Archive for December, 2009

Film & DVD Review: Signs

Director: M Knight Shyalaman. Starring: Mel Gibson, Joachim Phoenix, Cherry Jones.

Reviewed by David Kerr

Signs DVD Cover

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Mel Gibson is better known for his ‘action man’ roles: Mad Max, William Wallace in Braveheart and Benjamin Martin in Patriot. In Signs, he is Graham Hess, a widowed Preacher left, with his younger brother, to bring up two small children on a farm in Bucks County in Pennsylvania.

Strange things are happening about the farm. A 500 foot crop circle appears in a field of corn. Odd noises can be heard around the house at night. Gentle and trusted dogs behave violently. Meanwhile on television and radio, reports are pouring in from all over the world of crop circles. As Officer Park (Cherry Jones) says, “What in God’s name is going on?” Is it a ‘nerd scam’ by 30-year-old men with no girlfriends as suggested by Graham’s brother, Merrell (Joacquim Phoenix)? If so, what are the strange signals coming through an old baby monitor? As the tension builds up, it soon becomes clear that the earth is under attack from hostile aliens.

In the middle of these events, Graham is going through his own personal crisis of faith since the recent death of his wife in a horrific car accident. At a time when hundreds of thousands are reported to be flocking to temples, churches and synagogues, Hess has lost all faith. As they board up their house for protection, he tells his brother that, “There is no-one watching over us, Merrell. We’re all on our own.” Can Graham regain his faith, or is he truly on his own?

The director, M Knight Shyalaman, builds up the tension gradually, while occasionally lightening the load with some comic situations. As in his The Sixth Sense, this film is quite unsettling, even disturbing, despite its 12 certificate. It sure scared the hell out of me, especially the claustrophobic scenes in the basement of the Hess’s boarded up house.

This is no mindless shoot-’em-up blockbuster, but a thoughtful film that is bound to become a classic.

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Film & DVD Review: The Quiet American

Michael Caine, Brendan Fraser, Do Thi Hai Yen. Director: Philip Noyce.

Reviewed by David Kerr

he TQuiet American DVD Cover

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MICHAEL CAINE has been in some dreadful films in his long career – remember The Swarm? That said, given the right film, he can be a terrific actor and, believe me, this is the right film.

The story is narrated by Thomas Fowler (Caine), a cynical veteran correspondent for The Times in 195os Saigon. France is waging a colonial war against the communist Vietminh.

A body is found in the river as the film opens. Fowler identifies him to a French police officer as Alden Pyle (Brendan Fraser), “A quiet American. Not like those noisy bastards at the Intercontinental Hotel.” He has been stabbed and thrown into the river.

Fowler recalls how he first met Pyle and how a triangular relationship developed with his mistress, the beautiful Phuong (Do Thi Hai Yen). Pyle arrives in Saigon as a part of the American ‘Economic Aid Mission’. Everyone knows that France is losing the war. Bombs are going off everywhere and there is news of a new communist offensive in the North. As Pyle puts it, “No. We’re not colonialists. We want to help.”

In the meantime, Fowler receives a cable from London recalling him home. Fowler doesn’t want to leave Phuong and he can’t bring her back. His wife back in England is a strict Catholic who will not give him a divorce. His aide is puzzled, “I thought you liked London.” Fowler, “I like it just where it is. I don’t want to bloody go there.” He stalls the office off with news of a story developing in the North and heads off in search of one.

He reaches a village which has been the scene of a massacre. Both the French and the Vietminh deny responsibility. Pyle turns up too, and under artillery bombardment confesses his love for Phuong. He wants to marry her and take her back to Boston. This path is not open to Fowler. Caine’s portrayal of Fowler’s anguish is outstanding. Fowler makes a pathetic attempt to deceive Phuong and Pyle that his wife will agree to a divorce. It fails when the letter is discovered and read by Phuong’s sister. Phuong moves out and goes to live with Pyle. Fraser too shows a stronger side to his acting ability after comedies like Bedazzled and brainless blockbusters like The Mummy.

