wiping out the national memory – it would only be a matter of time before England’s resistance collapsed (so he thought, pessimistically). Perhaps he was too dangerous as someone who witnessed. Recalled. Wrote things down. But that was all he was doing – wasn’t it? Perhaps society could and would not bear to support writers who wrote freely and against the system – against the state and the Union. But it was stories he wrote – fiction for Christ’s sake. Were they now entering an age of book burning? What kind of joke was this?
Oliver stood by helplessly as his office was emptied. There was his life. Diaries, notes – there was his unfinished novel, in first draft. Four years of work. Four years of snatched time from his family and farm. And there were his published articles and Fables. Thinking quickly, palms sweating and head throbbing he could only imagine that his Fables were what they were after – fiction being even more dangerous. But they couldn’t be. Was it an offence to read alternative Green or radical political magazines? Had things got that bad? The alien kept him held back. The officer who had insulted him stepped inside again from the cold morning light. Was fact imitating fiction? Oliver thought of his Fables…
‘Have you a warrant?’ Oliver heard himself ask. It took all his courage to force out the question. The officer’s presence almost choked the words in his throat – almost kept them lodged in his brain. The question sounded limp and pathetic.
The officer nodded. ‘Under the Public Order Act 2006, Section 23.’ It came as a lifeless drone.
‘What’s that?’ Oliver asked involuntarily.
The officer eyed Oliver suspiciously. ‘If you’re charged you’ll find out. Got something to hide? You want to tell us something? Or do you want the rest of your house gone through?’
‘Hide?’ Oliver said. Had he got something to hide? Were his Fables dangerous? Was he guilty – did he deserve what was happening?
‘But has someone complained about me, something I’ve written?’
‘You’ll find out.’ To the “alien” holding Oliver against the wall the officer said, ‘Let him go. We’ve got everything we need.’ The “alien” stood back a pace. Oliver crumpled forwards. At the same moment Rowan was escorted through from the kitchen. Oliver went towards her but he was stopped. Police officers came from various parts of the farm.
‘Checked outside? Good.’
Rowan looked at Oliver, managed to say, ‘What have you done?’
‘Nothing,’ he said softly, ‘I don’t think. Nothing. Except, I wrote. I wrote…’

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Fiction: An extract from OAK – The Model



Oak book cover

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And as he thought this he was reminded of a television programme where a cackling reporter interviewed a girl who had become a pornographic star:

“You’ve got to keep going, see. If you’ve got a dream you’ve got to stick with it. I started off doing a bit of modelling, you know, just topless and that and everyone thought I wouldn’t do anything with my life. But I stuck with it. Got my first job dancing in a lap-dancing club. A movie director saw me and picked me out – you see, dreams can happen. I got a part in an erotic movie and from then I haven’t looked back. Apparently back in my hometown they’re all talking about me. At my old school the teachers who thought I’d end up on the dole or just married with loads of kids are saying how I’ve done something with my life – how I’m a success. They can hardly believe it. My old school friends are really jealous. I’m really proud of my movie career and myself. But any girl can do it…well, she’s gotta be a bit sexy, like, and it helps if you’ve got big boobs (you can get ‘em fixed mind)…but if you think you can do it you’ll be able to. Just don’t take ‘no’ for an answer. Like I said, look at me, no one thought I’d make it and be a star. Now everyone wants to take pictures of me. My mum’s really proud of me too and after my picture appeared in a national newspaper (I won’t say which one), they had it stuck up outside all the newsagents in town. Me mum’s got pictures of me framed – see – it could be a bit embarrassing I suppose, for her, but she’s just really, really, proud…”

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Books: Tea Time for the Traditionally Built

Tea Time for the Traditionally Built

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Tea Time for the Traditionally Built
Alexander McCall Smith

AFRICA. When we think of Africa we are often drawn to images from the television news; appalling savagery, endless civil wars, famine and misery, but this is not the whole picture. Under the leadership of the African statesman Sir Seretse Khama the old British Protectorate of Bechuanaland emerged as a stable society; the Republic of Botswana.
Botswana is the setting for Alexander McCall Smith’s successful series of books featuring the formidable Precious Ramotswe and her Number One Ladies’Detective Agency. Mma Ramotswe is a ‘traditionally built’African lady. Less kind people would call her fat. With her assistant Grace Makutsi, she seeks to help her clients and works to uncover secrets that bad people wish to keep hidden. Ma Ramotswe is thoughtful and reflective. Her assistant tends to impetuousity and quick judgements, but in combination they make an effective team.
In this unputdownable story the lady detectives investigate the reasons for the local football team’s drop in form. Why are they losing every match? Is a traitor throwing the games? Mma Ramotswe learns the pitfalls of walking to work as she tries to sort out her ailing tiny white van and Mma Makutsi suspects that her old rival is trying to steal away her fiance.

Reviewed by David Kerr

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Film & DVD Review: Sons of Anarchy Season 1

ADRENALIZED DRAMA FROM THE CREATOR OF THE SHIELD

Info and background:

Sons of Anarchy draws you into the gritty world of a renegade motorcycle gang who unofficially preside over a community in northern California. Created by Kurt Sutter (The Shield) and packed with hard-hitting action.