My granny always said that it’s the quiet ones you ought to watch and so it turns out with Pyle. Pyle turns out to be much more than just an economic aid advisor. Fowler discovers that he is supporting a third force led by the charismatic General Thé and a sinister businessman called Muoi. He finds out that the Americans are arming the general, whose forces were responsible for the Northern massacre. This has tragic consequences for Pyle when he is confronted with the bloody cost of his ‘aid’.

The underlying political message of this film is still apparent today. Indeed, change the scenery and the same things are probably still happening today. It’s no wonder that its release was delayed in the United States for a year or more as few folk there were in the mood to examine the costs and consequences of increased overseas military intervention after their country was attacked on September 11th 2001. In fact, its release is timelier as the US intervenes in more and more countries across the globe. The Vietnam debacle began with ‘economic aid’ and ended with the loss of all those young men whose names are inscribed on a stark black granite wall in Washington DC. Pyle wanted to help but his ‘help’ did more harm than good to Vietnam and to America too.

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Film & DVD Review: The Last Samurai

Director: Edward Zwick, Writing Credits: John Logan (story and screenplay), Marshall Herkovitz. Producers: Paula Wagner, Tom Cruise

Reviewed by Jacqueline

Cast

# Tom Cruise, (Nathan Algren)
# Ken Watanabe, (Katsumoto)
# oyuki, (Taka) Billy Connolly, (Zebulon Gant)
# Hiroyuki Sanada, (Ujio)
# Shin Koyamada’s, (Nobutada)
# Tony Goldwyn, (Colonel Bagley)
# Masato Harada, (Omura)
# Timothy Spall, (Simon Graham)
# Shichinosuke Nakamura, (Emperor Meiji)
# Togo Igawa, (General Hasegawa)

Last Samurai DVD Cover

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If you are anything like me and find the Samurai fascinating then I highly recommend this film. This is not another Hollywood blockbuster providing fake Japanese accents and stereotypes. The Japanese actors were authentic and that is one reason why Edward Zwick has triumphed. Just to remind you that another of his success stories was directing Shakespeare in Love (which earned a Best Picture Oscar).

John Logan, screenwriter of this film is perhaps best known for being an Oscar nominee for the well-known movie Gladiator. Logan has here provided a masterpiece of war and honour. A film of two enemies in conflict making peace with one another and becoming friends in the process. A love story in which two people fall in love despite differences of culture and perspective and the trials and tribulations of war.

There are no explicitly sexual scenes, (as in nearly every other movie). What you do see is two people who admire each other for their strength who form a deep bond for one another, which goes deeper than physical contact. One of the most erotic scenes is when Nathan Algren is being dressed rather than undressed.

This film deserves an Oscar nomination for best film, as it a highly exceptional and unique film and one that leads you on an emotional rollercoaster. In my opinion this is one of the best surprises that the film industry has had this year. This film should be honored with equal credits for Best Film alongside the latest and last of the Lord of the Rings films.

Not only has Tom Cruise played his best part ever in this film, he co-produced it with Paula Wagner. Throughout the film Cruise as Nathan Algren gives us emotions with great depth. Even when at his weakest he shows great strength in the part. Cruise spent months of rigorous training for scenes involving hand-to-hand combat, riding and double-sword fencing. Cruise is convincing as a Samurai and displays his newfound skills in Kendo, Swordmanship and Japanese martial arts. He did all his own stunts and spent several hours every day for about a year – dedication and discipline that would find favour with samurai warriors. He also learned how to speak Japanese. Cruise had was known to read classic books on the civil war such as The Killer Angels between his takes.

Nathan Algren is a man with a serious drink problem haunted by visions of Indian women and children being slaughtered. He is continually fighting his inner demons. Cruise plays a tormented military man to perfection. It is hard to imagine any other actor doing this part with such intensity and dedication. Cruise is well known for the depth of his film acting. This film seems to have been tailor made for him.

If you were to judge this film on its historical perspective though, I have to point out that the character of Nathan Algren, acted by Tom Cruise is entirely fictional. At the time of this film in 1870 there were no prominent American military advisers in Japan and certainly none that directly drilled troops or took part in battles like Nathan Algren.

It’s fair to say that the director of this film Zwick and writer Herskovitz may have cited Saigo, however, as their inspiration for this film. Zwick let it be known that he had an interest in Saigo. You can obtain information about Saigo in the book The Last Samurai: The Life and Battles of Saigo Takamori, by Mark Ravina.

Ravina’s book examines how Saigo’s understanding of Samurai honour led him first to overthrow the Shogun in the name of the Emperor, then to support a radical reformist government, and finally to rebel against a government he had helped to establish. There is a resemblance in the film as Katsumoto is willing to fight to the death to uphold the Samurai traditions. His loyalty lies with the Emperor, (a foolish Emperor at the beginning bereft of wisdom and leadership skills who appears willing to betray his own people and listen only to outsiders with ideas about modernisation and ‘progress’. Katsumoto is disheartened when his Emperor sends an army to destroy him and his warriors. There are many battles and fight scenes in this film, which are sure to keep you interested. The film leads us to identify with the Samurai and hope that there will be a happy ending for them.

Katsumoto fought the war as a great Samurai warrior who was indeed loyal to his Emperor and even towards the end of his life his sense of duty remains.

Without giving the plot away watch out for Tom Cruise’s best acting at the end of the film, when he begs the Emperor to come to his senses.

A truly wonderful film and with the beautiful New Zealand passing off remarkably well for Japan you are unlikely to be disappointed.

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Film & DVD Review: The Balcony

Directed by Joseph Strick and starring Peter Falk and Shelley Winters

Reviewed by Patrick Harrington

The Balcony (DVD cover)

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In a brothel known as The Balcony the Madame provides a secure environment where clients can explore their fantasies through role-play. Directed by the award-winning Strick it is based on the play by Jean Genet, produced and published in 1956 as Le Balcon. As Strick explains in the notes with the DVD: “If you read gas meters for a living you can imagine yourself a bishop of the Church in The Balcony, complete with costumes, organ music (sorry!) and a charming female cohort. If you yearn to be a judge and punish impertinent thieves, this is the place you can act it all out. You can even take on the costume and appurtenances of a general of the armies, then exercise army discipline on a lovely woman-horse to your heart’s content.”

Outside the bordello a contemporary European city is aflame with a revolution raging.

This film is probably the closest that a US prodution has got to reproducing a piece of European theatre accurately and passionately. One forgets the type-casting of Leonard Nimoy (playing a revolutionary leader) and Peter Falk (playing a fascistic Police Chief) which is no mean feat in itself.

The film explores complex philosophical issues of authority, status and the relationship between revolutionaries and the establishment. The costumed patrons of the brothel: a General, Lawyer and Bishop are gradually persuaded to adopt the roles in real life, filling the vacuum created by the deaths of the leaders of the City. Their roles are taken out of the bedroom and on to the streets. The film suggests that the distinction between reality and illusion may become blurred. Even the revolutionaries seem to prefer the replacements.

The score for this risky, intriguing film is all Igor Stravisnsky and features L’histoire de soldat and his octet for woodwinds.

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Film & DVD Review: Ulysses

Directed by Joseph Strick

Reviewed by Patrick Harrington

Ulysses

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The time frame for this film is one day – June 16th, 1904. We follow Leopold Bloom, a middle aged Jew and Stephen Daedalus, a poet as they move around Dublin. In some ways their day is unremarkable, ordinary. Yet we see a whole range of human behaviour and because of the way the book was written we gain insight into their emotions, thoughts and memories. It’s a film about relationships. Bloom’s love for Molly despite her infidelity, Molly’s love for Bloom, Molly’s purely sexual lust for Boylan, Bloom’s fatherly love for Stephen, Stephen’s constant searching for fatherly influence. We experience their small successes and minor disappointments. Finally the two come together in a chance meeting and become friends.