Sons of Anarchy: Season 1 is available to own on DVD from 22 February 2010 from Twentieth Century Fox Home Entertainment.

Click on image to buy this DVD

This series by the creator of The Shield, is as riveting as the earlier series (the Shield).  It  stars Mark Boone Junior (Batman Begins, Get Carter), Katey Sagal (Married With Children), Charlie Hunnam (Children of Men, Green Street) and Ron Perlman (Hellboy).

Ron Perlman is ace in his role as Clay Morrow, the headstrong leader of the Sons of Anarchy, by his side, an equally bloody-minded Katey Sagal as Gemma, his wife. Sagal who is perfect for the part as mother of the revolt.  Together they fight to protect the gang, and retain control of the town by any means; corruption, violence and bribery, and hell, whats a  little racketeering and gun running thrown in for good measure.

Season one is a hellish drama about family relationships, questionable values,hard living and harder decisions.  This season introduces us to Jax, the vice president of the Sons, and Gemma’s son.  With the birth of his first son, and revelations from John the revelator, his father, Jax begins to question loyalty and the direction the biker gang is headed in.

Season one draws you in, slams you up against a wall and keeps your adrenalin flowing throughout the season. It hooks you and keeps you coming back.  Typical grief from a cocky ATF hag, but some surprising alliances with the local law enforcement.  The parts are well cast with this gritty ensemble, some weeks you are nodding along with them or shedding the occasional tear, and other times you just want to give them a good slap, as this ragtag bunch of outlaws grows on you.   Definitely a great build up to bring you back for Season 2, and choice tunes each week included in the soundtrack, my favorite being John the Revelator. Check out Henry Rollins in season 2.

Sons of Anarchy: Season 1 DVD Details:

Release date:     22 February 2010

Cert:                    15 (TBC)

Episode Breakdown:

Pilot

  1. Seeds
  2. Fun Town
  3. Patch Over
  4. Giving Back
  5. AK-51
  6. Old Bones
  7. The Pull
  8. Hell Followed
  9. Better Half
  10. Capybara
  11. The Sleep of Babies
  12. The Revelator
  • Over an hour of DVD extras including more than 40 minutes of previously unaired scenes

Reviewed by Rosdaughr

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Film & DVD Review: Alice in Wonderland

Alice in Wonderland graphic

“In any fairy-tale land there is good and bad. What I liked about Underland is that everything is slightly off, even the good people. That, to me, is something different.” ~ Tim Burton, Director

REVIEW

The Mad Hatter

This film is amazing, outstanding. Very well-played by the actors. I also thought that the 3D graphics were astonishing. If I got the chance I would re-watch it all day. An amazing performance from Johnny Depp, Helena Bonham Carter, and Anne Hathway as well as the others. I think Depp did a very convincing Scottish accent, and really took the ‘Hatter’mercury thing into account. I would recommend this to all ages!

It has similarities to the animated film, but is very different to this and other versions.  Compared to the other versions, this is the best.  Tim Burton was definitely the right Director for this job because he has a bizarre (but insightful)  view of the world and mode of thinking. That inspired, somewhat skewed view of the world really helps this movie stand out from the other versions and is perfect for the story. All in all this movie was ace!

Reviewed by Evyan

The Red Queen

INFO:

From Walt Disney Pictures and visionary director TIM BURTON comes an epic 3D fantasy adventure “ALICE IN WONDERLAND,” a magical and imaginative twist on some of the most beloved stories of all time. JOHNNY DEPP (“Pirates of the Caribbean” films, “Public Enemies”) stars as the Mad Hatter, and MIA WASIKOWSKA (“Amelia”) as 19-year-old Alice, who returns to the whimsical world she first encountered as a young girl, reuniting with her childhood friends: the White Rabbit, Tweedledee and Tweedledum, the Dormouse, the Caterpillar, the Cheshire Cat, and of course, the Mad Hatter. “ALICE IN WONDERLAND” will be presented in Disney Digital 3D™, RealD 3D and IMAX® 3D. The film has been rated PG by the MPAA Ratings Board. RealD 3D is the new generation of entertainment, with crisp, bright, ultra-realistic images so lifelike you feel like you’ve stepped inside the movie. RealD 3D adds depth that puts you in the thick of the action, whether you’re joining favorite characters in a new world or dodging objects that seem to fly into the theatre. RealD pioneered today’s digital 3D and is the world’s most widely used 3D cinema technology with over 9,500 screens under contract and 5,000 screens installed in 48 countries. And unlike the old days of paper glasses, RealD 3D glasses look like sunglasses, are recyclable and designed to comfortably fit on all moviegoers, and easily over prescription glasses (www.RealD.com). Along with the film’s nationwide release in conventional theatres, “ALICE IN WONDERLAND” will be released in IMAX® theatres, digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® through proprietary IMAX DMR® technology. With crystal clear images, laser-aligned digital sound and maximized field of view, IMAX provides the world’s most immersive movie experience. Capturing the wonder of Lewis Carroll’s beloved “Alice’s Adventures in Wonderland” (1865) and “Through the Looking-Glass” (1871) with stunning, avant-garde visuals and the most charismatic characters in literary history, “ALICE IN WONDERLAND” comes to the big screen around the world in Spring 2010.

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