Joyce plays with language. The style of writing varies throughout the book and this is reflected in the film. Each chapter of the book uses a different narrative technique. Some are told from the first person, some are told by an all-knowing narrator, and some by an anonymous witnesses. This can be a litle bewildering but it is also intriguing.

The film, like the book, is curiously life-affirming – despite the petty mean acts and betrayals which are present. The end of the film shows Bloom and Molly, his cuckolding wife, renewing their relationship. As the Producer and Director Joseph Strick says in the sleeve notes to the DVD: “It is the supreme achievement of Joyce’s art that he brings about, not a happy ending, but a hopeful one.”

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Film & DVD Review: Misfits

Misfits DVD cover

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Running time: 271 mins approx
Format: 2 discs
Cert: 18

Reviewed by Pat Harrington

Misfits starts with five teenagers, Alisha (Antonia Thomas), Kelly (Lauren Socha), Curtis (Nathan Stewart-Jarrett), Simon (Iwan Rheon) and Nathan (Robert Sheehan) who are all being forced to attend a ‘Community Payback’ scheme at a local community centre. Just as they are checking each other out and we are finding out about them there is a dramatically shocking, freak storm. The storm changes both them and others. The Misfits develop strange superpowers and others around them start to behave oddly, even violently. Only Nathan is left wondering whether he has a power and what this might be. There are some great comic moments as Nathan experiments to try and find out! Generally Nathan manages to irritate and amuse at the same time.

I enjoyed all six episodes, there is enough suspense to keep you hooked but there is also a lot of humour. Misfits is funny and dark. I found Simon particularly interesting, he kept reminding me of Ian Curtis of Joy Division. Maybe it was his darkness as well as his dress style? Special mention also for the soundtrack which is great (80s post punk influenced). I hope they release it. A fair bit of swearing and sex but those into Skins will be used to that! I’m not surprised that the second series has already been commissioned. If you haven’t yet seen it, give it a go!

When Broadcast Misfits used social networking a lot with each character tweeting and facebook support. They also did a game on their web page. This kind of support is more akin to a film release than a series generally. Full marks to the team behind that.

The DVD features over an hour of extra material including behind the scenes videos with cast & crew, the making of Misfits and ‘Simon’s films’ – 4 videos Simon took on his phone of the other group members.

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Film & DVD Review: Brother Bear

RUNNING TIME: 80 Minutes DIRECTORS:Aaron Blaise & Robert Walker

Reviewed By Jacqueline

A great start! An old woman talks about her ancestors and their spiritual beings. A unique fantasy story emerges, she tells of, “a world full of magic” and “the ever-changing light dancing across the sky, the lights are powers to make changes to our world”.

Most importantly for the story she continues, “when each of us comes of age the great spirits reveal to us a totem that helps guide us through our lives”.

I’m curious, what are these totems? The old woman awards Kenai, (Joaquin Phoenix), with his totem, The Bear of Love. We learn of his two older brothers’ totems. Denhai, (Jason Raize) has been bestowed with the totem of wisdom, while his other brother Sitka, (D. B Sweeney), has been awarded the totem, the Eagle of guidance.

A great story unfolds of brotherly love and honour. Kenai’s life changes forever due to an unfortunate event. He can’t turn back time and finds himself being part of a bear world. He hooks up with a baby bear called Koda, (Jeremy Suarez), whom he adores and eventually loves. Together they set out on their long journey over the mountains looking for answers trying to turn back time. Unfortunately all is not well; an angry hunter carrying a spear tries to kill Kenai.

Kenai and Koda eventually find what they have been searching for. However, a twist in the storyline is one that changes Kenai’s life forever. He is transformed from a boy to a man and finds himself with an extended family.

You will enjoy the enchanting music from Phil Collins and Tina Turner. The animation is extremely colourful and exciting. A truly unique production, which comes highly recommended. Your children will love talking for hours on end about the colourful animals they have seen, such as the bears, mammoths, squirrels and moose. It is great that all of the animals were friendly and kind towards one another. Your little ones will enjoy sharing the experience of the great magical animal kingdom that brother bear experienced. They will be able to talk and talk with their siblings about brotherly love and totems for hours on end. One of the strengths of this animation is that it proves to be an enjoyable production for adults to watch with the added benefit that you will be able to share the experience and magic of Brother Bear with your children.

CREDITS

PRODUCER

Chuck Williams

SCREENPLAY

# Tab Murphy
# Lorne Cameron
# David Hoselton
# Steve Bencich
# Ron J Friedman

SONGS PERFORMED BY

# Phil Collins, (On My Way/No Way Out/Look Through My Eyes)
# Jeremy Svarez, (On My Way with Phil Collins)
# Tina Turner, (Great Spirits)
# The Bulgarian Women’s Choir, (Transformation)
# The Blind Boys of Alabama, (Welcome)

CAST – VOICEOVERS

# Joaquin Phoenix, (Kenai Bear)
# Jeremy Suarez, (Koda)
# Jason Raize, (Denahi)
# Rick Moranis, (Rick)
# Dave Thomas, (Tuke)
# D. B Sweeney, (Sitka)
# Joan Copeland, (Tanana)
# Estelle Harris, (Old Lady Bear)
# Michael Clarke Duncan, (Tug)
# Paul Christie, (Ram 1)
# Daniel Mastrogiorgio, (Ram 2)

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Film & DVD Review: Winnie The Pooh: Springtime with Roo

RUNNING TIME: 62 Minutes DIRECTORS: Elliot M Bour Saul Andrew Blinkoff

Reviewed By Jacqueline

Springtime with Roo

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Great introduction! Loved the fact that the Narrator, (David Ogden Stiers), introduces Christopher Robin’s room, at first glance you will see the wonderful exciting Winnie the Pooh book. Quite unexpectedly a surprise character jumps in and out of the book and talks to the Narrator. I thought it was quite quirky that throughout the entire animation the Narrator continues to talk to his characters, whilst they jump back and forth from chapter to chapter.

You will enjoy seeing all of your favourite friends from the Hundred Acre Wood. Fun and adventure is definitely on the agenda for Tigger, Eeyore, Piglet, Winnie the Pooh, Kanga and Roo. They are all looking forward to their annual Easter egg hunt, but their friend Rabbit has other ideas as he tries to spoil things.

It is only later when Rabbit is taught a lesson that he will never forget about friendship, that he tries to make amends. “is it too late to put everything right?”, well you will just have to watch and find out for yourselves.

In criticism, perhaps it is time for Winnie the Pooh and Tigger to have new voices! Thought that Jim Cummings needed to step down as their voice. The characters sound old fashioned and tired, at times, especially Winnie’s. Furthermore, Winnie and Tigger’s voiceovers sound too much alike. On the plus side the Narrator has a fantastic voice!

Easter songs galore! Listen out for “Winnie the Pooh”, orchestrated by Mark Watters, “We’re Huntin Eggs Today”, words and music by John Kavanaugh, “Sniffly Sniff” performed by Jim Cummings(as Winnie the Pooh).

Do the songs sound amateur like? Perhaps they should have been performed by well-known music stars, instead of the voiceovers of the characters? Why not compare these songs to the those in Brother Bear, where Tina Turner and Phil Collins sing their heart out.

Not all bad news though! The storyline was excellent, animation exciting and colourful, characters wonderful as ever.

It is great that your children will be able to enjoy the extras which appear on the Disney DVD, which include the entertaining “Sounds of Spring” game. Furthermore, there are sneak previews of the forthcoming Winnie the Pooh titles for you to add to your collection.

CREDITS

PRODUCER: John A Smith

SCREENPLAY:Tom Rogers

VOICEOVERS:

  • Jim Cummings, (Winnie the Pooh and Tigger)
  • Ken Sansom, (Rabbit)
  • Kath Soucie, (Kanga)
  • John Fielder, (Piglet)
  • Peter Cullen, (Eeyore)
  • David Ogden Stiers, (Narrator)
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    Film & DVD Review: Taking Lives

    1 hour 43 Minutes.
    Reviewed by Jacqueline

    The great opening scene sets the whole movie up to develop and unfold. This start should not merely be glanced at as the movie refers to it several times throughout. We see a goofy young man on a journey, (although he probably doesn’t even know himself where his journey will take him). He befriends another young man who appears to come from a troubled background with the same need to escape from the reality of life. The men drink beer and chit chat. Their bus breaks down and they hire a car, although it soon becomes clear that the driver of the car seems to have fooled his new friend, he is beginning to look ominous. The story breaks out into something quite ugly, but interesting at the same time.

    Montreal, Canada present day and a digger finds a body. French-speaking policemen gather round to discuss the unsolved murder. The Director Caruso thought that having predominantly French-speaking policemen would give the movie a “European feel”. Joseph Paquette, (Olivier Martinez) and Surete Du Quebec (Tcheky Karyo), both policemen, recruit the services of Special FBI Agent Illeana Scott, (Angelina Jolie).

    The director plays on Illeana’s loneliness. She dines alone, with nothing other than the photos of the crime scenes placed on a seat opposite her. She has also plastered photos on her bedroom ceiling as well as the bathroom walls, so that she could get into the world of the killer. Illeana reported to her colleagues that the murder had been premeditated and that the killer had been stalking his victim for weeks, following a pattern.

    James Costa, (Ethan Hawke) unexpectedly turns up as a witness to the murder and persuades Illeana that he is innocent, he helps the police by drawing a sketch of the killer.

    Naively Illeana falls for James, as he seems to be a “nice guy”. Is James what he seems or is he fooling everyone with his charming manner? Illeana is attracted to him. James is artistic and seems to be a caring person, but the real truth is that appearances can be deceptive. She ends up feeling used and disappointed. Her thoughts turn to revenge.

    This film makes one think about how people who appear ‘normal’ can deceive and manipulate us. Should we be wary and on our guard at all times?

    Angelina Jolie and Ethan Hawke are great in their roles, but Kiefer Sutherland and Olivier Martinez are overshadowed.Perhaps the supporting characters could have been developed more through meatier parts.

    This is a great suspense thriller which hooks you to the very end with its twists and turns.

    CAST

  • Angelina Jolie, (Special FBI Agent Illeana Scott)
  • Ethan Hawke, (James Costa)
  • Kiefer Sutherland, (deadly fugitive & drug dealer)
  • Olivier Martinez, (Joseph Paquette)
  • Jean-Hugues Anglade, (Emil Duval)
  • Tcheky Karyo, (Surete Du Quebec, Director Hugo Lec)
  • Gena Rowlands, (Rebecca Asher)CREW
  • Director: DJ Caruso
  • Written By: Jon Bokenkamp
  • Based on the Novel By: Michael Pye
  • Producers: Mark Canton and Bernie Goldmann
  • Executive Producers: Bruce Berman, Dana Goldberg and David Heyman

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    Film & DVD Review: Stella Street


    Running Time 79 minutes

    Certificate 15

    Reviewed by Jacqueline

    For those of you who don’t know Stella Street the movie is an extension of the BBC television series of the same name, (a series that mocks celebrities (all in harmless fun!). Stella Street first appeared on BBC2 over the 1997-1998 Christmas/New Year period.

    Stella Street the movie stars Phil Cornwell, John Sessions and Ronni Ancona, who are all brilliant impersonators.

    Phil Cornwell’s impersonations were magnificent and comical – he gave David Bowie star quality, acted Michael Caine with perfection and gave Mick Jagger and Jack Nicholson an edge. Phil Cornwell started off as a stand up impressionist appearing in The Cabaret Upstairs on Radio 4 in 1986 and later appeared in the Comic Strip films

    John Sessions will have you laughing too! He gave George Harrison, Dustin Hoffman and Keith Richards a style of their own. Al Pacino, (John Sessions), keeps you amused, he rejects the “Tweety Pie in Tinsletown Script” only to beg for it later on when he hits hard times. His relationship with his gardener is most amusing. John Sessions on the other hand trained at RADA with Kenneth Branagh, he is a man of many talents, a comedian, actor and impressionist, who appeared on Full House and more recently starred in Gormenghast.

    Ronni Ancona more commonly known for her work on Alistair McGowan’s Big Impression, does her most famous impression of Victoria Beckham. She also takes-off an American reporter, Tara the conwoman and Madonna.

    Stella Street, the film kicks off in black and white – quite appropriate for the 1960′s setting. A cleaning lady Mrs Huggett is the centre of attention; she has taken in some famous lodgers. She has lived on Stella Street since it was built and had been bombed in the war. Her lodgers seem amused and charmed by Stella Street, a street that seems no better than any other in Surrey, yet the stars seem hypnotised by what its suburban charms. Mrs. Huggert’s lodgers, The Beatles, are seen running down Stella Street surrounded by hordes of teenagers, much to the annoyance of their neighbour Richard Burton, who seems wound up by all the fuss they are causing. This is only the starter of what is ahead in Stella Street; the main course and dessert are yet to come. A comedy feast and “one great big laugh” to keep you entertained.

    Stella Street then jumps to 40 years later and colour kicks onto the screen. Michael Caine is the first to arrive at Stella Street, he immediately tells all his friends of its charm and they are quick to jump on the bandwagon. Jack Nicholson, Al Pacino, Jimmy Hill and David Bowie move in, their limousines take over the whole street. One house on Stella Street gets sold for £3 million.

    The celebrities have taken over and the new Stella Street has been born. Mick Jagger and Keith Richards become shopkeepers. Their shop seems to be empty most of the time, as Mick spends most of his time pouting and strutting his stuff in tight pants. What chance have you got of customer service in a corner store being run by Mick Jagger, (Phil Cornwell) and Keith Richards, (John Sessions)?

    The movie takes a sinister turn! The stars have been duped and drawn into one big con, even they can’t get out of this one. Stupidly they have all become victims to criminal boss Vince Crush, Phil Cornell), and his sidekick Tara, who robbed their fortunes. Al’s credit card doesn’t get accepted in the supermarket and Jack’s cheque bounces. It’s hard not to feel sorry for them, especially Mick and Keith who have had their electricity cut off and their shop repossessed.

    The stars faced with a reality check realise that they are penniless. Stars still being what they are compete with one another for attention. They act out scenes from their films, all for a few bucks. Jack gives a house tour to tourists throwing in a scene from One Flew Over the Cuckoo’s Nest, as he competes with Michael’s Italian Job tour. Mick has fallen on hard times and works on the till in the local food store. David Bowie is reduced to working as a handyman.

    Unable to make much money they all become homeless and are reduced to sleeping on the street, huddled around a fire to keep warm.

    Suddenly, the movie takes another twist but this time it is good news, the police arrive to tell the stars some unexpected news, that their stolen money has been recovered from the bank.

    Without wasting any time they pack their bags and jump back into the champagne lifestyle of limousines and money, a world far apart from sleeping rough on Stella Street. The cleaning lady Mrs Huggett gets her paycheck, when she sells her story to the newspapers.

    Stella Street is a magnificent movie. It’s fun to see the celebs in everyday situations. It sends out a message that even stars are just like the rest of us, it could have happened to them, they could have been conned out of their money perhaps. Just because they are rich one minute doesn’t mean to say that they will have it for all times, even stars fall on hard times.

    An extremely lighthearted, funny and enjoyable movie that comes highly recommended.

    DISTRIBUTOR: Columbia Tristar

    GENRE: Comedy

    DIRECTOR: Peter Richardson

    PRODUCERS: John Goldstone, Executive Producer,
    Ben Swaffer, Producer

    SCREENWRITERS:

  • Phil Cornwell
  • Peter Richardson
  • John SessionsCAST
  • Phil Cornwell
  • John Sessions
  • Ronni Ancona
  • Harry Enfield, Narrator (voice)
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